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The Nature of Revolution: Art and
Politics under the Khmer Rouge
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Description
The Nature of Revolution provides the first account of art and politics
under the brutal Khmer Rouge regime in Cambodia. James A. Tyner
repositions Khmer Rouge artworks within their proper political and
economic context: the materialization of a political organization in an
era of anticolonial and decolonization movements. Consequently, both the
organization’s policies and practices—including the production of
poetry, music, and photography—were incontrovertibly shaped by and
created to further the Khmer Rouge’s agenda.Theoretically informed and
empirically grounded, Tyner’s work examines the social dimensions of the
Khmer Rouge, while contributing broadly to a growing literature on the
intersection of art and politics. Building on the foundational works of
theorists such as Jacques Rancière, Theodor Adorno, and Walter Benjamin,
Tyner explores the insights of Leon Trotsky and his descriptions of the
politics of aesthetics specific to socialist revolutions. Ultimately,
Tyner reveals a fundamental tension between individuality and
bureaucratic control and its impact on artistic creativity and freedom.