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Walton Coronation Te Deum

for SATB and orchestra This new vocal-score edition was published to mark the 60th anniversary of Queen Elizabeth II's coronation, in June 1953. First performed as the new Queen processed out of Westminster Abbey, Walton's Te Deum is at once regal, celebratory, and restrained, and a beacon among English settings. The new vocal score (with keyboard reduction) draws on research for the complete Walton Edition and is compatible with existing orchestral materials on hire. Orchestral material is available on hire/rental.

for SATB and orchestra
This new vocal-score edition was published to mark the 60th anniversary of Queen Elizabeth II's coronation, in June 1953. First performed as the new Queen processed out of Westminster Abbey, Walton's Te Deum is at once regal, celebratory, and restrained, and a beacon among English settings. The new vocal score (with keyboard reduction) draws on research for the complete Walton Edition and is compatible with existing orchestral materials on hire.
Orchestral material is available on hire/rental.

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2<br />

William<br />

<strong>Walton</strong><br />

<strong>Coronation</strong> <strong>Te</strong> <strong>Deum</strong><br />

Edited by Timothy Brown<br />

vocal score


William<br />

<strong>Walton</strong><br />

<strong>Coronation</strong> <strong>Te</strong> <strong>Deum</strong><br />

for online perusal only<br />

Edited by Timothy Brown<br />

vocal score<br />

Composed for the coronation of HER MAJESTY QUEEN ELIZABETH II<br />

in Westminster Abbey on Tuesday, 2 June 1953<br />

B


Great Clarendon Street, Oxford OX2 6DP,<br />

United Kingdom<br />

Oxford University Press is a department of the University of Oxford.<br />

It furthers the University’s objective of excellence in research, scholarship,<br />

and education by publishing worldwide. Oxford is a registered trade mark of<br />

Oxford University Press in the UK and in certain other countries<br />

© Oxford University Press 1953<br />

New Edition © 2009 and 2013<br />

Timothy Brown has asserted his right under the Copyright, Designs<br />

and Patents Act, 1988, to be identified as the Editor of this Work<br />

This edition first published 2013<br />

Impression: 5<br />

All rights reserved. No part of this publication may be reproduced,<br />

stored in a retrieval system, or transmitted, in any form or by any means,<br />

without the prior permission in writing of Oxford University Press<br />

Permission to perform this work in public<br />

(except in the course of divine worship) should normally be obtained from<br />

a local performing right licensing organization, unless the owner or the occupier<br />

of the premises being used already holds a licence from such an organization.<br />

Likewise, permission to make and exploit a recording of these works<br />

should be obtained from a local mechanical copyright licensing organization<br />

Enquiries concerning reproduction outside the scope of the above<br />

should be directed to the Music Rights Department, Oxford University Press,<br />

at music.permissions.uk@oup.com or at the address above<br />

for online perusal only<br />

ISBN 978–0–19–339512–1<br />

Music origination by Michael Durnin<br />

Printed in Great Britain on acid -free paper by<br />

Halstan & Co. Ltd, Amersham, Bucks.


PREFACE<br />

Since Edward VII’s coronation in 1902, it had become the custom to include a<br />

setting of the <strong>Te</strong> <strong>Deum</strong> in all subsequent ceremonies. In 1952 there was initially<br />

some doubt as to which composer would be invited to compose the <strong>Te</strong> <strong>Deum</strong><br />

for the coronation of Queen Elizabeth II the following June. Sir William McKie,<br />

organist of Westminster Abbey and the coronation’s director of music, discussed<br />

the project with Sir William <strong>Walton</strong>, but he also approached Ralph Vaughan<br />

Williams. In the event, Vaughan Williams (who had written the <strong>Te</strong> <strong>Deum</strong> for<br />

George VI’s coronation in 1937) declined the invitation and <strong>Walton</strong> duly received<br />

the commission.<br />

The <strong>Te</strong> <strong>Deum</strong> was to come at the point of the ceremony when the Queen,<br />

newly crowned, prepared to process out of the abbey to greet her subjects. As the<br />

order of service put it: ‘In the mean time, the Queen, supported as before, the four<br />

swords being carried before her, shall descend from her Throne [and] shall proceed<br />

in state through the choir and the nave to the west door of the Church, wearing<br />

her Crown and bearing in her right hand the Sceptre and in her left hand the Orb.’<br />

<strong>Walton</strong> worked closely with McKie. He initially suggested a work of 6 to 8<br />

minutes in length, with the possibility of concluding the text at ‘And we worship<br />

thy name’ and adding perhaps an ‘Amen’. He added: ‘It has struck me that I<br />

might want to use the Queen’s Trumpeters for an added effect, but it may not be<br />

practicable. But just in case could you let me know their number & your views<br />

about it[?] It might be overstepping the mark!’ McKie replied with customary<br />

precision that the length should be ‘no longer than necessary, but it must be long<br />

enough for you to have freedom to make the work the grand climax of the whole<br />

service’. He reminded <strong>Walton</strong> that the text, if shortened, must conform to liturgical<br />

practice, and that it should contain no ‘“Amen”, or addition of any kind’. He<br />

requested an organ part, and added that ‘it would help if the chorus parts have no<br />

undue rhythmic complications; partly because these are not heard in the Abbey—<br />

the sound needs plenty of time to unroll, and the clearer the choral texture, the<br />

better it carries; partly because most of the choir are church singers, and can do<br />

better in a style more nearly what they are accustomed to.’<br />

<strong>Walton</strong>’s own programme note reveals the care that he took with his composition:<br />

for online perusal only<br />

A setting of the <strong>Te</strong> <strong>Deum</strong> should reflect the jubilant praise of the words [. . .].<br />

The [<strong>Coronation</strong>] <strong>Te</strong> <strong>Deum</strong> is naturally a more extended work, although I think I<br />

am right in saying that it is actually shorter than most other modern <strong>Te</strong> <strong>Deum</strong>s. It<br />

is cast for double choir, full orchestra, and organ. The first problem in setting these<br />

magnificent words is naturally one of form—how to equate a satisfactory musical<br />

shape with the structure of the prayer. [. . .] I have tried to solve the problem by<br />

casting my work in three main sections: there is a long opening section, a quite<br />

separate middle section, and an abridged recapitulation in which fresh words are set<br />

to music that has already been heard. The idea is that praise and prayer should, by<br />

being set to the same music, both be made to seem joyful acts of worship. I can see<br />

no reason why a prayer that comes from a Christian heart need not be as confident as


the voice of praise. Thus the music that you hear at the beginning to the words ‘We<br />

praise thee, O God, we acknowledge thee to be the Lord’ opens the recapitulation<br />

accompanying ‘O Lord, save thy people and bless thine heritage’, and one or two<br />

other similar passages will be noticed.<br />

Nevertheless the work has a quiet ending, partly because its place in the<br />

coronation service made this advisable, and just as much because it seemed to me<br />

effective to repeat the marcatissimo shout of ‘let me never be confounded’, more<br />

simply and peacefully. Faith can be expressed with vigour, but it is essentially a<br />

peace at heart.<br />

<strong>Walton</strong> completed the score promptly. By the middle of November 1952 he<br />

had nearly completed the <strong>Te</strong> <strong>Deum</strong>. On a postcard to Alan Frank (his editor at<br />

