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2023 CRAFT ACT Artistic Program

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A R T I S T I C P R O G R A M<br />

Craft <strong>ACT</strong>: Craft + Design Centre


Craft <strong>ACT</strong>: Craft + Design Centre is a not-for-profit membership<br />

run organisation partially supported by the <strong>ACT</strong> Government<br />

through the Visual Arts and Craft Strategy. An initiative of the<br />

Australian State and Territory Governments, and the Australia<br />

Council for the Arts – the Australian Government’s arts funding<br />

and advisory body.<br />

<strong>CRAFT</strong> <strong>ACT</strong> <strong>CRAFT</strong> + DESIGN CENTRE<br />

Tuesday – Friday 10am–5pm<br />

Saturdays 12–4pm<br />

Level 1, North Building,<br />

180 London Circuit,<br />

Canberra <strong>ACT</strong> Australia<br />

+61 2 6262 9333<br />

www.craftact.org.au<br />

Front Cover: Eliza-Jane Gilchrist, Uncommon Installation View, 2019. Photo: Lorena Carrington.<br />

Image: Tension[s} 2020 Opening Event, 2022. Photo: 5 Foot Photography.


Exhibitions <strong>2023</strong><br />

Block 1<br />

2 February - 18 March<br />

EMERGING CONTEMPORARIES<br />

Artists to be selected<br />

Emerging Contemporaries is the Craft <strong>ACT</strong> National Award Exhibition for early career artists.<br />

This exhibition plays a pivotal role in supporting and transitioning artists into professional<br />

practice and placing Australian artists in view of the national cultural collecting institutions,<br />

industry, and audience.<br />

<br />

Craft <strong>ACT</strong> is always looking for new talent to nurture and add to our growing community. For<br />

Emerging Contemporaries, we select emerging designers and makers from a numerous local<br />

institutions including: Sturt School for Wood, Canberra Potters Society, Canberra Institute of<br />

Technology, University of Canberra, the ANU School of Art + Design, University of New South<br />

Wales and the CAPO Craft <strong>ACT</strong> Emerging Artist award.<br />

Image: Oliver Owens, Lilli Pilli, 5pm, 2021. Photo: Brenton McGeachie.


Exhibitions <strong>2023</strong><br />

Block 1<br />

2 February - 18 March<br />

DAISY CHAIN<br />

Bolaji Teniola | Carman Skeehan | Courtney Hogan | Calum Donaldson | Holly<br />

Phillipson | Lauren Murphy | Melvin Josy | Tom Summers<br />

Daisy Chain is a group exhibition proposed by the eight new associates of JamFactory’s highly<br />

respected associate program which seeks to accelerate and develop the skills of emerging<br />

artists and designers. The focus of Daisy Chain will be to utilise the JamFactory's environment for<br />

collaborative learning and mutual exchange of techniques and ideas across disciplines. The intent<br />

is to capitalise on the unique opportunity that is at the associate’s fingertips, being the actual<br />

facilities available through the JamFactory program and the dialogue that occurs by bringing<br />

together such diverse and innovative designers from across Australia.<br />

Image: Skeehan Homewares, 2021. Photo: Courtesy of the artist.


Exhibitions <strong>2023</strong><br />

Block 2<br />

23 March - 13 May<br />

2022 ARTIST-IN-RESIDENCE EXHIBITION<br />

Julie Ryder | Mel Robson | Bev Hogg<br />

The annual Craft <strong>ACT</strong>: Craft + Design Centre Artist-in-Residence program supports local and<br />

national artists to each undertake a residency at Gudgenby Ready-Cut Cottage in the Namadgi<br />

National Park, and a two week research component within a national cultural institution in<br />

Canberra. The program facilitates access for the artist to national cultural, tertiary and research<br />

institutions and their collections, curators and researchers. A group exhibition of new work by<br />

each artist is held annually, and a catalogue produced about the program is disseminated<br />

internationally.<br />

<br />

Presented in partnership with <strong>ACT</strong> Parks and Conservation Service and National Library of<br />

Australia.<br />

Image: Mel Robson + Bev Hogg at the NLA, 2022. Photo: 5 Foot Photography


Exhibitions <strong>2023</strong><br />

Block 2<br />

23 March - 13 May<br />

2022 INDIGENOUS RESIDENCY<br />

Krystal Hurst | Jessika Spencer<br />

The annual Craft <strong>ACT</strong>: Craft + Design Centre Indigenous Artist-in-Residence program supports local<br />

and national Aboriginal and Torres Strait Islander artists to each undertake a residency at Gudgenby<br />

Ready-Cut Cottage in the Namadgi National Park, and a two week research component within a<br />

national cultural institution in Canberra. The program facilitates access for the artist to national cultural,<br />

tertiary and research institutions and their collections, curators and researchers. A group exhibition of<br />

new work by each artist is held annually, and a catalogue produced about the program is<br />

disseminated internationally<br />

<br />

Presented in partnership with <strong>ACT</strong> Parks and Conservation Service and local Cultural Institutions.<br />

Image: Ready Cut Cottage, 2022. Photo: 5 Foot Photography.


