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<strong>Mack</strong> <strong>Wilberg</strong><br />
<strong>Secular</strong> <strong>Choral</strong><br />
<strong>Sampler</strong><br />
April 2023
<strong>Mack</strong> <strong>Wilberg</strong> <strong>Secular</strong> <strong>Choral</strong><br />
<strong>Sampler</strong><br />
<strong>Mack</strong> <strong>Wilberg</strong> was appointed Music Director of The Tabernacle Choir in 2008, having<br />
served as Associate Music Director since 1999. He is a former professor of music at<br />
Brigham Young University, where he received his bachelor's degree; his master's and<br />
doctoral degrees are from the University of Southern California. Alongside <strong>Wilberg</strong>'s<br />
conducting responsibilities he is active as a pianist, choral clinician, composer, arranger,<br />
and guest conductor throughout the United States and abroad. In addition to the many<br />
compositions he has written for The Tabernacle Choir, his works have been<br />
performed by artists such as Renée Fleming, Frederica von Stade, Bryn Terfel, Rolando<br />
Villazón, Deborah Voigt, and The King's Singers. <strong>Wilberg</strong>'s arrangements and<br />
compositions are performed and recorded all over the world.<br />
Contents<br />
Ah, El novio no quere dinero! SATB & percussion more info 1<br />
America, the beautiful SATB & organ/orchestra more info 17<br />
Come Let us Anew SATB & piano/orchestra more info 30<br />
Dances of Life No. 1 Wonder more info 40<br />
Dances of Life No.2 Here I<br />
Stand<br />
Dances of Life No.3 If Clar<br />
Sound<br />
Shenandoah Sa SSAA & piano 4-<br />
hands/orchestra<br />
more info 54<br />
more info 70<br />
more info 85
Suo – Gan<br />
SATB & piano/chamber<br />
orch<br />
more info 97<br />
Cantus in Harmonia<br />
SATB, piano 4-hands,<br />
percussion<br />
more info 104<br />
The Morning Trumpet SATB unaccompanied more info 123
4<br />
SATB choir and percussion<br />
oxford secular music<br />
1
Performance Notes<br />
1. ¡Ah, el novio no quere dinero! is in Ladino, a Romance language that originated from<br />
medieval Castilian Spanish and Hebrew. Written in modified Hebrew letters, Ladino has a<br />
relationship to Castilian Spanish that is similar to the relationship between Yiddish and<br />
German. It is also known as the Spanish dialect of the Sephardic Jews living in Mediterranean<br />
countries.<br />
online perusal only<br />
2. All percussion parts are repetitious and can be easily performed and memorized by choir<br />
members.<br />
3. Clapping should be to the left side of the body with hands completely perpendicular, the<br />
right hand clapping into the left hand (see illustration).<br />
Photo courtesy of the Mormon Tabernacle Choir<br />
4. Suggested instruments for percussion:<br />
High drum - Tambourim (a small hand drum similar to a tambourine but without jingles)<br />
- is held in the left hand so that the middle finger may be used to press into the middle of<br />
the head to alter the pitch and resonance in an improvised pattern. The drum is played<br />
using a thin (timbale) stick in the right hand. If the written pattern is too difficult it may<br />
be simplified as indicated.<br />
Middle drum - Doumbek - held under the left arm and supported by the left hand with<br />
the fingers extended onto the head. Notes marked “o” played with a thumb “slap” producing<br />
an open tone. Notes marked “+” played with fingers of either hand producing a muffled<br />
sound.<br />
Low drum - Surdo (or large tom-tom) - played with a padded stick (similar to a timpani) in<br />
the right hand and using the left hand to muffle the head. Notes marked “o” should be<br />
an open (unmuffled) sound. Notes marked “+” should be played with the left hand being<br />
used to muffle the head.<br />
2
Translation<br />
Oh, the bridegroom wants no money,<br />
he wants only his bride of good fortune.<br />
I have come to wish them joy and prosperity<br />
And all manner of good things.<br />
online perusal only<br />
Oh, the bridegroom wants no ducats,<br />
he wants only a bride of good luck.<br />
I have come to wish them joy and prosperity<br />
And all manner of good things.<br />
Oh, the bridegroom wants no bracelets,<br />
he wants only a bride with a happy face.<br />
I have come to wish them joy and prosperity<br />
and all manner of good things.<br />
Oh, now the bridegroom wants money,<br />
And also his bride of good fortune.<br />
I have come to wish them joy and prosperity<br />
And all manner of good things.<br />
Cover image courtesy of United States Holocaust Memorial Museum, gift of Mary Beraha Rouben<br />
3
for the Brigham Young University Concert Choir<br />
¡Ah, el novio no quere dinero!<br />
Words and Melody: 15th-cent. Sephardic<br />
arr. MACK WILBERG<br />
SOPRANO<br />
ALTO<br />
Very rhythmic and articulated q = c.92<br />
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online perusal only<br />
TENOR<br />
BASS<br />
TRIANGLE<br />
TAMBOURINE<br />
HIGH DRUM<br />
MIDDLE DRUM<br />
LOW DRUM<br />
