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Marshlands (New York Review Books Classics)
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Marshlands (New York Review Books Classics)
A slim but powerful work of metafiction by a Nobel Prize-winning French writer and intellectual.Andr#233
Gide is the inventor of modern metafiction and of autofiction, and his short novel Marshlands shows him
handling both forms with a deft and delightful touch. The protagonist of Marshlands is a writer who is
writing a book called Marshlands, which is about a reclusive character who lives all alone in a stone
tower. The narrator, by contrast, is anything but a recluse: He is an indefatigable social butterfly, flitting
about the Paris literary world and always talking about, what else, the wonderful book he is writing,
Marshlands. He tells his friends about the book, and they tell him what they think, which is not exactly
flattering, and of course those responses become part of the book in the reader17s hand. Marshlands is
both a poised satire of literary pretension and a superb literary invention, and Damion Searls17s new
translation of this early masterwork by one of the key figures of twentieth-century literature brings out all
the sparkle of the original.
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