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HOURGLASS

December 2022 • Vol. 61, Issue I • Disce Verum Laborem 1888 • 701 Montgomery Avenue, Bryn Mawr, PA 19010

Design and graphics by Emily Zhang ‘23

Homework Over Holidays

MADDIE DAVIS ‘23

Staff Writer

How assignments affect Jewish students—even on days off

Recently, I was at my friend’s house

for Yom Kippur to be present for the

meal after their fasting ended. As

I completed my one-hundred-page

reading assignment before dinner, my friend

asked me, “How are you allowed to have homework

on such an important religious holiday?”

“It’s not that bad of a reading. I finished

my other work yesterday,” I replied.

But then again, I’m not Jewish, and I

wasn’t attending multiple hour-long services or

fasting all day. I imagine being in that position

with the amount of homework on my plate, especially

as a senior struggling to manage college

work as well.

But there are Baldwin students who don’t

have to imagine juggling hours upon hours of

homework on holy days. In order to gain an

understanding of the challenges these students

face, I created a form asking Jewish students at

Baldwin how having homework over religious

holidays has impacted their lives.

To start, out of the 20 responses, every student

said they had homework over the Jewish

High Holidays. Several students described how

homework impacted their ability to observe the

holidays with their families.

“To myself and my family, homework is

not a valid excuse to miss services or traditions.

Instead of affecting my ability to celebrate these

holidays, this has affected my sleep schedule

and has put me in a pretty bad mood when I

should have been enjoying family time,” said

Lyla Mason ‘26.

“Having homework assigned during the

Jewish holidays makes me anxious and stressed

out. In addition, I feel disrespected in my educational

environment. I shouldn’t have to have

assignments over religious holidays my family

and I celebrate. There have been instances

where I stay back from dinners on these holidays

just to finish work in past years,” said Atlas

Viroslav ‘25.

I talked to Mrs. Reed, Director of the Up-

per School, to gain more insight on Baldwin’s

workload policies during religious holidays.

She explained that while there isn’t an official

policy on homework over holidays, teachers

are not allowed to assign tests, quizzes or

large assessments due the day after. However,

Mrs. Reed did say that the administration encourages

teachers to limit homework and make

sure they are fully aware of any holidays coming

up.

When asked if the school would ever consider

making an official no homework policy

over religious holidays, Mrs. Reed explained

that there are many things to consider when

thinking about this question. For example, there

are many different religious holidays that students

observe throughout the year– which holidays

would be exempt from homework? Do

we say no homework for both the A and B day

following a holiday? And can students use the

A/ B schedule to plan ahead?

Mrs. Reed said, “What I would say is to

continue to encourage students who celebrate

these holidays to advocate for themselves with

their teachers, to either plan ahead and work

before the holiday or ask for an extension on

your work.”

Not all students who celebrate the Jewish

holidays feel that the workload is unreasonable.

Sasha Deringer ‘23, Senior Head of the

Jewish Cultural Association, agreed with Mrs.

Reed on the importance of self-advocacy, saying,

“I believe teachers would be receptive if a

student had a need to ask for accommodations,

although I personally have never needed to ask

for any. I am not particularly observant, but I

have never had a problem with homework impacting

my ability to celebrate the Jewish High

Holidays with my family.”

For those who do struggle to balance the

schoolwork with personal celebrations, it seems

that the best option for now, as Mrs. Reed said,

is to be proactive and thoughtful about your

workload and how you advocate for yourself

during this time.

EDITORIAL P. 2

Complaisance: The

Killer of Conversation

Many of us have been taught

that avoiding conflict is the safest

route. But what if thoughtful

debate is exactly what our world

needs to boost self-awareness and

build bridges instead of walls?

OPINION P. 5

The American Media’s

Disproportionate

Coverage of Global

Conflicts

Ifunaya Obidike ‘23 discusses the

stark inequity in how the American

media covers conflict around

the world.

CENTERFOLD P. 6

Hot Takes

We asked for staff writers’ most

contentious, unpopular opinions.

We hope that they surprise you,

intrigue you, and maybe even inspire

you to try something new.

FEATURES P. 9

When Service Meets

the Classroom

Hafsa Kanchwala ‘25 takes a

deep dive into the nature of service

at Baldwin with Ms. Malloy,

highlighting the many benefits

of giving back to the community

around us.

SPORTS P. 11

Athlete of the Issue:

Maddie Davis ‘23

Star soccer player and track captain

Maddie Davis talks the importance

of teamwork, her love

for athletics, and the memories

that have made her journey with

sports so special.


02 | EDITORIAL the hourglass

Design by Leela Rajagopal ‘25 • Photos courtesy of Izzy Thompson ‘23 and Makenna Walko ‘23

Complaisance: The

Killer of Conversation

Why respectful disagreement is more

important than you think

IZZY THOMPSON ‘23

MAKENNA WALKO ‘23

Editors-in-Chief

On October 19, 2022, the Editors-in-Chief of The

Hourglass had a fundamental, impassioned,

and high-stakes disagreement. Similar debates

could be heard in the Blue Hallway, and

throughout the Schoolhouse. But what could cause such

an in-depth discussion, with heated words flying back and

forth across the AT Physics classroom?

Taylor Swift’s new album Midnights, that’s what.

In short, Makenna was a supporter at first listen, but

Izzy. . . had her reservations. What followed was an intense

dispute, with claims that each side had fundamental flaws

in their argument. But in the end, Makenna conceded that

perhaps some songs were less than perfect, and Izzy was

inspired to give the album a second chance. And to her

surprise, after giving Midnights some time to grow on her,

Izzy found that she was a fan of the album after all.

This give-and-take, and the lessons learned along the

way, caused your fervent, Taylor Swift-loving Editorsin-Chief

to reflect on the intrinsic value of productive

disagreements. After all, if we hadn’t clashed over the

chart-topping album, Izzy’s Apple Music Replay might be

free of Taylor’s latest release, and Makenna might still be

defending the lyric “karma is a cat.”

Many of the best arguments end this way: You realize

that, in one way or another, you were wrong. This can be

hard to admit, but it can also be liberating, and sometimes

even life-changing. Taking other people’s opinions into

account, the very rudimentary definition of “empathy,” is

often the root of positive change. True, a debate over pop

music isn’t earth-shattering. However, serious, respectful

conversation with someone from a different background,

generation, or party might be.

