THE RAMEAU PROJECT THE RAMEAU PROJECT ... - Nigel Kellaway
THE RAMEAU PROJECT THE RAMEAU PROJECT ... - Nigel Kellaway
THE RAMEAU PROJECT THE RAMEAU PROJECT ... - Nigel Kellaway
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2009<br />
1984 - 2009<br />
<strong>THE</strong> <strong>RAMEAU</strong> <strong>PROJECT</strong><br />
Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Actors: Nikki Heywood (replacing<br />
Regina Heilmann), <strong>Nigel</strong> <strong>Kellaway</strong>, Annette Tesoriero (mezzo-soprano). Instrumental ensemble: Heloise<br />
Pyne, Katrina Papallo, Catherine Upex, Steve Meyer, Ashley Kurrle, Michael Bell. Director and Composer:<br />
<strong>Nigel</strong> <strong>Kellaway</strong>. Lighting: Simon Wise. Costumes: <strong>Nigel</strong> <strong>Kellaway</strong> and Annemarie Dalziel. Presented as<br />
artists in residence, Performance Space at Carriageworks, Sydney.<br />
2008<br />
<strong>THE</strong> <strong>RAMEAU</strong> <strong>PROJECT</strong><br />
Further development of a new work with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Actors: Regina Heilmann, <strong>Nigel</strong><br />
<strong>Kellaway</strong>, Annette Tesoriero (mezzo-soprano). Instrumental ensemble: 2 violins, 2 ‘celli, double-bass and<br />
piano Director and Composer: <strong>Nigel</strong> <strong>Kellaway</strong>. Lighting: Simon Wise. Final stage of development as artists<br />
in residence, 2009, Performance Space at Carriageworks, Sydney.<br />
2007<br />
SINGING <strong>THE</strong> SPACE<br />
Directed the launch by Marie Bashir, Governor of NSW, of PERFORMANCE SPACE in their new venue at<br />
CARRIAGEWORKS, Sydney. Artists including Amanda Stewart, Annette Tesoriero, Timothy Chung,<br />
Catherine Tabrett, Vic Simms, Morganics, Brotha Black, Wire MC, Leichhardt Espresso Choir, Marlene<br />
Cummins, the Impact Hummers, Michelle Outram, Block Harmony, Ben Walsh Drumming Company, Clare<br />
Britton, Heidrun Lohr and Gail Priest. Artistic Consultant: Annette Tesoriero. Lighting: Simon Wise. Sound:<br />
Nicholas Wishart<br />
SLEEPERS WAKE! Wachet Auf!<br />
Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Writers: Virginia Baxter, Jai McHenry,<br />
Amanda Stewart, Josephine Wilson. Composer and solo actor: <strong>Nigel</strong> <strong>Kellaway</strong>. Muiscians: Margaret<br />
Howard (violin), Catherine Tabrett ('cello), Michael Bell (piano). Lighting: Simon Wise. Performance Space<br />
at Carriageworks, Sydney.<br />
2006<br />
<strong>THE</strong> <strong>RAMEAU</strong> <strong>PROJECT</strong><br />
Commenced development on a new work with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Regina Heilmann,<br />
<strong>Nigel</strong> <strong>Kellaway</strong> (director), Brian Fuata, Dean Walsh, Peretta Anggerek (countertenor), Didier Frederic<br />
(baritone), Clive Birch (bass), <strong>Nigel</strong> Ubrihien (harpsichord and musical director). Developed as artists in<br />
residence at the Department of Performance Studies, University of Sydney.