OUP) he wrote: ‘The “De <strong>Te</strong>” [sic] will appear shortly as now about half way in<br />

the scoring. Rather good in spite of being liable to break forth into BF [Belshazzar’s<br />

Feast] every now and then.’ To Christopher Hassall (librettist of Troilus and Cressida)<br />

he wrote: ‘I’ve got cracking on the <strong>Te</strong> <strong>Deum</strong>. You will like it, I think, and I hope<br />

he [McKie?] will too. Lots of counter-tenors and little boys Holy-holying, not<br />

to mention all the Queen’s Trumpeters and sidedrum[mers].’ In mid-December<br />

<strong>Walton</strong> wrote to McKie: ‘Though I hesitate to hazard an opinion when I am so<br />

near to a work [. . .] I think it is going to be rather splendid. I have made use of the<br />

extra brass, but have arranged it so that it can be dispensed with, if impractical for<br />

any reason. There is quite an important & indispensable organ part!’<br />

<strong>Walton</strong> was much gratified by the response that greeted the exuberant first<br />

performance of the <strong>Coronation</strong> <strong>Te</strong> <strong>Deum</strong> on 2 June 1953. The music, described<br />

by the music critic Frank Howes as ‘shatteringly apt’, caught the required mood<br />

perfectly and the work met with universal acclaim. More than sixty years later, the<br />

<strong>Te</strong> <strong>Deum</strong> remains fresh and vivid, a highly effective and tightly structured work. It<br />

is an undoubted benchmark for anyone faced with the prospect of composing for a<br />

similar royal occasion: its blend of solemnity and theatrical splendour strikes a note<br />

that is, in its way, unsurpassable.<br />

for online perusal only<br />

TIMOTHY BROWN<br />

The present vocal score is based on the full score published in the William <strong>Walton</strong> Edition,<br />

volume 5, Choral Works with Orchestra (2009), edited by Timothy Brown.<br />

iv


INSTRUMENTATION<br />

Full orchestra and organ. The triple woodwind may be reduced to double woodwind if<br />

necessary. Additional parts for 4 trumpets, 3 trombones, and side drums are optional. Full<br />

score and orchestral parts on hire.<br />

Duration: c.9 minutes<br />

for online perusal only


<strong>Coronation</strong> <strong>Te</strong> <strong>Deum</strong><br />

WILLIAM WALTON<br />

Allegro vigoroso q = c.168–176<br />

3<br />

4<br />

Orch.<br />

Org.<br />

Accompt<br />

3<br />

4<br />

f cresc.<br />

for online perusal only<br />

ff<br />

ff<br />

6<br />

ff<br />

Sopranos S.<br />

ff<br />

We praise thee, praise thee, praise<br />

We praise thee, praise thee, praise<br />

Altos A.<br />

ff<br />

We praise thee, praise thee, praise<br />

<strong>Te</strong>nors T.<br />

ff<br />

Basses B.<br />

ff<br />

We praise thee, praise thee, praise<br />

We praise thee, praise thee, praise<br />

Copyright 1953 by Oxford University Press, London. New edition © 2009 and 2013<br />

Printed in Great Britain<br />

OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />

Photocopying this copyright material is ILLEGAL.


12<br />

3<br />

S.<br />

thee, O God:<br />

thee, O God:<br />

A.<br />

thee, O God:<br />

T.<br />

thee, O God:<br />

for online perusal only<br />

B.<br />

thee, O God:<br />

Orch.<br />

f<br />

16<br />

S.<br />

We ac know ledge thee, thee to<br />

We ac know ledge thee, thee to<br />

A.<br />

We ac know ledge thee, thee to<br />

T.<br />

We ac know ledge thee, thee to<br />

B.<br />

Org.<br />

We ac know ledge thee, thee to<br />

ff


4<br />

21<br />

S.<br />

be the Lord.<br />

be the Lord.<br />

A.<br />

be the Lord.<br />

T.<br />

B.<br />

be the Lord.<br />

be the Lord.<br />

Orch.<br />

Org.<br />

for online perusal only<br />

f<br />

ff<br />

25<br />

1<br />

ff<br />

S.<br />

ff<br />

All the earth doth wor ship thee:<br />

A.<br />

ff<br />

All the earth doth wor ship thee:<br />

ff<br />

All the earth doth wor ship thee:<br />

T.<br />

All the earth doth wor ship thee:<br />

ff<br />

B.<br />

ff<br />

All the earth doth wor ship thee:<br />

1<br />

All the earth doth wor ship thee:<br />

Orch.<br />

f


5<br />

30<br />

S.<br />

the Fa ther ev er<br />

A.<br />

the Fa ther ev er<br />

T.<br />

the Fa ther ev er<br />

B.<br />

for online perusal only<br />

the Fa ther ev er<br />

Org. and Orch.<br />

ff<br />

36<br />

S.<br />

last<br />

ing.<br />

A.<br />

T.<br />

last<br />

last<br />

ing.<br />

ing.<br />

B.<br />

last<br />

ing.<br />

Orch.<br />

ff


6<br />

41<br />

2<br />

f<br />

S.<br />

To thee all An gels<br />

f<br />

A.<br />

To thee all An gels<br />

f<br />

T.<br />

To thee all An gels<br />

f<br />

for online perusal only<br />

B.<br />

2<br />

To thee all An gels<br />

Org. Orch. Org.<br />

ff<br />

f<br />

46<br />

S.<br />

cry a loud: the Heavens, and<br />

A.<br />

T.<br />

cry a loud: the Heavens, and<br />

cry a loud: the Heavens, and<br />

B.<br />

cry a loud: the Heavens, and<br />

Orch.<br />

Org.<br />

ff


7<br />

51<br />

S.<br />

A.<br />

T.<br />

all the Powers there in.<br />

all the Powers there in.<br />

all the Powers there in.<br />

B.<br />

all the Powers there in.<br />

Orch.<br />

Org.<br />

Org.<br />

f<br />

ff<br />

S.<br />

55<br />

CHORUS I<br />

3<br />

6<br />

4<br />

for online perusal only<br />

più animato h. = 58–60<br />

p<br />

cresc.<br />

A.<br />

6<br />

4<br />

p<br />

To<br />

thee<br />

Che ru bin,<br />

cresc.<br />

and<br />

T.<br />

6<br />

4<br />

p<br />

To<br />

thee<br />

Che ru bin,<br />

cresc.<br />

and<br />

To<br />

thee<br />

Che<br />

ru bin,<br />

and<br />

B.<br />

6<br />

4<br />

p<br />

cresc.<br />

To<br />

thee<br />

Che<br />

ru bin,<br />

and<br />

3<br />

6<br />

4<br />

più animato h. = 58–60<br />

6<br />

4<br />

mf pp cresc.


