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KRCP Annual Report FY2022

An overview of the FY2022 operating year for Katherine Regional Cultural Precinct, and the Godinymayin Yijard Rivers Arts and Culture Centre in Katherine, Northern Territory. Eric Holowacz, Chief Executive Officer.

An overview of the FY2022 operating year for Katherine Regional Cultural Precinct, and the Godinymayin Yijard Rivers Arts and Culture Centre in Katherine, Northern Territory. Eric Holowacz, Chief Executive Officer.

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Katherine Regional <br />

Cultural Precinct<br />

<strong>Annual</strong><br />

<strong>Report</strong> <br />

<strong>FY2022</strong>


Contents<br />

Acknowledgements<br />

About Us<br />

Letter from the Chair<br />

Board and Staff<br />

Overview from the CEO<br />

<strong>FY2022</strong><br />

Vision, Purpose, Collaboration,<br />

Values, Strategic Goals<br />

Robbie Friel<br />

The Godinymayin Team<br />

Eric Holowacz<br />

Funding and Resources<br />

Gallery and Exhibitions<br />

Retail Shop<br />

Venue Hire<br />

Visitation<br />

Performing Arts<br />

Staffing<br />

Facilities<br />

Technology<br />

Katherine Prize<br />

Community Engagement<br />

Marketing & Communications<br />

Visual Arts<br />

Programming Overview<br />

<br />

Performing Arts<br />

Programming Overview<br />

<br />

Financials <strong>FY2022</strong> Audit <strong>Report</strong> <br />

<br />

The Future<br />

2


Acknowledgments<br />

Godinymayin Yijard Rivers Arts and Culture Centre would like to<br />

acknowledge that we are situated on Aboriginal Land, and we pay our<br />

respects to the Dagoman, Jawoyn, and Wardaman people—and<br />

their Elders past, present, and emerging. <br />

The Board and Team at Godinymayin would also like to thank the<br />

Northern Territory Government, Minister for Arts, Culture, and<br />

Heritage Chansey Paech, Arts NT, and the team at the Chief<br />

Minister’s Office Big Rivers Region for all the help and support<br />

they have provided this year. <br />

Godinymayin is also grateful to our friends at Katherine Town<br />

Council—including the Mayor, Councillors, and Chief Executive<br />

Officer—for their ongoing partnership and participation. <br />

Detail of a visual art work by Terri Aldridge featured in<br />

Godinymayin’s Women of Kath-ryne exhibition<br />

celebrating 2022 International Women’s Day<br />

And last but not least, Godinymayin Yijard Rivers Arts and Culture<br />

Centre thanks all the artists, performers, creative people,<br />

educators, art centres, story-tellers, project collaborators, and<br />

emerging talent who make this year—and every year—more<br />

interesting and expressive. We remain forever in your service. <br />

3


About Us<br />

Vision<br />

At Godinymayin, our vision is of a community connected through the recognition<br />

and understanding of its separate and shared histories—of a place<br />

strengthened by the sharing of its art and living cultures, not only within our<br />

region and Territory but with the rest of Australia and the world. <br />

Purpose<br />

The purpose of our organisation is to develop and professionally manage the<br />

Godinymayin Yijard Rivers Arts & Culture Centre, nurturing, developing and<br />

promoting the creative and cultural life of the Katherine Region—and<br />

providing a gathering space for all. <br />

Collaboration<br />

Godinymayin Yijard Rivers Arts and Culture Centre values, respects and<br />

recognises all the people of the Katherine Region—and their histories, unique<br />

stories, and cultures. We are committed to clear, honest and open<br />

communication, two way learning, and ongoing collaboration. At Godinymayin<br />

we strive to promote high quality arts practices and encourage creative<br />

partnerships and the sharing of stories. <br />

We actively consult and communicate openly with members of the local<br />

Indigenous communities in order to ensure their cultural perspectives are<br />

attached to our exhibitions, public programs, and experiences that involve<br />

Indigenous identity. Our work is driven by the cultural diversity and creative<br />

activity of the region and informed by a diverse range of arts practices, cultural<br />

voices, and Aboriginal cultural protocols. <br />

We operate the Centre as a gathering place for all—as a venue for learning and<br />

creative exchange, and as a welcoming place for residents, visitors, and ideas. <br />

Local artist Terri Aldridge shows off her<br />

recycled art jellyfish after our workshop<br />

with Darwin-based artist Aly de Groot.<br />

4


Values<br />

Detail of a work by Johnson Nabegeyo,<br />

featured in our Djilpin Arts exhibition<br />

Djarmalak: Come Together.<br />

Below are the values that our Directors and Members determined as part of<br />

our 2021-2025 Strategic Business Plan to guide the Centre: <br />

Inspiring - memorable experiences, freedom to be creative and challenged<br />

Reconciliation - walking together as one<br />

Inclusion - everyone, in all our diversity<br />

Participation - active and engaged <br />

Real - authentic and relevant<br />

Bold - be exposed and have the courage to explore new boundaries<br />

Partnership - positive relationships and connections<br />

Strategic Goals<br />

The following goals align to the holistic purpose of Godinymayin Yijard<br />

Rivers Arts and Culture Centre, also from our 2021-2025 Strategic<br />

Business Plan: <br />

<br />

Goal 1: Godinymayin Yijard Rivers Arts & Culture Centre is known as the<br />

cultural oasis of the Northern Territory. <br />

<br />

Goal 2: Godinymayin Yijard Rivers Arts & Culture Centre is the hub to<br />

connect the arts and culture of the Big Rivers region. <br />

<br />

Goal 3: Be ‘the place’ for the community to come together for events to<br />

celebrate the diversity of cultures in the region. <br />

<br />

Goal 4: Community engagement drives activation of Godinymayin Yijard<br />

Rivers Arts & Culture Centre. <br />

<br />

Goal 5: Godinymayin Yijard Rivers Arts & Culture Centre is a recognised<br />

meeting destination on neutral ground for community and industry. <br />

<br />

Goal 6: As a vibrant arts and cultural centre, be a sustainable enterprise. <br />

