[F.R.E.E] [D.O.W.N.L.O.A.D] [R.E.A

Reshaping the Field: Arts of the African
Diasporas on Display (Exhibition Histories,
13)
[F.R.E.E] [D.O.W.N.L.O.A.D] [R.E.A.D] Reshaping the Field: Arts of the African
Diasporas on Display (Exhibition Histories, 13) Free Download
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[F.R.E.E] [D.O.W.N.L.O.A.D] [R.E.A.D] Reshaping the Field: Arts of the African
Diasporas on Display (Exhibition Histories, 13) Free Download

Description
A critical anthology on the mediation of Blackness through pivotal historical art exhibitionsThe
13th volume of Afterall Books’ Exhibition Histories series explores Black identity through key
historical moments that have created ruptures in the framing of Blackness, emphasizing how Black
artists have been viewed and African diasporic art histories have been formed. Through a
selection of landmark examples, from the Metropolitan Museum of Art’s 1969 Harlem on My Mind
to the Whitney’s 1971 Contemporary Black Artists in America to LACMA’s 1976 Two Centuries of
Black American Art, Reshaping the Field examines pioneering exhibitions that have shaped the
domain of Black art. Also including reflections on the curatorial practices of—and important works
held by—renowned art galleries affiliated with historically Black colleges and universities such as
Howard University and Fisk University, this critical anthology explores the commodification of
Black bodies and embarks on a discussion of Black futurity in the contemporary art world. With
contributions by artists, art historians and curators, this volume demonstrates that the question of
Black identity in art and exhibition-making is historically and systemically produced.Contributors
include: Nana Adusei-Poku, Mora J. Beauchamp-Byrd, Bridget Cooks, Abby Eron, Amber Esseiva,
Cheryl Finley, Languid Hands (Imani Robinson and Rabz Lansiquot), Julie McGee, Kobena
Mercer, Derek Conrad Murray, Serubiri Moses, Senam Okudzeto, Monique Renee Scott, Jamaal
B. Sheats, Richard J. Powell, Howard Michael Singerman, Marlene Smith, Lucy Steeds and
Brittany Webb.