27.12.2012 Views

831 – 5577 E – Mail - Polyphony Recordings

831 – 5577 E – Mail - Polyphony Recordings

831 – 5577 E – Mail - Polyphony Recordings

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

AUDIOPHILE AND SPECIAL LABEL RECORDS<br />

The following several sections are devoted to listings of records by manufacturer in order of prefix and issue<br />

number. In most of these cases, either an individual item or a whole series has a following among groups of<br />

collectors on the basis of either quality of recorded sound to begin with or of pressing vintage (or both); in<br />

some cases (audiophile or not) the label per se has so devoted a following that it makes sense to list discs here<br />

rather than in an artist or repertoire category. Since many of these audiophiles are also followers of The<br />

Abso!ute Sound magazine, I have also included notations when I have found reviews or comments regarding<br />

specific discs in this publication. These take the form of the issue number followed by a colon, then the page<br />

number, i.e. [38:155]. Please consult these references directly if you are interested in what TAS has said.<br />

Their content in generally favorable, but they are not always so. Also, I have included these references even in<br />

cases where TAS has discussed or listed a different issue of the same recording I have listed (for example, a<br />

domestic vs. an imported pressing, or a reissue vs. original issue). So do not automatically assume that a TAS<br />

reference means a rave review of the specific item listed. When the letter "L" follows one of these notes, it<br />

means that the item was included on Harry Pearson's list on that page in that issue (rather than meaning that<br />

the item received an actual review or comment). [If you have a specific interest in the early Columbia stereo<br />

pressings with "2-eyes" labels, or the even earlier "6-eyes" pressings, here is where they are in this catalog:<br />

#124, 220, 271, 362, 450, 499, 1056, 1149, 1265, 1353, 1398, 1407, 1430, 1436, 1440, 1447, 1477, 1479, 1480-<br />

2, 1503-5, 1536, 1587, 1588-9, 1591-3, 1628, 1630, 1633-5, 1638, 1640, 1644, 1680, 1682-84.]<br />

LP's: Angels<br />

All of the mono Angels below (except as noted) are early British pressings from the period 1953-1958 when<br />

Dario Soria was Angel's president. Except as noted otherwise, these copies are the deluxe editions, with fine<br />

art work on the covers, extra heavy sleeves and dowel-rod spines (boxed sets did not have the dowel-rod<br />

spines). In a few instances the spine is gone (indicated with "ns"); in some cases the copy is from their thrift<br />

edition ("th"), wherein the same fine pressings were packaged in simple sleeves without notes and sold for<br />

lower prices than the deluxe editions. Stereo items are usually either early pressings ["red" = red label for the<br />

very earliest of them, or "blue" = blue label used until the late '60's] or 45 rpm audiophile issues from the early<br />

1980's. I sometimes also list other stereo Angels here when their EMI incarnations have been particularly<br />

popular.<br />

550. 3536(2): BACH - Orchestral Suites #1 - #4. Klemperer/PO. A- .......................................................... 32.00<br />

551. 3544(2): BEETHOVEN - Symphonies #8 & #9. Schwarzkopf; Hoffgen; Haefliger; Edelman;<br />

Karajan/PO; Vienna Musikfreude Cho. A- ................................................................................. 30.00<br />

552. 3593(3): PUCCINI - La Fanciulla Del West. Nilsson; Mongelli; Gibin; Ercolani; Von<br />

Matacic/La Scala. A- ...................................................................................................................... 15.00<br />

553. 35120: LOUIS AUBERT - La Habanera. CHARPENTIER - Impressions of Italy Suite.<br />

Fourestier/Paris Opera Orch. A-(minor cover tape repair neatly done)....................................... 18.00<br />

554. 35247: SCHUMANN - Carnaval; Kreisleriana. Anda, piano. A-.......................................................... 16.00<br />

555. 35248: BEETHOVEN - Piano Concerto #1; Sonata #14. Anda; Galliera/PO. A-............................... 12.00<br />

556. 35250: DEBUSSY - The Twelve Etudes; d'Un Cahier d'Esquisses. Gieseking. A--............................. 12.00<br />

557. 35255: LULLY (arr. Mottl) - Ballet Suite. TARTINI - Concerto #58. CIMAROSA - Oboe<br />

Concerto (Gallesi). Caracciolo/Scarlatti Orch. A-........................................................................ 18.00<br />

558. 35256: BURNS NIGHT - Songs and Poems (15) by Robert Burns. Ian Gilmour & Meta<br />

Forrest, speakers; Hans Oppenheim/The Saltire Music Group; Zorian String Quartet.<br />

[With nice booklet of notes and texts enclosed; lovely copy of an obscure, scarce issue - the<br />

first I've ever seen] A- ...................................................................................................................... 45.00<br />

559. 35257: SPANISH CHORAL MUSIC - Works of Victoria, Morales, Brudieu, Anonymous,<br />

Vasquez; ten traditional works. Ribo/Capilla Clasica Plifonica, Barcelona. [another very<br />

scarce item among the early Angels] A- .......................................................................................... 35.00<br />

560. 35258: BEETHOVEN OVERTURES - Leonore #1-#3; Fidelio. Klemperer/PO. A--......................... 12.00<br />

561. 35262: GERALD MOORE - The Unashamed Accompanist. Moore speaks on the art of the<br />

accompanist, with many musical examples. A- ............................................................................... 25.00<br />

562. 35268: LISZT - Piano Concerto #1; Hungarian Fantasy. Anda; Ackermann/PO. A- ......................... 16.00

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!