When it comes to discussions about these larger,

looming issues, our society has fallen short: in our current

divisive political environment, we’re often too quick to

dismiss those we disagree with, while embracing voices

that support our own entrenched perspectives. But it is

through disagreement that we learn the most about others

and about ourselves, and are prompted to rethink outdated

or uninformed positions that hinder our growth.

However, not all disagreements end with both parties

learning and growing. Sometimes, the best conclusion

is a simple: “Let’s agree to disagree.” These disputes,

too, are crucial, because they teach us the importance of

respecting the differing opinions of others. You walk away

considering the other person’s point, even if you believe

you may never truly align with their opinion.

Then there are disputes that end in plain old

dissatisfaction, anger, confusion, and hurt. This may be

where you need to prioritize your own peace and shut

down a disagreement before it gets out of hand. Your

well-being—whether that be emotional or physical—is

always most important. While we encourage thoughtful

disagreement, if you sense that a discussion is on track to

devolve into a fight, it’s likely time to end the conversation.

Moreover, there are some things that are never up

for debate. For example, a person’s identity should never

be disputed. Horrific historical events like slavery or the

Holocaust should never be denied or justified.

But in general, when carried out respectfully and

earnestly, disagreements can encourage us to think

through why we believe what we do and inspire selfreflection.

They can develop our self-confidence and selfawareness,

and help us build deeper, more understanding

relationships. These conversations often catalyze real,

thought-provoking analysis and change.

This all starts with our differences; everything that

makes us uniquely ourselves. And these varying opinions,

however contrasting or controversial they may be, are

what unite us. The irony runs deep, but disagreements are

a rare constant in life.

Don’t succumb to complacency or self-doubt and

agree with someone because it’s easier or because you’re

afraid. Have those hard conversations. Get comfortable

being uncomfortable, and push yourself to grow. This

issue’s centerfold offers the perfect jumping-off point.

It’s full of our staff writers’ piping hot takes, and we

hope you disagree vehemently with them. Do you hate

pickles? Do you think the suburbs are the best place to

live? Do you believe The Bee Movie is the worst movie

ever made?

Let the debates begin.

December 2022

Volume 61 Issue II

MISSION STATEMENT

The Hourglass is The Baldwin Upper

School’s newspaper dedicated to

publishing student articles. The

views expressed in The Hourglass

do not necessarily reflect those

of the school or the editors.

CORRECTIONS

The Hourglass aspires for its content

to be fair and correct, and regrets

when it is not. If you have questions

or comments about our coverage,

contact the Editors-in-Chief at

ithompson@baldwinschool.org or

mwalko@baldwinschool.org.

HOURGLASS

CONTENT

All content published in The Hourglass

(including but not limited to articles, designs,

graphics, photographs, and illustrations)

are created by Baldwin students for the

exclusive use of The Hourglass unless

otherwise indicated.

SUPPORT

The Hourglass is made possible through

the generosity of the Ruth S. Hochberger

‘68 Hourglass Sustainability Fund. The

Hourglass is affiliated with the Columbia

Scholastic Press Association.

The Baldwin School

701 Montgomery Avenue, Bryn Mawr, PA 19010

EDITORS-IN-CHIEF

Izzy Thompson ‘23

Makenna Walko ‘23

NEWS EDITOR

Marin Horwitz ‘24

FEATURES EDITOR

Lydia Snyder ‘23

OPINION EDITOR

Lauren Halak ‘24

SPORTS EDITOR

Avani Shah-Lipman ‘25

ARTS EDITOR

Grace Colucci ‘23

BE SURE TO CHECK US OUT AT

www.hourglassnewspaper.com

FOLLOW US ON INSTAGRAM

@hourglassnewspaper

CREATIVE DIRECTORS

Cathy Wang ‘23

Emily Zhang ‘23

JUNIOR CREATIVE

DIRECTOR

Trisha Yun ‘24

LAYOUT EDITOR

Greyson Walko ‘25

MEDIA DIRECTOR

Sophia Ran ‘23

PHOTOGRAPHY EDITOR

Sophia Ran ‘23

FACULTY ADVISORS

Dr. Daniel Benjamin

Ms. Janice Wilke


december 2022 NEWS | 03

Hurricane Ian’s devastating effects on Sanibel Island, Florida

IN THE EYE OF THE STORM

AVANI SHAH-LIPMAN ‘25

NIKOLETTA KUVAEVA ‘25

Sports Editor and Staff Writer

O

n September 28

2022, Hurricane Ian hit

Southeast Florida and the

surrounding small islands,

including Sanibel Island.

Winds that reached 150 miles

per hour brought down trees

and powerlines, flooded houses,

and pushed feet of water ashore

from the Gulf of Mexico.

The World Meteorological

Organization (WMO) called it “one

of the worst hurricanes to hit the area

in a century.” Many families’ lives

were turned upside down when their

homes were damaged or destroyed by

the wind and water.

Ian was one of the strongest storms

to ever slam Florida, the death toll

amounting to more than 100 people, most

from drowning. Entire neighborhoods

were flooded with water in an unforeseen

case of property destruction.

Unfortunately, Ian is part of an

already worsening trend of weather

disasters. Beneath this storm lies the

ferocity and truth of our current climate

catastrophe.

“Climate science is increasingly

able to show that many of the extreme

weather events that we are experiencing

have become more likely and more

intense due to human-induced climate

change,” WMO Secretary General

Petteri Taalas said.

According to the

Environmental Defense Fund,

hurricanes have become stronger

due to the rise of ocean level

temperatures. This causes

more water vapor and

heat to be pulled into the

atmosphere and results

in more severe rain

and wind.

Pennsylvania

has experienced similar

extreme weather events. In

2012, Hurricane Sandy caused

catastrophic damage to much of the Mid-

Atlantic region, a sign that climate change

can have very real consequences, even

for inland states. At Category 3 strength,

it caused $60 billion in total damages. It

took lots of hard work and collaboration

to build these areas back to the way they

were, and some areas are still rebuilding

ten years later.

