Portfolio Lavoslava Benčić 2013-2023

Industrial Silence Kitchen

Lavoslava Benčić / Selected works 2013-23

Mossytron

MP3ggerS

Weeds in a dead end?

G-U-M-E

Audible interactive poetic plant

1

Portfolio - selected works

Selected works 2013-23

Electronic Labyrints

Cyrcle Perfect / (N)on Plate

Hommage to Edith

Along the Path of Crex Crex

Pleurocarpous

Pollination

Trunchet Tiles

G-U-M-E

(Deep) Gittered Age

Promenade

The Concert of the Plants

Hybrid Poetic Monstera Deliziosa

Mossytron

Evolution in a Dead End?

Weeds in a Dead End?

(Summer) Sea Guls (Song)

Ptice

E-textile Loudspeakers

MP3ggerS


Non-Existent Visitors

Poetic Hieritiums

Audible Interactive Poetic Plant

Restless Blue Spreads Through the Town

GirlGan : Girlhood

Identify19

MuseGAN2

Anger

Fe(AI)r

Glitch(s)ex

Interactive Poetic Plants

Body Symphony - Quantum body hack

Audible Healing Pressure Points Glove

Poetic Interactive Glove

Snow White and Seven Syns

Random Toughts

Shimmering Tilt-Sensitive Glove

Sygnal Glove

RemixID

Salieri accompanies UEFA EURO 2020

Nature_I Wear Electrified

La Cura / BAOTAZ / helmet

Lace Sounds

Lacy Snowflakes

RGB Hairball

3V+MP3=∞

Guide to The virtual thematic route

Digital Story Creator

FETI map

3D Timespace

Eol & Glorija

La Danza de la Muerte

Schattenobjekt Uhrturm

The Purpose of Life

0-18-81-0

TP01

Mistake+

rOg rINg

Dice Game

o

NLY m EN s TUFF

Personal bibliography

Awards and recognitions

Professional titles

Activities

Contacts

Networking

2 3


Electronic Labyrints

interactive electronics

author: Lavoslava Benčić

technology: audiosythesis, AI generated image, Arduino,

laser cuting

production year: 2022

Exhibitions and public presentation:

Transient residency online, 2022

Electronic Labyrinths are an interactive modular installation.

This project deals with the topic of finding ways out

for our civilization, which is plagued by many natural and

social problems. My goal is to create working mazes that

respond to a random user’s presence in the nature.

This project covers the use of several techniques: generating

motifs/visual content by machine learning models (text to

image), materializing multilayered labyrinths (laser cutter),

placing and connecting electronic devices (modules) in /

on mazes and finally distribute them in the nature.

Link: https://www.instagram.com/p/CjAGwU9jjmw/

4 5


Cyrcle Perfect / (N)on Plate

ML / AI


technology: AI generated images / video, fine prints



One-Off Moving Image Festival, Valencia (Spain), 2022

One-Off Moving Image Festival, Oslo (Norvay), 2022

“He was a bold man who first ate an oyster.” (Jonathan Swift)

Some interpret this quote as a metaphorical statement about the human tendency to take risks and

push boundaries. Swift may have been suggesting that all great accomplishments begin with someone

being bold enough to try something new and different, even if it seems strange or risky at first.

The work “Cyrcle Perfect / (N)on Plate” is a reminder that progress often requires to take risks and try

new things, even if those things may seem unappetizing or uncomfortable at first.

6 7


Hommage to Edith

ML / AI


technology: AI generated latent video, prints



Mednarodni festival računalniških umetnosti, Maribor,

(Slovenia), 2022

The work is a tribute to the pioneer of Scandinavian literary

modernism Edith Irene Södergran (1892-1923). More

than a hundred years after the creation of her poems, I have

explored the possibilities of combining her poems with the

latest generative models (CLIP), which allow me to steer

the aesthetics of the works in infinitely new directions.

Using basic structures to train models from text to latent

video, I created visual narratives that illustrate the content,

mood, idea, and message of Edith’s poems. These suggest

a rich and multi-layered mixing of social views and individual

impressions rather than a monotonous and linear

development of situations. Eight shop windows on Koroška

Street (Maribor) display prints selected from a multitude of

images in the process of generating latent videos. In the 3D

construction on the Main Square, visitors can trigger the

playback of these prints in augmented reality technology on

their mobile devices.

Link: https://www.mfru.org/projects/hommage-to-edith

https://www.youtube.com/watch?v=6vdTS-Iph-U

https://www.youtube.com/watch?v=FulG_yQ9fBY

8 9


Along the Path of Crex Crex

data visualisation

authors: Lavoslava Benčić, Saša Ropač

menthor: Marko Plahuta, Laboratorij Svetlobne gverile

technology: data driven visualisation, screening


The data driven visualization “Along the Path of Crex Crex”

presents data on the locations and times of appearance of

fifty-five species of diurnal butterflies in the area of twenty-two

observed points in the Koščeva pot nature reserve

near Ljubljana. Each point is symbolically illustrated as an

AI-generated video from key words semantically linked to

Maria Sibylle Merian’s illustrations.


Festival IZIS, Laboratorij Svetlobne gverile, Podatkovne

krajine, Koper (Slovenia), 2022

Galerija ZVKDS, Laboratorij Svetlobne gverile, Podatkovne

krajine, Ljubljana (Slovenia), 2022

10 11


Pleurocarpous

ML / AI


technology: AI generated latent video



/fu:bar/, Glitch Art Festival, screening program Glitch

cinema, online and Institut français, Zagreb (Croatia), 2022

/fu:bar/ Exhibition Artists & Work, online and Institut

français Zagreb (Croatia), 2022

Galerija DLUL, Ljubljana (Slovenia), 2022

In the video Pleurocarpous there are speculative moments related to: the possibility of the survival

of a single plant species; the possibility of hybridization through the merging of more resistant and

less resistant species; the use of artificial intelligence to shape new plants suitable for future conditions

on Earth and the use of machine learning in creating resilient plants that can survive despite

strong evolutionary barriers. Pleurocarpous moss tends to form spreading carpets rather than erect

tufts. It can be very chaotics. It regenerates quickly also from broken fragments and grove on poor

surfaces.

Previously, I generated two AI models, Then I combined them and I added different text prompts

related to characteristics of Pleurocarpous moss.

The model of the branched rhizoid system, resistance, re-combinatorics and migration, are inherent

in both the plant and media worlds. They also have in common the unpredictability of development

and life once they are created or sent.

Link: https://www.youtube.com/watch?v=8sPID_TGnSY

12 13


Pollination

ML / AI


technology: AI generated latent video



Modra črta: Od renesanse do novih medijev, Majski salon

ZDSLU, Maribor (Slovenia), 2022

Zimski salon ZDSLU, Galerija ZDSLU and online,

Ljubljana (Slovenia), 2022

13. Međunarodni festival vizualnih umjetnosti Arterija

”Daj šansu boljem sutra!”, Novigrad (Croatia), 2022

Allkimik, Bucharest: share, tag or dye, VAGon, Bucharest

(Romania), 2022


The collection of seven generated graphic works entitled

Pollination is a homage to seven botanical illustrators who

have accurately documented numerous plant species and

thus created basic structures to train deep learning models

from text to image in their style.

Link: https://youtu.be/YU_agCggDnU

14 15


Trunchet Tiles

3D multiples


technology: laser cutting multiples



Poti novega in multipli, Galerija DLUL, Ljubljana

(Slovenia), 2021

Truchet tiles originate from Sebastien Truchet’s treatise published in 1704, Mémoir sur les Combinaisons,

in which Truchet explores the types of patterns that can be made with a simple square tile

divided diagonally, white on one side and black on the other. Cyril Stanley Smith popularized this

idea in his 1987 paper, Sebastian Truchet’s Tiling Patterns and the Topology of Structural Hierarchy.

When Truchet tiles are used in random orientations, the curves combine to form connected lines or

faces, creating an infinite number of patterns.

16 17


G-U-M-E


authors: Lavoslava Benčić, Nejc Stupan

performance: Elena Nikolovska

technology: audiosythesis, electronic textile, performance



BIEN 2021, Medprostor, Kranj (Slovenia), 2021

Satellites|Laboratory for Sound and Soul, livestream, 2021

The structure of the interactive G-U-M-E modular installation

is designed parametrically and each of the components

is a unique musical and visual work of art.

G-U-M-E provides visitors with an open space that can be

changed by each individual independently or in pairs by

creating their own sound space by touching smart materials.

People in the city are usually “cycled” into their routines …

walking the same paths over and over again… In order to

disrupt these routines and direct the attention of the inhabitants

G-U-M-E installation was created. Human experiences

in built spaces are multisensoric and are influenced by

the intangible properties that these components give to the

space, such as e.g. texture, sound, lighting, moisture.

The main goal of such an intervention is to change the urban

space in a way that people will stop for a moment and

rethink their heritage and future in the light of new technologies

for a better tommorow.

Link: https://www.youtube.com/watch?v=ya0Oz0w1S40

18 19


(Deep) Gittered Age

ML / AI

author: Lavoslava Benčić,

technology: AI generated latent video, ML audio



/fu:bar/ 2021, Institut français, Zagreb (Croatia), 2021

/fu:bar/ 2021, expo.fubar.space, 2021

Pitch : Intervals International Multimedia Festival

‘nftapping’, Nizhny Novgorod (Rusia), 2021

Noemata, One-Off Moving Image Festival, The Wrong

Biennale, 2021

In Deep Gittered Age video work, I use multiple machine learning image generation techniques:

photographs of (almost!) untouched universe, together with a series of 800 photographs of various

plant species form hybrid creations. With additional modelling, on examples from the plant world, I

tried to predict in which direction evolution will continue and whether man can influence it. I refer

to Shakespeare’s view that the “divine spirit” with which we perceive the past and the future is not

given to us by itself. The spirit offers man the possibility of constant correction and enables him to

find a new way of survival and the opportunity to move from the most reluctant living species on

Earth to a level of evolution worthy of human potential.

Link: https://www.youtube.com/watch?v=lowNAFsr3C8

20 21


Promenade

ML /AI

author: Lavoslava Benčić, Ermano Bančić

technology: video glitch, ML audio



/fu:bar/ 2021, Institut français, Zagreb (Croatia), 2021

/fu:bar/ 2021, expo.fubar.space, 2021

One of the main roles of “glitch” in AI art is that it can serve

as a way to create innovative and unconventional works

of art that are difficult to achieve by other means. Glitch

in “Promenade” triggers unwanted effects in AI generated

work that can then be exploited and used as components of

artwork. This can achieve unique, and unusual effects that

create new expressions in works of art.

Link: https://www.youtube.com/watch?v=m9tZmWJM2zw

22 23


The Concert of the Plants



technology: audiosythesis, plants



Zlati lev, Umag (Croatia), 2021

Gotropolis, Teater na konfini, Gorizia/Nova Gorica (Italy/

Slovenia), 2022

Tune In, Tune Green, Litija (Slovenija), 2023

The use of plants as musical instruments in performances

and concerts has become quite popular recently and can

represent an interesting combination of incorporating nature

into music and technology. MIDI devices can be used

to achieve unique and unusual sound effects that create

new expressions in works of art.

24 25


Hybrid Poetic Monstera Deliziosa



technology: audiosythesis, plants, print



HUIU galerija, Pula (Croatia), 2021

I explore how new forms of the plant world created through

manipulations with artificial intelligence might look like

and sound in the future.

I started from a photograph of Monstera deliciosa. I trained

photography with different sets of machine learning models

(geological, plants, animals). The results are hybrid designs

- new species of Monstera.

In a kind of plant station, I sound Monstera deliciosa. The

sound environment and spectrum, localized around and

in plants, becomes audible in the range of human hearing

through sound amplification. The sound activity is stimulated

and modified by the interaction of the visitors who

touch the plants (instruments - oscillators) and influence

the composition. By additional modeling, I try to predict in

which direction evolution will continue and whether humans

can influence it.

Link: https://youtu.be/UZGn-2fgbW8

26 27


Mossytron



technology: audiosythesis, moss




Pixxelpoint 2021, 22. mednarodni festival sodobnih

umetniških praks, Mestna galerija Nova Gorica, Nova

Gorica (Slovenia), 2021


nteractive installation Moosytron, in which she sounded

moss. In this part, the sound environment localized around

and in the plants becomes audible in the area of human

hearing. The sound activity of plants is stimulated and

modulated by a haptic interaction with the visitors.

Link: https://youtu.be/Rz1vmPTPP2M

28 29


Evolution in a Dead End?

ML / AI







As a result of my doubt about the proper path of evolution,

in the video ‘Evolution in a Dead End?’ I used one of

the methods of artificial intelligence to generate the image.

By generating pixels using generative adversarial neural

network (GAN) techniques, I established a connection between

the canonical structure of a plant and a moving image

created by a computer program from a database of 1200

digital schematic drawings of the plant structure. The central

dynamic shapes rotate clockwise, then counter clockwise,

creating a special temporal and hypnotic dynamic. We

are also witnessing speculations – a moment of reversal that

may indicate a possible deviation of evolution from the expected

direction. Based on the geometric arrangements of

the visual elements of the drawings, the computer learned

to create completely new shapes and connected them into

moving ‘programmed spirits’ that may have in their hands

at least the first step towards a solution for the future of our

civilization.

Link: https://youtu.be/hjE_WrpQoxY

30 31


Weeds in a Dead End?

ML / AI





Pixxelpoint 2021, 22. mednarodni festival sodobnih

umetniških praks, Mestna galerija Nova Gorica, Nova

Gorica (Slovenia), 2021



Transformative power of art journal. Winter 2023, vol. 1,

issue 2, p. 221, 305

As a result of my doubt about the proper path of evolution,

in the video ‘Weeds in a Dead End?’ I used one of the

methods of artificial intelligence to generate the moving

images. I established a connection between the canonical

structure of a plant and a moving image created by a computer

program from a database of 800 handmade drawings

of underground and above ground weed structures. Those

800 input photographs of plant species are trained in a

model that partly influences the visual and audio outcome

of the latent video. The result is dynamic hybrid forms that

are only similar to the initial plants. The video plays with

the assumption that such plant species could adapt to climate

change and survive, despite the fact that, due to the

short-sightedness of human civilization, many were forcibly

pushed into impossible conditions of survival.

Link: https://youtu.be/C7pY4H2BsSs

https://www.transformativepowerofartjournal.com/publications/volume1issue1-ywnb7-2wc3t

32 33


(Summer) Sea Guls (Song)

Ptice

Soundscapes


technology: graphical sound and field recordings



Sea Guls : The Wake Up! Memorial - Corona! Shut Down?, NewMediaFest 2020

Healing. Listening to a brave new world. : audio-visual works from the Mediterranean and all over the world : MediSouP

soundworks concert, April 22 nd , online

Summer seaguls sound : Community Radio Tbilisi: Sound Postcards and Greetings from Tbilisi, October 31 st , 2020,

online event

Soundscapes


technology: graphical sound and field recordings



Ptice : from Ball of wax volume 64: The music of telephone by Ball of Wax Audio Quarterly.

Oakland: Bandcamp, 2021

Telephone : a game of art whispered around the world, February 13, 2021

Link:

https://ballofwax.bandcamp.com/track/ptice

https://phonebook.gallery/about

34 35


E-textile Loudspeakers

interactive electronic

authors/ project menthors: Lavoslava Benčić, Nejc Stupan

workshop participants: 14+

design: Lavoslava Benčić, Nejc Stupan

technology: seving, electronics

material: soft electronic materials, felt


The workshop “E-textile speaker” is intended for the practical

demonstration and implementation of the process in

which textile and electronic components form a working

device, or. speaker.

Workshop participants learn the basics of electronics,

acoustics, soft circuits and e-textiles.


BIEN, Kranj (Slovenia), 2020

36 37


MP3ggerS


authors/ project menthors: Lavoslava Benčić, Nejc Stupan


design: Lavoslava Benčić, Nejc Stupan




The workshop “E-textile MP3 player” is intended for the

practical demonstration and implementation of a process

in which textile and electronic components together form a

working device, or. MP3 player with soft triggers.

Workshop participants learn the basics of electronics,

acoustics, soft circuits and e-textiles.

Link: https://vimeo.com/463783300


BIEN DIY, Layerjeva hiša, Kranj (Slovenia), 2020

Maker Faire, Trieste (Italy), 2020

Po-stoj-na živi ulici, MC Postojna (Slovenia), 2020

KonS, Nova Gorica (Slovenia), 2020

BIEN 2021, Layerjeva hiša, Kranj (Slovenia), 2021

KonS, Xcenter, Nova Gorica (Slovenia), 2021

ZEZ festival, 7. izložba zvuka, Zagreb (Croatia), 2022

KonS, Zavod Kersnikova, Ljubljana (Slovenia), 2022

KonS, RampaLab, Ljubljana (Slovenia), 2022

KonS, Festival delavnic, MKC Maribor (Slovenia), 2022

38 39



sound visualisation


technology: video / avdio



IndustriAll, Udruga Metamedij, Labin (Croatia), 2020

The starting point for creating the collection of GIFs are recordings and reproductions of typical

sound patterns in industrial environments.

Animated GIFs are integrated representations of sounds (soundwaves, spectrogram, vectorscope) -

but without sound. The absence of sound in GIF animations is an extremely appropriate comparison

with the industry that has been silent in the Labin area, and its influence is still visible and

ubiquitous in the landscape, architecture and people there.

Industrial Silence Kitchen Dune Jump - https://giphy.com/gifs/YGPjxKrQPNbvLpkDgb

Industrial Silence Kitchen La Lutte - https://giphy.com/gifs/2q2E56LBiZtBwyJkQX

Industrial Silence Kitchen Wa-Wa - https://giphy.com/gifs/oKHaC2v2pJdCJOrN30

Industrial Silence Kitchen Wusch-Usch - https://giphy.com/gifs/wNBLMX8Jrnaju426Oj

40 41


Non-Existent Visitors

ML / AI


technology: video / ML



/’fu:bar/ Glitch Art Festival 2020, Siva gallery, Zagreb

(Croatia), 2020

Složeni identiteti - umjetnik između eskapizma i aktivizma

HDLU, Zagreb (Croatia), 2020

Non-existent visitors by Lavoslava Benčić. Dwell time.

February 13, 2021

The current world is multifaceted, adding new meanings and new dimensions, changing boundaries,

conditions of coexistence, echoing and changing over time through complex communication

systems. Each individual tries to gain as many followers as possible, with the goal of mutual

development, both in contradictions and cooperation.

In the process, I often inquire violently, but also create and invite non-visitors to my home to share

complex stories with them. Who will visit me in the agony of waiting, what awaits me in the future -

will it be a visit from a friend or an enemy?


https://dwelltimepress.wordpress.com/2021/02/13/non-existent-visitors-by-lavoslava-bencic/

42 43


Poetic Hieritiums



technology: bio, electronics

material: soft electronic materials, Lion’s mane



Poetični bradovci - kako zvočijo gobe, Roglab, Ljubljana

(Slovenia), 2022

In order to preserve the links between nature and culture in

the destructive society of the Anthropocene era, which poses

ecological challenges, we use the rich teachings of our

ancestors, early musicians who followed plant and mushroom

life especially closely to stay in tune with the planet’s

heartbeat.

The earth is like a mosaic of soundscapes and creations,

inspiring people, offering them opportunities and setting

limits. Like biodiversity, music is the fruit of a common development

between humans and nature.

It is the sounds of mushrooms that embody the fairy-tale

diversity of cultural identities and imaginations.

The interesting sounds and varied rhythms we create in the

“Poetic Heritiums” project are produced by live fungi that

are still attached to their growing mycelial bodies. These

produce a weak electric current that constantly fluctuates

according to the state of the organism. This current can be

amplified to produce a sound that directly reflects the state

of the organism.


44 45


Audible Interactive Poetic Plant



technical support: Jonathan Reus, Sissel Marie Tonn,

Marcello Lussana

glove design: Lavoslava Benčić





Sensorium 2019, Augmented Attention Lab Showcase,

Bratislava (Slovakia), 2019

International Multimedial Art Festival, Novi Sad / Odžaci

(Serbia), 2020

CO-IKI, (Un)forgotten Flora, online event, 2020


Satellites|Laboratory for Sound and Soul, online event, 2021

The idea is to show symbolically that humans should protect

plants and other living creatures and they will offer us

everything we need.