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Very rhythmic and articulated q = c.92<br />
f<br />
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*<br />
simile<br />
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f<br />
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Tr.<br />
Tb.<br />
H.D.<br />
6<br />
BARITONE (or TENOR) SOLO<br />
TUTTI VOICES ON REPEAT<br />
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¡Ah, elno - vio no que-re<br />
di-<br />
ne -<br />
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**<br />
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M.D.<br />
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simile <br />
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* Rhythmic pattern may be modified to the following: jq e jq <br />
** First time play jjq, second time play jjjq<br />
mf<br />
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Copyright © 2007, Oxford University Press, Inc.200. Assigned to Oxford University Press 2010<br />
Printed in the UK<br />
4<br />
Photocopying this copyright material is ILLEGAL.
H.D.<br />
11<br />
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ro!<br />
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¡Ah, el<br />
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que-re<br />
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ten<br />
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-no.<br />
Yo ven<br />
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Que go -zen<br />
y lo<br />
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Tr.<br />
Tb.<br />
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mp <br />
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H.D.<br />
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*<br />
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M.D.<br />
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* Rhythmic pattern may be modified to the following: jq e 5 jq e
6<br />
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mf<br />
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Tr.<br />
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H.D.<br />
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¡Ah, el no - vio no que -re<br />
du-<br />
ca - dos! ¡Ah, el no - vio no que -re<br />
du-<br />
ca<br />
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claps<br />
T. <br />
mp<br />
B.<br />
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¡Ah, el no-vio<br />
no que - re du - ca - dos! ¡Ah, el no-vio<br />
no que<br />
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claps<br />
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M.D.<br />
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-dos!<br />
Que-re a lano-via<br />
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A. <br />
T. <br />
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via de ma-zal<br />
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a ver Que go - zen y<br />
B. <br />
M.D.<br />
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27<br />
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lo - gren Y ten-gan<br />
mun-cho<br />
bien.<br />
¡Ah, el no-vio<br />
no que - re di - ne-<br />
f<br />
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A. <br />
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¡Ah, el no -vio<br />
no que-re<br />
di-<br />
ne -<br />
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T. <br />
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f<br />
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lo - gren ten - gan mun - cho bien.<br />
¡Ah, el no-vio<br />
no que - re di - ne-<br />
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B. <br />
f <br />
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¡Ah,el no -vio<br />
no que-re<br />
di-<br />
ne -<br />
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mp <br />
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Tr.<br />
Tb.<br />
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7<br />
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*S.T.<br />
*A.B.<br />
Tr.<br />
Tb.<br />
H.D.<br />
M.D.<br />
L.D.<br />
31<br />
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ro! ¡Ah, el no-vio<br />
no que - re di - ne - ro! Que-re a la no - via de ma-zal<br />
bue-<br />
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ro! ¡Ah, el no - vio no que -re<br />
di-<br />
ne - ro! Que-re a la no - via de ma-zal<br />
bue -<br />
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* Should continue to sing in octaves.<br />
7
8<br />
S.T.<br />
A.B.<br />
Tr.<br />
Tb.<br />
H.D.<br />
35<br />
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no. Yo ven-go<br />
a ver Que go - zen y lo-<br />
gren ten -gan<br />
mun-cho<br />
bien.<br />
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-no.<br />
Yo ven - go a ver Que go -zen<br />
y lo - gren Y ten-gan<br />
mun-cho<br />
bien.<br />
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Tr.<br />
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H.D.<br />
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claps<br />
