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Download free [PDF] The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry

Copy Link >> https://getpdf.readbooks.link/yupu/1501141732 &#8220A hot-rod joy ride through mid-20th-century American history&#8221 (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar&#8217s amplified sound&#8212Leo Fender and Les Paul&#8212and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.In the years after Wor

Copy Link >> https://getpdf.readbooks.link/yupu/1501141732

&#8220A hot-rod joy ride through mid-20th-century American history&#8221 (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar&#8217s amplified sound&#8212Leo Fender and Les Paul&#8212and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.In the years after Wor

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The Birth of Loud: Leo Fender, Les Paul, and

the Guitar-Pioneering Rivalry That Shaped

Rock 'n' Roll

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Copy Link >> https://getpdf.readbooks.link/yupu/1501141732

&#8220Ahot-rod joy ride through mid-20th-century American

history&#8221(The New York Times Book Review), this oneof-a-kind

narrative masterfully recreates the rivalry between

the two men who innovated the electric

guitar&#8217samplified sound&#8212Le Fender and Les

Paul&#8212an their intense competition to convince rock stars

like the Beatles, Jimi Hendrix, and Eric Clapton to play the

instruments they built.In the years after World War II, music

was evolving from big-band jazz into rock &#8217n#8217

roll&#8212an these louder styles demanded revolutionary

instruments. When Leo Fender&#8217stiny firm marketed the

first solid-body electric guitar, the Esquire, musicians

immediately saw its appeal. Not to be out-maneuvered,


Gibson, the largest guitar manufacturer, raced to build a

competitive product. The company designed an

&#8220ax&#8221that would make Fender&#8217sEsquire

look cheap and convinced Les Paul&#8212whse endorsement

Leo Fender had sought&#8212toput his name on it. Thus was

born the guitar world&#8217smost heated rivalry: Gibson

versus Fender, Les versus Leo. While Fender was a quiet,

half-blind, self-taught radio repairman, Paul was a brilliant but

headstrong pop star and guitarist who spent years toying with

new musical technologies. Their contest turned into an arms

race as the most inventive musicians of the 1950s and

1960s&#8212inluding bluesman Muddy Waters, rocker Buddy

Holly, the Beatles, Bob Dylan, and Eric Clapton&#8212adpted

one maker&#8217sguitar or another. By 1969 it was clear that

these new electric instruments had launched music into a

radical new age, empowering artists with a vibrancy and

volume never before attainable. In &#8220anexcellent dual

portrait&#8221(The Wall Street Journal), Ian S. Port tells the

full story in The Birth of Loud, offering &#8220spt-on human

characterizations, and erotic paeans to the bodies of

guitars&#8221(The Atlantic). &#8220Thstory of these

instruments is the story of America in the postwar era: loud,

cocky, brash, aggressively new&#8221(The Washington Post).

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