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Cosí fan tutte programme book 2023

Irish National Opera

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showing me the ropes (helping me along with a few glances here and there) and<br />

inspiring me to do better than I ever believed I could.<br />

Although the music of Così <strong>fan</strong> <strong>tutte</strong> is sublime, the plot has divided opinions.<br />

Some find it sexist, many find it implausible. The opera has caused a lot of<br />

argument and directors have gone out of their way to present diverse points of<br />

view, often inspired by the values of our time. Così is a robust opera and it can<br />

take many different approaches.<br />

I always find myself drawn to Mozart’s subtitle La scuola degli amanti – The school<br />

for lovers. I think that, for both the men and the women in the opera, it is about an<br />

opportunity for growing up and understanding the world in a more complex and<br />

nuanced way. But, being an opera, things play out in a way that’s bigger, faster, more<br />

dramatic and more heightened than in real life. And, of course, everyone in the<br />

audience gets to grasp aspects of the plot in ways the characters themselves can’t.<br />

We can see the issues arising and appreciate the inevitability of events. This can be<br />

profoundly funny, amusing or disturbing. It’s impossible not to have a reaction.<br />

I’m excited by the production choices of tonight’s creative team. Director Polly Graham<br />

has chosen to set the opera in pre-revolutionary Ireland in an era that was both fertile<br />

and febrile, where exceptional things could and did happen. Together with designer<br />

Jamie Vartan, video designer Jack Phelan and lighting designer Sinéad McKenna,<br />

she has created a world that is far from Mozart’s Vienna of 1790 where the opera<br />

was premiered, but which serves as a brilliant context for Mozart’s inventiveness.<br />

Irish National Opera’s chorus and orchestra are directed by the (drumroll...)<br />

Olivier Award-winning conductor and INO Artistic Partner, Peter Whelan. I want<br />

to give a special welcome also to INO’s resident conductor Elaine Kelly, fresh<br />

back from triumph at LA Opera, who conducts three of the Dublin performances.<br />

There’s lots to enjoy and definitely a few things to argue about in Mozart’s Così<br />

<strong>fan</strong> <strong>tutte</strong>. I hope you’ll find the experience stimulating and rewarding.<br />

05

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