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PORFOLIO
Àngels CG
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urban planning | architecture | design
Summer 23’
| 2 | | 3 |
XVI Biennale Architettura di Venezia
In 2016 I began my adventure in the architecture world, a great challenge I had
dreamed of since I was a child.
I am interested in the careful vision that Architecture offers to understand
the current world - the future and the past - as well as society. Identifying and
being able to meet the needs of users is vital to doing my job, good architecture.
The context in each project is the essential element in which the proposed
new fabric must dialogue and coexist in symbiosis with the environment. I am
interested in all possible scales of work, moreover, the interdisciplinary work of
these gives rise to more comfortable spaces and dwellings for everyday life.
Àngels Cañellas Genius
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| 1 |
INDEX
Curriculum
p. 4 - 7
Letters of recommendation
p. 8 - 11
Where are villages?
Final Project for Bachelor’s and Master’s Degrees (PFGM)
p. 12 - 35
Garden house
First project of the Architecture degree course
p. 36 - 39
The self-destroyed village
Third year final project
p. 40 - 47
Chair 2l
Intermediate project second year
p. 48 - 51
Resewing Tudela
Intermediate project third year
p. 52 - 55
Porosity through abandonment
Fifth year final project
p. 56 - 63
Appendix
p. 66 - 81
| 2 | | 3 |
CURRICULUM
RECOGNITIONS
May 23: PFM in final phase (pending resolution), Where are villages?. Fundació Güell’s Awards
EDUCATION
2021-2022: Master in advanced Architecture studies at Universitat Rovira i Virgili (ETSAR)
Average grade: 10 / 10 Unanimously awarded with honours
2020-2021: Master of Architecture at Universität Stuttgart (USAF)
Average grade: 9,50 / 10 Erasmus Programme
2016-2021: Degree in Architectural Studies at Universitat Rovira i Virgili (ETSAR)
Average grade: 8,42 / 10 First student of the promotion
AWARDED WITH HONORS (grade 10): Urban Planning and Projects IV, Professional Practices I, II and III,
Planning and Transformation of Tourist Cities on the Mediterranean Coast, Urban Planning and Projects III,
History of Architecture III, Introduction to Projects II, Physics and Descriptive Geometry II.
EXCELLENT (grade 9): Urban Planning and Projects VIII, Urban Planning and Projects VII, Territory
and Landscape, Urban Planning and Projects VI, Urban Planning and Projects V, History of Architecture
II, Construction I, Representation Techniques, Art and Architecture, Mathematics I, Mathematics II and
Architectural Drawing.
EXPERIENCE
Feb 23 | Jul 23, 6 months: Alberto Campo Baeza Studio, Madrid. Arquia Scholarship
Jan 23: Unanimously awarded with honours in the Master’s Degree Final Project, Where are villages?. ETSAR
Jul 22: Arquia Scholarship, internship scholarship for academic transcript of records. Arquia Foundation
Jan 22: First prize with colab. Anna & Eugeni Bach, Spina Dorsi. CatSalut + Ajuntament de l’Arboç
Nov 21: Selected project with colab. Anna&Eugeni Bach, Llar. Ajuntament del Prat de Llobregat
Oct 21: Award for academic excellence, 2017, 2018, 2020, 2021 editions. Ajuntament de La Selva del Camp
Feb 21: Second prize with colab. NUA Arquitectures, L’envelat. Ajuntament de Tarragona
Jun 20: Project selected with colab. NUA Arquitectures, La Teixidora. IVABI
Jan 20: First prize for the design of a university stand for education fairs, URV Stand. ETSAR
May 19: Exhibition at the Miró Foundation, A gift to the Venetians. Miró Foundation
Apr 19: Catalan representation at the Biennale, Do we learn from nature?. XVI Venice Architecture Biennale
Aug 21 | Jul 22, 1 year: Anna & Eugeni Bach, Barcelona. Internship
Jun 20 | Feb 21, 9 months: NUA Arquitectures, Tarragona. Internship
Jun 20 | Aug 20, 3 months: Tous Arquitectes, Tarragona. Internship
Oct 19 | Jul 20, 10 months: Department of Recerca Urbana del Camp, ETSAR. Assistant professor and researcher
Jun 19 | Jul 19, 2 months: Anna Bastús Studio, La Selva del Camp. Internship
Jun 18 | Jul 18, 2 months: El Taller CoWorking, La Selva del Camp. Internship
Jun 16, 1 month: Estudi Arquitectura Mercè Vergès, La Selva del Camp. Before beginning studies
FURTHER EDUCATION
Feb 23: Seven lessons on Architecture, postgraduate course. Held at the Real Academia de Bellas Artes de
San Fernando | with ETSAM and UFV | organised by Alberto Campo Baeza
Nov 22: Intermediate Revit course. Escuela Sert of training
Sep 21: The City Foreseen, workshop EAR RAW. With ETH Zürich, KU Leuven, Università Degli Studi di
Genova | organised by ETSA Reus
Jul 19: FREESPACE Reflexions d’arquitectura/natura, workshop. Held at the 11th Venice Biennale of Architecture,
organised by La Salle Barcelona.
