all GAME no PLAY
Exhibition all GAME no PLAY requests action, the responsibility of partaking. Take a step into a parallel Metaverse, in ‘Suspensions’ where Clara Pallí Monguilod is disrupting the vision of the future with past strivings. Enter the intimate space of mass tourism in ethnographic sketches of Lucija Ostrogović, 'Apartmanization Inside and Out'. Enter other people’s beds in ‘A two way’, Helena Roig Prats’s collaboration with Moon Baby. With Nikolina Krstičević's ‘Ruke pune straha’, enter another person's body. Examine perimeters for constructing girlhood with Sidney Mullis’s ‘Foundation’. Dance along Kexin Hao the ‘Future Dance of Nostalgia’, swinging between the political weight and flashy modernity on clubbing beats. Scream in a search for meaning with Maria Chiara Ziosi’s ‘Some Songs’: The stage is yours! ~ all GAME no PLAY is an exhibition gathering international artists in the supporting program of the 9th International Student Film Festival STIFF, organized by association FImaktiv and Student Cultural Centre in Rijeka. Production of the program is an education for UNIRI students about contemporary art and work in culture PASPARTU, funded by the Ministry of Culture and the City of Rijeka, with the kind support of Stroom Den Haag, Drugo more and MMSU Rijeka. ~ Location: SKC Gallery + OKC Palach, Rijeka Artists: Helena Roig Prats, Sidney Mullis, Lucija Ostrogović, Clara Pallí Monguilod, Maria Chiara Ziosi, Nikolina Krstičević, Kexin Hao Curator: Elena Apostolovski Setup: Damjan Šporčić (Oblik 3) Graphic design: Gea Rajić Visual identity: Ivana Kutni Mihić Festival director: Maša Drndić Organizers: Filmaktiv, SKC Rijeka
Exhibition all GAME no PLAY requests action, the responsibility of partaking.
Take a step into a parallel Metaverse, in ‘Suspensions’ where Clara Pallí Monguilod is disrupting the vision of the future with past strivings. Enter the intimate space of mass tourism in ethnographic sketches of Lucija Ostrogović, 'Apartmanization Inside and Out'. Enter other people’s beds in ‘A two way’, Helena Roig Prats’s collaboration with Moon Baby. With Nikolina Krstičević's ‘Ruke pune straha’, enter another person's body.
Examine perimeters for constructing girlhood with Sidney Mullis’s ‘Foundation’. Dance along Kexin Hao the ‘Future Dance of Nostalgia’, swinging between the political weight and flashy modernity on clubbing beats. Scream in a search for meaning with Maria Chiara Ziosi’s ‘Some Songs’: The stage is yours!
~
all GAME no PLAY is an exhibition gathering international artists in the supporting program of the 9th International Student Film Festival STIFF, organized by association FImaktiv and Student Cultural Centre in Rijeka. Production of the program is an education for UNIRI students about contemporary art and work in culture PASPARTU, funded by the Ministry of Culture and the City of Rijeka, with the kind support of Stroom Den Haag, Drugo more and MMSU Rijeka.
~
Location: SKC Gallery + OKC Palach, Rijeka
Artists: Helena Roig Prats, Sidney Mullis, Lucija Ostrogović, Clara Pallí Monguilod, Maria Chiara Ziosi, Nikolina Krstičević, Kexin Hao
Curator: Elena Apostolovski
Setup: Damjan Šporčić (Oblik 3)
Graphic design: Gea Rajić
Visual identity: Ivana Kutni Mihić
Festival director: Maša Drndić
Organizers: Filmaktiv, SKC Rijeka
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Sidney Mullis
Foundation
2014
book of poems /
knjiga pjesama
The words in this book of poetry were appropriated
from Youtube videos of young girls providing makeup
tutorials.
12 Youtube videos were selected and carefully
transcribed to include every “um” and “uh.” Videos
were chosen based on their titles and had to indicate
a grade or age that the look was intended for, such as
“natural 4th grade makeup.” The girls providing these
tutorials ranged from age five to age twelve and their
videos were uploaded between 2012 to 2014.
The process of transcription was done manually.
I listened to the videos again and again—playing,
pausing, typing, rewinding, playing—in order to get
an accurate transcription. It was tedious, intimate,
heartbreaking, and familiar because I was also one
of those girls who made makeup tutorials, but for
the silence of my bedroom, not anonymous Youtube
viewers.
After transcription, the language was divided
according to makeup product and restructured into
poems. Foundation, Eye Shadow, Blush, Mascara, Lip
Gloss. In addition to tutorial instructions, there are
many mentions for the desire to be natural—to be
confident. There are multiple reminders about how
a little makeup goes a long way and to be sure not
to do too much because they’re just kids.
Riječi u ovoj knjizi poezije preuzete su od djevojčica
koje daju upute za šminkanje na platformi Youtube.
Ukupno 12 Youtube videa je odabrano i pažljivo
transkribirano, uključujući svaki “uhm” i “uh.”
Videozapisi su izabrani na temelju naslova, tako da
naznačuju razred ili dob za koje je izgled namijenjen,
poput “prirodne šminke za 4. razred”. Djevojčice koje
su davale poduke bile su u dobi od pet do dvanaest
godina, a video zapisi su preneseni između 2012. i
2014. godine.
Proces transkripcije rađen je ručno. Preslušavala sam
videozapise stalno iznova—reprodukcija, pauziranje,
tipkanje, premotavanje unatrag, reprodukcija—kako
bih izvukla točan prijepis. Proces je bio zamoran,
intiman, srceparajuć i poznat jer sam i ja bila jedna
od tih djevojčica koje su snimale tutoriale za
šminkanje, ali za tišinu moje spavaće sobe, a ne za
anonimne Youtube gledatelje.
Nakon transkripcije, materijal je podijeljen prema
proizvodu šminke i presložen u pjesme. Puder, sjenilo,
rumenilo, maskara, sjajilo za usne. Osim uputa za
šminkanje, često se spominjala želja za prirodnošću
- samouvjerenosti. Postoje brojni podsjetnici o tome
kako se i s malo šminke može puno, jer ipak su one
još uvijek djeca.