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Joan Takayama-Ogawa: Ceramic Beacon

The Craft in America Center is pleased to present a thirty-year survey of the provocative, playful and intricate ceramic sculpture of Joan Takayama-Ogawa.

The Craft in America Center is pleased to present a thirty-year survey of the provocative, playful and intricate ceramic sculpture of Joan Takayama-Ogawa.

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6 7<br />

FOREWORD<br />

How <strong>Joan</strong> <strong>Takayama</strong>–<strong>Ogawa</strong><br />

is Changing the World<br />

CAROL SAUVION EXECUTIVE DIRECTOR CRAFT IN AMERICA<br />

Anger turns into beauty in the sculptures of <strong>Joan</strong> <strong>Takayama</strong>-<strong>Ogawa</strong>. Anger? Does it<br />

have a place in the arts? <strong>Joan</strong> thinks it does and sees her ceramic practice as a venue<br />

to express her ideas about many topics: climate change, violence, school shootings,<br />

the covid pandemic, women’s roles and rights and the current political climate that<br />

endangers our democracy. Quite an enormous undertaking, but in <strong>Joan</strong>’s mind and<br />

talented hands, all of these issues are boldly considered and artfully presented. Quite<br />

an accomplishment, but one would expect nothing less from this gifted ceramic artist<br />

whose roots in clay run deep. Her life and her work exemplify her dedication to her<br />

dual careers as college professor and artist.<br />

I first understood <strong>Joan</strong> <strong>Takayama</strong>-<strong>Ogawa</strong> when I saw her interact with the students<br />

she brings to the Craft in America Center as part of her Made in the usa course at Otis<br />

College of Art and Design. She was the perfect combination of authority and laissez<br />

faire, directing her students but also allowing them time and space to make their own<br />

discoveries. I was immediately impressed by her powerful presence and my admiration<br />

has grown with time.<br />

<strong>Joan</strong> <strong>Takayama</strong>-<strong>Ogawa</strong>: <strong>Ceramic</strong> <strong>Beacon</strong>, at the Craft in America Center, is a<br />

journey through thirty years of the artist’s work: ceramic teapots and cupcakes and<br />

bleached coral and miniature narratives of world events. The gorgeous glazes on perfect<br />

shapes belie the seriousness of the subject matter. She captures our attention with<br />

beauty and luster and changes our lives with the impactful results of her dedication to<br />

(TITLE PAGE, FIG. 17)<br />

Bleached Coral Chandelier<br />

2015<br />

Glazed earthenware,<br />

aircraft cable, LED lights<br />

(CONTENTS SPREAD)<br />

Tea Towers<br />

1999<br />

Glazed earthenware<br />

(ABOVE, FIG. 6)<br />

Tipping Point Series, SUVs<br />

2008<br />

Glazed earthenware<br />

making the world a better place.<br />

The world is a better place because of <strong>Joan</strong> <strong>Takayama</strong> <strong>Ogawa</strong>. We at Craft in<br />

America salute her and join her as she changes the world one idea at a time. And<br />

always there is beauty.

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