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¡Ah, el no - vio no que -re<br />
ma-ni<br />
- llas! ¡Ah, el no - vio no que -re<br />
ma-ni<br />
-<br />
<br />
claps<br />
B.<br />
mp<br />
mf<br />
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¡Ah, el no-vio<br />
no que - re ma - ni - llas! ¡Ah, el no-vio<br />
no que<br />
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- re ma<br />
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- ni -<br />
M.D.<br />
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-llas!<br />
Que-re a la no - via ca-ra<br />
de a-leg<br />
-ri<br />
- a. Yo ven - go a ver Que go - zen y<br />
T. <br />
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B.<br />
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-llas!<br />
Que-re a la no - via ca - ra a-leg<br />
-ri<br />
- a. Yo ven - go a ver Que go - zen y<br />
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M.D.<br />
9<br />
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47<br />
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Tr.<br />
Tb.<br />
H.D.<br />
M.D.<br />
L.D.<br />
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lo - gren<br />
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lo - gren<br />
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Y ten-gan<br />
mun-cho<br />
bien.<br />
ten<br />
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- gan mun - cho bien.<br />
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mp<br />
mf<br />
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¡Ah,<br />
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¡Ah,<br />
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¡Ah,<br />
mf<br />
mf<br />
f<br />
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el no- vio no que-re<br />
di-<br />
ne -<br />
f<br />
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el no-vio<br />
no que - re di - ne -<br />
f<br />
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el no- vio no que-re<br />
di-<br />
ne -<br />
f <br />
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¡Ah, el no-vio<br />
no<br />
que<br />
- re di<br />
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mf<br />
-<br />
ne -<br />
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9
10<br />
S.T.<br />
A.B.<br />
Tr.<br />
Tb.<br />
H.D.<br />
51<br />
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- <br />
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ro! ¡Ah, el no- vio no que-re<br />
di-<br />
ne - ro! Que-re a la no - via de ma-zal<br />
bue -<br />
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- <br />
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ro! ¡Ah, el no-vio<br />
no que - re di - ne - ro! Que-re a la no - via de ma-zal<br />
bue-<br />
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online perusal only<br />
M.D.<br />
L.D.<br />
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S.T.<br />
A.B.<br />
Tr.<br />
Tb.<br />
H.D.<br />
M.D.<br />
L.D.<br />
55<br />
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-no.<br />
Yo ven -go<br />
a ver Que go -zen<br />
y lo - gren Yten-gan<br />
mun-cho<br />
bien.<br />
<br />
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- <br />
<br />
<br />
<br />
<br />
no. Yo ven-go<br />
a ver Que go - zen y lo-gren<br />
ten-gan<br />
mun-cho<br />
bien.<br />
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mp <br />
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10
59<br />
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mf <br />
S.<br />
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que<br />
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A.<br />
f <br />
-<br />
re<br />
di<br />
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- ne<br />
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- ro!<br />
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que<br />
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-re<br />
di<br />
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- ne<br />
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-<br />
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¡Ay, el no - vio ya que-re<br />
di - ne - ro! ¡Ay, el no - vio ya que-re<br />
di-<br />
ne -<br />
<br />
mf<br />
<br />
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<br />
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* Any configuration of voices may clap at this point (i.e. everyone; only the front two rows; only the back two rows, etc.).<br />
11
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67<br />
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S.B.<br />
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Tr.<br />
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H.D.<br />
71<br />
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H.D.<br />
75<br />
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14<br />
S.B.<br />
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S.T.<br />
A.B.<br />
Tr.<br />
Tb.<br />
H.D.<br />
M.D.<br />
L.D.<br />
82<br />