5


6


Letter from<br />

the Chair<br />

After a roller coaster year of pandemic changes<br />

and sporadic disruption, <strong>FY2022</strong> proved to be an<br />

opportunity to rebuild, re-emerge, and revive the<br />

Centre. Thanks to a great team, dedicated board<br />

members, and a wonderful array of community<br />

partners—we continue on that track today while<br />

building a vision for our future. <br />

Despite ongoing uncertainties and programming<br />

problems during the past year, our organisation<br />

managed to sustain operations and keep the doors<br />

open to over 20,000 visitors. We rescheduled<br />

postponed events, expanded our retail shop offerings,<br />

found creative programming partners, and increased<br />

our gallery sales and venue hire income. And in late<br />

2021, we recruited and welcomed a new Chief<br />

Executive Officer, Eric Holowacz to take the helm. <br />

At the same time, our Board and team offered our<br />

immense thanks to Toni Coutts, for her time as Interim<br />

Chief Executive—and all the hard work she put into<br />

the Centre, people, and programming during a period<br />

of transition and uncertainty. <br />

Speaking of building: the <strong>FY2022</strong> year also brought us<br />

to the final design phase of our Arts Trail expansion<br />

project—thanks to a major investment by the Northern<br />

Territory Government and work by Troppo Architects<br />

in Darwin. As we prepare for 2023, the team at<br />

Katherine Constructions will move the dirt and break<br />

ground on our wonderful next chapter. <br />

To lay some operational groundwork for our physical<br />

expansion—made possible by a very generous<br />

strategic development grant from Arts NT—our<br />

organisation also undertook a number of capacitybuilding<br />

initiatives, operational research, and internal<br />

improvements in <strong>FY2022</strong>. <br />

Following the previous major effort to develop our<br />

2021-2025 Strategic Business Plan (guided by Helene<br />

George of Creative Economy), we engaged Katherine<br />

consultant Mim Favero to work with our Chief<br />

Executive and develop a portfolio of smaller initiatives<br />

and continuous improvement measures. That ongoing<br />

work touched on new digital systems and tools,<br />

enhanced visitor experience, a revised asset<br />

management plan, a review of governance processes,<br />

and intense planning for our future. <br />

On the Board side, we said farewell to hard-working<br />

directors Jake Quinlivan, Naomi Hunter, and Sharon<br />

Hillen. And this year we welcomed new Board<br />

Members Douglas Kelly and May Rosas as Dagoman<br />

Representatives, Brendan Pearce as Katherine Town<br />

Council Representative, and Toni Coutts and Siobhan<br />

Mackay as our new Community Representatives. <br />

The past year has been about renewal—all of us<br />

working together to plan and build a bold and<br />

sustainable future. It is time to move on from the<br />

pandemic era and begin a bright new one for<br />

Godinymayin, our wonderful cultural partners, and the<br />

creative community we serve. As Chair, I am honoured<br />

to be working with all of you to ensure that we do that.<br />

<br />

— Robbie Friel, Chairman <br />

7


Board of Directors<br />

Robert Friel, Chair<br />

Jawoyn Representative<br />

Danny Murphy<br />

Community Representative<br />

Miranda Paterson<br />

NT Government Representative<br />

May Rosas<br />

Dagoman Representative<br />

Douglas Kelly<br />

Dagoman Representative<br />

Lisa Mumbin<br />

Jawoyn Representative<br />

Brendan Pearce<br />

KTC Government Representative<br />

Bill Harney<br />

Wardaman Representative<br />

Toni Tapp Coutts<br />

Community Representative<br />

Siobhan Mackay<br />

Community Representative<br />

<br />

Sharon Hillen (to November 2021)<br />

Jake Quinlivan (to December 2021)<br />

Naomi Hunter (to December 2021)<br />

Staff<br />

A detail of one of the many exhibitions<br />

held at Godinymayin in support of our<br />

region’s Indigenous art centre.<br />

Jessica Powter Chief Executive Officer (former) <br />

Toni Coutts Interim Chief Executive (to November 2021)<br />

Eric Holowacz Chief Executive Officer (from December 2021)<br />

Trish Aspey<br />

Administration Coordinator<br />

Mim Favero<br />

Strategic Development Consultant<br />

Kamahi King<br />

Venue and Gallery Coordinator (former)<br />

Richard Starr<br />

Venue Coordinator<br />

Eryn Whittaker Reception and Shop Coordinator (former) <br />

Esther Dougherty Dry Season Arts Management Intern<br />

Robert Paynter Gallery Coordinator (former) <br />

Max Paez<br />

Gallery Coordinator, Casual<br />

Janet Schultz<br />

Bookkeeper/Finance Officer<br />

Alyssa Mitchell<br />

Cleaner, Casual<br />

Jacob Sadler<br />

Reception and Shop, Casual<br />

Jacqui Uy<br />

Reception and Shop, Casual<br />

<br />

Former Casual Staff:<br />

<br />

Tyson Wilfred Justine Wutjumaya Hugh Ahwon <br />

Benjamin Wilcock Madeleine McManus Kate Ashley<br />

Mette Stimson <br />

8


Letter from<br />

the CEO<br />

<br />

This time last year I was in New Zealand, emerging<br />

from a second major pandemic lockdown there,<br />

and preparing to make the move to Katherine to take<br />

up this leadership role at Godinymayin. Following the<br />

re-opening of the Trans-Tasman border and the end<br />

of quarantine in the Territory, I finally landed in the Top<br />

End in time for the Wet Season. And my new<br />

adventure had begun…<br />

<br />

As I took handover from Interim Chief Executive Toni<br />

Coutts, I began to get a sense of the extraordinary<br />

backstory and development of this organisation. Very<br />

quickly, I got to know some of he amazing people<br />

who—over several decades—helped turn the cultural<br />

centre vision into reality. And I couldn’t help but feel<br />

the ongoing creative energy that has been the engine<br />

of Godinymayin from its opening in 2012 up to today. <br />

As I figured out my own place in the Top End<br />

community, a quote from Canadian writer Basil King<br />

popped into my head: “Go at it boldly, and you'll find<br />

unexpected forces closing round you and coming to<br />

your aid.” Those words were telling me to keep the<br />

community and cultural vision going, to nurture new<br />

and exciting things, and to be fearless in planning the<br />

future of Godinymayin. And with those thoughts, I<br />

joined the team and got to work.<br />

Already underway was the design and engineering<br />

phase of the major Arts Trail infrastructure project.<br />

The <strong>FY2022</strong> year saw plans completed—thanks to<br />

partners Troppo Architects and the guidance of Arts<br />

NT and the Department of Infrastructure, Planning,<br />

and Logistics. Behind the scenes, and now on paper,<br />

a bold expansion plan for our facilities was underway. <br />

Our Board, Team, and I set a course for capacity<br />

building that followed our recently-completed<br />

2021-2025 Strategic Business Plan. We worked to<br />

diversify and grow our funding sources, increase our<br />

earned income areas, and complete major internal<br />

improvement projects. As a leading regional non-profit<br />

organisation in the Territory, we also established new<br />

connections in Darwin, Alice Springs, and even<br />

Interstate. Godinymayin was growing, and mighty<br />

forces were coming to our aid. <br />

With the pandemic mostly behind us, our facilities<br />

again became the meeting place for our town, region,<br />

and growing influx of visitors. In <strong>FY2022</strong>,<br />

Godinymayin’s facilities were home to weddings,<br />

funerals, AGMs, workshops and training sessions,<br />

theatre, comedy, music, graduations and awards, a<br />

citizenship ceremony, and over 100 other functions.<br />

Under this roof, our team and organisation worked<br />

hard to support a bold and diverse sense of<br />

community.<br />

9


Along the <strong>FY2022</strong> road there were a few bumpy<br />

patches. Our facilities were hit, more than a few<br />

times, by vandalism and theft—demoralising our<br />

team, diminishing our resources, and making things<br />

seem a little less bold. Our air conditioning system<br />

required costly repairs, energy costs continued to<br />

rise, several planned events had to be cancelled, and<br />

we’ve had to invest in additional security measures<br />

and unbudgeted building protection. <br />

On the fiscal performance side, the year ended not<br />

with a surplus but with a small deficit of $20,947—or<br />

1.8% of the total annual expense of $1,118,596. The<br />

organisation’s year-end equity remained strong at<br />

$552,227—with $343,005 of that as liquid cash<br />

reserve (making for a healthy rainy day fund and<br />

future working capital). Staff shortages, and the lack<br />

of both specialist and casual personnel, also had a<br />

negative impact on operations this year—proving<br />

more of an internal management challenge than<br />

anything. We are grateful to everyone who has come<br />

to our aid and supported our non-profit work. <br />

Godinymayin programming in <strong>FY2022</strong> was intended<br />

to reflect and inspire that very same community—<br />

while sharing our stories, art, and creativity with the<br />

world. The Centre presented exhibitions by Aly de<br />

Groot, Kamahi King, Karungkarni Art Centre,<br />

Catherine Miles, Danny Murphy, Urapunga Arts<br />

Centre, Kim Scott, Waralungku Arts Centre, Laurence<br />

Rimes, the annual Katherine Prize, and more. <br />

Our performing arts offerings included live music and<br />

cabaret, stand-up comedy, hip hop, stage<br />

workshops, and theatre. All the while, our visitorship<br />

kept growing—with almost 24,000 coming through<br />

the doors and engaging with the Centre this year. <br />

10<br />

Looking at trends happening in the arts around the<br />

county, our team also began exploring digital tools,<br />

art and technology, and ways to enhance both the<br />

creative process and the way art is presented. We<br />

partnered with Darwin-based artist Lukas Bendel, and<br />

named him our first-ever Technologist-in-Residence. <br />

Together we tested 360 degree cameras and virtual<br />

reality devices, investigated augmented reality for our<br />

galleries and future public experiences, and adopted<br />

digital tools to improve our operations. The words of<br />

Basil King seemed to reverberate throughout the<br />

Centre and our 2022 programming. <br />

The following pages offer an overview of that work—<br />

key areas of programming, operations, user and<br />

audience trends, and the change management that<br />

has been part of our past year. As you read them,<br />

remember Basil King’s wise and inspiring suggestion: <br />

Be bold and mighty forces will come to your aid.<br />

And in the coming year, join us here at Godinymayin<br />

as we embark on our next decade and build an even<br />

more creative, ambitious, and community-minded<br />

future together. <br />

<br />

— Eric Holowacz, Chief Executive


11<br />

An artist from Borroloola looks at the monumental<br />

Four Clans painting in our Lambert Gallery, a<br />

collaborative effort made at Waralaungku Arts.


