Writing-Unforgettable-Characters-How-to-Write-a-CharacterDriven-Screenplay-that-Connects-Emotionally-with-your-Audience
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Writing Unforgettable Characters: How to Write a Character-Driven Screenplay that Connects Emotionally with your Audience The very first thing Its important to do with any e book is investigation your subject. Even fiction publications in some cases need to have a bit of exploration to make certain they are factually proper
Writing Unforgettable
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When you learn the key to writing unforgettable characters,
you’llbe elevated above the thousands of other writers
out there. Readers will engage with your story! Actors will be
fighting to play your characters! Viewers will leave the film
wanting to talk (or argue) about itwith their friends! You will sell
a screenplay for a million dollars and get to hang out with Brad
Pitt on George Clooney’syacht!As a writer, do you
consistently get feedback saying your characters are
“boing”or “topassive”or
“plase stop emailing me, Hudson, how did you even get
this address?”Are readers not connecting personally or
emotionally with your material? Does plot come easily but you
find it’sa real chore to shoehorn interesting characters
into it?In this physically-small but content-rich resource,
you’llfind eight practical exercises to help you:Dissect
your favorite characters to find out what makes them tick.Write
deeper, more personal stories (even if those stories are about
robots, vampires, and orcs).Create characters so well defined
they start to write themselves.Start writing your characterdriven
story TODAY.FROM THE INTRODUCTION:Hi,
I’mHudson and I suck at writing characters.I know what
you’rethinking: “BuI just bought this book to
learn how to write unforgettable characters and now you, the
author, are telling me you suck at it? What the hell am I paying
you for?”Oky, fine. Maybe I should caveat that
statement by saying I used to suck at writing characters. That
is to say, my natural state of writing characters is one of
suckiness. But, hey, that should give you hope. Writers
aren’tborn, they are made. Books and tea and crippling
anxiety that’swhat writers are made of.The first step is
admitting you have a problem.Historically, my scripts have
always started with plot. I’dcome up with some big,
crazy idea, capture that plot-driven story down on the page,
send it out for feedback, and would be met with a resounding...
“me.”Over and over, I’dget notes like,
“yor characters aren’tlikable,”or
“Idon’tknow who to pull for,”or “Yor
hero isn’tstrong enough,”or
“Yo’rethe last person on earth who should write
a book about writing unforgettable characters.”Sothen
I’dhave to start over, shoehorning memorable
characters into that plot. This process would take a
frustratingly long time, full of hair-pulling and rewrites and
copious amounts of alcohol to finally get my characters to be
something resembling interesting, driven human
beings.That’swhy I put this book together: to take a
fluid idea like “unorgettable characters”and turn
it into an easy-to-follow, practical guide to help me consistently
write unforgettable characters (and, as a result, unforgettable
stories). I hope it does the same for you.Along the way,
you’llbe given some exercises to help you dissect your
favorite characters, define the characters
you’recurrently writing, and challenge you to live an
unforgettable life.Note: while this book is focused on
screenwriting, the same principles apply to prose-writing, playwriting,
and any-other-kind-of-writing you might dive into. So
while I use the language of screenwriting, feel free to go
through with a red pen, strikethrough
“sceenplay” and replace it
with“noel” “ply” “esape
room” or your medium of choice.
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