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Oxford Book of Flexible Anthems

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Edited by Alan Bullard<br />

4<br />

The <strong>Oxford</strong> <strong>Book</strong> <strong>of</strong><br />

<strong>Flexible</strong> <strong>Anthems</strong><br />

a complete resource for<br />

every church choir


The <strong>Oxford</strong> <strong>Book</strong> <strong>of</strong><br />

<strong>Flexible</strong> <strong>Anthems</strong><br />

for online perusal only<br />

a complete resource for<br />

every church choir<br />

Edited by Alan Bullard<br />

B


3<br />

Great Clarendon Street, <strong>Oxford</strong> OX2 6DP, England<br />

198 Madison Avenue, New York, NY 10016, USA<br />

<strong>Oxford</strong> University Press is a department <strong>of</strong> the University <strong>of</strong> <strong>Oxford</strong>.<br />

It furthers the University’s aim <strong>of</strong> excellence in research, scholarship,<br />

and education by publishing worldwide<br />

<strong>Oxford</strong> is a registered trade mark <strong>of</strong> <strong>Oxford</strong> University Press<br />

in the UK and in certain other countries<br />

© <strong>Oxford</strong> University Press 2007<br />

Each composer has asserted his/her right under the Copyright, Designs<br />

and Patents Act, 1988, to be identified as the Composer <strong>of</strong> their Work<br />

for online perusal only<br />

Database right <strong>Oxford</strong> University Press (maker)<br />

First published 2007<br />

All rights reserved. No part <strong>of</strong> this publication may be reproduced,<br />

stored in a retrieval system, or transmitted, in any form or by any means,<br />

without the prior permission in writing <strong>of</strong> <strong>Oxford</strong> University Press,<br />

or as expressly permitted by law. Enquiries concerning reproduction<br />

outside the scope <strong>of</strong> the above should be sent to the Music Copyright<br />

Department, <strong>Oxford</strong> University Press, at the address above<br />

Permission to perform the works in this anthology in public<br />

(except in the course <strong>of</strong> divine worship) should normally be obtained<br />

from the Performing Right Society Ltd. (PRS), 29/33 Berners Street,<br />

London W1T 3AB, or its affiliated Societies in each country throughout<br />

the world, unless the owner or the occupier <strong>of</strong> the premises<br />

being used holds a licence from the Society<br />

Permission to make a recording must be obtained in advance<br />

from the Mechanical-Copyright Protection Society Ltd. (MCPS),<br />

Elgar House, 41 Streatham High Road, London SW16 1ER,<br />

or its affiliated Societies in each country throughout the world<br />

ISBN 978–0–19–335895–9 (paperback)<br />

ISBN 978–0–19–335896–6 (wiro)<br />

Music origination by<br />

Barnes Music Engraving Ltd., East Sussex<br />

Printed in Great Britain on acid-free paper by<br />

Caligraving Ltd., Thetford, Norfolk


Preface<br />

This book is for church choirs <strong>of</strong> all types and sizes who wish to sing anthems.<br />

All the anthems in this book can be performed by a mixed choir, but the flexible<br />

arrangements also enable them to be performed by a wide variety <strong>of</strong> other<br />

groups, including upper-voice choirs, choirs with few men, unison choirs, small<br />

choirs, and choirs just starting out. The book thus meets a very real need <strong>of</strong><br />

church choirs today in <strong>of</strong>fering flexibility <strong>of</strong> scoring in a constructive and realistic<br />

way.<br />

The collection presents a wide variety <strong>of</strong> repertoire for all types <strong>of</strong> occasion.<br />

There are flexible arrangements <strong>of</strong> favourite anthems alongside less familiar<br />

pieces. There are new arrangements <strong>of</strong> plainsong melodies and <strong>of</strong> folk<br />

tunes from several continents. In addition, a number <strong>of</strong> anthems have been<br />

specially commissioned, enabling a wide range <strong>of</strong> musical styles to be represented.<br />

The emphasis throughout is on practicality and accessibility, without<br />

ever compromising on musical integrity and quality.<br />

for online perusal only<br />

Vocal scoring<br />

All the possible scorings for each anthem are shown in a box at the top <strong>of</strong> the<br />

first page <strong>of</strong> each piece. The basic principle is that anything in brackets may be<br />

omitted. Additionally, parts simply marked VOICE can be sung by upper voices,<br />

or men, or a combination <strong>of</strong> both.<br />

Here are examples <strong>of</strong> the principal scorings used:<br />

S A (T) B<br />

Keyboard<br />

S A (Men)<br />

Keyboard<br />

S (A) (Men)<br />

Keyboard<br />

S (A) (T) (B)<br />

(Keyboard)*<br />

This may be performed with four vocal parts and keyboard, or<br />

the tenor part may be omitted, with all men singing the bass<br />

part.<br />

There is a unison men’s part, suitable for tenors and basses,<br />

which may be omitted to make an upper-voice anthem with<br />

keyboard.<br />

This may be sung as a unison anthem with all voices singing<br />

the soprano/melody line (men an octave lower), or by upper<br />

voices in two parts, or in three parts for S A Men, all with keyboard<br />

accompaniment. Alternatively, the alto part may be<br />

omitted to create a two-part anthem for upper voices, men’s<br />

voices, and keyboard.<br />

This can be sung by SATB a cappella, or by unison voices<br />

(singing the soprano/melody line) or any vocal combination<br />

including soprano, with keyboard accompaniment. * The keyboard<br />

part may be omitted when all voice parts are present, or<br />

as indicated by the footnote.


Voices 1 2<br />

Keyboard<br />

Voices 1 (2) (3)<br />

Keyboard<br />

This may be sung by any combination <strong>of</strong> voices in two parts,<br />

for example Voice 1 (Soprano and/or Tenor) and Voice 2 (Alto<br />

and/or Bass), or by Voice 1 (upper voices) and Voice 2 (men), all<br />

with keyboard accompaniment. More specific suggestions are<br />

sometimes given during the course <strong>of</strong> the anthem.<br />

This may be sung in unison or in two or three parts with any<br />

appropriate combination <strong>of</strong> voices, either upper, men, or<br />

mixed.<br />

Further clarification on scoring is given in a footnote where necessary.<br />

In some anthems there is a DESCANT towards the end. This is optional, and<br />

may in most cases be sung by sopranos and/or tenors, either full or as a semichorus.<br />

Occasionally, individual voice parts will divide, with two notes indicated on<br />

the same stem. If both notes are large, then either or both may be sung. If one<br />

note is small, then the larger is preferable, but the smaller is an acceptable<br />

alternative (or again, both may be sung).<br />

Where there are passages in unison, vocal options are usually specified,<br />

but others may be substituted if preferred. Using contrasting groups—upper<br />

and lower voices, solo and tutti—will help give variety to the different verses or<br />

sections.<br />

In short, choir leaders may choose from the many different scoring options<br />

available to make the most appropriate use <strong>of</strong> the singers at their disposal and<br />

perform the anthems in the way which suits them best.<br />

An Appendix listing the original versions and scorings <strong>of</strong> those anthems<br />

where more substantial arrangements or adaptations have been made for the<br />

purposes <strong>of</strong> this book is given on p. 284.<br />

for online perusal only<br />

Keyboard parts<br />

In almost every case the keyboard parts have been arranged to be suitable for<br />

playing on an organ with pedals, or organ manuals only, or piano. Players may<br />

wish to exercise their judgement in some instances, bearing the following<br />

guidelines in mind:<br />

Organ with pedals: Play everything you can, following the bracketed Man.<br />

and Ped. markings. Ignore the occasional markings for the piano sustaining<br />

pedal and any piano notes which go out <strong>of</strong> range. The left-hand part is<br />

frequently shared between the staves, and cross-staff lines clarify this where<br />

necessary.<br />

Organ manuals only: ignore the bracketed Man. and Ped. markings and any<br />

solo stops that are not practicable, and omit any small notes that cannot be<br />

reached.<br />

iv


Piano: Ignore the organ-specific instructions and omit any small notes that<br />

cannot be reached. Adapt the music for piano by repeating long pedal notes<br />

that would be sustained on the organ, or doubling the bass line in octaves, or<br />

using the sustaining pedal where appropriate.<br />

It is worth noting that although the accompaniments may be played on<br />

piano or organ, some are more suitable for one instrument than the other. If<br />

you are lucky enough to have both instruments available, choose the one which<br />

suits the anthem best.<br />

In several anthems there are sections where the keyboard part is entirely in<br />

small notes, or where doubling ‘ad lib.’ is indicated. If desired, the keyboard can<br />

be omitted if all voices are present, but it should normally be played if they are<br />

not. Above all, remember that the keyboard part is designed to support the<br />

choir, adding musical interest but not detracting from the singing or the<br />

projection <strong>of</strong> the words.<br />

for online perusal only<br />

Words, tempi, and expression<br />

The starting point for every anthem is the words—they set the speed, mood,<br />

style, expression, and character <strong>of</strong> the anthem. Metronome marks are provided,<br />

but these are only suggestions, as the optimum tempo will vary according to<br />

the circumstances and the size and acoustic <strong>of</strong> the building in which the<br />

anthem is performed. Clarity <strong>of</strong> words is essential, and this should also guide<br />

the choice <strong>of</strong> tempo. A slight emphasis on the important words will help to<br />

shape the phrases musically. When learning a new anthem, focus right from<br />

the beginning on the sense <strong>of</strong> the words, as well as the notes and rhythms.<br />

This will help choirs to develop a deeper understanding <strong>of</strong> the anthem and its<br />

meaning.<br />

The intention <strong>of</strong> this collection is to enable all choirs, <strong>of</strong> whatever size or composition,<br />

to sing to the glory <strong>of</strong> God every Sunday and on each principal feast<br />

day <strong>of</strong> the year (with the exception <strong>of</strong> Christmas, for which there are many<br />

carol and other collections available). I hope it meets that expectation and that<br />

choirs will find it an invaluable aid to worship.<br />

I would like to thank all those who have given helpful advice and made<br />

suggestions <strong>of</strong> anthems or texts to include, in particular Julian Elloway and<br />

Helen Burrows, and the editorial team at OUP for all their help and care with<br />

this project.<br />

Alan Bullard<br />

Summer 2007<br />

v


Index <strong>of</strong> Titles and First Lines<br />

Where first lines differ from titles, the former are shown in italics.<br />

TITLE COMPOSER NO. PAGE<br />

Agnus Dei Samuel Webbe 33 145<br />

Alleluia William Boyce, accomp. Alan Bullard 1 2<br />

Angelus ad virginem 14th-cent. Irish, arr. Alan Bullard 15 72<br />

Author <strong>of</strong> life divine Cecilia McDowall 2 6<br />

Ave Maria Franz Liszt 21 96<br />

Ave verum corpus Edward Elgar 30 132<br />

Be still, for the presence <strong>of</strong> the Lord David J. Evans, arr. Richard Shephard 3 10<br />

Blessed Jesu, Lord, I pray Gabriel Fauré 46 195<br />

Bread <strong>of</strong> the angel host César Franck 44 187<br />

Bread <strong>of</strong> the world Trad. Scottish, arr. Alan Bullard 4 14<br />

Brightest and best <strong>of</strong> the sons Malcolm Archer 5 19<br />

<strong>of</strong> the morning<br />

Christians, shout for joy and gladness J. S. Bach, adap. Alan Bullard 6 25<br />

Christ is the world’s true Light Walter Kendall Stanton 7 31<br />

Christ the Lord is ris’n again! Richard Shephard 8 36<br />

Clare Benediction, A John Rutter 9 41<br />

Come down, O Love divine Hilary Tadman-Robins 10 46<br />

Creator <strong>of</strong> the stars <strong>of</strong> night Mode iv melody, arr. John Scott 11 52<br />

Drop, drop, slow tears Kerry Andrew 12 57<br />

Evening Service in C Frank Henry Shera 13 61<br />

Fairest Lord Jesus Silesian folk song, arr. Martin How 14 69<br />

Gabriel to Mary came 14th-cent. Irish, arr. Alan Bullard 15 72<br />

Give thanks to God Trad. Botswanan, arr. Alan Bullard 16 77<br />

God be in my head Cecil Armstrong Gibbs 17 82<br />

God in Mine Eternity Alan Bullard 18 84<br />

God so loved the world Alan Bullard 19 87<br />

God that madest earth and heaven Trad. Welsh, arr. David Thorne 20 92<br />

God to enfold me Alan Bullard 18 84<br />

Hail, Virgin Mary Franz Liszt 21 96<br />

Hark, the glad sound! David Thorne 22 99<br />

Harvest Carol Ian Ray 23 103<br />

He is risen Cecil Cope 24 105<br />

Hide not thou thy face Richard Farrant 25 110<br />

Holy, holy, holy, Holy is the Lord Franz Schubert, accomp. Alan Bullard 26 112<br />

Holy, holy, holy! Lord God Almighty! Alan Smith 27 115<br />

Hosanna to the Son <strong>of</strong> David Georg Philipp Telemann 28 121<br />

I bow before you David Blackwell 60 255<br />

Irish Blessing Bob Chilcott 29 128<br />

Jesu, Lamb <strong>of</strong> God, Redeemer Edward Elgar 30 132<br />

Jesus Christ the Apple Tree Somerset folk song, arr. Alan Bullard 31 136<br />

Jubilate attrib. W. A. Mozart, arr. Alan Bullard 32 140<br />

Lamb <strong>of</strong> God Samuel Webbe 33 145<br />

Let all mortal flesh keep silence French carol, arr. Stephen Cleobury 34 148<br />

for online perusal only<br />

vi


Let us praise you attrib. W. A. Mozart, arr. Alan Bullard 32 140<br />

Like the murmur <strong>of</strong> the dove’s song Alan Smith 35 152<br />

Lord, in thy mercy Felix Mendelssohn 36 156<br />

Lord, now lettest thou thy servant Frank Henry Shera 13 66<br />

depart in peace<br />

Magnificat Frank Henry Shera 13 61<br />

May the Lord show his mercy upon you John Rutter 9 41<br />

May the road rise to meet you Bob Chilcott 29 128<br />

My soul doth magnify the Lord Frank Henry Shera 13 61<br />

Never weather-beaten sail Thomas Campion, adap. Alan Bullard 37 161<br />

Now the green blade rises Trad. French, arr. Alan Bullard 38 164<br />

Nunc dimittis Frank Henry Shera 13 66<br />

O Breath <strong>of</strong> life Trad. English, arr. Alan Bullard 39 168<br />

O for a closer walk with God Charles Villiers Stanford 40 172<br />

O God <strong>of</strong> mercy Simon Lole 41 177<br />

O God, your goodness L. van Beethoven, adap. Alan Bullard 42 180<br />

O holy Jesus L. J. White, adap. Alan Bullard 48 199<br />

O Lord! Shout for joy! American spiritual, arr. Alan Bullard 51 214<br />

O praise God in his holiness Bob Chilcott 49 203<br />

O praise God in his holiness John Weldon 43 183<br />

Panis angelicus César Franck 44 187<br />

Peace between nations Christopher Wiggins 45 192<br />

Pie Jesu Gabriel Fauré 46 195<br />

Praise to the Trinity Hildegard <strong>of</strong> Bingen, ed. Julian Elloway 47 198<br />

Prayer <strong>of</strong> St Richard <strong>of</strong> Chichester, A L. J. White, adap. Alan Bullard 48 199<br />

Psalm 150 Bob Chilcott 49 203<br />

Rejoice in the Lord alway Christopher Wiggins 50 210<br />

Shout for Joy! American spiritual, arr. Alan Bullard 51 214<br />

Sing to the Lord <strong>of</strong> harvest Ian Ray 23 103<br />

Star <strong>of</strong> Wonder Alan Bullard 52 220<br />

The eternal gifts <strong>of</strong> Christ the King Guidetti, arr. Henry G. Ley 53 224<br />

The heav’ns sing praises to God L. van Beethoven, adap. Alan Bullard 54 229<br />

The Lord ascendeth up on high Michael Praetorius, ed. Timothy Morris 55a 232<br />

(Version 1)<br />

The Lord ascendeth up on high Michael Praetorius, arr. Alan Bullard 55b 233<br />

(Version 2)<br />

The Lord bless you and keep you John Rutter 56 237<br />

The Lord’s my Shepherd Bob Chilcott 57 242<br />

The peace <strong>of</strong> God Alan Bullard 58 247<br />

There is no rose Andrew Smith 59 251<br />

The tree <strong>of</strong> life my soul hath seen Somerset folk song, arr. Alan Bullard 31 136<br />