In the research and the project at the Augmented Attention

Lab in Bratislava, plant and human body are combined in

an interactive wearable in a unique sound space. The result

of the project is a fully functional prototype. In the project

we use SenseStage system (receiver and two transmitters).

One transmitter sends the data from accelerator sensor

placed on the glove. Second transmitter sends the analogue

data about capacitive properties of the plant. Output

sounds are generated from graphical sounds in SuperCollider

(granular synthesis method).

Both parts of the project (glove and plant) as a whole propose

spectators to interact and create the unique sound

space.


46 47


Restless Blue Spreads Through the Town

ML / AI


technology: AI, video



32. Adria art annale, Galerija AAA, Split (Croatia), 2019

Video večer : predstavitev video del članov DLUL : Photon

- Center za sodobno fotografijo, Ljubljana (Slovenia), 2021

In the video piece “Restless Blue Spreads Through the Town”

I explored what the words QUIET, BLUE and TOWN look

like and the textual descriptions that are close to the basic

terms when I turn them into synthesized images.

The AttnGAN tool synthesized the details in different

sub-regions of the images. I paid special attention to the

description and selection of appropriate words in natural

language (English). The proposed AttnGAN model significantly

outperforms the tools traditionally used to synthesize

images from words. However, I must conclude that the

results are unpredictable and the synthesized images are

unexpected compared to artistic visualizations of “realistic”

peaceful cities.


48 49


GirlGan : Girlhood

ML / AI


technology: AI



Komunikacijski šum, 21. Media Mediterranea Festival, Pula

(Croatia), 2019

FaB Festival, Bath (UK), 2020

IndustriAll - video izložba GIF animacija : Udruga

Metamedij, Labin (Croatia), 2020

In my work “Girl : GirlGAN : Girlhood”, I explored how

words/concepts GIRL and Girlhood (and textual descriptions

closely related to these concepts) can be transformed

into synthesized images. Using the AttnGAN tool, I synthesized

details on various subregions of the image. I paid

special attention to the description and selection of relevant

words in natural language (English). AttnGAN significantly

outperforms previous machine learning tools. However,

we must admit that the results generated by the model are

quite unpredictable, and the “errors” in the synthesized images

are unexpected when compared to previous visualizations

of selected concepts that have been created countless

times by the human mind and hand.


50 51


Identify19

ML / AI


technology: AI, GIF, prints




(Croatia), 2019

Very Large Works, the wrong - new digital art biennale, The

Alphabet (Platform), 2020

In my work “Identify 19”, I explored YOLO fully-convolutional

model for real-time instance segmentation.

A single convolutional network simultaneously predicts

multiple bounding boxes and class probabilities for those

boxes. YOLO trains on full images and directly optimizes

detection performance. This unified model has several benefits

over traditional methods of object detection.

52 53


MuseGAN2

ML / AI


technology: AI, prints




(Croatia), 2019

FaB Festival, Really//Real : a fringe arts bath exhibition,

Bath (UK), 2020

IndustriAll - video izložba GIF animacija : Udruga

Metamedij, Labin (Croatia), 2020

Virtualni Zimski salon ZDSLU : mali formati: ZDSLU, 2020

Fifth International Biennial of Nude “Marko Krstov

Gregović” : Museums and Galleries of Budva, Spomen dom

“Crvena komuna”, Petrovac (Montenegro), 2021

In my work “MuseGAN”, I explored how words/concepts

GIRL and MUSE (and textual descriptions closely related

to these concepts) can be transformed into eight hundred

synthesized images. Using the AttnGAN tool, I synthesized

details on various subregions of the image. I paid special attention

to the description and selection of relevant words in

natural language (English). AttnGAN significantly outperforms

previous machine learning tools. However, we must

admit that the results generated by the model are quite unpredictable,

and the “errors” in the synthesized images are

unexpected when compared to previous visualizations of

selected concepts that have been created countless times by

the human mind and hand.

54 55


Anger

ML / AI


technical support: RunwayML

technology: video / ML / AI


In a one-second video, I show how anger can be released in one second.

I establish dense correspondences between RGB image and a surface-based representation of the human

body, a task we refer to as dense human pose estimation. I experiment with fully-convolutional

networks and region-based models and observe a superiority of the latter; I further improve accuracy

through cascading, obtaining a system that delivers highly accurate results in real time.



One-off moving image festival, Valencia (Spain), 2020

One-off moving image festival, Gol (Norvay), 2020

56 57


Fe(AI)r

ML / AI






At once, STIFF festival, Rijeka (Croatia), 2019

In the video work “Fe(AI)r” I researched what the word “fair” and text descriptions that are close to the

basic terms look like, when with the help of machine learning (GAN) turn into synthesized images.

The AttnGAN tool synthesized details in different image sub-regions. I paid special attention to the

description and selection of appropriate words in natural language (English). The proposed Attn-

GAN model goes far beyond the tools traditionally used to synthesize an image from words. The

results are unpredictable and the synthesized images are unexpected compared to the traditional

artistic visualizations of “realistic” fair situation.


58 59


Glitch(s)ex

ML / AI






Nudità - finissage + reading, Rome Art Week , OMG, Rome

(Italy), 2019


(Croatia), 2019

Žena, Dom kulture, Nova Gradiška (Croatia), 2021

“Glitch(s)ex” is a video work. With a novel generative attentional network, I examined how the word

“sexuality” (and the textual descriptions that are close to the basic concept) is translated into the

sequence of synthesized images.

With the tool, AttnGAN I synthesized the details on different sub-regions of the images. I paid

special attention to the description and selection of relevant words in natural language (English).

The proposed model AttnGAN significantly surpasses the tools used so far.

Yet we must admit that the results are unpredictable and synthesized images are unexpected - if we

compare them to the perceptions of the “sexuality” in the history of visual art.


60 61


Interactive Poetic Plants


author/ project menthor: Lavoslava Benčić

workshop participants: AU UNG students

design: Lavoslava Benčić





AU UNG, Gorizia (Italy), 2018

Štrene, RampaLab, Ljubljana (Slovenia), 2018

Štrene, Galerija Križišče, Cerkno (Slovenia), 2019

Hermann Hesse: Avgust, SNG Nova Gorica (Slovenia),

2020/2021

Hermann Hesse: Avgust, Zlati lev, Umag (Croatia), 2021

The project Interactive Poetic Plant is intended for practical

demon-stration and implementation of the process

in which the electronic components produce sound in the

interaction with the plant.

A change of the pressure and movements results in unique

sound responses. It could be an excellent complement and

added value to the conventional musical instruments or a

singular sound effect.


62 63


Body Symphony - Quantum body hack


authors: Milijana Komad, Lavoslava Benčić

Project Assistant: Boris Posavec

technology: Arduino



Museum of Applied Art, Belgrade (Serbia), 2018

The installation Body Symphony, with the help of software

and sensors, tries to “read” a person, to be empathetic, to

feel how he feels and how it sounds. The sculpture further

generates audio-visual responses and turns human feelings

into a symphony.

Link:

https://www.facebook.com/micikitis/

videos/10156935364914846

64 65


Audible Healing Pressure Points Glove



technical support: Matic Potočnik






PIFCamp, Soča (Slovenia), 2018


@fabricademy, El Gouna/Kairo (Egipt), 2019

In the project Audible Healing Pressure Points, traditional

Chinese medicine (TCM) is combined with research

in e-textiles. The project proposes to position electronic

acoustic devices on the healing points which lower or heal

pain, usually massaged or pressed on by a therapist. The

results of the project is a prototype - the fabric glove with

integrated circuit, which creates sound upon applying pressure

on two sensors/healing points. The first point “Zhong

Zhu” is recommended for temporal headaches, shoulder

pain, neck tension, and upper back pain. This point is located

behind your knuckles in the groove formed by the

tendons of your ring finger and little finger. The second

point “He Gu” is curing headaches, neck pain, stress, facial

pain, and toothaches. It is located between the web of your

thumb and index finger.


66 67


Poetic Interactive Glove









Bobri, Ljubljana (Slovenia), 2018

Sobotnice, Ljubljana (Slovenia), 2018

Hackaday, Belgrade (Serbia), 2018

Center for the Promotion of Science, Belgrade (Serbia), 2018

Zamisli in zasnove, Galerija ZDSLU, Ljubljana (Slovenia), 2020

Poetic Interactive glove is one in the series of artefacts

where I develop and discuss possible directions for future

work in the area of personalized e-textile arts and its relation

to education.

Interactive capacitive glove is intended for practical demonstration

and implementation of the process by which the

electronic elements and chips produce sound. A change in

the pressure on the capacitive pad results in unique sound

responses. It could be an excellent complement and added

value to the conventional musical instruments or a singular

sound effect.

The integration of electronics and computation into textiles

likewise suggests new directions in the practice of crafts.

Links: https://vimeo.com/255371733,

https://vimeo.com/338047863

68 69


Snow White and Seven Syns



pedagogical menthor: dr. Peter Purg

workshop participants: New Media students, Arts

Academy, University of Nova Gorica

glove and synth design: Lavoslava Benčić





Arts Academy, University of Nova Gorica, Gorizia, (Italy),

2017


The project was created for the purpose of the Digital

Practicum for students of the New Media at the Academy

of Arts of the UNG. The acoustic response circuit, which I

developed previously independently, is applied to the fabric

surface and synth to the breadboard. Interactive Sound

Responsive Glove is intended for practical use with DIY

synth. Electronic elements - sewable LEDs will respond to

sound waves throbbing to the beat of the music. When the

sound from DIY synth is loud LED-s respond, shine and

flash.

This product is the result of a three-day workshop with students

of the first year, without prior knowledge of electronics

and it is intended for jam sessions of electronic music

enriched with light effects.


70 71


Random Toughts


authors: Lavoslava Benčić, Špela Gale

circuit design: Lavoslava Benčić

tapestry: Špela Gale

technology: kniting, electronics

material: soft electronic materials, woll




I’ m ..., Galerija Decumanus Krk, (Croatia), 2018

The theme of interactive tapestry is the North Sea coastal

landscape. The tapestry links the elements of the coastal

landscape and the thoughts of the spectators, which arise

when they look at it.

An interactive tapestry includes an audio recorder and a

player’s circuit.

The spectator listens to the audio message / thoughts recorded

by the previous spectator, then records his / her

audio message / thought. This is followed by the next spectator.

We do not store audio messages / thoughts, just as

waves come to the shore and flee to the next, in front of our

eyes ...


72 73


Shimmering Tilt-Sensitive Glove



workshop participants: RampaLab, Ljubljana, 9+

glove design: Lavoslava Benčić (Kobakant)


material: soft electr onic materials, felt



Maker Faire Trieste (Italy), 2017


KreatorLAb, Maribor (Slovenia), 2022

Interactive shimmering tilt-sensitive glove is one in the

series of artefacts where I develop and discuss possible directions

for future work in the area of personalized e-textile

arts and its relation to education.

Interactive shimmering tilt-sensitive glove is intended for

practical demonstration and implementation of the process

by which the electronic elements produce a unique, interactive,

shiny responsive artefact. When the hand moves in

all directions this ineractive wearable shines and flashes. It

responds to a change in the inclination and position of the

arm. It could be an excellent complement and added value

of dance, sports and other motions activities.


likewise suggests new directions in the practice of children’s

crafts.


74 75


Sygnal Glove



workshop participants: RampaLab, Ljubljana, 15+







Interactive sygnal glove is one in the series of artefacts

where I develop and discuss possible directions for future

work in the area of personalized e-textile arts and its relation

to education.

The workshop mentor shows an e-textile process, according

to which participants create a unique textile object that

signals the presence by pulsing a series of LEDs. Beside its

aesthetic it is also an useful accessory in everyday situations

(pedestrians, bikers, etc.).


likewise suggests new directions in the practice of children’s

crafts.


76 77


RemixID

algoritmic art

authors: Salvatore Iaconesi, Oriana Persico, Lavoslava

Benčić, et al.

technology: Arduino, Human Ecosystem, face recognition

software, Processing




What is “Me”? What happens when this complex cultural

apparatus is conditioned by algorithms and technology?

How does this transformation affect our public, private and

intimate sphere?

RemixID is a multimedia work that explores the boundaries

between the self and the concept of identity in the age

of ubiquitous technology, social networks and cultural

interventions. It works on the principles of complex and

expanded technologies, such as face recognition. In the

work, these technologies are used differently and for other

purposes than they are used otherwise.

Link: https://cipke.wordpress.com/2017/12/04/remixid/

78 79


Salieri accompanies UEFA EURO 2024

image manipulation on public screens live


technology: photography, video

production year: 2016-

Scenes are installed in the beginning of the 19 th century

(empire and classicism), Middle-European cultural

environment.

Antonio Salieri is the main character and holder of

deadpan aesthetic. He himself never laughs and does not

rejoice. When watching the broadcast of the WFC match

on TV screen he takes a negative stand towards football.

He is extremely critical towards contemporaries (servant,

minister, wife and acrobat) that have been overwhelmed

and captivated by football. He observes their unusual

doings and unpredictable behaviour during a walk. Unlike

deadpan expression on the face and body posture, in some

uncontrolled moments shocks with its distance from

the context of social stratus. In the finishing part of the

advertising action comes to an unexpected twist …


80 81


Nature_I Wear Electrified


mentors: Lavoslava Benčić (wearable electronics), Andrej

Zadnik (programming)

hat design: Sanja Grcić, Ana Lazovski

concept and consulting: Ida Hiršenfelder and Saša Spačal

technical support: Tomo Per (RogLab)

producers: Rampa Lab and RogLab

workshop participants: Maja Novak, Denis Mavrič, Linda

Ogrizek, Nina Orlić, Saša Hajzler, Urška Spitzer

performing: Nina Orlić, Nika Manevski, Tjaša Avsec



Lighting guerilla, Vžigalica gallery, Ljubljana (Slovenia), 2016


This responsive installation is created by the attendees of the

workshop (responsive electronics, programming and hat design).

The presentation features three electrified hats by three

techno-heroines, who know their way around both wild plants

and wild technology. Each hat gives them a specific superpower

to control one of the aspects of nature: biological, technological

and human. Each techno-goddess has her own identity

that changes in contact with the other two. They express their

superpowers by means of sounds, sensors, LED lights, speakers,

microcontrolers and materials which correspond to their

characteristics. The project deals with the meaning of natural

in the technologically modernized society. Our starting point

is the assumption that our perception of nature as a static, balanced

and harmonic system that doesn’t include the man or

technology, is naive. We should not consider ourselves antinatural

beings that jeopardize and destroy nature, but as catalysts

of evolution, because natures changes with us and the ethical

choice is always a part of the relationship. Our nature namely

knows no competition or struggle for survival, but cohabitation,

which is the reason to develop the ‘wild’ software that

encourages both autonomous operations as well as symbiosis.

Link: http://www.svetlobnagverila.net/eng/cipke.html

82 83


La Cura / BAOTAZ / helmet


authors: Lavoslava Benčić, Guglielmo Torelli

technology: Arduino, Human Ecosystem by Salvatore

Iaconesi and Oriana Persico, LED, vibrating motors



Triennale di Milano, Condividi la Conoscenza, Milan

(Italy), 2016

European Researchers’ Night, Neuromed Research Centre,

Pozzilli (Italy), 2016

BAOTAZ is an interactive installation (a shiny-noisy-bigsilicone-brain),

a wearable technology (a creep-throbbinghelmet)

and an ecosystem that make possible to deal with

the planetary interconnection and feel it on our bodies.

Human Ecosystems gathers planetary data, feeds it to

a Processing sketch which sends it to some electronic

circuits. On these circuits a series of small vibrating

motors transform data in vibration and tactility, and are

accompanied by lights and a series of solutions for sensorial

activation.

A study has been made to understand which patterns of

tactile stimulation could be meaningfully interpreted, to

convey understandings about the data. Instead of sending

single impulses, which would have been difficult to

compare and understand in their entity, we have chosen

to produced continuous waves of signals, which are then

perturbed through data, thus obtaining signals which are

easily recognizable on the skin and which the brain quickly

figures out how to interpret.

Link: http://nefula.com/baotaz-at-neuromed/

84 85


Lace Sounds

graphic sounds, video

author/project menthor: Lavoslava Benčić

students: Tjaša Avsec, Ida Hirschenfelder, Saša Spacal,

Mojca Založnik

technology: graphical sound, video



City of women, ŠKUC Gallery, Ljubljana (Slovenia), 2015

Bizarre Sound Creations, Glaspaviljoen, Eindhoven

(Netherland), 2015


ZEZ Festival, Izložba zvuka #4, Zagreb (Croatia), 2019

[]Dot[]Dot-Dash, Surface Gallery, Nottingham (UK), 2020

This LaceSounds video is a compilation of graphic sounds

generated in the Graphical sounds workshop within the

series of one-day From Lace to Lace workshops mentored

by Lavoslava Benčić. The workshop was aimed at learning

the method for unbiased and logical bridging of diferences

in dealing with the digital graphic and sound worlds.

The method of graphic sound allows for the analysis of

graphic elements in special programmes which translate

graphic structures into sound. The basis for transformation

is the spectrogram algorithm. Each sound structure makes

the visual characteristics of one graphic matrix audible. The

graphic matrix used for generation of LaceSounds was lace

patterns.


86 87


Lacy Snowflakes



hair modeling: Katja Mahne

snowflakes, dancers: Ema Krizic, Elena Nikolovska

snowflakes, musicians: Nina Orlić, Vanja Aš

technology: seving, electronics, optic fiber, LED, sensors,

hairdesign, drums


Lacy Snowflakes presented wearable electronics through

dance and acoustic improvisation.

The legend says that the snowflake shows up to all good

people of pure hearts on the walls of the castle Snežnik.

They will have happiness, health and peace. This is a gift

of Snežnik, a good and joyful bear, which once alike all

the people of mighty forests around the castle Snežnik.

Preserve the memory to him.



88 89


RGB Hairball

electronics


technology: Attiny 85, Arduino

material: soft electronics materials

dimensions: 32cm x 32cm x 6cm


It’s fascinating

how many hairy lies

are staring me in the face

from the RGB screens.

This is art,

hairy as devil.


Pixxelpoint 2014, Open Art Space, Gorizia (Italy), 2014

90 91


3V+MP3=∞



technical support: the Initiative ČIPke

technology: Attiny 85, Lilypad

material: soft electronics materials

dimensions: 140cm x 15cm x 15cm



ČIPke annual exhibition, RampaLab K6/4, Ljubljana

(Slovenia), 2014

Palazzo Alvarez, Gorizia (Italy), 2015

This installation opens up the possibility that using light

and sound spectators may alive once live natural creature.

The dialogue between the visitor and the work is created

visually and acoustically.

The visual part of the installation is carried out in an

electronic textiles on the oak branch. The holder of two

separate circuits is silk ribbon, decorated with translucent

textile elements. Each circuit is powered by a 3V battery.

Light rhythm generates white and blue LilyPad LEDs

with built-in resistors. A LilyTiny chip (Attiny85) is

programmed so that mimics the rhythm of heart rate.

Elements are connecting by the conductive yarn.

The audio part of the installation is generated by the

method of graphical sound. Sound in the duration of 1,40

minute is stored in MP3 format on the micro SD card in the

LilyPad MP3 player. Sound raises when the user contacts

two metal plates (ground and program). They hang on

conductive yarn, coated with copper sulphate crystals.


92 93


Guide to The virtual thematic route

augmented reality


technology: database, augmented reality

user interface: GuidiGo




MAP in Motion, Galerija Kortil, Rijeka (Croatia), 2014

MAP in Motion, Galerija Alkatraz, Ljubljana (Slovenia), 2014

Center for Visual Arts Batana, Rovinj (Croatia), 2014

10 th International Conference on the Arts in Society,

Imperial College, London (UK), 2015

2 nd International Conference - Cultural Mapping, Debating

Places & Spaces, Valletta (Malta), 2015

22 nd International symposium of electronic arts, Hong

Kong (PR China), 2016

3 rd Conference on Time Perspective, Copenhagen,

Danemark), 2016

The GuidiGo application is proven as the most appropriate

solution to illustrate The virtual thematic route content and

goals.