2005<br />
32 SHORT SCENES ON <strong>THE</strong> DICHTERLIEBE<br />
Co-created with Rosalind Crisp a full evening work for dancer and pianist with music by Robert Schumann.<br />
Created in residence at the Centre Nationale de la Danse, Paris and premiered at Performance Space,<br />
Sydney.<br />
2004<br />
<strong>THE</strong> AUDIENCE AND O<strong>THE</strong>R PSYCHOPATHS<br />
Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Katia Molino, <strong>Nigel</strong><br />
<strong>Kellaway</strong>, Karen Cummings. Co-writer: Amanda Stewart. Composer: Stephen Adams. Video Artist: Peter<br />
Oldham. Lighting: Simon Wise. Co-production with Performance Space, Sydney as part of NEW MARDI<br />
GRAS.<br />
STRANGERS IN <strong>THE</strong> <strong>THE</strong>ATRE<br />
Directed and performed solo work as part of ARTRAGE and PRIDE festival, at The Bakery, Perth, WA.<br />
PRELOVED<br />
Co-created and performed with a briefly re-united SYDNEY FRONT, short work for the 21st Birthday<br />
celebrations of the Performance Space, Sydney.<br />
2003<br />
ANO<strong>THE</strong>R NIGHT : MEDEA<br />
Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Regina Heilmann, <strong>Nigel</strong><br />
<strong>Kellaway</strong>, Peretta Anggerek (countertenor), Michael Bell (piano), <strong>Nigel</strong> Ubrihien (harpsichord), Margaret<br />
Howard (baroque violin), Catherine Yabrett (viola da gamba). Lighting designer: Simon Wise. Costume<br />
designer: Annemaree Dalziel. Performance Space, Sydney.<br />
CANTATA<br />
Created, directed and performed with STOPERA Inc . Featuring two French Baroque works (Medee by<br />
Louis-Nicolas Clerembault and Pigmalion by Jean-Philippe Rameau). Principal performers: Dina Panozzo,<br />
<strong>Nigel</strong> <strong>Kellaway</strong>, Rebecca Collins, Judith Dodsworth, Louise Page. Harpsichodist and Conductor, <strong>Nigel</strong><br />
Ubrihien. Street Theatre, Canberra ACT.<br />
2002<br />
KISS MY FIST<br />
Consulting director for production featuring emerging writer/performers Karl Velasco, Shelley O’Donnell,<br />
Brian Fuata and Hannah Furmage. A Performance Space/ Gay and Lesbian Mardi Gras production.<br />
ENTERTAINING PARADISE<br />
Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Regina Heilmann, <strong>Nigel</strong><br />
<strong>Kellaway</strong>, Andrew Morrish, Peretta Anggerek (countertenor), Michael Bell (piano). Lighting designer: Simon<br />
Wise. Costumes: Annemaree Dalziel. A co-production with Performance Space, Sydney.<br />
WOMAN IN TRANSIT<br />
Consulting director for a work-in-process showing of a new work by Rakini Devi. Performance Space,<br />
Sydney<br />
I LOVE YOU xxx<br />
Director of solo show for Alicia Talbot. Performance Space, Sydney
2001<br />
LITTLE GEORGE<br />
Created and directed for <strong>THE</strong> SONG COMPANY. Paddington United Church, Sydney<br />
AN INTERVIEW WITH <strong>THE</strong> VIRTUAL GODDESS<br />
Directed and co-performed with Rakini Devi, a work in progress presentation. Perth Institute for<br />
Contemporary Arts, WA<br />
EL INOCENTE<br />
Co-created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Regina Heilmann, <strong>Nigel</strong><br />
<strong>Kellaway</strong>, Katia Molino, Lynne Murray. Composer: Richard Vella. Lighting and video design: Simon Wise.<br />
Costumes: Annemaree Dalziel and <strong>Nigel</strong> <strong>Kellaway</strong>. Performance Space, Sydney.<br />
<strong>THE</strong> BERLIOZ - OUR VAMPIRES OURSELVES<br />
Toured with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. to Salamnca Arts Centre (Long Gallery) Hobart and Brisbane<br />
Powerhouse for the Live Arts (Powerhouse Theatre), Brisbane.<br />
MY LIFE AS A TAX DEDUCTION<br />
Solo presentation examining the works personally made and performed at Performance Space in the 20<br />
years since 1981. As part of a series entitled SCAPBOOK LIVE - AS REMEMBERED BY <strong>THE</strong> ARTIST for<br />
the ANTISTATIC DANCE PROGRAM<br />
<strong>THE</strong> AUDIENCE AND O<strong>THE</strong>R PSYCHOPATHS<br />
Co-created, directed and performed a work-in-progress with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers:<br />