8<br />

S.<br />

58<br />

CHORUS I<br />

4<br />

fp<br />

Se ra phin con tin ual ly do cry,<br />

A.<br />

4<br />

fp<br />

Se ra phin con tin<br />

ual<br />

ly do cry,<br />

T.<br />

4<br />

fp<br />

Se ra phin con tin ual ly do cry,<br />

B.<br />

4<br />

fp<br />

Se ra phin con tin ual ly do cry,<br />

S.<br />

CHORUS II<br />

mf<br />

p cresc.<br />

To<br />

thee<br />

Che ru bin,<br />

and<br />

A.<br />

mf<br />

p cresc.<br />

To<br />

for online perusal only<br />

thee<br />

Che ru bin,<br />

and<br />

T.<br />

mf<br />

p cresc.<br />

To<br />

thee<br />

Che ru bin,<br />

and<br />

B.<br />

mf<br />

p cresc.<br />

To<br />

thee<br />

Che ru bin,<br />

and<br />

mf dim.<br />

p cresc.


9<br />

S.<br />

60<br />

CHORUS I<br />

<br />

2<br />

f<br />

con tin ual ly do<br />

A.<br />

2<br />

f<br />

con tin ual ly do<br />

T.<br />

2<br />

f<br />

con tin ual ly do<br />

B.<br />

2<br />

f<br />

con tin ual ly do<br />

S.<br />

CHORUS II<br />

4<br />

2<br />

fp<br />

f<br />

Se ra phin con tin<br />

ual<br />

ly do cry,<br />

con<br />

A.<br />

4<br />

2<br />

fp<br />

f<br />

Se ra phin con tin ual<br />

ly do cry,<br />

con<br />

T.<br />

4<br />

2<br />

fp<br />

f<br />

Se ra phin con tin<br />

ual<br />

for online perusal only<br />

ly do cry,<br />

con<br />

B.<br />

Se ra phin con tin ual ly do cry,<br />

4<br />

2<br />

fp<br />

f<br />

con<br />

<br />

f<br />

mf cresc.


10<br />

A.<br />

T.<br />

B.<br />

S.<br />

62<br />

SEMI-CHORUS II<br />

CHORUS I<br />

ff<br />

4<br />

2<br />

2<br />

2<br />

2<br />

6<br />

4<br />

6<br />

4<br />

6<br />

4<br />

f<br />

*<br />

pppp<br />

Ho<br />

pppp<br />

Ho<br />

pppp<br />

Ho<br />

(con moto)<br />

poco<br />

poco<br />

poco<br />

A.<br />

cry,<br />

con tin ual ly do cry, Ho<br />

ff<br />

f<br />

2<br />

ly,<br />

T.<br />

cry,<br />

for online perusal only<br />

con tin ual ly do cry, Ho<br />

ff<br />

2<br />

ly,<br />

B.<br />

cry,<br />

cry,<br />

CHORUS II<br />

ff<br />

2<br />

Ho<br />

Ho<br />

ly,<br />

ly,<br />

S.<br />

2<br />

tin ual ly do cry,<br />

A.<br />

2<br />

tin ual ly do cry,<br />

T.<br />

ff<br />

2<br />

B.<br />

tin ual ly do cry, Ho<br />

ff<br />

2<br />

ly,<br />

tin ual ly do cry, Ho<br />

4<br />

ly,<br />

(con moto)<br />

2<br />

2<br />

ff p dim. ff p dim.<br />

* Whenever possible, this part should be sung by counter-tenors only.


66<br />

2<br />

11<br />

A.<br />

ly, Ho ly, Ho ly, Lord God of Sa ba oth;<br />

2<br />

T.<br />

ly, Ho ly, Ho ly, Lord God of Sa ba oth;<br />

2<br />

B.<br />

for online perusal only<br />

ly, Ho ly, Ho ly, Lord God of Sa ba oth;<br />

S.<br />

CHORUS I / II<br />

f<br />

Ho<br />

ly,<br />

A.<br />

f<br />

Ho<br />

ly,<br />

T.<br />

mf<br />

Ho<br />

ly,<br />

B.<br />

mf<br />

Ho<br />

ly,<br />

p<br />

mf


12<br />

72<br />

SEMI-CHORUS I<br />

pp espress.<br />

*<br />

Ho ly, Ho ly, Ho ly, Lord God of Sa ba oth;<br />

5<br />

pochiss. allarg.<br />

2 <br />

3<br />

2<br />

S.<br />

pp espress. 2<br />

Ho ly, Ho ly, Ho ly, Lord God of Sa ba oth;<br />

3<br />

2<br />

pp<br />

Ho<br />

ly, Ho ly, Ho ly, Lord<br />

2<br />

God of Sa ba oth;<br />

3<br />

2<br />

A.<br />

pp<br />

for online perusal only<br />

2<br />

3<br />

2<br />

Ho<br />

ly, Ho ly, Ho ly, Lord<br />

God of Sa ba oth;<br />

S.<br />

3<br />

2<br />

A.<br />

3<br />

2<br />

T.<br />

3<br />

2<br />

B.<br />

3<br />

2<br />

5<br />

Orch.<br />

p cresc. molto<br />

pochiss. allarg.<br />

<br />

3<br />

2<br />

3<br />

2<br />

* Whenever possible, this chorus should be sung by boys only.


