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COPY LINK: https://pdf.bookcenterapp.com/yumpu/1906660123 The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms?the diary, the travelogue, the notebook and the self-portrait?is cinema in the first person. It is a cinema of thought, of investigation and self-reflection, in which the filmmaker, instead of withdrawing behind the camera, comes out into the open, to say 'I', to take responsibility, and to address and engage with the spectator within a shared space of embodied subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. This study provides a unique insight into an intricate but fascinating field, by engaging with the work of directors such as Jean-Luc Godard, Chris Marker, Harun Farocki, Pier Paolo Pasolini, Alexander Sokurov, Michelangelo Antonioni, Derek Jarman, Federico Fellini, Wim Wenders, Jonas Mekas and Agnés Varda.
COPY LINK: https://pdf.bookcenterapp.com/yumpu/1906660123
The Personal Camera is an exploration of an elusive but more and more compelling field: essayistic cinema. The essay film, together with its cognate forms?the diary, the travelogue, the notebook and the self-portrait?is cinema in the first person. It is a cinema of thought, of investigation and self-reflection, in which the filmmaker, instead of withdrawing behind the camera, comes out into the open, to say 'I', to take responsibility, and to address and engage with the spectator within a shared space of embodied subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression. This study provides a unique insight into an intricate but fascinating field, by engaging with the work of directors such as Jean-Luc Godard, Chris Marker, Harun Farocki, Pier Paolo Pasolini, Alexander Sokurov, Michelangelo Antonioni, Derek Jarman, Federico Fellini, Wim Wenders, Jonas Mekas and Agnés Varda.
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COPY LINK: https://pdf.bookcenterapp.com/yumpu/1906660123 The Personal Camera is an
exploration of an elusive but more and more compelling field: essayistic cinema. The essay film,
together with its cognate forms?the diary, the travelogue, the notebook and the self-portrait?is
cinema in the first person. It is a cinema of thought, of investigation and self-reflection, in which the
filmmaker, instead of withdrawing behind the camera, comes out into the open, to say 'I', to take
responsibility, and to address and engage with the spectator within a shared space of embodied
subjectivity. Authorial, experimental and radical, essayistic cinema belongs within the lineage of
avant-garde and political filmmaking and responds above all to the need we feel today for more
contingent, autobiographical, private forms of expression. This study provides a unique insight into
an intricate but fascinating field, by engaging with the work of directors such as Jean-Luc Godard,
Chris Marker, Harun Farocki, Pier Paolo Pasolini, Alexander Sokurov, Michelangelo Antonioni,
Derek Jarman, Federico Fellini, Wim Wenders, Jonas Mekas and AgnésVarda.
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