Karen Cummings, <strong>Nigel</strong> <strong>Kellaway</strong>, Katia Molino. Co-writer: Amanda Stewart. Composer: Stephen Adams.<br />
Video Artist: Peter Olham. Lighting design: Simon Wise. Performance Space, Sydney<br />
FA’AFAFINE<br />
Directed for URBAN <strong>THE</strong>ATRE <strong>PROJECT</strong>S. Writer/solo performer: Brian Fuata. Dramaturg: Damien Millar.<br />
Composer: Liberty Kerr. Costume design: Carlos Gomes. Lighting and video design: Simon Wise.<br />
Performance Space, Sydney<br />
2000<br />
EL INOCENTE<br />
Two development processes and presentations of a new work for <strong>THE</strong> oPERA <strong>PROJECT</strong> INC., for<br />
production in 2001.<br />
STRANGERS IN <strong>THE</strong> <strong>THE</strong>ATRE and CRISS-CROSS<br />
Two short works created and performed for the HITCHCOCK FORUM and CROSS CUTS FORUM ,<br />
Performance Space, Sydney<br />
1999<br />
CHOUX CHOUX BAGUETTE REMEMBERS and SONG CYCLE WITH CEMENT MIXER<br />
Performed for the Sydney Gay and Lesbian Mardi Gras Festival with Annette Tesoriero, Seymour Centre<br />
and Performance Space, Sydney<br />
TRISTAN
Co-created, co-directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Annette Tesoriero,<br />
<strong>Nigel</strong> <strong>Kellaway</strong>, Jai McHenry, Regina Heilmann, Xu Fengshan and Michael Bell. Writer: Keith Gallasch.<br />
Lighting Design: Simon Wise. Music: Schumann and Wagner. The Performance Space, Sydney.<br />
<strong>THE</strong> QUERY<br />
Co-directed with John Baylis for URBAN <strong>THE</strong>ATRE <strong>PROJECT</strong>S. Performers: Xu Fengshan and Rolando<br />
Ramos. Writer: Merlinda Bobis. Lighting Design: Simon Wise. Sound Design: Nicholas Wishart. The<br />
Performance Space, Sydney.<br />
1998<br />
THIS MOST WICKED BODY<br />
Toured a restructured version with pianist Gerard Willems (performing the piano sonatas of Beethoven) and<br />
restaurateur Gay Bilson to the Telstra Adelaide Festival.<br />
DISTRESSING <strong>THE</strong> DIVA<br />
Created, directed and performed in a work, the culmination of a ten-day workshop process with twelve<br />
performers of STOPERA Inc., at the Street Theatre, Canberra, ACT.<br />
<strong>THE</strong> TERROR OF TOSCA<br />
Created, directed and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers: Annette Tesoriero, <strong>Nigel</strong><br />
<strong>Kellaway</strong>, Xu Fengshan, Jai McHenry, Dean Walsh, Regina Heilmann. Music by Puccini and <strong>Kellaway</strong>.<br />
Costumes by Annemaree Dalziel. Lighting with Simon Wise. The Performance Space, Sydney.<br />
1997<br />
<strong>THE</strong> SINKING OF <strong>THE</strong> RAINBOW WARRIOR<br />
(opera by Amanda Stewart and Colin Bright) directed for <strong>THE</strong> SONG COMPANY and AUSTRALYSIS at<br />
National Maritime Museum, Darling Harbour, Sydney, for the Sydney Festival. Musical Director Roland<br />
Peelmean, Designer Pierre Thibaudeau, lighting Ivan Smith, costumes Annemaree Dalziel, sound production<br />
Kevin Davidson.<br />
<strong>THE</strong> BERLIOZ our vampires ourselves<br />
co-created and performed with <strong>THE</strong> oPERA <strong>PROJECT</strong> INC. Performers Annette Tesoriero, <strong>Nigel</strong> <strong>Kellaway</strong>,<br />
Dean Walsh. Based on a scenario by Keith Gallasch, original sound by Peter Wells, lighting with Simon<br />
Wise. Performance Space, Sydney.<br />
BETWEEN PARRALELS AND MERIDIANS<br />
Directed installation with visual artist Gerardo Rodriguez-Bruzzesi at The Art Gallery of New South Wales.<br />
1996<br />
MYSTERIES<br />
(by Knut Hamsun, adapted by Patrick Troy and Peter Haynes) performed and co-directed with Patrick Troy<br />
with SPLINTERS <strong>THE</strong>ATRE OF SPECTACLE for the Canberra Festival, Canberra Playhouse, ACT.<br />
COMPRESSIONS 100<br />
created and performed in installation as part of project co-ordinated by Tess de Quincey and Stuart Lynch,<br />
the Sydney Opera House.<br />
FISH OUT OF WATER<br />
directing consultant for solo performance by Deborah Pollard, Performance Space, Sydney.
