831 – 5577 E – Mail - Polyphony Recordings
831 – 5577 E – Mail - Polyphony Recordings
831 – 5577 E – Mail - Polyphony Recordings
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
LP's: RCA's<br />
I am now listing RCA's all together in one group when they are either early pressings in which customers have<br />
indicated an interest, or when they are later pressings of issues which have had a particular following. Records<br />
are listed alphanumerically by prefix and number. Codes for pressings refer to label types, and are given in<br />
brackets just before the grade at the end of the listing (e.g. [SD]). RCA pressing codes are as follows:<br />
PD = Plum Dog (Nipper, the RCA/HMV dog, shown against a shaded plum background;<br />
used for the last RCA classical mono issues, c.1954-1958).<br />
SD = Shaded Dog (as above, but with fire-engine red background; used during the early<br />
stereo era, c.1958-1963, for both mono and stereo classical issues except some Sorias).<br />
WD = White Dog (also called "Plain Dog"; Nipper here is against an unshaded background<br />
of Christmas red; used for all classical issues except Sorias c.1964-1969).<br />
ND = No Dog (large "RCA" in open white letters on left of label; c.1969-1977).<br />
LD = Late Dog (small dog on upper right of label against dark red; c.1977 forward).<br />
BL = Black label (for popular records almost exclusively)<br />
CP = Canadian Pressing.<br />
PL = Plum Label (for Victrola [VIC or VICS] issues, the earliest pressings, c. 1964-1968).<br />
SS = Soria Series (special label of Christmas red with no dog used only for the Sorias; the<br />
first Sorias had SD labels, but switched to SS about 1961 - before WD era).<br />
I am now also including the stamper numbers of each stereo disc (and some monos too) next to the pressing<br />
code. If the information is available I also show the names of the producer and engineer in another pair of<br />
brackets. Please note that for these issues - as for most records from the early stereo era - copies in apparently<br />
mint condition frequently grade "A- to B+" in my audition. Copies graded A- are very fine, and higher grades<br />
are quite extraordinary from this period.<br />
646.*ARP1-4440: SAINT-SAENS - Symphony #3. Zamkochian, organ; Munch/BSO. [Mohr;<br />
Layton; "Point 5" Series half-speed re-mastering from LSC-2341] A-(c/c) .................................... 16.00<br />
647.*ATL1-4156: FRANCK - Symphony in d. Monteux/CSO. [Mohr; Layton] [Half-speed<br />
remastering ("Point 5" Series) of LSC-2514: TAS 29:122; 30:128; 90:136-7; German Teldec<br />
pressing] A- to A(demo copy).......................................................................................................... 20.00<br />
648.*ATL1-4286: STRAUSS - Also Sprach Zarathustra. Reiner/CSO. [Pfeiffer; Chase] [Half-speed<br />
re-mastering ("Point 5 Series") of the first Reiner/CSO Zarathustra, recorded March 8, 1954.<br />
See TAS 75/76:78 re original issue on LSC-1806.] A-(Teldec pressing)........................................ 25.00<br />
649.*CAMDEN LIVING STEREO CAS-469: POP CONCERT FAVORITES - Finlandia; William<br />
Tell & Fledermaus Overtures; Carmen Suite #1. Gruner-Hegge/Oslo Phil. [Living Stereo;<br />
1S/1S; recorded June, 1958; only in print January 1959 - May 1961] A-........................................ 13.00<br />
650.*CAMDEN LIVING STEREO CAS-475: RACHMANINOFF - Piano Concerto #2. Baekkelund;<br />
Fjeldstad/Oslo Phil. [Living Stereo; 1S/1S; recorded June, 1958; only in print April 1959 -<br />
May 1961; scarce item] A- ............................................................................................................... 16.00<br />
651.*GL-25006 (BRITISH): ELIZABETHAN SERENADE - Popular English Favorites. Britten -<br />
Young Person's Guide. Arnold - Four Scottish Dances. Short works by Elgar(2), Binge,<br />
Walton & Tove. Charles Gerhardt/NPO. A-................................................................................. 16.00<br />
652. LBC-1076: BRAHMS - Variations on a Theme of Paganini; Variations on an Original Theme,<br />
Op.21; Capriccio in b, Op.76, #2. Jan Smeterlin, piano. [Very rare: only in print from late<br />
1954 or early 1955 until August 1956; this is <strong>Polyphony</strong>'s first copy] A-(brief lgt tks sd 2;<br />
otherwise superb!) ............................................................................................................................ 45.00