| 4 | | 5 |
PUBLICATIONS
May 23: Seven lessons on Architecture, Alberto Campo Baeza. Rivas, Juanjo; Campo, Alberto | ISBN
978-88-492-3937-9. Editoral ACB, Madrid.
Jul 21: Porosity through abandonment, Porosität – Betrachtungen der performativen Stadt am Beispiel
Stuttgart. SuE / Stadtplanung und Entwerfen | Calero, Irene; De la Guardia, Diego; Virgili, Miquel
http://www.sue-uni-stuttgart.de/lehrformate/ss2021-porositaet/
Sep 20: The minimal city. Traces of urbanity along the Ebro river. UPCommons | Tiñena, Arnau;
Cortellaro, Stefano; Sardà, Jordi; Solé, Josep M.
https://upcommons.upc.edu/handle/2117/328614
Sep 20: An intervention on an emerging industrial architectural heritage. Abitare la Terra - Dwelling
on Earth. Gangemi Editore International SPA, ISBN 978-88-492-3937-9 | Toldrà, Josep M.; Zaguirre, Joan M.
https://www.amazon.co.uk/Abitare-Terra-Dwelling-Quaderni-Supplemento-Geoarchitettura/dp/8849239955
LANGUAGES
Catalan. Mother tongue
Spanish. Bilingual competence
English. Full professional experience (C1)
(last accreditation: B2-FCE by: University of Cambridge, 2016)
German. Full professional experience (B1.1)
(last accreditation: B1.1 by: EOI Guinardó,2021)
PERSONAL DATA
Tel. +34 669 95 28 84
Mail. angels.acg.98@gmail.com
Birth. March 1998, Reus
COMPUTER SKILLS
Autodesk AutoCAD 2D i 3D. Excellent
SketchUp. Excellent
Revit. Good (Nivell intermedi acreditat per Autodesk)
Adobe Photoshop. Excellent
Adobe InDesign. Excellent
Adobe Illustrator. Good
Enscape. Excellent
ArchiCAD. Good
Rhino. Good
Others: Lumion, Artlandis, Presto (measurements), Wineva (structure), DiaLux (illumination)
PROFILE
I consider myself a creative, responsible, and active person, a lover of details and plenty of good energy
and enthusiasm. Working with perseverance to achieve my goals has always been the key to overcoming
the challenges I have set myself.
Being surrounded by a good team - diverse, human, and professional – is the right way to achieve the
complexity and dynamism that architecture projects require. The sum of energies and visions brings
constructive results that are appropriate to real needs. It is as simple as being listened to and listening
for having a common, powerful, and true discourse.
I try to enjoy the daily tasks, without longing for tomorrow or fearing it. Building myself.
| 6 | | 7 |
RECOMMENDATION LETTERS
Since I started my studies, I needed to understand what the professional
world was to get a complete education. So, I started doing some internships
first in the summertime and then in combination with my university
studies, which was not easy but very satisfying and rewarding. Thus, I
can say that I have experience in studies of different fields and projections
which complement my education. Fortunately, I have always come
across workmates who have become friends, who have always treated me
wonderfully and made me feel like part of a big family. Leaving behind a
legacy of friendship and trust that for sure will last for a long time. From
all of them I have learned so much. I could not be more grateful. I have
many memories of them, and some have been kind enough to write a
brief showing how well we worked together.
