Cosí fan tutte programme book 2023
Irish National Opera
Irish National Opera
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showing me the ropes (helping me along with a few glances here and there) and<br />
inspiring me to do better than I ever believed I could.<br />
Although the music of Così <strong>fan</strong> <strong>tutte</strong> is sublime, the plot has divided opinions.<br />
Some find it sexist, many find it implausible. The opera has caused a lot of<br />
argument and directors have gone out of their way to present diverse points of<br />
view, often inspired by the values of our time. Così is a robust opera and it can<br />
take many different approaches.<br />
I always find myself drawn to Mozart’s subtitle La scuola degli amanti – The school<br />
for lovers. I think that, for both the men and the women in the opera, it is about an<br />
opportunity for growing up and understanding the world in a more complex and<br />
nuanced way. But, being an opera, things play out in a way that’s bigger, faster, more<br />
dramatic and more heightened than in real life. And, of course, everyone in the<br />
audience gets to grasp aspects of the plot in ways the characters themselves can’t.<br />
We can see the issues arising and appreciate the inevitability of events. This can be<br />
profoundly funny, amusing or disturbing. It’s impossible not to have a reaction.<br />
I’m excited by the production choices of tonight’s creative team. Director Polly Graham<br />
has chosen to set the opera in pre-revolutionary Ireland in an era that was both fertile<br />
and febrile, where exceptional things could and did happen. Together with designer<br />
Jamie Vartan, video designer Jack Phelan and lighting designer Sinéad McKenna,<br />
she has created a world that is far from Mozart’s Vienna of 1790 where the opera<br />
was premiered, but which serves as a brilliant context for Mozart’s inventiveness.<br />
Irish National Opera’s chorus and orchestra are directed by the (drumroll...)<br />
Olivier Award-winning conductor and INO Artistic Partner, Peter Whelan. I want<br />
to give a special welcome also to INO’s resident conductor Elaine Kelly, fresh<br />
back from triumph at LA Opera, who conducts three of the Dublin performances.<br />
There’s lots to enjoy and definitely a few things to argue about in Mozart’s Così<br />
<strong>fan</strong> <strong>tutte</strong>. I hope you’ll find the experience stimulating and rewarding.<br />
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