Similarly, Hurricane Ian, an even

more devastating Category 4 storm, will

require massive amounts of effort

to recover from.

Sanibel

Island was

one of the

communities

that was hit

hardest by Ian. Being

a barrier island (an ever-shifting

sand deposit paralleling Florida’s coast),

Sanibel residents are far more susceptible

to the damage of hurricanes. The process

of restoring their electricity, water, and

sewage is primarily inhibited by the

destruction of the causeway, the bridge

connecting Sanibel to mainland Florida.

Additionally, many buildings sustained

major structural damage or were reduced

to debris.

“Sanibel Island is unrecognizable

as the hometown we left just a few days

ago” Dana Souza, Sanibel’s city manager,

reported to FOX Weather.

Sacha Connor, the owner of a

consulting firm whose father

calls Sanibel Island home,

recounted her

father’s

h a r r o w i n g

experience with

Hurricane Ian. While Mr. Connor

fortunately did evacuate, several

hundred people chose to stay on the island

because “no one expected it to be this

bad.”

On October 5, 2022, City Council

allowed residents who had evacuated

to return home, but they “had to figure

out their own way” back to the island.

Mr. Connor managed to hitch a ride on

a contractor’s boat to Sanibel, as the

causeway prevented any automobile

travel.

However, his journey

was far from over. “You

had to bicycle to

your house,”

Ms. Connor

s a i d .

U p o n

M r .

Connor’s

arrival, he

found his home

filled with four feet

of water. “It [was] just a

disaster,” Ms. Connor said.

“Places that these hurricanes

are hitting are more built up than they

have been in the past, so they affect more

people,” Ms. Connor said. The question

becomes, with the consistent increase of

hurricane severity, is it worth rebuilding

the decimated areas?

Ms. Connor was conflicted about

whether Sanibel should be rebuilt. On one

hand, she said, “These people want to be

together in this beautiful place. My father

built a community here.” She wants people

to be able to enjoy the “wonderful place

it was: natural beauty, animal life, plant

life, no street lights.” However, on the

other hand, she acknowledged

the immense cost of

rebuilding an

island

that will

likely be

struck again.

Jesse M.

Keenan, a Tulane

professor, predicts

that Sanibel will

become “an enclave

for the ultrawealthy,” as

people with less means likely

won’t pour their money into

rebuilding their homes just to

see them destroyed again.

According to NBC

Washington, “barrier islands

were never an ideal place for

development.” Although they are

disproportionately vulnerable to

weather-related events compared to

the mainland or larger islands, their

beauty makes them a prime location for

vacation homes.

As climate change worsens,

awareness about global warming’s

association with extreme weather events is

growing, and efforts to alleviate hurricane

damages have amassed support both

nationally and within our own community.

At Baldwin, Middle School’s Service

League ran a pin sale to assist victims of

Hurricane Fiona in Puerto Rico.

The threat of climate change—

and the accompanying severe weather

events—looms over residents of coastal

Florida and the entire country. Each

passing hurricane has the capacity to

be stronger than the one prior, and one

day the homes on islands like Sanibel

Island may become as distant as

Atlantis. Only time will tell how

rising tides and extreme weather

will affect the island, leaving

residents to reflect on the toll

of Ian and if—and how—they

should go about rebuilding.

Design and graphics by Cynthia Zhang ‘24


04 | OPINION the hourglass

ALBUM ALC VE

MOSS: An indie folk reflection of identity and past experiences

BETTI PANG ‘23

Staff Writer

Maya Hawke’s sophomore

album MOSS was released

on September 23, 2022.

After a successful acting run

on the past two seasons of Stranger Things

and the recently released film Do Revenge,

Hawke takes a step back with MOSS’s

honest, stripped-back acoustic tracks.

The album is a bolder continuation of

her debut album, Blush, and reflects deeply

on her childhood and adolescence. In an

interview with Flood Magazine, Hawke

says that during the pandemic, she needed

to return to parts of her past that she had

pushed aside and go “back to all these

things that were mine and figure out what

weeds I have to pull out so the flowers I’d

forgotten about can bloom.”

The first single “Therése” takes

inspiration from “Thérèse Dreaming,”

a controversial painting by Balthus. In

2017, the Metropolitan Museum of Art

declined to take down the painting in

response to a petition claiming that the

portrait romanticized the objectification

of children. As one of Hawke’s more

daring tracks, “Therése” begins the MOSS

era with an earnest exploration of public

perception versus internal dreams and

goals. In a press statement, she said that

the song is about “the secret spaces we

build where we are free to be ourselves,

in a world that is always intentionally or

systematically misunderstanding us.”

The song is about

‘the secret spaces we

build where we are

free to be ourselves,

in a world that is

always intentionally

or systematically

misunderstanding us’

These ideas are woven into the

dichotomous production of the song,

which begins with guitar and vocals, then

adds a stomping pulse and echoing voices,

leaving the listener with a haunted yet

content feeling.

“Sweet Tooth,” MOSS’s second

single, captures the comfort of always

having someone to depend on. Using a sore

tooth as a metaphor, Hawke embraces the

contrast between sweetness and decay, as

well as joy and grief. The upbeat track has a

playful guitar melody and lyrics, conveying

childhood lessons that are continuously

relearned throughout adulthood.

BETTI’S REVIEW

RATING: 8/10

FAVORITE SONG: Luna Moth

WOULD RECOMMEND: “Hiatus”

“Luna Moth,” the third single on the

album, is one of my personal favorites.

The song deals with the choking feelings

of self-hatred and guilt. In true MOSS

fashion, Hawke sings delicately over

gentle acoustic guitars, and reveals some

of the most hard hitting lines I have ever

heard, including “I don’t need anyone to

hurt me, I can do that myself; I don’t see

why you would want me, if I could I would

be anybody else.” In its quiet honesty and

confessional disillusion, it feels like a

sibling of “Just for Today” by Clairo, or

“this is me trying” by Taylor Swift.

In “Hiatus,” Hawke describes

the painful yearning for a relationship

that simply isn’t working. With tender

descriptions of a significant other and

references to the film industry, the track

beautifully puts raw emotion on display.