13<br />

S.<br />

78<br />

3<br />

2<br />

CHORUS I<br />

ff<br />

3 <br />

64<br />

Lord<br />

God of Sa ba oth;<br />

A.<br />

3<br />

2<br />

ff<br />

3<br />

6 4<br />

Lord<br />

God of Sa ba oth;<br />

T.<br />

3<br />

2<br />

ff<br />

3<br />

6<br />

4<br />

Lord<br />

God of Sa ba oth;<br />

B.<br />

3<br />

2<br />

ff<br />

3<br />

6<br />

4<br />

Lord<br />

God of Sa ba oth;<br />

S.<br />

3<br />

2<br />

CHORUS II<br />

ff 3<br />

ff<br />

3<br />

6<br />

4<br />

Lord God of Sa ba oth;<br />

Lord God of<br />

A.<br />

3<br />

2<br />

ff<br />

3 ff<br />

3<br />

6<br />

4<br />

Lord God of Sa ba oth;<br />

Lord God of<br />

T.<br />

3<br />

2<br />

for online perusal only<br />

ff 3 ff<br />

3<br />

6<br />

4<br />

Lord God of Sa ba oth;<br />

Lord God of<br />

B.<br />

3<br />

2<br />

ff 3 ff<br />

3<br />

6<br />

4<br />

Lord God of Sa ba oth;<br />

Lord God of<br />

3<br />

2<br />

3<br />

Org. <br />

64<br />

3<br />

2<br />

ff<br />

3<br />

mf<br />

ff<br />

6<br />

4


14<br />

S.<br />

81<br />

a tempo animato, come prima<br />

CHORUS I<br />

f<br />

6<br />

4<br />

9<br />

4<br />

4<br />

6<br />

4<br />

Heaven<br />

and earth are full of the Ma jes ty of thy<br />

A.<br />

f<br />

6<br />

4<br />

9<br />

4<br />

2<br />

6<br />

4<br />

Heaven<br />

and earth are full of the Ma jes ty of thy<br />

T.<br />

f<br />

6<br />

4<br />

9<br />

4<br />

4<br />

6<br />

4<br />

Heaven<br />

and earth are full of the Ma jes ty of thy<br />

B.<br />

f<br />

6<br />

4<br />

9<br />

4<br />

2<br />

6<br />

4<br />

Heaven<br />

and earth are full of the Ma jes ty of thy<br />

S.<br />

6<br />

4<br />

for online perusal only<br />

CHORUS II<br />

9<br />

4<br />

6<br />

4<br />

Sa ba oth;<br />

A.<br />

6<br />

4<br />

9<br />

4<br />

6<br />

4<br />

Sa ba oth;<br />

T.<br />

6<br />

4<br />

9<br />

4<br />

6<br />

4<br />

Sa ba oth;<br />

B.<br />

6<br />

4<br />

9<br />

4<br />

6<br />

4<br />

Sa ba oth;<br />

a tempo animato, come prima<br />

6<br />

4<br />

9<br />

4<br />

6<br />

4<br />

6<br />

4<br />

mf<br />

9<br />

4<br />

cresc.<br />

6<br />

4


15<br />

S.<br />

83<br />

6<br />

4<br />

Glo<br />

ry,<br />

9<br />

4<br />

6<br />

4<br />

A.<br />

6<br />

4<br />

9<br />

4<br />

6<br />

4<br />

Glo<br />

ry,<br />

T.<br />

6<br />

4<br />

Glo<br />

ry,<br />

9<br />

4<br />

6<br />

4<br />

B.<br />

6<br />

4<br />

9<br />

4<br />

6<br />

4<br />

Glo<br />

ry,<br />

S.<br />

6<br />

4<br />

f<br />

9<br />

4<br />

2<br />

6<br />

4<br />

Heaven<br />

and earth are full of the Ma jes ty of thy<br />

A.<br />

6<br />

4<br />

f<br />

9<br />

4<br />

4<br />

6<br />

4<br />

Heaven<br />

and earth are full of the Ma jes ty of thy<br />

T.<br />

6<br />

4<br />

f<br />

9<br />

4<br />

2<br />

6<br />

4<br />

Heaven<br />

for online perusal only<br />

and earth are full of the Ma jes ty of<br />

thy<br />

B.<br />

f<br />

6<br />

4<br />

9<br />

4<br />

4<br />

6<br />

4<br />

Heaven<br />

and earth are full of the Ma jes ty of thy<br />

6<br />

4<br />

9<br />

4<br />

6<br />

4<br />

6<br />

4<br />

ff mf cresc.<br />

9<br />

4<br />

6<br />

4


16<br />

S.<br />

85<br />

6<br />

4<br />

ff<br />

2<br />

Heaven and earth are full of the Ma jes ty<br />

A.<br />

6<br />

4<br />

ff<br />

2<br />

Heaven and earth are full of the Ma jes ty<br />

T.<br />

6<br />

4<br />

ff<br />

2<br />

Heaven and earth are full of the Ma jes ty<br />

B.<br />

6<br />

4<br />

ff<br />

2<br />

Heaven and earth are full of the Ma jes ty<br />

S.<br />

6<br />

4<br />

Glo ry, of the Ma jes ty<br />

ff<br />

2<br />

A.<br />

6<br />

4<br />

for online perusal only<br />

ff<br />

2<br />

Glo ry, of the Ma jes ty<br />

T.<br />

6<br />

4<br />

Glo ry, of the Ma jes ty<br />

ff<br />

2<br />

B.<br />

6<br />

4<br />

Glo ry, of the Ma jes ty<br />

ff<br />

2<br />

6<br />

4<br />

6<br />

4<br />

f cresc.


S.<br />

A.<br />

T.<br />

B.<br />

87<br />

CHORUS I / II<br />

ff<br />

2<br />

2<br />

2<br />

2<br />

ff<br />

ff<br />

ff<br />

of thy Glo ry.<br />

of thy Glo ry.<br />

of thy Glo ry.<br />

of thy Glo ry.<br />

17<br />

ff<br />

dim.<br />

91<br />

6<br />

for online perusal only<br />

a tempo libero e comodo h. (h) = 69–72<br />

SEMI-CHORUS I<br />

DECANI*<br />

6<br />

4<br />

p espress.<br />

S.<br />

6<br />

4<br />

praise<br />

S.<br />

CANTORIS*<br />

( 2 )<br />

( 2)<br />

A.<br />

SEMI-CHORUS II<br />

pp<br />

3<br />

3<br />

The<br />

pp<br />

glo rious com pa ny<br />

3<br />

of the A pos tles praise thee.<br />

3<br />

T.<br />

The glo rious com pa ny of the A pos tles praise thee.<br />

pp 3 3<br />

B.<br />

6<br />

The glo rious com pa ny of the A pos tles praise thee.<br />

a tempo libero e comodo h. (h) = 69–72<br />

pp<br />

pp<br />

* Whenever possible, this chorus should be sung by boys only.


18<br />

96<br />

SEMI-CHORUS I<br />

DEC.<br />

S.<br />

p espress.<br />

thee,<br />

praise<br />

thee,<br />

CAN.<br />

p<br />

3<br />

for online perusal only<br />

praise<br />

thee,<br />

S.<br />

p<br />

praise<br />

thee,<br />

A.<br />

SEMI-CHORUS II<br />

The good ly fel low ship<br />

3<br />

T.<br />

The good ly fel low ship<br />

3<br />

B.<br />

The good ly fel low ship<br />

3<br />

pp


19<br />

100<br />

p<br />

S.<br />

praise<br />

p<br />

praise<br />

thee,<br />

p<br />

for online perusal only<br />

S.<br />

p<br />

praise<br />

praise<br />

thee,<br />

A.<br />

3<br />

of the Pro phets praise thee.<br />

3<br />

T.<br />

of the Pro phets praise thee.<br />

3<br />

B.<br />

of the Pro phets praise thee.


