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Mack Wilberg Secular Choral Sampler

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<strong>Mack</strong> <strong>Wilberg</strong><br />

<strong>Secular</strong> <strong>Choral</strong><br />

<strong>Sampler</strong><br />

April 2023


<strong>Mack</strong> <strong>Wilberg</strong> <strong>Secular</strong> <strong>Choral</strong><br />

<strong>Sampler</strong><br />

<strong>Mack</strong> <strong>Wilberg</strong> was appointed Music Director of The Tabernacle Choir in 2008, having<br />

served as Associate Music Director since 1999. He is a former professor of music at<br />

Brigham Young University, where he received his bachelor's degree; his master's and<br />

doctoral degrees are from the University of Southern California. Alongside <strong>Wilberg</strong>'s<br />

conducting responsibilities he is active as a pianist, choral clinician, composer, arranger,<br />

and guest conductor throughout the United States and abroad. In addition to the many<br />

compositions he has written for The Tabernacle Choir, his works have been<br />

performed by artists such as Renée Fleming, Frederica von Stade, Bryn Terfel, Rolando<br />

Villazón, Deborah Voigt, and The King's Singers. <strong>Wilberg</strong>'s arrangements and<br />

compositions are performed and recorded all over the world.<br />

Contents<br />

Ah, El novio no quere dinero! SATB & percussion more info 1<br />

America, the beautiful SATB & organ/orchestra more info 17<br />

Come Let us Anew SATB & piano/orchestra more info 30<br />

Dances of Life No. 1 Wonder more info 40<br />

Dances of Life No.2 Here I<br />

Stand<br />

Dances of Life No.3 If Clar<br />

Sound<br />

Shenandoah Sa SSAA & piano 4-<br />

hands/orchestra<br />

more info 54<br />

more info 70<br />

more info 85


Suo – Gan<br />

SATB & piano/chamber<br />

orch<br />

more info 97<br />

Cantus in Harmonia<br />

SATB, piano 4-hands,<br />

percussion<br />

more info 104<br />

The Morning Trumpet SATB unaccompanied more info 123


4<br />

SATB choir and percussion<br />

oxford secular music<br />

1


Performance Notes<br />

1. ¡Ah, el novio no quere dinero! is in Ladino, a Romance language that originated from<br />

medieval Castilian Spanish and Hebrew. Written in modified Hebrew letters, Ladino has a<br />

relationship to Castilian Spanish that is similar to the relationship between Yiddish and<br />

German. It is also known as the Spanish dialect of the Sephardic Jews living in Mediterranean<br />

countries.<br />

online perusal only<br />

2. All percussion parts are repetitious and can be easily performed and memorized by choir<br />

members.<br />

3. Clapping should be to the left side of the body with hands completely perpendicular, the<br />

right hand clapping into the left hand (see illustration).<br />

Photo courtesy of the Mormon Tabernacle Choir<br />

4. Suggested instruments for percussion:<br />

High drum - Tambourim (a small hand drum similar to a tambourine but without jingles)<br />

- is held in the left hand so that the middle finger may be used to press into the middle of<br />

the head to alter the pitch and resonance in an improvised pattern. The drum is played<br />

using a thin (timbale) stick in the right hand. If the written pattern is too difficult it may<br />

be simplified as indicated.<br />

Middle drum - Doumbek - held under the left arm and supported by the left hand with<br />

the fingers extended onto the head. Notes marked “o” played with a thumb “slap” producing<br />

an open tone. Notes marked “+” played with fingers of either hand producing a muffled<br />

sound.<br />

Low drum - Surdo (or large tom-tom) - played with a padded stick (similar to a timpani) in<br />

the right hand and using the left hand to muffle the head. Notes marked “o” should be<br />

an open (unmuffled) sound. Notes marked “+” should be played with the left hand being<br />

used to muffle the head.<br />

2


Translation<br />

Oh, the bridegroom wants no money,<br />

he wants only his bride of good fortune.<br />

I have come to wish them joy and prosperity<br />

And all manner of good things.<br />

online perusal only<br />

Oh, the bridegroom wants no ducats,<br />

he wants only a bride of good luck.<br />

I have come to wish them joy and prosperity<br />

And all manner of good things.<br />

Oh, the bridegroom wants no bracelets,<br />

he wants only a bride with a happy face.<br />

I have come to wish them joy and prosperity<br />

and all manner of good things.<br />

Oh, now the bridegroom wants money,<br />

And also his bride of good fortune.<br />

I have come to wish them joy and prosperity<br />

And all manner of good things.<br />

Cover image courtesy of United States Holocaust Memorial Museum, gift of Mary Beraha Rouben<br />

