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THE RAMEAU PROJECT THE RAMEAU PROJECT ... - Nigel Kellaway

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2009<br />

1984 - 2009<br />

<strong>THE</strong> <strong>RAMEAU</strong> <strong>PROJECT</strong><br />

Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Actors: Nikki Heywood (replacing<br />

Regina Heilmann), <strong>Nigel</strong> <strong>Kellaway</strong>, Annette Tesoriero (mezzo-soprano). Instrumental ensemble: Heloise<br />

Pyne, Katrina Papallo, Catherine Upex, Steve Meyer, Ashley Kurrle, Michael Bell. Director and Composer:<br />

<strong>Nigel</strong> <strong>Kellaway</strong>. Lighting: Simon Wise. Costumes: <strong>Nigel</strong> <strong>Kellaway</strong> and Annemarie Dalziel. Presented as<br />

artists in residence, Performance Space at Carriageworks, Sydney.<br />

2008<br />

<strong>THE</strong> <strong>RAMEAU</strong> <strong>PROJECT</strong><br />

Further development of a new work with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Actors: Regina Heilmann, <strong>Nigel</strong><br />

<strong>Kellaway</strong>, Annette Tesoriero (mezzo-soprano). Instrumental ensemble: 2 violins, 2 ‘celli, double-bass and<br />

piano Director and Composer: <strong>Nigel</strong> <strong>Kellaway</strong>. Lighting: Simon Wise. Final stage of development as artists<br />

in residence, 2009, Performance Space at Carriageworks, Sydney.<br />

2007<br />

SINGING <strong>THE</strong> SPACE<br />

Directed the launch by Marie Bashir, Governor of NSW, of PERFORMANCE SPACE in their new venue at<br />

CARRIAGEWORKS, Sydney. Artists including Amanda Stewart, Annette Tesoriero, Timothy Chung,<br />

Catherine Tabrett, Vic Simms, Morganics, Brotha Black, Wire MC, Leichhardt Espresso Choir, Marlene<br />

Cummins, the Impact Hummers, Michelle Outram, Block Harmony, Ben Walsh Drumming Company, Clare<br />

Britton, Heidrun Lohr and Gail Priest. Artistic Consultant: Annette Tesoriero. Lighting: Simon Wise. Sound:<br />

Nicholas Wishart<br />

SLEEPERS WAKE! Wachet Auf!<br />

Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Writers: Virginia Baxter, Jai McHenry,<br />

Amanda Stewart, Josephine Wilson. Composer and solo actor: <strong>Nigel</strong> <strong>Kellaway</strong>. Muiscians: Margaret<br />

Howard (violin), Catherine Tabrett ('cello), Michael Bell (piano). Lighting: Simon Wise. Performance Space<br />

at Carriageworks, Sydney.<br />

2006<br />

<strong>THE</strong> <strong>RAMEAU</strong> <strong>PROJECT</strong><br />

Commenced development on a new work with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Regina Heilmann,<br />

<strong>Nigel</strong> <strong>Kellaway</strong> (director), Brian Fuata, Dean Walsh, Peretta Anggerek (countertenor), Didier Frederic<br />

(baritone), Clive Birch (bass), <strong>Nigel</strong> Ubrihien (harpsichord and musical director). Developed as artists in<br />

residence at the Department of Performance Studies, University of Sydney.


2005<br />

32 SHORT SCENES ON <strong>THE</strong> DICHTERLIEBE<br />

Co-created with Rosalind Crisp a full evening work for dancer and pianist with music by Robert Schumann.<br />

Created in residence at the Centre Nationale de la Danse, Paris and premiered at Performance Space,<br />

Sydney.<br />

2004<br />

<strong>THE</strong> AUDIENCE AND O<strong>THE</strong>R PSYCHOPATHS<br />

Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Katia Molino, <strong>Nigel</strong><br />

<strong>Kellaway</strong>, Karen Cummings. Co-writer: Amanda Stewart. Composer: Stephen Adams. Video Artist: Peter<br />

Oldham. Lighting: Simon Wise. Co-production with Performance Space, Sydney as part of NEW MARDI<br />

GRAS.<br />

STRANGERS IN <strong>THE</strong> <strong>THE</strong>ATRE<br />

Directed and performed solo work as part of ARTRAGE and PRIDE festival, at The Bakery, Perth, WA.<br />

PRELOVED<br />

Co-created and performed with a briefly re-united SYDNEY FRONT, short work for the 21st Birthday<br />

celebrations of the Performance Space, Sydney.<br />

2003<br />

ANO<strong>THE</strong>R NIGHT : MEDEA<br />

Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Regina Heilmann, <strong>Nigel</strong><br />