20<br />

104<br />

3<br />

2<br />

6<br />

4<br />

p<br />

S.<br />

thee.<br />

praise<br />

3<br />

2<br />

2<br />

3<br />

3<br />

2<br />

for online perusal only<br />

6<br />

4<br />

p<br />

S.<br />

thee,<br />

praise<br />

3<br />

2<br />

2<br />

A.<br />

3<br />

2<br />

3<br />

2 2<br />

The no ble ar my of Mar tyrs praise thee.<br />

T.<br />

3<br />

2<br />

3<br />

The no ble ar my of Mar tyrs praise thee.<br />

2<br />

B.<br />

3<br />

2<br />

3<br />

Mar<br />

tyrs<br />

2<br />

The no ble ar my of<br />

Mar<br />

3<br />

tyrs<br />

praise thee.<br />

9<br />

4<br />

6<br />

4<br />

pp<br />

9<br />

4<br />

6<br />

4


21<br />

107<br />

SEMI-CHORUS I<br />

7<br />

2<br />

pp<br />

S.<br />

p<br />

thee.<br />

pp<br />

through<br />

praise<br />

thee.<br />

The Ho ly Church through<br />

2<br />

pp<br />

S.<br />

p<br />

3<br />

thee.<br />

The Ho ly Church through<br />

pp<br />

for online perusal only<br />

A.<br />

praise<br />

SEMI-CHORUS II<br />

thee.<br />

pp<br />

The Ho ly Church through<br />

T.<br />

The Ho ly Church through<br />

pp<br />

B.<br />

The Ho ly Church through<br />

pp<br />

S.<br />

CHORUS I/II<br />

The Ho ly Church through<br />

pp<br />

A.<br />

The Ho ly Church through<br />

pp<br />

T.<br />

The Ho ly Church through<br />

pp<br />

B.<br />

The Ho ly Church through<br />

pp<br />

7<br />

The Ho ly Church through


22<br />

S.<br />

111<br />

poco stringendo<br />

TUTTI CHORUS<br />

cresc.<br />

3<br />

2<br />

pochiss. allarg.<br />

f<br />

2<br />

3 3<br />

A.<br />

- out all<br />

cresc.<br />

the world doth ac know ledge thee the Fa<br />

3<br />

2<br />

f<br />

2<br />

ther<br />

of an in fin ite<br />

3 3<br />

T.<br />

- out all the world doth ac know ledge thee the Fa<br />

cresc.<br />

f<br />

3<br />

2<br />

2<br />

ther<br />

of an in fin ite<br />

3 3<br />

- out all<br />

the world doth ac know ledge thee the Fa<br />

ther<br />

of an in fin ite<br />

B.<br />

cresc.<br />

3<br />

2<br />

f<br />

2<br />

3 3<br />

- out all<br />

the world doth ac know ledge thee the Fa<br />

ther<br />

of an in fin ite<br />

poco stringendo<br />

pochiss. allarg.<br />

Org.<br />

6<br />

4<br />

f<br />

S.<br />

116<br />

a tempo<br />

ff<br />

for online perusal only<br />

3<br />

2<br />

3<br />

2<br />

6<br />

4<br />

p<br />

3<br />

2<br />

A.<br />

Ma jes ty;<br />

ff<br />

p<br />

3<br />

2<br />

T.<br />

Ma jes ty;<br />

ff<br />

p<br />

p<br />

3<br />

2<br />

B.<br />

Ma jes ty;<br />

ff<br />

p<br />

Thinehon our a ble,<br />

p<br />

3<br />

2<br />

Orch.<br />

Ma jes ty;<br />

a tempo<br />

Thinehon our a ble,<br />

3<br />

2<br />

ff dim. f dim.<br />

mf<br />

pp<br />

3<br />

2


S.<br />

A.<br />

T.<br />

120<br />

3<br />

2<br />

3<br />

2<br />

3<br />

2<br />

p<br />

p<br />

Al so the Ho ly Ghostthe<br />

Al<br />

3<br />

3<br />

so the Ho ly Ghostthe<br />

23<br />

4 2<br />

3 2<br />

3<br />

4 3 2 2<br />

4 2<br />

3 2<br />

true, and on ly Son;<br />

B.<br />

3<br />

2<br />

4 2<br />

3 2<br />

true, and on ly Son;<br />

3<br />

2<br />

3<br />

2<br />

Orch.<br />

p cresc.<br />

4 2<br />

3 2<br />

3<br />

4 2<br />

3 2<br />

3<br />

S.<br />

123<br />

3<br />

2<br />

for online perusal only<br />

poco rit.<br />

4 2<br />

3 4<br />

Com fort er.<br />

A.<br />

3<br />

2<br />

4 2<br />

3 4<br />

T.<br />

3<br />

2<br />

Com fort er.<br />

pp<br />

3<br />

4 3 2 4<br />

B.<br />

3<br />

2<br />

Al so the Ho lyGhost the Com fort er.<br />

pp 3<br />

4 2<br />

3 4<br />

Al<br />

so the Ho lyGhost the Com fort er.<br />

3<br />

2<br />

Org.<br />

poco rit.<br />

4 2<br />

3 4<br />

3<br />

2<br />

p<br />

pp<br />

4 2<br />

3 4


24<br />

126<br />

8<br />

3<br />

4<br />

Vivo q = c.120–126<br />

Orch.<br />

4<br />

3<br />

4<br />

f marc.<br />

3<br />

3<br />

4<br />

130<br />

4<br />

3<br />

4<br />

3 3 3 3 3 3 3<br />

4<br />

3<br />

4<br />

3 3 3 3 3 3 3<br />

134<br />

Orch.<br />

and Org.<br />

for online perusal only<br />

poco allarg.<br />

G. P.<br />

4<br />

ff<br />

fff<br />

4<br />

S.<br />

A.<br />

T.<br />

B.<br />

141<br />

9<br />

9<br />

Risoluto (poco meno mosso) q = c.116<br />

CHORUS<br />

fff<br />

4<br />

Thou art the King of Glo ry, O Christ. Thou<br />

fff<br />

4<br />

Thou art the King of Glo ry, O Christ. Thou<br />

fff<br />

4<br />

4<br />

4<br />

4<br />

fff<br />

Thou art the King of Glo ry, O Christ. Thou<br />

Thou art the King of Glo ry, O Christ. Thou<br />

Risoluto (poco meno mosso) q = c.116<br />

Orch.<br />

ff<br />

Org.