3


for the Brigham Young University Concert Choir<br />

¡Ah, el novio no quere dinero!<br />

Words and Melody: 15th-cent. Sephardic<br />

arr. MACK WILBERG<br />

SOPRANO<br />

ALTO<br />

Very rhythmic and articulated q = c.92<br />

<br />

<br />

<br />

online perusal only<br />

TENOR<br />

BASS<br />

TRIANGLE<br />

TAMBOURINE<br />

HIGH DRUM<br />

MIDDLE DRUM<br />

LOW DRUM<br />

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6<br />

BARITONE (or TENOR) SOLO<br />

TUTTI VOICES ON REPEAT<br />

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* Rhythmic pattern may be modified to the following: jq e jq <br />

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Copyright © 2007, Oxford University Press, Inc.200. Assigned to Oxford University Press 2010<br />

Printed in the UK<br />

4<br />

Photocopying this copyright material is ILLEGAL.


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Tr.<br />

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H.D.<br />

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H.D.<br />

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9


10<br />

S.T.<br />

A.B.<br />

Tr.<br />

Tb.<br />

H.D.<br />

51<br />

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- <br />

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ro! ¡Ah, el no- vio no que-re<br />

di-<br />

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bue -<br />

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online perusal only<br />

M.D.<br />

L.D.<br />

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S.T.<br />

A.B.<br />

Tr.<br />

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H.D.<br />

M.D.<br />

L.D.<br />

55<br />

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Yo ven -go<br />

a ver Que go -zen<br />

y lo - gren Yten-gan<br />

mun-cho<br />

bien.<br />

<br />

<br />

<br />

- <br />

<br />

<br />

<br />

<br />

no. Yo ven-go<br />

a ver Que go - zen y lo-gren<br />

ten-gan<br />

mun-cho<br />

bien.<br />

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59<br />

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4<br />

SATB choir and organ<br />

<strong>Mack</strong> <strong>Wilberg</strong><br />

America the<br />

Beautiful<br />

oxford secular music<br />

17


for the Mormon Tabernacle Choir,<br />

Craig Jessop, Conductor<br />

America the Beautiful<br />

For Mixed Chorus (SATB) and Organ*<br />

Katherine Lee Bates<br />

Samuel A. Ward;<br />

<strong>Mack</strong> <strong>Wilberg</strong>, arr.<br />

online perusal only<br />

Soprano<br />

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With breadth, but not too slow ($ = c. 92-100)<br />

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! YY 4 S Q Q Q Q<br />

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*A full score and set of parts for an orchestral arrangement (3/picc.2.2.2-4.3.3.1-timp.2perc-hp.str and optional organ)<br />

or for brass ensemble (4.4.3.1-timp.2perc-org) are available on rental from the Publisher.<br />

© Oxford University Press, Inc. 2005. Assigned to Oxford 18University<br />

Press 2010.<br />

Printed in U.S.A.


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4<br />

SATB choir, piano four-hands, and optional percussion<br />

<strong>Mack</strong> <strong>Wilberg</strong><br />

Dances to Life<br />

1. Wonder<br />

oxford secular music<br />

40


Performance Notes<br />

DANCES TO LIFE reflects the seasons of life. As the text and music take on the character of life’s varied experiences, the<br />

character of the performance should be similarly varied. While the percussion parts are optional, they will add color<br />

and texture to the pieces. The piano four-hand accompaniment should be played with orchestral color and ample pedal<br />

as indicated in the score. Percussion parts are included in the back and may be enlarged on a photocopier to facilitate<br />

performance.<br />

online perusal only<br />

Dances to Life<br />

by <strong>Mack</strong> <strong>Wilberg</strong><br />

1. Wonder<br />

For SATB choir, piano four-hands, glockenspiel, vibraphone, and triangle / bass drum<br />

Text by David Warner<br />

9780193869394<br />

2. Here I stand<br />

For SATB choir, piano four-hands, chimes, vibraphone, suspended cymbal<br />

Text by David Warner<br />

9780193869493<br />

3. If clarions sound<br />

For SATB choir, piano four-hands, glockenspiel, vibraphone, bass drum<br />

Text by David Warner<br />

9780193869509<br />

A full score and set of parts for orchestral accompaniment (3.2.2.2 - 4.3.3.1 - timp. - 3 perc. - str. - org. (optional)) of movement 3<br />

are available on rental from the publisher.<br />

41


David Warner<br />

Commissioned by the Endowment Fund of the American <strong>Choral</strong> Directors Association<br />

in memory of Raymond W. Brock, who served as the American <strong>Choral</strong> Directors<br />