<strong>THE</strong> GEOGRAPHY OF HAUNTED PLACES<br />
directed solo performance by Erin Hefferon, writer Josephine Wilson, composers Rob Muir and Derek<br />
Kreckler, lighting Mike Nanning.<br />
(1996-97) touring Brisbane, Sydney, Adelaide and Perth. Produced by the Perth Institute of Contemporary<br />
Arts.<br />
(1997) Tour to the London International Festival of Theatre,performing at the Royal Court Theatre.<br />
1995<br />
FRIGHT!!!<br />
directed for SIDETRACK PERFORMANCE GROUP, composer Andree Greenwell, lighting Geoff Cobham,<br />
costumes Annemaree Dalziel, dramaturg Keith Gallasch. The Enmore Theatre, Sydney.<br />
1994<br />
THIS MOST WICKED BODY<br />
directed and performed solo performance/installation, a 10 day/240 hour performance marathon.<br />
Composer/percussionist David Montgomery, restaurateur Gay Bilson, video artist Peter Oldham, lighting<br />
Simon Wise. Performance Space, Sydney.<br />
(1995) Excerpts performed at the Hong Kong Fringe Remounted for SIDETRACK PERFORMANCE<br />
GROUP'S Contemporary Performance Week 6.<br />
(1996) Remounted for Progressive Dinner Conference, The Performance Space, Sydney. Tour to the Perth<br />
Institute of Contemporary Arts, W.A. (co-produced by Lesbian and Gay Pride).<br />
(1998) toured to 1998 Adelaide Festival with pianist Gerard Willems and Gay Bilson.<br />
HEAVEN<br />
choreographer for SIDETRACK PERFORMANCE GROUP, director Don Mamouney, composer Peter Wells.<br />
The Performance Space, Sydney.<br />
(1995) tour to Perth Festival.<br />
1993<br />
SKY DRIVING<br />
directed aerial production for LEGS ON <strong>THE</strong> WALL, Powerhouse Museum, Sydney.<br />
CHOUX CHOUX BAGUETTE REMEMBERS<br />
Co-directed and performed with Annette Tesoriero music theatre/cabaret production, Tilbury Hotel, Sydney.<br />
SIDETRACK PERFORMANCE GROUP's Contemporary performance Week 4 and at The Playhouse, Perth<br />
(produced by Manifest Productions).<br />
(1994) return season at the Tilbury Hotel, Sydney.<br />
(1995) tour to the Hong Kong Fringe and Woolongong University.<br />
(1996) tour to Festival of Contemporary Arts, Canberra.<br />
(1997) tour to Australia Festival of The Voice, Wagga Wagga, NSW.<br />
(2000) New Year performance, Sydney Opera House<br />
PORTRAIT OF AN INVISIBLE MAN<br />
director and performer with <strong>THE</strong> SPRUIK GROUP, composer Sarah de Jong, koto player Satsuki Odamura,<br />
singer Mara Kiek, percussionist David Montgomery. The Wharf, Sydney.<br />
PASSION
co-created and performed with <strong>THE</strong> SYDNEY FRONT, composer Andree Greenwell, writer Mickey Furuya,<br />
lighting Simon Wise. The Performance Space, Sydney.<br />
1992<br />
<strong>THE</strong> TOURISTS<br />
co-created and performed with <strong>THE</strong> SYDNEY FRONT and Yuji Sone, Sydney Festival.<br />
QUIET (A CRISP EXECUTION)<br />
directed and performed with 15 Perth based visual and performance artists, Perth Institute of Contemporary<br />
Arts, W.A.<br />
FIRST AND LAST WARNING<br />
with <strong>THE</strong> SYDNEY FRONT, composer Peter Wells, writer Mickey Furuya, lighting Simon Wise. The<br />
Performance Space, Sydney.<br />
1991<br />
DON JUAN<br />
co-created and performed with <strong>THE</strong> SYDNEY FRONT, composer Raffaelle Marcellino, lighting Geoff<br />
Cobham and Simon Wise. The Performance Space, Sydney.<br />
(1992) tour to the Adelaide Festival Fringe, the Perth Institute of Contemporary Arts (produced by<br />
Performing Lines), Amsterdam, Dusseldorf, Salzburg, Linz, Klagenfurt, Brussels, London and<br />
Copenhagen.<br />
(1993) tour to Hong Kong Fringe and return season at The Performance Space, Sydney.<br />
IDOL<br />
directed for SIDETRACK PERFORMANCE GROUP, dramaturg John Baylis, costumes Annemaree Dalziel,<br />
Music Peter Wells.<br />
(1992) tour to Melbourne. (1993) tour to Canada.<br />
OP.CIT.<br />
co-created and performed with <strong>THE</strong> SYDNEY FRONT for Sidetrack Performance Group's Contemporary<br />
Performance Week 2.<br />
A MASTERPIECE OF TELEVISION<br />
directed workshop production for SIDETRACK PERFORMANCE GROUP's Contemporary Performance<br />
Week 2.<br />
ORPHEUS<br />
directed and performed with IHOS CONTEMPORARY OPERA, Hobart. Composer Constantine Koukias.<br />
1990<br />
TALES OF LOVE<br />
performer and co-creator with mezzo-soprano Annette Tesoriero, dramaturg John Baylis , composer Richard<br />
Vella, lighting Margie Medlin. For CALCULATED RISKS OPERA PRODUCTIONS at The Performance<br />
Space, Sydney.<br />
(1992) toured to the Perth Institute of Contemporary Arts, W.A.<br />
WOMAN IN <strong>THE</strong> WALL<br />
directed and designed solo performance for performer Clare Grant, composer Sarah de Jong, writer Mickey<br />
Furuya, lighting Simon Wise. The Performance Space, Sydney.<br />
(1992) toured to Aukland, N.Z.
