Art Guide at The Dorchester
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THE PROMENADE<br />
TEXTILE COLLAGE<br />
Amanda Richardson<br />
<strong>The</strong> uneven edges of this close-up garden scene<br />
mimic the organic forms of leaves and petals, breaking<br />
the traditional bounds of painting. And, in fact, the<br />
Ghislaine de Feligonde roses and honeysuckle depicted<br />
here are not painted but r<strong>at</strong>her cre<strong>at</strong>ed with a collage<br />
of textiles. <strong>The</strong> sense of depth to the artwork, like<br />
layered leaves, is achieved through the nuance of<br />
varied fabric textures.<br />
Amanda Richardson hand-dyes her m<strong>at</strong>erials, which<br />
she then combines in richly-coloured scenes of silks,<br />
s<strong>at</strong>ins, and velvets. <strong>The</strong> fabric collage is a play on<br />
England’s strong textile traditions, championed most<br />
famously by William Morris, th<strong>at</strong> captured n<strong>at</strong>ural<br />
elements for decor<strong>at</strong>ive ends.<br />
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