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86<br />
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S.T. <br />
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Tr.<br />
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16<br />
S.T.<br />
A.B.<br />
Tr.<br />
Tb.<br />
H.D.<br />
93<br />
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online perusal only<br />
M.D.<br />
<br />
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L.D.<br />
S.T.<br />
A.B.<br />
Tr.<br />
Tb.<br />
H.D.<br />
M.D.<br />
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98<br />
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clap<br />
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16
4<br />
SATB choir and organ<br />
<strong>Mack</strong> <strong>Wilberg</strong><br />
America the<br />
Beautiful<br />
oxford secular music<br />
17
for the Mormon Tabernacle Choir,<br />
Craig Jessop, Conductor<br />
America the Beautiful<br />
For Mixed Chorus (SATB) and Organ*<br />
Katherine Lee Bates<br />
Samuel A. Ward;<br />
<strong>Mack</strong> <strong>Wilberg</strong>, arr.<br />
online perusal only<br />
Soprano<br />
Alto<br />
With breadth, but not too slow ($ = c. 92-100)<br />
[<br />
! YY 4 S Q Q Q Q<br />
Tenor<br />
Bass<br />
Organ<br />
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# Y Y 4 S Q Q Q Q<br />
! Y Y With breadth,<br />
gbut not too slow ($ = c. 92-100)<br />
4 CO<br />
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C C CO<br />
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C B W B B B A A C B B C C<br />
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X CB<br />
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A Y A C<br />
# Y Y 4 4 C A A A A<br />
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# Y Y Q Q Q R S<br />
unis.<br />
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A B C C C A B<br />
O C<br />
# Y Y BO<br />
X C A S C C C C<br />
B<br />
C<br />
*A full score and set of parts for an orchestral arrangement (3/picc.2.2.2-4.3.3.1-timp.2perc-hp.str and optional organ)<br />
or for brass ensemble (4.4.3.1-timp.2perc-org) are available on rental from the Publisher.<br />
© Oxford University Press, Inc. 2005. Assigned to Oxford 18University<br />
Press 2010.<br />
Printed in U.S.A.
4<br />
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28
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14<br />
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39
4<br />
SATB choir, piano four-hands, and optional percussion<br />
<strong>Mack</strong> <strong>Wilberg</strong><br />
Dances to Life<br />
1. Wonder<br />
oxford secular music<br />
40
Performance Notes<br />
DANCES TO LIFE reflects the seasons of life. As the text and music take on the character of life’s varied experiences, the<br />
character of the performance should be similarly varied. While the percussion parts are optional, they will add color<br />
and texture to the pieces. The piano four-hand accompaniment should be played with orchestral color and ample pedal<br />
as indicated in the score. Percussion parts are included in the back and may be enlarged on a photocopier to facilitate<br />
performance.<br />
online perusal only<br />
Dances to Life<br />
by <strong>Mack</strong> <strong>Wilberg</strong><br />
1. Wonder<br />
For SATB choir, piano four-hands, glockenspiel, vibraphone, and triangle / bass drum<br />
Text by David Warner<br />
9780193869394<br />
2. Here I stand<br />
For SATB choir, piano four-hands, chimes, vibraphone, suspended cymbal<br />
Text by David Warner<br />
9780193869493<br />
3. If clarions sound<br />
For SATB choir, piano four-hands, glockenspiel, vibraphone, bass drum<br />
Text by David Warner<br />
9780193869509<br />
A full score and set of parts for orchestral accompaniment (3.2.2.2 - 4.3.3.1 - timp. - 3 perc. - str. - org. (optional)) of movement 3<br />
are available on rental from the publisher.<br />
41
David Warner<br />
Commissioned by the Endowment Fund of the American <strong>Choral</strong> Directors Association<br />
in memory of Raymond W. Brock, who served as the American <strong>Choral</strong> Directors<br />
Association’s Director of Development, and Administrative Assistant.<br />
Dances to Life<br />
1. Wonder<br />
MACK WILBERG<br />
SOPRANO<br />
ALTO<br />
Rhythmic and dance-like q = 138<br />
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TENOR<br />
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PERCUSSION 1:<br />
GLOCKENSPIEL<br />
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PERCUSSION 2:<br />
VIBRAPHONE<br />
PERCUSSION 3:<br />
TRIANGLE/<br />
BASS DRUM<br />
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TRIANGLE<br />
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© Oxford University Press, Inc. 2007. Assigned to Oxford University Press 2010.<br />
Printed in the USA<br />
Photocopying this copyright material is ILLEGAL.<br />
42
4<br />
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life’s<br />
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old dance<br />
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online perusal only<br />