VOLCANO AND VISION<br />
(opera by Rainer Linz and Paul Greene) directed for CALCULATED RISKS OPERA PRODUCTIONS,<br />
lighting Margie Medlin. The Performance Space, Sydney.<br />
<strong>THE</strong> TOYCART<br />
directed for STALKER STILT <strong>THE</strong>ATRE, Melbourne International Festival of Arts.<br />
(1991, 1992, 1993) tours to Japan, U.S.A., Canade, New Zealand, the Netherlands, U.K., Germany, Austria,<br />
Belgium, Hungary, Denmark.<br />
PRESCRIPTS<br />
co-created and performed with <strong>THE</strong> SYDNEY FRONT for Revaluations Conference, The Performance<br />
Space, Sydney.<br />
1989<br />
BATHTIME MANIA<br />
performed and directed solo work, Merlin International Stage 1B, Darling Harbour, Sydney.<br />
PHOTOCOPIES OF GOD<br />
co-created and performed with <strong>THE</strong> SYDNEY FRONT, composer Richard Vella, designer Pierre<br />
Thibaudeau, Lighting Simon Wise. The Performance Space, Sydney.<br />
<strong>THE</strong> NUREMBERG RECITAL<br />
performed and directed solo work, composer Sarah de Jong, writer Mickey Furuya, lighting Simon Wise,<br />
dramaturg John Baylis. The Performance Space, Sydney and the Perth Institute of Contemporary Arts,<br />
Perth.<br />
(1990) remounted for SIDETRACK PERFORMANCE GROUP'S Contemporary Performance Week 1,<br />
Sydney.<br />
1988<br />
<strong>THE</strong> PORNOGRAPHY OF PERFORMANCE<br />
co-created and performed with <strong>THE</strong> SYDNEY FRONT, composers Sarah de Jong and Andree Greenwell,<br />
Lighting Geoff Cobham and Simon Wise. Adelaide Festival Fringe and The Performance Space, Sydney<br />
(1989) tour of the Netherlands, Germany, Denmark, Austria and U.K.<br />
<strong>THE</strong> BURNT WEDDING and WATER PIECE<br />
co-created and performed with <strong>THE</strong> SYDNEY FRONT, World Expo 88, Brisbane.<br />
(1989) tour of Sydney, the Netherlands, Holland, Germany, Denmark, Austria and U.K.<br />
1987<br />
WALTZ<br />
director and performer with <strong>THE</strong> SYDNEY FRONT, composer Sarah de Jong, lighting Geoff Cobham. The<br />
Performance Space, Sydney.<br />
JOHN LAWS/SADE<br />
co-created and performed with <strong>THE</strong> SYDNEY FRONT, composer Andree Greenwell, lighting Simon Wise.<br />
The Performance Space, Sydney.<br />
1986<br />
GIVE ME A ROSE TO SHOW HOW MUCH YOU CARE
performed and directed solo, The Performance Space, Sydney.<br />
(1987) tour to WOOP WOOP conference, Adelaide.<br />
ILLUSION<br />
(by Peter Carey and Mike Mullins) choreographer and actors' director, the 1986 ADELAIDE FESTIVAL.<br />
FANTASTIC TOYS<br />
written, directed and choreographed for the AUSTRALAIAN DANCE <strong>THE</strong>ATRE, composer Sarah de Jong,<br />
designer Kim Carpenter.. Adelaide Festival Theatre.<br />
ARCHAEOLOGIC<br />
guest performer, teacher and choreographer with ENTR'ACTE <strong>THE</strong>ATRE, directors Pierre Thibaudeau and<br />
Nic Tsoutas, The Performance Space, Sydney.<br />
1984<br />
<strong>THE</strong> HOUSE OF AWA<br />
co-created and directed, The Performance Space, Sydney. Composers Philip Norman and Vincenzo Bellini.<br />
Designer Regis Lansac. (co-produced with <strong>THE</strong> ONE EXTRA COMPANY.)