The chorus contains some of my

favorite lines in the album, such as: “I

know you bleed glitter and you have a

heart of stone, but all I really want’s an

actor of my own.” The image conveys

both the inaccessibility of her partner’s

vulnerability, and the honesty of their

intentions.

In true MOSS fashion,

Hawke sings delicately

over gentle acoustic

guitars, and reveals

some of the most hard

hitting lines I have

ever heard.

As the daughter of Uma Thurman

and Ethan Hawke, Maya Hawke both

acknowledges her nepotism and uses it

well. Collaborating with artists like Will

Graefe and Christian Lee Hutson, Hawke

creates an autumn indie folk dream. While

some songs on MOSS tend to blur together

in sound and theme, the album captures

the magic of pure feelings through delicate

vocals and strings. Through these songs,

we see ourselves, and imagine what could

have been.

Design and graphics by Greyson Walko ‘25 and Julia Baur ‘25


december 2022 OPINION | 05

The American Media’s

Disproportionate

Coverage of

Global Conflicts

Why do some conflicts receive so much media attention and others so little?

IFUNAYA OBIDIKE ‘23

Staff Writer

Design and graphics by Trisha Yun ‘24

Congress has sent so much

money to Ukraine, the

same should be done for

the people who are feeling

the brunt of this war in Ethiopia,”

said Aida Haile ‘23, who has spearheaded

advocacy efforts for victims

of the war in Tigray, where her family

is from.

The Tigray-Ethiopia conflict

formally began on November 3,

2020 as a civil war between Ethiopia

and a region within it, Tigray,

after the Tigray State Council held

an election for a new Prime Minister.

The war, which was recently halted

by a ceasefire on November 2, has

spanned two years, resulted in half a

million deaths, and received little to

no coverage on American platforms.

So why do so few Americans

know about this globally significant

conflict?

America has always been more

captivated by its European neighbors

than its African and Asian ones.

Noam Chomsky explains the reason

behind this phenomenon well in his

1988 work of media criticism, Manufacturing

Consent. He explains that

the mass media divides the world

into “worthy” and “unworthy” victims

for propagandistic purposes,

a label that is assigned based on

whether the aggressor in the conflict

is an enemy or ally of the United

States. Chomsky notes, “While

the coverage of the ‘worthy victim’

[is] generous with gory details and

quoted expressions of outrage and

demands for justice, the coverage

of the ‘unworthy victims’ [is] lowkeyed,

designed to keep the lid on

emotions.”

This disparity in coverage between

the “worthy” and “unworthy”

victims is exemplified by the

immense global spotlight that the

ongoing Russia-Ukraine conflict has

received. We as American people are

enthralled by this conflict. In addition

to the fact that Russia is a major

political rival of the U.S., White

America has always

been more captivated

by its European

neighbors than its

African and Asian

ones, a phenomenon

Noam Chomsky

explains in his 1988

book Manufacturing

Consent.

America has always been captivated

by its White European neighbors and

extensively addressed their conflicts

in American media.

From a local perspective, for

example, Baldwin Service League

sent an email to Upper and Middle

School students hosting a humanitarian

drive by the end of March 2022.

American social media and

brands were quick to emphasize their

alliance with Ukrainians. Grammarly,

for example, changed its icon

to the colors of Ukraine’s flag. Many

users on social media platforms such

as Twitter and TikTok made similar

changes to their profile pictures, and

the internet was soon flooded with

posts declaring: “Support Ukraine.”

News platforms such as The

New York Times and its podcast The

Daily have had the Ukraine-Russia

conflict as their running theme for

the past few months. According to

Axios, 520k articles were published

about the conflict during the first

week after Russia’s invasion, and

even three months later, the conflict

was still averaging 70k online articles

a week. Day after day, a new

podcast or article relating to the war

makes headlines across the world.

This sharply contrasts the lack

of both media attention and support

for the Tigray conflict. To put it into

Chomsky’s terms: Ethiopia is a strategic

ally of the U.S., and as a result,

coverage of the conflict in Tigray has

been limited. The media has deemed

its victims “unworthy.”

However, just because some

conflicts are less covered by the

mainstream media doesn’t mean

there aren’t credible sources to educate

yourself on these conflicts.

News platforms like Democracy

Now!, Fairness and Accuracy In

Reporting (FAIR), and Media Matters

for America are among the best

places to widen your feed to global

catastrophes, as well as independent

journalists reporting from the ground

in warzones like Tigray.

No matter where it unfolds,

violence must be condemned, and

its victims aided and their voices

amplified. But that is the critical issue—currently,

this support is not

dispensed equally. Some parts of

the world receive our attention and

assistance, while others are pushed

aside. The devastation of these conflicts

shouldn’t be compared, but

the way we go about sharing them

should be. Coverage can have real-world

effects; critical media coverage

can put pressure on political

leaders to take action.

Haile said, “It seems as though

no one is listening and it’s frustrating.

These are innocent people that

deserve screen time too, regardless

of their background. It’s important

to go the extra mile and just listen.”


06 | CENTERFOLD the hourglass

Hot Take: The Bee Movie

is Criminally Underrated

Find out what all the buzz is about!

MARIN HORWITZ ‘24

News Editor

The Bee Movie has everything

a movie should have. A

protagonist, unhappy with their

set future, deciding to change the

world? Check. An outrageous storyline

and outstanding cast? Check. A moral that

has you reconsidering all your choices and

honey-purchasing practices? Check.

For those unfamiliar with The Bee

Movie, it centers around Barry B. Benson,

a humble bee who has just graduated

college and realizes he has absolutely no

interest in making honey for the rest of his

life. He goes out into the world, discovers

that humans harvest bees’ honey, and sues

the human race. After winning his case,

bees as a collective stop working, but as a

result, the entire world starts to lose flowers

and presumably, food. Barry soon realizes

his mistake and then saves the world as an

apology.

The Bee Movie is moving and

fundamentally inspiring. Barry not only

defies the odds by winning a case against

honey monopolies as only a tiny honey

It is a movie that

is an abstract

study of American

society, all while

being ridiculously

funny.

bee, but he also admits to his mistake and

does everything in his power to remedy it.

He is a role model for both children and

adults alike.