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| 10 | | 11 |
| 12 | | 13 |
ENGLISH VERSIONS
NUA ARQUITECTURES
A&EB
ESTUDIO ALBERTO CAMPO BAEZA
JORDI SARDÀ I FERRAN, dr. architect
Andreu, she designed and built the folding pavilion
for temporary events, commissioned by the URV at
The architect Àngels Cañellas came to the studio as a
student on an internship at the Reus School of Architecture
(ETSA-URV). During her 7-month stay, she collaborated on
proposals for competitions, developed parts of projects and
elaborated graphic documentation, always showing great
interest in the discipline, work capacity, determination to
solve difficulties, and a great sensitivity and graphic ability.
In all the tasks carried out, despite her youth, Àngels showed
competence, responsibility, initiative and curiosity, and her
time in the studio was very satisfactory.
Her arrival at the studio was preceded by a brilliant period
at the University, where we had the opportunity to be her
teachers in the subject of Projects and Urban Planning in
the third year. During her time in the workshop, Àngels
stood out as one of the best students of the course with her
desire to learn, her perseverance and her creativity, skills
that were also demonstrated, two years later, in her Final
Degree Project, “On són els pobles? Reactivació urbana, social
i cultural del nucli antic selvatà”, which we had the pleasure
of tutoring. In his final degree project, which obtained
a grade of Excellent (10), we once again had the opportunity
to verify his project and research skills, his desire to search
and experiment, his accurate reading of the place and the
context, her skilful handling of the different scales simultaneously,
and her rigour and, at the same time, daring, when
it comes to proposing the strategies of the intervention.
Àngels Cañellas has demonstrated her skills in planning
and, most importantly, her interest, talent, and desire to
learn. For this reason, we are convinced that she will be a
great contribution to those who receive her.
Tarragona, 7 June 2023.
Arnau Tiñena; Maria Rius; Ferran Tiñena.
EUGENI BACH TRIADO, Collegiate Architect no. 32 565 of the
Official College of Architects of Catalonia, as a partner of the
Anna & Eugeni Bach/Bach arquitectes, certifies that ÀNGELS
CAÑELLAS has been part of our studio from August 2021 to
July 2022.
During this time, Àngels has been part of the studio team, developing
projects of different scales, programs, and development
phases, proving to be a person with a great capacity for work,
with an always positive attitude, good character and at all times
showing a very good behaviour with his work colleagues, reflecting
being a person worthy of personal and professional trust.
Throughout his collaboration in the studio, Àngels has worked
on projects in all their facets and scales, participating both
in competitions, as preliminary projects, basic and execution
projects, and support to the construction management. Some of
the projects he has worked on are:
- Basic project of the Primary Assistance Center in Arboç
- Construction project of a house in Llafranc
- Development project for a school and youth center in Nou
Barris, Barcelona
-Support the construction management of the reform of a modernist
building in Passeig de St Joan in Barcelona
- Competition for a residence for elderly people in El Prat de
Llobregat
-Pre-project for a detached house in Montsià, Tarragona
-Support for preliminary studies for a hospital building in
Barcelona
-Preliminary project for the reform of a modernist building next
to La Pedrera, Barcelona
After her time at the studio, Angels has grown as an architect,
gaining on her own merits both responsibility as well as project
skills and organization. For all these reasons, I fully recommend
ANGELS CANELLAS for any position of responsibility in an
architecture studio.
Eugeni Bach Triadó.
Àngels Cañellas Genius arrive at our architecture studio at
the beginning of February 2023, after obtaining a 6-month
scholarship from the Arquia Foundation that will end next
July.
Àngels is a young, intelligent, and responsible architect. She
has always been attentive, resolute, and generous, completing
all the work satisfactorily and efficiently. Both in human and
professional terms she is an extraordinary person.