One can download it and use it without an Internet

connection—irrespective of the location—on the site or

anywhere else.

Documents shift from one stop to the next in different

views (map view, list of stops view). Each virtual stop in

this guide tells about the selected story in adequate digital

media technology and links to the original sources. Virtual

stops are equipped with photographs, texts, and links

to subproject sites, acting in harmony with a user’s view

during the visit to the site or anywhere else to entertain,

inform, and immerse the user in a multimedia experience.

The time of the visit is flexible and self-paced. The

recommended flow of the virtual visit (stops from 1 to 8),

average time of visit (2:00 h), and the distance between the

stops and the total distance (1.76 km) are marked.

The application is intended for iPhone, iPad, and Android

devices.

for GoogleGlass:

94 95


Digital Story Creator

gamified experience


technology: gamification, storytelling, mobile

applicationuser interface: Mary Galvin and James

O’Sullivan, Cork Institute of Technology, Cork (Irland)





Pixxelpoint 2014, Mestna galerija, N. Gorica (Slovenia), 2014

Europeana Creative Challenge, Manchester (UK), 2015

Speculum Artium, Galerija DDT, Trbovlje (Slovenia), 2015

2 nd International Conference - Cultural Mapping,

Debating Places & Spaces, Valletta (Malta), 2015

22 nd International sympozium of electronic Arts, Hong

Kong (PR China), 2016

3 rd Conference on Time Perspective, Copenhagen,

Danemark), 2016

Digital Story Creator is a gamified experience that vivifies the project From Experience to Infinity,

improves the number of return users, and transforms them into active participants.

Its elements support the entertainment/discovery/creative visit genre of the content that corresponds

to a general group of users on the peninsula Punta Busola. Users spontaneously explore their

creative skills through narrative (storytelling). Their ideas may become the inspiration for future

projects and may be an important factor for the sustainability of the main project.

The gamified experience uses the power of storytelling to engage players. Users create stories

strongly related to visual project content. The interface allows and encourages competitive key

actions by different types of players and their collaboration in the endgame stage.

A gamified experience is created from provided (offered) visual content (photos from the database

and from Emil Benčić’s mobile phone gallery). The content is ordered in four categories (Hero 1,

Hero 2, Location, Random).

At the beginning of the gamified experience, building elements are selected randomly using one

photo from each category as an inspiration. Photos help participants to build personalized stories.

In the midgame stage, the user writes the narrative/plot and publishes it on the project site. In

the endgame stage, narratives are scored. The best-scored narratives are rewarded and published.

Winners are honored and become mentors or “storytelling experts.”

This version of Digital Story Creator is very much a developmental version, and the application is

currently in the process of being improved. The gamified experience presently works off-line on

Android mobile devices.

96 97


FETI map



technology: augmented reality, Junaio viewer, Metaio,

printing on canvas, electronics

material: electronic materials, canvas

dimensions: 50cm x 60cm




MAP in Motion, Galerija Kortil, Rijeka (Croatia), 2014

MAP in Motion, Galerija Alkatraz, Ljubljana (Slovenia), 2014


Project From Experience to Infinity (FETI) takes the form

of a virtual thematic route.

It content is composed of eight sub-projects, symbolically

located on the form of the sign for infinity (∞), and

virtually located on the Istrian peninsula of Punta Busola.

The audience is connected with the content of subprojects

using augmented reality technology. The QR code can be

read with the free application Junaio viewer using e-textile

map and cardboard map as trackables.


98 99


3D Timespace

interactive database


technology: database, 3D





3D Timespace is a web-based interactive database. It informs the user about the life and work of the

artist Emil Benčić in chronological order in three-dimensional space. Users can explore and share

the content on the Internet.

Functionalities are presented on five parallel strips and include the artist’s biography (Baričević 2009,

154−165), the list of solo exhibitions, the list of collective exhibitions, the list of awards he achieved,

and the list of symposia and colonies he attended. The database consists of 174 total units. Some

units provide links to additional content (photo, video, and audio).

This version is very much in a developmental stage and is currently in the process of digitalization

and entry of the materials contained in the database. 3D Timespace will be updated according to

future, relevant activities.

Link: http://www.tiki-toki.com/timeline/entry/293341/Emil-Beni-From-Experience-to-Infinity/#var

s!date=1928-09-09_09:39:26!

100 101


Eol & Glorija

video, graphical sound, installation


technology: cymatics, graphic sound, video, installation,

Glorija’s voice: Maja Nemec, Nova Gorica (Slovenia)

meteorogical data: Meteorološka postaja Komiža, (Croatia)



Zametki 2013, Center kulture Španski borci, Ljubljana

(Slovenia), 2013


The sound and video installation Eol & Glorija is inspired by the Emil Benčić story, “Thank You,

Eol!” and Ranko Marinković’s drama, Glorija. The characters are Eol and Glorija. Eol is the god of

wind. He represents Glorija’s friend, counselor, trustee, and comforter in a critical situation. Glorija

is the main character in Ranko Marinković’s drama. She is a woman with two lives: a dancer on a

trapeze and a nun. She is deep disappointed in her father, love, and the Catholic church. She needs a

friend for conversation before her suicide.

The background of the installation Eol & Glorija is related to memories of Komižans on Ranko

Marinković, especially on his birth centenary in 2013. In these circumstances, transmediation of his

work becomes meaningful to the present day Komiža and also presents the occasion to educate non-

Komižans. In everyday life, winds are important for the success of Komižan’s fishermen. Their catch

depends on the wind’s inclination and power.

The sound and video installation is based on dialogues of dramatic treatment of the theme from

the five-scene drama Glorija between Glorija and Eol and the wind’s visualization. Glorija is

represented by an actress’s voice. Four Eols are sounds/frequencies, a transmedia of data archive of

wind power and direction in Komiža gathered from March to May 2013. Visualization is a globular

video projection of Benčić’s ceramic inlays in a circular movement according to the local windrose.

Spectators listen to dialogues in the middle of the soundspace and look at the circular visualization

on the floor.


102 103


La Danza de la Muerte

visualization, graphical sound


technology: cymatics, graphic sound, visualisation

typography Espinosa Nova: Cristóbal Henestrosa,

Universidad Iberoamericana, Ciudad de México (México)




9. Patosofiranje, Smederevo (Serbia), 2013


Grimoire : vol. 5. [S. l.]: Grimoire.Fanzine, 2021

The medieval didactic poem La Danza de la muerte tells of

the inescapable facts that we will all die, in death we are all

equal, the departure from the real world cannot be ignored

or redirected. The character of Death reminds us of the

fragility of life and demonstrates the absurdity and vanity

of wealth, power, and prestige. This poem is certainly one of

the most painful lessons for civilization.

Graphical sounds are interpretations of the the poem

characters. Six-unit sounds evoke feelings and reactions,

based on the poem message.

The sound is created by the method of graphical sound,

which analyzes the visual elements and transforms them

into a spectrogram algorithmic sound structure.

The initial screen of the project interface illustrates the

circular victims dance and introduces the victims randomly.

Spectators access the next level screens as victims confess,

then watch and listen to the victims’ messages.

Link: https://drive.google.com/file/

d/0Bwg7cKLoqkExY2tabmdRdnBTSzA/view?us

104 105


Schattenobjekt Uhrturm

video simulation


technology: animation, video, mapping, editing

preview: Bix Simulator, John Dekron, Berlin (Germany), 2002

music: The Lost Tapes, Millionenspiel, CAN, Köln

(Germany), 2012





With project Schattenobjekt Uhrturm, I investigate the attitude toward misunderstanding and

disregard of the cultural heritage by today’s society. I warn about the threat of impoverishment and

the disappearance of all forms of cultural heritage artifacts. In particular, against the “deadliness”

and a misunderstanding of Emil Benčić’s artworks, I try to spread interest in spiritual values and

messages that emanate from his works. We create and run remediations in this video simulation.

The clock-tower on Schlossberg is a symbol of the city of Graz (Austria). Its position as well

as its history is essential for the reputation of this city. In 2003, Styria artist Markus Wilfling

“materialized” the Grazer clock-tower shadow as a steel structure: Schattenobjekt Uhrturm. In

2004, the commercial center Seiersberg Graz bought the Schattenobjekt Uhrturm and repositioned

it to the middle of the traffic circle in the front of the commercial center. I felt the displacement

of Schattenobjekt Uhrturm as an incentive to express our views. Ten years later, I gave the idea of

the Grazer Schattenobjekt Uhrturm back to the citizens in an interaction with the BIX façade—an

oversized urban screen of the Graz Art Museum. As a weightless spatial element, I transposed the

Schattenobjekt Uhrturm in another time and space using the shape and motion of a 3-D model.

Schattenobjekt Uhrturm is now hovering (floating) above the Earth’s surface, seeking its original

identity. It appears in the new manifestations as fragile, even impalpable, although undoubtedly an

inseparable part of the Grazer clock-tower identity.

I suggest Schattenobjekt Uhrturm as a symbol of all artworks to which history was not kind and

whose futures remain uncertain.


106 107


The Purpose of Life

cymatics, graphical sound,

performance, video installation

authors: Lavoslava Benčić, Iva Musović, Dunja Danial

technology: cymatics, graphic sound, video, performance

performance: Nika Mišković, Rijeka (Croatia)



Rikard Benčić, Rijeka (Hrvaška), 2013

Popular Unknown, Simultan Festival, Timisoara

(Romania), 2013

Pixxelpoint 2013, Open Art Space, Gorizia (Italy), 2013

Zametki 2013, Center kulture Španski borci, Ljubljana

(Slovenia), 2013

10. Patosofiranje, Smederevo (Serbia), 2014


Wommen in Music Technology, Irvine, (USA), 2016

The video installation The Purpose of Life is based on the

artist’s Emil Benčić’s quote:

“The purpose of life is not to warm up, but to burn up!”

(Source: Emil Benčić diary, unpublished.)

The primary display represents energy and the purity of artists’ ideas. I generated content by using

the graphical sound method (or drawn sound techniques). Applying the quote above, I remediated

newly created sound structures in cymatics. This cymatics experiment is realized using crystallized

sugar as a medium/source of waveformes.

The secondary display is part of the conceptual documentary Videodocument (Danial and Musović

2013). The quote transformed to cymatics became the initiation and inspiration for a spontaneous

body performance (Mišković). The video installation The Purpose of Life represents the example of

viral influence caused by the quote’s sound frequencies and compatibility between different media.

Both videos as a whole tell us that all art has to “burn” to trigger authors, encourage curators, and

excite spectators on the way to a positive and complete relationship with the authors’ creativity.

Link: Primary display: https://vimeo.com/95312785

Secondary display: https://vimeo.com/95778307

108 109


0-18-81-0

video


technology: one shot video, editing

music: Avantgelij, Vlado Skale, Celje (Slovenia), 2006





The video 0-18-81-0 is taken in the elevator, located in a

skyscraper eighteen floors high in Ljubljana, where I (the

author of the project) moved in 1981 when I was eighteen

years old.

The elevator is symbolically seen as a “zone” between the

inner and outer world. When I get out of it or enter in

to it, I often relive the happy moments, impressions, and

experiences I enjoyed with Emil Benčić. He passed away in

his eighty-first year.

Such remembering is actually like a spiral motion. In the

traditional understanding of the world, spiral circulations

are found in legends, fairy tales, dances, and religious

practices in a variety of forms (e.g., patrolling of houses,

dancing around the wells, fortune-telling by spinning

the crystal ball around its axis). Similar procedures are

maintained in contemporary beliefs, rituals, and practices

and act as a deliberate way of interaction through which

one can enter into another world and come out of it.


110 111


TP01

educational database and application

for mobile devices


technology: QR code, mobile webpages, database, printing

material and tools: cardboard, photography, mobile devices,





Project TP01 includes photographs that are works of Emil

Benčić. Each record of the work sets out ten parameters

(textual, numerical, and photographic) and consists of the

following four phases.

Through the QR code reader on a smart phone, the user

scans one of the six QR codes at the cube. The user opens

the URL. On the mobile smart device display, the user

reviews the content (the photo of the motif) and selects

one. The user remembers the basic information (year and

the name of the work) and finds the photograph of the

selected work in the box. The user determines the position

of the selected work on the timeline and places it in a

pocket. The user can write contact information or ideas on

the back of the photo.

The user gains secondary knowledge and skills in project

TP01 that include reading QR codes, using phone beam

online, memorizing characteristics of visual contents, and

sorting visual content by parameters.

Link: http://vsu-ng-cm-nm.wirenode.mobi

112 113


Mistake+

interactive site specific project

authors: Lavoslava Benčić (visual identity, patterns, sensor),

Arnold Verderber (design, gamification), Mark Bizilj

support: Richard Dank (technology), Daniela Brasil

(concept, workshop coordination), Jakob Wegerer (Graz

University of Technology)

technology: Processing, electronics, printing, BIX simulator

material: cardboard aluminium, electronics



BIX facade Kunsthaus Graz (Austria), April 14, 2013

This work connects the small mistakes that apear in

meandering around the city, where some city artifacts

appear to be used in ways different from how they were

concieved. This public misuse runs parallel to the intrinsic

mistakes in the city structure. The invention focuses on

a commonly mistaken activation of the acoustic signal

guiding blind pedestrians over a crossing; each useless

interaction with the device is translated into visualisations

of another mistake: the “jumping” pixel on the BIX-facade.

Next to the Kunsthaus is the crosswalk. On each side, there

is a machine, that helps blind people to cross the street, by

generating a special sound when the traffic light turn green.

This machine is often used by not blind people, cause they

think the traffic light gets green more fast - so its also a kind

of „placebo button“. We are upgrading this machine to get

a signal to the BIX fassade, so that the visuals there change

every time the button is pushed.


114 115


rOg rINg

3D object / space


support: Richard Dank (technology, Graz University

of Technology), Peter Purg (concept and workshop

coordination, Adriart), Alen Bubanja (RogLab)

technology: 3D printing

material: PLA plastic



RogLab, Ljubljana (Slovenia), 2013


The idea is to use the material volume of the ring as a

communication space in relationship between creators,

authors, artists (users of the ex Rog factory) and public

(citizens of Ljubljana, authority) related around the Rog

factory.

On the one side, cuts crossing the ring-shaped form and

shift-outs symbolize user’s tendencies to express their ideas

and rights to the public.

On the other side the public shift-in the elements of the

ring-shaped form to enter Rog and consume the users’

ideas and content.

116 117


Dice Game

social game

authors: Lavoslava Benčić (visual identity), Peter Mišic

(design and gamification), Nina Zimmermann (packaging)

technical support: Richard Dank, Paul Frick, Mateusz

Pankiewicz (Graz University of Technology), Alen Bubanja

(RogLab), Anton Kovač (RPS)

workshop coordination: Peter Purg (Adriart)

technology: 3D printing, laser cutting, CNC cutting

material: PLA plastic and aluminium, cardboard

dimensions: packaging: 130mm x 71mm x 61mm; bricks:

27mm x 25mm x 22mm and 30mm x 35mm x 25mm



Pixxelpoint 2013, Palazzo Alvarez, Gorizia (Italy), 2013

Galerija MOL, Breg 22, Ljubljana (Slovenia), 2014


Vetrinjski dvor, Maribor (Slovenia), 2014

The social game Second Chance helps users organise

their space, time, money and other means once the set

methods of cooperation and discussion fail. The idea arose

in 2012 at the international workshop LOGOS, Multiple

Manifestations of Rog, which was followed by the creation

of the prototype through the process GRAB.ROG.LAND,

Mono Materialiasation of Rog. The game unfolds (and the

scheduling gets decided) with a single throw of two dice,

one with four and one with eight sides.

It was created in cooperation with students and mentors

from the School of Arts at the University of Nova Gorica,

Graz University of Technology and The Academy of

Applied Arts in Rijeka and was supported by the European

Commission.

Link: http://roglab.si/en/projects/2013/vsu-second-chance

118 119


o

NLY m EN s TUFF

game for mobile devices and public

screens

author: Lavoslava Benčić,

technology: GEM, web page




Only Men Stuff, great Fashion show is designed just for

men visitors. The entrance to all events is free of charge,

but it is necessary to acquire the tickets beforehand by

cooperating in GEM Public Multimedia Network or in

interactive mobile web portal.

The holders of the visual expression are variants on the

theme of the motive from the Greek water jar with the

motive of the myth of Leda and the Swan. The mythic basis

is substantiated by the modern symbolism of the white

shirt and a cord.

Variants on the theme of the myth Leda and the Swan - the

typical emotional situations during the common courting

period: power-weakness, dominance-subordination,

determination-confusion, protection-attack, couragecowardice

and steadiness-indulgence. The figures (Leda

and the Swan) are in different dynamic and dangerous

positions on the cord.

120 121


Personal bibliography (COBISS ID: [56472])

ARTICLES AND OTHER COMPONENT PARTS

1.04 Professional article

1. BENČIĆ, Lavoslava. Zakaj in kako producirati zvočni podkast. Medijska vzgoja in produkcija. [Spletna izd.]. 2021, št. 1,

str. 1-5, ilustr. ISSN 2463-8420. https://www.dlib.si/details/URN:NBN:SI:spr-HCZ80NFA. [COBISS.SI-ID 105141507]

2. BENČIĆ, Lavoslava. The virtual thematic route : from experience to infinity. The international journal of new media,

technology and the arts. 2016, vol. 11, iss. 3, str. 1-12. ISSN 2327-1787. http://ijamt.cgpublisher.com/product/pub.232/

prod.77. [COBISS.SI-ID 285421568]

3. BENČIĆ, Lavoslava. Grafični zvok - sinteza zvoka s svetlobo. Medijska vzgoja in produkcija. [Spletna izd.]. jan./dec.

2015, št. 1, 6 str. ISSN 2463-8420. http://www.biteks.si/mvp/218. [COBISS.SI-ID 283822848]

4. BENČIĆ, Lavoslava. Izbor literature o filmu na razstavi The Kraszna-Krausz Foundation Book Awards 2015. Medijska

vzgoja in produkcija. [Spletna izd.]. jan./dec. 2015, št. 1, 6 str. ISSN 2463-8420. http://www.biteks.si/mvp/218. [COBISS.

SI-ID 283822592]

5. BENČIĆ, Lavoslava. Dvajsetih prekratkih dni in dvajset svetlih noči. Medijska vzgoja in produkcija. [Tiskana izd.]. jan.

2013, letn. 6, št. 1, str. 16-21, ilustr. ISSN 1855-3354. [COBISS.SI-ID 281581312]

6. BENČIĆ, Lavoslava. Trubarjeva hiša literature v Ljubljani. Medijska vzgoja in produkcija. [Tiskana izd.]. okt. 2010, letn.

3, št. 3, str. 41-44, ilustr. ISSN 1855-3354. [COBISS.SI-ID 281581056]

7. BENČIĆ, Lavoslava. Koncept klasičnega in elektronskega učbenika iz didaktičnega in grafično-likovnega stališča.

Medijska vzgoja in produkcija. [Tiskana izd.]. mar. 2009, letn. 2, št. 1, str. 20-25, ilustr. ISSN 1855-3354. [COBISS.SI-ID

249622784]

8. BENČIĆ, Lavoslava. Ko se knjiga bere z računalniškega ekrana : Jasna Vombek: Pripovedne promenade: izbor literarnih

popotovanj. Dialogi. 2008, letn. 44, št. 7/8, str. 133-138. ISSN 0012-2068. [COBISS.SI-ID 258246656]

1.05 Popular article

9. BENČIĆ, Lavoslava. Jasna Vombek: Prevzetost pogleda: gledališki odsevi, Javni sklad RS za kulturne dejavnosti, Ljubljana,

2006. Mentor : mesečnik za vprašanja literature in mentorstva. 2007, letn. 28, št. 3, str. 62, ilustr. ISSN 0351-367X.

[COBISS.SI-ID 254128640]

1.06 Published scientific conference contribution (invited lecture)

10. BENČIĆ, Lavoslava, MELE, Martin. Urban-planning game. In: ZHA, Hongbin (ed.). Interactive technologies and sociotechnical

systems : proceedings. Berlin: Springer, cop. 2006. Str. 514-519, ilustr. Lecture notes in computer science,

Lecture notes in artificial intelligence, 4270. ISBN 3-540-46304-6, ISBN 978-3-540-46304-7. ISSN 0302-9743. [COBISS.

