Joan Takayama-Ogawa: Ceramic Beacon
The Craft in America Center is pleased to present a thirty-year survey of the provocative, playful and intricate ceramic sculpture of Joan Takayama-Ogawa.
The Craft in America Center is pleased to present a thirty-year survey of the provocative, playful and intricate ceramic sculpture of Joan Takayama-Ogawa.
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16<br />
17<br />
ceramic beacon<br />
zaiden<br />
With more than a decade of technical expertise under her<br />
belt, by the late 1990s, she started to tell stories more overtly and<br />
convey messages through her pieces. She challenged herself to<br />
become fluent in using clay as commentary. She continued to reinvent<br />
functional ceramic forms by imbuing them with her ideas<br />
and formally approaching them from new directions. Narrative<br />
and political expression became her core goal at the turn of the<br />
21st century. She created pieces that warned about the powerful<br />
forces pushing society and our ecosystems to the edge. Viewing<br />
the stock market bubble as it was about to burst, <strong>Takayama</strong>-<br />
<strong>Ogawa</strong> re-envisioned the iconic tea vessel from a contemporary<br />
lens. She built a precious, Fabergé-like 2-Lippo Mania Teapot and<br />
layered in an allusion to the tulip craze of the Dutch Golden Age<br />
(FIG. 3). The piece was a playful summation of the indulgent whims<br />
of market capitalism, a topic she regularly revisits.<br />
(FIG. 3)<br />
2-Lippo Mania Teapot:<br />
Dot Com Stock<br />
Market Bust<br />
2000<br />
Glazed earthenware