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Seeing and Knowing New Perspectives in Furniture Exhibition Catalogue

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Br<strong>and</strong>on Harrison<br />

ARTIST STATEMENT<br />

ARTIST BIOGRAPHY<br />

How does one <strong>in</strong>teract with their environment?<br />

<strong>Furniture</strong> is comfort<strong>in</strong>g <strong>and</strong> familiar. There is<br />

memory there, <strong>and</strong> yet each memory is different.<br />

My <strong>in</strong>terests <strong>in</strong>volve the <strong>in</strong>timate relationship<br />

that humans build with the world around them,<br />

from public space to products. By play<strong>in</strong>g with<br />

this experience through texture, balance,<br />

structure <strong>and</strong> movement, I aim to create<br />

furniture that becomes an <strong>in</strong>timate partner <strong>in</strong><br />

the life of the user.<br />

The forms my work takes are visually<br />

m<strong>in</strong>imalist, however, <strong>in</strong>tricately crafted to focus<br />

purely on the end use <strong>and</strong> the relationship it has<br />

with it’s human counterpart.<br />

<strong>Furniture</strong> for the humans.<br />

Br<strong>and</strong>on Harrison is a furniture designer <strong>and</strong><br />

maker based <strong>in</strong> Naarm/Melbourne.<br />

Interested <strong>in</strong> human-centered design at a macro<br />

level, he worked as a Town Planner before<br />

mov<strong>in</strong>g to a more <strong>in</strong>timate, human scale that<br />

furniture is able to respond to. He studied f<strong>in</strong>e<br />

woodwork <strong>and</strong> furniture design at Sturt Craft<br />

centre <strong>in</strong> the NSW Southern Highl<strong>and</strong>s <strong>and</strong><br />

currently holds a residency at the Victorian<br />

Woodworkers Association.<br />

His practice is focused on structure, movement<br />

<strong>and</strong> the <strong>in</strong>teraction between people <strong>and</strong> their<br />

furniture that works to humanise an often<br />

abstract <strong>and</strong> cerebral design manifesto. With<strong>in</strong> a<br />

framework of timber he is able to tap <strong>in</strong>to the<br />

cultural memory of a familiar natural material.<br />

Br<strong>and</strong>on was the w<strong>in</strong>ner of Wood Review’s 2022<br />

student Maker of the Year, has been <strong>in</strong>cluded as<br />

a f<strong>in</strong>alist <strong>in</strong> the 2023 VIVID design award, the<br />

2023 Carence Prize for furniture design <strong>and</strong> the<br />

2021 Craft + Design Canberra’s Emerg<strong>in</strong>g<br />

Contemporaries exhibition.

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