SI-ID 281579008]

1.09 Published professional conference contribution

11. BENČIĆ, Lavoslava. Zvočni podkast kot didaktični pripomoček. In: ŽELJEZNOV SENIČAR, Maruška (ed.). Izkušnje in

izzivi vzgoje in izobraževanja v času epidemije : zbornik : III. on-line mednarodna (Hrvaška, ZDA, Nizozemska, Črna Gora,

Slovenija) strokovna konferenca = Experiences and Challenges of Education During the Epidemic : book of papers : III. Online

International (Croatia, USA, Netherlands, Montenegro, Slovenia) Conference. Polhov Gradec: MIB, 2022. Str. 10-13.

ISBN 978-961-7040-28-9. https://books.mib.si/sl/publikacije/ostale-publikacije/epid2022/. [COBISS.SI-ID 145733379]

12. BENČIĆ, Lavoslava. The virtual thematic route Emil Benčić : from experience to infinity. ISEA International. str. 20-

26, ilustr. https://isea2016.scm.cityu.edu.hk/openconf/modules/request.php?module=oc_program&action=view.

php&id=265&type=4&a=. [COBISS.SI-ID 285455872]

13. BENČIĆ, Lavoslava. Graphical sound - from inception up to the masterpieces. In: ERCAN, Burçin (ed.). Musicult ‚16

: III. International Music and Culture Studies Conference proceedings, May 13-14, 2016. Istanbul: DAKAM Publishing,

2016. Str. 64-68, ilustr. ISBN 978-605-9207-25-6. https://www.academia.edu/26409985/MUSICULT_16_PROCEEDIN-

GS_uvod-64-68.pdf. [COBISS.SI-ID 285667072]

1.13 Published professional conference contribution abstract

14. BENČIĆ, Lavoslava. Zvočni podkast kot didaktični pripomoček v času epidemije. In: 3. strokovni posvet SPIP : Didaktični

pripomočki v luči sodobnega vzgojno-izobraževalnega procesa : [21. maj 2022, Slovenj Gradec] : zbornik povzetkov.

3. strokovni posvet SPIP Didaktični pripomočki v luči sodobnega vzgojno-izobraževalnega procesa, 21. maj 2022, Slovenj

Gradec. Slovenj Gradec: Društvo SPIP, 2022. Str. 69. ISBN 978-961-95783-0-8. [COBISS.SI-ID 113613827]

1.20 Preface, editorial, afterword

15. BENČIĆ, Lavoslava. Portret IRealnog svijeta = Ritratto di un mondo IReale. In: BENČIĆ, Lavoslava (ed.), BANČIĆ, Ermano

(ed.), RAUNIĆ, Marino. Portret irealnog svijeta = Ritratto di un mondo irreale : Photo Art Gallery „Batana“ Rovinj

- Rovigno, 11. 3. - 30. 3. 2023. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2023.

Str. 2-9, fotogr. [COBISS.SI-ID 146068227]

16. BENČIĆ, Lavoslava. Svijet oko nas. Centar vizualnih umjetnosti „Batana“ Rovinj. ilustr. https://www.cvu-batana.com/

svjet-oko-nas-2021. [COBISS.SI-ID 115069699]

17. BENČIĆ, Lavoslava. Kontrasti = Contrasti. In: BENČIĆ, Lavoslava (ed.), BANČIĆ, Ermano (ed.). Kontrasti : 9. smotra

rovinjske fotografije = Contrasti : 9a rassegna della fotografia rovignese : Photo Art Gallery Batana Rovinj - Rovigno, 16.

3.-7. 4. 2019. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. Str. [2]. ISBN

978-953-7799-47-2. [COBISS.SI-ID 138456067]

18. BENČIĆ, Lavoslava. Personae : portreti osobne fikcije = ritratti della simulazione individuale = portait of personal

fiction. In: BENČIĆ, Lavoslava (ed.), BANČIĆ, Ermano (ed.), DAVID, Carlos. Personae : portreti osobne fikcije = ritratti della

simulazione individuale = portait of personal fiction : Photo Art Gallery Batana Rovinj - Rovigno, 3. 8.-21. 8. 2019. Rovinj:

Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. Str. [1]. ISBN 978-953-7799-51-9.


19. BENČIĆ, Lavoslava. Rasplinuti prostori i identiteti = Spazi e identità dissolti = Dissolved spaces and identities. In: BEN-

ČIĆ, Lavoslava (ed.), BANČIĆ, Ermano (ed.), BERTOMEU HOJBERG, Sofía. Rasplinuti prostori i identiteti = Spazi e identità

dissolti = Dissolved spaces and identities : Photo Art Gallery Batana Rovinj - Rovigno, 1. 6.-28. 6. 2019. Rovinj: Centar

vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. Str. [1-2]. ISBN 978-953-7799-49-6. [COBISS.

SI-ID 138489091]

20. BENČIĆ, Lavoslava. Slobodni, a zatočeni = Liberi, ma intrappolati. In: BENČIĆ, Lavoslava (ed.), BANČIĆ, Ermano (ed.),

BOLJKOVAC, Mladen. Slobodni, a zatočeni = Liberi ma intrappolati : Photo Art Gallery Batana Rovinj - Rovigno, 30. 11.-

18. 12. 2019 : samostalna izložba fotografija, 1. nagrada 8. smotra rovinjske fotografije 2018 = mostra fotografica personale

1° premio 8a rassegna della fotografia rovignese 2018. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno:

Centro arti visive „Batana“, 2019. Str. [4-5], [8-9]. ISBN 978-953-7799-55-7. [COBISS.SI-ID 138384643]

21. BENČIĆ, Lavoslava. Živjeti more = Vivere il mare. In: BENČIĆ, Lavoslava (ed.), BANČIĆ, Ermano (ed.), KOSIĆ, Ivan.

Živjeti more = Vivere il mare : samostalna izložba fotografija = mostra fotografica personale : Photo Art Gallery Batana

Rovinj - Rovigno, 13. 4.-28. 4. 2019. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“,

2019. Str. [3-5], ilustr. ISBN 978-953-7799-48-9. [COBISS.SI-ID 138451971]

22. BENČIĆ, Lavoslava. Fotografkinje izvan domovine = Fotografe lontane dalla patria = Women photographers abroad.

In: BENČIĆ, Lavoslava (ed.), BANČIĆ, Ermano (ed.). Fotografkinje izvan domovine = Fotografe lontane dalla patria = Women

photographers abroad : Centar vizualnih umjetnosti „Batana“ Rovinj = Centro arti visive „Batana“ Rovigno = Photo

Art Gallery „Batana“ Rovinj - Rovigno, 4. 5. - 27. 5. 2018. Rovinj: Centar vizualnih umjetnosti „Batana“, 2018. Str. 3-6.

ISBN 978-953-7799-42-7. [COBISS.SI-ID 138484227]

1.22 Interview

23. BENČIĆ, Lavoslava (interviewee). Lavoslava Benčić. Collect art. May 2022, iss. 4, [5] str., ilustr. [COBISS.SI-ID

113644035]

1.23 Artistic component part

24. BENČIĆ, Lavoslava. Non-existent visitors by Lavoslava Benčić. Dwell time. https://dwelltimepress.wordpress.

com/2021/02/13/non-existent-visitors-by-lavoslava-bencic/. [COBISS.SI-ID 80989187]

1.25 Other component parts

25. BENČIĆ, Lavoslava. Weeds in a dead end?. Transformative power of art journal. Winter 2023, vol. 1, issue 2, str. 221,

305, ilustr. https://www.transformativepowerofartjournal.com/publications/volume1issue1-ywnb7-2wc3t. [COBISS.SI-

ID 137426691]

26. BENČIĆ, Lavoslava. Vlado Bjelajac „Lebdenja/Potrage/ Susreti“ : autorska fotografska izložba od 19.10. do 13.11.

2022. Centar vizualnih umjetnosti „Batana“ Rovinj. https://www.cvu-batana.com/vlado-bjelajac-lebdenja-potrage-susre.


27. BENČIĆ, Lavoslava. „Ice II“. Flora fiction : literary magazine. https://florafiction.com/product/volume-2-issue-4/.


28. BENČIĆ, Lavoslava. Ana Travizi: „Kamene impresije“ : autorska fotografska izložba: 15.09. - 17.10. 2020. Centar vizualnih

umjetnosti „Batana“ Rovinj. https://www.cvu-batana.com/ana-travisi. [COBISS.SI-ID 81001219]

29. BENČIĆ, Lavoslava. An inside look at Oslo‘s intensive teacher technology training. In: Edudemic. Seattle, WA: Edudemic.

2012, ilustr. https://web.archive.org/web/20130310022409/edudemic.com/2012/09/an-inside-look-at-oslos-intensive-teacher-technology-training.


30. POŽLEP, Silva, BENČIĆ, Lavoslava. Convivio - Interaktivni dizajn na pohodu. Art.si : trimesečnik o likovni umetnosti,

arhitekturi, oblikovanju in fotografiji. 2004, [št.] 06, str. vii-viii, fotogr. ISSN 1581-5218. [COBISS.SI-ID 281590528]

MONOGRAPHS AND OTHER COMPLETED WORKS

2.05 Other educational material

31. BENČIĆ, Lavoslava. MP3ggerS : labbook : naredi sam (DIY) : [e-tekstilni MP3 predvajalnik]. [Slovenija]: KonS, 2020.

1 spletni vir (1 datoteka PDF (19 str.)), ilustr. Raziskovalec, 2. https://kons-platforma.org/wp-content/uploads/2021/10/

MP3ggerS-novi_labbook_short_A5_3.pdf. [COBISS.SI-ID 92028163]

2.09 Master‘s thesis

32. BENČIĆ, Lavoslava. Virtualna tematska pot Emil Benčić, od izkušenj do neskončnosti : tehnološke in teoretične podlage

produkcije novomedijskega projekta : magistrsko delo. Nova Gorica: [L. Benčić], 2015. 98 str., ilustr. http://repozitorij.

ung.si/IzpisGradiva.php?id=1842. [COBISS.SI-ID 3945467]

2.11 Undergraduate thesis

33. BENČIĆ, Lavoslava. Slovenian parks : changing heart and mind through motion picture. Ljubljana: [L. Benčić], 2008.

42 str., ilustr., načrti. [COBISS.SI-ID 281730560]

34. BENČIĆ, Lavoslava. Urbanistična igra : diplomsko delo višješolskega programa. Ljubljana: [L. Benčić], 2005. 48 f.,

ilustr. [COBISS.SI-ID 512008771]

2.16 Artistic work

35. SHIPMAN-MUELLER, Amalia (artist), BENČIĆ, Lavoslava (artist), et al. Grimoire : vol. 5. [S. l.]: Grimoire.Fanzine; [Palo

Alto]: Issuu [distributer], 2021. 1 spletni vir (1 podatkovna datoteka (70 str.)). https://issuu.com/fanzine.grimoire/docs/

grimoire_volume_5. [COBISS.SI-ID 80262147]

36. BENČIĆ, Lavoslava. Ptice : from Ball of wax volume 64: The music of telephone by Ball of Wax Audio Quarterly.

Oakland: Bandcamp, 2021. 1 spletni vir (1 zvočna datoteka (2 min, 23 sek)). https://ballofwax.bandcamp.com/track/

ptice. [COBISS.SI-ID 80269827]

37. PURG, Peter (artist), BENČIĆ, Lavoslava (artist), MATAIJA, Dorian (artist). Shaking Komiža narratives. [New York]:

Vimeo, 2013. https://vimeo.com/74641891. [COBISS.SI-ID 4429307]

2.17 Exhibition catalogue

38. AČ, Nataša (artist), BENČIĆ, Lavoslava (artist), et al. Složeni identiteti - umjetnik između eskapizma i aktivizma : virtualna

izložba članova i prijatelja HDLU Zagreb : 15. 8. 2021. Zagreb: Zagrebački likovni umjetnici - HDLU, 2021. 1 spletni

vir. https://likumzg.wordpress.com/slozeni-identiteti-umjetnik-izmedu-eskapizma-i-aktivizma-virtualna-izlozba-clanova-i-prijatelja-hdlu-zagreb/.


39. IGLORIA, Luisa A. (artist), BENČIĆ, Lavoslava (artist). Telephone : a game of art whispered around the world : 13. 2.

2021. [S. l.: s. n., 2021]. 1 spletni vir. https://phonebook.gallery/about. [COBISS.SI-ID 79911939]

40. BELLE, Matejka (artist), BENČIĆ, Lavoslava (artist), et al. Virtualni Zimski salon ZDSLU : mali formati : 3. 12. 2020 - 30.

1. 2021. Ljubljana: Zveza društev slovenskih likovnih umetnikov, 2020-2021. 1 spletni vir. https://zdslu.si/virtualni-zimski-salon-zdslu-mali-formati/.


41. BANFI, Igor (artist), BENČIĆ, Lavoslava (artist). Zimski salon 2018 : Galerija ZDSLU, [Ljubljana], 6.-31. 12. 2018. Ljubljana:

Zveza društev slovenskih likovnih umetnikov, 2018. [16] str., ilustr. [COBISS.SI-ID 298000896]

42. BENČIĆ, Lavoslava (author, editor), BANČIĆ, Ermano (editor). Od iskustva do beskraja : Centar vizualnih umjetnosti

Batana, Rovinj = Dall‘esperienza all‘infinità : Centro arti visive Batana, Rovigno : Photo art Gallery Batana, 4. 9.-28. 9.

2014. [Rovinj: Centar vizualnih umjetnosti; Rovigno: Centro arti visive, 2014]. 16 str., ilustr. ISBN 978-953-7799-16-8.


2.18 Scientific film, scientific sound or video publication

43. BENČIĆ, Lavoslava (director, scenarist). Ljubljansko barje : krajinski park : trailer. [Ljubljana: SWAMProduction], p

2008. 1 video DVD (2 min, 10 sek), barve, zvok. A full series of movies about life in transformation and natural beauties

of Slovenian parks. [COBISS.SI-ID 281661440]

122 123


2.19 Radio or television broadcast, podcast, interview, press conference

44. BENČIĆ, Lavoslava. Minimalna fotografska oprema za kakovostno fotografiranje. [S. l.]: L. Benčić; Stockholm: Spotify

AB [distributer], 2022. 1 spletni vir (1 zvočna datoteka (5 min, 15 sek)). Temna soba, epizoda 4. https://open.spotify.

com/episode/21XvGXWcDXhlb4GzijtYN8. [COBISS.SI-ID 113481731]

45. BENČIĆ, Lavoslava. Osnovne nastavitve kamere. ISO. [S. l.]: L. Benčić; Stockholm: Spotify AB [distributer], 2022. 1

spletni vir (1 zvočna datoteka (7 min, 19 sek)). Temna soba, epizoda 7. https://open.spotify.com/episode/3tIiFsIHHXs4ihCqrWO0gL.


46. BENČIĆ, Lavoslava. Osnovne nastavitve kamere. Zaklop. [S. l.]: L. Benčić; Stockholm: Spotify AB [distributer], 2022.

1 spletni vir (1 zvočna datoteka (9 min, 56 sek)). Temna soba, epizoda 5. https://open.spotify.com/episode/5vRn4In-

9s4yotpC9LaQ6jO. [COBISS.SI-ID 113479683]

47. BENČIĆ, Lavoslava. Osnovne nastavitve kamere. Zaslonka. [S. l.]: L. Benčić; Stockholm: Spotify AB [distributer], 2022.

1 spletni vir (1 zvočna datoteka (9 min, 30 sek)). Temna soba, epizoda 6. https://open.spotify.com/episode/6JyaOhdRAR-

C1kBQSuAgOEa. [COBISS.SI-ID 113477635]

48. JUREČIČ, Boštjan (interviewer), BENČIĆ, Lavoslava (interviewee). Razstavi v galeriji DLUL in v Galeriji P74. Ljubljana:

Radiotelevizija Slovenija javni zavod, 2022. 1 spletni vir (1 videodatoteka (1 min, 49 sek)), barve, zvok. Kultura. https://

www.rtvslo.si/rtv365/arhiv/174848961?s=tv. [COBISS.SI-ID 145705987]

49. BENČIĆ, Lavoslava. Zgodovina fotografije. Pomembnih 20 fotoaparatov. [S. l.]: L. Benčić; Stockholm: Spotify AB

[distributer], 2022. 1 spletni vir (1 zvočna datoteka (10 min, 52 sek)). Temna soba, epizoda 3. https://open.spotify.com/

episode/6UWzM18q5hXmGL2bYKrcMd. [COBISS.SI-ID 113485827]

50. BENČIĆ, Lavoslava. Zgodovina fotografije. Pomembnih 20 fotografij. [S. l.]: L. Benčić; Stockholm: Spotify AB [distributer],

2022. 1 spletni vir (1 zvočna datoteka (11 min, 49 sek)). Temna soba, epizoda 1. https://open.spotify.com/episode/6HqUB5jyljV7JvSarsfCMK.


51. BENČIĆ, Lavoslava. Zgodovina fotografije. Prvi fotografski postopki. [S. l.]: L. Benčić; Stockholm: Spotify AB [distributer],

2022. 1 spletni vir (1 zvočna datoteka (6 min, 39 sek)). Temna soba, epizoda 2. https://open.spotify.com/episode/1L68yg4vqIbddMQXINWPNn.


52. BENČIĆ, Lavoslava. The virtual thematic route. København: IDA TV, [2016]. http://ida.23video.com/video/14341300/

lavoslava-beni-the-virtual-thematic-route. [COBISS.SI-ID 288905216]

2.25 Other monographs and other completed works

53. BENČIĆ, Lavoslava. Izobraževanje: Kako poučevati produkcijo podkasta?. [Kranj]: Layerjeva hiša; [San Bruno]: You-

Tube [distributer], 2021. 1 spletni vir (1 videodatoteka (74 min, 27 sek)), barve, zvok. https://www.youtube.com/watch?v=YKw8rib8ZtY&feature=youtu.be.


54. BENČIĆ, Lavoslava. Izobraževanje: Kako poučevati produkcijo videa?. [Kranj]: Layerjeva hiša; [San Bruno]: YouTube

[distributer], 2021. 1 spletni vir (1 videodatoteka (63 min, 16 sek)), barve, zvok. https://www.youtube.com/watch?v=QDg2MOJzB0M&feature=youtu.be.