Funding and Resources<br />

Following the establishment of the 2021-2025 Strategic Business Plan, a<br />

primary focus of management has been the diversification of funding and<br />

increasing earned income areas. We are grateful for the significant annual<br />

support provided by Arts NT and Katherine Town Council, which anchors<br />

our sustainability—and allows us to leverage additional new funding. In<br />

<strong>FY2022</strong>, we realised support from the Gordon Darling Foundation;<br />

Department of the Chief Minister and Cabinet; McArthur River Mine<br />

Community Benefits Trust; Department of Industry, Tourism, and Trade;<br />

Northern Territory Ministry for Equality and Inclusion—Office of Gender<br />

Equity and Diversity; and the Australia Council for the Arts and Australian<br />

Centre for the Moving Image. We are grateful for all of these partnerships<br />

and their contribution to our organisation. <br />

Gallery and Exhibitions<br />

A mainstay of our public programming are the exhibitions presented in our<br />

Lambert Gallery, K Space, and Laneway Gallery. This past year we have<br />

moved away from non-commercial touring exhibitions and placed more<br />

focus on partnerships with our region’s Indigenous arts centres—and<br />

supporting their artists through commercial sales to collectors and the<br />

public. Gallery sales were relatively low before the pandemic, with a FY2019<br />

level of $30,200 and a smaller $6,017 in FY2020. Since then gallery sales at<br />

Godinymayin have risen to an impressive $96,700 in FY2021 and a record<br />

$109,099 this fiscal year. Our practices continue to follow ethical standards<br />

that protect and support the participating artists, and our commission on<br />

sales remains relatively low. <br />

Retail Shop<br />

Another earned income area that has doubled from pre-Covid levels is retail<br />

shop sales. From a FY2019 result of $51,436 and a FY2020 level of<br />

$46,765, our organisation began to place a greater focus on diversifying<br />

inventory and providers from across the region. With a unique shop filled<br />

with regional art, objects, craft, and products—and a dedicated reception<br />

and retail team to ensure customer support—sales improved to $118,817 in<br />

FY2021 and a record $131,157 this fiscal year.<br />

12<br />

A detail of porcelain ceramic works by<br />

Dawn Beasley, part of her contemporary art<br />

installation at Godinymayin.


Venue Hire<br />

Venue hire activity is a key aspect of our role as community gathering place—and<br />

we take great efforts to keep our facilities and meeting spaces clean, comfortable,<br />

and accommodating. The earned income from venue hire activity has grown<br />

tremendously after the pandemic: from a pre-Covid level of $57,425 in FY2019, to a<br />

diminished $47,920 in FY2020, and then more than doubling to $118,072 in<br />

FY2021, and $100,337 this fiscal year. Our main auditorium is one of the largest air<br />

conditioned and accessible venues in the entire region, and can accommodate up<br />

to 280 people and a number of event/meeting configurations. Godinymayin is now<br />

home to weddings, AGMs, funerals, concerts, comedy shows, government<br />

meetings, civic events and ceremonies, and hundreds of gatherings each year. <br />

Visitation<br />

To estimate visitor numbers our team uses a formula based on the number of front<br />

door activations divided in half and then multiplied by a fraction (to account for<br />

same-person activations). It is not highly scientific, but provides comparable data<br />

that lets us see trends in Centre visitation. Numbers have been rising over the past<br />

few years from an estimate of 10,819 in FY2019 (pre-Covid) and 5,718 in FY2020<br />

(during Covid), then a rise to 17,417 in FY2021, and a record total of 23,942 this<br />

fiscal year. Almost half of our annual visitation happens in the June to October Dry<br />

Season, and many have been recorded with names, point of origin, and comments<br />

in our visitor guest book. <br />

Performing Arts<br />

The pandemic caused a good degree of disruption to our performing arts<br />

programming and to live events across the Territory. Over the years, our annual<br />

income from ticketed events has fluctuated from $27,291 in FY2019 to $13,005 in<br />

FY2020, then rising to $34,191 in FY2020, before falling to $9,202 this year. Small<br />

audiences, high cost of bringing artists and shows to the Top End, and the critical<br />

shortage of local technical production crew have necessitated a shift in thinking and<br />

smarter changes to out presenting business model. For smaller live events, we are<br />

now using a low-risk mutual presenting model to support performers, stand-up<br />

comedians, and touring musicians. A split of ticket sales (70% to the artist and 30%<br />

retained) has helped our organisation avoid large up-front guarantee and complex<br />

technical riders, and encourages co-promotion by both the artist and our<br />

organisation. <br />

Staffing<br />

From the previously mentioned change in Chief Executive Directors (Jess Powter in<br />

early <strong>FY2022</strong>, Toni Coutts in an Interim role, then Eric Holowacz from December<br />

2021), to loss of programming and retail shop staff, the <strong>FY2022</strong> year has required<br />

careful and ongoing internal management of people and operations. Staff members<br />

Kamahi King (Venue and gallery Coordinator), Eryn Whittaker (Reception/Shop<br />

Coordinator), and Robert Paynter (Gallery Coordinator) departed the team mid-year.<br />

Esther Dougherty (Arts Management Intern) and Mim Favero (Strategic<br />

Development Consultant) joined the organisation on fixed-terms. Max Paez (Gallery<br />

Coordinator) and retail shop assistants Jacob Sadler and Jacqueline Uy also came<br />

aboard during <strong>FY2022</strong>. Existing core staff Trish Aspey (Administration and<br />

Operations Coordinator) and Richard Starr (Venue Technician/Coordinator) have<br />

provided amazing and invaluable work across the entire year. <br />

Facilities<br />

Our facilities in <strong>FY2022</strong> have been affected by two main developments: the planning<br />

and design phase for the Arts Trail infrastructure investment works and an<br />

unfortunate series of after-hours break-ins and vandalism crimes. The former now<br />

has our Board and team working on future models for programming the venue,<br />

configuring an expanded retail shop, and activating the new outdoor deck and<br />

amphitheatre. While the latter has required ongoing investments in security, property<br />

repairs, and anti-theft measures—including a new BizSecure Grant funded project<br />

to upgrade our CCTV and exterior lighting system by the end of 2022. <br />

Technology<br />

During <strong>FY2022</strong> we asked ourselves what role might a cultural centre play in<br />

advancing local and regional use of technology, digital tools, and new methods to<br />

capture and present arts, culture, and heritage content. The Godinymayin Team<br />

began experimenting with some of these things as opportunities to enhance our<br />

visitor experience as well as our internal systems. We connected with Darwin-based<br />

artist Lukas Bendel and named him our first-ever Technologist-in-Residence—which<br />

is an advisory function to assist with both new digital experimentation and practical<br />

implementation. To further advance our technological capabilities, Chief Executive<br />

Eric Holowacz was one of 15 Australian arts leaders selected for the national CEO<br />

Digital Mentorship Program—a joint initiative and networking forum developed by<br />

the Australia Council for the Arts and ACMI in Melbourne.


