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Jeanne Renaud - Dance Collection Danse

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DANCE COLLECTION DANSE HOSTS<br />

GRASSROOTS ARCHIVING<br />

WORKSHOPS<br />

In August 2005, DCD Cofounder/Director<br />

Miriam<br />

Adams and Research<br />

Coordinator Amy Bowring<br />

began drafting a document titled<br />

Grassroots Archiving: A<br />

National Preservation Strategy<br />

for <strong>Dance</strong>. Focussed on preserving<br />

the documentation side of<br />

our dance history (as opposed to<br />

performed choreographic<br />

works), the Grassroots Archiving<br />

Strategy (dubbed “GAS”) consists<br />

of three main components:<br />

workshops to train <strong>Collection</strong>s<br />

Coordinators, a national<br />

database, and a playbill deposit<br />

program with presenters.<br />

In the last issue of the Magazine,<br />

our readers were informed about<br />

the Canadian Integrated <strong>Dance</strong><br />

Database (CIDD), which had<br />

received a project grant from the<br />

Canada Council for the Arts to<br />

help with its development. We<br />

have been working with<br />

database programmer and<br />

dancer Eddie Kastrau and the<br />

CIDD is nearly complete. It<br />

should be available for release<br />

by December. This software can<br />

be used by anyone who needs to<br />

catalogue the contents of a dance<br />

collection. The ultimate goal is<br />

that the information from<br />

databases for different dance collections<br />

across Canada will be<br />

uploaded to a central database<br />

on the <strong>Dance</strong> <strong>Collection</strong> <strong>Danse</strong><br />

web site. This national database<br />

will become a fantastic source<br />

for researchers around the world<br />

and will help to increase the<br />

exposure of dance in Canada on<br />

a global level.<br />

30 <strong>Dance</strong> <strong>Collection</strong> <strong>Danse</strong><br />

Led by Amy Bowring, the workshop<br />

component of the Grassroots Archiving<br />

Strategy was held in the boardroom of<br />

The National Ballet of Canada on<br />

September 28 and 29, 2006. Demand<br />

was so high among faculty and graduate<br />

students in the <strong>Dance</strong> Department<br />

at York University that a scaled-down<br />

version of the workshop was<br />

given at York on September 21.<br />

DCD provided basic archiving<br />

how-to lessons to over 60 people<br />

through these workshops.<br />

With assistance from the Canada<br />

Council Flying Squad program,<br />

we were able to subsidize the<br />

travel of several participants and<br />

ended up with representation<br />

from Vancouver, Calgary,<br />

Edmonton, Saskatoon, Winnipeg,<br />

Guelph, Oakville, Toronto,<br />

Thornhill (ON), Mansfield (ON),<br />

Montreal, Charlottetown and St.<br />

John’s. The workshop provided<br />

information on preventive conservation,<br />

proper storage, handling<br />

artifacts, organizing methods,<br />

digitization, making inventories<br />

and catalogues, budgets,<br />

and a tutorial on the Canadian<br />

Integrated <strong>Dance</strong> Database.<br />

Participants visited <strong>Dance</strong><br />

<strong>Collection</strong> <strong>Danse</strong> and also toured<br />

the archives of The National<br />

Ballet of Canada. The National<br />

Ballet’s Sharon Vanderlinde,<br />

Manager of Archives and<br />

Education, and Adrienne Nevile,<br />

Archives Coordinator, were on<br />

hand to provide additional<br />

expertise and advice.<br />

Once a new section of the DCD<br />

web site has been developed for<br />

the GAS and the CIDD, we will<br />

post the contact information for<br />

the first group of <strong>Collection</strong>s<br />

Coordinators on our web site.<br />

<strong>Dance</strong> artists and companies can<br />

then contact a <strong>Collection</strong>s<br />

Coordinator from various cities<br />

to help them with their archival<br />

needs. DCD plans to hold archiving<br />

workshops in the future.

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