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Notes on: illusion of the spectator

This publication will re-examine the position and power of the spectator by looking at what has caused this preoccupation with the spectator, the work of art and the artist; and ask whether these new forms of encounter empower or denigrates the audience.

This publication will re-examine the position and power of the spectator by looking at what has caused this preoccupation with the spectator, the work of art and the artist; and ask whether these new forms of encounter empower or denigrates the audience.

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The philistine is not normally considered a cultural rival so

much as a rival to culture. We have to add, straightaway, I think,

that the total loss of culture may be an ideological claim about the

philistine, just as it was about so-called primitives. The appearance

of the philistine’s lack of culture is better understood as a lack of

cultural capital. In this way, the common idea of the philistine’s

externality to culture – of having no culture – can be regarded as

the ideological proof that the philistine holds the place of art’s part

des sans-part, the subject characterized by the total loss of culture.

What this means is that, the philistine is a figure within cultural

discourse, by virtue of being perceived as a figure without culture.

And what I would want to add is that consequently the philistine

holds its own promesse du bonheur by exceeding art’s horizon of

cultural universality.

The philistine, like the part des sans-part, is not another way

of talking about the proletariat, but it occupies an analogous place

in a different structure. Their structural promise is based on their

absolute lack of immediate promise. Marx did not argue that the

working class were better educated, had better manners or were

better equipped to govern than the bourgeoisie. And no defense of

the philistine could get very far by starting from the assertion that it

is culturally superior to the aesthete, connoisseur etc. In fact, there

is nothing positive about the philistine that would justify any hope

placed in it. Like the proletariat in the economy, though, or the part

des sans-part of politics, the philistine holds a unique place within

the totality which means that it is the key to understanding culture

and, potentially, a powerful agent in transforming it. If we take

Marx’s equation of impoverishment and emancipatory potential, we

can see that the philistine, as culturally bereft, fits the bill perfectly.

Marx characterises the position of the revolutionary class as being

able to say of itself “I am nothing and I should be everything”, and

politically this is exactly the position of the part des sans-part and

culturally the same goes for the philistine.

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