She has worked with us on all kinds of projects and daily
challenges, showing her ability to adapt to all kinds of
situations. Among others, he has carried out the following
activities:
- Ideation and technical plans, models, and images of the
basic project of the Nursery in Armenia.
- Detailed models of the project for the Arquia Banca Office
in Burgos.
- Panel composition for the Mojácar project competition.
- Planimetry of the executive project for the Miami office
project.
- Documentation and graphic layout of the book for the
Seven Lessons on Architecture held at the Real Academia de
Bellas Artes de San Fernando.
- Organisation of the studio’s archives and internal material.
Always, everything, with outstanding quality.
It is a satisfaction for me and for everyone in my studio to be
able to speak of a collaborator in this way. For this reason,
I am pleased to say that Àngels has a valuable professional
future ahead of her.
Alberto Campo Baeza, Doctor of Architecture.
Madrid, 24 May 2023.
I met Àngels Cañellas during the 2018/19 academic the Reus School of Architecture.
year in the third year of the Projects and Urban Planning
Workshop. I had good references as a student I was able to closely follow the first work experiences
As the teacher in charge of the teaching internships,
of the previous years and her attitude, aptitude and of Àngels Cañellas at NUA Arquitectures studio
results of the course fully certified it. The topic of the in Tarragona, and with Anna & Eugeni Bach in
course was Housing and city. During the first semester,
we proposed to carry out exercises in Camp de tionable interest in architecture and her capacity for
Barcelona. The internships confirmed her unques-
Tarragona: two collective housing, in Reus and Salou, involvement in real projects.
and a final individual one, in Tarragona. Àngels was But where Àngels Cañellas shows her rigour and
the active, reflective, and critical driving force of her risk-taking was in her final Bachelor’s and Master’s
group and a point of reference for the whole project degree project, On són els pobles? - Reactivació
workshop from the very beginning. In the individual urbana, social i cultural del nucli antic selvatà.
exercise, she proved all her imagination and work Here she explains well that she has no doubt that
capacity. She proposed a volumetrically powerful but interventions in the historic environments must
carefully and delicately housing complex facing the ensure keeping the old town centre habitable and inhabited.
Following this line of thought, he proposed
river next to the Tabacalera of Tarragona. It was the
only honours award of the course.
hybridising new housing and old, but renovated, facilities
in the old quarter of La Selva del Camp. The
The second semester consisted of analytical studies
on the Ebro River Basin, in its varied territories and results are astonishing. The enormous and refined
its best cities. Àngels and her teammates worked in work was presented to a jury that I had the honour
Mequinenza, Tudela, Deltebre and, finally, again in of presiding over. It deserved an honours mention,
Mequinenza, on a fascinating subject: the rehabilitation
of the Ancient Village. The results of the work and Her academic record has enabled Àngels Cañellas
awarded unanimously.
the course, as could not be otherwise, were excellent. to win the first Arquia scholarship awarded to a
Mequinenza has become a research topic of the CRUC student of the Reus School of Architecture. It is a
- Centro de Investigació Urbana del Camp - and 6-month stay in Alberto Campo Baeza’s studio.
Àngels Cañellas has worked and continues working It is through this succession of encounters, around
on this and other research topics after winning the interesting projects that Àngels Cañellas always
research grant awarded by the ETSA and the URV for understands as challenges and solves with courage,
this purpose.
rigour, hard work, and excellent results, that I have
The following year she was a student of the optional been able to see both her infinite desire to do and
subject, The planning and transformation of tourist her exceptional ability to tackle complex problems
cities on the Mediterranean Coast. She organised the of architecture and the city. That is why I would like
construction of a collective cartography of the “City to be able to recommend her to choose well where
of the Costa Daurada”, located between Sitges and to work and to always seek rigour and risk when
Peñíscola. The pandemic made it necessary to take practising this exciting profession.
the work to the virtual format, a medium that Àngels
Cañellas has mastered, as the results of the course Reus, 8th June 2023
showed. Meanwhile, together with her usual colleagues,
Gerard Cuchí and Daniel Marqués, and under Centre for Urban Research of the Camp (CRUC)
Jordi Sardà i Ferran, Doctor of Architecture.
the direction of professors Arnau Tiñena and Josu School of Architecture of Reus, URV.
| 14 | | 15 |
WHERE ARE VILLAGES?
