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Joan Takayama-Ogawa: Ceramic Beacon

The Craft in America Center is pleased to present a thirty-year survey of the provocative, playful and intricate ceramic sculpture of Joan Takayama-Ogawa.

The Craft in America Center is pleased to present a thirty-year survey of the provocative, playful and intricate ceramic sculpture of Joan Takayama-Ogawa.

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16<br />

17<br />

ceramic beacon<br />

zaiden<br />

With more than a decade of technical expertise under her<br />

belt, by the late 1990s, she started to tell stories more overtly and<br />

convey messages through her pieces. She challenged herself to<br />

become fluent in using clay as commentary. She continued to reinvent<br />

functional ceramic forms by imbuing them with her ideas<br />

and formally approaching them from new directions. Narrative<br />

and political expression became her core goal at the turn of the<br />

21st century. She created pieces that warned about the powerful<br />

forces pushing society and our ecosystems to the edge. Viewing<br />

the stock market bubble as it was about to burst, <strong>Takayama</strong>-<br />

<strong>Ogawa</strong> re-envisioned the iconic tea vessel from a contemporary<br />

lens. She built a precious, Fabergé-like 2-Lippo Mania Teapot and<br />

layered in an allusion to the tulip craze of the Dutch Golden Age<br />

(FIG. 3). The piece was a playful summation of the indulgent whims<br />

of market capitalism, a topic she regularly revisits.<br />

(FIG. 3)<br />

2-Lippo Mania Teapot:<br />

Dot Com Stock<br />

Market Bust<br />

2000<br />

Glazed earthenware

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