Katherine Prize<br />

This year we welcomed main sponsors Julie and Geoffrey Newton and presented<br />

the 46th Katherine Prize in November 2021—thanking outgoing sponsor The<br />

Lambert Family for all of their years of help and contribution. The Grand Prize went<br />

to Dorat Road Series by Laurence Rimes, and the Katherine Town Council Award<br />

went to Golden Hour by Catherine Miles. The Jewellery Award went to Casuarina<br />

Uarch by Ioanna Thymianidis. The annual program is the longest running art prize<br />

in the Northern Territory. <br />

<br />

Community Engagement<br />

Community and Regional engagement continues to be a priority for the Centre,<br />

with ongoing programming in partnership with the region’s Indigenous arts centres<br />

and communities. This year our exhibitions have included Waralungku Arts Centre<br />

in Borroloola, Djilpin Arts in Beswick/Wugularr, Ngukurr Arts in Southern Arnhem<br />

Land, Urapunga Arts in Wilton River, and Karungkarni Art and Culture in Kalkarindji.<br />

Creative development is also part of our engagement programming at the Centre—<br />

with a handful of art workshops successfully promoted and delivered for the local<br />

community. <br />

In civic affairs, our Chief Executive serves on the Activate Katherine committee, a<br />

new entity established this year as a consortium of community organisations, town<br />

leaders, and Council officers. Within that group, and beyond, we also work closely<br />

with local arts and culture organisations Mimi Arts, Katherine Regional Arts, and<br />

Katherine Museum. <br />

Marketing & Communications<br />

For most of <strong>FY2022</strong>, our organisation has lacked a dedicated marketing and<br />

communications officer. In late <strong>FY2022</strong>, Bethany O’Sullivan came aboard as a parttime<br />

consultant for a three month engagement, and assisted our organisation with<br />

social media, event promotions, and external messaging. Following her departure<br />

—and with limited marketing budget—our external communications have revolved<br />

around improving our Electronic Direct Mail content and lists, generating local<br />

editorial coverage, updating the website on a regular basis, and using social media<br />

platforms and paid promotion across Facebook, Instagram, and Messenger.


Visual Arts<br />

July <br />

2021<br />

From Mangroves to Mataranka<br />

Aly de Groot<br />

A Little Bit of Justice<br />

The Drawings of Charlie Flannigan<br />

Ngantipany jarrakap yumi<br />

Our knowledge and our language<br />

Karungkarni Arts Centre<br />

August<br />

Wonderland!<br />

Ceramics by Danny Murphy<br />

Territory Street Art<br />

Photographic Exhibition<br />

Connecting with Cyanotype <br />

Visual Art Workshop<br />

September<br />

October<br />

Urapunga Arts<br />

Margaret Duncan<br />

Rhonda Duncan <br />

and Hazel Ponto<br />

<br />

Something Different!<br />

Catherine Miles<br />

In June 2022, Godinymayin helped celebrate<br />

20 years of Djilpin Arts by presenting the<br />

Djarmalak: Come Together exhibition.<br />

Groundswell<br />

Recent Movements in <br />

Art and Territory<br />

15


November<br />

46th Katherine Prize<br />

Awards and Exhibition<br />

January <br />

2022<br />

Four Clans<br />

Waralungku Arts Centre<br />

Katherine Tropical Housing<br />

Kim Scott<br />

March<br />

We Are Strong Women<br />

Merrepen Arts<br />

Women of Kath-ryne<br />

International Women’s Day<br />

Strong Women for Healthy Country<br />

Photographic Exhibition<br />

April<br />

<br />

Ngukurr Arts<br />

Arts Centre Exhibition<br />

Memories of Country<br />

Andrew Robinson<br />

Landscapes and People of <br />

Daly River and Wadeye<br />

Lawrence Rimes<br />

June<br />

Djarmalak: Come Together<br />

Djilpin Arts<br />

Wish Upon a Jellyfish<br />

Visual Art Workshop<br />

16


17


Performing Arts<br />

Laine & Levi: Live in the Foyer <br />

Music Performance — 9 July 2021<br />

Justin Wellington: Iko Iko Party<br />

Music Performance — 23 July 2021<br />

Constantina Bush: Ride the Night Train <br />

Music / Cabaret Performance — 8 August 2021<br />

Australian Art Orchestra: Hand to Earth<br />

Music Performance — 26 August 2021 Cancelled<br />

Joy of Many Colours <br />

Multicultural Fashion Show — 11 September 2021<br />

Jackie Marshall <br />

Music Performance — 24 September 2021<br />

Lil Mase<br />

Music Performance — 23 October 2021<br />

Chris Franklin & Rusty Rhubarb<br />

Comedy Roadshow — 31 October 2021<br />

18<br />

Brown’s Mart Meet and Greet <br />

Creative Community Mixer — 18 March 2022<br />

Popular cabaret act Constantina Bush<br />

returned to the Centre for Ride the<br />

Night Train


Kate Oliver: Live in the Gallery<br />

Music Performance — 8 April 2022<br />

<br />

Arafura Wind Ensemble: Bombing of the Top End <br />

Music Performance — 23 April 2022<br />

<br />

Mike Elrington: Live in Concert <br />

Music Performance — 12 May 2022<br />

The Hypotheticals<br />

Theatre Performance — 14 May 2022 Cancelled<br />

The Ascent <br />

Music Performance — 27 May 2022 Cancelled<br />

Creative Community Luncheon<br />

Networking Event — 7 June 2022 <br />

Amy Hetherington: Crying Over Spilt Milk <br />

Comedy Show — 10 June 2021<br />

19<br />

South Australian Blues Musician<br />

Mike Elrington brought his roots and<br />

blues program to Katherine


20


<strong>FY2022</strong> Audit<br />

<br />

After the close of each fiscal year, the Katherine<br />

Regional Cultural Precinct Board engages an<br />

independent auditor to conduct a full audit. The process<br />

covers our organisation’s bookkeeping, internal controls,<br />

assets and depreciation, personnel procedures, earned<br />

income, grants expenditure, and fiscal activity. <br />

For <strong>FY2022</strong> Brain Tucker Audit Chartered Accountants<br />

served in this independent capacity, and the <strong>FY2022</strong><br />

fiscal report and audit opinion appear in main part here<br />

and on the following pages (with the complete <strong>FY2022</strong><br />

Audit <strong>Report</strong> available upon request). <br />

A full annual audit is not required for our size charity, but<br />

provides our Board and funders with a higher level of<br />

assurance – particularly the opinion that our non-profit<br />

organisation is operating in a sound way, meets<br />

requirements, and addresses any financial issues or<br />

concerns. <br />

The full process also ensures that our annual financials<br />

are prepared correctly under the ACNC Act; represent a<br />

true and fair view of our organisation’s financial position<br />

and performance, and that our annual reporting meets all<br />

applicable Australian Accounting Standards.<br />

We are grateful to Billy-Joe Thomas and Zia Regalado<br />

and their team at Brian Tucker Audit for the care and<br />

attention they provide as part of this extensive annual<br />

process. <br />

KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

DIRECTORS' REPORT<br />

The directors present their report on the Company for the financial year ended 30 June 2022.<br />

Information on Directors<br />

The names of each person who has been a director during the year and to the date of this report are:<br />

Robby Friel, Chair<br />

Toni Tapp Coutts<br />

Lisa Mumbin<br />

May Rosas<br />

Douglas Kelly<br />

Brendan Pearce<br />

Danny Murphy<br />

Miranda Halliday (now Paterson)<br />

Bill Harney<br />

Sharon Hillen (until November 2021)<br />

Naomi Hunter (until December 2021)<br />

Jake Quinlivan (until December 2021)<br />

Siobhan Mackay (from April 2022)<br />

Directors have been in office since the start of the financial year to the date of this report unless otherwise stated.<br />

Operating Results<br />

The loss of the Company for the financial year ending 30 June 2022 amounted to $20,947 (2021 profit: $130,667).<br />

Significant Changes in the State of Affairs<br />

There have been no significant changes in the state of affairs of the Company during the year.<br />

Principal Activities<br />

The principal activities of the Company during the financial year were the promotion and display of the visual arts;<br />

the presentation and advancement of the performing arts; the provision of support for regional arts activities and<br />

creative partnerships; and the delivery of professional development and education opportunities for artists, meeting<br />

and activity space for the community, and the celebration of culture for all.<br />

No significant changes in the nature of the Company's activity occurred during the financial year.<br />

Environmental Issues<br />

The Company's operations are not regulated by any significant environmental regulations under a law of the<br />

