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Electricity by Angus Peter Campbell sampler

Electricity brings us back to an upbringing we may not have experienced but can certainly relate to. Taking a step back into her Hebridean childhood, Granny writes to her granddaughter in Australia, decorating her notebooks with hand-drawn scribbles and doodles. Though she may now live in Edinburgh, she relives her memories with a sense of warmth and protection. Yet, it is more than simple nostalgia for a time she cannot return to. At its core, Electricity is about community, and what it is to involve it in your life fully. Electricity itself sparked across the Hebrides and changed the lives of its people forever. You become more than your family, friends, or even neighbours. The landscape itself floods into your DNA. It is something that you will never separate from. This latest novel from award-winning writer Angus Peter Campbell has already garnered attention across the board. It will be not only popular with rural Scots but those who long for the simpler times they grew up in - times when we were more physically connected.

Electricity brings us back to an upbringing we may not have experienced but can certainly relate to.

Taking a step back into her Hebridean childhood, Granny writes to her granddaughter in Australia, decorating her notebooks with hand-drawn scribbles and doodles. Though she may now live in Edinburgh, she relives her memories with a sense of warmth and protection.

Yet, it is more than simple nostalgia for a time she cannot return to. At its core, Electricity is about community, and what it is to involve it in your life fully. Electricity itself sparked across the Hebrides and changed the lives of its people forever. You become more than your family, friends, or even neighbours. The landscape itself floods into your DNA. It is something that you will never separate from.

This latest novel from award-winning writer Angus Peter Campbell has already garnered attention across the board. It will be not only popular with rural Scots but those who long for the simpler times they grew up in - times when we were more physically connected.

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<strong>Angus</strong> <strong>Peter</strong> <strong>Campbell</strong> is from South Uist. He has worked as a<br />

lemonade factory bottle-washer, kitchen-porter, labourer, forester,<br />

lobster-fisherman, journalist, broadcaster, actor and writer. He<br />

graduated from the University of Edinburgh with Double Honours<br />

in Politics and History. His Gaelic novel An Oidhche Mus Do<br />

Sheòl Sinn was voted <strong>by</strong> the public into the Top 10 of the Best Ever<br />

Books from Scotland in The List/Orange Awards of 2007. His<br />

poetry collection Aibisidh won the Scottish Poetry Book of the Year<br />

Award in 2011 and his novel Memory and Straw the Saltire Scottish<br />

Fiction Book of the Year in 2017. Tuathanas nan Creutairean<br />

(George Orwell's Animal Farm in <strong>Campbell</strong>'s Gaelic translation)<br />

appeared in 2021. Constabal Murdo 2: Murdo ann am Marseille<br />

won the Gaelic Literature Awards Fiction Book of the Year Prize<br />

for 2022. In 2023 he was named as the Gaelic Writer of the Year at<br />

the Highlands and Islands Press Ball Media Awards.<br />

Liondsaidh Chaimbeul, who made the drawings in this story, is an<br />

Honours graduate of Edinburgh College of Art. She works as a sculptor,<br />

designer and school bus driver. Her art work is on display in public<br />

places from Benbecula to Irvine and in several private collections. She<br />

represented Scotland at the first ever Scottish International Sculpture<br />

Symposium in 1986.


<strong>Electricity</strong><br />

a novel <strong>by</strong><br />

ANGUS PETER CAMPBELL


First published 2023<br />

isbn: 978-1-80425-050-1<br />

The author’s right to be identified as author of this book<br />

under the Copyright, Designs and Patents Act 1988 has been asserted.<br />

Printed and bound <strong>by</strong><br />

Clays Ltd., Bungay<br />

Typeset in 10.5 point Sabon <strong>by</strong><br />

Main Point Books, Edinburgh<br />

Images © Liondsaidh Chaimbeul<br />

Text © <strong>Angus</strong> <strong>Peter</strong> <strong>Campbell</strong> 2023


