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continued from A Look Into the Future, page 27 About the Theatre Theatre Tuscaloosa, one of the largest community theatres in Alabama, works in partnership with Shelton State Community College to provide quality theatrical experiences to the citizens of West Alabama through performances, workshops, and classroom instruction. Theatre Tuscaloosa was founded in 1971 as the Tuscaloosa Community Players and became Theatre Tuscaloosa in the 1980s. The company then forged an alliance with Shelton State, and in the 1990s raised funds to complete construction of a fine arts center on the college’s new Martin Campus. In exchange, Shelton State named Theatre Tuscaloosa as its resident company. About the Playwright Michael Higgins is a Chicago writer and playwright whose comedy Launch Day (Love Stories from the Year 2108) has received staged readings at Benchmark Theatre in Denver, Capital Stage in Sacramento, and Chicago Dramatists in Chicago. His play The Chip has been produced in New York and Chicago, and appears in the Smith & Kraus anthology, The Best Ten-Minute Plays 2018. His play Tracy and Her Dream Guys was published in The Best New Ten-Minute Plays 2019, from Rowman & Littlefield. Higgins is a former legal affairs reporter for the Chicago Tribune and has a law degree from the University of Pennsylvania. A Cleveland-area native, he has also worked as a garbage collector, sewer cleaner, and “assistant to the guy who scrapes roadkill off the highway.“ Porfirio Solórzan Theatre Tuscaloosa participated in the Alabama State Festival with a cutting of Launch Day (Love Stories from the Year 2108) and was selected to advance to the AACT Region IV festival to be held during the SETC Convention, March 1-5, 2023, in Louisville, Kentucky. Congratulations Theatre Tuscaloosa! See all advancing AACTFest 2023 productions at aact.org/moving Janet Saulter of the Jack K. Ayre and Frank Ayre Lee Theatre Foundation presents a check to Tina Turley, Theatre Tuscaloosa Executive Producer and Cooper Shattuck, Theatre Tuscaloosa Board of Directors President on opening night of the world premiere of Launch Day (Love Stories from the Year 2108), October 21, 2022, in Tuscaloosa, Alabama Harris Cashes Out ! by Londos D’Arrigo writer for JOAN RIVERS, PHYLLIS DILLER and LILY TOMLIN Another hilarious, proven comedy from the author of SPREADING IT AROUND Reviews and photos: www.londos.net Publisher: www.canadianplayoutlet.com 28 AACT SPOTLIGHT
Memories and Milestones Midland Community Theatre’s World Premiere, Of Men and Cars The AACT NewPlayFest world premiere of Jim Geoghan’s Of Men and Cars opened October 21, 2022, at Midland Community Theatre (MCT) in Midland, Texas. The touching coming-of-age comedy opened to sold-out audiences and earned rave reviews from audiences and critics alike during its four-week run. MCT is participating in NewPlayFest for the first time, but has a long history of presenting original works. “For over 20 years, Midland Community Theatre hosted the McLaren Comedy Competition, and produced the winning production in our membership season,” explains Executive Director Tim Jebsen. “With that competition on hiatus, MCT was seeking other ways to find and produce original works for our members. We were thrilled to be selected by AACT to participate in NewPlayFest, producing Jim Geoghan’s original work.” Of Men and Cars chronicles a son’s relationship with his World War II-veteran father (and their family Ford), based on the playwright’s own life from the age of four through his late twenties. “Yes, I stole my father’s car and hit a tree when I was four. Yes, I hung out with Dad at bars when I was five,” Geoghan has explained, referencing some of the script’s opening moments. “We were pals. I learned a lot from Dad—like how to tell Mom that we did not go to a bar!” Midland Community Theatre Mom (Jeri Morgan), Jim (Daniel Collins), and Dad (Daryl Berry) on a family trip in the Midland Community Theatre production of Of Men and Cars Geoghan’s gift of comedy has earned him multiple Emmy and Drama Desk Award nominations and is on full display in Of Men and Cars. It’s his most personal play, balancing humor with the harsh realities of family relationships and growing up. “As a child, I thought my father was amazing,” he writes. “As a teenager, I discovered he was not so amazing and, worse than that, I let him know it. But as I became an adult, I began to realize I was also not as amazing as I thought, and I made up with my father before it was too late.” The AACT NewPlayFest process includes a three-day workshop during which the director and cast work directly with the playwright and the NewPlayFest dramaturg. The Q&A session with Jim Geoghan helped the actors see the real-life Jim and learn more about his process in writing the script. Perhaps the most enlightening moment came when Jeri Morgan, who plays Jim’s mother (as well as other characters), asked why the role of Mother was so small. Geoghan’s answer was direct and to the point: “Because I didn’t have to say I was sorry to her.” As much as this is the playwright’s own story, the themes are universal, which is why dramaturg Kathy Pingel arranged for a workshop session with social psychologist Dr. Caitlin Powell. This gave the actors the opportunity to explore motivation with questions like, how does a person stay married to someone who went to war a happy person but came back broken and angry? “The answer took into consideration the time period, the traditional role of women, and how long-term withholding of affection changes a person,” Pingel explains. “In addition, Dr. Powell’s knowledge of predictable behaviors in people who have had similar experiences gave actors insights and choices.” Other topics explored with Dr. Powell included the socially prescribed set of ideas of what it means to be a man, and developmental milestones in young people, such as the onset of abstract thinking that allows for the questioning of everyone and everything. Executive Director Tim Jebsen said that the play’s director, Ben Spencer, and his actors found the weekend workshop very helpful for their rehearsal process, welcoming the chance to dig deeper into the play and its characters. continued on next page JANUARY/FEBRUARY 2023 29
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Page 3 and 4: President’s Letter Kristi Quinn A
Page 5 and 6: ©2020/21 Peanuts Worldwide LLC | S
Page 7 and 8: AACT Board Officers Kristi Quinn, P
Page 9 and 10: Now Available for Licensing MTIshow
Page 11 and 12: Belle of Louisville Sunset Endowmen
Page 13 and 14: Ben Cameron is AACTFest 2023 Keynot
Page 15 and 16: AACTFest 2023 Adjudicators The 2023
Page 17 and 18: Theatre33 Bellevue, Washington (AAC
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Page 21 and 22: Speak The Speech! 2023 Monologue Co
Page 23 and 24: Adjudication Seminar 2023 “The pu
Page 25 and 26: Community Theatre Management Confer
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Page 37 and 38: Roundtable: Open Topic (Theatres wi
Page 39 and 40: New Play Contests June Bingham New
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January-February 2023

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