The film gives a new perspective on

how we get our food. It makes viewers

reconsider buying food online or from

grocery stores, where everything is

packaged and pasteurized. We often forget

to think about how it was made, where it

came from, or the labor involved in the

creation process. Our food has lost some

of its value, as Barry points out perfectly.

The Bee Movie may be almost as old

as many students in the freshman class, but

that does not mean that it has lost any of its

relevance. It is a movie that is an abstract

study of American society, all while being

ridiculously funny.

Hot Take:

Cities Are Awesome

CARLEY TAYLOR ‘23

Staff Writer

In defense of the best places on earth

As a resident of South

Philadelphia for 16 years, I

take personal offense when

someone says that cities suck.

All of my favorite places are cities, and

that is no coincidence.

Living downtown, I see something

new every single day. Whether it’s an art

show or Lady Gaga strolling down the

street, the wonders of the city can not be

replicated by the suburban lifestyle. These

sights also provide me with countless

memories.

The

teenage

average

employee’s work stories typically revolve

around rude customers. In contrast,

working in the city has given me stories

of all the bizarre things I see parading in

the streets through our restaurant’s massive

windows. One time, I watched two women

try to steal a block of cement, hauling the

50-pound block down the sidewalk outside

our restaurant.

Not only does the city have plenty

of sights to see, but it has plenty of things

to do as well. There are countless

stores, activities,

and museums in the

sprawling urban environment. Not to

mention the impeccable flavors from

thousands of restaurants. Plus, life is

so much more convenient. If you need

something, odds are it’s just a block away,

instead of a 20-minute drive.

Even for the natureinclined,

cities provide no

shortage of parks, stacked with

places for reading or socializing

and far fewer bugs than dull

parks in the country. Urban parks

are also full of performers,

v e n d o r s , monuments,

and even zoos (there is

literally a zoo in Central Park—Valley

Forge would never have a zoo).

However, I will admit, sometimes

the performers in city parks are far from

entertaining. Dancers like the Michael

Jackson cosplayer in Rittenhouse Square

are certainly a deterrent for many. Even I

avoid Rittenhouse when I hear the sound

of his remixes through his crackly speaker.

But to be honest, the occasional bad music

is negligible when compared to the endless

positives offered by cities.

Sure, they’re loud, and some say they

smell bad (although, personally, I don’t

agree, but I may just be used to the stench),

but living surrounded by bright lights

and voices is exhilarating. Also, if cities

were really so horrible, why

would so many people live in

them?


december 2022 CENTERFOLD | 07

CARLEY TAYLOR ‘23

Staff Writer

Design, graphics, and photography by Cathy Wang ‘23

Hot Take:

Pickles Are Good

Earth’s best crunch deserves more love

To me, twisting open a pickle jar

and biting into a juicy spear has

consistently been a personal life

luxury. However, my love for

pickles never fails to sour someone’s day,

even though pickles are humankind’s most

perfect creation. I believe it is time for

the disgusted faces towards my preferred

snack to cease, because let’s face it: pickles

are good.

Pickles can be found and used

everywhere, making them both convenient

and tasty. They offer a diverse selection of

shapes and sizes from the big dills floating

in deli barrels to the finely chopped ones in

relish bottles.

With all this variety, there is no

excuse to claim that all pickles are “gross”

because that discounts their unlimited

possibilities. Sure, you might not like one

type of pickles (I admit, given the option,

I wouldn’t hesitate to eradicate the bread

and butter chips my aunt swears by) but

a rejection of the entire catalog is closeminded.

I think there is a pickle for everyone,

even the haters. There are sweet pickles,

fried pickles, dill pickles, spicy pickles,

fancy pickles, gherkins, and so many more.

Not only do pickles come in a variety

of flavors, but they can be eaten in so many

ways. Whether placed on a sandwich or

eaten on their own, there are probably as

many pickle-eating options as assignments

on the test board. You can even eat pickles

on the go, with one of my favorite Wawa

finds: “OH SNAP!” bagged pickles.

However, if the large assortment of

pickles is not enough to convince you to

indulge, their flavor is not something to

dismiss. Pickles manage to carry their iconic

taste despite coming from our planet’s most

underwhelming vegetable. Cucumbers are

literally just crunchy water—essentially

glorified ice. Despite their disappointing

origin, pickles still manage to provide the

perfect combination of salty, juicy,

and crunchy;

an admirable

q u a l i t y

regardless of

your stance

on the snappy

snack.

So the

n e x t

time you

see your

f r i e n d

enjoying a

tasty pickle, instead

of criticizing the smell,

reconsider the incredible

nature of their crispy

treat, and maybe even

allow yourself to indulge

in the deliciousness.

Hot Take: “The Middle of o

Nowhere” Is Not Boring

IZZY THOMPSON ‘23

Editor-in-Chief

Why everyone should go outside more

In times of worry or stress, I often find

myself mindlessly dreaming of the

best things in the world: peace, quiet,

the small sounds and soothing scents

of nature. . . Earth’s best offerings.

How can you go wrong by simply

sitting outside and breathing in? Does

the warm sun washing over your face not

momentarily calm your worries? Or maybe

it’s the dead of winter and the biting wind

is rushing blood to your cheeks; you finally

feel refreshed after a day inside with the

stuffy heaters and too-itchy blankets.

proclaiming, “We’re going for a hike!”

There’s a good chance that phrase may

leave a sour taste in your mouth.

Any artificially generated way of

experiencing nature never bodes well. But

I’m here to defend the great outdoors! One

of the biggest complaints is how hot or cold

it might be. If it’s hot, wear loose clothes

and take tons of breaks. Sit down, relax,

and press your (hopefully cold) water

bottle to your forehead. If

it’s cold, wear a ton

of layers and put hand warmers in your

gloves and boots!

Hiking, camping, and other outdoor

activities get too much hate. It’s not all

thorn bushes and rocks waiting to trip you:

it may be a majestic view at a mountain’s

summit or a grassy plain perfect for picnics.

