The Native Inhabitants of The World of San Pateo v.41_FullScore

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2 Scored for Large Wind Ensemble Flute 1 Flute 2 (+ Piccolo) Bass Flute 3 (+ Flute) Bass Flute 4 (+ Flute, Piccolo) Oboe 1 Oboe 2 English Horn 3 Clarinet in Eb1 Clarinet in Bb2 Clarinet in Bb3 Bass Clarinet in Bb4 ContraBass Clarinet in Bb5 Bassoon 1 Bassoon 2 Contrabassoon 3 Contrabassoon 4 Horn in F 1-6 Piccolo Trumpet in Bb1 (optional Trumpet in Eb Part included) Trumpet in bb 2-4 Trombone 1-3 Bass Trombone 4 Euphonium 1-2 Tuba 1-2 Harp Celesta Contrabass Timpani Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 3 Tenor Saxophone 4 Baritone Saxophone 5 Percussion Section Mallets 1-2 (Crotales (low octave), Marimba, Tubular Bells, Xylophone, Vibraphone) Percussion 3-6 Bass Drum, Blow Bottle aka a Large Bottle with Deep Tone Finger Cymbals Gong or Small Tam Tam Puilli Sticks - One Pair Piatti Shaker "Deep" Shaker "Jungle #1" Shaker "Jungle #2" Snare Drum Sus. Cymbals - Normal and Deep Sizzle Cymbal Tam Tams - 2 Triangle Tuned Toms - One Set Whip - Small This narrative work takes the listener on a journey to a long forgotten world where a primitive and barbaric people carry out their affairs unaware of the ongoings of the civilized universe. a small group of unarmed scientists arrive on the far side of the island and carefully trek the dense terrain towards the native village. they hope to remain unnoticed in thier effort to document the ancient tribe. Only the listener can determine if their efforts were succesful. The NATIVE INHABITANTS OF THE WORLD OF SAN PATEO -The Far Coast -Forgotten Idols -Along the Trail -Figures and Shadows -Encounters from afar -incantations and ancient spirits -the hunting party
3 Composer's Notes: Percussion: -The crotales, xylophone, and marimba mallet choices should sound as ethnic and "unclassical" as possible. -the "blow bottle" should be a glass or plastic bottle that resonates with strong and deep tone - if it could be tuned to Bb that would be ideal. it is blown on by the percussionist. -The tuned toms should sound "jungly" and resonate soundly - they shouldn't sound "rockish" -The jungle shakers could be anything that sounds "jungly" be it goats nails, rice shakers or the like. -I've acquired puilli sticks rather cheaply online from hawaiian dance websites - they shouldn't cost more than 20$ for a pair. balance and the bass flutes: -the bass flute melodies should be accompanied in an appropriate manner so they aren't completely drowned out by the ensemble. -In the event that bass flutes cannot be found please have the parts read on normal flutes (please insist they switch to piccolo when instructed on the part) performance: There are a few times in the piece where multiple timelines are employed. the first comes at "Vamp Sequence one" bar 212. The french horn should take their own tempo and phrasing as if they are a priest giving a ceremonial incantation to the gathered tribe. The conductor must cut off the saxes after about four beats according to the previous tempo (independent of the tempo of the solo horn recit.) then the conductor must then hold and wait for the horn recit to finish. Next conduct bars 213-215. At bar 216 the ensemble vamps in the tempo of 213-215 while the french horn continues their incantation at their own pace. after the horn tremolo at the end of bar 216 the conductor conducts both the horn and ensemble in tempo at 217 by clearly signaling the start of bar 217. the rest of the horn incantation is in tempo with the ensemble. The second timeline event happens at bar 246. Here the conductor must give 136 bpm to the timpani and harp while keeping the rest of the ensemble in the tempo of the previous bars. The harp and timpani then play their jungle pattern, sounding as if they are journeying from far away and very slowly getting closer. they always stay at 136 bpm even though the ensemble is slowing down and fading out. when the ensemble is done with their lines in bars 246-250 the harp and timpani have already moved on to their vamp in 251-252 getting slowly increasingly louder when an adequate amount of time has passed clearly signal and conduct bar 251. here the tom tom comes in then the ensemble takes the second ending and finishes the piece.
Page 1: The Native Inhabitants of The world
Page 5 and 6: Fl. 1 Fl. 2 B. Fl. 3 B. Fl. 4 Ob. 1
Page 7 and 8: Fl. 1 Fl. 2 B. Fl. 3 B. Fl. 4 Ob. 1
Page 9 and 10: Fl. 1 Fl. 2 B. Fl. 3 & ∑ ∑ &
Page 11 and 12: Fl. 1 Fl. 2 B. Fl. 3 B 2 4 "Forgott
Page 13 and 14: Fl. 1 A Tempo q=134 & ∑ ∑ ∑
Page 15 and 16: Fl. 1 Picc. 2 B. Fl. 3 B. Fl. 4 Ob.
Page 17 and 18: Fl. 1 Picc. 2 Fl. 3 Fl. 4 Ob. 1 Ob.
Page 23 and 24: [Ab] Fl. 1 & ∑ ∑ ∑ ∑ ∑
Page 25 and 26: p ringing 151 152 153 154 155 156 1
Page 27 and 28: Fl. 1 & > . . . . œ œ # œ œ œ
Page 29 and 30: Fl. 1 Picc. 2 B. Fl. 3 B. Fl. 4 Ob.
Page 31 and 32: Fl. 1 & ∑ ∑ ∑ ∑ Poco Animan
Page 33 and 34: Fl. 1 Fl. 2 Fl. 3 B. Fl. 4 Ob. 1 Ob
Page 35 and 36: Fl. 1 & 4 j œ ≈ j œ ≈ j œ
Page 37 and 38: Fl. 1 Picc. 2 Fl. 3 B. Fl. 4 Ob. 1
Page 39 and 40: Fl. 1 Picc. 2 Fl. 3 B. Fl. 4 Ob. 1
Page 41 and 42: G 41 Fl. 1 Picc. 2 Fl. 3 & ∑ ∑
Page 43 and 44: Fl. 1 & ∑ ∑ ∑ ∑ cres. 43 Pi
Page 45 and 46: Fl. 1 poco a poco accel. e cres. &
Page 47 and 48: Fl. 1 3 Poco Più mosso q=172 & ∑
Page 49 and 50: Fl. 1 & ∑ ∑ 3 Ó > œ œ œ œ
Page 51 and 52: 51 Fl. 1 & ∑ ∑ ∑ ∑ ∑ ∑
Page 53 and 54:
53 Fl. 1 Picc. 2 & ˙ # ˙ œ # œ
Page 55 and 56:
Fl. 1 Picc. 2 Fl. 3 Picc. 4 Ob. 1 O
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The Native Inhabitants of The World of San Pateo v.41_FullScore

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