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Open Wounds by Douglas Skelton sampler

Davie McCall is tired. Tired of violence, tired of the Life. He's always managed to stay detached from the brutal nature of his line of work, but recently he has caught himself enjoying it. In the final instalment in the Davie McCall series old friends clash and long buried secrets are unearthed as McCall investigates a brutal five-year-old crime. Davie wants out, but the underbelly of Glasgow is all he has ever known. Will what he learns about his old ally Big Rab McClymont be enough to get him out of the Life? And could the mysterious woman who just moved in upstairs be just what he needs?

Davie McCall is tired. Tired of violence, tired of the Life. He's always managed to stay detached from the brutal nature of his line of work, but recently he has caught himself enjoying it.

In the final instalment in the Davie McCall series old friends clash and long buried secrets are unearthed as McCall investigates a brutal five-year-old crime.

Davie wants out, but the underbelly of Glasgow is all he has ever known. Will what he learns about his old ally Big Rab McClymont be enough to get him out of the Life? And could the mysterious woman who just moved in upstairs be just what he needs?

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10 douglas skelton<br />

McCall twisted in his seat to look at the boy, his face a question<br />

mark.<br />

‘No, look – we are!’ Jimsie insisted. ‘Okay, we’re no going deaf<br />

– no matter what some us might hope for – but we spend a helluva<br />

lot of time hanging around waiting for something to turn up. I<br />

mean, look at us now. What’ve we been sitting here for… what?<br />

An hour? Just waiting for this geezer to show up. So, see, he’s the<br />

seal and we’re the eskimos and that closemouth over there, that’s<br />

the hole in the ice and we’re just…’<br />

Jimsie stopped talking and tensed. McCall didn’t need to look<br />

towards the opposite kerb to know that their wait was over. A<br />

black Audi had pulled up at the opening to the tenement. Standing<br />

beside it locking the door was a balding man wearing an expensive<br />

dark suit and carrying a briefcase.<br />

‘Looks like grub’s up, Nanook,’ said McCall.<br />

They waited until the man disappeared into the gloom of the<br />

tenement mouth before Jimsie reached down to spring the boot<br />

lock and they both climbed out of the car. The young man walked<br />

to the rear as McCall hefted a pair of long-handled bolt cutters<br />

from the well of the driving seat, then glanced over the headrest at<br />

the dog, who was standing on the seat expectantly.<br />

‘Stay, Arrow,’ he said and the dog sat back down obediently.<br />

He was used to this. The windows would remain open, of course,<br />

and any little scroat with larceny in mind would have to deal with<br />

the dog. McCall thrust the bolt cutters into the folds of his long<br />

lightweight coat and waited for Jimsie, who slammed the boot<br />

closed and joined him, both hands in his pockets now, the folds of<br />

his own coat pulled tightly to his body as if he was cold. He<br />

crossed the road before McCall could say anything. McCall’s eyes<br />

narrowed as if he was squinting against the sun. Something wasn’t<br />

right here.<br />

They paused in the shadow of the tenement opening to pull<br />

thick woolen ski masks over their heads. The flat they wanted was<br />

on the ground floor and Jimsie had already pressed the bell before<br />

McCall caught up with him, his gaze flitting over the young man.<br />

He was hiding something and McCall’s instinct told him it wasn’t

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