Commonwealth or of a state or territory of Australia.<br />

Dividends paid or recommended<br />

No dividends were paid or declared since the start of the financial year as the Company is constituted as a not-for<br />

profit entity.<br />

Page 1<br />

21


AUDITOR’S INDEPENDENCE DECLARATION UNDER 307C OF THE CORPORATIONS ACT 2001 (CTH)<br />

TO THE DIRECTORS OF KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

In accordance with section 307C of the Corporations Act 2001 (Cth), I am pleased to provide the following<br />

declaration of independence to the Directors of Katherine Regional Cultural Precinct Limited. As the lead auditor<br />

for the audit of the financial report of Katherine Regional Cultural Precinct Limited for the year ended 30 June<br />

2022, I declare that, to the best of my knowledge and belief, there have been no contraventions of:<br />

(i)<br />

(ii)<br />

the auditor independence requirements of the Corporations Act 2001 (Cth) in relation to the audit; and<br />

any applicable code of professional conduct in relation to the audit.<br />

Dated this 18 th day of November 2022<br />

Brian Tucker Audit<br />

BRIAN TUCKER AUDIT<br />

Chartered Accountants<br />

BILLY-JOE THOMAS<br />

Director<br />

Page 3<br />

Liability limited by a scheme approved under Professional Standards Legislation.<br />

22


KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

STATEMENT OF PROFIT OR LOSS AND OTHER COMPREHENSIVE INCOME<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

2022 2021<br />

Note $ $<br />

Income<br />

Revenue 2 1,097,649 1,304,727<br />

Total Income 1,097,649 1,304,727<br />

Expenditure<br />

Changes in inventories of finished goods and work in<br />

progress 12,454 7,650<br />

Raw materials and consumables used (203,310) (201,014)<br />

Accountancy expenses (38,811) (44,322)<br />

Advertising expenses (3,948) (11,137)<br />

Auditor's remuneration 3 (7,500) (7,700)<br />

Depreciation and amortisation expenses (61,206) (45,577)<br />

Employee benefits expenses (467,313) (340,521)<br />

Freight and cartage (827) (756)<br />

Other expenses (348,135) (530,683)<br />

Total Expenditure (1,118,596) (1,174,060)<br />

(Loss) Profit for the year 4 (20,947) 130,667<br />

KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

STATEMENT OF FINANCIAL POSITION<br />

AS AT 30 JUNE 2022<br />

2022 2021<br />

Note $ $<br />

ASSETS<br />

CURRENT ASSETS<br />

Cash and cash equivalents 5 416,838 531,337<br />

Trade and other receivables 6 27,929 49,843<br />

Inventories 7 41,253 28,799<br />

Other assets 8 2,546,128 1,575,760<br />

TOTAL CURRENT ASSETS 3,032,148 2,185,739<br />

NON-CURRENT ASSETS<br />

Property, plant and equipment 9 200,820 167,899<br />

Right-of-use assets 10 8,402 12,435<br />

TOTAL NON-CURRENT ASSETS 209,222 180,334<br />

TOTAL ASSETS 3,241,370 2,366,073<br />

LIABILITIES<br />

CURRENT LIABILITIES<br />

Trade and other payables 11 137,773 121,205<br />

Other liabilities 12 2,542,229 1,658,160<br />

Lease Liability 13 4,387 4,548<br />

TOTAL CURRENT LIABILITIES 2,684,389 1,783,913<br />

NON-CURRENT LIABILITIES<br />

Lease Liability 13 4,754 8,986<br />

TOTAL NON-CURRENT LIABILITIES 4,754 8,986<br />

TOTAL LIABILITIES 2,689,143 1,792,899<br />

NET ASSETS 552,227 573,174<br />

EQUITY<br />

Retained earnings 14 552,227 573,174<br />

TOTAL EQUITY 552,227 573,174<br />

The accompanying notes form part of these financial statements.<br />

Page 4<br />

The accompanying notes form part of these financial statements.<br />

Page 5<br />

23


KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

STATEMENT OF CHANGES IN EQUITY<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

Building &<br />

Retained<br />

earnings<br />

Equipment<br />

Depreciation<br />

Reserve<br />

Air conditioner<br />

Maintenance<br />

Fund<br />

Total<br />

$ $ $ $<br />

Balance at 1 July 2020 343,575 75,329 23,603 442,507<br />

Profit attributable to the Company 130,667 - - 130,667<br />

Transfer from Reserve 98,932 (75,329) (23,603) -<br />

Balance at 30 June 2021 573,174 - - 573,174<br />

Loss attributable to the Company (20,947) - - (20,947)<br />

Balance at 30 June 2022 552,227 - - 552,227<br />

KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

STATEMENT OF CASH FLOWS<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

2022 2021<br />

$ $<br />

CASH FLOWS FROM OPERATING ACTIVITIES<br />

Employment expenses (467,313) (340,943)<br />

Receipts from sales, venue and activities 387,119 379,936<br />

Other receipts 37,731 64,381<br />

Interest received 344 2,258<br />

Receipts from government and other grants 1,075,251 2,311,813<br />

Payments to artists, performers & production workers (160,719) (129,813)<br />

General administration expenses and direct expenses (891,011) (2,171,022)<br />

Net cash (used in) provided by operating activities 15 (18,598) 116,610<br />

CASH FLOWS FROM INVESTING ACTIVITIES<br />

Payments for plant & equipment (91,281) (99,105)<br />

Net cash used in investing activities (91,281) (99,105)<br />

CASH FLOWS FROM FINANCIING ACTIVITIES<br />

Payments for lease liability (4,620) (4,235)<br />

Net cash used in financing activities (4,620) (4,235)<br />

Net (decrease) increase in cash held (114,499) 13,270<br />

Cash at beginning of financial year 531,337 518,067<br />

Cash at end of financial year 5 416,838 531,337<br />

The accompanying notes form part of these financial statements.<br />

Page 6<br />

The accompanying notes form part of these financial statements.<br />

Page 7<br />

24


KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

2 Revenue and Other Income<br />

NOTES TO THE FINANCIAL STATEMENTS<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

Page 22<br />

2022 2021<br />

$ $<br />

Revenue<br />

Sales revenue:<br />

Sale of goods 252,598 231,748<br />

Rendering of services 134,521 185,041<br />

387,119 416,789<br />

Other revenue:<br />

Interest received 344 517<br />

Grants expended 694,369 724,311<br />

Other revenue 15,817 163,110<br />

710,530 887,938<br />

Total revenue 1,097,649 1,304,727<br />

3 Auditor's Remuneration<br />

Audit of financial statements 7,500 7,700<br />

4 (Loss) Profit for the Year<br />

The result for the year was derived after charging the following items:<br />

(Loss) Profit from continuing operations includes the following specific expenses:<br />

Cost of sales 190,856 193,364<br />

Depreciation of property, plant and equipment 57,173 41,544<br />

Amortisation of right of use assets 4,033 4,033<br />

5 Cash and Cash Equivalents<br />

Cash Floats 866 1,084<br />

Term Deposit 33,463 21,950<br />

Cash at Bank, Society Cheque Account 71,104 30,038<br />

Cash at Bank, Business Online Saver 140,334 303,221<br />

Cash at Bank, Public Gift Fund - 10,494<br />

Cash at Bank, Bendigo Easy Saver 170,129 160,043<br />

Debit Card CW Bank 942 4,507<br />

416,838 531,337<br />

KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

NOTES TO THE FINANCIAL STATEMENTS<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

5 Cash and Cash Equivalents (Continued)<br />

2022 2021<br />

$ $<br />

Cash and cash equivalents reported in the statement of cash flows are reconciled to the equivalent items<br />

in the statement of financial position as follows:<br />

Cash and cash equivalents 416,838 531,337<br />

6 Trade and Other Receivables<br />

Current<br />

Trade and Other Debtors 25,429 24,881<br />

Short Term Loan 2,500 -<br />

Refundable Deposits - 24,962<br />

27,929 49,843<br />

7 Inventories<br />

Merchandise, books, and publications 41,253 28,799<br />

8 Other Assets<br />

Prepayments 46,128 18,014<br />

Advance Payment to DIPL 2,500,000 1,500,000<br />

NT Government Biz Secure Voucher - 12,360<br />

NT Immediate Work Grant Voucher - 45,386<br />

2,546,128 1,575,760<br />

9 Property, Plant and Equipment<br />

Plant and Equipment:<br />

At cost 519,739 490,222<br />

Accumulated depreciation (349,430) (356,182)<br />

Total Plant and Equipment 170,309 134,040<br />

Artworks<br />

At cost 33,859 33,859<br />

Accumulated depreciation (3,348) -<br />

Total Artworks 30,511 33,859<br />

Total Property, Plant and Equipment 200,820 167,899<br />

Page 23<br />

25


KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

NOTES TO THE FINANCIAL STATEMENTS<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