55. ZHU, Hussel, BENČIĆ, Lavoslava, EL OUGGOUTI, Soumaya, SHAH, Dimple. Satellites | Laboratory for Sound and Soul.

[Nemčija]: Satellites | Laboratory for Sound and Soul; [San Bruno]: YouTube [distributer], 2021. 1 spletni vir (1 videodatoteka

(199 min, 14 sek)), barve, zvok. https://www.youtube.com/watch?v=_xxF_J0vuMY. [COBISS.SI-ID 80251907]

56. BENČIĆ, Lavoslava, LUSSANA, Marcello. Audible interactive poetic plant. [S. l.]: N. Bogdanović, 2020. 1 spletni vir (1 videodatoteka

(2 min, 17 sek)), barve, zvok. https://www.youtube.com/watch?v=5Fd6D1kpKgA. [COBISS.SI-ID 36410627]

57. BOLJKOVAC, Mladen, BENČIĆ, Lavoslava. Bezvremenost : fotografska izložba članova CVU Batana, Rovinj : Galerija

Fotokluba Zagreb, 8.-21. rujna 2018. Zagreb: Fotoklub, 2018. 1 zgibanka ([4] str.), ilustr. [COBISS.SI-ID 297999104]

58. BANČIĆ, Ermano (artist), BENČIĆ, Lavoslava. Sve u šesnaest : fotografska izložba : Galerija Fotokluba Zagreb, 8.-21.

rujna 2018. Zagreb: Fotoklub, 2018. 1 zgibanka ([4] str.), ilustr. [COBISS.SI-ID 298316544]

59. LIKAR, Borut, MRGOLE, Urška, BENČIĆ, Lavoslava. Eureka! Mladi : predstavitev projekta na zaključni konferenci evropskega

leta ustvarjalnosti in inovativnosti v Stockholmu, 16. in 17. december 2009. Ljubljana: Inštitut za inovativnost in

tehnologijo, 2009. http://www.inovativnost.net/materiali/clanki/Slovenia_Eureka09_Stockholm_pdf.pdf. [COBISS.SI-ID

3809751]

PERFORMED WORKS (EVENTS)

3.10 Artistic performance

60. BENČIĆ, Lavoslava (artist). Cyrcle perfect : One-Off Moving Image Festival 2022 : 11th-20th November 2022. [COBISS.

SI-ID 136234243]

61. BENČIĆ, Lavoslava (artist). Cyrcle perfect : One-Off Moving Image Festival 2022 : Valencia, 11th-20th November

2022. [COBISS.SI-ID 137092355]

62. BENČIĆ, Lavoslava (artist). Electronic labyrints : transient residency online : online, 26.-30. 9. 2022. [COBISS.SI-ID

136116227]

63. BENČIĆ, Lavoslava (artist), et al. Healing. Listening to a brave new world. : audio-visual works from the Mediterranean

and all over the world : MediSouP soundworks concert, April 22nd, online. [COBISS.SI-ID 113446403]

64. BENČIĆ, Lavoslava (artist). Hommage to Edith : printi in prostorska inštalacija : Mednarodni festival računalniških

umetnosti - MFRU : Maribor, 7.-11. 10. 2022. [COBISS.SI-ID 136228099]

65. BENČIĆ, Lavoslava (artist). Koncert rastlin in avkcija iz Zavetišča za zavržene rastline : v okviru programa Gotropolis :

Gorizia in Nova Gorica, 2.-4. 9. 2022. [COBISS.SI-ID 136164611]

66. BENČIĆ, Lavoslava (artist). Pleurocarpous : AI glitch video : /’fu:bar/, Glitch Art Festival 2022, screening program

Glitch cinema : online in Institut français de Croatie & Zagreb, 6. 10. 2022. [COBISS.SI-ID 136228867]

67. BENČIĆ, Lavoslava (artist), ROPAČ, Saša (artist). Po Koščevi poti : vizualizacija podatkov : Laboratorij Svetlobne gverile:

Podatkovne krajine (produkcija Ljudmila, PiNA koprodukcija, festival IZIS) : Koper, 23. 9. - 16. 10. 2022. [COBISS.SI-ID

136228355]

68. BENČIĆ, Lavoslava (artist). Anger : One-off moving image festival 2020: one second movies, 60sec movies, and long

single takes, Valencia (Španija), Gol (Norveška), javni prostori, 10.-16. februar 2020. [COBISS.SI-ID 21708291]

69. BENČIĆ, Lavoslava (artist). Creation :: Phytolacca : (Un)forgotten Flora, spletni dogodek, 30. 9.-30.10. 2020. [COBISS.

SI-ID 35948291]

70. BENČIĆ, Lavoslava (artist). Elektrotopia : pop-up razstava, 15. Noć muzeja 2020, 31. 1. 2020. [COBISS.SI-ID 23651843]

71. BENČIĆ, Lavoslava (artist). GirlGan : Girlhood, FaB Festival, 22. maj - 7. junij 2020. [COBISS.SI-ID 21713667]

72. BENČIĆ, Lavoslava (artist). Hermann Hesse: Avgust : SNG Nova Gorica, sezona 2020/2021. [COBISS.SI-ID 36178947]

73. BENČIĆ, Lavoslava (artist). LACEsounds : []Dot[]Dot-Dash, Surface Gallery, Nottingham, UK, od 17. 4. 2020 dalje.


74. BENČIĆ, Lavoslava (artist). The life before us, lacetopia and oats tick me : AboutFace, Queensland, Australia, 10. 7.-

22. 8. 2020. [COBISS.SI-ID 23659267]

75. BENČIĆ, Lavoslava (artist). MuseGAN2 : Really//Real: a fringe arts bath exhibition 2020, FaB Festival, 22. maj - 7. junij

2020. [COBISS.SI-ID 21710851]

76. BENČIĆ, Lavoslava (artist). Non-existent visitors : razstava v Siva gallery (AKC Medika, Zagreb) in na spletni strani,

/‘fu:bar/ Glitch Art Festival 2020, 3. 9.-9.10. 2020. [COBISS.SI-ID 36790019]

77. BENČIĆ, Lavoslava (artist). Se Guls : The Wake Up! Memorial - Corona! Shut Downn?, NewMediaFest 2020, spletni

dogodek. [COBISS.SI-ID 36230915]

78. BENČIĆ, Lavoslava (artist). Summer seaguls sound : Community Radio Tbilisi: Sound Postcards and Greetings from

Tbilisi, 31. oktober 2020, spletni dogodek. [COBISS.SI-ID 36234499]

79. BENČIĆ, Lavoslava (artist). At once = U tren oka : fe(ai)r : exhibition of GIF animations, STIFF festival, Rijeka, 17.-27.

10. 2019. [COBISS.SI-ID 303678720]

80. BENČIĆ, Lavoslava (artist). Electronic textile exhibit : (SPM12) : Science Picnic, Trst, 24. 5. 2019. [COBISS.SI-ID

301961472]

81. BENČIĆ, Lavoslava (artist). Identify19 : Very Large Works, the wrong - new digital art biennale, Nov 2019 - Mar 2020,

THE ALPHABET (Platform). [COBISS.SI-ID 303761920]

82. BENČIĆ, Lavoslava, PURG, Peter. Glow white and the seven syns. https://cipke.wordpress.com/2017/12/14/strene-2017/.


83. BENČIĆ, Lavoslava, PURG, Peter. Glow white and the seven syns : svetlobno-zvočni performans študentov prvega

letnika Akademije umetnosti : Nova Gorica, Akademija umetnosti, 26. maj 2017. [COBISS.SI-ID 291336192]

84. BENČIĆ, Lavoslava (artist). Eol & Glorija : Zametki, multidisciplinarna platforma v razvoju, Center kulture Španski

borci, Ljubljana, 20. december 2013. [COBISS.SI-ID 281765632]

85. BENČIĆ, Lavoslava (artist), BIZILJ, Mark (artist). Mistake+ : Bix.Perform ();, 12., 13., 14. April 2013, Bix facade Kunsthaus

Graz. [COBISS.SI-ID 281784576]

3.12 Exhibition

86. BENČIĆ, Lavoslava (exhibitor), BANČIĆ, Ermano (exhibitor). Portret irealnog svijeta ; fotografska razstava Marina

Raunića. [COBISS.SI-ID 146058243]

87. BENČIĆ, Lavoslava (artist), et al. GIF for FUSE : međunarodna izložba : Karlovac, 3.-5. 6. 2022. [COBISS.SI-ID 113499139]

88. BENČIĆ, Lavoslava (artist). „It‘s magic. A beyond experience“ : photo, video and digital visual design : spletna galerija

LoosenArt, 2022. [COBISS.SI-ID 92406019]

89. BENČIĆ, Lavoslava (exhibitor). Lebdenja/Potrage/Susreti ; fotografska razstava Vlada Bjelajaca. [COBISS.SI-ID

136231683]

90. BENČIĆ, Lavoslava (artist), DUH, Matjaž (artist). Modra črta: Od renesanse do novih medijev : Majski salon ZDSLU

2022 : Maribor, 13. 5. 2022 - 13. 8. 2022. [COBISS.SI-ID 113448963]

91. BENČIĆ, Lavoslava (artist). Pleurocarpous : AI glitch video : /’fu:bar/ 2022 Exhibition Artists & Work : online in Institut

français de Croatie & Zagreb : offline: 28. 10. - 13. 11. 2022, online: 28. 10. - 31. 12. 2022. [COBISS.SI-ID 136229379]

92. BENČIĆ, Lavoslava (artist). Pollination = Opraševanje : razstava : Zimski salon ZDSLU 2022 : Komenskega 8, Ljubljana,

8. 12. 2022. [COBISS.SI-ID 136240387]

93. BENČIĆ, Lavoslava (artist). Pollination = Opraševanje : spletna razstava : Zimski salon ZDSLU 2022 : 8. 12. 2022 - 14.

1. 2023. [COBISS.SI-ID 136239619]

94. BENČIĆ, Lavoslava (artist). Pollination : video projekcija : 13. Međunarodni festival vizualnih umjetnosti – Arterija

”Daj šansu boljem sutra!” : Novigrad, 9.-11. 9. 2022. [COBISS.SI-ID 136170755]

95. BENČIĆ, Lavoslava (artist). Pollinations : Allkimik, Bucharest: share, tag or dye : VAGon, Bukarešta, 3.-24. 9. 2022.


96. BENČIĆ, Lavoslava (artist). Spekulativni hibridi : samostojna razstava : Galerija DLUL, Ljubljana, 16. 2. 2022 - 6. 3.

2022. [COBISS.SI-ID 98611203]

97. BENČIĆ, Lavoslava (exhibitor, member of the commission), BANČIĆ, Ermano (exhibitor). Svijet oko nas : nacionalna

kolektivna izložba fotografija mladih autora : Photo Art Gallery „Batana“, Rovinj, 2.-29. 3. 2022. [COBISS.SI-ID 113547267]

98. BENČIĆ, Lavoslava (artist), et al. ZEZ festival : 7. izložba zvuka : Zagreb, 2. 6. 2022. [COBISS.SI-ID 113536259]

99. BENČIĆ, Lavoslava (artist). After is now (embassy) : 60Seconds Festival 2021 : live videoscreening until Marts 1st

2022. [COBISS.SI-ID 98600707]

100. BENČIĆ, Lavoslava (artist). And-other-sfs : pavilion 105 : The Wrong Bienalle 5 : 1. 11. 2021 - 1. 3. 2022, online.


101. BENČIĆ, Lavoslava (artist). Deep gittered age : Fu:bar festival, Zagreb, Skupna izložba glitch umjetnosti, 1. 10.-31.

10. 2021. [COBISS.SI-ID 90843651]

102. BENČIĆ, Lavoslava (artist), et al. 21. Zimski salon : ZDSLU Ljubljana, 2021, 2. 12. 2021 – 15. 1. 2022. [COBISS.SI-ID

92065795]

103. BENČIĆ, Lavoslava (artist), et al. Fifth International Biennial of Nude „Marko Krstov Gregović“ 2020/21 : Museums

and Galleries of Budva, Spomen dom “Crvena komuna”, Petrovac, Črna Gora, July 9 - October 1 2021. [COBISS.SI-ID

92218115]

104. BENČIĆ, Lavoslava (artist), BANČIĆ, Ermano (artist). Fu:bar 2021 : razstava v Institut français de Croatie, Zagreb,

1.-31. 10. 2021 in na spletni strani expo.fubar.space. [COBISS.SI-ID 81130755]

105. BENČIĆ, Lavoslava (artist), STUPAN, Nejc (artist). G-U-M-E : interaktivna modularna instalacija : BIEN 2021, Kranj,

Medprostor, 26. 5.-14. 8. 2021. [COBISS.SI-ID 79931907]

106. BENČIĆ, Lavoslava (artist). MP3ggerS : e-tekstilni mp3 predvajalniki : BIEN 2021, Kranj, Layerjeva hiša, 26. 5.-14. 8.

2021. [COBISS.SI-ID 79926787]

107. BENČIĆ, Lavoslava (artist). Noemata : razstavni paviljon : One-Off Moving Image Festival 2021, The Wrong Biennale

5 : 1. 11. 2021 - 1. 3. 2022. [COBISS.SI-ID 92401923]

108. BENČIĆ, Lavoslava (artist). Pixxelpoint 2021 : 22. mednarodni festival sodobnih umetniških praks, Mestna galerija

Nova Gorica 11. 11. – 18. 11. 2021. [COBISS.SI-ID 92044035]

109. BENČIĆ, Lavoslava (artist), et al. Poti novega : prodajna razstava članov DLUL in multipli : 24. 12. 2021 - 9. 1. 2022.


110. BENČIĆ, Lavoslava (artist). Satellites | Laboratory for Sound and Soul : livestream razstava, 29. 8. 2021. [COBISS.

SI-ID 114688771]

111. BENČIĆ, Lavoslava (artist). Spekulativni hibridi : HUIU galerija, Pulj, 23.9.-12.10.2021. [COBISS.SI-ID 80071683]

112. BENČIĆ, Lavoslava (artist). Žena, skupna online izložba povodom manifestacije Žene u Domu kulture : Dom kulture,

Nova Gradiška, 26. 3. 2021. [COBISS.SI-ID 79881219]

113. BENČIĆ, Lavoslava (artist). IndustriAll - video izložba GIF animacija : Udruga Metamedij, Labin, 19. junij 2020. [CO-

BISS.SI-ID 21716227]

114. BENČIĆ, Lavoslava (artist), BOVCON, Narvika (artist), SOLINA, Franc (artist). Zamisli in zasnove : večmedijska razstava

Sekcije za video in medijsko umetnost ZDSLU : Galerija ZDSLU, Ljubljana, 12.3. - 6.4. 2020. [COBISS.SI-ID 23652867]

115. BENČIĆ, Lavoslava. Istria - Terra Magica : 9. PhotoCity 2019, Galerija Placa, Sv. Lovreč, 10. - 31. 8. 2019. [COBISS.

SI-ID 302029312]

116. BENČIĆ, Lavoslava (artist). Štrene : razstava ČIPk : Galerija Križišče, MC C.M.A.K. Cerkno, 9. 3. [2019]. [COBISS.SI-ID

299960320]

117. BENČIĆ, Lavoslava (artist). Tihi grad : 32. Adria art annale, Galerija AAA, Split, 16.-26. 11. 2019. [COBISS.SI-ID

303683328]

118. BENČIĆ, Lavoslava (artist). ZEZ Festival: Izložba zvuka #4 : ZEZ - Zavod za eksperimentalni zvuk in KSET, Zagreb, 10.-

14. 4. 2019. [COBISS.SI-ID 299961344]

119. BENČIĆ, Lavoslava (artist). Štrene : pregledna letna razstava : Modul, Ljubljana, 13.-[31.] december 2018. https://

cipke.wordpress.com/2018/12/10/strene-pregledna-letna-razstava-13-december-ob-20h/. [COBISS.SI-ID 298031104]

120. BENČIĆ, Lavoslava (artist), MAHNE, Katja (artist). ČIPkaste snežinke, oblikovanje las, nosljiva elektronika, plesno-zvočna

improvizacija : Štrene_letna razstava iniciative čipke, 11. 12. 2015-11. 1. 2016, Rampa Laboratorij, Ljubljana.

https://cipke.wordpress.com/2015/12/08/strene-2015/. [COBISS.SI-ID 283600128]

121. BENČIĆ, Lavoslava (artist). ČipkoZvok : Mesto žensk : Cik cak zig zag, razstava, Galerija Škuc, Ljubljana, 5. 10.-25. 10.

2015. [COBISS.SI-ID 283985152]

122. BENČIĆ, Lavoslava (artist). ČIPkoZvok : video z zvokom : Štrene_letna razstava iniciative čipke, 11. 12. 2015-11. 1.

2016, Rampa Laboratorij, Ljubljana. https://cipke.wordpress.com/2015/12/08/strene-2015/. [COBISS.SI-ID 283599872]

123. BENČIĆ, Lavoslava (artist). Pregrade in meje, ukrivljanje vezij : Mesto žensk, Cik cak zig zag, razstava, Galerija Škuc,

Ljubljana, 5. 10.-25. 10. 2015. [COBISS.SI-ID 282402048]

124. BENČIĆ, Lavoslava (artist). Ustvarjalec digitalnih zgodb : Mobilna aplikacija Speculum artium 2015 : Galerija DDT,

Trbovlje 15. - 17. oktober 2015. http://speculumartium.si/?page_id=1133. [COBISS.SI-ID 282349568]

125. BENČIĆ, Lavoslava (artist). Žepna Slovenščina : Brumen 7, Bienale vidnih sporočil Slovenije, Narodna galerija, Ljubljana

20. 10.-22. 11. 2015. [COBISS.SI-ID 282389504]

126. BENČIĆ, Lavoslava (artist). From Experience to Infinity : Virtualna tematska pot, MAP in Motion Galerija Kortil,

Rijeka 1. 7. 2014. http://www.mojarijeka.hr/kultura/u-kortilu-otvorena-izlozba-studentskih-radova/. [COBISS.SI-ID

282348544]

127. BENČIĆ, Lavoslava (artist). Od iskustva do beskraja : izložba u CVU Batana, Rovinj, 4. 9.-28. 9. 2014. http://www.rovinj.hr/rovinj/manifestacije/2869,

http://www.glasistre.hr/vijesti/kultura/cvu-batana-od-iskustva-do-beskraja-466736.


124 125


128. BENČIĆ, Lavoslava (artist). RGB Kosmatinec : Svetlobna inštalacija, Pixxelpoint 2014 : 15. Mednarodni festival

medijskih umetnosti Palazzo Alvarez, Gorica 5.-12. 12. 2014. http://issuu.com/kulturnidomnovagorica/docs/pixxelpoint_2014_web.


129. BENČIĆ, Lavoslava (artist). Svetlobno-zvočna instalacija 3V+MP3 = ... (ali spomini na ...) : Svetlobno-zvočna instalacija

Štrene - zaključna razstava iniciative ČIPke : Laboratorij RAMPA, Kersnikova 4, Ljubljana 15. december. 2014-15. jan.

2015. [COBISS.SI-ID 282340352]

130. BENČIĆ, Lavoslava (artist). Ustvarjalec digitalnih zgodb : Mobilna aplikacija, Pixxelpoint 2014 : 15. Mednarodni festival

medijskih umetnosti Mestna galerija, Nova Gorica 5.-12. 12. 2014. http://issuu.com/kulturnidomnovagorica/docs/

pixxelpoint_2014_web. [COBISS.SI-ID 282351104]

131. BENČIĆ, Lavoslava (artist). Itinerant workshop at specific location Rikard Benčić : Rijeka, 24th-27th June 2013. [CO-

BISS.SI-ID 282367232]

132. BENČIĆ, Lavoslava (artist), MUSOVIĆ, Iva (artist), DANIAL, Dunja (artist). The purpose of life : večkanalni video :

Popular unknown, Simultan Festival 2013, Timisoara, Rumunija 10.-12. 10. 2013. http://www.simultan.org/ro/2013/

video.html. [COBISS.SI-ID 282354176]

133. BENČIĆ, Lavoslava (artist), MUSOVIĆ, Iva (artist), DANIAL, Dunja (artist). The purpose of life : Večkanalni video,

de.fragmentacija Pixxelpoint 2013 : 14. Mednarodni festival medijskih umetnosti Palazzo Alvarez, Gorica 29. 11. 2013-6.

12. 2013. [COBISS.SI-ID 282354432]

134. BENČIĆ, Lavoslava (artist), MUSOVIĆ, Iva (artist), DANIAL, Dunja (artist). The purpose of life = Smisel življenja :

Zametki, multidisciplinarna platforma v razvoju, Center kulture Španski borci, 20. december 2013. 2013. [COBISS.SI-ID

281763840]

135. BENČIĆ, Lavoslava (artist). Second chance : družabna igra za pomoč pri kulturnem manedžmentu : RogLab - tovarna,

ki dela samo sebe, izbor letne produkcije prototipov pilotnega projekta Center Rog, Ljubljana, 9. 12. 2013-16. 1.