The True and Living Bread David Blackwell 60 255<br />

Thou visitest the earth Maurice Greene 61 259<br />

To be a Pilgrim Nicholas Burt 62 262<br />

Ubi caritas Antiphon, arr. Alan Bullard 64 273<br />

Were you there? American spiritual, arr. Peter Hunt 63 267<br />

We three kings <strong>of</strong> Orient are Alan Bullard 52 220<br />

When I survey the wondrous cross Philip Wilby 65 278<br />

Where all charity and love are Antiphon, arr. Alan Bullard 64 273<br />

Who would true valour see Nicholas Burt 62 262<br />

Wondrous Cross Philip Wilby 65 278<br />

for online perusal only<br />

vii


Listing by Liturgical Year and Themes<br />

with Scoring<br />

Many anthems are also suitable for general use.<br />

For further details on scoring, see Preface.<br />

TITLE SCORING COMPOSER/ARRANGER PAGE<br />

Advent<br />

Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />

Creator <strong>of</strong> the stars <strong>of</strong> night S (A) (Men) Kbd arr. Scott 52<br />

Gabriel to Mary came S (A) (T) (B) (Kbd) arr. Bullard 72<br />

(Angelus ad virginem)<br />

Hark, the glad sound! S (A) (Men) Kbd Thorne 99<br />

Jesus Christ the Apple Tree S (A) (Men) Kbd arr. Bullard 136<br />

Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148<br />

Magnificat S (A) (Men) Kbd Shera 61<br />

Never weather-beaten sail S (A) (Men) Kbd Campion, adap. Bullard 161<br />

There is no rose Voices 1 (2) Kbd Smith 251<br />

for online perusal only<br />

Epiphany<br />

Brightest and best <strong>of</strong> the sons S (A) (Men) Kbd Archer 19<br />

<strong>of</strong> the morning<br />

Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />

Star <strong>of</strong> Wonder S (A) (Men) Kbd Bullard 220<br />

Presentation <strong>of</strong> Christ in the Temple<br />

Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />

Nunc dimittis Voices 1 (2) Kbd Shera 66<br />

Lent<br />

A Prayer <strong>of</strong> St Richard <strong>of</strong> Chichester S S (A) (T) (B) Kbd White, adap. Bullard 199<br />

Bread <strong>of</strong> the world S (A) (T) (B) Kbd arr. Bullard 14<br />

Hide not thou thy face S (A) (Men) or Farrant 110<br />

SATB (Kbd)<br />

Lamb <strong>of</strong> God (Agnus Dei) Voices 1 (2) Kbd Webbe 145<br />

O for a closer walk with God S A (T) (B) Kbd Stanford 172<br />

O God <strong>of</strong> mercy Voices 1 (2) Kbd Lole 177<br />

Passiontide<br />

Drop, drop, slow tears Voices 1 2 (Men) Kbd Andrew 57<br />

God so loved the world S A (T) (B) Kbd Bullard 87<br />

Hosanna to the Son <strong>of</strong> David S (A) (Men) Kbd Telemann 121<br />

Jesu, Lamb <strong>of</strong> God, Redeemer S A (Men) Kbd Elgar 132<br />

(Ave verum corpus)<br />

Were you there? Voices 1 (2) (3) Kbd arr. Hunt 267<br />

Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />

(Ubi caritas)<br />

Wondrous Cross S A (Men) Kbd Wilby 278<br />

viii


Easter<br />

Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2<br />

Christians, shout for joy and gladness S (A) (T) (B) Kbd J. S. Bach, adap. Bullard 25<br />

Christ the Lord is ris’n again! S (A) (Men) Kbd Shephard 36<br />

He is risen Voices 1 2 Kbd Cope 105<br />

Now the green blade rises S A (T) (B) Kbd arr. Bullard 164<br />

Ascension<br />

Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />

The Lord ascendeth up on high SATB (Kbd) Praetorius, ed. Morris 232<br />

(Version 1)<br />

The Lord ascendeth up on high Voices 1 2 Kbd Praetorius, arr. Bullard 233<br />

(Version 2)<br />

Pentecost<br />

Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46<br />

Like the murmur <strong>of</strong> the dove’s song Voices 1 (2) Kbd Smith 152<br />

O Breath <strong>of</strong> life S (A) (Men) Kbd arr. Bullard 168<br />

for online perusal only<br />

Trinity<br />

Holy, holy, holy, Holy is the Lord S (A) (T) (B) (Kbd) Schubert, accomp. Bullard 112<br />

Holy, holy, holy! Lord God Almighty! S (A) Men Kbd Smith 115<br />

Praise to the Trinity Unis. (Kbd) Hildegard, ed. Elloway 198<br />

Transfiguration<br />

Be still, for the presence <strong>of</strong> the Lord S (A) (Men) Kbd Evans, arr. Shephard 10<br />

Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46<br />

Harvest<br />

Harvest Carol S A (T) B (Kbd) Ray 103<br />

O God, your goodness S (A) (T) (B) Kbd Beethoven, adap. Bullard 180<br />

Thou visitest the earth S (A) (Men) Kbd Greene 259<br />

All Saints<br />

The eternal gifts <strong>of</strong> Christ the King S (A) Men Kbd Guidetti, arr. Ley 224<br />

Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />

(Ubi caritas)<br />

The Faithful Departed (All Souls’ Day)<br />

God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92<br />

Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195<br />

Remembrance Sunday<br />

Peace between nations Voices 1 (2) Kbd Wiggins 192<br />

Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195<br />

The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242<br />

Christ the King<br />

Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />

Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148<br />

The Lord ascendeth up on high SATB (Kbd) Praetorius, ed. Morris 232<br />

(Version 1)<br />

The Lord ascendeth up on high Voices 1 2 Kbd Praetorius, arr. Bullard 233<br />

(Version 2)<br />

ix


Annunciation/BVM<br />

Gabriel to Mary came S (A) (T) (B) (Kbd) arr. Bullard 72<br />

(Angelus ad virginem)<br />

Hail, Virgin Mary (Ave Maria) S (A) (T) (B) (Kbd) Liszt 96<br />

Magnificat S (A) (Men) Kbd Shera 61<br />

There is no rose Voices 1 (2) Kbd Smith 251<br />

Holy Communion<br />

Author <strong>of</strong> life divine S A (T) (B) Kbd McDowall 6<br />

Be still, for the presence <strong>of</strong> the Lord S (A) (Men) Kbd Evans, arr. Shephard 10<br />

Bread <strong>of</strong> the world S (A) (T) (B) Kbd arr. Bullard 14<br />

Holy, holy, holy, Holy is the Lord S (A) (T) (B) (Kbd) Schubert, accomp. Bullard 112<br />

Jesu, Lamb <strong>of</strong> God, Redeemer S A (Men) Kbd Elgar 132<br />

(Ave verum corpus)<br />

Lamb <strong>of</strong> God (Agnus Dei) Voices 1 (2) Kbd Webbe 145<br />

Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148<br />

Panis angelicus (Bread <strong>of</strong> the angel host) Voices 1 (2) Kbd Franck 187<br />

The True and Living Bread S A (Men) Kbd Blackwell 255<br />

for online perusal only<br />

Baptism<br />

Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46<br />

God in Mine Eternity S A (Men) Kbd Bullard 84<br />

The Lord bless you and keep you S A Men Piano Rutter 237<br />

Weddings and Blessings<br />

A Clare Benediction S A Men (or Unis.) Rutter 41<br />

Piano<br />

Irish Blessing S (A) (Men) Kbd Chilcott 128<br />

The Lord bless you and keep you S A Men Piano Rutter 237<br />

The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242<br />

The peace <strong>of</strong> God S (A) (T) (B) (Kbd) Bullard 247<br />

Funeral and Remembrance<br />

God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82<br />

God in Mine Eternity S A (Men) Kbd Bullard 84<br />

God so loved the world S A (T) (B) Kbd Bullard 87<br />

God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92<br />

Never weather-beaten sail S (A) (Men) Kbd Campion, adap. Bullard 161<br />

O God <strong>of</strong> mercy Voices 1 (2) Kbd Lole 177<br />

Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195<br />

The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242<br />

The peace <strong>of</strong> God S (A) (T) (B) (Kbd) Bullard 247<br />

Morning<br />

Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2<br />

Holy, holy, holy! Lord God Almighty! S (A) Men Kbd Smith 115<br />

Jubilate (Let us praise you) Voices 1 2 (3) (4) (Kbd) Mozart, arr. Bullard 140<br />

Evening<br />

Creator <strong>of</strong> the stars <strong>of</strong> night S (A) (Men) Kbd arr. Scott 52<br />

Evening Service in C S (A) (Men) Kbd/ Shera 61<br />

Voices 1 (2) Kbd<br />

God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92<br />

x


Unity<br />

Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />

Like the murmur <strong>of</strong> the dove’s song Voices 1 (2) Kbd Smith 152<br />

Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />

(Ubi caritas)<br />

Creation<br />

Fairest Lord Jesus S (A) (Men) Kbd arr. How 69<br />

God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92<br />

Praise to the Trinity Unis. (Kbd) Hildegard, ed. Elloway 198<br />

The heav’ns sing praises to God S (A) (Men) Kbd Beethoven, adap. Bullard 229<br />

Healing<br />

Give thanks to God S (A) (Men) (Kbd) arr. Bullard 77<br />

God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82<br />

God in Mine Eternity S A (Men) Kbd Bullard 84<br />

Irish Blessing S (A) (Men) Kbd Chilcott 128<br />

Now the green blade rises S A (T) (B) Kbd arr. Bullard 164<br />

The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242<br />

for online perusal only<br />

Peace and justice<br />

Lamb <strong>of</strong> God (Agnus Dei) Voices 1 (2) Kbd Webbe 145<br />

Like the murmur <strong>of</strong> the dove’s song Voices 1 (2) Kbd Smith 152<br />

Lord, in thy mercy S (A) (Men) Kbd Mendelssohn 156<br />

Peace between nations Voices 1 (2) Kbd Wiggins 192<br />

Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />

(Ubi caritas)<br />

Prayer<br />

Be still, for the presence <strong>of</strong> the Lord S (A) (Men) Kbd Evans, arr. Shephard 10<br />

God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82<br />

Like the murmur <strong>of</strong> the dove’s song Voices 1 (2) Kbd Smith 152<br />

O for a closer walk with God S A (T) (B) Kbd Stanford 172<br />

O God, your goodness S (A) (T) (B) Kbd Beethoven, adap. Bullard 180<br />

Service in Christ<br />

O for a closer walk with God S A (T) (B) Kbd Stanford 172<br />

The Lord bless you and keep you S A Men Piano Rutter 237<br />

To be a Pilgrim S (A) (T) (B) Kbd Burt 262<br />

Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />

(Ubi caritas)<br />

Praise<br />

Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2<br />

Give thanks to God S (A) (Men) (Kbd) arr. Bullard 77<br />

Jubilate (Let us praise you) Voices 1 2 (3) (4) (Kbd) Mozart, arr. Bullard 140<br />

O praise God in his holiness (Version 1) SATB (Kbd) Weldon 183<br />

O praise God in his holiness (Version 2) S (A) (Men) (Kbd) Weldon 185<br />

Psalm 150 S (A) (Men) Kbd Chilcott 203<br />

Rejoice in the Lord alway Voices 1 (2) Kbd Wiggins 210<br />

Shout for Joy! Voices 1 2 (3) (4) arr. Bullard 214<br />

(Kbd) (Perc)<br />

The heav’ns sing praises to God S (A) (Men) Kbd Beethoven, adap. Bullard 229<br />

xi


Voices 1 2 (3)<br />

(Keyboard)*<br />

1. Alleluia<br />

1<br />

WILLIAM BOYCE (1711–79)<br />

accomp. Alan Bullard<br />

Lively h = 84<br />

V D p p p p<br />

VOICE 1<br />

([)<br />

V D p p p p<br />

VOICE 2<br />

([)<br />

V D p p p p<br />

VOICE 3<br />

([)<br />

V Lively D h = 84<br />

‰.‰ ‰ Š Š Š Š Š Š Š Š Š ˆ‰ ‰ ˆ<br />

{<br />

KEYBOARD p<br />

B D r Š ‰ ‰ ‰ Š Š ‰<br />

r Š.<br />

Š.<br />

Š.<br />

(Man.)<br />

5<br />

V ˆp<br />

ˆ ˆ ˆ<br />

([)<br />

V Al - le - lu - ia,<br />

ˆ<br />

r Š Š Š ˆŠ Š Š Š ˆŠ #Š Š Š Š ˆ<br />

.<br />

Š Š Š Š<br />

. .<br />

{ B ˆ ˆ ‰ ‰ ‰ ‰<br />

9<br />

V ‰. Š Š<br />

mf<br />

Š Š Š Š Š Š Š ‰ ‰ ˆ<br />

([)<br />

V al - le - lu - - - ia.<br />

‰.‰ ‰ Š Š Š Š Š Š Š Š Š ˆ ‰ ‰ Š Š.<br />

Š.<br />

Š.<br />

{ B Š Š ‰ ‰ ‰ Š Š ‰ ˆ<br />

for online perusal only<br />

* The keyboard part may be omitted if all three voice parts are sung; begin at either bar 5 or bar 21.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


1<br />

2<br />

1<br />

2<br />

3<br />

13<br />

mp<br />

Vr Š Š Š Š Š Š Š Š Š Š Š Š Š Š mf mp<br />

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‰ ‰<br />

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mp<br />

V ˆ ˆ ˆ ˆ<br />

([)<br />

V Al - le - lu - ia,<br />

ˆ ‰ Š Š Š Š Š Š Š Š Š<br />

r Š Š Š Š Š ‰ #‰ ˆ‰ ‰<br />

. . .<br />

{ B<br />

mp<br />

‰ ‰ ˆ ˆ ‰ ‰ ‰. Š<br />

Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia, al -<br />

17<br />

VŠ Š ‰ ‰ ‰ Š<br />

mf<br />

Š ‰ ˆ<br />

([)<br />

- le - lu - ia, al - le - lu - ia.<br />

V ‰. Š Š<br />

mf<br />

Š Š Š Š Š Š Š ‰ ‰ ˆ<br />

([)<br />

V al - le - lu - - - ia.<br />

Š‰. Š ‰ Š ˆŠ Š Š Š ‰ ˆŠ Š ‰ ˆ<br />

{ B ‰ ‰ ‰ Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š<br />

21<br />

V ‰.<br />

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Š Š Š Š Š ‰ Š Š #‰ ‰. Š<br />

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‰ ‰<br />

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V ˆf<br />

ˆ ˆ ˆ<br />

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V Al - le - lu - ia,<br />

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{ B<br />

f.<br />

Š Š<br />

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ˆ ˆŠ Š ‰ ˆ<br />

‰ ‰ ˆ<br />

Al - le - lu - ia, al - le - lu - ia, al -<br />

(Ped.)<br />

for online perusal only<br />

Alleluia 3<br />

Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia, al -<br />

mf


25<br />

V ‰ ‰ ‰. Š ‰ ‰ ˆ<br />

f<br />

4 Alleluia<br />

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VŠ Š ‰ ‰ ‰ Š Š ‰ ˆ<br />

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mf<br />

- le - lu - ia, al - le - lu - ia.<br />

V ‰. Š Š Š Š Š Š Š Š Š ‰ ‰ ˆ<br />

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V al - le - lu - - - ia.<br />

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{ B Š‰. Š ‰ Š ˆ ‰ ‰ ‰ ‰ ˆ<br />

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V ‰. Š Š Š Š Š ‰ Š Š #‰ ‰. Š<br />

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VrŠ Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />

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‰ Š#Š Š Š Š Š Š Š Š Š#Š Š Š Š Š#Š Š Š Š#Š Š Š Š Š<br />