9 Property, Plant and Equipment (continued)<br />

Movements in Carrying Amounts of Property, Plant and Equipment<br />

Page 24<br />

2022 2021<br />

$ $<br />

Movement in the carrying amounts for each class of property, plant and equipment between the beginning<br />

and the end of the current financial year.<br />

Office and<br />

Gallery<br />

Equipment<br />

Office and<br />

Gallery<br />

Furniture and<br />

Fittings Artworks Total<br />

$ $ $ $<br />

Balance at 30 June 2020 - 77,241 33,859 111,100<br />

Additions 55,240 43,865 - 99,105<br />

Depreciation expense (6,398) (35,146) - (41,544)<br />

Write-offs - (762) - (762)<br />

Balance at 30 June 2021 48,842 85,198 33,859 167,899<br />

Additions 18,279 73,002 - 91,281<br />

Depreciation expense (12,330) (41,495) (3,348) (57,173)<br />

Write-offs - (1,187) - (1,187)<br />

Balance at 30 June 2022 54,791 115,518 30,511 200,820<br />

10 Right-of-Use Assets<br />

Right-of-use<br />

Total<br />

$ $<br />

Balance as at 1 July 2021 12,435 12,435<br />

Amortisation expense (4,033) (4,033)<br />

Carrying amount as 30 June 2022 8,402 8,402<br />

11 Trade and Other Payables<br />

Current<br />

Accrued Expenses & Other Payables 51,423 31,504<br />

Trade Creditors 46,443 24,064<br />

GST Payable (149) (2,160)<br />

PAYG Payable 11,994 6,478<br />

Unclaimed Gift Vouchers 1,485 139<br />

KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

NOTES TO THE FINANCIAL STATEMENTS<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

11 Trade and Other Payables (Continued)<br />

2022 2021<br />

$ $<br />

Provision for Holiday Pay 25,754 32,952<br />

Salary Sacrifice 823 96<br />

Insurance Loan - 28,132<br />

The carrying amounts are considered to be a reasonable approximation of fair value.<br />

12 Other Liabilities<br />

137,773 121,205<br />

Current<br />

Deposit - Venue Hire 522 3,500<br />

Deposits - Layby 400 1,415<br />

Unearned Income 10,298 3,118<br />

Unexpended Grants<br />

NT Dept of the Chief Minister -Regional Youth Services<br />

Program - Katherine Youth Activities - Performing Arts 8,851 27,000<br />

Department of Territory Families, Housing and<br />

Communities, Arts NT Creative Industries Strategic<br />

Initiative and Partnerships Program 7,158 55,381<br />

Department of Chief Minister - NAIDOC Week<br />

Celebrations 5,000 5,000<br />

Department of Territory Families, Housing and<br />

Communities - Arts NT - Arts Trail Galllery Extensions<br />

Strategic Development and Capacity Building. 2,500,000 1,500,000<br />

Northern Territory Government Biz Secure Voucher - 12,360<br />

Northern Territory Immediate Work Grant Voucher - 45,386<br />

Katherine Town Council, Katherine Prize - 5,000<br />

Department of the Chief Minister and Cabinet, Nitmiluk<br />

Activation Series 10,000 -<br />

2,531,009 1,650,127<br />

2,542,229 1,658,160<br />

13 Lease Liability<br />

Current<br />

Lease liability 4,387 4,548<br />

Page 25<br />

26


KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

13 Lease Liability (Continued)<br />

NOTES TO THE FINANCIAL STATEMENTS<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

2022 2021<br />

$ $<br />

KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

NOTES TO THE FINANCIAL STATEMENTS<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

Non-current<br />

Lease liability 4,754 8,986<br />

14 Retained Earnings<br />

Retained earnings at the beginning of the financial year 573,174 343,575<br />

Net (loss) profit attributable to the Company (20,947) 130,667<br />

Transfer From Reserves - 98,932<br />

Retained earnings at the end of the financial year 552,227 573,174<br />

15 Cash Flow Information<br />

Reconciliation of result for the year to cash-flows from operating activities.<br />

Reconciliation of net (loss) income to net cash provided by operating activities:<br />

(Loss) Profit for the year (20,947) 130,667<br />

Cash flows excluded from (loss) profit attributable to operating activities<br />

Non-cash flows in profit<br />

Loss on write-off of assets 1,187 762<br />

Depreciation of property, plant and equipment 57,173 41,544<br />

Amortisation of right-of-use assets 4,033 4,033<br />

Interest expense on lease liability paid 227 530<br />

Changes in assets and liabilities<br />

Increase in inventories (12,454) (7,650)<br />

Decrease (Increase) in current receivables 21,914 (36,853)<br />

Increase in other assets (970,368) (1,571,760)<br />

Increase in trade creditors 22,379 20,863<br />

Increase in other creditors 1,387 44,382<br />

Decrease in current provisions (7,198) (422)<br />

Increase in other liabilities 884,069 1,490,514<br />

(18,598) 116,610<br />

Page 26<br />

16 Risk Management<br />

The Company is exposed to a variety of risks associated with its activities.<br />

The Company's overall risk management plan seeks to minimise potential adverse effects due to the<br />

unpredictability of income and expenses.<br />

The Company does not have any derivative instruments at 30 June 2022.<br />

Objectives, Policies and Processes<br />

The board of directors receives overall responsibility for the establishment of the Company's financial risk<br />

management framework. This includes the development of policies covering specific areas such as<br />

operational activities, interest rate risk and credit risk. Risk management policies and systems are<br />

reviewed regularly to reflect changes in market conditions and the Company's activities.<br />

The day-to-day risk management is carried out by the Company's management under policies and<br />

objectives which have been approved by the board of directors. The manager has been delegated the<br />

authority for designing and implementing processes which follow the objectives and policies. This includes<br />

monitoring the levels of exposure to interest rate and assessment of market forecasts for interest rate<br />

movements. The board of directors receives reports which provide details of the effectiveness of the<br />

processes and policies in place.<br />

The Company does not hold any financial assets with terms that have been renegotiated, but which would<br />

otherwise be past due or impaired.<br />

The other classes of receivables do not contain impaired assets.<br />

19 Statutory Information<br />

The registered office and principal place of business of the Company is:<br />

Katherine Regional Cultural Precinct Limited<br />

Lot 3238 Stuart Highway, Katherine East, NT 0850<br />

20 Significant Events<br />

As a result of the evolving nature of the COVID-19 outbreak and the rapidly evolving government policies<br />

on restrictive measures put in place to contain it, as at the date of these financial statement, the Company<br />

is not in a position to reasonably estimate the financial effects of the COVID-19 outbreak on the future<br />

financial performance and financial position of the Company. Other than the current disclosures, there has<br />

not been any other matter or circumstance occurring subsequent to the end of the financial year that has<br />

significantly affected, or may significantly affect, the operations of the Company, the results of those<br />

operations, or the state of affairs of the Company in subsequent financial periods.<br />

Page 27<br />

27


KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

DETAILED PROFIT AND LOSS STATEMENT<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