Association’s Director of Development, and Administrative Assistant.<br />

Dances to Life<br />

1. Wonder<br />

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Printed in the USA<br />

Photocopying this copyright material is ILLEGAL.<br />

42


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53


2<br />

SATB choir, piano four-hands, and optional percussion<br />

<strong>Mack</strong> <strong>Wilberg</strong><br />

Dances to Life<br />

2. Here I stand<br />

oxford secular music<br />

54


online perusal only<br />

55


online perusal only<br />

© Oxford University Press, Inc. 2007. Assigned to Oxford University Press 2010.<br />

OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD, OX2 6DP<br />

Photocopying this copyright material is ILLEGAL.<br />

56


online perusal only<br />

57


online perusal only<br />

58


online perusal only<br />

59


online perusal only<br />

60


online perusal only<br />

61


online perusal only<br />

62


online perusal only<br />

63


online perusal only<br />

64


online perusal only<br />

65


online perusal only<br />

66


online perusal only<br />

67


online perusal only<br />

68


online perusal only<br />

69


2<br />

SATB choir, piano four-hands, and optional percussion<br />

<strong>Mack</strong> <strong>Wilberg</strong><br />

Dances to Life<br />

3. If clarions sound<br />

oxford secular music<br />

70


online perusal only<br />

71


online perusal only<br />

© Oxford University Press, Inc. 2007. Assigned to Oxford University Press 2010.<br />

OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD, OX2 6DP<br />

Photocopying this copyright material is ILLEGAL.<br />

72


online perusal only<br />

73


online perusal only<br />

74


online perusal only<br />

75


online perusal only<br />

76


online perusal only<br />

77


online perusal only<br />

78


online perusal only<br />

79


online perusal only<br />

80


online perusal only<br />

81


online perusal only<br />

82


online perusal only<br />

83


online perusal only<br />

84


for The Mormon Tabernacle Choir<br />

This arrangement written for the 2008 Crossroads Children’s Chorus Festival,<br />

Nashville, Tennessee; Martha Wright, Founder/Artistic Director<br />

Shenandoah<br />

Traditional American Folksong<br />

arr. MACK WILBERG<br />

online perusal only<br />

Flowing, with expression q = 92<br />

<br />

SOPRANO <br />

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ALTO<br />

PRIMO<br />

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PIANO<br />

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An accompaniment for orchestra (3fl (III+picc.), 2ob, 2cl, 2bn, 4hn, 3tbn, tba, hp, str) is available on hire/rental from<br />

the publisher or appropriate agent.<br />

A version of this arrangement scored for SATB and piano four-hands (or orchestra) is also available for purchase<br />

(ISBN 978-0-19-386820-5). The orchestral arrangement has been recorded by the Mormon Tabernacle Choir and the<br />

Orchestra at Temple Square on the CD Spirit of America (SKU 4600686).<br />

© Oxford University Press, Inc. 2005 and 2011. Assigned to Oxford University Press 2010. All rights reserved. Printed in USA<br />

OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />

The Moral Rights of the Arranger have been asserted. Photocopying this copyright material is ILLEGAL.<br />

85


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4<br />

SATB choir, piano four-hands, and percussion<br />

<strong>Mack</strong> <strong>Wilberg</strong><br />

Cantus in Harmonia<br />

(to St. Cecilia)<br />

oxford sacred music<br />

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123


for the Brigham Young University Men’s Chorus<br />

The Morning Trumpet<br />

For Unaccompanied Lower Voices (TTBB)<br />

online perusal only<br />

John Leland (1754-1841)<br />

B.F. White (1800-1879)*;<br />

<strong>Mack</strong> <strong>Wilberg</strong>, arr.<br />

Tenor 1 2<br />

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With marked rhythm and articulation ($ = c. 76)<br />

,<br />

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O when shall I see Je - sus and reign with him a - bove, And shall<br />

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hear** the trum - pet sound in that morn - ing; And from the flow - ing<br />

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foun - tain drink ev - er-last - ing love, And shall hear the trum-pet sound in that<br />

# > Y<br />

C C Ċ Ċ C> O<br />

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morn - ing. O shout with glo - ry! I shall mount a-bove the<br />

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*From The Sacred Harp (1844).<br />

**The h of “hear” should be given emphasis throughout.<br />

© Oxford University Press, Inc. 2005. Assigned to Oxford 124 University Press 2010.<br />

Printed in U.S.A.


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