January 23’
Final Project for Bachelor’s and Master’s Degrees (PFGM)
Tutor: Arnau Tiñena Ramos
Tribunal: Eugeni Bach, Jordi Sardà, Ferran Grau,
Josep M. Toldrà and Josep M. Solé.
Two hundred metres above the land-water boundary, an inhabited
crown rises, the result of the accumulation of urban developments:
villages, housing, and satellite industrial areas, which has grown
- and is growing - disproportionately. Until now, growth, mostly
radial, has been understood as a positive indicator of prosperity.
However, excessive growth, disconnected from pre-existence,
has led to poor urban fabrics, isolated and with a strong deficit of
public spaces and facilities.
Searching for opportunity spaces in already consolidated environments
to improve living conditions and promote new futures
where abandoned spaces are re-inhabited, is the strategy to restore
and provide housing quality to the old quarters, through a model
of study of the void and the full. This recognises the urban and
social emptiness of an old Ataneu, a facilities centre created at the
end of the 19th century for the literacy of the popular classes and
the dynamization of culture to make up for the deficits that institutions
could not guarantee.
Reus-Francolí axis, overlapping of current and future fabrics
| 16 | | 17 |
Old Town, formal analysis
| 18 | | 19 |
Ateneu, current indoor public space
Old Town, meeting of the Ataneu
New Ateneu, indoor public space
| 20 | | 21 |
Current status Ateneu
Demolition
90º turn of theatre Cooperative housing
Porous ground floor
New Ataneu
| 22 | | 23 |
Public spaces
| 24 | | 25 |
Ground floor
First floor
Second floor
Th i r d fl o o r
| 26 | | 27 |
Volumetric working model
Model-section
| 28 | | 29 |
Exploited axonometry
Constructive axonometry
| 30 | | 31 |
Section studied
Construction section
Study of structural elements
| 32 | | 33 |
Main section
| 34 | | 35 |
Outside views
| 36 | | 37 |
| 38 | | 39 |
GARDEN HOUSE
CASA JARDÍ
June 17’
AXONOMETRIA DE LES DIFERENTS CAPES
First project of the Architecture degree course
Professors: Toni Gironès, Jaume Farreny,
Raquel Casals, and Josep M. Toldrà
I particularly appreciate this project and I like to remember it very much,
perhaps not so much for its virtues, but because it was the first proper
architectural project of my career. At that time, I had a clean and clear
vision. Where intuitions were, always, the guide of the design process.
Without architectural stereotypes or prejudices, I reacted spontaneously
to the problems presented by the project. It is beautiful to recall the
origins, making an exercise of freshness, simplicity, and innocence. We
were given a defined plot, with a structure of concrete pillars, placed
diagonally on the plot. I studied the surroundings and took advantage of
the pre-existence to provide it with a theoretical residential use. The aim
was to create a magical space with a large metal structure covered with
vegetation. This element enveloped the project, protecting it from the adversities
of the Mediterranean clime in the summer months and allowing
it to capture the scarce energy of the winter months, always guaranteeing
ventilation.
Axonometry of compositional elements
| 40 | | 41 |
Model
Plans, sections and elevations
| 42 | | 43 |
THE SELF-DESTROYED VILLAGE
June 19’
Third year final project
Collaboration with: Daniel Marquès y Gerard Cuchí
Professors: Jordi Sardà, Arneu Tiñena, José M. Solé,
Pablo Roel, and Stefano Cortellaro
After a visit to such a spectacular geographical point as Mequinenza, at
the confluence of the rivers Ebro, Segre and Cinca. A thousand questions
remained open in our minds.
We were told that the destruction of the village of Mequinenza, full of
history and beautiful, was caused by the construction of the artificial
reservoirs of Mequinença and Fayó. A story that was credible until we
see what the village now looks like, as the Roman ruins of Empúries,
where the pavements and the dividing walls are still visible in the very
beginning. Just over 5% of the surface of the village was left below the
line of maximum flow of the new river. The people of the village itself
had decided to overthrow an entire village and now resented the facts.