2022 2021<br />

$ $<br />

SALES<br />

Bar Sales 24,239 32,778<br />

Box Office 9,209 34,191<br />

Gallery Sales 109,099 96,700<br />

Shop Retail Sales 131,157 118,817<br />

Venue and Equipment Hire 100,337 118,072<br />

Workshops & Public Program 736 -<br />

Coffee Machine Sales 12,342 16,231<br />

387,119 416,789<br />

LESS: COST OF GOODS SOLD<br />

Bar Expenses 11,695 21,457<br />

Coffee Machine Expenses 8,287 11,642<br />

Changes in Inventories of Finished Goods and Work in<br />

Progress (12,454) (7,650)<br />

Freight 2,965 1,541<br />

Gallery Artist Payments 77,385 73,389<br />

Packing Materials 873 1,406<br />

Purchases of Stock 91,950 74,340<br />

Ticketing & Box Office Costs 2,122 732<br />

Venue Hire Costs 8,033 16,507<br />

190,856 193,364<br />

GROSS PROFIT FROM TRADING 196,263 223,425<br />

OTHER INCOME<br />

Interest Received 344 517<br />

Donations 6,418 51,659<br />

Recoveries 7,508 12,722<br />

Job Keeper Subsidy - 43,500<br />

Cash Flow Boost - 53,488<br />

Other Revenue 1,891 1,741<br />

Grants Expended<br />

Arts NT, Strategic Arts Venue - Operational Funding 492,776 493,273<br />

NT Dept of the Chief Minister -Regional Youth Services<br />

Program - Katherine Youth Activities - Performing Arts 18,149 -<br />

Northern Territory Government Biz Secure Voucher 12,360 -<br />

Northern Territory Immediate Work Grant Voucher 45,386 -<br />

Page 28<br />

KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

DETAILED PROFIT AND LOSS STATEMENT<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

2022 2021<br />

$ $<br />

OTHER INCOME (CONTINUED)<br />

Grants Expended (Continued)<br />

Department of the Chief Minister and Cabinet, Katherine<br />

School Holiday Program June-July 2021 6,375 -<br />

Northern Territory, International Women's Day 3,000 -<br />

Gordon Darling Foundation 3,000 -<br />

McArthur River Mine, Community Benefits Trust 14,100 -<br />

Department of Industry, Tourism and Trade, Lockdown<br />

Payment NTG 4,000 -<br />

Katherine Young Photographer Corps – Creative<br />

Development Program and Visual Arts Archive of 21st<br />

Century Life Program 12,000 -<br />

Department of Territory Families, Housing and<br />

Communities, Arts NT Creative Industries Strategic<br />

Initiative and Partnerships Program 48,223 -<br />

DTS&C, Gallery Extension and Capacity Building - 70,838<br />

Department of the Industry, Innovation and Science,<br />

Stronger Communities Program - 6,515<br />

Katherine Town Council, Operational Funding 30,000 30,000<br />

Katherine Town Council, Katherine Prize 5,000 17,000<br />

NT Dept of the Chief Minister -Regional Youth Services<br />

Program - Katherine Youth Activities - Performing Arts - 23,000<br />

NT Dept of the Chief Minister - April 2020 School<br />

Holiday Program - 2,700<br />

Department of Chief Minister - Big Rivers Flexible Fund<br />

Application GYRACC Grant Mural - 5,000<br />

Department of Chief Minister - July 2020 School Holiday<br />

Program - 2,760<br />

Department of Chief Minister - October 2020 School<br />

Holiday Program - 5,175<br />

Department of Chief Minister - GYRACC Video<br />

Conferencing Equipment - 8,500<br />

Department of Chief Minister - Katherine Community<br />

Activation Events - 12,075<br />

Department of Chief Minister - GYRACC Volunteer<br />

Program Establishment - 20,000<br />

Department of Chief Minister - Youth Development<br />

Barista Training Program - 15,000<br />

Department of Chief Minister - Katherine School Holiday<br />

Program (December 2020 to January 2021) - 2,875<br />

Department of Chief Minister - Katherine School Holiday<br />

Program (April 2021) - 1,500<br />

Page 29<br />

28


KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

DETAILED PROFIT AND LOSS STATEMENT<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

2022 2021<br />

$ $<br />

OTHER INCOME (CONTINUED)<br />

Grants Expended (Continued)<br />

Department of Chief Minister - Laneway Space - 5,000<br />

Territory Families - 2021 Professional Development - 1,100<br />

Department Industry, Tourism and Trade - Business<br />

Growth Program - 2,000<br />

694,369 724,311<br />

710,530 887,938<br />

906,793 1,111,363<br />

EXPENSES<br />

Accounting & Bookkeeping Services 38,811 44,322<br />

Advertising, Publicity, Promotions & Marketing 3,948 11,137<br />

Artists, Performers, Other Creatives & Production Fees 17,258 56,333<br />

Assets > $1000 - 10,703<br />

Auditor's Remuneration 7,500 7,700<br />

Amortisation 4,033 4,033<br />

Bank Charges 3,656 3,325<br />

Catering 6,771 10,683<br />

Cleaning & Waste Disposal 6,803 26,928<br />

Company <strong>Annual</strong> Fees - 340<br />

Computer & IT Expenses 12,182 12,832<br />

Conferences and Seminars 932 -<br />

Consultancy Fees 48,223 47,665<br />

Depreciation 57,173 41,544<br />

Documentation 1,818 -<br />

Electricity 69,267 51,994<br />

Entertainment Expenses 6,200 2,566<br />

Exhibition & Production Costs 6,532 11,081<br />

Fees & Permits 187 471<br />

Finance Charges 1,177 3,235<br />

Freight & Cartage 827 756<br />

Gallery & Theatre Costs 7,666 4,688<br />

Hire and Rent of Office Equipment and Other Facilities 1,922 1,683<br />

Holiday Pay, Movement in Provision (7,198) 24,637<br />

Insurance 20,145 46,587<br />

Interest Expense on Lease Liability 227 530<br />

Landscaping & Grounds 13,622 32,130<br />

Loss on Write-off of Assets 1,187 762<br />

KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

ABN: 83 151 148 104<br />

DETAILED PROFIT AND LOSS STATEMENT<br />

FOR THE YEAR ENDED 30 JUNE 2022<br />

2022 2021<br />

$ $<br />

EXPENSES (CONTINUED)<br />

Meeting Expenses 4,453 2,477<br />

Motor Vehicle Expenses 5,469 5,692<br />

Printing, Brochures & General, Stationery, Postage &<br />

Office 1,424 3,211<br />

Prize Money 9,120 7,109<br />

Program Support & Administration (512) -<br />

Purchases of Minor Assets & Replacements 13,614 58,565<br />

Repairs & Maintenance, General 27,532 27,355<br />

Security Costs 13,187 10,668<br />

Signage, Signwriting & Didactics 1,276 3,324<br />

Staff Amenities 399 927<br />

Staff Recruitment & Relocation 9,238 5,673<br />

Staff Training 2,905 1,253<br />

Subscriptions 1,692 3,643<br />

Sundry Expenses 255 4,925<br />

Superannuation Contributions 38,669 29,604<br />

Telephone 310 699<br />

Travelling Expenses 8,484 1,338<br />

Trybooking and Square Charges 1,030 -<br />

Vandalism 5,242 15,996<br />

Vehicle Hire 7 -<br />

Venue Hire Expenses 17,258 18,599<br />

Wages 428,644 310,917<br />

Water & Sewerage 4,932 2,079<br />

Web Design & Support 409 2,500<br />

Workers' Compensation Insurance 1,834 5,477<br />

927,740 980,696<br />

(LOSS) PROFIT FOR THE YEAR (20,947) 130,667<br />

Page 30<br />

Page 31<br />

29


INDEPENDENT AUDITOR’S REPORT<br />

TO THE DIRECTORS OF KATHERINE REGIONAL CULTURAL PRECINCT LIMITED<br />

Opinion<br />

We have audited the accompanying financial report of Katherine Regional Cultural Precinct Limited which<br />

comprises the statement of financial position as at 30 June 2022, statement of profit and loss and other<br />

comprehensive income for the year ended on that date, statement of changes in equity, statement of cash flows,<br />

a summary of significant accounting policies, other explanatory notes and the directors’ declaration.<br />