<strong>Kellaway</strong>, Peretta Anggerek (countertenor), Michael Bell (piano), <strong>Nigel</strong> Ubrihien (harpsichord), Margaret<br />

Howard (baroque violin), Catherine Yabrett (viola da gamba). Lighting designer: Simon Wise. Costume<br />

designer: Annemaree Dalziel. Performance Space, Sydney.<br />

CANTATA<br />

Created, directed and performed with STOPERA Inc . Featuring two French Baroque works (Medee by<br />

Louis-Nicolas Clerembault and Pigmalion by Jean-Philippe Rameau). Principal performers: Dina Panozzo,<br />

<strong>Nigel</strong> <strong>Kellaway</strong>, Rebecca Collins, Judith Dodsworth, Louise Page. Harpsichodist and Conductor, <strong>Nigel</strong><br />

Ubrihien. Street Theatre, Canberra ACT.<br />

2002<br />

KISS MY FIST<br />

Consulting director for production featuring emerging writer/performers Karl Velasco, Shelley O’Donnell,<br />

Brian Fuata and Hannah Furmage. A Performance Space/ Gay and Lesbian Mardi Gras production.<br />

ENTERTAINING PARADISE<br />

Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Regina Heilmann, <strong>Nigel</strong><br />

<strong>Kellaway</strong>, Andrew Morrish, Peretta Anggerek (countertenor), Michael Bell (piano). Lighting designer: Simon<br />

Wise. Costumes: Annemaree Dalziel. A co-production with Performance Space, Sydney.<br />

WOMAN IN TRANSIT<br />

Consulting director for a work-in-process showing of a new work by Rakini Devi. Performance Space,<br />

Sydney<br />

I LOVE YOU xxx<br />

Director of solo show for Alicia Talbot. Performance Space, Sydney


2001<br />

LITTLE GEORGE<br />

Created and directed for <strong>THE</strong> SONG COMPANY. Paddington United Church, Sydney<br />

AN INTERVIEW WITH <strong>THE</strong> VIRTUAL GODDESS<br />

Directed and co-performed with Rakini Devi, a work in progress presentation. Perth Institute for<br />

Contemporary Arts, WA<br />

EL INOCENTE<br />

Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Regina Heilmann, <strong>Nigel</strong><br />

<strong>Kellaway</strong>, Katia Molino, Lynne Murray. Composer: Richard Vella. Lighting and video design: Simon Wise.<br />

Costumes: Annemaree Dalziel and <strong>Nigel</strong> <strong>Kellaway</strong>. Performance Space, Sydney.<br />

<strong>THE</strong> BERLIOZ - OUR VAMPIRES OURSELVES<br />

Toured with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. to Salamnca Arts Centre (Long Gallery) Hobart and Brisbane<br />

Powerhouse for the Live Arts (Powerhouse Theatre), Brisbane.<br />

MY LIFE AS A TAX DEDUCTION<br />

Solo presentation examining the works personally made and performed at Performance Space in the 20<br />

years since 1981. As part of a series entitled SCAPBOOK LIVE - AS REMEMBERED BY <strong>THE</strong> ARTIST for<br />

the ANTISTATIC DANCE PROGRAM<br />

<strong>THE</strong> AUDIENCE AND O<strong>THE</strong>R PSYCHOPATHS<br />

Co-created, directed and performed a work-in-progress with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers:<br />

Karen Cummings, <strong>Nigel</strong> <strong>Kellaway</strong>, Katia Molino. Co-writer: Amanda Stewart. Composer: Stephen Adams.<br />

Video Artist: Peter Olham. Lighting design: Simon Wise. Performance Space, Sydney<br />

FA’AFAFINE<br />

Directed for URBAN <strong>THE</strong>ATRE <strong>PROJECT</strong>S. Writer/solo performer: Brian Fuata. Dramaturg: Damien Millar.<br />

Composer: Liberty Kerr. Costume design: Carlos Gomes. Lighting and video design: Simon Wise.<br />

Performance Space, Sydney<br />

2000<br />

EL INOCENTE<br />

Two development processes and presentations of a new work for <strong>THE</strong> oPERA <strong>PROJECT</strong> INC., for<br />

production in 2001.<br />

STRANGERS IN <strong>THE</strong> <strong>THE</strong>ATRE and CRISS-CROSS<br />

Two short works created and performed for the HITCHCOCK FORUM and CROSS CUTS FORUM ,<br />