{ B ˆ ˆ Š Š #‰ ‰ ‰ ‰ ‰ ‰ ‰<br />

33<br />

V ‰. Š Š<br />

ff<br />

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V ‰ ‰ ‰. Š ‰ ‰ ff<br />

ˆ<br />

([)<br />

- le - lu - ia, al - le - lu - ia.<br />

VŠ Š ‰ ‰ ‰ Š<br />

ff<br />

Š ‰ ˆ<br />

([)<br />

V - le - lu - ia, al - le - lu - ia.<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ B ‰ ‰ ‰ ‰ ˆ ‰ ‰ ˆ<br />

for online perusal only<br />

f<br />

f


37<br />

Vr Š Š.<br />

Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />

([) . .<br />

V ˆ ˆ ˆ ˆ<br />

([)<br />

Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia, al -<br />

Al - le - lu - ia,<br />

V ‰. Š Š Š Š Š ‰ Š Š #‰ ‰. Š<br />

([)<br />

Alleluia 5<br />

Al - le - lu - ia, al - le - lu - ia, al -<br />

V ˆ ˆ ˆ ‰ #‰ ‰ ‰<br />

{<br />

ff<br />

B ˆ ˆ ‰ ‰ r<br />

Š Š Š Š<br />

Š Š Š Š Š Š<br />

. . . . . . . . . . Š ‰. Š<br />

.<br />

for online perusal only<br />

rit.<br />

41<br />

<br />

fff<br />

VŠ Š ‰ ‰ ‰ Š Š ‰ ˆF<br />

([)<br />

- le - lu - ia, al - le - lu - ia.<br />

fff<br />

V ‰. Š Š Š Š Š Š Š Š Š ‰ ‰ ˆF<br />

([)<br />

al - le - lu - - - ia.<br />

fff<br />

V ‰ ‰ ‰. Š ‰ ‰ ˆF<br />

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V<br />

rit.<br />

Š Š ‰ Š Š Š Š Š Š Š Š Š Š ‰<br />

F<br />

‰ ˆ<br />

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fff<br />

B ‰ ‰ ‰. ‰ Š Š Š ˆ<br />

‰ ‰ E<br />

ˆˆ


6<br />

SA(T)(B)<br />

Keyboard<br />

2. Author <strong>of</strong> life divine<br />

Charles Wesley<br />

(1707–88)<br />

SOPRANO<br />

TENOR<br />

ALTO<br />

BASS<br />

Flowing i = 94<br />

<br />

unis.<br />

Vbbbb 34 p p p<br />

Š Š Š ‰ Š<br />

([)<br />

Au - thor <strong>of</strong> life, <strong>of</strong><br />

unis.<br />

Vbbbb 34 p p p p<br />

Š Š Š<br />

([)<br />

Au - thor<br />

V<br />

Flowing i = 94<br />

bbbb 34 Š‰. Š Š Š‰. Š Š Š ‰‰. Š Š‰ Š Š<br />

{ Bbbbb 34 ‰. Š Š Š Š‰. Š Š Š<br />

‰. ‰.<br />

KEYBOARD mp p<br />

(Ped.)<br />

*<br />

CECILIA McDOWALL<br />

(b. 1951)<br />

<strong>of</strong><br />

for online perusal only<br />

5<br />

Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š ‰. ‰.<br />

([)<br />

life di - vine, who hast a ta - ble spread,<br />

Vbbbb Š Š Š ‰ Š ‰ Š Š Š Š ‰. ‰.<br />

([)<br />

life di - vine, who hast a ta - ble spread,<br />

V bbbb Š‰. Š Š ‰. Š ‰. Š Š Š<br />

Š‰ Š ‰. ‰.<br />

{ Š Š Š Š Š Š Š<br />

Bbbbb r r Š ‰ r<br />

‰. ‰. ‰. ‰. ‰. ‰.<br />

* If performing on piano, repeat the tied bass notes as required throughout.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


11<br />

mp<br />

Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

Vbbbb p mp<br />

Š Š Š Š Š Š ‰ Š<br />

([)<br />

V bbbb ‰ ŠŠŠ ‰. Š Š‰. Š Š ‰ Š<br />

{<br />

mp<br />

Bbbbb r r Š ‰.‰ Š ‰. Š Š Š<br />

‰. ‰. ‰.<br />

‰.<br />

‰.<br />

furn - ished with mys - tic wine and<br />

furn - ished with mys - tic wine and<br />

15<br />

<br />

p<br />

Vbbbb Š Š Š Š Š Š ‰. ‰ Š 32<br />

([)<br />

([)<br />

ev - er - last - ing bread, pre -<br />

Vbbbb ‰ Š ‰ Š Š Š Š Š Š Š 32<br />

ev - er - last - ing bread, pre -<br />

V bbbb Š<br />

‰ Š ‰‰. Š Š ‰. ‰.<br />

Š 32<br />

{ Bbbbb ‰.<br />

‰. ‰‰. ‰. ‰‰. Š Š Š ‰ Š Š Š Š<br />

p 32<br />

19 i = i<br />

<br />

mf mp<br />

Vbbbb32 Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š 34<br />

([)<br />

- serve the life thy - self hast given, and feed and train us up for<br />

Vbbbb32 Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š 34<br />

([)<br />

mf<br />

p<br />

(Man.)<br />

- serve the life thy - self hast given, and feed and train us up for<br />

i = i<br />

for online perusal only<br />

V bbbb32 Š‰ Š Š‰ Š ‰ ˆ. Š Š Š Š Š Š Š‰ Š Š‰ Š ‰ 34<br />

{ Bbbbb32 mf mp<br />

‰ ‰‰ ‰ ˆ ‰ Š Š ˆ ‰ ‰ ‰‰‰<br />

34<br />

mp<br />

Author <strong>of</strong> life divine 7


S.<br />

A./<br />

T./B.<br />

8 Author <strong>of</strong> life divine<br />

22<br />

Vbbbb34 ‰. ‰. p p<br />

heaven.<br />

Vbbbb34 ‰. ‰. p p<br />

([)<br />

([)<br />

heaven.<br />

V bbbb34 ‰. ‰. Š‰. Š Š Š‰.<br />

Š Š Š Š Š<br />

{ Bbbbb34 ‰.<br />

Š ‰. Š Š Š ‰. Š Š Š ‰. Š Š Š ‰.<br />

Š Š<br />

(Ped.)<br />

for online perusal only<br />

26<br />

Vbbbb p mf<br />

Š ‰ ‰ Š ‰ Š ‰ Š<br />

unis. mf<br />

Vbbbb<br />

Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

V bbbb ‰. ‰. ‰ ‰<br />

Š Š Š ‰ Š Š Š Š Š Š Š ‰. Š Š Š<br />

{<br />

mf<br />

Bbbbb ‰ Š ‰ Š ‰ Š<br />

‰. ‰.<br />

‰. ‰‰. Š ‰. Š Š Š<br />

‰. ‰. ‰.<br />

Our souls sus - tain with<br />

Our nee - dy souls, our souls sus - tain with fresh sup -<br />

31<br />

Vbbbb ‰ Š Š Š Š ‰. p Š f ‰<br />

fresh sup - plies <strong>of</strong> love, all<br />

f<br />

Vbbbb Š Š Š ‰. ‰. Š Š Š Š Š Š<br />

([)<br />

V bbbb ‰. Š Š Š ‰. ‰ . Š‰. Š Š Š ‰.<br />

‰ Š Š<br />

{ Bbbbb Š ‰. Š Š Š ‰.<br />

‰ . ‰ . ‰ . f<br />

Š Š<br />

‰ . ‰ .<br />

- plies <strong>of</strong> love, till all thy life we


36<br />

Vbbbb Š ‰ Š ‰ Š ‰ ‰ Š<br />

Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

thy full - ness, full - ness,<br />

gain, and all thy full - ness, full - ness<br />

V bbbb Š‰.<br />

‰ Š Š Š ‰ Š Š Š ‰ Š Š ‰.<br />

Š<br />

{ Bbbbb Š ‰. Š Š ‰ Š Š Š ‰.<br />

‰.<br />

‰.<br />

‰.<br />

‰.<br />

Š ‰‰. ‰.<br />

40<br />

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mf<br />

full - ness prove. thy<br />

Vbbbb ‰. ‰ Š 32 Š Š Š Š Š Š<br />

([)<br />

V bbbb ‰. Š Š Š Š‰ Š Š 32 ‰ Š Š Š‰ Š ‰<br />

{<br />

mf<br />

Bbbbb ‰. ‰‰. ‰‰‰ Š Š 32ˆ ‰ ‰ ‰<br />

prove, and, strength-ened by thy per - fect<br />

(Man.)<br />

43<br />

Vbbbb Š Š Š Š Š Š ˆ mp<br />

q r Š Š Š Š Š ˆ.<br />

per - fect, per-fect grace, be - hold thy face.<br />

Vbbbb ˆ Š Š Š Š Š Š Š Š ˆ. ˆ.<br />

([)<br />

for online perusal only<br />

mf mp p<br />

grace, be - hold with-out a veil thy face.<br />

V bbbb ŠˆŠ Š Š Š Š ˆ Š Š Š Š ‰ ‰ ˆ. ‰ ‰ ˆ.<br />

{<br />

mp p<br />

Bbbbb ˆ. Š Š ‰ ˆˆ ‰ ‰ ˆ.<br />

ˆ. ˆ. ˆ.<br />

(Ped.)<br />

Author <strong>of</strong> life divine 9<br />

mf<br />

p


10<br />

S(A)(Men)<br />

Keyboard<br />

3. Be still, for the presence<br />

<strong>of</strong> the Lord<br />

S.<br />

A.<br />

MEN<br />

V # Andante espressivo i = 100<br />

SOPRANOS & ALTOS unis.<br />

# ([)<br />

4 p p mp<br />

VOICES<br />

<br />

r Š Š Š Š ŠŠŠŠ Š. Še<br />

V#<br />

1. Be still, for the pre-sence <strong>of</strong> the Lord, the<br />

# 4 ‰ Š‰ Š Š‰ Š Š‰ Š ‰ ‰ ‰‰<br />

Š‰<br />

Š<br />

{ B## 4 Š<br />

KEYBOARD p sempre legato<br />

Š ‰ Š ŠŠŠ Š ‰<br />

‰‰ ‰ ‰<br />

V # (Ped.)<br />

MEN or TUTTI<br />

5<br />

#<br />

mp<br />

Š Š Š Š ˆ r Š Š ŠŠ Š. Še<br />

([)<br />

Š. Š e Š Š Š Š ˆ<br />

V#<br />

Ho-ly One, is here; Come, bow be - fore him now, with re-ver-ence and fear.<br />

# ˆ‰ ‰ ˆ Š Š Š Š Š Š Š Š Š Š ŠŠ Š Š<br />

Š ‰ ‰ ‰ ‰ ‰ ‰ ‰‰<br />

{ B## ˆ p<br />

‰ ‰ ˆ<br />

‰. Š ‰ q‰ q ‰ Š Š Š #Š ˆ<br />

‰ Š Š ‰ ‰ ‰. Š<br />

V #<br />

11 mf<br />

# r Š. Še‰ r Š.<br />

mp<br />

Š Š Š Š Š ‰ Š Š Š Š Š Še ‰ r Š Š ŠŠŠ<br />

In him no sin is found, we stand on ho - ly ground; Be still, for the<br />

B## r Š Š Š Š Š ‰ r Š Š Š Š Š ‰ r Š Š ŠŠ<br />

V#<br />

mf<br />

# Š Š Š Š ‰ ‰. bŠ Š Š ‰ ‰ mp<br />

‰ ‰ ‰ Š Š ˆ Š Š Š‰<br />

Š<br />

{<br />

mf<br />

B## ‰. =Š<br />

‰. Š mp<br />

‰<br />

‰ Š Š ‰ ˆ‰ ‰ ‰ Š<br />

Š<br />

Š<br />

Š ‰ ˆ<br />

for online perusal only<br />

If performing in unison, sing the melody throughout, omitting the descant sections in vv. 2 and 3.<br />

Words and music by<br />

DAVID J. EVANS (b. 1957)<br />

arr. Richard Shephard<br />

© 1986 Thankyou Music. Administered in UK and Europe by worshiptogether.com and rest <strong>of</strong> world by kingswaysongs.com,<br />

email: tym@kingsway.co.uk. Used by permission. Photocopying this copyright material is ILLEGAL.


V #<br />

16<br />

# ŠŠŠŠ Š Š. Š Še Š. Še r p p<br />

Š Š Š Š Š ‰.<br />

pre-sence <strong>of</strong> the Lord, the Ho - ly One, is here.<br />

B## ŠŠŠŠŠ. Š Š Š Š Š f<br />

‰. r p p<br />

V# # ‰ ‰ Š Š Š. Še r<br />

Š Š Š Š<br />

Š Š<br />

Š ‰. Š<br />

Š ‰ Š Š Š Š‰ Š Š ‰<br />

{ B## Š Š Š Š Š Š r<br />

‰ ‰ ‰ ‰ ‰<br />

‰ Š Š Š<br />

V #<br />

21<br />

# p p<br />

r Š Š Š Š ŠŠŠŠ Š. Še Š Š Š ‰ Š r f<br />

Š ‰.<br />

2. Be still, for the glo-ry <strong>of</strong> the Lord is shi-ning all a - round;<br />

B## p p p p p<br />

V# # Š‰. Š ‰ Š ‰ ‰ ‰‰‰ Š‰ Š Š‰ Š Š‰ Š ‰. ‰ ‰ Š<br />

{<br />

p<br />

B## Š‰ Š Š Š ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />

‰ ˆŠ Š ‰<br />

for online perusal only<br />

Be still, for the presence <strong>of</strong> the Lord 11<br />

ah<br />

V #<br />

26<br />

mp<br />

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Š ‰.<br />

r r<br />

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V#<br />

p<br />

# ‰ Š Š ‰ Š Š Š Š Š Š ‰ = ‰ mp<br />

‰ ‰ Š Š<br />

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Š<br />

{<br />

mp<br />

B## ‰ ‰ Š‰ Š ‰ ‰ q<br />

‰ ‰ Š‰ Š ‰<br />

‰<br />

He burns with ho - ly fire, with splen-dour he is crowned. How awe-some


12 Be still, for the presence <strong>of</strong> the Lord<br />

ah<br />

V #<br />

31<br />

# Š. Še r Še q ‰ Š Š Š Š<br />

f<br />

‰ Š Š Š Š. f<br />

‰ r Š Š Š Š ŠŠŠŠ<br />

mf<br />

Š. Š<br />

is the sight, our ra-diant King <strong>of</strong> light! Be still, for the glo-ry <strong>of</strong> the Lord is<br />

f<br />

B##<br />

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‰ r<br />

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‰ mp<br />

r Š ‰ r Š ‰<br />

V#<br />

Be still, be still,<br />

# Š‰ Š Š‰ Š ‰‰ ‰ Š Š ‰ Š Š ‰ =ˆ ‰ ‰ Š‰ Š #(‰<br />

) ŠŠ<br />

{ B## Š Š ‰ #ˆ ‰ Š Š mp<br />

Š Š ‰ b‰ ˆ ˆ ‰ ‰ ‰ ‰<br />

for online perusal only<br />

p<br />

V #<br />

36<br />

# ‰ Š Š Š. Š Š r p p p<br />

f<br />

‰.<br />

p<br />

p<br />

shi-ning all a-round.<br />

B## q ‰ ‰. r p p p<br />

V#<br />

be still.<br />

# ‰ Š Š Š Š Š Š Š Š Š Š Š ‰.<br />

Š ‰ Š. Š Š Š Š Š Š<br />

{<br />

f<br />

‰ ‰ ‰ ‰ Š Š Š Š ‰<br />

p<br />

f<br />

B## Š Š Š Š ‰ ‰<br />

‰ ‰ ‰ ‰ ‰ ‰ ‰ Š Š ‰ Š<br />

‰ Š<br />

V #<br />

41<br />

unis.<br />

# f<br />

S. mf<br />

r Š Š Š Š ŠŠŠŠ Š. Še Š Š Š Š ˆ r Š Š ŠŠŠ<br />

A.<br />

3. Be still, for the pow-er <strong>of</strong> the Lord is mov-ing in this place; He comes to<br />

B## r Š Š Š Š ŠŠŠŠ Š. Š Š Š Š f<br />

Š ˆ r Š Š ŠŠ<br />

V#<br />

f<br />

# ‰ ‰ mf<br />

Š Š Š‰ Š Š‰ Š Š. Š ŠŠeŠ. Š Š Še =Š ‰ Š ‰ Š #( ) Š‰ Š Š Š ŠŠŠ<br />

{ B## Š Š Š Š ‰ ‰<br />

mf<br />

‰ ‰ ‰ ‰ ˆ =Š ‰ Š ‰ ŠŠŠŠ<br />

mp


V #<br />

46<br />

# Š. Š ŠŠe<br />

ŠŠ. Še ‰. r Š Š Š Š Š Š Š Š r Šf<br />

Š Š Š. Še f<br />

‰<br />

cleanse and heal, to mi - ni - ster his grace. No work too hard for him,<br />

B## Š Š Š Š Š Š Š Š ‰ Š ,<br />

r r<br />

Š Š Š Š. Š f<br />

‰<br />

V#<br />

f<br />

# Š Š Š Š ‰ ‰.<br />

,<br />

‰ ‰ Š Š Š Š Š Š ˆ Š Š Š Š<br />

Š Š Š ‰. ‰ ‰ Š ‰. Š<br />

{ B## ‰ Š<br />

f<br />

‰<br />

Š Š Š ‰. Š Š ‰ ‰ ‰.<br />

‰.<br />

Š ‰.<br />

Š Š Š Š Š<br />

for online perusal only<br />

ah the Lord is mov - ing<br />

V # dim. poco a poco<br />

51<br />

# r Š Š ŠŠ Š. Še ‰ ‰ Š Š Š Š f<br />

‰<br />

r<br />

Š Š Š Š ŠŠŠŠ Š. Š ‰ ‰ f<br />

Š Š Š Š<br />

in faith re - ceive from him; Be still, for the pow-er <strong>of</strong> the Lord is mov - ing<br />