One can always exaggerate in the direction of truth<br />

Matisse


Contents<br />

Acknowledgements 9<br />

My Dear Emily… 11<br />

1 Silver Morning 15<br />

2 Home 19<br />

3 Mam 39<br />

4 Dad 46<br />

5 Niall Cuagach 57<br />

6 James <strong>Campbell</strong> 76<br />

7 Lisa 86<br />

8 <strong>Electricity</strong> 95<br />

9 Mrs MacPherson 119<br />

10 The Cèilidh 133<br />

11 Fair Saturday 155<br />

12 Frog Sunday 175<br />

13 Old Murdo and Mùgan and John the Shoemaker<br />

and Hazel and Effie the Postmistress 196<br />

14 The Meeting 216<br />

7


15 After 232<br />

16 The Den 242<br />

17 The Cows 253<br />

18 Cycling 259<br />

19 Flying 264<br />

20 Ploughing 272<br />

21 Hydro 284<br />

22 Polishing 292<br />

23 Together 296<br />

24 Switched On 311<br />

25 Antoine 321<br />

26 Edinburgh 326<br />

27 Returning 339<br />

I write this <strong>by</strong> candle-light, Emily 365<br />

8


Acknowledgements<br />

My thanks to everyone who helped make this book. To Louis de<br />

Bernieres, Catherine Deveney, Professor James Hunter, Fr Colin<br />

MacInnes, Karen Matheson and Selina Scott for their generous<br />

endorsements. To <strong>Peter</strong> Ferguson for the cover photograph. To<br />

my wife Liondsaidh Chaimbeul for the beautiful map and handdrawings<br />

as Annie, and to my daughter Ciorstaidh for the drawing<br />

of the yellow on the broom. To Jennie Renton, Maddie Mankey,<br />

Amy Turnbull and Gavin MacDougall at Luath Press for their work<br />

and support. My special thanks to Gwyneth Findlay who edited the<br />

novel with grace and precision. She said on first reading the novel<br />

that it was like getting a big hug. I hope that you also feel the same,<br />

warmly welcomed into this community <strong>by</strong> Annie, Mùgan, Niall<br />

Cuagach, Lisa, Sgliugan, Hazel, Dolina, Mrs MacPherson and all<br />

their pals. Taing dhaibh, agus tapadh leibh uile. Enjoy!<br />

9


10


My Dear Emily,<br />

I hope you’re well. And may Gran’s adventures make you<br />

feel even better! Remember that time we camped out for the<br />

night? I know it was just the back garden, but you said it was<br />

like being in the middle of the forest, because you could hear<br />

the wind blowing through the trees and the owls hooting far<br />

off. We were at the centre of everything. And how we both<br />

snuggled into the sleeping bags and lit our wee torches and<br />

then played shadows on the canvas, and you said it was an<br />

elephant when it was a mouse and then when we put the<br />

torches together yours was the sun and mine the moon! In the<br />

morning, I was the only one who heard the birds singing, for<br />

you were fast asleep in my arms. Said you were cold during<br />

the night though we both knew it was just an excuse and I<br />

was so pleased when you snuggled in and slept, breathing<br />

warm as toast, while the wind whispered outside. All that<br />

mattered was that we were alive and together.<br />

I wish I could go over and see you, or that you could fly<br />

over here. If I were with you I’d hug you long and close, and<br />

I know I’d want you to hold on and never let me go. I’ve<br />

written down my story for you, as promised. As a sort of<br />

tent in which we can coorie in! Everything has kind of raced<br />

<strong>by</strong>, and all I want to do is to tell everyone I ever met how<br />

beautiful and strange they all were.<br />

Once upon a time, it seemed as if change came from<br />

the outside, like a gale-force wind, when all the time it was<br />

ourselves. But you can shelter from the wind. I look in the<br />

mirror and see the changes. Those lines on my forehead when<br />

I deliberately frown, and the way my mouth purses when I<br />

put on my lipstick. Inside, I am forever the girl I was, running<br />

across the machair in the middle of May inhaling the sweet<br />

smell of the clover while the larks sing overhead.<br />

I had wee headaches at first and didn’t think anything of them.<br />

11


angus peter campbell<br />

Though Mam said she’d also had them when she was my age<br />

and that they would go after a while. Which they did. There were<br />

some things we didn’t talk about in those days. You just found<br />

out about it <strong>by</strong> magic, as it were. Like finding an unknown object<br />

on the shore and <strong>by</strong> handling it discover it was light and made<br />

of plastic, and that if the bit at the end was fixed (which Dad<br />

repaired) it could fly! It was a toy plane. Things can surprise us.<br />

The thing that happened was that I grew up the same time<br />

electricity arrived. It was as if the two were directly connected.<br />

The way the bulbs sizzled when they were first lit was the way<br />

I felt. Crackling and fusing together and then illuminating<br />

everything with that soft, flickering light.<br />

But we also feared it. Sensed that nothing would ever be the<br />

same again. Dad feared the loss of the hearth and the fire. Mam<br />

knew what speed meant. It spoilt the making of things. She<br />

always did things slowly. Carved the bread as if it felt every cut.<br />

Milked the cow gently, because it made the milk creamier. Folded<br />

the tablecloth ever so softly, because the linen remembered all<br />

her kindness. In the midst of it all I met Antoine, and it was as if<br />

the whole place was lit up <strong>by</strong> will-o’-the-wisp, with my bike and<br />