In our opinion:<br />

The accompanying financial report of Katherine Regional Cultural Precinct Limited has been prepared in<br />

accordance with the Corporations Act 2001 (Cth), including:<br />

(i)<br />

(ii)<br />

giving a true and fair view of the Company’s financial position as at 30 June 2022 and of its financial<br />

performance for the year ended on that date; and<br />

complying with Australian Accounting Standards to the extent described in Note 1, and the Corporations<br />

Act 2001 (Cth).<br />

Basis for opinion<br />

We conducted our audit in accordance with Australian Auditing Standards. Those standards require that we comply<br />

with relevant ethical requirements relating to audit engagements and plan and perform the audit to obtain<br />

reasonable assurance about whether the financial report is free of material misstatement. Our responsibilities<br />

under those standards are further described in the Auditor’s responsibility section of our report.<br />

We are independent of the Company in accordance with the Corporations Act 2001 (Cth) and the ethical<br />

requirements of the Accounting Professional and Ethical Standards Board’s APES 110 Code of Ethics for<br />

Professional Accountants (the Code) that are relevant to our audit of the financial report in Australia. We have also<br />

fulfilled our other ethical responsibilities in accordance with the Code.<br />

We believe that the audit evidence we have obtained is sufficient and appropriate to provide a basis for our opinion.<br />

Other information<br />

The directors are responsible for the other information. The other information comprises the information in the<br />

Company’s annual report for the year ended 30 June 2022 but does not include the financial report and the<br />

auditor’s report thereon.<br />

Our opinion on the financial report does not cover the other information and we do not express any form of<br />

assurance conclusion thereon.<br />

In connection with our audit of the financial report, our responsibility is to read the other information and, in doing<br />

so, consider whether the other information is materially inconsistent with the financial report or our knowledge<br />

obtained in the audit or otherwise appears to be materially misstated. If, based on the work we have performed,<br />

we conclude that there is a material misstatement of the other information; we are required to report that fact. We<br />

have nothing to report in this regard.<br />

Page 33<br />

Liability limited by a scheme approved under Professional Standards Legislation.<br />

30


Responsibilities of the Board for the Financial <strong>Report</strong><br />

The Board of the Company is responsible for the preparation of the financial report that gives a true and fair view<br />

in accordance with Australian Accounting Standards and Corporations Act 2001 (Cth) and for such internal control<br />

as the Board determines is necessary to enable the preparation of the financial report that gives a true and fair<br />

view and is free from material misstatement, whether due to fraud or error.<br />

In preparing the financial report, the Board is responsible for assessing the Company’s ability to continue as a<br />

going concern, disclosing, as applicable, matters relating to going concern and using the going concern basis of<br />

accounting unless the Board’s either intend to liquidate the Company or to cease operations, or have no realistic<br />

alternative to do so.<br />

Auditor's Responsibility for the Audit of the Financial <strong>Report</strong><br />

Our responsibility is to express an opinion on the financial report based on our audit. Our objectives are to obtain<br />

reasonable assurance about whether the financial report as a whole is free from material misstatement, whether<br />

due to fraud or error, and to issue an auditor’s report that includes our opinion. Reasonable assurance is a high<br />

level of assurance but is not a guarantee that an audit conducted in accordance with Australian Auditing Standards<br />

will always detect a material misstatement when it exists. Misstatements can arise from fraud or error and are<br />

considered material if, individually or in the aggregate, they could reasonably be expected to influence the<br />

economic decisions of users taken on the basis of this financial report.<br />

As part of an audit in accordance with Australian Auditing Standards, we exercise professional judgement and<br />

maintain professional scepticism throughout the audit. An audit involves performing procedures to obtain audit<br />

evidence about the amounts and disclosures in the financial report. The procedures selected depend on the<br />

auditor’s judgement, including the assessment of the risks of material misstatement of the financial report, whether<br />

due to fraud or error. In making those risk assessments, the auditor considers internal control relevant to the<br />

entity’s preparation of the financial report that gives a true and fair view in order to design audit procedures that<br />

are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the<br />

entity’s internal control.<br />

The risk of not detecting a material misstatement resulting from fraud is higher than for one resulting from error,<br />

as fraud may involve collusion, forgery, intentional omissions, misrepresentations, or the override of internal<br />

control. An audit also includes evaluating the appropriateness of accounting policies used and the reasonableness<br />

of accounting estimates made by the Board as well as evaluating the overall presentation of the financial report.<br />

The Auditing Standards require that we comply with relevant ethical requirements relating to audit engagements. We<br />

also provide the Board with a statement that we have complied with relevant ethical requirements regarding<br />

independence, and to communicate with them all relationships and other matters that may reasonably be thought to<br />

bear on our independence, and where applicable, related safeguards.<br />

From the matters communicated with the Board, we determine those matters that were of most significance in the audit<br />

of the financial report of the current period and are therefore key audit matters. We describe these matters in our auditor’s<br />

report unless law or regulation precludes public disclosure about the matter or when, in extremely rare circumstances,<br />

we determine that a matter should not be communicated in our report because the adverse consequences of doing so<br />

would reasonably be expected to outweigh the public interest benefits of such communication.<br />

Brian Tucker Audit<br />

BRIAN TUCKER AUDIT<br />

Chartered Accountants<br />

Address: Unit 8, 210 Winton Road, Joondalup, Western Australia<br />

BILLY-JOE THOMAS<br />

Director & Registered Company Auditor<br />

Dated at Perth, Western Australia this 18 th day of November 2022<br />

We conclude on the appropriateness of the Board’s use of the going concern basis of accounting and, based on<br />

the audit evidence obtained, whether a material uncertainty exists related to events or conditions that may cast<br />

significant doubt on the Company’s ability to continue as a going concern. If we conclude that a material uncertainty<br />

exists, we are required to draw attention in our auditor’s report to the related disclosures in the financial report, or<br />

if such disclosures are inadequate, to modify our opinion.<br />

Our conclusions are based on the audit evidence obtained up to the date of our auditor’s report. However, future<br />

events or conditions may cause the Company to cease to continue as a going concern.<br />

We evaluate the overall presentation, structure and content of the financial report, including the disclosures, and<br />

whether the financial report represents the underlying transactions and events in a manner that achieves fair<br />

presentation. We communicate with the Board regarding, amongst other matters, the planned scope and timing of<br />

the audit and significant audit findings, including any significant deficiencies in internal control that we identify<br />

during our audit.<br />

Page 34<br />

Page 35<br />

31


32


Our Future<br />

<br />

While <strong>FY2022</strong> was not without its challenges, our<br />

organisation has emerged from the pandemic with a<br />

new sense of purpose, an extraordinary plan for<br />

expansion, and a collective optimism about our<br />

future. The coming year will involve our Arts Trail<br />

construction, exciting new ideas for the upcoming<br />

amphitheatre, continuous improvements to<br />

operations behind the scenes, and a stabilised<br />

structure for staff and management. And all of that<br />

means better arts and culture events, programs,<br />

venues, and services for our community—and indeed<br />

for all of the Big Rivers Region. <br />

The FY2023 year will also bring the renewal of major<br />

multi-year funding with our key partners, Northern<br />

Territory Government/Arts NT and Katherine Town<br />

Council. Our Board and Team are truly grateful to<br />

Chief Minister Natasha Fyles, Minister for Arts,<br />

Culture, And Heritage Chansey Paech, Katherine<br />

Town Council’s Mayor Lis Clark and Chief Executive<br />

Ingrid Stonehill, and all of the civic leaders who have<br />

contributed to the first decade of Godinymayin YIjard<br />

Rivers Arts and Culture Centre. As we plan the next<br />

ten years, we look forward to the ongoing support,<br />

investment, partnership, and collaboration. <br />

For Katherine—and the future of our friends, families,<br />

visitors, and communities—let’s go at it boldly and<br />

see what unexpected creative forces, extraordinary<br />

cultural celebrations, and wonderful things come to<br />

our aid.<br />

33


Katherine Regional <br />

Cultural Precinct<br />

Godinymayin Yijard Rivers <br />

Arts and Cultural Centre<br />

<br />

Stuart Highway<br />

P. O. Box 613<br />

Katherine NT 0851<br />

08 8972 3751<br />

director@gyracc.org.au<br />

<br />

www.gyracc.org.au

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