These beautiful sights can often come

from places far removed from towns or

bustling cities. The deciduous

forests of West Virginia,

a highway cutting through the hypnotic

Smoky Mountains, or the sweltering

Arches National Park in Utah. Nothing

beats the overwhelming quiet as you

stare up at the night sky, light pollution

non-existent in the middle-of-nowhere

American Southwest. So even if you are a

city lover through and through, I urge you

to give more rural exploration a try.

Unfortunately, I think we were all

dragged on too many walks as kids. If

you weren’t, let me quickly share the

experience. A parent comes into

your room, bright and early

on a Saturday morning,


08 | FEATURES the hourglass

Mamma Mia,

Here We Go

Again

The Baldwin Theater Department returns with a new director,

a new musical, and a new level of energy

GEORGIA JANE WHAMOND ‘25

Staff Writer

Design by Gemma Young‘25 and Allison Meng ‘25

Graphics by Emily Zhang ‘23

Photography by Lyla Mason ‘26

If the chorus of “Dancing Queen”

has been stuck in your head on a

loop and you’re counting down the

days until you can get your hands on

tickets to the Baldwin theater department’s

upcoming performance of Mamma Mia!,

you’re not alone. The school is abuzz with

excitement about the approaching show,

a popular jukebox musical that many

students already know and love.

However, students may be less

familiar with the new theater teacher

behind this fun production: Ms. Marlowe.

After many years of experience at other

schools, Ms. Marlowe joined the Baldwin

theater department early in the 2022-2023

school year.

Already, Ms. Marlowe has big

plans for theater at Baldwin. Discussing

her goals for the department, she said,

“My hope for this year is to provide a

really positive experience through a fun

style of production, to bring audience

members back into the theater, to gather

into community, to witness really fun

storytelling and acting and dancing, but

also to provide a backstage and rehearsal

experience that is positive and fun.”

Ms. Marlowe said she’s a “a process

over product person,” saying “I want the

rehearsal process to reflect what we want

the production to be, so if the process isn’t

fun and doesn’t have the ability to dig

deep and stretch and grow, then I think the

production will really reflect that.”

Although students have faced

significant challenges in recent years,

COVID being the primary obstacle, Ms.

Marlowe is optimistic about the year

ahead. She said, “What I know so far is that

we have a group of incredibly enthusiastic

students who are ready to bust out of the

last two years of crazy pandemic and go

for the big show, and it seems like that

enthusiasm is backed up by a lot of work

ethic so far.”

Baldwin’s theater department is

unique in that it is a largely student-led

program. Maskers, the theater club at

Baldwin, facilitates a huge part of the

Theater teacher Ms. Marlowe looks to her vision board as inspiration for the upcoming year.

theater department’s operation and success.

Julie Brose ‘23, one of the Maskers

heads, highlighted how the club, and the

department as a whole, has changed over

time, saying, “I think there’s a lot more

resiliency within, because it used to be

that we’d just complain about the things

that weren’t right, and with all the turnover

we’ve realized it’s really up to us to sculpt

the theater department we want. The

biggest difference is just the people.”

Chloe Watson ‘24, another Maskers

head, said, “A student-led program can

sometimes be a struggle, but I think it gives

students the opportunity to step up in ways

they may not be able to at other schools.

Techies, actors, dancers, and many other

talented individuals are able to step into

roles of leadership and help produce a

performance of their own. So much goes

into running the theater club at Baldwin

and it’s taught me so much.”

Rachel Gopalani ‘23, the third

Maskers head, spoke about her goals for

the department this year and in the future.

She said, “This year, my main goal is that

we encourage a more widely known and

accepted view of the theater department. I

think the addition of Ms. Marlowe this year

will be great too– I’ve heard great things

about her and I’m excited to keep working

with her. I think when we have that kind

of strong leadership, that’s going to be a

lovely addition, because when students

see that in such an underrepresented

department they’re going to take it more

seriously.”

As rehearsals for Mamma Mia!

begin, Maskers heads say that the energy

for the show is already high. Reflection,

experience, and careful planning from

student leaders and Ms. Marlowe are

elevating the Baldwin theater department

to a new level this year. Excitement for

participating in theater is unmistakably

present, with much to look forward to this

year.


december 2022 FEATURES | 09

Design by Cathy Wang ‘23 and Nicoly De Vasconcelos ‘24

Photography by Emilie Xie ‘24

Where Service Meets

the Classroom

An insightful interview with Ms. Malloy, Baldwin’s Coordinator of Civic Engagement

HAFSA KANCHWALA ‘25

Staff Writer

Baldwin students often get caught

up in piles of homework, hours

of athletic practice, and timeconsuming

club projects. But

should we be taking more time to step back

and appreciate our community in order to

properly “give back?”

Ms. Malloy

recommended that

students play to their

own strengths when

personalizing their

own contributions to

the community.

What does “service” mean to Baldwin

students? With such a heavy emphasis on

other activities, how can our school also

facilitate strong community outreach?

To answer these questions, I had the

opportunity to talk to Ms. Malloy, the

Coordinator of Civic Engagement at

Baldwin, to discuss our school’s work

toward serving our community.

Ms. Malloy recommended that

students play to their own strengths when

personalizing their own contributions

to the community. She highlighted the

encouraging movement towards long-term

commitments with service organizations,

and the growing student awareness of

and sensitivity around various issues.

Lastly, she discussed potential areas

of improvement and how Baldwin is

working towards an ever better tradition of

community service.

Q:

Q:

Why did you get involved with

service at Baldwin?

A:

When I came to Baldwin five years ago, I

realized that the service component needed

more structure and clearly-defined

goals. Service is a student’s ability to incorporate

their academic gifts and talents

into something that is tangible and useful.

An example can be a student who loves to

bake, they can use that skill to share baked

goods with organizations like Bethesda

Project. A student who is good at math

can use their gift to tutor children who are

struggling with math.

What is the best part about Baldwin’s

service program, and how is service

helping students grow?

Upper school students volunteer at Cradles to Crayons, a

Philadelphia-based nonprofit organization.

A:

Students are starting to make commitments

and find ways to engage in sustainable

long term projects. We are able to have

conversations about being respectful of

the communities and the people we serve.

Students have also learned to use different

terminology when describing folks who are

experiencing poverty and the many layers

that affect a person’s life.

Q:

How can Baldwin students enhance

their community engagement this

year?