B## r<br />

Š Š Š Š. Š f<br />

‰ r<br />

Š Š Š Š ŠŠŠŠ Š. Š ‰ Š Š f V# # ŠŠ Š Š dim. poco a poco<br />

b‰ Š Š ŠŠ ‰ Š Š ‰ ‰ ‰ Š Š Š‰ Š Š ‰ Š ‰ Š Š<br />

{<br />

dim. poco a poco<br />

B## Š Š ‰ =‰<br />

‰<br />

‰ Š Š ‰ ˆ ‰ ‰ ‰ Š Š ‰ ‰ Š Š<br />

in this place.<br />

V # rit. al fine<br />

56<br />

#<br />

pp<br />

‰. ‰ ‰ Š ˆˆ Š<br />

r q p Fp<br />

in this place.<br />

B## ‰.<br />

Š ˆ Š r q p p<br />

V#<br />

pp<br />

E<br />

rit. al fine<br />

# ‰‰ Š Š r Š Š Š Š Š. Še<br />

‰ Š. Še<br />

Š Š ‰ ‰ ‰ ‰ ‰ Š<br />

F<br />

Š ‰ ˆ<br />

{ B## Š Š<br />

pp<br />

ˆ<br />

Š Š Š<br />

q Š Š<br />

‰ ‰ Š ‰<br />

‰<br />

Eˆ<br />

,<br />

Be still, for the presence <strong>of</strong> the Lord 13


14<br />

S(A)(T)(B)<br />

Keyboard<br />

4. Bread <strong>of</strong> the world<br />

Reginald Heber<br />

(1783–1826)<br />

VOICES<br />

KEYBOARD<br />

([)<br />

V # Gently, but not too slow i = 132<br />

TUTTI or T./B. unis. or SOLO<br />

34 p p p p<br />

p legato<br />

<br />

<br />

Š. ŠeŠ<br />

([)<br />

Bread<br />

<strong>of</strong> the<br />

V# 34 Š.<br />

‰. ŠeŠ Š<br />

‰. Š Š ‰. Š ‰. Š ‰.<br />

Š<br />

{ B#34 p<br />

‰. Š ‰ Š ‰. ‰ Š ‰. ‰ Š ‰. ‰ Š ‰.<br />

‰<br />

legato<br />

(Ped.)<br />

V #<br />

6<br />

<br />

Š Š Š Š. ŠeŠ ‰ Š Š. ŠeŠ Š Š Š Š. ŠeŠ<br />

([)<br />

for online perusal only<br />

Trad. Scottish<br />

arr. ALAN BULLARD (b. 1947)<br />

world, in mer - cy bro - ken, Wine <strong>of</strong> the soul, in mer - cy<br />

V# ‰‰. Š ‰. Š ‰ ‰. Š ‰<br />

‰. Š Š<br />

‰. Š Š Š. ‰.<br />

ŠeŠ<br />

{ B# ‰. Š ‰ ‰ ‰. Š ‰. ‰. r ‰ ‰. r ‰ ‰.<br />

r ‰<br />

V #<br />

12<br />

<br />

‰ Š Š Š Š Š. Še Š Š Š Š ‰ Š<br />

shed, By whom the words <strong>of</strong> life were spo - ken,<br />

V# ‰ Š Š Š Š ‰.‰ Š Š‰.<br />

Š Š ‰ = Š<br />

{ B# r ‰ Š Š Š Š ‰ =‰. Š ‰<br />

‰. ‰. ‰. ‰.<br />

This anthem may be shortened by omitting bars 22– 41.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S.<br />

A.<br />

T.<br />

B.<br />

([)<br />

Bread <strong>of</strong> the world 15<br />

optional cut to bar 42 O<br />

V #<br />

17<br />

<br />

Š Š Š Š Š Š Š. Še Š ‰ Š ‰ Še t<br />

And in whose death our sins are dead.<br />

V# Š Š Š Š Š Š ‰ Š ‰. Š Š‰.<br />

Š Š<br />

{ B# r ‰ r ‰ r ‰ r<br />

‰. #‰. ‰. ‰. ‰ ‰.<br />

(Man.)<br />

V #<br />

22<br />

mp legato<br />

p p p Š. Še Š Š Š Š. f Š ‰ Š ‰ ŠeŠŠ<br />

Bread <strong>of</strong> the world, in mer - cy<br />

B# p p p Š. ŠeŠ Š Š f<br />

Š ‰ Š ‰ Š<br />

mp legato<br />

V# Š. Š Š f<br />

Š Š Š ‰ Š Š Š Š r r p p<br />

{<br />

double choir ad lib.<br />

B# ‰. ‰. Š. Š ‰. Š f Š r r p p<br />

for online perusal only<br />

V #<br />

28<br />

Š. ‰ Š Š Š. ŠeŠ Š Š Š. Še Š f f Š ‰ Š ‰ #Š ‰.<br />

Š<br />

bro - ken, Wine <strong>of</strong> the soul, in mer - cy shed,<br />

B# ‰ Š Š. ŠeŠ Š Š Š. Še ‰ Š<br />

f Š #‰ Š ‰ Š ‰.<br />

V #<br />

33<br />

ŠŠ Š Š. Še Š Š Š Š Š ‰ Š ‰ #( ) Š ‰ Š Š #ŠŠ Š<br />

B# Š Š Š ‰ Š =Š Š<br />

‰ Š<br />

Š ‰ Š Š Š Š Š Š #Š<br />

By whom the words <strong>of</strong> life were spo - ken, And in whose


16 Bread <strong>of</strong> the world<br />

<br />

O<br />

V #<br />

38<br />

‰ Š Š Š ‰ Š. ŠeŠ Š ‰ Šet p p<br />

Š ‰ Š<br />

death our sins are dead.<br />

f<br />

B# ‰ Š Š Š Š‰ Š Š Š ‰. ‰ ŠetŠ p p f<br />

V# p p<br />

O<br />

‰ Š Š Š Š. Š Š Š Š Š<br />

Š Š Š ‰. f<br />

{ B# p p p<br />

‰. ‰. ‰. ‰ r V<br />

V # (Man.)<br />

44<br />

S./A. unis. or SOLO<br />

p<br />

p legato<br />

<br />

Š. ŠeŠ Š Š Š Š. ŠeŠ ‰ Š Š. ŠeŠ<br />

Look on the heart by sor - row bro - ken, Look on the<br />

V# Š ‰.. ŠeŠ ‰. ‰. ‰.‰ Š ‰. ‰.<br />

{ V # pp<br />

Š Š Š ‰.‰ Š ‰.‰ Š ‰. ‰. ‰.<br />

Š<br />

V #<br />

50<br />

<br />

Š Š Š Š. ŠeŠ ‰ Š Š Š Š Š. ŠeŠ Š Š Š<br />

tears by sin - ners shed; And be your feast to us the<br />

V# Š‰ Š Š. ŠeŠ Š<br />

Š #‰. ‰ Š ‰. Š Š Š‰. Š Š Š‰ Š Š<br />

{ V # ‰ Š ‰ Š ‰ Š ‰ .<br />

‰<br />

‰. ‰. ‰. Š Š Š Š<br />

V #<br />

56<br />

<br />

‰ Š Š Š Š Š Š Š Š. ŠeŠ ‰ Š ‰ Šet<br />

to - ken That by your grace our souls are fed.<br />

V# Š‰. Š Š ‰. Š Š Š Š Š Š ‰ Š Š Š ‰. Š Š Š<br />

{ V # ‰. Š Š Š Š Š Š Š ‰.<br />

Š ‰. ‰.<br />

for online perusal only


62<br />

V# molto rit.<br />

Š‰. Š Š ‰. Š Š Š Š Š Š Š Š Š Š<br />

F ,<br />

‰. ‰. Š Š ‰‰. ‰‰ ŠŠ<br />

{ V # dim.<br />

‰. ‰. ‰. ‰. Š rr B Š. Š f Š ‰ Š<br />

Š. Š Š E<br />

f<br />

V # a tempo<br />

69 mp<br />

DESCANT (opt. SOLO)<br />

p Š Š Š ‰. ‰. p<br />

Bread <strong>of</strong> the world,<br />

V # Š. Še Š Š Š Š Š. Še Š ‰ Š Š. Še Š<br />

([)<br />

OTHER VOICES<br />

mp<br />

Look on the heart by sor - row bro - ken, Look on the<br />

V#<br />

a tempo<br />

‰. Š ‰ Š Š Š ‰. Š ‰ ‰. Š ‰<br />

‰. Š<br />

{<br />

mp<br />

B# Š ‰ Š ‰ ‰ Š<br />

‰. ‰. ‰. ‰. ‰. r ‰<br />

(Ped.)<br />

for online perusal only<br />

Bread <strong>of</strong> the world 17<br />

V #<br />

74<br />

mp<br />

cresc.<br />

Š Š Š ‰. ‰. p Š Š Š<br />

Wine <strong>of</strong> the soul, And be your<br />

V # cresc.<br />

Š Š Š Š. Še Š ‰ Š Š Š Š Š. Še Š<br />

([)<br />

tears by sin - ners shed; And be your feast to<br />

V# Š Š Š Š. ‰. Še Š ‰.‰ Š ŠŠ Š Š Š‰ Š =ŠŠ<br />

{ B# Š‰ Š Š ‰. Š Š Š<br />

Š‰. Š Š ‰ Š Š Š ‰ Š Š Š


18 Bread <strong>of</strong> the world<br />

S.<br />

A.<br />

T.<br />

B.<br />

V #<br />

79<br />

Š. Š f Š<br />

f mp<br />

Š Š Š ‰ Š ‰ Š Š. Š f Š<br />

V # Š Š Š ‰ Š Š<br />

f mp<br />

Š Š Š Š Š Š. Še Š<br />

([)<br />

feast the to - ken That by your grace our souls are<br />

us the to - ken That by your grace our souls are<br />

V# Š. Še Š ‰ Š<br />

‰ . Š Š Š ‰.<br />

Š Š ‰ Š Š Š Š. ‰. Še Š<br />

{<br />

f p<br />

B# ‰. Š Š Š ‰. Š Š Š Š ‰.‰ Š ‰.<br />

Š<br />

V #<br />

84<br />

rit.<br />

‰ Š ‰. Še t r r p<br />

fed.<br />

V # ‰ Š ‰. Še t r r p<br />

([)<br />

fed.<br />

V# rit.<br />

‰ Š Š. Še Š ‰. ‰ Še t<br />

‰. ‰. ‰ Š f<br />

{<br />

pp<br />

B#=Š‰. Š Š ‰. Š. Še Š ‰ Še t<br />

t r p<br />

V # meno mosso<br />

88<br />

Fp p<br />

Š. ŠeŠ Še t f<br />

Š ‰. ‰. Š f<br />

r r<br />

Bread <strong>of</strong> the world.<br />

B# p Š. ŠeŠ f Š ‰. ‰. ŠeŠ E<br />

f t r r<br />

V# p<br />

F<br />

meno mosso<br />

p p p t<br />

‰. Še r r<br />

{<br />

double choir ad lib.<br />

pp<br />

B#<br />

E<br />

p p p ‰. ŠeŠ t r r f<br />

for online perusal only


S(A)(Men)<br />

Keyboard<br />

for Phillip Bell and the boys <strong>of</strong> Eccles Hall School, Norfolk<br />

5. Brightest and best <strong>of</strong><br />

the sons <strong>of</strong> the morning<br />

19<br />

Reginald Heber<br />

(1783–1826)<br />

MALCOLM ARCHER<br />

(b. 1952)<br />

VOICES<br />

KEYBOARD<br />

<br />

V # 34 p i Con moto = 138<br />

. p p p<br />

([)<br />

V# 34 Š Š Š Š Š Š . Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

mp<br />

Š<br />

{ B#34 ‰. ‰. . ‰.<br />

‰.<br />

‰.<br />

‰ Š ‰ Š<br />

(Ped.)<br />

V # v. 1: SOPRANO<br />

v. 2: MEN or TUTTI<br />

5<br />

mf<br />

Š. Še Š Š Š Š Š Š Š ‰ Š<br />

([)<br />

1. Bright - est and best <strong>of</strong> the sons <strong>of</strong> the morn - ing,<br />

2. Cold on his cra - dle the dew - drops are shin - ing;<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

mf<br />

{ B# ‰.<br />

‰. ‰.<br />

‰.<br />

‰.<br />

‰ Š ‰ Š<br />

V #<br />

9<br />

<br />

Š Š Š Š Š Š Š Š Š ‰.<br />

([)<br />

for online perusal only<br />

dawn on our dark - ness and lend us thine aid;<br />

low lies his head with the beasts <strong>of</strong> the stall;<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ B# ‰.‰ Š ‰. ‰. ‰.<br />

© 1990 Kevin Mayhew Ltd. Reproduced by permission <strong>of</strong> Kevin Mayhew Ltd, www.kevinmayhew.com. Licence nr 709091/1.<br />

Photocopying this copyright material is ILLEGAL.


S./A.<br />

20 Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning<br />

V #<br />

13<br />

<br />

Š. Š Š Š f Š Š Š Š Š ‰ Š<br />

([)<br />

star <strong>of</strong> the east, the ho - ri - zon a - dorn - ing,<br />

an - gels a - dore him in slum - ber re - clin - ing,<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ B# ‰. ‰<br />

Š ‰. ‰.<br />

V #<br />

17<br />

1.<br />

2.<br />

<br />

Š Š Š Š Š Š Š. Še Š ‰. . ‰.<br />

([)<br />

for online perusal only<br />

guide where our in - fant Re - deem - er is laid.<br />

Ma - ker and Mon - arch and Sa - viour <strong>of</strong> all.<br />

V# Š Š Š Š Š Š<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š . Š Š Š Š Š Š<br />

{ B# #‰. ‰. Š Š‰. Š Š ‰<br />

‰.<br />

Š . Š<br />

‰. Š Š<br />

V #<br />

21<br />

unis.<br />

mp<br />

Š. Še Š Š Š Š Š. Še Š ‰ Š<br />

3. Say, shall we yield him in cost - ly de - vo - tion,<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

mp<br />

{ B# ‰. ‰. ‰. ‰.<br />

V #<br />

25<br />

<br />

Š. Še Š Š Š Š Š Š Š ‰.<br />

o - dours <strong>of</strong> E - dom, and <strong>of</strong>f’r - ings di - vine,<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š #Š Š Š Š Š<br />

{ B# ‰. ‰. ‰. ‰.<br />

‰.


Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning 21<br />

V #<br />

29<br />

<br />

Š. Š f Š Š Š Š Š. Š f Š ‰ Š<br />

gems <strong>of</strong> the moun - tain, and pearls <strong>of</strong> the o - cean,<br />

V# =( )Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ B# ‰. ‰. ‰.<br />

‰.<br />

‰.<br />

V #<br />

33<br />

<br />

Š. Še Š Š Š Š Š Š Š ‰ r<br />

myrrh from the for - est, or gold from the mine?<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ B# ‰. Š<br />

‰. ‰. ‰. Š Š<br />

for online perusal only<br />

S.<br />

A.<br />

V #<br />

37 mf<br />

Š. Še Š Š Š Š Š Š Š ‰ Š<br />

4. Vain - ly we <strong>of</strong> - fer each am - ple ob - la - tion,<br />

p<br />

V # div. (lower part opt.)<br />

‰. ‰. ‰. ‰ Š<br />

ah<br />

V# Š Š Š Š Š Š Š Š Š Š Š { ‰. ‰. ‰. ‰ Š<br />

mp<br />

B# ‰. ‰. ‰ Š ‰ Š<br />

(Man.)


