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"This is where I live," he explained. He opened the door wider so that she

could see inside. His room was just like hers, though on this, the opposite side of

the corridor, his window view was to the wide central square. She noticed too that

his room seemed more of a lived-in place. His things were strewn around.

"This is my workroom too." He gestured, and she could see a large table with

his carving tools and scraps of wood. "And there's a storage room, for supplies."

He pointed.

"Yes, mine's the same," Kira told him. "My supply room has lots of drawers. I

haven't started work yet, but there's a table under the windows, and the light is

good there. I think that's where I'll do the threading.

"And there — that door? That's your cooking water and your tub?" Kira asked

him. "Do you use it? It seems such a bother, when the stream's so nearby."

"The tenders will show you how it works," he explained.

"Tenders?"

"The one who brought your food? That's a tender. They'll help you however

you want. And a guardian will be checking on you every day."

Good. Thomas seemed to know how things worked. It would be a help, Kira

thought, because it all seemed so new, so foreign. "Have you lived here a long

time?" she asked politely.

"Yes," he replied. "Since I was quite young."

"How did it happen that you came here?"

The boy frowned, thinking back. "I had just begun carving. I was a very little

tyke, but somehow I had discovered that if I took a sharp tool and a piece of

wood, I could make pictures.

"Everyone thought it was quite amazing." He laughed. "I guess it was."

Kira laughed a little too, but she was remembering herself, very small, finding

that her fingers had a kind of magic to them when she held the colored threads,

seeing her mother's astonishment and the look on the face of the Guardian. It

must have been the same, she thought, for this boy.

"Somehow the Guardians heard about my work. They came to our cott and

admired it."

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