Exhibitions <strong>2023</strong><br />

Block 2<br />

23 March - 13 May<br />

TWO-TONE<br />

Louis Grant | Madisyn Zabel<br />

Two-Tone is a collaborative exhibition featuring two contemporary artists, Louis Grant and<br />

Madisyn Zabel, who primarily work within a glass discipline. Extending on both Grant and Zabels<br />

own practices, Two-Tone opens up a discourse around dualities, contrasts and material.<br />

Image: Madisyn Zabel, same but different (aqua), 2022. Photo: Louis Grant.


Exhibitions <strong>2023</strong><br />

Block 3<br />

18 May - 1 July<br />

CO:LAB<br />

Lisa Cahill | Peter Bollington<br />

CO: LAB is a culmination of a year-long Craft <strong>ACT</strong> professional development and exchange<br />

program that forges new directions in the creative industries.<br />

Artists' Lisa Cahill and Peter Bollington were selected and have worked with an architect and<br />

their clients to develop a new range of lighting pieces for a residential project in Canberra.<br />

Embracing the spirit of collaboration, these makers have worked across disciplines and have<br />

gained exposure to commercial environments with other designers and clients.<br />

<br />

During the project, Cahill and Bollington received professional support including sustainability<br />

advice, mentoring, and sales, marketing and technical support. As well as participating in<br />

professional workshop visits to studios working in the field of industrial design.<br />

Image: Peter Bollington, Sku Bar Stool, 2017. Photo: Michael Gordon Hill .


Exhibitions <strong>2023</strong><br />

Block 3<br />

18 May - 1 July<br />

SPECULATION NATION: MAKING UTOPIA<br />

Curator | Penny Craswell<br />

Jenna Lee | Krystal Hurst | Rachael Hanrick | Kim Johnston | Shaun Hayes | Dennis<br />

Golding | Kyoko Hashimoto | Julia Drouhin | Soraya Abidin | James Lemon<br />

The year is 2050 and Australia is a diverse, inclusive nation with a First Nations treaty, sustained<br />

action on climate change and a thriving green economy. Speculation Nation: Making Utopia<br />

presents the work of crafts practitioners across Australia to ruminate on this utopia and create a<br />

material response. Artists might explore how we can reach this utopia or reflect on these ideas<br />

more generally.<br />

Image: Dennis Golding, Back Home From Home, 2021. Photo: Courtesy of the artist.


Exhibitions <strong>2023</strong><br />

Block 4<br />

6 July - 26 August<br />

UNCOMMON<br />

Eliza-Jane Gilchrist<br />

With a mixture of older and new work, Craft <strong>ACT</strong> presents Eliza-Jane Gilchrist's ongoing<br />

practice of making abstract sculptures based on plant/seed forms using cardboard. Gilchrist<br />

combines craft techniques such as paper-cutting, folding, paper-engineering, papier Mache,<br />

and pattern-making, with non-traditional materials, creating works are unusual, accessible and<br />

thought-provoking.<br />

Image: Eliza-Jane Gilchrist, ncomon Installation View 2019. Photo: Lorena<br />

Carrington.


Exhibitions <strong>2023</strong><br />

Block 4<br />

6 July - 26 August<br />

EXUBERANCE<br />

Curators | Sharon Peoples + Carol Cooke<br />

Artists | Leonie Andrews | Nichole O’Loughlan | Robby Wright | Nicole Kemp | Dijanna<br />

Cevaal | Philomena Hali | Suzie Vickery | Belinda Jessup | Carol Cooke | Liz Payne |<br />

Cathy Jack Coupland | Carolyn Sullivan | Wilma Simmons | Sharon Peoples | Makeda<br />

Duong | Naomi Zouwer | Liam Benson | Amy Jones | Di Ellis<br />

Sixteen contemporary Australian craft practitioners, designers and artists examine<br />

the concept of exuberance through colour, materiality and politics through hand<br />

stitch. Objects and wall pieces will reflect the current urge of re-engagement with<br />

nature and the politics. We are using stitch as a metaphor of repair, care and<br />

protection that is required for the environment, often reflecting the ability of plant life<br />

to proliferate in weird and wonderful ways when given the opportunities. In<br />

psychology, exuberance denotes child-like displays of lack of inhibition, and this<br />

comes through many of the artists working on this project.<br />

Image: Liam Benson, You Already Know - Echo, 2021-22. Photo: Courtesy of the artist.