22 Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning<br />

V #<br />

41<br />

Š Š Š Š Š Š Š Š Š ‰. Š. Š Š<br />

vain - ly with gifts would his fa - vour se - cure: rich - er<br />

f<br />

by<br />

V # ‰. ‰. ‰. ‰. ‰.<br />

ah<br />

ah<br />

V# Š‰. Š Š Š‰. Š Š Š‰. Š Š Š‰. Š Š Š‰.<br />

Š Š<br />

{ B# ‰. ‰. ‰. ‰. ‰.<br />

for online perusal only<br />

V #<br />

46<br />

Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š<br />

V # ‰. Š Š‰. Š Š ‰.<br />

Š ‰. ‰ Š<br />

far is the heart’s a - do - ra - tion, dear - er to God are the<br />

V# Š Š Š Š‰ Š Š Š‰ Š Š Š‰. Š Š Š‰.<br />

Š Š<br />

{ B# ‰. ‰. ‰. #‰. ‰.<br />

V 51<br />

Š. ŠeŠ ‰. p p p bbbb<br />

prayers <strong>of</strong> the poor.<br />

V Š‰.<br />

Š Š ‰.<br />

p p p bbbb<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š bŠ<br />

‰.<br />

=Š bŠ ŠbŠ bŠ bbbb<br />

{ B# ‰. ‰. ‰. b‰<br />

‰. ‰. ‰ Š ‰ bŠŠ bbbb<br />

(Ped.)<br />

ah


SOPRANO DESCANT<br />

56<br />

mf<br />

Vbbbb ‰. ‰. Š Š Š Š Š Š<br />

ah<br />

unis. f<br />

OTHER VOICES<br />

Vbbbb Š. Š f Š Š Š Š Š Š Š ‰ Š<br />

([)<br />

5. Bright - est and best <strong>of</strong> the sons <strong>of</strong> the morn - ing,<br />

V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

mf<br />

Š<br />

{ Bbbbb ‰.<br />

‰. ‰.<br />

‰.<br />

‰.<br />

‰ Š ‰ Š<br />

60<br />

Vbbbb ‰ Š ‰. ‰ Š ‰.<br />

ah<br />

Vbbbb Š Š Š Š Š Š Š Š Š ‰.<br />

([)<br />

for online perusal only<br />

Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning 23<br />

dawn on our dark - ness and lend us thine aid;<br />

V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ Bbbbb ‰.‰ Š ‰. ‰. ‰.<br />

64<br />

Vbbbb Š. Še Š ‰. Š Š Š ‰ Š<br />

ah<br />

Vbbbb Š. Š Š Š<br />

([) f Š Š Š Š Š ‰ Š<br />

star <strong>of</strong> the east, the ho - ri - zon a - dorn - ing,<br />

V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ Bbbbb ‰. ‰<br />

Š ‰. Š‰.<br />

Š Š


24 Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning<br />

68<br />

Vbbbb ‰ Š ‰ Š Š Š Š ‰.<br />

ah<br />

Vbbbb Š Š Š Š Š Š Š. Še Š ‰.<br />

([)<br />

guide where our in - fant Re - deem - er is laid.<br />

V bbbb Š Š Š Š Š Š<br />

Š Š Š Š Š rall.<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ Bbbbb =‰. ‰. Š Š‰. Š Š ‰.<br />

‰.<br />

rall.<br />

for online perusal only<br />

S.<br />

A.<br />

MEN<br />

slower<br />

or SOLO<br />

72 pTUTTI<br />

Vbbbb Š Š Š Š Š Š Š. Še Š<br />

F<br />

‰.<br />

Guide where our in - fant Re - deem - er is laid.<br />

or S. & A.<br />

pdiv.<br />

Vbbbb ‰. ‰ Š Š‰.<br />

Š Š<br />

F<br />

‰.<br />

ah<br />

Bbbbb=‰. p ‰. ‰. F‰ . ah<br />

V<br />

slower<br />

bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

F<br />

Š Š Š Š Š ‰.<br />

p<br />

{ Bbbbb =‰. ‰. Š‰. Š Š ‰.<br />

E<br />

‰.


25<br />

S(A)(T)(B)<br />

Keyboard<br />

6. Christians, shout<br />

for joy and gladness<br />

trans. C. S. Philips Melody and figured bass by J. S. BACH (1685–1750)<br />

additional parts by Alan Bullard<br />

VOICES<br />

KEYBOARD<br />

Joyously and with life i = 120<br />

TUTTI unis.<br />

Vbb 34 p p p p Šf<br />

<br />

Š Š<br />

([)<br />

V bb 34 Š Š Š Š Š Š Š Š Š Š Š Š. ‰ Še ‰ .<br />

Š‰ Š Š<br />

{ Bbb 34 Š f<br />

Š Š Š Š ‰ Š Š Š Š Š ‰ Š Š Š Š Š ‰. Š Š Š<br />

for online perusal only<br />

(Ped.)<br />

Christ - ians,<br />

6<br />

<br />

Vbb ‰ Š Š Š Š Š ‰ Š Š Š Š ‰ Š<br />

([)<br />

shout for joy and glad - ness, Cast a - way all<br />

V bb ‰ Š Š Š Š ‰ Š Š<br />

‰. Š ‰ ‰ Š Š<br />

‰<br />

Š Š =Š Š<br />

{ Bbb Š<br />

‰ Š Š Š<br />

Š Š =Š Š Š Š ‰ ‰ Š ‰. Š Š Š Š Š Š Š<br />

11<br />

Vbb Š Š Š Š mf<br />

‰ Š Š Š Š ‰ Š Š Š Š<br />

([)<br />

V bb Š Š‰ Š Š ‰ Š Š‰ Š Š ‰ Š Š‰<br />

Š#Š Š<br />

{<br />

mf<br />

Bbb =Š ‰ ‰ Š Š<br />

‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

fear and sad - ness: Je - sus, Prince <strong>of</strong> love and<br />

Music: © <strong>Oxford</strong> University Press 2007; Words: © 1978 The Royal School <strong>of</strong> Church Music, 19 The Close, Salisbury, SP1 2EB,<br />

www.rscm.com. All rights reserved. Photocopying this copyright material is ILLEGAL.


26 Christians, shout for joy and gladness<br />

16<br />

<br />

Vbb ([)<br />

#‰. ‰ Š Š Š Š ‰ Š Š ‰.<br />

might, End - less life has brought to light,<br />

V bb #‰ .<br />

‰ Š Š Š Š Š #ŠŠ Š Š ‰ #Š Š Š ‰.<br />

{ Bbb Š. ‰. Š ‰ Š#Š Š Š Š r Š Š<br />

f Š Š Š Š Š Š Š Š Š ‰.<br />

21<br />

poco a poco cresc.<br />

Vbb ‰ Š Š Š Š Š Š Š Š Š Š Š ‰ Š<br />

([)<br />

for online perusal only<br />

He has bro - ken death’s dark pri - son<br />

V bb ‰ Š Š =Š Š Š Š Š‰ Š Š Š Š Š Š =‰ Š Š Š Š ‰ Š<br />

{<br />

poco a poco cresc.<br />

Bbb=Š Š Š Š Š Š ‰ Š<br />

‰ Š Š Š Š Š<br />

Š =Š Š Š Š ‰<br />

Š<br />

25<br />

<br />

Vbb Š Š Š Š Š Š Š Š Š Š Š ‰ Š<br />

([)<br />

V bb Š Š #ŠŠ Š Š Š Š‰ Š Š Š Š Š Š #‰ Š Š ‰ Š<br />

{ Bbb#Š Š =Š Š. Š Š Š Še<br />

Š ‰ Š<br />

Š ‰ Š Š Š Š Š<br />

#Š Š Š Š ‰<br />

Š<br />

And from out the grave has ri - sen.<br />

29 S./T.<br />

f<br />

VbbŠŠ Š Š Š Š Š Š Š Š Š Š Š. ‰ Še ‰.<br />

([)<br />

A./B.<br />

Al - le - lu - ia, al - le - lu - ia.<br />

V bbŠ Š Š Š Š Š Š Š Š Š. ‰ Še Š. ‰. Še Š Š<br />

{ Bbb f<br />

Š Š Š Š Š Š Š Š Š Š Š<br />

Š Š ‰. Š Š


S.<br />

A.<br />

*<br />

T./B.<br />

33<br />

V bb Š‰ Š Š Š Š Š Š Š Š. ‰ Še ‰.<br />

{ Bbb Š Š ‰ ‰ Š Š Š<br />

Š Š Š Š Š Š<br />

Š ‰.<br />

37<br />

f<br />

Vbb Š‰ Š Š ‰ Š Š =Š Š Š‰ Š Š =Š Š ‰ Š<br />

Š‰ Š Š<br />

unis.<br />

Bbb Š Š Š ‰ Š ‰ Š Š Š Š Š. Š f Š<br />

Hell’s dark pow - ers flee be - fore him; Christ - ians,<br />

f<br />

Christians, shout for joy and gladness 27<br />

for online perusal only<br />

42<br />

<br />

p<br />

Vbb ‰ Š Š Š Š Š Š =Š Š ‰ Š Š‰ Š Š ‰ Š Š Š<br />

Bbb ‰ Š ‰ Š Š Š Š Š Š Š ‰ Š<br />

has - ten to a - dore him. Sa - tan can - not<br />

p<br />

47<br />

Vbb ‰ Š Š Š #‰. Š Š Š Š #Š Š Š‰ Š ‰ #ŠŠ Š<br />

BbbŠ Š Š Š #Š Š Š Š Š Š Š Š Š Š Š Š<br />

harm you now: Sin’s do - min - ion is laid<br />

* Keyboard: double voice parts ad lib.


28 Christians, shout for joy and gladness<br />

full - throat - ed cho - rus<br />

52<br />

poco a poco cresc.<br />

Vbb ‰. ‰ Š =Š Š Š‰ Š Š Š Š Š Š=‰ Š Š Š Š ‰ ŠbŠ<br />

low, There - fore in full - throat-ed cho - rus<br />

Bbb ‰. =Š Š Š Š Š ‰ Š =Š Š Š Š Š Š Š<br />

poco a poco cresc.<br />

V full - throat - ed cho - rus<br />

bb Š Š Š Š Š Š ‰ Š =Š Š ‰ Š Š=Š Š Š =Š Š Š Š Š Š ŠbŠ<br />

p<br />

{<br />

poco a poco cresc.<br />

Bbb ‰ Š ‰ Š =Š ‰ Š Š Š Š Š<br />

‰ Š Š Š =Š ‰. Š Š Š<br />

‰. Š Š Š<br />

(Man.)<br />

for online perusal only<br />

57<br />

Vbb Š Š Š Š Š Š Š f<br />

‰ Š Š Š Š Š=Š#Š Š Š ‰ Š Š Š Š Š Š<br />

Bbb#Š =Š Š Š Š Š Š Š #Š Š Š Š Š Š Š<br />

Š Š<br />

V f<br />

bb<br />

‰<br />

Š Š Š Š Š Š Š ‰ #Š Š Š‰. Š Š Š Š Š ‰ Š Š Š Š Š<br />

{ Bbb ‰ Š ‰ #Š Š Š Š Š Š Š ‰<br />

f<br />

#Š =Š Š Š Š Š ‰ Š<br />

r Š Š<br />

Raise this song <strong>of</strong> praise be - fore us: Al - le - lu -<br />

62<br />

Vbb Š Š Š Š Š Š Š. Še Š p p<br />

f ‰.<br />

- ia, al - le - lu - ia.<br />

BbbŠ Š Š Š ‰ ‰. p p<br />

V bb Š Š Š Š Š Š. Še Š. ŠeŠ Š ‰ Š Š Š Š Š Š Š ‰ Š Š Š Š =Š ‰ Š<br />

{ Bbb Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š ‰. Š Š Š Š b( ) Š (Ped.)


67<br />

<br />

DESCANT<br />

Vbb p p Šf<br />

Š Š ‰ Š ‰ =Š<br />

([)<br />

OTHER VOICES<br />

Vbb p p Š Š Š ‰ Š Š Š Š Š<br />

([)<br />

V f<br />

bb Š Š Š. Š Š Š ‰ .<br />

Š Š ‰ Š<br />

‰ =Š<br />

f ‰ Š Š Š Š Š<br />

{ Bbb Š<br />

‰ Š Š Š Š ‰ Š ‰. Š Š Š Š Š Š Š Š Š<br />

Š<br />

for online perusal only<br />

Christians, shout for joy and gladness 29<br />

Na - ture now, her youth re -<br />

72<br />

Vbb Š Š Š Š Š ‰ Š ‰ Š ‰ Š Š Š Š Š Š<br />

([)<br />

Vbb ‰ Š Š Š Š ‰ Š Š Š Š Š ‰ Š<br />

([)<br />

V bb Š‰ Š Š Š Š Š‰ Š Š ‰ Š Š =Š Š Š‰ Š Š =Š Š Š‰ Š Š Š Š<br />

{ Bbb Š‰ Š Š ‰ Š ‰ ‰<br />

Š Š Š Š Š Š Š Š<br />

Š Š Š Š<br />

- new - ing, Flow - ers in his path is strew - ing,<br />

77<br />

Vbb ‰ Š Š Š Š ‰ Š Š Š Š Š Š Š<br />

([)<br />

tree To sing his<br />

While the birds on ev - ery<br />

Vbb Š Š Š ‰ Š Š Š Š #‰. ‰ Š<br />

([)<br />

V tree To his<br />

bb Š‰ Š Š Š‰ Š Š Š‰ Š#Š Š Š #‰. Š Š Š ‰ Š Š Š Š Š<br />

{ Bbb Š Š Š Š Š Š Š Š Š Š Š Š<br />

‰.‰ Š Š ‰ Š Š Š Š


30 Christians, shout for joy and gladness<br />

82<br />

Vbb ‰ Š ‰ Š Š ‰. ‰ Š Š Š Š Š<br />

([)<br />

praise make me - lo - dy. Field and fo - rest,<br />

Vbb Š Š Š ‰ Š Š ‰. ‰ Š Š Š Š Š Š<br />

([)<br />

V bb #Š ‰ Š Š ‰ #ŠŠ Š ‰ . ‰ Š Š =Š Š ŠŠŠ Š Š Š Š Š Š<br />

{ Bbb Š Š Š ‰ Š Š Š Š ‰ Š =Š =Š ‰ Š Š Š Š Š ‰ Š Š Š<br />

87<br />

Vbb Š Š Š ‰<br />

cresc.<br />

= Š ‰ Š Š Š Š Š Š Š<br />

([)<br />

for online perusal only<br />

sky and o - cean Swell the strain <strong>of</strong> glad<br />

Vbb Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

cresc.<br />

V bb Š Š Š Š =Š Š Š ‰ Š ‰ Š Š#Š Š Š Š Š Š Š Š Š Š Š#‰ Š Š<br />

{<br />

cresc.<br />

Bbb =ŠŠ Š Š Š<br />

Š‰<br />

Š Š Š Š ‰ ‰ Š Š<br />

#Š=Š Š Š Š Š Š Š<br />

Š #Š Š Š Š<br />

92<br />

rit.<br />

Vbb Š Š Š Š<br />

ff ‰ Š Š Š Š Š Š Š Š Š Š Š F‰.<br />

([)<br />

- vo - tion, Al - le - lu - ia, al - le - lu - ia!<br />

ff<br />

Vbb ‰ Š Š Š Š Š Š Š Š Š Š Š. Še F<br />

‰.<br />

([)<br />

- vo - tion, Al - le - lu - ia, al - le - lu - ia!<br />

V<br />

rit.<br />

bb Š Š Š ‰ Š Š Š Š Š<br />

F<br />

Š. Š Š ‰ f Š Š Š Š Š Š Š Š ‰<br />

ff<br />

.<br />

{ Bbb ‰<br />

Š Š Š Š. Še ‰.<br />

Š<br />

Š Š Š Š Š Š Š Š Š Š E<br />

‰.<br />

de -<br />

de -


31<br />

Voices 1 (2)<br />

Keyboard<br />

George Wallace Briggs<br />

(1875–1959)<br />

7. Christ is the world’s<br />

true Light<br />

WALTER KENDALL STANTON<br />

(1891–1978)<br />

VOICES<br />

KEYBOARD<br />

Maestoso h = 100<br />

<br />

Vbb ([)<br />

2 q p p p 32 p 2<br />

V bb 2 Š.<br />

Š f<br />

ˆˆ bˆˆ ˆ =ˆ 32Š =<br />

=Š Š Š Š Š Š 2<br />

{ Bbb 2 Š f<br />

. Še q ‰ Š Š ‰ ‰ ˆ<br />

‰ ‰ 32 Š<br />

r q q 2<br />

for online perusal only<br />

(Ped.)<br />

5<br />

<br />

Vbb ([)<br />

2 p p p p p p<br />

V bb 2 b b bˆ ‰ ˆ ‰ ˆ<br />

‰ Š bŠ ˆ<br />

Š Š bŠ Š ‰ ‰ Š‰ Š ‰<br />

{ Bbb b 2 ‰ Š ‰<br />

Š ‰ ‰ bˆ Š bŠ ˆ ‰ ‰ =‰ ‰ ‰ Š Š<br />

‰ ‰<br />

TUTTI unis.<br />

11<br />

Vbb ‰ f<br />

Š Š ‰ ‰ ˆ ‰ ‰ 32‰. Š Š Š ‰ ‰. Š 2<br />

([)<br />

Christ is the world’s true Light, its Cap - tain <strong>of</strong> sal - va - tion; The<br />

V bb ‰ Š Š ‰ ‰ ˆ ‰ ‰ 32‰. Š Š ‰ Š Š Š ˆŠ Š Š Š ŠŠŠ Š 2<br />

{ Bbb ‰ Š Š ‰ ‰ ˆ ‰ ‰ ‰ ‰ 32 ‰ Š Š ‰ ‰ Š Š ˆ Š Š 2<br />

© <strong>Oxford</strong> University Press 1943 and 2007. Photocopying this copyright material is ILLEGAL.