25<br />

144<br />

subito a tempo vivo q = c.126<br />

S.<br />

art the ev er last ing Son of the Fa<br />

A.<br />

art the ev er last ing Son of the Fa<br />

T.<br />

art the ev er last ing Son of the Fa<br />

B.<br />

art the ev er last ing Son of the Fa<br />

subito a tempo vivo q = c.126<br />

Orch.<br />

for online perusal only<br />

ff<br />

3<br />

3<br />

147<br />

S.<br />

ther.<br />

A.<br />

T.<br />

ther.<br />

ther.<br />

B.<br />

ther.<br />

3<br />

3<br />

3<br />

3<br />

149<br />

3<br />

3<br />

3<br />

dim.<br />

3<br />

mf dim.<br />

p<br />

pp


26<br />

153<br />

10<br />

tranquillo q = c.84–88<br />

p<br />

S.<br />

A.<br />

thou<br />

p<br />

p<br />

thou<br />

T.<br />

B.<br />

When thou took est up on thee to de li ver man:<br />

p<br />

When thou took est up on thee to de li ver man:<br />

for online perusal only<br />

10<br />

tranquillo q = c.84–88<br />

Orch.<br />

Org.<br />

p<br />

p<br />

156<br />

poco più lento<br />

S.<br />

didst not ab hor the Vir gin’s womb.<br />

A.<br />

T.<br />

didst not ab hor the Vir gin’s womb.<br />

p<br />

B.<br />

When<br />

p<br />

thou hadst o ver come<br />

the<br />

When<br />

thou hadst o ver come<br />

the<br />

poco più lento<br />

p


S.<br />

159<br />

p<br />

a tempo<br />

27<br />

3<br />

4<br />

A.<br />

thou didst o pen the King dom of Heaven to all be<br />

p<br />

3<br />

4<br />

thou didst o pen the King dom of Heaven to all be<br />

T.<br />

3<br />

4<br />

B.<br />

sharp ness of death,thou didst o pen the King dom of Heaven to all be<br />

3<br />

4<br />

sharp ness<br />

of death,<br />

a tempo<br />

3<br />

4<br />

3<br />

4<br />

S.<br />

162<br />

3<br />

4<br />

più vivace<br />

q = c.104–108 11<br />

f<br />

4<br />

3<br />

4<br />

A.<br />

3<br />

4<br />

for online perusal only<br />

liev ers. Thou sit test at the right hand of God: in the<br />

f<br />

4<br />

3<br />

4<br />

T.<br />

3<br />

4<br />

liev ers. Thou sit test at the right hand of God: in the<br />

f<br />

4<br />

3<br />

4<br />

B.<br />

3<br />

4<br />

liev ers. Thou sit test at the right hand of God: in the<br />

f<br />

4<br />

3<br />

4<br />

Thou sit test at the right hand of God: in the<br />

3<br />

4<br />

più vivace<br />

q = c.104–108 11<br />

4<br />

3<br />

4<br />

3<br />

4<br />

4<br />

f<br />

ff<br />

3<br />

4


28<br />

S.<br />

165<br />

3<br />

4<br />

glo ry of the Fa ther.<br />

A.<br />

3<br />

4<br />

glo ry of the Fa ther.<br />

T.<br />

3<br />

4<br />

glo ry of the Fa<br />

ther.<br />

B.<br />

3<br />

4<br />

glo ry of the Fa ther.<br />

3<br />

4<br />

Orch.<br />

3<br />

4<br />

ff<br />

S.<br />

168<br />

maestoso q = c.76–80<br />

4<br />

rall.<br />

A.<br />

for online perusal only<br />

4<br />

mp<br />

T.<br />

ff<br />

4<br />

We<br />

mp<br />

B.<br />

We<br />

ff<br />

be lieve that thou shalt come to be our Judge.<br />

4<br />

We<br />

We<br />

be lieve that thou shalt come to be our Judge.<br />

maestoso q = c.76–80<br />

4<br />

rall.<br />

f<br />

4<br />

sfz


172<br />

12<br />

a tempo q = c.88–92<br />

mp<br />

29<br />

S.<br />

We there fore pray thee, help thy ser vants, whomthouhast re deemed withthy<br />

