PDF✔️Download❤️ Dancing Fear and Desire: Race, Sexuality, and Imperial Politics in Middle Eastern Dance (Cultural Studies)
COPY LINK: https://pdf.bookcenterapp.com/yumpu/0889204543 An exploration of how Middle Eastern dance actively engages race, sex, and national identity. Throughout centuries of European colonial domination, the bodies of Middle Eastern dancers, male and female, move sumptuously and seductively across the pages of Western travel journals, evoking desire and derision, admiration and disdain, allure and revulsion. This profound ambivalence forms the axis of an investigation into Middle Eastern dance―an investigation that extends to contemporary belly dance. Stavros Stavrou Karayanni, through historical investigation, theoretical analysis, and personal reflection, explores how Middle Eastern dance actively engages race, sex, and national identity. Close readings of colonial travel narratives, an examination of Oscar Wilde’s Salome, and analyses of treatises about Greek dance, reveal the intricate ways in which this controversial dance has been shaped by Eurocentric models that define and control identity performance.
COPY LINK: https://pdf.bookcenterapp.com/yumpu/0889204543
An exploration of how Middle Eastern dance actively engages race, sex, and national identity. Throughout centuries of European colonial domination, the bodies of Middle Eastern dancers, male and female, move sumptuously and seductively across the pages of Western travel journals, evoking desire and derision, admiration and disdain, allure and revulsion. This profound ambivalence forms the axis of an investigation into Middle Eastern dance―an investigation that extends to contemporary belly dance. Stavros Stavrou Karayanni, through historical investigation, theoretical analysis, and personal reflection, explores how Middle Eastern dance actively engages race, sex, and national identity. Close readings of colonial travel narratives, an examination of Oscar Wilde’s Salome, and analyses of treatises about Greek dance, reveal the intricate ways in which this controversial dance has been shaped by Eurocentric models that define and control identity performance.
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Dancing Fear and Desire: Race,
Sexuality, and Imperial Politics in Middle
Eastern Dance (Cultural Studies)
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Dancing Fear and Desire: Race, Sexuality,
and Imperial Politics in Middle Eastern Dance
(Cultural Studies)
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Dancing Fear and Desire: Race, Sexuality,
and Imperial Politics in Middle Eastern Dance
(Cultural Studies)
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COPY LINK: https://pdf.bookcenterapp.com/yumpu/0889204543 An exploration of how Middle
Eastern dance actively engages race, sex, and national identity. Throughout centuries of
European colonial domination, the bodies of Middle Eastern dancers, male and female, move
sumptuously and seductively across the pages of Western travel journals, evoking desire and
derision, admiration and disdain, allure and revulsion. This profound ambivalence forms the axis of
an investigation into Middle Eastern dance―aninvestigation that extends to contemporary
belly dance. Stavros Stavrou Karayanni, through historical investigation, theoretical analysis, and
personal reflection, explores how Middle Eastern dance actively engages race, sex, and national
identity. Close readings of colonial travel narratives, an examination of Oscar
Wilde’sSalome, and analyses of treatises about Greek dance, reveal the intricate ways in
which this controversial dance has been shaped by Eurocentric models that define and control
identity performance.
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