Even the younger generations of the village did not know these facts. It
seemed incredible to us. While we were researching the story of a village’s
self-destruction, we discovered how its impressive location had turned
out to be both the main reason for its foundation and the driving force
behind its profound and dramatic transformations.
| 44 | | 45 |
| 46 | | 47 |
Ceramic model
Confluence of rivers
| 48 | | 49 |
Restoration of the old town square
Typological proposal
| 50 | | 51 |
CHAIR 2l
January 17
Intermediate project second year
Professors: Arturo Frediani, Juan M. Izaguirre,
and Cristóbal Fernández
The 2l chair plays with the intersection of two pieces, where the rear
part of the seat is released, thus making the whole more attractive and
implausible. These two totally opposite entities, which at the same time
are coherent, are joined together at a point of maximum tension with
high technical complexity to cope with the moment it must be able to
withstand. These two pieces are made up of two pieces of pine wood,
assembled with a steel plate placed in the axis, the corner of which is
visible. Two strategically placed pins prevent movement in all directions.
The chair aims to be the ideal seat through the study of human ergometry
with the relationship of angles between the seat and the back of this.
| 52 | | 53 |
Stackability model
Planimetry
| 54 | | 55 |
RESEWING TUDELA
January 18
Intermediate project third year
Collaboration with: Daniel Marquès y Gerard Cuchí
Professors: Jordi Sardà, Arneu Tiñena, José M. Solé,
Pablo Roel, and Stefano Cortellaro
The study and identification of urban typologies are vital to understand
population centres and their evolution, and thus to be
able to project their future. In this case, the studied town was Tudela.
It is the most important town in the nearby territory, on the
banks of the river Ebro. But during the study, we see that, although
the Ebro is one of the main reasons for its prosperity, with the
construction of the railway line parallel to the river, the river becomes
the back of the city, with a non-existent urban connection
with this natural element and thus leaving a poor and disorderly
pluvial façade. What we propose, then, is a new growth of the city
in this direction with the reopening of the city in this natural environment
of great wealth, making a new urban front that involves
new ways of understanding the day-to-day life of the inhabitant
with permeable buildings.
| 56 | | 57 |
Proposed section
Study of urban forms
Axonometry of the proposal
| 58 | | 59 |
POROSITY THROUGH ABANDONMENT
July 21’
Fifth year final Project
Collaboration with: Irene Calero, Diego de la Guardia
and Miquel Virgili
Professors: Martina Baum, Alba Balmaseda, and Lorenz Brugger
European cities in the middle of the 20th century were faced
with a big question: how to rebuild themselves. They could either
restore the past as it was or construct new buildings in keeping
with the times, as was the case in Stuttgart. If we look at Stuttgart’s
city centre, we can see that only offices and shopping centres are
located there. Two uses which, with the arrival of the pandemic,
left the centre deserted. With the recovery of activity, we are aware
that the new dynamics leave 30% of these spaces abandoned in
their wake. They are therefore becoming modern ruins or spaces
of opportunity for other uses. We are studying new uses compatible
with the current ones that provide dynamism for the survival
of the centre. We propose as an opportunity temporary housing
for students in a city that has eight universities, most of them far
from the city centre. We propose an incremental flat typology that
adapts to the contemporary architectural residue from which we
start and with which we reconstruct through the opening of courtyards,
common spaces, and transition to provide them.
| 60 | | 61 |
Models of adaptive proposals
Axonometry of the inner courtyard
| 62 | | 63 |
View of a common area
View of a living space
Detailed section
| 64 | | 65 |
Axonometry of the proposal
| 66 | | 67 |
làmina 6_axonométrica claustre
MAQUETA
PERFIL
ALÇAT
PB
AXONOMETRIA CAVALLERA
PB+1
[ I ]
Garden house
[ II ]
Weinvorplatz
[ III ]
Stairs-patio
[ IV ]
URV Stand
[ V ]
Study of a Renaissance
cloister
[ VI ]
Gift to the Venetians
[ VII ]
Where are villages?
