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Art Guide at The Dorchester

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THE PROMENADE<br />

TEXTILE COLLAGE<br />

Amanda Richardson<br />

<strong>The</strong> uneven edges of this close-up garden scene<br />

mimic the organic forms of leaves and petals, breaking<br />

the traditional bounds of painting. And, in fact, the<br />

Ghislaine de Feligonde roses and honeysuckle depicted<br />

here are not painted but r<strong>at</strong>her cre<strong>at</strong>ed with a collage<br />

of textiles. <strong>The</strong> sense of depth to the artwork, like<br />

layered leaves, is achieved through the nuance of<br />

varied fabric textures.<br />

Amanda Richardson hand-dyes her m<strong>at</strong>erials, which<br />

she then combines in richly-coloured scenes of silks,<br />

s<strong>at</strong>ins, and velvets. <strong>The</strong> fabric collage is a play on<br />

England’s strong textile traditions, championed most<br />

famously by William Morris, th<strong>at</strong> captured n<strong>at</strong>ural<br />

elements for decor<strong>at</strong>ive ends.<br />

35

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