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Open Wounds by Douglas Skelton sampler

Davie McCall is tired. Tired of violence, tired of the Life. He's always managed to stay detached from the brutal nature of his line of work, but recently he has caught himself enjoying it. In the final instalment in the Davie McCall series old friends clash and long buried secrets are unearthed as McCall investigates a brutal five-year-old crime. Davie wants out, but the underbelly of Glasgow is all he has ever known. Will what he learns about his old ally Big Rab McClymont be enough to get him out of the Life? And could the mysterious woman who just moved in upstairs be just what he needs?

Davie McCall is tired. Tired of violence, tired of the Life. He's always managed to stay detached from the brutal nature of his line of work, but recently he has caught himself enjoying it.

In the final instalment in the Davie McCall series old friends clash and long buried secrets are unearthed as McCall investigates a brutal five-year-old crime.

Davie wants out, but the underbelly of Glasgow is all he has ever known. Will what he learns about his old ally Big Rab McClymont be enough to get him out of the Life? And could the mysterious woman who just moved in upstairs be just what he needs?

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8 douglas skelton<br />

with her empty pram, the constant monologue that only she<br />

understood, and the pink carpet slippers on her feet. They had<br />

once been fluffy but were now worn through; they were coming<br />

apart at the seams and her toes poked out from the front, but she<br />

scuffed along the pavement, talking to the empty pram and not<br />

noticing anything that was going on around her.<br />

Until she saw the man in the car.<br />

Approaching from the rear, first she saw a dog sitting up in the<br />

back seat, but as she drew level she noticed the two men inside.<br />

The driver was young; a baseball cap perched on top of his head,<br />

his scalp cropped to the wood at the sides, the first wisps of a<br />

moustache tickling his upper lip and a fag dangling from the side<br />

of his mouth, jerking up and down as he spoke.<br />

But it was the other one who caught Jinty’s attention. He was<br />

nearing forty, his dark hair greying at the sides and also cut short,<br />

but not cropped. His face handsome, but not like a pretty boy. A<br />

thin scar ran down one cheek. And his eyes were blue like the sky,<br />

but sad and cold. Jinty knew this man, knew what he was. And as<br />

he turned those cold, sad blue eyes on her, she felt the air chill and<br />

she was afraid. So she pushed her pram faster to get <strong>by</strong>, to get<br />

away from that man, that car and that street. She wanted no part<br />

of what was going to happen here.<br />

The man saw her scurry past as fast as her footwear would<br />

allow, then dart a look at him through the windscreen before<br />

ducking down to reassure her non-existent child. He knew she’d<br />

recognised him, feared him, but he was used to that. It was nothing<br />

unusual.<br />

The windows of the blue Rover were cranked open all the way<br />

to prevent the interior turning into a furnace, but it was an exercise<br />

in futility. He fanned himself with a copy of The Sun while beside<br />

him, the boy talked. There was nothing unusual in that either. Like<br />

many a Glasgow ned, Jimsie was garrulous. The man didn’t mind<br />

the chatter. It reminded him of old friends, long gone.<br />

‘I was watching this programme the other night on the telly, a<br />

documentary. I watch a lot of documentaries, me. They’re a lot<br />

better than most of the other shite that’s on, eh, McCall?’

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