Jeanne Renaud - Dance Collection Danse
Jeanne Renaud - Dance Collection Danse
Jeanne Renaud - Dance Collection Danse
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
BY AMY BOWRING<br />
Moving Mountains<br />
A History of <strong>Dance</strong> and Movement at<br />
the Banff School of Fine Arts, 1933-1967<br />
Combine the need for escape from the<br />
rigours of daily survival, the need for<br />
artistic stimulation, an immigrant<br />
population used to cultural enrichment,<br />
the worst economic depression,<br />
an unprecedented environmental<br />
drought, a university extension program<br />
and a team of visionary educators.<br />
These are the disparate<br />
elements that collided and<br />
sparked the idea for Alberta’s<br />
Banff Centre for the Arts<br />
(known as Banff School of<br />
Fine Arts from 1934-1989).<br />
Formed in 1933, the Centre<br />
has grown from its humble<br />
beginnings as part of the<br />
University of Alberta’s<br />
Extension Program to an internationally<br />
renowned centre for creative<br />
expression, superb training and artis-<br />
tic rejuvenation. Among its coveted<br />
divisions is the dance program formed<br />
in 1947 by Gweneth Lloyd, co-founder<br />
and artistic director of the Winnipeg<br />
Ballet (named Royal Winnipeg Ballet<br />
in 1953). However, the roots of movement<br />
at Banff actually extend a little<br />
deeper dating back to the inclusion of<br />
pantomimic movement and Eurhythmics<br />
classes taught within the drama<br />
“I just remember [Gweneth and Betty] always being<br />
elegant … being very proper and being very disciplined;<br />
people that you looked up to … they cared<br />
so much about the profession that it rubbed off on<br />
the students.”<br />
– Anna-Marie Holmes (Banff artist c. 1960/61)<br />
department since the Centre’s inception.<br />
And of course, there have been<br />
major contributors to the dance pro-<br />
Betty Farrally and Gweneth Lloyd with Banff students, c. 1955<br />
gram following Lloyd such as Betty<br />
Farrally, Arnold Spohr, Eva von<br />
Gencsy, Brian Macdonald and Annette<br />
av Paul, among others.<br />
When one looks at the Banff<br />
Centre’s inspiring campus nestled in<br />
the Rocky Mountains, the obvious<br />
question is “How?” How did such a<br />
glorious centre for art and learning<br />
come into existence? It began with the<br />
University of Alberta’s<br />
Extension Program, which<br />
was designed to bring the<br />
university to the people<br />
through lectures and presentations.<br />
By the early 1930s,<br />
the university’s Extension<br />
Program, then led by Ned<br />
Corbett, had gained a reputation<br />
for its innovation using a<br />
team of dynamic lecturers as well as<br />
radio programming to reach Alberta’s<br />
citizens. Word eventually reached the<br />
No. 62, Fall 2006 23