[ VIII ]
Chair 2l
[ IX ]
Consolidation of the
riverfront
[ X ]
Studentenwohenheim
[ XI ]
Re-living Remullà
This portfolio is intended to be a small reflection
of my knowledge, skills, and shortcomings.
It is not arranged in chronological order, but
simply responds to an architectural discourse
elaborated during five years of research and
learning.
[ XII ]
Astronomical crossover
[ XIII ]
MGZM A-Z
[ XIV ]
Mequinença 3.0
| 68 | | 69 |
APPENDIX
Drawings
p. 68 - 69
Photography
p. 70-71
Internships
p. 72 - 79
Futures
p. 80-81
| 70 | | 71 |
DRAWINGS
To understand reality, simplify it and reproduce it with
drawings to be able to diagnose its shortcomings, the
laws that compose it or propose futures.
Vencie market square
Villa Rotonda, Palladio
San Carlo alle Quattro Fontane, Borromini
| 72 | | 73 |
PHOTOGRAPHY
Travelling is learning and understanding. Through capturing
the details that catch my attention with a particular way
of seeing the world.
| 74 | | 75 |
INTERNSHIPS
Studio Campo Baeza
I have had the pleasure, thanks to the Arquia Scholarship, of being part of such a renowned
studio as Campo Baeza. Where I have been able to learn the great effort behind a
work, but that can be done enjoying the day to day. Always with the search for freedom
and happiness as an objective through knowledge.
| 76 | | 77 |
A&E Bach
From the first day I felt at home, where I really saw what it is and what a profession such
as architecture really means. The attention to detail, layouts, organisation... everything
counts to obtain an excellent result. The tireless and constant day-to-day work and the
small breaks make the team a family.
Lema: SPINA DORSI
oc existent i nova construcció
de transició i circulacions
i s'organitza per a mantenir en
ctual CAP i es proposen 3
ifici nou: Consultes, rehabiliió
i activitats comunitàries.
manté en funcionament
ifici actual.
ifici existent: Administració i
tal·lacions.
nsultes i activitats comunitàs
temporalment al nou edifici.
ifici existent: P. sanitari, no
gramat i emmagatzematge.
ministració, p. sanitari i
magatzematge temporalment
ou edifici.
cions clars i definits. Es manté
nt afeigint nous espais
lats de serveis.
Vestíbul d'entrada
Amb visions a través cap al pati central. Il·luminació natural i sensació
d'espai diàfan.
Local fred
D psiq
D psic
T soc
T soc
Desp B
Reunions
T admin
Com
| 78 | | 79 |
Desp A
Local
tèrm
S esp
Local
hidr
QE
Com
Net
Recep
Vest
Inf
C reh
Mag
S grups
Flexibilitat: Possibilitat
d'agrupar i compartimentar
en 3 els espais d'activitats
Box 1
V.F
Box 2
S rehab
V.M
Mag
Àrea exterior per
activitats a l'aire
lliure
NUA Arquitectures
When I arrived, I found all the doors open, they made it easy, they had an invincible
desire to do things well and eat up the world. It was impossible not to get infected with
these good vibes. I learned that great things can be done from the smallest details. They
encouraged me to open, to step out of my comfort zone and to grow professionally and
personally.
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Competition La Teixidora, IVABI
First things are always memorable, and even more so if they turn out well. This was my
first professional competition in collaboration with NUA Arquitectures. A residential
building with democratised rooms, constructively ecological and local, that promotes
healthy community life, integrating and reactivating an old industrial fabric.
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FUTURES
Mas de Serra
Where I have grown up and where it has taught me to live and love architecture.
Aún aprendo is an engraving by Goya. It perfectly shows the need to never stop learning,
by questioning the world. To continue learning, at whatever age, the older you are, the
more fun it is to learn. A desire for more, to learn and to teach how to learn. To do many
things, little by little, day by day. With the unstoppable force of effort. But enjoying absolutely
everything; the people, the team, the environment, everything. Never forgetting the
references. Having a clear objective without knowing how to get there, it doesn’t matter.
It’s all about working and working, the results will come. Building myself.
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Àngels Cañellas Genius
+34 669 95 28 84
angels.acg.98@gmail.com
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Àngels Cañellas Genius
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