Performance Space, Sydney<br />

1999<br />

CHOUX CHOUX BAGUETTE REMEMBERS and SONG CYCLE WITH CEMENT MIXER<br />

Performed for the Sydney Gay and Lesbian Mardi Gras Festival with Annette Tesoriero, Seymour Centre<br />

and Performance Space, Sydney<br />

TRISTAN


Co-created, co-directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Annette Tesoriero,<br />

<strong>Nigel</strong> <strong>Kellaway</strong>, Jai McHenry, Regina Heilmann, Xu Fengshan and Michael Bell. Writer: Keith Gallasch.<br />

Lighting Design: Simon Wise. Music: Schumann and Wagner. The Performance Space, Sydney.<br />

<strong>THE</strong> QUERY<br />

Co-directed with John Baylis for URBAN <strong>THE</strong>ATRE <strong>PROJECT</strong>S. Performers: Xu Fengshan and Rolando<br />

Ramos. Writer: Merlinda Bobis. Lighting Design: Simon Wise. Sound Design: Nicholas Wishart. The<br />

Performance Space, Sydney.<br />

1998<br />

THIS MOST WICKED BODY<br />

Toured a restructured version with pianist Gerard Willems (performing the piano sonatas of Beethoven) and<br />

restaurateur Gay Bilson to the Telstra Adelaide Festival.<br />

DISTRESSING <strong>THE</strong> DIVA<br />

Created, directed and performed in a work, the culmination of a ten-day workshop process with twelve<br />

performers of STOPERA Inc., at the Street Theatre, Canberra, ACT.<br />

<strong>THE</strong> TERROR OF TOSCA<br />

Created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Annette Tesoriero, <strong>Nigel</strong><br />

<strong>Kellaway</strong>, Xu Fengshan, Jai McHenry, Dean Walsh, Regina Heilmann. Music by Puccini and <strong>Kellaway</strong>.<br />

Costumes by Annemaree Dalziel. Lighting with Simon Wise. The Performance Space, Sydney.<br />

1997<br />

<strong>THE</strong> SINKING OF <strong>THE</strong> RAINBOW WARRIOR<br />

(opera by Amanda Stewart and Colin Bright) directed for <strong>THE</strong> SONG COMPANY and AUSTRALYSIS at<br />

National Maritime Museum, Darling Harbour, Sydney, for the Sydney Festival. Musical Director Roland<br />

Peelmean, Designer Pierre Thibaudeau, lighting Ivan Smith, costumes Annemaree Dalziel, sound production<br />

Kevin Davidson.<br />

<strong>THE</strong> BERLIOZ our vampires ourselves<br />

co-created and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers Annette Tesoriero, <strong>Nigel</strong> <strong>Kellaway</strong>,<br />

Dean Walsh. Based on a scenario by Keith Gallasch, original sound by Peter Wells, lighting with Simon<br />

Wise. Performance Space, Sydney.<br />

BETWEEN PARRALELS AND MERIDIANS<br />

Directed installation with visual artist Gerardo Rodriguez-Bruzzesi at The Art Gallery of New South Wales.<br />

1996<br />

MYSTERIES<br />

(by Knut Hamsun, adapted by Patrick Troy and Peter Haynes) performed and co-directed with Patrick Troy<br />

with SPLINTERS <strong>THE</strong>ATRE OF SPECTACLE for the Canberra Festival, Canberra Playhouse, ACT.<br />

COMPRESSIONS 100<br />

created and performed in installation as part of project co-ordinated by Tess de Quincey and Stuart Lynch,<br />

the Sydney Opera House.<br />

FISH OUT OF WATER<br />

directing consultant for solo performance by Deborah Pollard, Performance Space, Sydney.


<strong>THE</strong> GEOGRAPHY OF HAUNTED PLACES<br />

directed solo performance by Erin Hefferon, writer Josephine Wilson, composers Rob Muir and Derek<br />

Kreckler, lighting Mike Nanning.<br />

(1996-97) touring Brisbane, Sydney, Adelaide and Perth. Produced by the Perth Institute of Contemporary<br />

Arts.<br />

(1997) Tour to the London International Festival of Theatre,performing at the Royal Court Theatre.<br />

1995<br />

FRIGHT!!!<br />

directed for SIDETRACK PERFORMANCE GROUP, composer Andree Greenwell, lighting Geoff Cobham,<br />

costumes Annemaree Dalziel, dramaturg Keith Gallasch. The Enmore Theatre, Sydney.<br />