2014. [COBISS.SI-ID 281871360]

136. BENČIĆ, Lavoslava (exhibitor). Izrekanja : srečanje literatov iz okolice Ljubljane 2012 : 2. 2. 2012, na Trubarjevi domačiji

(Galerija Kašča), na Rašici. [COBISS.SI-ID 281763072]

137. BENČIĆ, Lavoslava (artist). Emil Benčić - Od znatiželje do iskustva : razstava, zbirka : Best designed books all over

the world Leipzig, marec 2011. http://www.mvinfo.hr/clanak/odabrano-27-naslova-za-izlozbe-book-art-international-i-best-designed-books.


138. BENČIĆ, Lavoslava (artist). Gozd : fotografska razstava ob Mednarodnem letu gozda, Erbergova paviljona graščine

Dol, 27. oktober do 20. november 2011. [COBISS.SI-ID 282398720]

139. BENČIĆ, Lavoslava (artist). Emil Benčić - Od znatiželje do iskustva : razstava : Book Art International Frankfurt,

6. do 10. 10. 2010. http://www.mvinfo.hr/clanak/odabrano-27-naslova-za-izlozbe-book-art-international-i-best-designed-books.


140. BENČIĆ, Lavoslava (exhibitor), LIKAR, Borut (exhibitor). Fotografski obrazi vode in kamna : Univerzitetni rehabilitacijski

inštitut Republike Slovenije - Soča, 15. 3. do 5. 4. 2010. [COBISS.SI-ID 3810007]

141. BENČIĆ, Lavoslava (artist). Slovenski parki - Ljubljansko Barje : Projekcija, Booktiga, festival Gradska knjižnica Poreč

23.- 25. 4. 2010. http://www.knjiznicaporec.hr/prva.aspx?stranica=6631. [COBISS.SI-ID 282350080]

142. BENČIĆ, Lavoslava (exhibitor). Bili smo videti takšni kot vidiš : Fotogalerija Stolp, Maribor, 5. 6.-23. 6. 2009. [COBISS.

SI-ID 282044672]

143. BENČIĆ, Lavoslava (exhibitor). Ljubljansko Barje : samostojna razstava fotografij, Filozofska fakulteta, Ljubljana 18.

5. - 15. 6. 2009. [COBISS.SI-ID 282389760]

144. BENČIĆ, Lavoslava (artist). Slovenski parki - prebujanje srca in duše s filmom : (SWAMProduction, serija filmov o

slovenskih parkih) : Projekcija, Evropski dan parkov Filozofska fakulteta, Ljubljana 21. 5. 2009. http://etnologija.etnoinfolab.org/sl/informacija.asp?id_meta_type=79&id_informacija=1296.


145. BENČIĆ, Lavoslava (exhibitor). Bili smo videti takšni kot vidiš : Galerija Urada za intelektualno lastnino, Ljubljana,

15. januar - 12. februar 2008. [COBISS.SI-ID 282399488]

146. BENČIĆ, Lavoslava (artist). Buluşma Noktasi = Meeting point : İstanbul, Gülpinar, 6-12 August 2007. [COBISS.SI-ID

282562304]

147. BENČIĆ, Lavoslava (artist). Oddaljeni ali bližnji? Portreti iz Gulpinarja : Prvi natečaj SEM, „Fotografije vsakdanjega

življenja“ : Slovenski etnografski muzej, Ljubljana 3. decembra 2007-15. januarja 2008. http://www.etno-muzej.si/sl/

rezultati-prvega-natecaja-slovenskega-etnografskega-muzeja. [COBISS.SI-ID 282338304]

148. BENČIĆ, Lavoslava (artist). Urbanistična igra : Igra, Inova 2006, Zagreb 6.-23. 5. 2006. http://www.inovativnost.net/

materiali/clanki/porocilo_inova2006.pdf. [COBISS.SI-ID 282352640]

149. BENČIĆ, Lavoslava (artist). Urbanistična igra : Inova 2006, Rijeka 15.-18. 11. 2006. http://www.inovativnost.net/

materiali/clanki/porocilo_inova2006.pdf. [COBISS.SI-ID 282352128]

150. ARRIGLER, Dragan (artist), BENČIĆ, Lavoslava (artist). Fotogrupa ŠOLT : 40 let : Cankarjev dom, Mala galerija, Ljubljana,

april 2003. 2003. [COBISS.SI-ID 281596416]

151. BENČIĆ, Lavoslava (artist). Međunarodna izložba grafičkog dizajna i vizualnih komunikacija : Umjetnički paviljon,

14. ožujak-4. travanj 1999, Zagreb, Hrvatska. [COBISS.SI-ID 282397184]

152. BENČIĆ, Lavoslava (exhibitor). Kad probudim pismena --- : Knjižnica Novi Zagreb, 10. 2.-14. 3. 1997. [COBISS.SI-ID

282364928]

153. BENČIĆ, Lavoslava (exhibitor). Kad probudim pismena --- : Mjesec hrvatske knjige „96“, Narodno sveučilište Velika

Gorica, Knjižnica Galženica, 17. listopada-14. studenoga 1996. [COBISS.SI-ID 282044416]

154. BENČIĆ, Lavoslava (exhibitor). Lavoslava Benčić : slike : 20. 7.-20. 8. 1995, Galerija Kos Lipica. [COBISS.SI-ID

282045184]

155. BENČIĆ, Lavoslava (exhibitor). Če črke prebudim, jaz zaspim --- in jih sanjam : Galerija mestnega gledališča, Ljubljana,

od 15. 5. do 15. 6. 1992. [COBISS.SI-ID 282375680]

156. BENČIĆ, Lavoslava (artist). DIA 2, DIA 3, DIA 4 : 12. republiška razstava barvnih diapozitivov, DIA Primorska ‚86, Foto

kino klub Nova Gorica. [COBISS.SI-ID 283980800]

157. BENČIĆ, Lavoslava (artist). Brez naslova 1, Brez naslova 2 : Mednarodna razstava barvnih diapozitivov, Fotoklub

Maribor, 1985. [COBISS.SI-ID 283637248]

158. BENČIĆ, Lavoslava (artist). Razstava idejnega projekta Celostne grafične podobe do Krka : Galerija Krka, Ljubljana,

od 27. do 12. 10. 1985. [COBISS.SI-ID 281766400]

159. BENČIĆ, Lavoslava (artist). San 21. zime : Salon jugoslovenske fotografije Mladost ‚85, Svetozarevo. [COBISS.SI-ID

283637504]

160. BENČIĆ, Lavoslava (artist). 2. Wettbewerb der Frauen fotografie : Frauentraume, Lausanne, 1985. [COBISS.SI-ID

283981568]

161. BENČIĆ, Lavoslava (exhibitor). Bajke o predmetu : Galerija Romanička kuća, Poreč, 16.-30. 6. 1984. [COBISS.SI-ID

283636480]

162. BENČIĆ, Lavoslava (artist). 10. aprilski salon : povodom dana oslobođenja Borova, Foto-kino klub Borovo, 1984.


163. BENČIĆ, Lavoslava (artist). Dijete ‚84 = l bambino ‚84 : izložba fotografije Foto klub Rovinj, od 28. 9. 1984 do 18. 10.

1984. [COBISS.SI-ID 283981056]

164. BENČIĆ, Lavoslava (exhibitor). Fotografije Benčič Lavoslave : samostojna razstava, Galerija Pri slonu, Novo mesto,

december 1984. [COBISS.SI-ID 283634944]

165. BENČIĆ, Lavoslava (exhibitor). Fotografije Lavoslave Benčić : Kurnikova hiša, Tržič, 1984. [COBISS.SI-ID 282366464]

166. BENČIĆ, Lavoslava (exhibitor). Fotografije u boji : Galerija ZOOM, Opatija, 6.-21. oktobar 1984. [COBISS.SI-ID

283635200]

167. BENČIĆ, Lavoslava (artist). Galerija Istarska sabornica : izložba na Svečanom koncertu u povodu 10-te god. rada

OGŠ Poreč, 27. 5. 1984. [COBISS.SI-ID 283980288]

168. BENČIĆ, Lavoslava (artist). Grisia ‚84 : Likovna kolonija Rovinj. [COBISS.SI-ID 283636992]

169. BENČIĆ, Lavoslava (artist). Iris Aartrijke 15e Fotovierdaagse, 1984. [COBISS.SI-ID 283982336]

170. BENČIĆ, Lavoslava (exhibitor). Lavoslava Benčić : Galerija Zavičajnog muzeja Rovinj, 14. 5.-3. 6. 1984. [COBISS.SI-ID

282045696]

171. BENČIĆ, Lavoslava (artist). Likovna kolonija = Colonia artistica : Rovinj, 25. 7.-15. 8. 1984. [COBISS.SI-ID 283979264]

172. BENČIĆ, Lavoslava (artist). Mostra Fotografica : Porec-Parenzo, Chiesa del Carmine, Massa Lombarda, 15. 2.-4. 3.

1984. [COBISS.SI-ID 282402304]

173. BENČIĆ, Lavoslava (exhibitor). Barvna fotografija : Galerija Atrij, Ljubljana, maj 1983. [COBISS.SI-ID 283633920]

174. BENČIĆ, Lavoslava (artist). Grisia ‚83 : Likovna kolonija Rovinj. [COBISS.SI-ID 283636736]

175. BENČIĆ, Lavoslava (exhibitor). Mrtva priroda : Mala galerija Zavičajnog muzeja Poreštine, Poreč, 16.-30. 6. 1983.


176. BENČIĆ, Lavoslava (artist). VI Salon Barwńych przezroczy : Dia-Pol, ‚83, Radom, Polska. [COBISS.SI-ID 283983104]

177. BENČIĆ, Emil (exhibitor), BENČIĆ, Lavoslava (artist). Keramika iz čudesnog podmorja : suradnja sa fotografijama

na izložbi radova keramičara Emila Benčića, Galerija Narodnog sveučilišta, Poreč, maj 1982. [COBISS.SI-ID 283635712]

3.15 Unpublished conference contribution

178. BENČIĆ, Lavoslava. Integrated practices in art and electronics : MAST symposium - between art, science and technology,

Nova Gorica, 19. 11. 2019. [COBISS.SI-ID 303681280]

179. BENČIĆ, Lavoslava. Graphical Sound : from inception to the masterpieces : virtual poster in English : 11th International

Conference on the Arts in Society and the Arts in Society knowledge community, 10-12 August 2016, University of

California, Los Angeles, USA. [COBISS.SI-ID 286144768]

180. BENČIĆ, Lavoslava. The virtual thematic route Emil Benčić : from experience to infinity : Celebrating time, 3rd international

conference on time perspective, August 19, 2016, Nørrebrohallen, København N, Denmark. [COBISS.SI-ID

286145024]

181. BENČIĆ, Lavoslava. The virtual thematic route Emil Benčić - from experience to infinity : poster : Debating spaces &

places, 22nd & 23rd October 2015, Mediterranean conference Centre, Valletta, Malta. [COBISS.SI-ID 282393088]

3.16 Unpublished invited conference lecture

182. BENČIĆ, Lavoslava. Duhovitost u fotografiji : Lavoslava Benčić gostuje u KAF-u : predavanje ... 26. siječnja 2017 ... u Sv.

Lovreču. http://www.kaf-lovrec.hr/novosti/2016/lavoslava-bencic-duhovitost-u-fotografiji/. [COBISS.SI-ID 289083648]

183. BENČIĆ, Lavoslava. Grafični zvok : vabljeno predavanje, Inštitut in akademija za multimedije, Ljubljana, 18. januarja

2016. http://www.iam.si/novice/18735. [COBISS.SI-ID 283600384]

184. BENČIĆ, Lavoslava. Dizajn u fotografiji : predavanje u Klubu amaterske fotografije, Sv. Lovreč, 9. veljače 2012. [CO-

BISS.SI-ID 282400256]

185. BENČIĆ, Lavoslava. Inovativnost - recept za uspeh! : predavanje za študente, Študentska arena, Ljubljana, 17. 10.

2006. Ljubljana, 17. 10. 2006. [COBISS.SI-ID 282392064]

3.25 Other performed works

186. BENČIĆ, Lavoslava (mentor). E-owl - e-textiles : workshops within Electric Wonderland Camp 2022 (Rewilding Cultures

- Creative Europe) : 5th-11th August 2022. [COBISS.SI-ID 136160003]

187. BENČIĆ, Lavoslava (mentor). E-owl bracelet : international workshop series : Radiona, Zagreb 1. 9. 2022. [COBISS.

SI-ID 136162819]

188. BENČIĆ, Lavoslava (mentor). Festival delavnic Maribor : Event by KonS and MKC Maribor : MP3ggerS : Modna hiša,

Maribor, 6.-17. junij 2022. [COBISS.SI-ID 136108803]

189. BENČIĆ, Lavoslava (mentor). Festival delavnic Maribor : modul ≡ mp3ggerS : Modna hiša, Maribor, 17. junij 2022.


190. BENČIĆ, Lavoslava (artist), et al. The Garden Zine : online, 25. 1. 2022. [COBISS.SI-ID 98609667]

191. BENČIĆ, Lavoslava (mentor). Graphical sound : DIY delavnica : Lojtra,Tune Green Kick Off Workshops : Litija, 14. 10.

2022. [COBISS.SI-ID 136231171]

192. BENČIĆ, Lavoslava (mentor). Integrirane prakse v umetnosti in elektroniki : DIY delavnica in zaključna razstava :

Nova Gorica, 16. 3. - 27. 5. 2022. [COBISS.SI-ID 113453827]

193. BENČIĆ, Lavoslava (artist), et al. Laboratorij Svetlobne gverile: Podatkovne krajine : delavnica in generativne projekcije

: Galerija ZVKDS – okna, Ljubljana 23. maj − 18. junij 2022. [COBISS.SI-ID 113457667]

194. BENČIĆ, Lavoslava (mentor), STUPAN, Nejc (comentor). Mehka elektronika : DIY delavnica : Naravoslovnotehniška

fakulteta Univerze v Ljubljani, 25. in 26. 10. 2022. [COBISS.SI-ID 136230403]

195. BENČIĆ, Lavoslava (mentor). Modni dodatki nekoliko drugače : delavnica uporabe elektronike v tekstilu : Kreator-

Lab, Maribor, 19. 11. 2022. [COBISS.SI-ID 136237315]

196. BENČIĆ, Lavoslava (mentor). MP3ggerS – e-textiles : international workshop series : Radiona, Zagreb 31. 8. 2022.


197. BENČIĆ, Lavoslava (mentor). MP3ggerS (čipke) : delavnica : Rampa, Zavod, Kersnikova, 19. 12. 2022. [COBISS.SI-ID

136236291]

198. BENČIĆ, Lavoslava (mentor). MP3ggerS konS : DIY delavnica : Rampa, Zavod, Kersnikova, 16. 11. 2022. [COBISS.

SI-ID 136235779]

199. BENČIĆ, Lavoslava. Umjetna inteligencija - teorija uz praksu : predavanje in delavnica : Sveti Lovreč, 28. 4. 2022.


200. BENČIĆ, Lavoslava (mentor), PER, Tomo (mentor). Delavnica DIY elektronske umetnosti (KONS) : online, Akademija

umetnosti, Univerza v Novi Gorici, 2. 2. 2021. [COBISS.SI-ID 51964675]

201. BENČIĆ, Lavoslava (artist). E-textile workshop : HUiU BLOK, Pulj, 29.-30. 9. 2021. [COBISS.SI-ID 81120259]

202. BENČIĆ, Lavoslava. Electronic textile workshop - May-Day bracelet : Maker Faire Trieste, 18.-19. 9. 2021, delavnica.


203. BENČIĆ, Lavoslava (artist). Gittered age : produkcija Pitch : Intervals International Multimedia Festival ‚nftapping‘ :

collaborative audiovisual performance : Nizhny Novgorod, Niženovgorodska oblast, Rusija 27-29 August, 2021. [COBISS.

SI-ID 90854403]

204. BENČIĆ, Lavoslava. konS : DIY elektronske umetnosti, Akademija umetnosti, Univerza v Novi Gorici, 8. 6. 2021, delavnica.


205. BENČIĆ, Lavoslava, STUPAN, Nejc. MP3ggerS - tekstilni mp3 predvajalnik : BIEN 2021, Kranj, 29. 5. 2021, delavnica.


206. BENČIĆ, Lavoslava (mentor), PER, Tomo (mentor). MP3ggerS : delavnica DIY elektronske umetnosti (KONS), online,

Akademija umetnosti, Univerza v Novi Gorici, 2. 2. 2021. [COBISS.SI-ID 51961347]

207. BENČIĆ, Lavoslava. mp3ggerS : konS, Nova Gorica, Ekscenter, 1. 6. 2021, delavnica. [COBISS.SI-ID 79959043]

208. BENČIĆ, Lavoslava (mentor). Poetični bradovci - kako zvočijo gobe : delavnica za odrasle, projektna pisarna Centra

Rog, Ljubljana, 16. 12. 2021. [COBISS.SI-ID 92071171]

209. BENČIĆ, Lavoslava (artist). Uvod v strojno učenje za kreativce : spletna delavnica, Kulturni dom Nova Gorica in

Pixxelpoint, 16. 11. 2021. [COBISS.SI-ID 92048899]

210. BENČIĆ, Lavoslava (artist). Video večer : predstavitev video del članov DLUL : Ljubljana, Photon - Center za sodobno

fotografijo, 29. 6. 2021. [COBISS.SI-ID 79947523]

211. BENČIĆ, Lavoslava. BIEN DIY : E-tekstilni MP3 predvajalnik, delavnica : Stolp Škrlovec, Layerjeva hiša, Kranj, 27. junij

2020. [COBISS.SI-ID 21704963]

212. BENČIĆ, Lavoslava. BIEN DIY : E-tekstilni zvočnik, delavnica : Stolp Škrlovec, Layerjeva hiša, Kranj, 20. junij 2020.


213. BENČIĆ, Lavoslava. Delavnica elektronskega tekstila za mlade - RoboFlora : Info center ŠKUC, Ljubljana, 11. februar

2020. [COBISS.SI-ID 21703427]

214. BENČIĆ, Lavoslava (mentor). Delavnica grafičnega zvoka : spletna delavnica, PixxelPoint, Nova Gorica, 13. 12. 2020.


215. BENČIĆ, Lavoslava, STUPAN, Nejc. DIY BIEN - MP3ggerS : Maker Faire Trieste, 4.-5. 9. 2020, delavnica. [COBISS.SI-ID

35731203]

216. BENČIĆ, Lavoslava. E-owl bracelet : Maker Faire Trieste, 4.-5. 9. 2020, delavnica. [COBISS.SI-ID 35731459]

217. BENČIĆ, Lavoslava. Integrirane prakse v umetnosti in znanosti : spletno predavanje, PixxelPoint, Nova Gorica, 13.

12. 2020. [COBISS.SI-ID 52039171]

126 127


218. BENČIĆ, Lavoslava, STUPAN, Nejc. MP3ggerS : delavnica Po-stoj-na živi ulici - festival, Mladinski center Postojna, 12.

9. 2020. [COBISS.SI-ID 35730691]

219. BENČIĆ, Lavoslava (mentor), PER, Tomo (mentor). Utripajoča zapestnica E-kitty : delavnica e-tekstilij na daljavo, 28.

12. 2020, RogLab/Rokodelski center Ribnica. [COBISS.SI-ID 52738307]

220. BENČIĆ, Lavoslava. Audible healing pressure points (AHPP) : Textile and Technology Academy, @fabricademy, El-

Gouna, Cairo, Egypt, 28. 7. - 3. 8. 2019. [COBISS.SI-ID 302027776]

221. BENČIĆ, Lavoslava. Audible interactive poetic plant : The Augmented Attention Lab, Sensorium Festival, Bratislava,

3. 6. - 7. 6. 2019. [COBISS.SI-ID 302027520]

222. BENČIĆ, Lavoslava. Delavnica DIY elektronske umetnosti : Akademija umetnosti, Univerza v Novi Gorici, 1.-3. 4.

2019. [COBISS.SI-ID 299960576]

223. BENČIĆ, Lavoslava. E-tekstilna delavnica: Utripajoča Ekitty : Stolp Pungert, Kranj, 26. 10. 2019. [COBISS.SI-ID

303680000]

224. BENČIĆ, Lavoslava. E-tekstilna ustvarjalnica - Utripajoča Emoji zapestnica : Mini maker fair, Ljubljana, 11. 5. 2019.