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and bend<br />
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online perusal only<br />
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52
14<br />
82<br />
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to Bass Drum<br />
BASS DRUM <br />
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mp<br />
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53
2<br />
SATB choir, piano four-hands, and optional percussion<br />
<strong>Mack</strong> <strong>Wilberg</strong><br />
Dances to Life<br />
2. Here I stand<br />
oxford secular music<br />
54
online perusal only<br />
55
online perusal only<br />
© Oxford University Press, Inc. 2007. Assigned to Oxford University Press 2010.<br />
OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD, OX2 6DP<br />
Photocopying this copyright material is ILLEGAL.<br />
56
online perusal only<br />
57
online perusal only<br />
58
online perusal only<br />
59
online perusal only<br />
60
online perusal only<br />
61
online perusal only<br />
62
online perusal only<br />
63
online perusal only<br />
64
online perusal only<br />
65
online perusal only<br />
66
online perusal only<br />
67
online perusal only<br />
68
online perusal only<br />
69
2<br />
SATB choir, piano four-hands, and optional percussion<br />
<strong>Mack</strong> <strong>Wilberg</strong><br />
Dances to Life<br />
3. If clarions sound<br />
oxford secular music<br />
70
online perusal only<br />
71
online perusal only<br />
© Oxford University Press, Inc. 2007. Assigned to Oxford University Press 2010.<br />
OXFORD UNIVERSITY PRESS, GREAT CLARENDON STREET, OXFORD, OX2 6DP<br />
Photocopying this copyright material is ILLEGAL.<br />
72
online perusal only<br />
73
online perusal only<br />
74
online perusal only<br />
75
online perusal only<br />
76
online perusal only<br />
77
online perusal only<br />
78
online perusal only<br />
79
online perusal only<br />
80
online perusal only<br />
81
online perusal only<br />
82
online perusal only<br />
83
online perusal only<br />
84
for The Mormon Tabernacle Choir<br />
This arrangement written for the 2008 Crossroads Children’s Chorus Festival,<br />
Nashville, Tennessee; Martha Wright, Founder/Artistic Director<br />
Shenandoah<br />
Traditional American Folksong<br />
arr. MACK WILBERG<br />
online perusal only<br />
Flowing, with expression q = 92<br />
<br />
SOPRANO <br />
<br />
ALTO<br />
PRIMO<br />
<br />
<br />
PIANO<br />
<br />
<br />
<br />
<br />
<br />
<br />
SECONDO<br />
p<br />
mf<br />
p<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
con Ped.<br />
4<br />
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unis. mp<br />
<br />
<br />
O Shen - an - do’,<br />
I long to hear you.<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
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mf<br />
p<br />
mf<br />
mp<br />
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<br />
<br />
<br />
An accompaniment for orchestra (3fl (III+picc.), 2ob, 2cl, 2bn, 4hn, 3tbn, tba, hp, str) is available on hire/rental from<br />
the publisher or appropriate agent.<br />
A version of this arrangement scored for SATB and piano four-hands (or orchestra) is also available for purchase<br />
(ISBN 978-0-19-386820-5). The orchestral arrangement has been recorded by the Mormon Tabernacle Choir and the<br />
Orchestra at Temple Square on the CD Spirit of America (SKU 4600686).<br />
© Oxford University Press, Inc. 2005 and 2011. Assigned to Oxford University Press 2010. All rights reserved. Printed in USA<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Arranger have been asserted. Photocopying this copyright material is ILLEGAL.<br />
85
4<br />
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I long to hear you.<br />
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online perusal only<br />
86
20<br />
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5<br />
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mf p mf p<br />
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87
6<br />
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I long to see you.<br />
’Way,<br />
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Shen - an - do’,<br />
I long to see you. ’Way,<br />
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mf mp cresc. poco a poco<br />
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32<br />
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you roll - in’ riv - er.<br />
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you roll - in’ riv - er.<br />
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online perusal only<br />
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88
36<br />
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I long to see you.<br />
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mp<br />
(off)<br />
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mp<br />
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40 <br />
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we’re bound a - way,<br />