1994<br />

THIS MOST WICKED BODY<br />

directed and performed solo performance/installation, a 10 day/240 hour performance marathon.<br />

Composer/percussionist David Montgomery, restaurateur Gay Bilson, video artist Peter Oldham, lighting<br />

Simon Wise. Performance Space, Sydney.<br />

(1995) Excerpts performed at the Hong Kong Fringe Remounted for SIDETRACK PERFORMANCE<br />

GROUP'S Contemporary Performance Week 6.<br />

(1996) Remounted for Progressive Dinner Conference, The Performance Space, Sydney. Tour to the Perth<br />

Institute of Contemporary Arts, W.A. (co-produced by Lesbian and Gay Pride).<br />

(1998) toured to 1998 Adelaide Festival with pianist Gerard Willems and Gay Bilson.<br />

HEAVEN<br />

choreographer for SIDETRACK PERFORMANCE GROUP, director Don Mamouney, composer Peter Wells.<br />

The Performance Space, Sydney.<br />

(1995) tour to Perth Festival.<br />

1993<br />

SKY DRIVING<br />

directed aerial production for LEGS ON <strong>THE</strong> WALL, Powerhouse Museum, Sydney.<br />

CHOUX CHOUX BAGUETTE REMEMBERS<br />

Co-directed and performed with Annette Tesoriero music theatre/cabaret production, Tilbury Hotel, Sydney.<br />

SIDETRACK PERFORMANCE GROUP's Contemporary performance Week 4 and at The Playhouse, Perth<br />

(produced by Manifest Productions).<br />

(1994) return season at the Tilbury Hotel, Sydney.<br />

(1995) tour to the Hong Kong Fringe and Woolongong University.<br />

(1996) tour to Festival of Contemporary Arts, Canberra.<br />

(1997) tour to Australia Festival of The Voice, Wagga Wagga, NSW.<br />

(2000) New Year performance, Sydney Opera House<br />

PORTRAIT OF AN INVISIBLE MAN<br />

director and performer with <strong>THE</strong> SPRUIK GROUP, composer Sarah de Jong, koto player Satsuki Odamura,<br />

singer Mara Kiek, percussionist David Montgomery. The Wharf, Sydney.<br />

PASSION


co-created and performed with <strong>THE</strong> SYDNEY FRONT, composer Andree Greenwell, writer Mickey Furuya,<br />

lighting Simon Wise. The Performance Space, Sydney.<br />

1992<br />

<strong>THE</strong> TOURISTS<br />

co-created and performed with <strong>THE</strong> SYDNEY FRONT and Yuji Sone, Sydney Festival.<br />

QUIET (A CRISP EXECUTION)<br />

directed and performed with 15 Perth based visual and performance artists, Perth Institute of Contemporary<br />

Arts, W.A.<br />

FIRST AND LAST WARNING<br />

with <strong>THE</strong> SYDNEY FRONT, composer Peter Wells, writer Mickey Furuya, lighting Simon Wise. The<br />

Performance Space, Sydney.<br />

1991<br />

DON JUAN<br />

co-created and performed with <strong>THE</strong> SYDNEY FRONT, composer Raffaelle Marcellino, lighting Geoff<br />

Cobham and Simon Wise. The Performance Space, Sydney.<br />

(1992) tour to the Adelaide Festival Fringe, the Perth Institute of Contemporary Arts (produced by<br />

Performing Lines), Amsterdam, Dusseldorf, Salzburg, Linz, Klagenfurt, Brussels, London and<br />

Copenhagen.<br />

(1993) tour to Hong Kong Fringe and return season at The Performance Space, Sydney.<br />

IDOL<br />

directed for SIDETRACK PERFORMANCE GROUP, dramaturg John Baylis, costumes Annemaree Dalziel,<br />

Music Peter Wells.<br />

(1992) tour to Melbourne. (1993) tour to Canada.<br />

OP.CIT.<br />

co-created and performed with <strong>THE</strong> SYDNEY FRONT for Sidetrack Performance Group's Contemporary<br />

Performance Week 2.<br />

A MASTERPIECE OF TELEVISION<br />

directed workshop production for SIDETRACK PERFORMANCE GROUP's Contemporary Performance<br />

Week 2.<br />

ORPHEUS<br />

directed and performed with IHOS CONTEMPORARY OPERA, Hobart. Composer Constantine Koukias.<br />

1990<br />

TALES OF LOVE<br />

performer and co-creator with mezzo-soprano Annette Tesoriero, dramaturg John Baylis , composer Richard<br />

Vella, lighting Margie Medlin. For CALCULATED RISKS OPERA PRODUCTIONS at The Performance<br />

Space, Sydney.<br />

(1992) toured to the Perth Institute of Contemporary Arts, W.A.<br />

WOMAN IN <strong>THE</strong> WALL<br />

directed and designed solo performance for performer Clare Grant, composer Sarah de Jong, writer Mickey<br />

Furuya, lighting Simon Wise. The Performance Space, Sydney.<br />

(1992) toured to Aukland, N.Z.