225. BENČIĆ, Lavoslava. E-textile : workshop : AKC Metelkova, Ljubljana, 7. 8. 2019. [COBISS.SI-ID 301923584]

226. BENČIĆ, Lavoslava. Ekitty : Trieste Mini maker faire, Trst, 25.-26. 5. 2019. [COBISS.SI-ID 301960960]

227. BENČIĆ, Lavoslava. Elektronska tekstilna delavnica - Utripajoča Ekitty : Galerija ZDSLU, Ljubljana, 7. 12. 2019. [CO-

BISS.SI-ID 303683840]

228. BENČIĆ, Lavoslava. ElektroTopia : elektronski tekstil : Dom za starije i nemoćne osobe, Poreč, 27. 2. 2019. [COBISS.

SI-ID 299960832]

229. BENČIĆ, Lavoslava, PER, Tomo. FabBox: RogoFlora : Socialna akademija, Ljubljana, 23. 1. 2019. [COBISS.SI-ID

299961088]

230. BENČIĆ, Lavoslava (artist). Glitch(s)ex : nudità - finissage + reading, Rome Art Week 2019, 21.-26. 10. 2019. [COBISS.

SI-ID 303682304]

231. BENČIĆ, Lavoslava. Interaktivna poetična rastlina : Šempas, 22. 6. 2019. [COBISS.SI-ID 301963520]

232. BENČIĆ, Lavoslava (artist). Komunikacijski šum : natečaj, 21. Media Mediterranea Festival, Pula, 14. - 17. 8. 2019.


233. SEPIČ, Tilen, FRELIH, Luka, BENČIĆ, Lavoslava. Laboratorij Svetlobne gverile : rezultati delavnice, serija interaktivnih

svetlobnih intervencij na različnih lokacijah, Ljubljana, 16. 5. - 14. 6. 2019. [COBISS.SI-ID 302026752]

234. BENČIĆ, Lavoslava. Poetične rokavice : Nova Gorica, 21. 6. 2019. [COBISS.SI-ID 301963008]

235. BENČIĆ, Lavoslava. Svjetleća Ekitty : Maker faire Zagreb, 12.-13. 10. 2019. [COBISS.SI-ID 303679744]

236. BENČIĆ, Lavoslava. Utripajoči emoji : Nova Gorica, 20. 6. 2019. [COBISS.SI-ID 301962752]

237. BENČIĆ, Lavoslava. Audible Healing Pressure Points : the project is a continuation of Lavoslava Benčić‘s work in

e-textiles and follows her collection of interactive gloves (2016-2018) : PIF Camp, Summer Hacking Camp, 5 - 11 August

2018. http://pif.camp/audible-healing-pressure-points/. [COBISS.SI-ID 295725568]

238. BENČIĆ, Lavoslava. Audible healing pressure points + introductory workshop of e-textiles : PIFcamp, Soča, Open

Saturday 2018!, 11. 8. 2018. http://pif.camp/open-saturday-2018/. [COBISS.SI-ID 297911552]

239. BENČIĆ, Lavoslava. Bodies in place and time. https://www.conferize.com/ictp2018/p/details. [COBISS.SI-ID

295725824]

240. KOMAD, Milijana, BENČIĆ, Lavoslava, POSAVEC, Boris. Body hacking : Makers Space, Center for the Promotion of

Science, Belgrade, 24. 11. 2018. http://www.cpn.rs/artandscience/en/%D1%85%D0%B0%D0%BA%D0%BE%D0%B2%D

0%B0%D1%9A%D0%B5-%D1%82%D0%B5%D0%BB%D0%B0/. [COBISS.SI-ID 297952000]

241. BENČIĆ, Lavoslava. E-textile blinking Emoji (bracelet) : Trieste Mini Maker Faire, 28.-29. 7. 2018. https://trieste.

makerfaire.com/maker/entry/276/. [COBISS.SI-ID 297912320]

242. BENČIĆ, Lavoslava, PER, Tomo. FabBox: RogoFlora : Center mladih Koper, 16. 11. 2018. https://www.facebook.com/

events/897943863928685/. [COBISS.SI-ID 297913088]

243. BENČIĆ, Lavoslava. Interactive Poetic Glove : workshop, May 26 2018, Dom omladine, Belgrade, Hackaday. https://

hackaday.io/project/34330-hackaday-belgrade-2018. [COBISS.SI-ID 295713280]

244. BENČIĆ, Lavoslava, PURG, Peter. Interaktivna poetična rastlina : delavnica = Interactive Poetic Plant : workshop :

Palazzo Alvarez, Gorica, 29.5.2018. [COBISS.SI-ID 295713024]

245. BENČIĆ, Lavoslava, PURG, Peter. Interaktivna poetična rastlina : izbor letošnjih štrenastih del, Štrene_pregledna

razstava, Modul, Ljubljana, 13.-[31.] december 2018. https://cipke.wordpress.com/2018/12/10/strene-pregledna-letna-razstava-13-december-ob-20h/.


246. BENČIĆ, Lavoslava. Kreativna radionica : radionica elektronskog tekstila, e-tekstilna Emoji narukavica : Hand made

fest, Pula, 28. 10. 2018. [COBISS.SI-ID 297985792]

247. BENČIĆ, Lavoslava. Open Saturday 2018! : introductory workshop of e-textiles : PIF Camp, Summer Hacking Camp,

11 August 2018. http://pif.camp/open-saturday-2018/. [COBISS.SI-ID 297940992]

248. BENČIĆ, Lavoslava. Poetična rokavica : izdelki iz delavnic v sklopu: Festival Bobri 2018, Gimnazija Poljane, Hackaday,

Beograd : izbor letošnjih štrenastih del, Štrene_pregledna razstava, Modul, Ljubljana, 13.-[31.] december 2018. https://

cipke.wordpress.com/2018/12/10/strene-pregledna-letna-razstava-13-december-ob-20h/. [COBISS.SI-ID 298035456]

249. BENČIĆ, Lavoslava. Poetične rokavice : umetniško-tehnična delavnica, Laboratorij RAMPA, Kersnikova 4, sobota, 3.

februarja, ob 10.00 : 10. ljubljanski festival kulturno-umetnostne vzgoje Bobri Laboratorij RAMPA, Kersnikova 4. http://

www.bobri.si/poeticne-rokavice-03-01-2017.html. [COBISS.SI-ID 293479424]

250. BENČIĆ, Lavoslava. Rampa na 11. festivalu znanosti - hokus pokus : 10. januar do 12. januar Pionirski dom - Center za

kulturo mladih, Vilharjeva cesta 11, 1000 Ljubljana, Slovenia,. https://www.facebook.com/events/157024398260029/.


251. BENČIĆ, Lavoslava. Remix ID : installazione nel quadro dell‘evento Witches Are Back! al Forte Prenestino, Roma, 9.

februar. https://www.facebook.com/events/294098004444280/. [COBISS.SI-ID 293539840]

252. BENČIĆ, Lavoslava. Sobotnica: poetična rokavica : delavnica, 10. 3. 2018, Laboratorij RAMPA, Kersnikova 4, Ljubljana.

https://www.facebook.com/events/536614746711456/. [COBISS.SI-ID 295725312]

253. BENČIĆ, Lavoslava. Sobotnica: poetična rokavica : delavnica, 24. 2. 2018, Laboratorij RAMPA, Kersnikova 4, Ljubljana.

https://www.facebook.com/events/536614746711456/. [COBISS.SI-ID 295724544]

254. BENČIĆ, Lavoslava. Sonic Gloves : delavnica v okviru HAIP live, 29. 6. 2018, Kersnikova 4. [COBISS.SI-ID 295685632]

255. BENČIĆ, Lavoslava. Svjetleći modni dodaci (narukvice i šešir) u tehnici elektronskog tekstila : u kreativnoj radionici s

Lavoslavom Benčić, Dom za starije i nemoćne, Poreč, 7. 2. 2018. https://www.facebook.com/permalink.php?story_fbid

=1595811827164013&id=744785995599938&pnref=story. [COBISS.SI-ID 295687168]

256. BENČIĆ, Lavoslava. Utripajoči Emoji : izdelki iz delavnic v sklopu: 11. Festival znanosti HokusPokus 2018, MiniMaker

Faire Trieste 2018, Hand Made Festival, Pula : izbor letošnjih štrenastih del, Štrene_pregledna razstava, Modul, Ljubljana,

13.-[31.] december 2018. https://cipke.wordpress.com/2018/12/10/strene-pregledna-letna-razstava-13-december-ob-20h/.


257. BENČIĆ, Lavoslava, PURG, Peter. DIY elektronske umetnosti : delavnica = DIY electronic arts : workshop : Nova Gorica,

Akademija umetnosti, 3-5. maj 2017. [COBISS.SI-ID 291335680]

258. BENČIĆ, Lavoslava. The interactive shimmering tilt-sensitive glove : Trieste Mini Maker Faire, ICTP Campus, Miramare,

Sab 16 & Dom 17 Settembre 2017 = la festa dell‘Ingegno. https://trieste.makerfaire.com/maker/entry/100/.


259. BENČIĆ, Lavoslava. Interaktivna nagibno odzivna rokavica - Vzornice : delavnica, Ljubljana, Rampa Laboratorij, 16.

6. 2017. [COBISS.SI-ID 291329792]

260. BENČIĆ, Lavoslava. Interaktivna rokavica / 2 delavnici + Tok / dokumentarni film : 23. oktober 2017 ob 16:00, RAM-

PA Lab, Kersnikova 4, Ljubljana. https://www.facebook.com/events/280373045791434/. [COBISS.SI-ID 293478400]

261. BENČIĆ, Lavoslava. Interaktivna zvočno odzivna rokavica - ČIPke : delavnica, Ljubljana, Rampa Laboratorij, 15.6.2017.


262. BENČIĆ, Lavoslava. Kliklanje modnih dodatkov - ČIPke : delavnica, Ljubljana, MG+MSUM, Rampa Laboratorij,

8.3.2017. [COBISS.SI-ID 291329024]

263. BENČIĆ, Lavoslava, SPITZER, Urška. Kolesarska signalna rokavica : 23. september 2017. https://cipke.wordpress.

com/2017/10/20/interaktivna-rokavica-23-september-17-00/. [COBISS.SI-ID 293525760]

264. BENČIĆ, Lavoslava. Mini Maker Faire Trieste, Lavoslava Benčić: interaktivna rokavica [16. september 2017]. https://cipke.wordpress.com/2017/09/12/mini-maker-faire-trieste-lavoslava-bencic-interaktivna-rokavica16-september-2017/.


265. BENČIĆ, Lavoslava, GALE, Špela. Naključne misli : interaktivna tapiserija v okviru prireditve Štrene_letna razstava

iniciative ČIPke 18. december 2017. https://cipke.wordpress.com/2017/12/14/strene-2017/. [COBISS.SI-ID 293526272]

266. BENČIĆ, Lavoslava. Štrene : letna razstava iniciative ČIPke, 18. december 2017 ob 19. uri. https://cipke.wordpress.

com/2017/12/14/strene-2017/. [COBISS.SI-ID 293478912]

267. BENČIĆ, Lavoslava. Vzornice: svetleča in hrupna rokavica : 25. oktober 2017 od 16:00 do 20:00 RAMPA Lab, Kersnikova

4, Ljubljana. https://www.facebook.com/events/122762051727616/. [COBISS.SI-ID 293478144]

268. BENČIĆ, Lavoslava (artist). Baotaz at European Researchers Night : the night of the 30th September 2016 Baotaz

has taken part to the European Researchers‘ Night at Neuromed Institute. https://www.flickr.com/photos/139515178@

N06/sets/72157673519977170. [COBISS.SI-ID 289038336]

269. BENČIĆ, Lavoslava. ČIPke: Narava_nosim naelektreno : odzivna instalacija : Galerija Vžigalica, Ljubljana, 18. 6.

2016. https://www.facebook.com/events/1800071476893761/. [COBISS.SI-ID 285411584]

270. ASCIONE, Ilaria (artist), BENČIĆ, Lavoslava (artist). Interconnected brain, augmented sense-ability : this September

3rd and 4th we will present Baotaz ... in Milan at La Triennale di Milano, at Condividi la Conoscenza. http://www.artisopensource.net/2016/09/03/interconnected-brain-augmented-sense-ability/.


271. BENČIĆ, Lavoslava. Kliklanje : enodnevna delavnica Od ČIPke do ČIPke, 15. februar 2016, Rampa Laboratorij, Ljubljana.

https://cipke.wordpress.com/2016/01/27/kliklanje/. [COBISS.SI-ID 283983616]

272. BENČIĆ, Lavoslava. Kliklanje_elektronski modni dodatki : delavnica, RAMPA Lab, 8. marec 2017. https://cipke.wordpress.com/2017/11/17/razglas_sodeluj-na-letni-razstavi-iniciative-cipke-18-december-2017-ob-19-uri/.

[COBISS.SI-ID

293525248]

273. BENČIĆ, Lavoslava. Narava_nosim naelektreno : Delavnica nosljive elektronike : RogLab, Ljubljana, 20. - 22. april

2016. https://cipke.wordpress.com/2016/03/30/nosim-naelektreno/. [COBISS.SI-ID 285410304]

274. BENČIĆ, Lavoslava, GALE, Špela. Okeanide = Oceanides : Acaste, Admete : nosljiva elektronika. https://cipke.wordpress.com/2016/12/14/strene-2016/.


275. BENČIĆ, Lavoslava. Robotika - izdelava zapestnice z LED lučko : (delavnica za 9+) : Festval družin, Otočec, 19. 6.

2016. http://www.festival-druzin.si/index.php/program-po-dnevih/nedelja-celota. [COBISS.SI-ID 285378816]

276. BENČIĆ, Lavoslava. Štrene : letna razstava iniciative ČIPke [21. december 2016 ob 19. uri]. https://cipke.wordpress.

com/2016/12/14/strene-2016/. [COBISS.SI-ID 288906240]

277. BENČIĆ, Lavoslava (photographer). Tyre photo marathon : Saturday November 26 2016. http://frame.life/Profile/1862/Lavoslava_Ben%C4%8Di%C4%87.


278. BENČIĆ, Lavoslava. Ustvarjalna delavnica: e-broška, e-zapestnica : prvi koraki v svet nosljive elektronike : v soboto,

10. decembra ob 10h ... vabljeni na Walfdorsko šolo, Streliška 12. http://www.trisestre.org/delavnice.html. [COBISS.SI-

ID 288905984]

279. BENČIĆ, Lavoslava. The virtual thematic route Emil Bencic : from experience to infinity : 22nd international symposium

on electronic art ISEA2016, Hong Kong, 20 May 2016. https://isea2016.scm.cityu.edu.hk/openconf/modules/

request.php?module=oc_program&action=program.php&p=program. [COBISS.SI-ID 285411328]

280. BENČIĆ, Lavoslava. Delavnica grafičnega zvoka : Poletni hack kamp, Trenta 8. 8. 2015. http://pifcamp.ljudmila.org/

sl/samo-na-odprto-soboto-graficni-zvok-in-jam-session/. [COBISS.SI-ID 282341120]

281. BENČIĆ, Lavoslava (artist). Digital story cubes : The project, Europeana - The future of cultural heritage, Future everything

festival, 25-28 February 2015, Manchester. [COBISS.SI-ID 282728960]

282. BENČIĆ, Lavoslava. From Experience to Infinity : The virtual thematic route, Poster session : Tenth international

conference on the arts in society, The work of art in the age of networked society, 22-24 July 2015, London. http://artsinsociety.com/assets/downloads/arts/A15FinalProgram.pdf.


283. BENČIĆ, Lavoslava. Grafični_zvok : delavnica Od ČIPke do ČIPke Laboratorij RAMPA, Kersnikova 4, Ljubljana 20. april

2015. https://cipke.wordpress.com/2015/04/08/graficni_zvok-delavnica/. [COBISS.SI-ID 282340608]

284. BENČIĆ, Lavoslava. Svetleča rokavica : Delavnica, Sobotnice, Ustvarjalnica za dekleta RogLab, Ljubljana 17. 10.

2015. https://www.facebook.com/events/666449033496824/. [COBISS.SI-ID 282348800]

285. ŠABJAN, Sara, BENČIĆ, Lavoslava. Elektronske LEDene bleščice : Delavnica izdelave e-nakita in e-tekstilij Laboratorij

RAMPA, Kersnikova 4, Ljubljana 6. junij 2014. https://cipke.wordpress.com/2014/06/02/elektronske-ledene-blescice/.


286. BENČIĆ, Lavoslava (artist). Map in motion festival : (multilokalni, multitemporalni), pogovor z umetnikom, 14. 7.

2014, Projektna soba SCCA, Ljubljana. http://vsu.ung.si/en/node/3560. [COBISS.SI-ID 283984896]

SECONDARY AUTHORSHIP

Editor

287. RAUNIĆ, Marino (photographer), BENČIĆ, Lavoslava (editor), BANČIĆ, Ermano (editor). Portret irealnog svijeta =

Ritratto di un mondo irreale : Photo Art Gallery „Batana“ Rovinj - Rovigno, 11. 3. - 30. 3. 2023. Rovinj: Centar vizualnih

umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2023. 11 str., ilustr. [COBISS.SI-ID 146054659]

288. BJELAJAC, Vlado (photographer), BENČIĆ, Lavoslava (author of introduction, etc., editor), BANČIĆ, Ermano (editor).

Lebdenja/Potrage/Susreti = Fluttuazioni/Esplorazioni/Incontri : Photo Art Gallery „Batana“ Rovinj - Rovigno, 19. 10. - 13.

11. 2022. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2022. 9 str., ilustr. [CO-

BISS.SI-ID 146050307]

289. BENČIĆ, Lavoslava (editor), BANČIĆ, Ermano (editor). Kontrasti : 9. smotra rovinjske fotografije = Contrasti : 9a rassegna

della fotografia rovignese : Photo Art Gallery Batana Rovinj - Rovigno, 16. 3.-7. 4. 2019. Rovinj: Centar vizualnih

umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. [12] str., ilustr. ISBN 978-953-7799-47-2. [COBISS.SI-ID

299959808]

290. DAVID, Carlos (artist), BENČIĆ, Lavoslava (editor), BANČIĆ, Ermano (editor). Personae : portreti osobne fikcije =

ritratti della simulazione individuale = portait of personal fiction : Photo Art Gallery Batana Rovinj - Rovigno, 3. 8.-21.

8. 2019. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. [12] str., ilustr. ISBN

978-953-7799-51-9. [COBISS.SI-ID 301920768]

291. BERTOMEU HOJBERG, Sofía (artist), BENČIĆ, Lavoslava (editor), BANČIĆ, Ermano (editor). Rasplinuti prostori i identiteti

= Spazi e identità dissolti = Dissolved spaces and identities : Photo Art Gallery Batana Rovinj - Rovigno, 1. 6.-28. 6.

2019. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. [12] str., ilustr. ISBN

978-953-7799-49-6. [COBISS.SI-ID 301920000]

292. BOLJKOVAC, Mladen (photographer), BENČIĆ, Lavoslava (editor), BANČIĆ, Ermano (editor). Slobodni, a zatočeni =

Liberi ma intrappolati : Photo Art Gallery Batana Rovinj - Rovigno, 30. 11.-18. 12. 2019 : samostalna izložba fotografija,

1. nagrada 8. smotra rovinjske fotografije 2018 = mostra fotografica personale 1° premio 8a rassegna della fotografia

rovignese 2018. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. [12] str., ilustr.

