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Copy Link >> https://getpdf.readbooks.link/yupu/0140420150 Closer to Dylan Thomas than Matthew Arnold in his 16creative violence17 and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Society of Jesus and the age of twenty-four, he burnt all his poetry and 16resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written
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Closer to Dylan Thomas than Matthew Arnold in his 16creative violence17 and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Society of Jesus and the age of twenty-four, he burnt all his poetry and 16resolved to write no more, as not belonging to my profession, unless by the wish of my superiors.' The poems, letters, and journal entries selected for this edition were written
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Poems and Prose (Penguin Classics)
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Closer to Dylan Thomas than Matthew Arnold in his 16creative
violence17 and insistence on the sound of poetry, Gerard
Manley Hopkins was no staid, conventional Victorian. On
entering the Society of Jesus and the age of twenty-four, he
burnt all his poetry and 16resolved to write no more, as not
belonging to my profession, unless by the wish of my
superiors.' The poems, letters, and journal entries selected for
this edition were written in the following twenty years of his life
and published posthumously in 1918. nbsp His verse is
wrought from the creative tensions and paradoxes of a poetpriest
who wanted to evoke the spiritual essence of nature
sensuously, and to communicate this revelation in natural
language and speech-rhythms while using condensed,
innovative diction and all the skills of poetic artifice. Intense,
vital, and individual, his writing is the 16terrible crystal17
through which the soul12the inscape, the nature of
things12may be illuminated.