32 Christ is the world’s true Light<br />

Vbb ([)<br />

2 ‰<br />

17<br />

<br />

Š Š ‰ ‰ ‰. Š ‰ ‰ ‰. Š 32 =‰ ‰. Š 2<br />

Day - star clear and bright <strong>of</strong> ev - ’ry race and na - tion. New<br />

V bb 2 ‰ Š<br />

Š‰ Š ‰ # ‰ ‰. =Š ‰ = ‰ ‰.‰ ‰ Š 32 =‰ ‰. Š 2<br />

{ Bbb 2 Š ‰. Š Š<br />

‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š 32 ‰ ‰. Š<br />

‰<br />

Š b( ) 2Š<br />

Vbb ([)<br />

2 b‰<br />

23<br />

<br />

b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ b‰ ‰ ˆ<br />

life, new hope a - wakes where - e’er we own his sway;<br />

V bb 2 b‰ b b‰ bb‰ Š Š b‰<br />

Š Š b‰ ‰ b‰ Š bŠ b‰ b‰‰ ‰ b‰ = ‰ ˆ‰ b‰ Š Š<br />

{ Bbb 2 bb‰ ‰ b b‰ b<br />

b‰<br />

‰ ‰ ‰ ‰ ‰ b bŠ Š Š ‰ = =‰ ‰ ‰ ˆ<br />

‰ Š Š<br />

29<br />

ff<br />

Vbb Š ‰ Š ‰ ‰ ‰. Š ‰ ‰ ‰ Š Š 32ˆ q<br />

([)<br />

Free-dom her bond-age breaks, and night is turned to day.<br />

V bb Š ‰ Š Š Š ‰ ‰ ‰.‰ Š Š ‰ ‰ ‰ Š Š Š 32 Š ‰ Š Š Š Š Š Š<br />

ff<br />

{ Bbb Š Š Š 32ˆ.<br />

dim.<br />

Š ‰ ‰ ‰ ‰ ‰ Š Š ‰ ‰ Vbb p q q r Š 2 ‰<br />

35<br />

S./A. or T./B. unis.<br />

<br />

mf<br />

<br />

Š Š ‰ ‰ ˆ<br />

([)<br />

for online perusal only<br />

In Christ all peo - ples meet,<br />

V bb ˆ‰ ‰. Š ‰ ˆ 2 ˆ ˆ Š Š Š Š<br />

Š<br />

‰ ‰ ‰ Š Š ‰ ‰ ˆ Š Š<br />

{ Bbb ‰ Š Š Š ‰ Š Š Š ‰. Š 2 ˆ p<br />

‰ ‰ ‰ Š Š Š ˆ r q ˆ<br />

(Man.)


Christ is the world’s true Light 33<br />

Vbb ‰ ‰ 32Š Š ‰. Š ‰ ‰. Š 2 ‰<br />

40<br />

<br />

<br />

Š Š ‰ ‰<br />

([)<br />

their an-cient feuds for - get - ting, The whole round world com -<br />

V bb‰ Š Š 32‰<br />

ˆ ˆ. Š Š Š Š Š Š ‰<br />

2ˆ ‰ #‰<br />

{ Bbb ‰ ‰ 32 ‰ ‰. Š Š ‰ Š ˆ. Š Š Š Š Š Š<br />

2ˆ<br />

Vbb ‰. Š 32 ‰ ‰ Š Š =‰ ‰. Š 2 b‰<br />

45<br />

<br />

<br />

b‰ Š Š b‰<br />

([)<br />

- plete, from sun - rise to its set - ting. When Christ is throned as<br />

V bb Š Š ‰ 32 Š Š = ‰ ‰ ˆ q 2 b bˆˆ<br />

bŠ Š Š<br />

=‰ ‰ Š Š b‰<br />

{ Bbb ˆ 32ˆ ‰ ‰ ‰ ‰ q ‰ 2 bˆ ˆ b‰ b‰<br />

50<br />

<br />

Vbb ‰ Š bŠ ‰ ‰ b‰ ‰ ‰. Š 32 ‰ ‰ Š Š 2<br />

([)<br />

Lord, we shall for - sake our fear; To plough-share beat the<br />

V bbb‰ ‰ ‰ Š bŠ<br />

Š‰ bŠ bŠŠ Š bŠ Š =‰ Š bŠ =Š Š 32 ‰<br />

‰<br />

bŠ<br />

b‰<br />

‰ ‰ ˆ ˆ Š Š 2<br />

{ Bbbb‰ b ‰ b‰ b‰ b‰ ‰ ˆŠ Š Š Š<br />

32<br />

ˆ ‰ ‰.<br />

‰<br />

Š<br />

2<br />

Vbb ([)<br />

2 ‰. Š 32 Š<br />

55<br />

<br />

Š ‰ Š Š ˆ q 2 p 32<br />

sword, to prun-ing hook the spear.<br />

V bb ‰ 2 ‰ 32 #Š ‰ Š ‰ ‰ Š Š Š Š Šˆ Š Š Š<br />

2 =ˆ ‰. Š 32<br />

{<br />

cresc.<br />

Bbb 2 ‰ =‰ 32 Š Š ‰ ‰ ˆ.<br />

2<br />

ˆ 32<br />

for online perusal only


34 Christ is the world’s true Light<br />

Vbb32 p 2 p 32 q q r Š 2ˆ ‰ ‰<br />

59<br />

DESCANT<br />

<br />

ff<br />

([)<br />

One Lord, in<br />

Vbb32 p 2 p 32 q q r Š 2 ‰<br />

OTHER VOICES ff<br />

<br />

Š Š ‰ ‰<br />

([)<br />

V bb32<br />

ˆ. 2 ‰ ‰. Š 32 ˆ. Š Š Š Š Š Š 2 ˆ ‰ Š Š ˆ ‰ ‰<br />

{ Bbb32 ˆ.<br />

f<br />

2ˆ<br />

32 Š Š Š Š Š Š<br />

r<br />

bŠ Š Š Š Š ˆ<br />

ˆ.<br />

ˆ. 2ˆ<br />

ˆ ˆ<br />

(Ped.)<br />

One Lord, in one great<br />

Vbb Š Š Š Š Š Š Š Š 32 Š Š Š Š Š Š ‰ ‰ ‰ 2 ‰<br />

64<br />

<br />

. Š<br />

([)<br />

Vbb ˆ ‰. Š 32 Š Š ‰. Š ‰ ‰. Š 2 ‰ Š Š<br />

([)<br />

Name u - nite us all who own thee; Cast out our<br />

V bb Š‰. Š Š Š Š Š ‰ Š Š 32 ‰ Š‰ Š Š ˆ Š<br />

‰ Š Š Š‰<br />

Š Š Š 2 ˆ ‰ Š Š<br />

{ Bbb ˆ ‰ ‰ ‰ ‰ 32 ˆ ‰ ‰ ‰ ˆ Š Š 2ˆ<br />

ˆ<br />

one great Name u - nite us all who own thee; Cast out our<br />

Vbb Š Š =‰ Š bŠ Š Š 32 ‰<br />

69<br />

<br />

=‰ Š Š ‰ ‰. Š 2<br />

([)<br />

for online perusal only<br />

pride and shame, that hin - der to en - throne thee. The<br />

Vbb ‰ ‰ ‰. Š 32 ‰ ‰ Š Š =‰ ‰. Š 2<br />

([)<br />

pride and shame, that hin - der to en - throne thee. The<br />

V bb Š Š =‰ Š bŠ Š Š 32 =<br />

=Š Š =‰ Š Š ‰<br />

‰ ‰ ‰. Š ‰ ‰ Š Š ‰ ˆ 2<br />

{ Bbb b b‰ ‰ ‰ 32ˆ Š ‰ ‰<br />

‰ ‰ ˆ ˆ Š Š ‰ Š Š Š b( ) Š2


73<br />

Vbb ([)<br />

2 b‰ ‰ ‰. Š ‰ b‰ b‰ ‰ ‰. =Š ‰.<br />

Vbb ([)<br />

2 b‰ b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ b‰ ‰ ‰. Š<br />

V bb 2 b b b‰ ˆ ‰ bbˆ ‰. ‰ ‰ Š b‰<br />

b ‰ bb bŠ ‰ Š b‰<br />

‰ =ˆ‰. =Š Š‰.<br />

‰. Š Š Š<br />

ff<br />

{ Bbb 2 bbˆ‰ ‰ b‰ Š b b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ ‰ ‰ ‰.<br />

‰.<br />

Š<br />

Š<br />

world has wait - ed long, has tra - vailed long in pain; To<br />

world has wait - ed long, has tra - vailed long in pain; To<br />

for online perusal only<br />

(Organ: Ped. Reeds)<br />

Christ is the world’s true Light 35<br />

(Reeds <strong>of</strong>f)<br />

79<br />

Vbb ‰ ‰ Š Š Š bŠ ‰ ‰ ‰ ‰ Š Š ‰ 32<br />

([)<br />

heal its an - cient wrong, Come Prince <strong>of</strong> Peace and<br />

Vbb ‰. Š ‰ ‰ ‰. Š ‰ ‰ ‰ Š Š 32<br />

([)<br />

heal its an - cient wrong, Come Prince <strong>of</strong> Peace and<br />

V bb ‰ ‰<br />

Š‰ bŠ ‰ Š bŠ Š ‰.‰ ‰ Š ‰ ‰ ‰‰ ‰<br />

‰ Š Š 32<br />

{ Bbb ‰ Š<br />

Š<br />

Šb bŠ ‰ = =‰ b Š # #‰ ‰ ‰ Š Š ‰ ‰ Š =<br />

=Š<br />

Š ‰ ‰<br />

‰ 32<br />

84<br />

Vbb32 ˆ. 2 p 32 p p pF<br />

([)<br />

reign.<br />

Vbb32 ˆ. 2 p 32 p p pF<br />

([)<br />

reign.<br />

V bb32 2ˆ 32 Š Š Š Š Š Š ‰ ‰ ‰ Š Š ‰ ‰<br />

ˆ. ˆ ‰<br />

Š Š<br />

F<br />

Š Š q ˆ<br />

{ Bbb32 ˆ. 2 32 Š Š Š ‰ ˆ. fff<br />

ˆ. ‰ Š Š Š<br />

ˆ ˆ ‰‰ q ˆ<br />

cresc.<br />

r q q ˆ.<br />

E


36<br />

S(A)(Men)<br />

Keyboard<br />

8. Christ the Lord<br />

is ris’n again!<br />

Michael Weisse (c.1480–c.1530)<br />

trans. Catherine Winkworth<br />

VOICES<br />

V # Con moto i = 132–8<br />

<br />

TUTTI unis.<br />

# ([)<br />

2 q p f<br />

<br />

Š. Še Š Š Š Š ‰<br />

Christ the Lord is ris’n a - gain!<br />

V# # 2 Š ‰ Š Š‰ Š ŠŠ Š Š . Še Š Š Š Š ‰ Š Š<br />

{ B## 2 ‰ Š‰ Š Š‰ Š Š Š Š<br />

Š Š Š<br />

Š Š ‰<br />

KEYBOARD<br />

mf f<br />

(Ped.)<br />

RICHARD SHEPHARD<br />

(b. 1949)<br />

for online perusal only<br />

V #<br />

4<br />

# Š. Š f Š Š Š Š ‰ q<br />

mf<br />

<br />

Š Š Š Š Š #Š ‰ Š Š<br />

([)<br />

Christ hath bro-ken ev - ’ry chain! Hark, an - gel - ic voi - ces cry, Sing-ing<br />

V# # Š. ‰ Še Š Š Š‰ Š ‰ Š Š Š Š<br />

Š ‰ ‰ ‰ Š Š ‰#Š ‰ Š‰<br />

Š<br />

{ B##<br />

‰ Š Š Š<br />

mf<br />

#Š Š ‰<br />

Š<br />

Š #Š‰ #Š ‰ Š‰ Š Š‰ Š Š‰<br />

Š<br />

V #<br />

9<br />

#=Š Š Š Š ‰ Š Š 32 ‰ ‰ Šf<br />

<br />

Š ‰ ‰ q 2<br />

([)<br />

ev - er-more on high, Al - le - lu - ia, al - le - lu - ia!<br />

V# #=Š = Š Š Š ‰ Š Š 32 ‰ ŠŠ Š ˆ Š<br />

‰<br />

Š<br />

=ŠŠ ‰ Š Š ‰ ‰ ‰ ‰ 2<br />

{ B## Š =Š ‰ 32 Š f mf<br />

Š Š Š Š Š ˆ<br />

‰<br />

‰ ‰ ‰<br />

Š Š ˆ ‰<br />

2<br />

(Man.)<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S.<br />

A.<br />

V #<br />

13<br />

<br />

# 2<br />

p<br />

mf<br />

Christ the Lord is ris’n again! 37<br />

Š. Še Š Š Š Š Š ‰ Š Š Š. Š Š Še<br />

Š Š<br />

f<br />

He who gave for us his life, Who for us en -<br />

V# # 2 Š‰ Š ŠŠ Š ‰ ‰ ˆŠ Š Š Š Š Š Š Š<br />

{ B##2 Š ‰ Š Š‰ Š<br />

ˆ<br />

‰ ‰ ˆ‰ ‰<br />

Š Š ‰<br />

for online perusal only<br />

V #<br />

17<br />

unis.<br />

<br />

# Š Š ‰ ‰ Š Š Š Š Š Š#Š Š ‰ Š Š =Š Š Š Š<br />

V# #Š Š ‰ ‰ Š Š Š Š<br />

=<br />

Š #Š ‰ Š Š =‰ Š Š<br />

‰ ‰ ‰ ‰ ‰<br />

{ B## Š # Š ‰ ‰ =Š #Š Š Š Š Š Š Š Š Š ‰ Š Š<br />

‰ ‰ ‰ ‰ ‰<br />

- dured the strife, Is our Pas-chal Lamb to - day! We too sing for joy and<br />

V #<br />

22<br />

#<br />

f<br />

S.<br />

‰ Š Š 32 ‰ ‰ ŠŠ Š ‰ ‰ q p 2<br />

say Al - le - lu - ia, al - le - lu - ia!<br />

A.<br />

V# # =Š ‰ Š<br />

Š<br />

‰ Š 32 ˆ Š Š Š Š ŠŠ Š ˆ‰ ‰ Š #Š ‰ Š Š =‰ Š Š 2<br />

{<br />

f<br />

B## ‰ V‰ 32 Š Š ‰ B‰ ‰<br />

Š Š ‰ Š<br />

Š<br />

Š<br />

Š ˆ ‰ ˆ ‰ ‰ Š Š ‰ 2<br />

(Ped.)


S.<br />

A.<br />

MEN<br />

38 Christ the Lord is ris’n again!<br />

V #<br />

26 p<br />

pp<br />

# 2 q Š Š Š Š =ŠŠ Š ‰<br />

q 32 #ŠŠ Š Š #ŠŠ =ŠŠ Š<br />

2<br />

He who bore all pain and loss Com-fort-less up - on the<br />

B##2 q Š Š Š Š Š Š #‰ q 32 Š Š #Š Š Š Š<br />

2<br />

V# p<br />

pp<br />

# 2 ‰ . Š ‰ =‰ Š Š Š ‰ #Š #Š =ŠŠ 32# Š # Š Š‰ Š =‰ Š Š 2<br />

{ B##2 ‰ p<br />

pp<br />

ˆ . Š ‰ #Š Š Š Š 32 Š Š #Š Š ‰ ˆ ˆ Š =ŠŠ 2<br />

for online perusal only<br />

V #<br />

30 mf<br />

# 2 Še f<br />

Š. Še Še Š ‰ Š. Š f<br />

Š Š Š Š ‰ #Š. Š f ‰. Š Š Š ‰<br />

32<br />

cross, Lives in glo - ry now on high, Pleads for us, and hears our cry.<br />

B##2 ‰ Š. Š =Š Š<br />

f<br />

Š Š ‰ Š. Š ‰. Š Š Š f ‰ 32<br />

V# mf f<br />

# 2 =‰ ‰ Š Š Š Š Š # ‰ #‰ ‰. Š ŠŠ Š ‰ 32<br />

{ B##2 mf<br />

=‰ f<br />

#Š Š Š Š Š<br />

Š Š Š Š Š<br />

‰<br />

‰ Š Š Š Š Š Š ‰ Š 3 2<br />

V # molto rit.<br />

a tempo<br />

35<br />

unis.<br />

#32 p<br />

pp<br />

S.<br />

q qŠ Š =‰ ‰ Š Š =Š Š ˆ ‰<br />

Fqq A.Š =Š ˆ‰<br />

2<br />

Al-le - lu - ia, al-le - lu - ia!<br />

B##32 p q qŠ Š =‰ ‰ Š Š =‰ ˆ ‰ qq<br />

pp<br />

E 2<br />

V#<br />

molto rit.<br />

#32 Š. Š = Š f<br />

Š Š =Š = =Š Š ‰ ‰ b=‰ =‰ ‰ b= Š = Š a tempo<br />

# Š =Š ‰ =ˆ ‰<br />

FqŠ. Š f 2<br />

ff<br />

{ B##32 pp mf<br />

Š.Še = =Š Š Š Š#‰ Š Š #‰ Š Š #ˆ q Še<br />

f Š =Š Š Š =ŠŠ ‰ ‰ ==‰ ‰ ‰ ==‰ ‰ Š. Š<br />

E f 2


V #<br />

40<br />

unis.<br />

# 2<br />

p mf<br />

Š. Še Š Š Š Š ‰ Š. Š f Š Š<br />

He who slum-bered in the grave Is ex - al - ted<br />

B##2 p q<br />

mf<br />

Š. Š Š Š Š Š ‰ Š. Š f f<br />

V# # 2 Š Š ŠŠŠ Š ‰ Š‰ ŠŠ Š‰ Š ‰ Š. ‰ ŠeŠ. Š Š<br />

{<br />

f<br />

B##2 ‰ Š Š Š Š Š ‰<br />

‰ Š. Še ˆ Š Š Š Š ‰<br />

‰<br />

He who slum-bered in the grave Is ex -<br />

for online perusal only<br />

Christ the Lord is ris’n again! 39<br />

V #<br />

44<br />

# Š Š ‰ q Š Š Š Š Š #Š ‰ Š Š<br />

B## Š Š Š Š ‰ q Š Š Š Š Š #Š ‰<br />

- al - ted now to save; Now through Christ-en - dom it rings<br />

V# # Š‰ Š ‰ ‰ Š‰ Š Š‰ Š Š #Š Š ‰ Š‰<br />

Š<br />

{ B## ˆŠ Š Š #Š ‰ Š =Š #Š‰ #Š ˆˆ Š ‰ #Š =Š‰<br />

Š<br />

now to save; Now through Christ - en - dom it rings That the<br />

V #<br />

48<br />

#=Š<br />

f<br />

Š Š Š ‰ Š Š 32 ‰ ‰ Š Š ‰ ‰ q<br />

Lamb is King <strong>of</strong> kings. Al - le - lu - ia, al - le - lu - ia!<br />