KIVA heads Lulu Gunn ‘23, Katie Reed ‘23, and Bella Gillis ‘24

host weekly meetings and generate fundraising ideas in order to

promote the success of aspiring entrepreneurs.

A:

Our students have great potential to

do more and to build stronger ties with

our community partners. We need to

focus on essential questions, like: Why

is this important to us? Can we create

sustainable connections? What is our level

of commitment? When we can respond to

these questions with strong answers, we

are one step closer to creating a program

that meets people where they are, and

provides meaningful place-based service

and engagement.


10 | ARTS the hourglass

Artist of the issue

LIGHTHOUSE WU ‘24

An insight to the creative process behind her infamous and breathtaking paintings

OLIVIA STEPHAN ‘24

Staff Writer

Design by Emily Zhang‘23 and Mindy Zhang ‘25

Photography by Sophia Ran ‘23

I’d rather paint something ugly and

unlikeable that means something than

paint something beautiful and pleasant

that means nothing,” Lighthouse

Wu ’24 said. To Wu, an avid drawer and

painter, art is about giving an idea visual

representation, and not assigning meaning

to a painting.

Wu has been passionate about the arts

from a young age, encouraged by her parents

to pursue her interests through exploring

and experimenting. In her freshman

year, Wu participated in both performing

and visual arts. She then decided to focus

on developing her drawing and painting

skills and is currently doing an independent

study that allows her to have free rein

to explore new ideas.

When asked whose perspective she

considers when painting, Wu responded, “I

have phases when I paint solely for myself,

and phases when I paint for the potential

audiences’ viewing pleasure. Currently,

I try to strike a balance between the two,

conveying messages that are meaningful to

me and to the viewers.” Over the past year,

Wu has not followed a specific theme but

rather has painted wherever her imagination

takes her.

Wu’s painting “Sausage” is inspired

by one of her favorite pieces of music, a

Tchaikovsky violin concerto. Inspired by

the life-like music, she worked to convey

the perfect blend of the violin solo with

the orchestra through painting, creating a

“transcendental experience … to the viewer.”

Through techniques such as shading,

she highlights certain aspects of the orchestral

work to show their significance to

the painting’s audience.

Wu has painted a variety of other

works, including a gazebo during a sunny

day and a view through a window. They

are filled with vibrant colors, and the people

are painted in a more abstract manner,

outlined by contrasting blocks of color.

One of her largest pieces is a painting

of a Buddhist temple that was displayed at

last year’s art fair. Inspired by a temple she

visited when she was younger (and subsequent

dreams about it), the painting depicts

a large Buddhist statue as the centerpiece,

dwarfing the onlookers who stand at its

base.

The entire scene is bathed in an orange

light, with colorful lanterns hanging

from the intricately decorated pillars surrounding

the temple’s courtyard and tables

of offerings set at the Buddha’s base.

Art is about giving

an idea visual

representation, and

not assigning meaning

to a painting

Even after presenting it at the art fair,

Wu believed this painting was still incomplete

and spent her summer continuing to

add details. In general, when viewing her

art, Wu takes a more critical perspective,

finding she is not always satisfied with the

finished product and often sees aspects

which can be improved.

When talking about the role art plays

in her life, Wu says, “It is not accurate to

describe art as an escape for me. Because

each formal art piece requires so much

time and energy to plan, so many ideas to

execute on canvas, and with deadlines for

competitions and art shows, art is more often

as draining as school work.”

However, she still describes her art as

a way to express her emotions and thoughts.

Drawing from experiences, memories, and

dreams makes Wu’s paintings very personally

meaningful.

As many of her previous works had

more private and personal meaning, going

forward, Wu is looking to “make [her]

work have real life connections,” where

the messages being “conveyed [are] relevant

to everyone.”


december 2022 SPORTS | 11

Athlete of the Issue

Maddie Davis ‘23

SOPHIA RAN ‘23

Media Director

Design by Violet Paiva ‘23 and Emily Zhang ‘23

Photo courtesy of SmugMug

Everyone needs something or someone to turn to

when they are stressed out by the seemingly endless

demands of high school, family, or friendships.

For Maddie Davis ‘23, her outlet is one of

the places she shines the most: the soccer field.

Having been “thrown” into the world of sports by her

parents, Davis started playing the game at four years old

and has stuck with it, encouraged by her older brother Ben.

Her commitment is reflected in the vast amount of time

she has spent honing her soccer and athletic skills.

Davis was introduced to club soccer in elementary

school, and in 7th grade she decided to join Steel United,

where she continues to play. As a result, she can be found

on the soccer field year-round, playing an average of 4-5

hours per week in the spring and competing once every

other week in the winter.

Soccer isn’t all she does in her off-season, though. In

addition, Davis is a co-captain of both Baldwin’s indoor

and outdoor track teams. She has broken many Baldwin

track records, and her spectacular athleticism is unmistakable

in any sport she tries her hand at.

On her club team, she is both a center-back and a defensive

player. On Baldwin’s soccer team, her versatility

as a player is underscored by her various roles as a striker,

center-mid, and of course, star defender.

When asked what she’s most proud of during her

soccer career at Baldwin, Davis replied, “It’d probably be

scoring in general this season. I’ve never really thought

about the game offensively before. I’m proud of scoring

at least a couple goals during a season, since I haven’t always

been used to playing in that position.” This seems

like an understatement considering her impressive seven

total goals for the season.

While her adaptability and skill are obvious advantages,

arguably the most important role Davis holds in

Baldwin soccer is being a team player. When asked what

she thinks the most vital aspect of soccer is, Davis empha-

Being positive can

simply mean the little

things, like picking

a teammate up and

keeping the energy

high.

sized teamwork: “I think communication is key as a collaborative

movement. During games, there’s not a lot you

can control. People can have bad and good days. However,

you can always control how you talk, because that’s what

makes a difference…you can help your teammates by letting

them know you are open or if an opponent is behind

you. And being positive can simply mean the little things,

like picking a teammate up and keeping the energy high.”

Davis excitedly identified one of her favorite soccer

moments as a low-key, pick-up soccer tournament called

Beach Blast, where the winning team is bestowed one of

the most distinguished awards you can get: a wooden tiki.