ISBN 978-953-7799-55-7. [COBISS.SI-ID 303717120]

293. SUDEC, Kruno (photographer), BANČIĆ, Ermano (editor), BENČIĆ, Lavoslava (editor, exhibitor). Tišina i nada = Silenzio

e speranza : Photo Art Gallery Batana Rovinj - Rovigno, 2.-24. 11. 2019 : samostalna izložba fotografija = mostra

fotografica personale. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. [12]

str., ilustr. ISBN 978-953-7799-54-0. [COBISS.SI-ID 303718400]

294. KOSIĆ, Ivan (photographer), BENČIĆ, Lavoslava (editor), BANČIĆ, Ermano (editor). Živjeti more = Vivere il mare :

samostalna izložba fotografija = mostra fotografica personale : Photo Art Gallery Batana Rovinj - Rovigno, 13. 4.-28. 4.

2019. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. [12] str., ilustr. ISBN

978-953-7799-48-9. [COBISS.SI-ID 299959552]

295. BENČIĆ, Lavoslava (editor), BANČIĆ, Ermano (editor). Fotografkinje izvan domovine = Fotografe lontane dalla patria

= Women photographers abroad : Centar vizualnih umjetnosti „Batana“ Rovinj = Centro arti visive „Batana“ Rovigno

= Photo Art Gallery „Batana“ Rovinj - Rovigno, 4. 5. - 27. 5. 2018. Rovinj: Centar vizualnih umjetnosti „Batana“, 2018. 18


128 129


296. BENČIĆ, Lavoslava (author of introduction, etc., editor, exhibitor), BANČIĆ, Ermano (editor). Nostalgične veze =

Nostalgia associata = Associated nostalgia : Centar vizualnih umjetnosti „Batana“ Rovinj = Centro arti visive „Batana“

Rovigno : Photo Art Gallery „Batana“ Rovinj - Rovigno, 12. 9. - 2. 10. 2018. Rovinj: Centar vizualnih umjetnosti „Batana“,

2018. 10 str., ilustr. ISBN 978-953-7799-45-8. [COBISS.SI-ID 297997568]

297. GRBAC, Dušan (artist), BENČIĆ, Lavoslava (author of introduction, etc., editor, exhibitor). Čarobne lutalice : samostalna

izložba fotografija = Magici vagabondi : mostra personale : Photo Art Gallery „Batana“ Rovinj-Rovigno, 23. 12.

2017 - 23. 1. 2018. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2017. [16] str.,

ilustr. ISBN 978-953-7799-39-7. [COBISS.SI-ID 293477376]

298. BENČIĆ, Lavoslava (editor, author of introduction, etc., exhibitor), BANČIĆ, Ermano (editor). Fotografi izvan domovine

= Fotografi all‘estero = Photographers abroad : Centar vizualnih umjetnosti „Batana“ Rovinj = Centro arti visive

„Batana“ Rovigno = Photo Art Gallery „Batana“ Rovinj - Rovigno, 24. 6.-18. 7. 2017. Rovinj: Centar vizualnih umjetnosti

„Batana“, 2017. 22 str., ilustr. ISBN 978-953-7799-34-2. [COBISS.SI-ID 512422211]

299. BENČIĆ, Lavoslava (author of introduction, etc., translator, editor, exhibitor). Žive stijene 2.0 = Pareti vive 2.0 : Photo

Art Gallery „Batana“ Rovinj-Rovigno, 24. 11.- 15.12. 2017. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno:

Centro arti visive „Batana“, 2017. [12] str., ilustr. ISBN 978-953-7799-38-0. [COBISS.SI-ID 293477632]

300. DOLENC, Oskar (artist, photographer), BENČIĆ, Lavoslava (author of introduction, etc., editor), BANČIĆ, Ermano

(editor). Vedute Cerkniškog jezera = Vedute del Lago di Cerknica : Photo Art Gallery „Batana“ Rovinj/Rovigno, 3. 6. - 26.

6. 2016. [Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2016]. [15] str., ilustr. ISBN

978-953-7799-24-3. [COBISS.SI-ID 285377024]

Mentor for Undergraduate Theses (1st cycle Bologna study programme)

301. PIŠKUR, Jure. 360-stopinjska virtualna predstavitev Gimnazije Ledina - pilotni projekt : diplomsko delo visokošolskega

strokovnega programa Multimedijska produkcija. Ljubljana: [J. Piškur], 2021. 82 f., [52] f. pril., ilustr. [COBISS.SI-ID

86579459]

302. BAUKMAN, Tanit. Fotografska delavnica za otroke iz socialno ogroženih družin : diplomsko delo visokošolskega

strokovnega programa Multimedijska produkcija. Ljubljana: [T. Baukman], 2021. 60 f., [51] f. pril., ilustr. [COBISS.SI-ID

86589187]

303. ŠIMENC, Vid. Organizacija BIEN DIY: delavnici e-tekstila : diplomsko delo visokošolskega strokovnega programa

Multimedijska produkcija. Ljubljana: [V. Šimenc], 2021. 65 f., [51] f. pril., ilustr. [COBISS.SI-ID 86568451]

304. BRODNIK, Evelin. Organizacija in izvedba multimedijske podpore hibridne poroke : diplomsko delo visokošolskega

strokovnega programa Multimedijska produkcija. Ljubljana: [E. Brodnik], 2021. 76 f., [79] f. pril., ilustr. [COBISS.SI-ID

86586115]

305. BLAŽON, Maksimilijan. Medijska podpora - Dogodek: Večerja na Metelkovi : diplomsko delo visokošolskega strokovnega

programa Multimedijska produkcija. Ljubljana: [M. Blažon], 2020. 72 f., [65] f. pril., ilustr. [COBISS.SI-ID 85797379]

306. ILINČIČ, Luka. Produkcija fotografske razstave na temo Mejni stereotipi : diplomsko delo visokošolskega strokovnega

programa Multimedijska produkcija. Ljubljana: [L. Ilinčič], 2020. [76] f., [59] f. pril., ilustr. [COBISS.SI-ID 86764035]

Mentor for Undergraduate Theses

307. Tapiserija : prototip za odzivno instalacijo. https://cipke.wordpress.com/2016/12/14/strene-2016/. [COBISS.SI-ID

288962560]

308. Tapiserija : prototip za odzivno instalacijo : Rampa Laboratorij, Kersnikova 4, Ljubljana, sreda, 21. december 2016.


309. Tehnoboginje : zvočna odzivna instalacija : Rampa Laboratorij, Kersnikova 4, Ljubljana, sreda, 21. december 2016.


Translator




Artist

311. Zimski festival ZDSLU 2019 : 5. december 2019 - 6. januar 2020, Galerija ZDSLU, Komenskega 8, Ljubljana. Ljubljana:

Zveza društev slovenskih likovnih umetnikov, 2019. 28 str., ilustr. [COBISS.SI-ID 303710464]

312. KOMAD, Milijana (artist). Body symphony : quantum body hack : Museum of Applied Art, Belgrade, 13. 11.-8. 12.

2018. http://www.cpn.rs/artandscience/en/%D1%81%D0%B8%D0%BC%D1%84%D0%BE%D0%BD%D0%B8%D1%98%

D0%B0-%D1%82%D0%B5%D0%BB%D0%B0/. [COBISS.SI-ID 297919744]

313. E-techstil : izbor letošnjih štrenastih del, Štrene_pregledna razstava, Modul, Ljubljana, 13.-[31.] december 2018.

https://cipke.wordpress.com/2018/12/10/strene-pregledna-letna-razstava-13-december-ob-20h/. [COBISS.SI-ID

298035968]

314. „Ja sam“ = „I am“ : 27. - 15.05.2018., Galerija „Decumanus“, Krk. Krk: Udruga Kreativni Krk, [2018]. 19 str., ilustr.


315. PSARRA, Afroditi. Nosljive fraktalne antene : izbor letošnjih štrenastih del, Štrene_pregledna razstava, Modul, Ljubljana,

13.-[31.] december 2018. https://cipke.wordpress.com/2018/12/10/strene-pregledna-letna-razstava-13-december-ob-20h/.


Author of introduction, etc.

316. BJELAJAC, Vlado (photographer), BENČIĆ, Lavoslava (author of introduction, etc., editor), BANČIĆ, Ermano (editor).

Lebdenja/Potrage/Susreti = Fluttuazioni/Esplorazioni/Incontri : Photo Art Gallery „Batana“ Rovinj - Rovigno, 19. 10. - 13.

11. 2022. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2022. 9 str., ilustr. [CO-

BISS.SI-ID 146050307]

317. Bezvremenost : fotografska izložba članova CVU Batana, Rovinj, 6.-30. prosinca 2019, Gradska Galerija i knjižnica

Valpovo. Valpovo: Fotoklub Valpovo, 2019. 1 zgibanka ([8] str.), ilustr. [COBISS.SI-ID 303712512]





319. Brezčasje : Fotografski muzej Maribor, 9. marec - 2. april 2017. Maribor: Fotoklub, 2017. 1 zgibanka ([6] str.), ilustr.










322. SELIMOVIĆ, Živana (artist). Paralele : izložba fotografija Živane Selimović : otvaranje izložbe 30.09.2017 u 18:00,

BZK „Preporod“, Gradačac. Gradačac: BZK „Preporod“, 2017. [4] str., ilustr. [COBISS.SI-ID 293477888]




324. KOŠARA, Silena (artist). Doma je najljepše = A casa e piu bello : Photo art Gallery Batana Rovinj/Rovigno, od/dal 09.

04. do/al 02. 05. 2016. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2016. [20]


325. Foto 6 : igra = il gioco : kolektivna izložba fotografija mladih autora = mostra fotografica collettiva di giovani autori

: Photo Art Gallery Batana Rovinj-Rovigno, 30. 11.-20. 12. 2016. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno:

Centro arti visive „Batana“, 2016. 19 str., ilustr. ISBN 978-953-7799-29-8. [COBISS.SI-ID 288725248]

326. ĆURČIĆ, Maria (artist). Rovinj full of art : samostalna izložba fotografija = mostra fotografica personale : Photo Art

Gallery „Batana“ Rovinj-Rovigno, 23. 12. 2016-22. 1. 2017. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno:

Centro arti visive „Batana“, 2016. 14 str., ilustr. ISBN 978-953-7799-30-4. [COBISS.SI-ID 288726272]

327. Ulica = La strada : kolektivna izložba fotografija = mostra fotografica collettiva : Photo Art Gallery Batana Rovinj-Rovigno,

7.-30. 10. 2016. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2016. 20 str.,


328. DOLENC, Oskar (artist, photographer), BENČIĆ, Lavoslava (author of introduction, etc., editor), BANČIĆ, Ermano

(editor). Vedute Cerkniškog jezera = Vedute del Lago di Cerknica : Photo Art Gallery „Batana“ Rovinj/Rovigno, 3. 6. - 26.

6. 2016. [Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2016]. [15] str., ilustr. ISBN

978-953-7799-24-3. [COBISS.SI-ID 285377024]

329. BANČIĆ, Ermano (editor). Sve nijanse sive : izložba fotografija u „Photo Art Gallery Batana“ Rovinj, od 7. veljače do

8. ožujka 2015 = Tutte le sfumature grigie : mostra fotografica, dal 7 febbraio al 8 marzo 2015. Rovinj: Centar vizualnih

umjetnosti; Rovigno: Centro arti visive, 2015. [32] str., ilustr. ISBN 978-953-7799-17-5. [COBISS.SI-ID 281856000]

330. Izložba fotografija u „Photo art gallery Batana“ Rovinj. Rovinj; = Rovigno: Centar vizualnih umjetnosti Batana: =

Centro arti visive Batana, 2013. [24] str., ilustr. [COBISS.SI-ID 281752320]

Book designer

331. BRIC, Angela, PURNAT, Milena (author of introduction, etc., editor), TEVŽ, Peter (editor, author of introduction,

etc.). Tetine pesmi. Šmartno ob Dreti: P. Tevž, 2010. 68 str., ilustr. [COBISS.SI-ID 250944512]

Bookjacket designer

332. SKALE, Vlado (composer, performer). Avantgelij. Ljubljana: KUD France Prešeren, 2007. 1 CD (54 min, 21 sek), stereo.


Photographer

333. BRAJNOVIĆ, Tomislav (editor), MUSTAPIĆ, Nadija (editor), PURG, Peter (editor), SMREKAR, Tina (editor). ADRIART :

regional collaborations in the media arts and practices : MAP, master programme : opinions, impressions, works, facts.

1st. ed. Rijeka: Academy of Applied Arts; Nova Gorica: School of Arts, 2014. 144 str., ilustr. ISBN 978-953-7684-02-0.

http://issuu.com/zaumetnost/docs/adriart_design_publication_a5_book_/2?e=7384083%2F10222336. [COBISS.SI-ID

3657979]

334. BRIC, Angela, PURNAT, Milena (author of introduction, etc., editor), TEVŽ, Peter (editor, author of introduction,

etc.). Tetine pesmi. Šmartno ob Dreti: P. Tevž, 2010. 68 str., ilustr. [COBISS.SI-ID 250944512]

335. BENČIĆ, Emil (artist), BARIČEVIĆ, Marina (author, editor). Od znatiželje do iskustva = From curiosity to experience.

[Zagreb]: ULUPUH, 2009. 168 str., ilustr. ISBN 978-953-6898-49-7, ISBN 953-6898-49-7. [COBISS.SI-ID 512277315]

336. KORENC-LAFER, Jeanette. Z refleksoterapijo do boljšega zdravja. 1. izd. Ljubljana: Studio 37, 2009. 63 str., ilustr.

ISBN 978-961-269-166-0. [COBISS.SI-ID 248345088]

337. SKODLAR, Janko (author, photographer), TEŠAR, Nataša (author, editor), KERŠMANC, Vinko, VEHAR, Mitja. Po korakih

do Športnega parka Bevke : [zbornik]. Bevke: Krajevna skupnost, 2008. 64 str., ilustr. [COBISS.SI-ID 241174784]

338. SKALE, Vlado (composer, performer). Avantgelij. Ljubljana: KUD France Prešeren, 2007. 1 CD (54 min, 21 sek), stereo.


339. Buluşma Noktasi [Meeting Point] : Gülpinar. Istanbul: Diyalog-Der, 2007. [48] str., ilustr. [COBISS.SI-ID 290228224]

340. DOBOVŠEK, Marjan Miro (editor). Fotogrupa ŠOLT Ljubljana. Ljubljana: Fotogrupa ŠOLT: Zveza ŠOLT, 1986. [21] str.,

ilustr. [COBISS.SI-ID 2642542]

Exhibitor

341. Bezvremenost : fotografska izložba članova CVU Batana, Rovinj, 6.-30. prosinca 2019, Gradska Galerija i knjižnica

Valpovo. Valpovo: Fotoklub Valpovo, 2019. 1 zgibanka ([8] str.), ilustr. [COBISS.SI-ID 303712512]

342. SUDEC, Kruno (photographer), BANČIĆ, Ermano (editor), BENČIĆ, Lavoslava (editor, exhibitor). Tišina i nada = Silenzio

e speranza : Photo Art Gallery Batana Rovinj - Rovigno, 2.-24. 11. 2019 : samostalna izložba fotografija = mostra

fotografica personale. Rovinj: Centar vizualnih umjetnosti „Batana“; = Rovigno: Centro arti visive „Batana“, 2019. [12]


343. SIRCOVA, Anna (artist). Fotografkinje izvan domovine : Muzej grada Rijeke, 6. 9.-7. 10. 2018. http://www.muzej-rijeka.hr/.






345. Brezčasje : Fotografski muzej Maribor, 9. marec - 2. april 2017. Maribor: Fotoklub, 2017. 1 zgibanka ([6] str.), ilustr.










348. SELIMOVIĆ, Živana (artist), HRASTOVČAK, Darko (editor). Paralele : izložba fotografija Živane Selimović : Galerija

Placa, Sv. Lovreč. Sv. Lovreč: Klub amaterske fotografije, 2017. [4] str., ilustr. [COBISS.SI-ID 291340800]

349. SELIMOVIĆ, Živana (artist). Paralele : izložba fotografija Živane Selimović : otvaranje izložbe 30.09.2017 u 18:00,

BZK „Preporod“, Gradačac. Gradačac: BZK „Preporod“, 2017. [4] str., ilustr. [COBISS.SI-ID 293477888]





: Photo Art Gallery „Batana“ Rovinj-Rovigno, 30. 11.-20. 12. 2016. [COBISS.SI-ID 288904704]

352. ĆURČIĆ, Maria (artist). Rovinj full of art : samostalna izložba fotografija = mostra fotografica personale : Photo Art

Gallery „Batana“ Rovinj-Rovigno, 23. 12. 2016-22. 1. 2017. [COBISS.SI-ID 288904960]

353. Ulica = La strada : kolektivna izložba fotografija = mostra fotografica collettiva : Photo Art Gallery „Batana“ Rovinj-Rovigno,

7.-30. 10. 2016. [COBISS.SI-ID 288904192]

Other


: Photo Art Gallery „Batana“ Rovinj-Rovigno, 30. 11.-20. 12. 2016. [COBISS.SI-ID 288904704]

355. BENČIĆ, Lavoslava. MP3ggerS : labbook : naredi sam (DIY) : raziskovalec 2. Novo mesto: LokalPatriot, 2022. Labbook

kons, knjižica 3. ISBN 978-961-92137-3-5. [COBISS.SI-ID 102582787]

356. BENČIĆ, Lavoslava. Wormholetopia. La cura. http://la-cura.it/u-topia/parole/wormholetopia-%E2%80%8Eplural-wormholetopias/.


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Awards and recognitions

2021 The Fifth Biennial of Fine Art Nude “Marko Krstov Gregović”, Petrovac (MNG), recognition of excellence, for the MUSE3 generative graphic,

2019 Festival Media Mediteranea 21, Pula (HR), Comunication Noise competition, 1 st prize for glitch art,

2015 20 th Futureeverything Festival, Manchester, (UK), recognition in the Europeana Design Creative Challenge for the project Digital Story Cubes,

2015 10 th International Conference on The Arts in Society, Imperial College, London (UK), Graduate Scholar Award for the project (FETI),

2015 Brumen 7, Ljubljana (SLO), recognition of excellence, for the collection Žepna Slovenščina,

2015 Senate of the University of Nova Gorica, Nova Gorica (SLO), Alumnus optimus for the best academic success,

2011 Gozd, Dol pri Ljubljani (SLO), recognition for photography,

2011 Pogled na gozd, Mestna knjižnica Ljubljana (SLO), competitive selection for photography,

2006 Inova 2006, Zagreb (HR), recognition for Urban-Planning Game,

2006 National Geographic Slovenia, competitive selection for photography,

2005 Eureka 2005, Ljubljana (SLO), golden plaque for Urban-planning Game,

2005 Poletite z idejo, 2005, Ljubljana (SLO), recognition for Urban-Planning Game,

2003 ZTK Ideja 2003, second prize for photography,

1985 Mladost ‘85, Svetozarevo (SRB), first prize for a collection of slides,

1983 Grisia ‘83, Rovinj (HR), diploma for a collection of photographs.

Professional titles

self-employed in culture (intermedia art)

Habilitated higher education lecturer in the field of multimedia production (2017)

Mentor for students for practical training (2013)

Activities

Member of the ČIPke Initiative, Ljubljana (Slo), 2014-

Member of Europeana, Amsterdam, (NL), 2014-

Member of The Arts in Society Knowledge Community, Champaign, IL (ZDA), 2014-

Member of the association Hrvatsko udruženje interdisciplinarnih umjetnika HUIU, Pula (HR), 2018-

Member of the association ZDSLU (DLUL), Ljubljana (Slo), 2018-

Member of the expert council of the Batana Gallery, CVU Batana, Rovinj (HR), 2015-

ADA Artist, Archive of digital arts, Danube University, Krems, (A), 2015-

Lecturer at the Institute and Academy of Multimedia, Ljubljana (Slo), 2016-

Visiting lecturer at the UNG Academy of Arts, Nova Gorica (Slo), 2017-

Contacts

Benčić Lavoslava

Topniška ulica 70

1000 Ljubljana

Slovenia

lavoslava.bencic@gmail.com

Networking

https://www.facebook.com/lavoslava

https://issuu.com/lavoslava

https://vimeo.com/lavoslava

https://si.linkedin.com/in/lavoslava-benčić-19061327

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Lavoslava Benčić, 2023

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Portfolio Lavoslava Benčić 2013-2023

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