A.<br />

there fore pray thee, help thy ser vants, whomthouhast re deemed withthy<br />

T.<br />

there<br />

fore ` pray thee, help thy ser vants, whomthouhast re deemed withthy<br />

B.<br />

12<br />

p cantabile<br />

S.<br />

175<br />

3<br />

4<br />

mf cresc.<br />

poco stringendo<br />

4<br />

3<br />

4<br />

A.<br />

for online perusal only<br />

a tempo q = c.88–92<br />

pre cious blood. Make<br />

3<br />

4<br />

them to be num bered with thy<br />

mf cresc.<br />

4<br />

3<br />

4<br />

T.<br />

B.<br />

pre cious blood. Make<br />

3<br />

4<br />

pre cious blood. Make<br />

mf cresc.<br />

3<br />

4<br />

3<br />

4<br />

Make<br />

4<br />

4<br />

them to be num<br />

mf cresc.<br />

them to be<br />

bered<br />

num<br />

them to be num bered with thy<br />

poco stringendo<br />

4<br />

3<br />

4<br />

3<br />

4<br />

3<br />

4<br />

3<br />

4<br />

mf cresc.<br />

4<br />

3<br />

4


30<br />

S.<br />

A.<br />

T.<br />

B.<br />

178<br />

3<br />

4<br />

ben tenuto<br />

Saints in glo ry ev er<br />

ff<br />

3<br />

4<br />

3<br />

4<br />

3<br />

4<br />

3<br />

4<br />

with thy Saints<br />

in<br />

bered with thySaints<br />

ff<br />

glo<br />

fff<br />

Saints in glo<br />

ben tenuto<br />

Org. and Orch.<br />

ff<br />

ry ev er<br />

in glo ry ev er<br />

ry ev er<br />

for online perusal only<br />

3<br />

4<br />

f<br />

183<br />

subito a tempo primo q = c.168<br />

S.<br />

- last ing.<br />

A.<br />

- last ing.<br />

T.<br />

- last ing.<br />

B.<br />

- last ing.<br />

subito a tempo primo q = c.168<br />

Orch.<br />

Org.<br />

ff<br />

f


31<br />

S.<br />

189<br />

13<br />

f<br />

O<br />

Lord,<br />

save<br />

A.<br />

f<br />

O<br />

f<br />

Lord,<br />

save<br />

T.<br />

O<br />

Lord,<br />

save<br />

B.<br />

f<br />

Orch.<br />

Org.<br />

13<br />

O<br />

for online perusal only<br />

Lord,<br />

save<br />

Orch.<br />

f<br />

194<br />

S.<br />

thy peo ple, and<br />

A.<br />

thy peo ple, and<br />

T.<br />

thy peo ple, and<br />

B.<br />

thy peo ple, and<br />

Org.<br />

ff<br />

ff


32<br />

199<br />

S.<br />

bless thine he ri tage. Gov ern<br />

A.<br />

bless thine he ri tage. Gov ern<br />

T.<br />

B.<br />

bless thine he ri tage. Gov ern<br />

bless thine he ri tage. Gov ern<br />

Orch.<br />

Org.<br />

Org.<br />

S.<br />

A.<br />

T.<br />

204<br />

CHORUS I<br />

them<br />

them<br />

for online perusal only<br />

6<br />

4<br />

6<br />

4<br />

6<br />

4<br />

B.<br />

S.<br />

them<br />

them<br />

CHORUS II<br />

6<br />

4<br />

6<br />

4<br />

A.<br />

T.<br />

them and lift them up for<br />

them and lift them up for<br />

6<br />

4<br />

6<br />

4<br />

B.<br />

them and lift them up for<br />

6<br />

4<br />

them and lift them up for<br />

Orch.<br />

Org.<br />

6<br />

4<br />

6<br />

4


S.<br />

209<br />

14<br />

6<br />

4<br />

animato, come prima<br />

CHORUS I<br />

f<br />

33<br />

Day<br />

by day we mag ni fy thee; And we<br />

A.<br />

6<br />

4<br />

f<br />

Day<br />

by day we mag ni fy thee; And we<br />

T.<br />

6<br />

4<br />

f<br />

Day<br />

by day we mag ni fy thee; And we<br />

for online perusal only<br />

B.<br />

6<br />

4<br />

f<br />

Day<br />

by day we mag ni fy thee; And we<br />

S.<br />

6<br />

4<br />

CHORUS II<br />

ev<br />

er.<br />

A.<br />

6<br />

4<br />

ev<br />

er.<br />

T.<br />

6<br />

4<br />

ev<br />

er.<br />

B.<br />

6<br />

4<br />

ev<br />

er.<br />

14<br />

6<br />

4<br />

animato, come prima<br />

p cresc.<br />

Orch.<br />

6<br />

4


34<br />

211<br />

S.<br />

wor ship thy Name,<br />

A.<br />

wor ship thy Name,<br />

T.<br />

wor ship thy Name,<br />

for online perusal only<br />

B.<br />

wor ship thy Name,<br />

S.<br />

f<br />

Day by day we mag ni fy thee; And we<br />

A.<br />

f<br />

Day by day we mag ni fy thee; And we<br />

T.<br />

f<br />

Day by day we mag ni fy thee; And we<br />

f<br />

B.<br />

Day by day we mag ni fy thee; And we<br />

f<br />

p cresc.


35<br />

213<br />

pochiss. allarg.<br />

S.<br />

Day by day we mag ni fy thee;<br />

A.<br />

Day by day we mag ni fy thee;<br />

T.<br />

Day by day we mag ni fy thee;<br />

for online perusal only<br />

B.<br />

Day by day we mag ni fy thee;<br />

S.<br />

wor ship thy Name,<br />

ff<br />

And<br />

we<br />

A.<br />

wor ship thy Name,<br />

ff<br />

And<br />

we<br />

T.<br />

wor ship thy Name,<br />

ff<br />

And<br />

we<br />

B.<br />

wor ship thy Name,<br />

ff<br />

And we<br />

pochiss. allarg.<br />

f<br />

mf cresc.<br />

f


36<br />

S.<br />

A.<br />

T.<br />

B.<br />

S.<br />

A.<br />

T.<br />

B.<br />

215<br />

ff<br />

<br />

And we wor ship thy Name ev er world with out<br />

ff<br />

And we wor ship thy Name ev er world with out<br />

ff<br />

And we wor ship thy Name ev er world with out<br />

ff<br />

And we wor ship thy Name ev er world with out<br />

wor ship thy Name ev er world with out<br />

wor ship thy Name ev er world with out<br />

wor ship thy Name ev er world with out<br />

wor ship thy Name ev er world with out<br />

3<br />

2<br />

3<br />

2<br />

3<br />

2<br />

3<br />

2<br />

3<br />

2<br />

3<br />

2<br />

3<br />

2<br />

3<br />

2<br />

<br />

3<br />

2<br />

2<br />

2<br />

2<br />

2<br />

2<br />

2<br />

2<br />

2<br />

for online perusal only<br />

3<br />

2<br />

S.<br />

A.<br />

T.<br />

B.<br />

218<br />

15<br />

2<br />

2<br />

2<br />

2<br />

15<br />

6<br />

4<br />

a tempo<br />

CHORUS I/II<br />

end.<br />

end.<br />

end.<br />

end.<br />

a tempo<br />

6<br />

4<br />

ff marc.


37<br />

221<br />

9<br />

4<br />

6<br />

4<br />

9<br />

4<br />

6<br />

4<br />

224<br />

dim.<br />

mf dim.<br />

for online perusal only<br />

227<br />

16<br />

a tempo come prima, ma più lento<br />

SEMI-CHORUS I<br />

h (h.) = c.60<br />

DEC.*<br />

6<br />

4<br />

p<br />

S.<br />

6<br />

4<br />

Vouch safe, O<br />

p<br />

CAN.*<br />

6<br />

4<br />

Vouch safe, O<br />

S.<br />

6<br />

4<br />

A.<br />

SEMI-CHORUS II<br />

2<br />

pp<br />

3<br />

T.<br />

2<br />

Vouch safe, O Lord, to keep us this day with out sin.<br />

pp 3<br />

B.<br />

2<br />

16<br />

Vouch safe, O Lord, to keep us this day with out sin.<br />

pp 3<br />

Vouch safe, O Lord, to keep us this day with out sin.<br />

a tempo come prima, ma più lento h (h.) = c.60<br />

pp<br />

pp<br />

* Whenever possible, these parts should be sung by boys only.


38<br />

232<br />

Lord, to keep us this day with out sin.<br />

S.<br />

Lord, to keep us this day with out sin.<br />

2<br />

p<br />

for online perusal only<br />

S.<br />

Vouch safe, O Lord.<br />

p<br />

this<br />

day with out sin.<br />

A.<br />

pp<br />

O<br />

T.<br />

pp<br />

O<br />

B.<br />

pp<br />

O<br />

pp


39<br />

235<br />

p<br />

O<br />

Lord, have mer cy up<br />

S.<br />

p<br />

O<br />

Lord, have mer cy up<br />

for online perusal only<br />

S.<br />

A.<br />

3<br />

6 4<br />

Lord, have mer cy up on us, have mer cy up on us.<br />

T.<br />

3<br />

6<br />

4<br />

Lord, have mer cy up on us, have mer cy up on us.<br />

B.<br />

3<br />

6<br />

4<br />

Lord, have mer cy up on us, have mer cy up on us.