B## Š Š =Š Š Š Š ‰ 32 Š Š Š Š Šf<br />

Š ‰ ‰ q<br />

That the Lamb is King <strong>of</strong> kings. Al - le - lu - ia, al - le - lu - ia!<br />

V# #=‰ Š Š =‰ Š Š 32 ‰ Š Š ˆ.<br />

‰ Š Š ‰ ‰ Š Š Š Š Š Š<br />

{ B## Š Š =‰ Š Š 32 Š f<br />

Š Š Š Š Š Š Š<br />

‰<br />

‰ ‰ Š<br />

‰ ‰ ‰ ‰ ˆ. Š


40 Christ the Lord is ris’n again!<br />

52<br />

V# poco rit.<br />

# Š . #Š ‰ f<br />

Š. Še ‰<br />

Š. ‰ Še Š‰ Š ‰ ‰ Š‰ Š<br />

2<br />

ff<br />

{ B## Š. Še Š Še f ‰ =Š. Š ‰<br />

f<br />

- -<br />

f ‰ ‰ ‰ Š. ‰ Še Š<br />

-<br />

‰ Š<br />

-<br />

2<br />

V # a tempo<br />

55<br />

unis.<br />

<br />

fTUTTI<br />

# ([)<br />

2 Š. Še Š Š Š Š ‰ Š. Š f Š Š Š Š ‰<br />

V#<br />

Thou, our Pas - chal Lamb in - deed, Christ, to-day your peo - ple feed;<br />

# 2 ‰ Š. Še Š‰ Š Š Š ‰<br />

Š. Še<br />

‰ Š Š Š ‰ #Š ‰ Š Š<br />

{ B## 2 Š ‰ Š ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />

V #<br />

59<br />

DESCANT<br />

# q Šf<br />

Š Š Š Š. Š f ‰ Š Š Š =Š Š. Še<br />

Take our sins and guilt a - way, Let us sing by night and<br />

V # OTHER VOICES<br />

# q Š Š Š Š Š. #Še ‰ Š Š =Š Š Š. Še<br />

([)<br />

V# # ‰ Š #Š ‰ Š<br />

=‰ ‰ Š Š . #Š ‰ Š Š =Š Š Š. Še<br />

f ‰ ‰ Š #Š<br />

{ B## Š ‰ Š ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />

rit.<br />

*Al - le - lu - ia,<br />

V #<br />

63<br />

S.<br />

# ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ ‰ ˆ<br />

A.<br />

*Al - le - lu - ia,<br />

day,<br />

*Al - le - lu - ia,<br />

MENdiv.<br />

al - le - lu - ia!<br />

<br />

for online perusal only<br />

V [<br />

# # ‰ Š Š ‰ ‰‰ ‰ Š Š ‰ ‰ ˆ<br />

ff<br />

V#<br />

*Al - le - lu - ia,<br />

# ‰ Š Š ˆ Š Š<br />

= Š Š rit.<br />

‰ Š Š #‰ Š Š ‰ ‰ ˆ ˆ<br />

{<br />

ff<br />

B## ‰ Š Š =Š Š Š Š #Š<br />

‰<br />

Š ˆ ‰ ‰ ˆˆ<br />

ˆ<br />

* If performing in unison, sing the upper men’s part from bar 63 to the end.<br />

ff


SAMen<br />

(or Unis.)<br />

Piano*<br />

for Clare College, Cambridge<br />

9. A Clare Benediction<br />

41<br />

VOICES<br />

PIANO*<br />

Andante tranquillo e legato i = 84<br />

<br />

Vbbb 34 p p p r r Š Š<br />

V bbb 34 ‰ Š Š Š Š Š. Še Š Š Š ‰. Š ‰<br />

mp<br />

{<br />

legato<br />

Bbbb 34 p r r Š Š Š‰ Š Š ‰.<br />

Š<br />

for online perusal only<br />

Words and music by<br />

JOHN RUTTER (b. 1945)<br />

SOPRANOS & ALTOS unis.<br />

mp semplice espress.<br />

May the<br />

5<br />

<br />

Vbbb ‰ Š Š Š Š. Še Š ‰ ‰ Š Š ‰ ŠŠ<br />

V bbb t Š eŠ t Š eŠ Š<br />

t Š eŠ Š<br />

t Š eŠ bŠ Š t Š eŠ Š<br />

{ Bbbb ‰ Š ‰. ‰. ‰ Š ‰. r r Š<br />

Lord show his mer - cy up - on you; may the light <strong>of</strong> his<br />

MEN<br />

10<br />

Vbbb Š Š Š Š<br />

mp dolce cantando<br />

<br />

‰. ‰ VŠ<br />

[ Š ‰. ‰ Š Š<br />

V bbb t =( e )Š Š Š<br />

t Š eŠ Š Š Š ‰ r Š Š Š Š Š ‰<br />

{ Bbbb ‰ Š Š Š Š ‰ Š<br />

t<br />

‰. ŠeŠ Š Š Š Š<br />

‰. ‰. ‰ Š<br />

pres-ence be your guide: May he guard you and up -<br />

* The original version <strong>of</strong> the accompaniment, for organ, is compatible with the voice parts <strong>of</strong> this arrangement, and is found in<br />

the SATB version <strong>of</strong> the anthem (978–0–19–351152–1).<br />

© <strong>Oxford</strong> University Press 1998 and 2007. Authorized for sale in the United States <strong>of</strong> America by kind permission <strong>of</strong> Hinshaw<br />

Music Inc. Photocopying this copyright material is ILLEGAL.


S./A.<br />

MEN<br />

15<br />

<br />

Vbbb ‰.<br />

[ ‰ Š Š Š Š. Še Š Š Š Š ‰.<br />

V<br />

- hold you; may his spi - rit be ev - er by your side.<br />

bbb r Š Š Š Š Š ‰ t Š eŠ t Š eŠ = Š r Š Š Š Š<br />

‰<br />

{<br />

t Bbbb Š eŠ Š t<br />

‰. ‰ Š e‰ Š ‰<br />

‰.<br />

Š ‰<br />

‰.<br />

Š b ‰ Š<br />

SOPRANOS & ALTOS unis.<br />

20<br />

p mp<br />

Vbbb [ ‰ VŠ Š ‰ Š Š Š Š. Še Š Š ‰ ‰ Š Š<br />

V bbb =( ‰. )Š Š ‰ t Š eŠ t<br />

Š Š eŠ Š<br />

t Š eŠ t Š eŠ Š<br />

{ Bbbb<br />

Š Š ‰ cresc.<br />

‰ Š . ‰. ‰ Š ‰ Š<br />

SOPRANOS ONLY<br />

25<br />

mf<br />

Vbbb ‰ ŠŠ Š Š =Š Š<br />

mf cresc.<br />

<br />

‰. ‰ b( ) ŠŠ<br />

Š Š. Š f<br />

Bbbb p p p r r Š Š Š Š. Š<br />

<br />

f<br />

V bbb t Š e Š Š t<br />

Še Š mf cresc.<br />

#Š t Š eŠ Š bŠ Š Š Š =Š‰.<br />

mf<br />

Š Š Š Š Š<br />

{ Bbbb =‰. ‰ =Š =‰ ‰. Š ‰<br />

‰.<br />

Š ‰<br />

‰.<br />

Š<br />

= =‰ ‰.<br />

Š<br />

SOPRANOS & ALTOS unis.<br />

30<br />

f ma dolce<br />

Vbbb ‰ Š ‰ Š Š F mp<br />

‰ Š Š ‰<br />

Š Š Š Š<br />

serve him all your days, Then in hea - ven may you<br />

Bbbb =Š Š Š Š Š Š F‰<br />

<br />

r p p<br />

V<br />

f ma dolce<br />

bbb=‰. ‰.<br />

F<br />

‰ t<br />

Š=Š Š Š Š Š Š Š Š Š Š Š Š Š Š r Š eŠ Š =Š‰ Š=Š E<br />

Š<br />

{ Bbbb b b‰ Š ‰ Š<br />

F mp<br />

dim.<br />

‰ ‰ Š ‰ Š<br />

‰. ‰. Š E<br />

Š r ‰. ‰.<br />

42 A Clare Benediction<br />

When you sleep, may his an - gels watch o-ver you; when you<br />

for online perusal only<br />

wake, may he fill you with his grace: May you love him and


S./A.<br />

S.<br />

A.<br />

MEN<br />

35<br />

<br />

Vbbb ‰. Š ‰ ‰. p p<br />

V<br />

see his face.<br />

bbb t<br />

ŠeŠ t<br />

Še‰ Š Š ‰ Š Š Š Š. Še Š ‰. Š Š Š Š Š { Bbbb ‰ Š ‰ Š t Š eŠ Š<br />

t<br />

‰. ‰. Š eŠ Š Š Š Š ‰. ‰. ‰<br />

Z<br />

Š<br />

40<br />

p dolce<br />

<br />

mp<br />

Vbbb r r Š Š ‰ Š Š Š Š. Še f Š ‰ ‰ Š Š<br />

Bbbb r r Š Š ‰ Š Š Š Š. Š f Š ‰ ‰ Š<br />

<br />

Š<br />

V<br />

p dolce<br />

bbb ‰. t Š e Š Š t Š e Š<br />

mp<br />

Š ‰<br />

Š t Š eŠ Š Š Š bŠ ŠŠ<br />

p<br />

{ Bbbb ‰.‰ Š t Š eŠ Š t Š eŠ Š t Š eŠ Š<br />

t<br />

‰. ‰. ‰. ‰ Š eŠ Š<br />

45<br />

Vbbb ‰<br />

ŠŠ<br />

Š Š<br />

ŠŠŠ Š Š ‰. Š Š Š ‰ Š Š Š ‰.<br />

light <strong>of</strong> his pres-ence be your guide: May he guard<br />

Bbbb<br />

‰ ŠŠ Š Š Š Š ‰. ‰<br />

Š Š Š Š Š<br />

<br />

V bbbŠ Š<br />

Š Š Š Š Š<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š Š t Š eŠ { mp<br />

poco cresc.<br />

Bbbb<br />

‰ Š ‰ Š<br />

‰. ‰. ‰ Š ‰ Š Š Š Š Š<br />

‰. ‰.<br />

50<br />

Vbbb ‰ Š Š ‰. Š Š Š ‰ Š Š Š Š. ŠeŠ f<br />

Š Š Š Š<br />

you and up - hold you; may his spi - rit be ev - er by your<br />

Bbbb ‰ Š Š ‰. ‰ ŠŠ Š Š. Š ŠŠŠ =Š<br />

<br />

f V bbb Š Š ‰ t ŠeŠ Š Š ‰ t ŠeŠ t<br />

Še Š Š<br />

{ Bbbb<br />

‰. Š Š Š<br />

‰ Š ‰.<br />

‰. ‰ Š<br />

‰ Š<br />

‰ = Š<br />

A Clare Benediction 43<br />

May the Lord show his mer - cy up - on you; may the<br />

for online perusal only


55<br />

<br />

p<br />

Vbbb ‰ Š Š<br />

‰. =( ) ‰ r r Š Š ‰ Š Š ‰<br />

44 A Clare Benediction<br />

side.<br />

ah<br />

Bbbb b‰ . ‰ mp Š Š ‰ Š Š Š Š. Š f Š Š ‰<br />

<br />

*When you sleep, may his an - gels watch o-ver you;<br />

V bbb t Š e Š Š Š Š =( Š ) Š Š Š Š Š<br />

Š Š t Š e Š Š t Š eŠ Š<br />

{ Bbbbbb‰<br />

bŠ Š ‰ Š<br />

t Š eŠ Š t Š eŠ Š t Š e‰<br />

‰. ‰. ‰. ‰ Š<br />

60<br />

cresc.<br />

Vbbb Š<br />

mf<br />

‰ Š ‰. Š =Š Š ‰. #Š =Š ‰. b‰ ‰ b( ŠŠ ) ŠŠ<br />

for online perusal only<br />

ah<br />

May you<br />

‰ Š<br />

mf<br />

Š ‰ Š Š Š Š =Š Š ‰. ‰ b( ) ŠŠ<br />

Bbbb<br />

when you wake, may he fill you with his grace:<br />

V bbb t Š eŠ Š t Š eŠŠ =Š t<br />

Še#Š =Š t Š eŠŠ bŠ Š Š Š<br />

Š Š Š Š Š<br />

{<br />

cresc. mf<br />

Bbbb ‰ Š =‰ Š ‰ =Š ‰ Š ‰<br />

Š<br />

poco rall.<br />

65 cresc.<br />

Then in<br />

<br />

f<br />

Vbbb Š. Še ‰ Š Š<br />

Š ‰ Š Š<br />

Š. =Š Š Š =Š ‰<br />

F mp<br />

Š Š f E<br />

Š r<br />

love him and serve him all your days,<br />

Š Š. Bbbb<br />

Š f =‰ Š Š Š bŠ Š<br />

FŠ<br />

<br />

r<br />

cresc. V bbb Š Š Š Š =Š f<br />

poco rall.<br />

Š Š Š =Š Š Š Š Š Š Š Š Š F<br />

Š ‰ Š Š Š r<br />

{<br />

f<br />

E<br />

dim.<br />

Bbbb = cresc.<br />

‰ ŠŠŠ<br />

b=‰ Š b ‰ Š Š E<br />

Š r<br />

* If performing in unison, sing the men’s part from bar 56 (beat 3) to bar 64 (beat 2).<br />

a tempo<br />

a tempo


69 hea - ven may you see his face,<br />

Vbbb ‰<br />

‰. Š =‰. Š Š Š ‰. Š ‰ ‰ Š ‰.<br />

mp<br />

Š ‰<br />

(hum)<br />

Bbbb<br />

‰. ‰. ‰. ‰ Š Š Š Š<br />

mp<br />

V bbb Z ‰. Z=‰ . ‰. Š ‰ ‰ Š Š ‰<br />

{ Bbbb ‰. p<br />

Š Š Š Š Š Š ‰ Š<br />

‰<br />

Š ‰<br />

Š<br />

rall.<br />

74<br />

see<br />

his<br />

<br />

dim.<br />

Vbbb ‰ ŠŠ Š =‰ ‰<br />

Š Š Š Š Š‰. Š Š Š ‰ ‰ Š<br />

Bbbb b‰ Š Š ‰<br />

Š Š Š Š Š Š Š ‰ Š<br />

<br />

dim.<br />

V rall.<br />

bbbb‰ Š =‰ Š Š<br />

‰<br />

Š Š ‰. Š Š Š ‰ Š<br />

{<br />

dim.<br />

Bbbb Š ‰ ‰ Š Š ‰ =Š Š ‰ Š<br />

‰<br />

‰. . ‰ p<br />

. poco meno mosso<br />

rit.<br />

79<br />

p<br />

Vbbb ‰. ‰ Š ‰ Fpp<br />

Š ‰.<br />

face, may you see his face.<br />

Bbbb ‰. ‰ Š ‰ Š ‰.<br />

p<br />

Epp<br />

V<br />

poco meno mosso<br />

rit.<br />

bbb ‰ Š Š Š Š Š. Š Š F<br />

‰. f Š Š Š ‰.<br />

{<br />

t Bbbb Še Š Š<br />

t<br />

Še Š Š<br />

t<br />

pp<br />

Še Š Š<br />

‰. ‰. ‰.<br />

Z‰<br />

E .<br />

for online perusal only<br />

A Clare Benediction 45<br />

Then in hea - ven may you see, may you see his


46<br />

SA(T)(B)*<br />

Keyboard<br />

for Tim and Nat<br />

10. Come down,<br />

O Love divine<br />

Bianco da Siena (d. 1434)<br />

trans. R. F. Littledale<br />

VOICES<br />

KEYBOARD<br />

Gently i = 88<br />

<br />

SOPRANOS & ALTOS unis.<br />

Vbbb 34 p p p r r Š Š<br />

mp espress.<br />

Come<br />

V bbb 34 r ‰ ŠŠ Š Š ‰. r ŠŠ Š Š<br />

r ‰ ‰ ‰<br />

r ‰ Š Š<br />

{ Bbbb 34 mp<br />

Š ‰. Š ‰ Š ‰. Š ‰ Š ‰. Š ‰ Š ‰. Š ‰<br />

for online perusal only<br />

(Man.)<br />

HILARY TADMAN-ROBINS<br />

(b. 1947)<br />

5<br />

<br />

Vbbb Š. Še Š Š ‰ Š Š Š. Še Š Š ‰ Š Š<br />

down, O Love div - ine, Seek thou this soul <strong>of</strong> mine, And<br />

V bbb ‰.<br />

r ‰ ‰.<br />

r ‰ ‰.<br />

r ‰ ‰.<br />

r ‰<br />

{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š‰. Š ‰ Š‰.<br />

Š ‰<br />

9<br />

Vbbb Š Š Š Š Š Š Š Š<br />

mp<br />

<br />

Š Š Š ‰ Š r Š Š<br />

vis - it it with thine own ar - dour glow - ing; O<br />

V bbb Š Š Š ‰ Š Š Š Š Š. Še Š<br />

Š Š Š Š<br />

{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š Š Š ‰ Š<br />

‰. ‰.<br />

* Sing tenor rather than bass if few men are available.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