VOLCANO AND VISION<br />

(opera by Rainer Linz and Paul Greene) directed for CALCULATED RISKS OPERA PRODUCTIONS,<br />

lighting Margie Medlin. The Performance Space, Sydney.<br />

<strong>THE</strong> TOYCART<br />

directed for STALKER STILT <strong>THE</strong>ATRE, Melbourne International Festival of Arts.<br />

(1991, 1992, 1993) tours to Japan, U.S.A., Canade, New Zealand, the Netherlands, U.K., Germany, Austria,<br />

Belgium, Hungary, Denmark.<br />

PRESCRIPTS<br />

co-created and performed with <strong>THE</strong> SYDNEY FRONT for Revaluations Conference, The Performance<br />

Space, Sydney.<br />

1989<br />

BATHTIME MANIA<br />

performed and directed solo work, Merlin International Stage 1B, Darling Harbour, Sydney.<br />

PHOTOCOPIES OF GOD<br />

co-created and performed with <strong>THE</strong> SYDNEY FRONT, composer Richard Vella, designer Pierre<br />

Thibaudeau, Lighting Simon Wise. The Performance Space, Sydney.<br />

<strong>THE</strong> NUREMBERG RECITAL<br />

performed and directed solo work, composer Sarah de Jong, writer Mickey Furuya, lighting Simon Wise,<br />

dramaturg John Baylis. The Performance Space, Sydney and the Perth Institute of Contemporary Arts,<br />

Perth.<br />

(1990) remounted for SIDETRACK PERFORMANCE GROUP'S Contemporary Performance Week 1,<br />

Sydney.<br />

1988<br />

<strong>THE</strong> PORNOGRAPHY OF PERFORMANCE<br />

co-created and performed with <strong>THE</strong> SYDNEY FRONT, composers Sarah de Jong and Andree Greenwell,<br />

Lighting Geoff Cobham and Simon Wise. Adelaide Festival Fringe and The Performance Space, Sydney<br />

(1989) tour of the Netherlands, Germany, Denmark, Austria and U.K.<br />

<strong>THE</strong> BURNT WEDDING and WATER PIECE<br />

co-created and performed with <strong>THE</strong> SYDNEY FRONT, World Expo 88, Brisbane.<br />

(1989) tour of Sydney, the Netherlands, Holland, Germany, Denmark, Austria and U.K.<br />

1987<br />

WALTZ<br />

director and performer with <strong>THE</strong> SYDNEY FRONT, composer Sarah de Jong, lighting Geoff Cobham. The<br />

Performance Space, Sydney.<br />

JOHN LAWS/SADE<br />

co-created and performed with <strong>THE</strong> SYDNEY FRONT, composer Andree Greenwell, lighting Simon Wise.<br />

The Performance Space, Sydney.<br />

1986<br />

GIVE ME A ROSE TO SHOW HOW MUCH YOU CARE


performed and directed solo, The Performance Space, Sydney.<br />

(1987) tour to WOOP WOOP conference, Adelaide.<br />

ILLUSION<br />

(by Peter Carey and Mike Mullins) choreographer and actors' director, the 1986 ADELAIDE FESTIVAL.<br />

FANTASTIC TOYS<br />

written, directed and choreographed for the AUSTRALAIAN DANCE <strong>THE</strong>ATRE, composer Sarah de Jong,<br />

designer Kim Carpenter.. Adelaide Festival Theatre.<br />

ARCHAEOLOGIC<br />

guest performer, teacher and choreographer with ENTR'ACTE <strong>THE</strong>ATRE, directors Pierre Thibaudeau and<br />

Nic Tsoutas, The Performance Space, Sydney.<br />

1984<br />

<strong>THE</strong> HOUSE OF AWA<br />

co-created and directed, The Performance Space, Sydney. Composers Philip Norman and Vincenzo Bellini.<br />

Designer Regis Lansac. (co-produced with <strong>THE</strong> ONE EXTRA COMPANY.)

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