Joan Takayama-Ogawa: Ceramic Beacon
The Craft in America Center is pleased to present a thirty-year survey of the provocative, playful and intricate ceramic sculpture of Joan Takayama-Ogawa.
The Craft in America Center is pleased to present a thirty-year survey of the provocative, playful and intricate ceramic sculpture of Joan Takayama-Ogawa.
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6 7<br />
FOREWORD<br />
How <strong>Joan</strong> <strong>Takayama</strong>–<strong>Ogawa</strong><br />
is Changing the World<br />
CAROL SAUVION EXECUTIVE DIRECTOR CRAFT IN AMERICA<br />
Anger turns into beauty in the sculptures of <strong>Joan</strong> <strong>Takayama</strong>-<strong>Ogawa</strong>. Anger? Does it<br />
have a place in the arts? <strong>Joan</strong> thinks it does and sees her ceramic practice as a venue<br />
to express her ideas about many topics: climate change, violence, school shootings,<br />
the covid pandemic, women’s roles and rights and the current political climate that<br />
endangers our democracy. Quite an enormous undertaking, but in <strong>Joan</strong>’s mind and<br />
talented hands, all of these issues are boldly considered and artfully presented. Quite<br />
an accomplishment, but one would expect nothing less from this gifted ceramic artist<br />
whose roots in clay run deep. Her life and her work exemplify her dedication to her<br />
dual careers as college professor and artist.<br />
I first understood <strong>Joan</strong> <strong>Takayama</strong>-<strong>Ogawa</strong> when I saw her interact with the students<br />
she brings to the Craft in America Center as part of her Made in the usa course at Otis<br />
College of Art and Design. She was the perfect combination of authority and laissez<br />
faire, directing her students but also allowing them time and space to make their own<br />
discoveries. I was immediately impressed by her powerful presence and my admiration<br />
has grown with time.<br />
<strong>Joan</strong> <strong>Takayama</strong>-<strong>Ogawa</strong>: <strong>Ceramic</strong> <strong>Beacon</strong>, at the Craft in America Center, is a<br />
journey through thirty years of the artist’s work: ceramic teapots and cupcakes and<br />
bleached coral and miniature narratives of world events. The gorgeous glazes on perfect<br />
shapes belie the seriousness of the subject matter. She captures our attention with<br />
beauty and luster and changes our lives with the impactful results of her dedication to<br />
(TITLE PAGE, FIG. 17)<br />
Bleached Coral Chandelier<br />
2015<br />
Glazed earthenware,<br />
aircraft cable, LED lights<br />
(CONTENTS SPREAD)<br />
Tea Towers<br />
1999<br />
Glazed earthenware<br />
(ABOVE, FIG. 6)<br />
Tipping Point Series, SUVs<br />
2008<br />
Glazed earthenware<br />
making the world a better place.<br />
The world is a better place because of <strong>Joan</strong> <strong>Takayama</strong> <strong>Ogawa</strong>. We at Craft in<br />
America salute her and join her as she changes the world one idea at a time. And<br />
always there is beauty.