the grass and the seashells all shining! It’s all that matters, those<br />

moments. Remember how the moths all hovered outside the<br />

tent that night, vainly trying to get in? They never did, and once<br />

we turned the torches off, all was silent, except for your quiet<br />

breathing, and me trying not to breathe in case I woke you.<br />

Everything will pass, my darling. That’s all. The bad too,<br />

so hold on to the good, for its day will come again. And<br />

just to remind you of the shadow-shapes we made with our<br />

hands in the torchlight, I’ve done a few drawings to chum all<br />

these words I’ve written. They are in memory of dear Mrs<br />

MacPherson, who made the best cup of tea and the nicest<br />

scones in the whole world, even though you think Gran does!<br />

I learned the recipes from her, so really it’s always been her<br />

scones. As is everything else, sort of hand-me-downs which<br />

12


electricity<br />

arrived like lightning and quiver on like a candle. You know<br />

fine I can work a computer, but I’ve written all this out <strong>by</strong> hand<br />

because you once told me that you liked my hand-writing since<br />

it was like those white swans we saw swimming in Inverleith<br />

pond! Remember, a dog barked suddenly, and the swans looked<br />

at each other, as if wondering whether to fly away, but then just<br />

dipped their heads into the water and carried on fishing.<br />

Isn't it amazing how we remember all the details of some things,<br />

and can't remember a thing about others? Bet you remember<br />

the name of your first pet and infant teacher! Flora the Frog and<br />

Miss MacIsaac! It’s a beautiful starlit night here in Edinburgh.<br />

I was down the bottom of the garden earlier, just as the sun set.<br />

The maple and cherry trees were red and orange, and Hector the<br />

Hedgehog, my daily evening visitor, was trundling along as usual<br />

between the gate and the hedge. He loves the apple cuts I leave for<br />

him there every night. When you next come over, bring some of<br />

those Fujis with you, which he likes so much! They’re impossible to<br />

get over here. Poor old Hector has got such a sweet tooth!<br />

I know it’s daft, but you know what I’ve done, Emily? The<br />

reason I was down the bottom of the garden was not just to feed<br />

Hector, but to set up the tent! It’s a warm night and I’m going to<br />

sleep out there for old times’ sake. Don’t worry – I’ve got three hot<br />

water bottles ready and those fluffy pyjamas that you said make<br />

me look like Paddington Bear! Come out with me and if you take<br />

your torch we can once again make the sun and the moon and<br />

the elephant and the mouse. And if I get cold, can I just snuggle in<br />

beside you so that I get nice and warm, like toast? Let’s, Emily!<br />

Oh, and I got a large packet of the Liquorice Allsorts we<br />

both like we can share with everyone. I promise I’ll keep<br />

the yellow ones for you and the stripey white and black and<br />

orange ones for myself, and folk like <strong>Campbell</strong> will just have<br />

to make do with the plain sticky black ones, so there!<br />

Love, Gran xxx<br />

13


1<br />

Silver Morning<br />

It’s been good. When I was wee we used to play a game. Dolina<br />

and me. As we cycled along, she counted the things to her left, and<br />

I counted the things to my right. The houses and the people and<br />

the stones and the walls and the sheep and everything. Without<br />

cheating, because that spoilt the game. You couldn’t just say that<br />

you saw five starlings when there were only three. We made up<br />

stories about everything we saw.<br />

The big rock as we turned northwards <strong>by</strong> the machair track<br />

was Helen Carnegie who’d been turned to stone <strong>by</strong> the wicked<br />

witch, and the river that ran into the sea was the Mississippi for<br />

me and the Amazon for Dolina. Mine had swamps we had to swim<br />

through, and hers had crocodiles we had to wrestle with to get to<br />

the other side. They always took big bites out of our legs.<br />

We also played houses. Pebbles were little cottages and<br />

we made long and winding sandy roads up to them<br />

and kings and queens and princes and princesses<br />

and witches and goblins and magicians<br />

lived in them. Smoke always curled<br />

out of the chimneys, and I still<br />

can’t draw a house without<br />

putting a wee road up<br />

to the door and two<br />

matching windows and a<br />

curl of smoke rising up to<br />

the blue air. The door is<br />

15


angus peter campbell<br />

always open and the kettle forever on the boil.<br />

There was a small cave down <strong>by</strong> the shore that was our first<br />