40<br />

238<br />

SEMI-CHORUS I<br />

S.<br />

on us, have mer cy up on us, have mer cy up on us.<br />

on us, have mer cy up on us. O<br />

2<br />

pp<br />

p 2 pp 2<br />

S.<br />

p<br />

have mer cy up on us. O<br />

have mer cy up on us. O<br />

2<br />

pp<br />

S.<br />

CHORUS<br />

for online perusal only<br />

2<br />

pp<br />

O<br />

A.<br />

2<br />

pp<br />

O<br />

T.<br />

2<br />

pp<br />

O<br />

B.<br />

2<br />

pp<br />

O<br />

Org.<br />

2<br />

2<br />

pp


41<br />

241<br />

17<br />

2<br />

più lento h = c.50<br />

pp<br />

3<br />

cresc.<br />

3<br />

2<br />

S.<br />

let thy mer cy light en up on<br />

us, as our trust is in<br />

3<br />

cresc.<br />

3<br />

2<br />

Lord, let thy mer cy light en up on<br />

us, as our trust is in<br />

2<br />

3<br />

cresc.<br />

3<br />

2<br />

S.<br />

Lord, let thy mer cy light en up on<br />

us, as our trust is in<br />

3<br />

cresc.<br />

3<br />

2<br />

Lord, let thy mer cy light en up on<br />

us, as our trust is in<br />

S.<br />

3<br />

cresc.<br />

3<br />

2<br />

Lord, let thy mer cy light en up on<br />

us, as our trust is in<br />

A.<br />

3<br />

for online perusal only<br />

cresc.<br />

3<br />

2<br />

Lord, let thy mer cy light en up on<br />

us, as our trust is in<br />

T.<br />

Lord, let thy mer cy light en up on<br />

3<br />

cresc.<br />

us, as our trust is in<br />

3<br />

2<br />

B.<br />

3 cresc.<br />

Lord, let thy mer cy light en up on us, as our trust is in<br />

3<br />

2<br />

17<br />

2<br />

più lento h = c.50<br />

3<br />

2<br />

2<br />

pochiss. cresc.<br />

3<br />

2


42<br />

S.<br />

A.<br />

244<br />

f<br />

3<br />

2<br />

thee.<br />

f<br />

3<br />

2<br />

ff<br />

ff<br />

<br />

9<br />

4<br />

O Lord, in thee have I trust<br />

9<br />

4<br />

2<br />

2<br />

thee.<br />

O Lord, in thee have I trust<br />

T.<br />

f<br />

3<br />

2<br />

thee.<br />

ff<br />

9<br />

4<br />

O Lord, in thee have I trust<br />

2<br />

B.<br />

f<br />

3<br />

2<br />

thee.<br />

ff<br />

9<br />

4<br />

O Lord, in thee have I trust<br />

2<br />

3<br />

2<br />

3<br />

2<br />

Orch.<br />

f<br />

Orch.<br />

9<br />

4<br />

9<br />

4<br />

2<br />

2<br />

f<br />

S.<br />

247<br />

18<br />

marcatiss.<br />

ed:<br />

let me ne ver be con found ed,<br />

A.<br />

marcatiss.<br />

ed:<br />

for online perusal only<br />

let me ne ver be con found ed,<br />

T.<br />

marcatiss.<br />

ed:<br />

let me ne ver be con found ed,<br />

B.<br />

marcatiss.<br />

ed:<br />

let me ne ver be con<br />

18<br />

pp<br />

ff dim.


43<br />

S.<br />

250<br />

3<br />

2<br />

2<br />

A.<br />

3<br />

2<br />

2<br />

T.<br />

3<br />

2<br />

2<br />

B.<br />

3<br />

2<br />

2<br />

found<br />

ed,<br />

3<br />

2<br />

3<br />

2<br />

2<br />

2<br />

S.<br />

254<br />

pochiss. meno mosso<br />

pp<br />

2<br />

for online perusal only<br />

3 3 3<br />

pp p f<br />

3 3 3<br />

3<br />

2<br />

poco sfz<br />

A.<br />

2<br />

let<br />

pp<br />

me ne ver be con found ed.<br />

poco sfz<br />

3<br />

2<br />

T.<br />

B.<br />

2<br />

2<br />

2<br />

pp<br />

pp<br />

let<br />

let<br />

let<br />

pp<br />

me ne ver be con found ed.<br />

poco sfz<br />

3<br />

2<br />

me ne ver be con found ed.<br />

3<br />

2<br />

me ne ver be con found ed.<br />

poco sfz<br />

3<br />

2<br />

poco sfz<br />

let me ne ver be con found ed.<br />

pochiss. meno mosso<br />

2<br />

2<br />

pp<br />

3<br />

2<br />

3<br />

2


First performed in June 1953 as the new Queen processed out of Westminster Abbey,<br />

<strong>Walton</strong>’s <strong>Coronation</strong> <strong>Te</strong> <strong>Deum</strong>—for SATB chorus and orchestra—is regal, celebratory,<br />

and a beacon among English settings. This edition marks the 60th anniversary of Queen<br />

Elizabeth II’s coronation, and draws on research for the complete William <strong>Walton</strong> Edition.<br />

The vocal score includes a keyboard reduction for rehearsal purposes, and matching<br />

orchestral scores and parts are available on hire/rental.<br />

CLASSIC CHORAL WORKS<br />

Astorga Stabat Mater ed. King<br />

Fauré Cantique de Jean Racine* ed. Rutter<br />

Requiem*<br />

ed. Rutter<br />

Handel Four <strong>Coronation</strong> Anthems ed. Bartlett<br />

Messiah<br />

ed. Bartlett<br />

Haydn The Creation ed. Brown<br />

Missa brevis Sancti Joannis de Deo (‘Little Organ Mass’) ed. McCaldin<br />

Missa in <strong>Te</strong>mpore Belli (Mass in Time of War)<br />

ed. Hulme<br />

Nelson Mass (Missa in Angustiis)<br />

ed. McCaldin<br />

<strong>Te</strong> <strong>Deum</strong> for the Empress Marie Therese<br />

ed. McCaldin<br />

Hummel Mass in B flat ed. Floreen<br />

Machaut Messe de Nostre Dame ed. Leech-Wilkinson<br />

Monteverdi Vespro della Beata Vergine (‘Vespers’ (1610))<br />

ed. Kurtzman<br />

Mozart Mass in C minor ed. Maunder<br />

Missa Brevis in D<br />

ed. Maunder<br />

Requiem<br />

ed. Maunder<br />

Purcell <strong>Te</strong> <strong>Deum</strong> and Jubilate Deo in D ed. King<br />

Rossini Petite Messe Solennelle ed. Fleming<br />

Verdi Pater Noster ed. Blezzard<br />

Vivaldi Gloria ed. Everett<br />

* Not for sale in the USA<br />

1<br />

ISBN 978-0-19-339512-1<br />

9 780193 395121<br />

<strong>Walton</strong> <strong>Coronation</strong> <strong>Te</strong> <strong>Deum</strong> 2

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