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COPY LINK DOWNLOAD: https://reader.softebook.net/yump/0262544520 Intersectional, intergenerational, and international perspectives on nonfiction filmmaking by women, generously illustrated, with film stills and other images.This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between th
COPY LINK DOWNLOAD: https://reader.softebook.net/yump/0262544520
Intersectional, intergenerational, and international perspectives on nonfiction filmmaking by women, generously illustrated, with film stills and other images.This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between th
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Feminist Worldmaking and the Moving Image
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https://reader.softebook.net/yump/0262544520
Intersectional, intergenerational, and international perspectives on nonfiction filmmaking by
women, generously illustrated, with film stills and other images.This book offers intersectional,
intergenerational, and international perspectives on nonfiction film- and videomaking by and about
women, examining practices that range from activist documentaries to avant-garde experiments.
Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit
major figures, contexts, and debates across a polycentric, global geography. They explore how the
moving image has been a crucial terrain of feminist struggle&12a way of not only picturing the
world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T.
Minh-ha and Sarah Maldoror explore collectively produced films with ties to women&17 liberation
movements in different countries and investigate the cinematic expressions of tensions and
alliances between feminism and anti-imperialist struggles. They grapple with the need for a
broader more inclusive definition of the term &20feminism&21 meditate on the figure of the
grandmother reflect on realist aesthetics and ask what a feminist film historiography might look
like. The book, generously illustrated with film stills and other images, many in color, offers ten
original texts, two conversations, and eight short essays composed in response to historical texts
written by filmmakers. The historical texts, half of which are published in English for the first time,
appear alongside the essays. ContributorsHelena Amiradżibi, Madeleine Bernstorff, Teresa
Castro, Counter Encounters (Laura Huertas Millán, Onyeka Igwe, Rachael Rakes), Ayanna
Dozier, Forough Farrokhzad, Safi Faye, Devika Girish, Elena Gorfinkel, Haneda Sumiko, Shai
Heredia, Juliet Jacques, Sarah Keller, Nzingha Kendall, Julia Lesage, Beatrice Loayza,
Janaína Oliveira, Lakshmi Padmanabhan, Yasmina Price, Elizabeth Ramírez-Soto,
Pooja Rangan, Lis Rhodes, Sara Saljoughi, Rasha Salti, Isabel Seguí, Chick Strand, Monika
Talarczyk, Trinh T. Minh-ha, Françoise Vergè, Claudia von Alemann, Mitsuyo Wada-
Marciano, Shilyh Warren, Giovanna Zapperi