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all GAME no PLAY

Exhibition all GAME no PLAY requests action, the responsibility of partaking. Take a step into a parallel Metaverse, in ‘Suspensions’ where Clara Pallí Monguilod is disrupting the vision of the future with past strivings. Enter the intimate space of mass tourism in ethnographic sketches of Lucija Ostrogović, 'Apartmanization Inside and Out'. Enter other people’s beds in ‘A two way’, Helena Roig Prats’s collaboration with Moon Baby. With Nikolina Krstičević's ‘Ruke pune straha’, enter another person's body. Examine perimeters for constructing girlhood with Sidney Mullis’s ‘Foundation’. Dance along Kexin Hao the ‘Future Dance of Nostalgia’, swinging between the political weight and flashy modernity on clubbing beats. Scream in a search for meaning with Maria Chiara Ziosi’s ‘Some Songs’: The stage is yours! ~ all GAME no PLAY is an exhibition gathering international artists in the supporting program of the 9th International Student Film Festival STIFF, organized by association FImaktiv and Student Cultural Centre in Rijeka. Production of the program is an education for UNIRI students about contemporary art and work in culture PASPARTU, funded by the Ministry of Culture and the City of Rijeka, with the kind support of Stroom Den Haag, Drugo more and MMSU Rijeka. ~ Location: SKC Gallery + OKC Palach, Rijeka Artists: Helena Roig Prats, Sidney Mullis, Lucija Ostrogović, Clara Pallí Monguilod, Maria Chiara Ziosi, Nikolina Krstičević, Kexin Hao Curator: Elena Apostolovski Setup: Damjan Šporčić (Oblik 3) Graphic design: Gea Rajić Visual identity: Ivana Kutni Mihić Festival director: Maša Drndić Organizers: Filmaktiv, SKC Rijeka

Exhibition all GAME no PLAY requests action, the responsibility of partaking.

Take a step into a parallel Metaverse, in ‘Suspensions’ where Clara Pallí Monguilod is disrupting the vision of the future with past strivings. Enter the intimate space of mass tourism in ethnographic sketches of Lucija Ostrogović, 'Apartmanization Inside and Out'. Enter other people’s beds in ‘A two way’, Helena Roig Prats’s collaboration with Moon Baby. With Nikolina Krstičević's ‘Ruke pune straha’, enter another person's body.

Examine perimeters for constructing girlhood with Sidney Mullis’s ‘Foundation’. Dance along Kexin Hao the ‘Future Dance of Nostalgia’, swinging between the political weight and flashy modernity on clubbing beats. Scream in a search for meaning with Maria Chiara Ziosi’s ‘Some Songs’: The stage is yours!

~

all GAME no PLAY is an exhibition gathering international artists in the supporting program of the 9th International Student Film Festival STIFF, organized by association FImaktiv and Student Cultural Centre in Rijeka. Production of the program is an education for UNIRI students about contemporary art and work in culture PASPARTU, funded by the Ministry of Culture and the City of Rijeka, with the kind support of Stroom Den Haag, Drugo more and MMSU Rijeka.

~

Location: SKC Gallery + OKC Palach, Rijeka

Artists: Helena Roig Prats, Sidney Mullis, Lucija Ostrogović, Clara Pallí Monguilod, Maria Chiara Ziosi, Nikolina Krstičević, Kexin Hao

Curator: Elena Apostolovski
Setup: Damjan Šporčić (Oblik 3)


Graphic design: Gea Rajić
Visual identity: Ivana Kutni Mihić

Festival director: Maša Drndić
Organizers: Filmaktiv, SKC Rijeka

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Sidney Mullis

Foundation

2014

book of poems /

knjiga pjesama

The words in this book of poetry were appropriated

from Youtube videos of young girls providing makeup

tutorials.

12 Youtube videos were selected and carefully

transcribed to include every “um” and “uh.” Videos

were chosen based on their titles and had to indicate

a grade or age that the look was intended for, such as

“natural 4th grade makeup.” The girls providing these

tutorials ranged from age five to age twelve and their

videos were uploaded between 2012 to 2014.

The process of transcription was done manually.

I listened to the videos again and again—playing,

pausing, typing, rewinding, playing—in order to get

an accurate transcription. It was tedious, intimate,

heartbreaking, and familiar because I was also one

of those girls who made makeup tutorials, but for

the silence of my bedroom, not anonymous Youtube

viewers.

After transcription, the language was divided

according to makeup product and restructured into

poems. Foundation, Eye Shadow, Blush, Mascara, Lip

Gloss. In addition to tutorial instructions, there are

many mentions for the desire to be natural—to be

confident. There are multiple reminders about how

a little makeup goes a long way and to be sure not

to do too much because they’re just kids.

Riječi u ovoj knjizi poezije preuzete su od djevojčica

koje daju upute za šminkanje na platformi Youtube.

Ukupno 12 Youtube videa je odabrano i pažljivo

transkribirano, uključujući svaki “uhm” i “uh.”

Videozapisi su izabrani na temelju naslova, tako da

naznačuju razred ili dob za koje je izgled namijenjen,

poput “prirodne šminke za 4. razred”. Djevojčice koje

su davale poduke bile su u dobi od pet do dvanaest

godina, a video zapisi su preneseni između 2012. i

2014. godine.

Proces transkripcije rađen je ručno. Preslušavala sam

videozapise stalno iznova—reprodukcija, pauziranje,

tipkanje, premotavanje unatrag, reprodukcija—kako

bih izvukla točan prijepis. Proces je bio zamoran,

intiman, srceparajuć i poznat jer sam i ja bila jedna

od tih djevojčica koje su snimale tutoriale za

šminkanje, ali za tišinu moje spavaće sobe, a ne za

anonimne Youtube gledatelje.

Nakon transkripcije, materijal je podijeljen prema

proizvodu šminke i presložen u pjesme. Puder, sjenilo,

rumenilo, maskara, sjajilo za usne. Osim uputa za

šminkanje, često se spominjala želja za prirodnošću

- samouvjerenosti. Postoje brojni podsjetnici o tome

kako se i s malo šminke može puno, jer ipak su one

još uvijek djeca.

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