13.06.2023 Views

Litha

Fully illustrated for the international online 'Wheel of the Year' exhibition 'Litha' at animamundigallery.com

Fully illustrated for the international online 'Wheel of the Year' exhibition 'Litha' at animamundigallery.com

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Mat Chivers (b. 1988)

“As a child I learnt somewhere that swifts

sleep in the air. They lock their wings

and spiral down, waking before they hit

the ground. I’ve held a kind of nearmystical

reverence for them ever since. I’ve

day-dreamt for hours imagining their epic

migration route from the summer skies of

North-Western Europe to the plains of sub-

Saharan Africa - my mind travelling with

them. Because of their incredible speed and

the fact that they rarely land, they’re quite

hard to observe, so I’ve probably spent more

time experiencing the associations than the

birds themselves. This swift was found the

other side of the Atlantic in the car park of

a Metro supermarket in Montreal. It would

have probably overwintered in Peru if it’s

journey turned out differently. Holding its

body in the palm of my hand I can sense

its absolute stillness. A delicate memory

of airborne freedom. A beautiful vessel.”

The work of British artist Mat Chivers looks

at some of the fundamental phenomena that

drive our thoughts and actions. He explores

ideas relating to perception, evolutionary

process, ecology and ethics by bringing

traditional analogue approaches to making

into counterpoint with state of the art

digital technologies. Chivers has works in

numerous private and public collections

including Oxford University Mathematical

Institute, UK and Fondazione Henraux,

Italy. Solo exhibitions include ‘Migrations’

at Arsenal Art Contemporain Montréal,

Canada and Musée d’art de Joliette, Canada;

‘Harmonic Distortion’ at PM/AM, London,

UK, ‘Altered State’s at Hallmark House,

Johannesburg, South Africa and ‘Syzygy’ at

Anima Mundi. Group exhibitions include The

New States of Being at Centre d’Exposition

de l’Université de Montréal, Canada; A Place

In Time at Nirox, Johannesburg, South

Africa; Glasstress: White Light/White Heat

at Pallazzo Cavalli Franchetti for the 55th

Venice Biennale, Italy and The Knowledge at

The Gervasuti Foundation for the 54th Venice

Biennale, Italy.

Where Do I End and You Begin (Swift)

pencil on paper, 56 x 76 cm

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