castle. Duncan and Fearchar helped us pull an old cupboard door<br />

down to the castle, and if anyone wanted to enter they had to knock<br />

three times on the door with this special white stone before they<br />

were allowed in. Inside, we had sticks and a kettle and a cupboard<br />

and shelves and everything where we held big feasts. In the summer<br />

when the days were long and there was hardly any night we lit a fire<br />

and roasted marshmallows on sticks and then ran and danced until<br />

the sun shone orange.<br />

I’m writing with a pencil because that’s how I learned to write<br />

at school, and I know that if I make a mistake I can rub it out and<br />

start again. We used to rub things out with the heel of the white<br />

loaf, but these days I use Jamieson’s round erasers. I get them from<br />

Simpson’s round the corner. Thing is, with the loaf you could still<br />

see the smudge, as if writing and sums had as much to do with<br />

rubbing out as putting in!<br />

Same with everything. Mam was forever washing things and<br />

Dad always clearing fields so that the potatoes would grow. It<br />

was as if nothing could happen without something else being<br />

removed. When Niall Cuagach divined for water he never knew<br />

where the exact spot was, or whether it was a trickle or a well. We<br />

watched him following his stick ever so carefully and then came<br />

that remarkable moment when the twig twitched, and there it was.<br />

Water. It was as if the stick was alive in his hands. He gave us the<br />

stick to try, but though we waved it about everywhere we never<br />

found water. It only ever worked for him.<br />

The first time Mam gave me a pencil when I was about two<br />

or three she cupped her hand round mine and made this amazing<br />

shape which she said was an ‘a’, and then she cupped my hand<br />

and made a different shape and said ‘And that’s a capital A’. It was<br />

like the difference between a lamb and a sheep, I thought. I got it<br />

right first time and didn’t even have to rub it out and that’s been<br />

my aim all my life.<br />

16


electricity<br />

The birds are singing outside. They are always at their best at this<br />

time, first thing in the morning, as if every new dawn is a surprise<br />

to them, needing a song. Goodness, the way Claudia my neighbour<br />

moans, as if it’s a trial being alive. I’m lucky, because I have trees in<br />

my garden, so all the birds gather there, summer and winter. They’ve<br />

grown since you last climbed them! I sleep well enough, though I<br />

wake early. But no matter how early, the goldfinches are always up<br />

before me. The gowdspinks. On spring and summer and autumn<br />

mornings they are in full song <strong>by</strong> six or seven, but even in winter, because<br />

I put seed out for them, there they are as soon as the sun rises.<br />

Maybe the sun himself rises when he hears their songs?<br />

I’ve had my breakfast. Today, fruit and<br />

yoghurt. And black decaffeinated Earl Grey.<br />

The one with the blue cornflower blossoms<br />

and bergamot you thought was a perfume<br />

the first time you were here! I add orchid<br />

petals. For the antioxidants, I tell myself!<br />

Though it’s really for the colour which<br />

matches that gorgeous Japanese pot you<br />

bought me from the charity shop.<br />

Oh, and did I tell you I bought a stove?<br />

The man installed it a while back, but it<br />

wasn’t working properly. Then he came back<br />

and fixed the flue. Blamed the flue of course, saying it was faulty!<br />

And you know what? The local garage down the road sells those<br />

bags of peat, and once the fire gets going good and proper with<br />

wood and a handful of coal I add the peat so that the fragrance of<br />

my childhood fills the air. Forgive an old woman adding her bit to<br />

global warming, my dear child!<br />

It’s a silver morning here. The sun is shining in through the<br />

kitchen window and the percolator is already bubbling. Wasn’t<br />

it lovely being outside on a clear and starry winter’s night? We<br />

might have been eaten <strong>by</strong> moths or frogs! Or been invaded <strong>by</strong><br />

those starships you said you saw flying between the moon and the<br />

17


angus peter campbell<br />

horizon! And isn’t it nice too to be back inside, the stove cosy and<br />

warm, and the smell of coffee in the air, and this new day and the<br />

chance to tell you all those other things I forgot to tell you about<br />

after the man in the moon fell asleep when the clouds covered him!<br />

Remember?<br />

18


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