Master's in Design for Emergent Futures: Research, Design Experiments, & Interventions

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egeneratiREGENERATIVE DESIGN is a process-oriented whole system approach to design.The term “regenerative” describes processes that restore, renew or revitalize theirown sources of energy and materials. Regenerative design uses whole systems thinking to createresilient and equitable systems that integrate the needs of society with the integrity of nature.18 FINDING MY FIGHT
FINDING MY FIGHT | DECEMBER 2021 | TERM 1Books such as Lo-TEK Design by Radical Indigenism by Julia Watson, Braiding Sweetgrass byRobin Wall Kimmerman, and Entangled Life by Mervin Sheldrake have helped me to recalibratemy compass. I came into this masters’ course with a more human-centered perspective butI am begining to re-orient my practice to foster planetary mutualism and inter-speciescollaboration. These books present concepts such as inter-species collaboration,reciprocity, lo-TEK (in contrast to hi-tech), radical wisdom, and radical mycology.Traditional Ecological Knowledge (TEK) has been widely dismissed in westernthought and “developed”populations but is ironically deeply grounded inscience and recognizes complex ecological systems, and environmentalve DesignAs an increasingly urban dwelling species, fast paced, addictedto producing and polluting, we humans have a lot to learn from ourIndigenous peoples, other animals, plants, bacteria, and fungi. PabloAmaringo reminds us that “If they burn what’s left of the rainforests, it’sthe same as burning a whole library of books without ever having read them”.Our natural world is rich with knowledge but ironically, to borrow Julia Watson’swords, “we are searching for wisdom while drowning in information”4. As I explore the idea ofcircular living, and the circular economy, and material intelligence, I look to TEK and our naturalecological systems for inspiration.FINDING MY FIGHT 9
Page 1 and 2: Designing forEmergentFuturesJULIA S
Page 3 and 4: Designing forEmergentFuturesINTRODU
Page 5 and 6: READY FOR A MATERIAL REVOLUTION | O
Page 7: r THOUGHTTAPESTRY of WEAK SIGNALS |
Page 11 and 12: My CircularApartmentOCTOBER - DECEM
Page 13 and 14: REpurspose &REuseMY CIRCULAR APARTM
Page 15 and 16: APARTMENT SIZE VERMICOMPOSTREgenera
Page 17 and 18: PHOTO JULIA STEKETEEMATERIALS fromF
Page 19 and 20: PHOTO FABLAB BARCELONAGelatinPine R
Page 21 and 22: PHOTOS REBECCA VAN EIJKBIO MATERIAL
Page 23 and 24: PHOTOS REBECCA VAN EIJKtectureREBOQ
Page 25 and 26: MoldingMyceliumNOVEMBER - DECEMBER
Page 27 and 28: PHOTO CHRIS ERNST+GrowingPHOTO JULI
Page 29 and 30: MOLDING MYCELIUMREMOVING MYCELIUMCO
Page 31 and 32: PHOTO VIKRANT MISHRAMycoremediation
Page 33 and 34: Mushroooom®mmmmmmmmuuuuuuuusssssss
Page 35 and 36: LECTURES & ACTIVITIES on BIO-REMEDI
Page 37 and 38: substrate before filling the molds.
Page 39 and 40: PHOTOS JULIA STEKETEEToolstoEQUIPME
Page 41 and 42: WOODCHIPS / SAWDUSTSPENT BEER GRAIN
Page 43 and 44: Pleurotus Ostreatus &MYCO REMEDIATI
Page 45 and 46: PHOTOS FABLAB BARCELONAMYCO REMEDIA
Page 47 and 48: REsource WEBSITE CONCEPT |APRIL - M
Page 49 and 50: REsource: CONCEPT, COMMUNICATION &
Page 51 and 52: PHOTO JULIA STEKETEEDESIGN of COLLE
Page 53 and 54: PHOTO JULIA STEKETEETesting,& Feedb
Page 55 and 56: ModularPHOTOS JULIA STEKETEEDESIGN
Page 57 and 58: Natural Dye& BioplasticExplorations
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INGREDIENTS USED IN NATURAL DYINGSO
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BIOPLASTICS FROM FOODWASTETogether
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PHOTOS FABLAB BARCELONAFROMCollecti
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BIOPLASTICSMarina Lermant and I tri
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PHOTOS FABLAB BARCELONACraftingTHE
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OBservePREserveCONserveCON-serve EX
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PHOTO FABLAB BARCELONABIO ON THE BO
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footwearPHOTO MARINA LERMANTBIOSHUs
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MYCO-REMEDIATION ACTIVITY: JULIA ST
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Master's in Design for Emergent Futures: Research, Design Experiments, & Interventions

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