When asked what she loves most about soccer, Davis

said, “It’s a chance to get close with the other grades. I

get to talk to a lot of people, and it’s not as stressful to me

as other sports such as track. Also, soccer’s good for my

mental health because it’s a time where I can focus on myself

and stay active. I don’t have to think about anything

else at the moment.”

While Davis mentioned that she would love to play

club-level soccer in college, she does not plan to play at

a highly competitive level. Instead, she wants to focus on

branching out to other intramural sports and hobbies. Davis

enjoys many extracurriculars and pastimes other than

soccer, including cooking, reading, writing for The Hourglass,

and representing Athletic Association.

Davis’s talent as a three-sport athlete and her contributions

to Baldwin athletics do not go unnoticed. Violet

Paiva ‘23, a teammate on the Baldwin soccer team,

said, “She really cares about the success of the team.” Her

sports expertise and love for team spirit exemplify what it

means to be a dedicated student athlete.

4-5 hours per

week

Playing soccer all year-round

Co-Captain for 2

seasons

Captain for Indoor and Outdoor

Track 2022-2023

7 goals for Baldwin

soccer team 2022

3 sports for 3

seasons

Fall: Soccer

Winter: Indoor Track

Spring: Outdoor Track


12 | BACKPAGE the hourglass

Design and graphics by Cathy Wang ‘23 and Amara Okechukwu ‘24

Photography by Sophia Ran ‘23

ATTENTION STUDENTS:

AI IS INFILTRATING Y UR

ENGLISH CLASS

Value your days writing essays for class —they might be coming to an end.

LIGHTHOUSE WU ‘24

Staff Writer

Many students use online

programs such as

Grammarly, Khan Academy,

Noodletools, Desmos and

Notion to assist their schoolwork. But have

you ever imagined that there could come

a day when essays are entirely written by

technology?

Early in 2018, Chinese e-commerce

company Alibaba developed an artificial

intelligence (AI) tool capable of producing

20,000 words per second, to replace the

tedious work of writing product listings. In

the following years, similar tools appeared,

creating AI specialized in different kinds of

writing.

According to Forbes, “AI writing

programs use natural language processing

to create or improve written content based

on a set of instructions that you give them.”

Essentially, AI learns from available

databases of human speeches and writings

by finding patterns in these texts and

labeling them. The AI then imitates human

writing by utilizing the words and phrases

recorded from the database.

AI can write at virtually all levels—

including high-school and college. There

are countless programs that can generate

hundreds of words in seconds for students

to use.

For example, EssayBot writes, “Given

the title and prompt, EssayBot helps you

find inspirational sources, suggest and

paraphrase sentences, as well as generate

and complete sentences using AI.”

On Smodin, I typed in “Jane Eyre and

Rochester’s romance in the gothic setting,”

and the program provided me a complete

essay, with an introductory paragraph, a

plot summary, and specific analysis of

textual evidence, in seconds.

The AI even demonstrated “critical

thinking” ability. It asked, “What if

these heroines had been raised among

bitter feuding social classes who were

constantly at war with each other?” Then

it continued, “This constant conflict would

have desensitized them to romance —

making it impossible for them to develop

deep love later on in life despite any initial

appearances to the contrary—because

these initial appearances would be mere

figments of their overactive imagination!”

Would these AI programs be allowed

in the classroom?

AI websites claim to be only “a

solution to writer’s block” and “assist in

avoiding plagiarism.” A journalist from

Slate wrote, “Using an AI program is not

“plagiarism” in the traditional sense—

there’s no previous work for the student

to copy, and thus no original for teachers’

plagiarism detectors to catch.”

Even if there is

technically no

original source for a

plagiarism detector

to catch, the content

is still generated

from an original

source, which has

been plagiarized.

However, Dr. Sullivan, the Upper

School English Department Chair made it

Emilie Xie ‘24, Harper Hoffman ‘24, and Eesha Sharma ‘24 work

on an English paper in the Writing Center.

clear that Baldwin considers AI-generated

articles to be plagiarized, saying, “Even

if there is technically no original source

for a plagiarism detector to catch, the

content is still generated from an original

source, which has been plagiarized. Using

AI to write content for essays is cheating.

The Baldwin student handbook defines

plagiarism as ‘using somebody else’s work

or ideas’ as your own work. Baldwin’s

education goal is to assess critical thinking

and knowledge, and students shouldn’t be

passive learners.”

The Student Handbook explicitly

states, “You are plagiarizing when you use

any Internet or computer resource that has

been forbidden or that provides you with

work that is not your own (research papers

for sale, language translation websites,

etc.)”

Essentially, productive learning

requires students to cultivate their own

ideas, and using AI-generated articles is

not only considered cheating, but it also

prevents students from truly grasping the

material and developing key writing skills.

Even if students were allowed to

use these programs, it would be almost

impossible to use AI-generated essays

for class assignments simply because

AI tools are not yet good enough. A

teacher on EducationWeek said that “the

program lacks the depth, the voice, and the

authenticity” of human writing and that the

AI’s work “would not score remarkably

high if it had come from a student.”

Similarly, Forbes called the writing

AI programs “writing assistants,”

emphasizing that complicated human

writing is safe from being replaced by such

programs, for now. However, although AI

is not yet able to write complete, nuanced

academic essays, these programs do have

other potential uses that can help support

students without breaking school rules.

Although AI is not

yet able to write

complete, nuanced

academic essays,

these programs do

have other potential

uses that can help

support students

without breaking

school rules.

For example, Dr. Sullivan said, “If the

technology a student uses is not replacing

a student’s work, but rather helping to

catch small errors, it is not taking away

knowledge, and that is the usage allowed

in the classroom.” The ever-popular

Grammarly would be an example of such

technology.

Although Dr. Sullivan couldn’t say for

sure about the future, she did predict that

during the transition period when many

students will have access to advancing

AI technologies, it’s possible that the

school will “give fewer take-home essays

and more in-class assessments using the

lockdown browser.”

If this is the case, some may celebrate

the freedom from strict essay formats,

while others will surely mope that writing

excellent take-home essays may no longer

be an indicator of adequate learning skills.

What would you think?

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