Exhibitions <strong>2023</strong><br />

Block 5<br />

7 September - 21 October<br />

ISLAND WELCOME<br />

Curator | Belinda Newick<br />

Artists | Jane Bowden | Melissa Cameron | Maree Clarke + Blanche Tilden | Laura<br />

Deakin | Bin Dixon-Ward | Sarah Elson | Kath Inglis | Pennie Jagiello | Inari Kiuru | Kelly<br />

McDonald | Alice Whish.<br />

Island Welcome a nationally touring group exhibition exploring contemporary jewellery as a<br />

gesture of welcome, curated by Belinda Newick, seeks to bring attention to asylum seeker<br />

issues and to extend the dialogue beyond art and craft audiences via expressions of Australian<br />

values through craft practice.<br />

<br />

With reference to welcome garlands gifted in many traditional islander cultures, each artist has<br />

made a neckpiece, lei, or garland interpreting the theme of welcome whilst considering current<br />

Australian immigration policies. The artists use the narrative and material potential of each<br />

distinct garland to encapsulate a complex visual language and to express the emotions felt by<br />

the maker during the process.<br />

Image: Kelly MacDonald, Motherlode, 2018. Photo: Courtesy of the artist.


Exhibitions <strong>2023</strong><br />

Block 5<br />

7 September - 21 October<br />

DRAWN BY STONE<br />

Curators | Bridie Moran | Jody Rallah | Annette An-Jen Liu<br />

Dean Cross | Ray Chan See Kwong | Jody Rallah | Wen-Hsi Harman | Ruth Ju-shih LI<br />

Drawn by stones is a touring exhibition that brings together artists who utilise the ceramic medium<br />

to interrogate contested histories, stolen land, Indigenous sovereignty, and national identity.<br />

Exhibiting artists from Australia, Hong Kong and Taiwan investigate ‘nationhood’ and ownership<br />

through ceramics and demonstrate how the ceramic form can both memorialise and tell<br />

alternative histories.<br />

Taking its title from Marvin Bell’s 1984 poem Drawn by Stones, by Earth, by Things That Have Been<br />

in the Fire, this exhibition recognises that the foundations of ceramic practice lie in the earth – and<br />

through the work of exhibiting artists, aims to expand the relevance of ceramic histories, dialogues<br />

and interrogations of land, place, sovereignty and ownership across Asia and Australia.<br />

Drawn by stones is a 4A Centre for Contemporary Asian Art touring project. The exhibition and<br />

associated programming are supported by the Australia Council for the Arts,.<br />

Image: Ray Chan See Kwong, NEW RE NEW, 2018. Photo: Christian Capurro.


Exhibitions <strong>2023</strong><br />

Block 6<br />

26 October – 9 December<br />

<strong>2023</strong> <strong>CRAFT</strong> <strong>ACT</strong> MEMBERS EXHIBITION<br />

Artist to be selected mid <strong>2023</strong><br />

The Craft <strong>ACT</strong>: Craft + Design Centre annual members exhibition will showcase contemporary<br />

expressions of craft and design uniting time-honoured techniques with modern interpretations.<br />

This is a showcase exhibition demonstrating the trends in contemporary craft and design in<br />

Australia by practitioners from the <strong>ACT</strong> and surrounding region.<br />

Image: Transformation: Craft <strong>ACT</strong> Members Exhibition Installation View, 2021. Photo: 5 Foot Photography.


Exhibitions <strong>2023</strong><br />

Block 6<br />

26 October – 9 December<br />

DESIGN CANBERRA EXHIBITION<br />

Exhibitions to be selected Early <strong>2023</strong><br />

DESIGN Canberra celebrates and promotes Canberra as a global city of design.<br />

<br />

Throughout November <strong>2023</strong> a curated program of events, exhibitions, talks, tours, activations,<br />

markets, collaborations, artist studios and open homes will be showcased as DESIGN Canberra,<br />

transforming the nation’s capital into a new platform for the best in design. The festival is for all<br />

interests and ages and most events are free.<br />

<br />

DESIGN Canberra values innovation, experimentation and collaboration and is generously<br />

supported by like-minded organisations and brands.<br />

Image: DESIGN Canberra Festival Civic Square Activation, 2019. Photo: 5 Foot Photography.


Exhibitions <strong>2023</strong><br />

Block 6<br />

26 October – 9 December<br />

SPOON THEORY<br />

Elizabeth Curry<br />

‘Spoon Theory’ is an exhibition of spoons crafted to abstractly represent some of the<br />

emotions experienced by a person living with an invisible illness, in this case autism.<br />

Based on the concept of Spoon Theory created by Christine Miserandino, each<br />

spoon will be crafted from scratch and represent an emotion felt by a specific<br />

individual, the artist herself.<br />

The aim of the exhibition is to bring awareness to invisible illnesses. It is hoped that it<br />

may help some people either through recognition or understanding and assist in the<br />

breakdown of associated stigmas.<br />

Image: Elizabeth Curry, Untitled Shoulder Brooch, 2018. Photo: Simon Cottrell.


For further information, please contact:<br />

Gallery and Retail Manager, Craft <strong>ACT</strong>: Craft + Design<br />

craftact@craftact.org.au or 02 6262 9333<br />

Image: Emerging Contemporaries Installation View, 2021. Photo: 5 Foot<br />

Photography.

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