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we’re bound a - way,<br />
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online perusal only<br />
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mf<br />
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’Tis sev’n long years<br />
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wide Mis - sou - ri.<br />
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mf<br />
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(off)<br />
mp<br />
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48<br />
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since last I saw you,<br />
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mf<br />
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online perusal only<br />
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90
52<br />
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9<br />
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you roll - in’ riv - er.<br />
’Tis sev’n long years<br />
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56<br />
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since last I saw you,<br />
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online perusal only<br />
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91
10<br />
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molto cresc.<br />
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we’re bound a - way,<br />
A - cross the wide<br />
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molto cresc.<br />
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molto cresc.<br />
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64<br />
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poco allarg.<br />
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a tempo<br />
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poco allarg.<br />
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f<br />
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Shen -an<br />
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ff<br />
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online perusal only<br />
<br />
<br />
poco allarg.<br />
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- do’, I long to see you. ’Way,<br />
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80<br />
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we’re bound a - way,<br />
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poco rit.<br />
wide Mis - sou - ri.<br />
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I long to see you, A<br />
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96 rit.<br />
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Processed in the United Kingdom by Enigma Music Production Services, Amersham, Bucks.<br />
96<br />
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Ped.<br />
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4<br />
SATB choir, piano four-hands, and percussion<br />
<strong>Mack</strong> <strong>Wilberg</strong><br />
Cantus in Harmonia<br />
(to St. Cecilia)<br />
oxford sacred music<br />
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for the Brigham Young University Men’s Chorus<br />
The Morning Trumpet<br />
For Unaccompanied Lower Voices (TTBB)<br />
online perusal only<br />
John Leland (1754-1841)<br />
B.F. White (1800-1879)*;<br />
<strong>Mack</strong> <strong>Wilberg</strong>, arr.<br />
Tenor 1 2<br />
Bass 1 2<br />
[<br />
Í! Y 2 mf<br />
4 C.<br />
g<br />
]<br />
With marked rhythm and articulation ($ = c. 76)<br />
,<br />
C > O C C . . C C > C C .<br />
C . C O<br />
> C . C . C - C C .<br />
O when shall I see Je - sus and reign with him a - bove, And shall<br />
# Y 2 T<br />
Q Q Q Q<br />
4<br />
C.<br />
5<br />
[<br />
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C O ><br />
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C. C > C C.<br />
C. B > C-<br />
T<br />
g<br />
C .<br />
C > O C C. . C<br />
hear** the trum - pet sound in that morn - ing; And from the flow - ing<br />
B. 1<br />
mf<br />
# Y Q Q Q S T .<br />
h C<br />
Í!Y C > C C.<br />
C.<br />
,<br />
C O<br />
> C . C C. - C C.<br />
C.<br />
C O ><br />
C<br />
C.<br />
C > O C Ċ Ċ<br />
C. C > C C.<br />
foun - tain drink ev - er-last - ing love, And shall hear the trum-pet sound in that<br />
# > Y<br />
C C Ċ Ċ C> O<br />
C Ċ Ċ - C<br />
,<br />
Ċ<br />
Ċ<br />
C> O C<br />
Ċ<br />
Ċ C > C Ċ Ċ<br />
C.<br />
[<br />
15<br />
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Í! Y g<br />
B > . C<br />
T. 1&2<br />
T<br />
mf<br />
C<br />
C<br />
h C> .<br />
T C C C T U Ċ Ċ C O C > ><br />
C . C .<br />
morn - ing. O shout with glo - ry! I shall mount a-bove the<br />
B. 1&2<br />
# Y B > h Ċ T<br />
mf<br />
C<br />
C<br />
h C> .<br />
T C > C C TU<br />
Ċ Ċ C<br />
> O<br />
C Ċ Ċ<br />
*From The Sacred Harp (1844).<br />
**The h of “hear” should be given emphasis throughout.<br />
© Oxford University Press, Inc. 2005. Assigned to Oxford 124 University Press 2010.<br />
Printed in U.S.A.
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