January 2024 Parenta magazine_website
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Child<br />
development<br />
Gina Bale<br />
Dance and movement - part 1<br />
This is a two-part article on<br />
dance and movement with<br />
information, simple guides,<br />
and questions to help you<br />
include this valuable activity<br />
in your setting.<br />
Dance and movement<br />
Dance and movement allow children to<br />
use their whole body as they explore<br />
movement and develop an awareness<br />
of their physical abilities. It is also unique<br />
as it is both very physical and expressive<br />
all at the same time. Movement is the<br />
fundamental means of human expression.<br />
It doesn’t cost anything to do as no<br />
equipment is needed apart from their<br />
own body (the instrument) and the area<br />
or space (the medium) in which they can<br />
move. This is incredible when you think<br />
of all the skills movement and dance<br />
promote in developing personal, social,<br />
and emotional development, critical<br />
thinking skills, and movement memory,<br />
that will help them in school and life.<br />
Movement memory: is the ability to copy,<br />
repeat and remember actions, phrases,<br />
and patterns. This starts with actions and<br />
rhymes with babies and progresses to a<br />
movement phrase or dance that lasts for<br />
several minutes.<br />
Sadly, despite this, movement and dance<br />
are almost invisible if you compare them to<br />
the volume of music and other visual arts<br />
that are all around us through the medium<br />
of social media, TV, radio, art galleries,<br />
cinemas, <strong>magazine</strong>s, advertisements and<br />
books.<br />
Question: Have you researched the<br />
age-appropriate, opportunities in your<br />
local community for children to dance and<br />
watch dance?<br />
The art of expression<br />
Dance and movement are the universal<br />
language of communication. The way<br />
the body expresses our emotions and<br />
thoughts is critical as we read body<br />
language before we hear and listen to<br />
what is being said. This is known as the<br />
‘Communication Rule Theory’ (created by<br />
Professor Mehrabian and Morton Wiener<br />
in 1967). The 3 C’s of communication are<br />
divided into spoken words, tone of voice,<br />
and body language.<br />
The chart below shows how much we<br />
express our thoughts and emotions with<br />
our bodies.<br />
Question: Have you thought about how<br />
you express your emotions of happiness,<br />
excitement, anger, and sadness in your<br />
body movements?<br />
Body<br />
language<br />
55%<br />
Dance and movement is<br />
for ALL!<br />
Everyone can move and dance no matter<br />
their needs and physical abilities. The<br />
biggest hindrance to children’s movement<br />
is adults. Adults, unconsciously, bring in<br />
their assumptions to the class of children’s<br />
abilities and potential. In our diverse<br />
population, it is also important to be<br />
sensitive to varied beliefs and attitudes<br />
about movement and dance as an activity<br />
in your setting.<br />
Question: What are the obstacles to<br />
incorporating movement and dance<br />
in your setting and how can they be<br />
overcome?<br />
With movement, some children may be<br />
anxious, or resistant and find it easier to<br />
work with adult support and guidance,<br />
while others are confident and selfassured.<br />
Our role is to facilitate and<br />
engage them in the activity.<br />
Spoken word<br />
7%<br />
Tone of<br />
voice<br />
38%<br />
If you are enthusiastic, having fun, and<br />
confident in your movement, this will<br />
encourage your children to become<br />
involved. When they are involved, you are<br />
helping to nurture their physical, creative,<br />
imaginative, emotional, and cognitive<br />
skills.<br />
By incorporating movement and dance in<br />
your setting, you are helping to prepare<br />
them to lead healthy, active lives and feel<br />
confident with the activities within the PE<br />
National Curriculum when they transition<br />
to primary school.<br />
Cultural exploration<br />
All dance has a cultural context and can<br />
be explored with your children. Dance<br />
defines communities but can also bring<br />
them together through the universal nonverbal<br />
communication that is the language<br />
of dance and movement.<br />
Question: Have you explored dance from<br />
different cultures and countries with your<br />
children?<br />
What can our bodies<br />
do?<br />
✨ Actions<br />
Our bodies can travel, turn, jump, gesture<br />
and be still. All children can join in all<br />
these activities with your assistance and<br />
adaption to their physical needs.<br />
Travelling: The transfer of weight to move<br />
across space either by using our feet or<br />
other body parts.<br />
Turning: The body rotates around an axis.<br />
It can be varied by the body shape, size of<br />
the rotation, use of feet, level, and speed.<br />
Jumping: Leaving and landing on the<br />
floor and this can be done with different<br />
types of jumps.<br />
Types of Jumps<br />
One foot to the same foot, one foot to the<br />
other foot, both feet to both feet, one foot<br />
to both feet and both feet to one foot.<br />
Gesture: Moving a part of a body that<br />
does not involve a transfer of or bearing of<br />
weight. This is used to communicate the<br />
meaning of the movement.<br />
Stillness: The ability to control or stop a<br />
movement.<br />
✨ Dynamics<br />
The qualities of movement and dance<br />
are known as the dynamics and how the<br />
body moves. This provides the colour and<br />
textures of a movement. Laban’s analysis<br />
of movement has given us four elements.<br />
Weight, space, time, and flow as every<br />
action the body does has energy, speed,<br />
and continuity.<br />
✨ Space<br />
Where the body moves provides the visual<br />
design of dance. The use of space helps to<br />
communicate the meanings using shape,<br />
level, and air patterns.<br />
✨ Relationships<br />
How we move and dance with each other<br />
varies from the simplest relationship of<br />
leading, following, copying, and mirroring<br />
to the complex use of counterpoint.<br />
Now we know what the body is capable<br />
of, we are ready to create and move and<br />
dance together.<br />
In part 2 of this article, I will cover<br />
movement and dance as an ‘Art’<br />
model and how you can incorporate<br />
this in your setting for ALL children.<br />
Scan here for<br />
more resources<br />
from Gina:<br />
38 <strong>January</strong> <strong>2024</strong> | parenta.com<br />
parenta.com | <strong>January</strong> <strong>2024</strong> 39