13<br />

<br />

Vbbb Š Š Š Š ‰ Š Š Š Š Š Š ‰ Š Š<br />

Com-fort -er, draw near, With - in my heart ap - pear, And<br />

V bbb ‰. ‰. Š Š Š Š Š<br />

r ‰ r ‰<br />

= ‰<br />

{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š‰. Š ‰ Š‰.<br />

Š ‰<br />

17<br />

<br />

Vbbb Š Š Š Š Š Š Š. - Še Š Š ‰ p<br />

kin - dle it, thy ho - ly flame be - stow - ing.<br />

V bbb r Š Š Š Š Š Š r Š‰<br />

Š Š Š ‰.<br />

{ Bbbb Š ‰. Š ‰ ‰ ‰. p<br />

Š<br />

Š ‰. Š ‰<br />

Š ‰. Š ‰<br />

(Ped.)<br />

21<br />

<br />

TENORS & BASSES unis. (or ALTOS)<br />

Vbbb p r t p espress.<br />

<br />

Še Š Š ‰ Š Š. Še Š Š<br />

([)<br />

V bbb r ‰ Š Š Š Š ‰. ‰.<br />

r ‰ ‰.<br />

r ‰<br />

{ Bbbb Š‰. Š ‰<br />

Š‰. Š ‰<br />

Š‰. Š ‰<br />

Š‰.<br />

Š ‰<br />

25<br />

<br />

Vbbb ‰ Š ‰ Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

ves - ture be, And low - li - ness be - come mine in - ner<br />

V bbb ‰. ‰. Š Š Š ‰ Š Š<br />

r ‰ r ‰ Š Š<br />

{ Bbbb Š Š ‰<br />

Š Š ‰ Š Š ‰ Š Š ‰<br />

‰. ‰.<br />

‰. ‰.<br />

for online perusal only<br />

Come down, O Love divine 47<br />

Let ho - ly char - i - ty Mine out-ward


S./T.<br />

A./B.<br />

48 Come down, O Love divine<br />

29<br />

<br />

Vbbb Š Š ‰ Š r Š Š Š Š Š Š ‰ Š Š<br />

([)<br />

V cloth - ing: True low - li - ness <strong>of</strong> heart, Which<br />

bbb Š. Še Š<br />

Š Š Š Š ‰.<br />

r ‰ ‰.<br />

r ‰<br />

{ Bbbb Š Š Š ‰ Š<br />

‰. ‰. Š‰. Š ‰<br />

Š‰.<br />

Š ‰<br />

33<br />

<br />

Vbbb Š Š Š Š ‰ Š Š Š Š Š Š Š Š<br />

([)<br />

takes the hum - bler part, And o’er its own short-com - ings<br />

V bbb Š Š Š Š Š = ‰ r Š Š Š<br />

{ Bbbb Š Š ‰ Š Š ‰ Š Š ‰<br />

‰. ‰. ‰.<br />

36<br />

<br />

VbbbŠ. - Še Š Š ‰ p p<br />

([)<br />

V weeps with loath - ing.<br />

bbb Š Š Š r Š Š Š Š Š. Še Š r Š Š Š Š<br />

‰ ‰. ‰<br />

{<br />

cresc.<br />

Bbbb ‰.‰<br />

Š<br />

Š‰. Š ‰<br />

Š‰. Š ‰<br />

Š‰.<br />

Š ‰<br />

40<br />

<br />

unis.<br />

Vbbb r t mp<br />

mf<br />

Še Š Š b‰ Š Š.<br />

Še Š bŠ<br />

([)<br />

O let it free - ly burn, Till earth - ly<br />

unis.<br />

Vbbb r t mp<br />

mf<br />

Še Š Š bŠ Š Š ‰ Š bŠ<br />

([)<br />

V O let it free - ly burn Till<br />

bbb ‰. Š. Š ‰ ‰ f<br />

Š Š bŠ Š Š Š Š Š bŠ Š<br />

{ Bbbb Š Š ‰ mf<br />

‰.<br />

Š ‰. Š ‰ bŠ ‰. Š ‰<br />

for online perusal only


43<br />

VbbbŠbŠ Š Š Š ‰ Š Š bŠ. Še Š Š<br />

([)<br />

pas - sions turn To dust and ash - es in its<br />

VbbbŠ Š Š bŠ Š bŠ bŠ Š Š Š Š Š Š<br />

([)<br />

pas - sions turn To dust and ash - es in its<br />

V bbbŠ. Š Š Še Š bŠ bŠ bŠ Š Š‰<br />

bŠ Š<br />

{ Bbbb Š‰. Š ‰ bŠ‰. Š ‰ Š‰.<br />

bŠ ‰<br />

46<br />

Vbbb Š bŠ bŠ Š ‰ r t Še Š Š<br />

([)<br />

for online perusal only<br />

Come down, O Love divine 49<br />

heat con - sum - ing; And let thy<br />

VbbbŠ. bŠe Š Š ‰ r t Še Š Š<br />

([)<br />

V bbb Š b Š‰ bŠ Š r Š Š bŠŠ<br />

Š Š bŠ Š Š Š Š<br />

{ BbbbŠ‰. Š ‰ Š Š ‰ b‰. Š ‰<br />

heat con - sum - ing; And let thy<br />

49<br />

VbbbbŠ Š Š<br />

Š. f bŠ<br />

([)<br />

f<br />

Š Š Š Š ‰ Š t mf<br />

Š f<br />

Š Š<br />

Vbbb Š Š Š bŠ.<br />

f<br />

Š<br />

([) f Š ‰ Š ‰ r<br />

glo - rious light Shine in my sight,<br />

V bbbbŠ Š Š Š Š b Š Š bŠ Š. Še ŠŠ Š Š‰.<br />

Š ‰<br />

{ Bbbb Š‰ Š ‰ Š bŠ bŠ f<br />

‰. bŠb‰ =‰. ‰.<br />

glo - rious light Shine ev - er in my sight, And clothe me


50 Come down, O Love divine<br />

53<br />

Vbbb Š. Še Š Š Š Š. Še Š ‰ Š r r V r Š. Še<br />

([)<br />

mf<br />

SOPRANOS (opt. SOLO or SOLI)<br />

mp<br />

round, the while my path il - lum - ing. So the<br />

OTHER VOICES<br />

Vbbb t Š<br />

([) f<br />

Š Š Š Š Š Š Š ‰. Š t Š e Š Š ‰ Š<br />

V bbb Š Š ‰ Š Š Š Š r<br />

Š Š Š<br />

‰.<br />

Š Š<br />

=‰.<br />

Š Š ‰.<br />

r ‰<br />

{ Bbbb ‰.<br />

mp<br />

‰. ‰.<br />

‰. ‰. Š‰.<br />

Š ‰<br />

And clothe me round, my path il - lum - ing. And so the yearn - ing<br />

for online perusal only<br />

mp<br />

58<br />

Vbbb Š Š ‰ t Š f<br />

Š. Še Š Š ‰ r Š. Še<br />

Vbbb Š. Še Š Š ‰ Š Š. Še Š Š Š Š Š Š<br />

([)<br />

strong With which the soul will long Shall far out - pass the pow’r <strong>of</strong><br />

V bbb ‰. ‰. ‰. Š Š Š<br />

r ‰ r ‰ r ‰<br />

{ Bbbb Š Š ‰ Š Š ‰<br />

Š Š ‰ Š Š ‰<br />

‰. ‰. ‰.<br />

‰.<br />

yearn-ing strong With which the soul will long Shall out -<br />

62<br />

<br />

(TUTTI)<br />

Vbbb Š Š Š Š ‰ Š Š Š f Še Š Š ‰ Š<br />

- pass the pow’r <strong>of</strong> hu - man tel - ling; For none can guess its<br />

Vbbb Š Š Š Š Š Š Š ‰ Š t Še Š Š ‰ Š<br />

([)<br />

hu - man tel - ling; For none can guess its<br />

V bbb ‰ Š Š Š Š ‰ Š Š Š Š ‰.<br />

r ‰<br />

{ Bbbb Š‰. Š ‰ Š Š Š ‰ Š<br />

‰. ‰. Š‰.<br />

Š ‰


S.<br />

A.<br />

T./B.<br />

place Where-in the<br />

66<br />

Vbbb Š. Še Š. Še Š Š Š Š Š f<br />

Š Š ‰ Š Š =Š ŠŠŠ. Š Š f<br />

Š<br />

grace, Till he be - comes the place Where the Ho - ly Spir - it<br />

Bbbb Š. Š f<br />

Š Š ‰ Š ‰ ŠŠŠ. Š f<br />

ŠŠ<br />

V bbb ‰. Š Š Š Š = ‰ r Š Š Š<br />

r ‰<br />

{ Bbbb Š Š ‰<br />

Š Š ‰ Š Š ‰ Š Š ‰<br />

‰. ‰. ‰. ‰.<br />

70<br />

rall.<br />

-<br />

VbbbŠ. Š Še p p<br />

Š Š Š ‰<br />

makes his dwel - ling.<br />

Bbbb ‰ Š Š ‰ p p<br />

V<br />

rall.<br />

bbb Š ‰ r Š Š Š Š Š Š Š Š<br />

‰ Š Š . Še Š<br />

Š<br />

{ Bbbb ‰. Š Š ‰<br />

Š Š ‰ Š Š ‰<br />

‰. ‰. ‰.<br />

74<br />

slower<br />

<br />

p<br />

Vbbb r r Š Š<br />

F<br />

Š Š ‰ Š ‰ Š Š ‰.<br />

for online perusal only<br />

Come down, O Love divine 51<br />

Come down, O Love div - ine.<br />

Bbbb p r Šp<br />

Š Š Š Š. Š f Š ‰.<br />

B.<br />

V<br />

Come down, O Love div - ine.<br />

slower<br />

bbb ‰ r r<br />

Š Š Š Š ‰ Š<br />

F<br />

‰ .<br />

{<br />

p<br />

Bbbb ‰ r ‰. ‰ Š E<br />

‰.<br />

T.<br />

F


52<br />

S(A)(Men)<br />

Keyboard<br />

to Jeremy S. Bruns and the Choir <strong>of</strong> St Paul’s Cathedral, Buffalo, NY<br />

11. Creator <strong>of</strong> the stars <strong>of</strong> night<br />

7th-cent. Office Hymn<br />

trans. J. M. Neale (altd.)<br />

Mode iv melody<br />

arr. JOHN SCOTT (b. 1956)<br />

VOICES<br />

KEYBOARD<br />

Smoothly and expressively i = 76<br />

<br />

Vb 34 p p p p 24<br />

([)<br />

V b 34 t ŠeŠ Š Š Š Š Š Š.<br />

Š Š Še Š Š Š Š Š Š Š Š ‰ ‰ Š<br />

24<br />

{<br />

mp<br />

Bb 34 p r r Š Š Š Š<br />

‰<br />

Š. ŠeŠŠ<br />

Š 24<br />

S./A. unis. or S.<br />

Vb24 r t Še 34 Š Š Š Š Š Š 24 Š. Š f 34 Š<br />

5<br />

mp<br />

<br />

Š Š Š Š Š 24<br />

([)<br />

(Man.)<br />

(Ped.)<br />

Cre - a - tor <strong>of</strong> the stars <strong>of</strong> night, Thy peo-ple’s ev - er - last-ing<br />

V b24 ‰ 34 ‰‰‰ ŠŠŠ 24‰‰ ‰ Š Š<br />

34‰ Š 24<br />

{ Bb24 ‰ Š Š 34 ‰.‰ Š 24 ‰ 34‰ ‰ Š 24<br />

9<br />

<br />

Vb24 Š. Š f 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š<br />

([)<br />

for online perusal only<br />

light, O Je - su, Sa-viour <strong>of</strong> us all, Re - gard thy ser-vants when they<br />

V b24 Š‰ Š 34‰ Š Š Š<br />

24Š ‰ Š 34‰ Š. Š {<br />

f Š Š<br />

Bb24 ‰ 34‰ ‰ Š 24Š Š Š 34 Š Š Š<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S./A.<br />

MEN<br />

13<br />

MEN or ALTOS<br />

Vb ‰ r p p mf<br />

<br />

rrt ([)<br />

Š e Š Š Š Š Š Š 24<br />

V<br />

call.<br />

Thou, grie-ving at the bit-ter<br />

b Š Š Š Š Š Š Š Š Š Š Š. ŠeŠ Š Š ‰<br />

‰ Š ‰ =Š =ŠŠ ‰ =Š Š Š ‰ Š<br />

24<br />

{<br />

mf<br />

cresc.<br />

Bb Š. ŠeŠ=Š Š. ŠeŠ Š ‰ Š ‰ Š ‰ Š ‰.‰ Š ‰ Š<br />

24<br />

18<br />

<br />

Vb24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š 24<br />

([)<br />

V cry Of all cre - a - tion doomed to die, Didst come to save a ruin-ed<br />

b24 =Š‰ Š Š 34Š. ‰ Še =ŠŠ Š<br />

24Š Š Š =ŠŠ 34‰ ‰ =ŠŠ Š<br />

24<br />

{ Bb24 Š Š 34 ‰ Š Š 24Š ‰ Š Š 34 Š. ‰<br />

Še Š Š 24<br />

22<br />

<br />

Vb24 Š. Še 34Š Š Š Š Š Š ‰ r p p<br />

([)<br />

for online perusal only<br />

race With heal-ing gifts <strong>of</strong> heav’n-ly grace.<br />

Creator <strong>of</strong> the stars <strong>of</strong> night 53<br />

V b24 ‰ Š Š<br />

34‰ Š. Š =Š Š Š Š Š Š Š. ŠeŠ Š Š. ŠeŠ Š<br />

{<br />

f Bb24 Š Š Š Š Š Š<br />

‰ Š Š 34‰ Š Š Š Š Š ‰ Š Š ‰ Š Š cresc.<br />

‰.<br />

27<br />

<br />

unis.<br />

Vb p r r t mf<br />

Še Š Š Š Š Š Š 24 Š. Še 34<br />

Thou cam-est, bride-groom <strong>of</strong> the bride, As<br />

Bb p r r t Š f Š Š =Š Š Š Š =Š. Š f 34<br />

V mf<br />

b Š. Š ŠeŠ Š ‰ Š =Š Š 24=Š Š<br />

‰. bŠ Š Š Š =ŠŠ Š = Š Š Š Š<br />

34<br />

{ Bb b b‰ f<br />

. = =Š mf<br />

‰. Š Š Š ‰. 24 ‰ 34


54 Creator <strong>of</strong> the stars <strong>of</strong> night<br />

31<br />

Vb34 Š Š Š Š Š Š 24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34<br />

drew the world to even-ing - tide, Pro - ceed-ing from a vir - gin shrine, The<br />

Bb34 Š Š =Š Š Š Š 24 Š. =Š f Š Š Š Š Š Š Š. Š f 34<br />

V b34 ‰ =Š 24 ‰ Š =Š 34‰ Š Š =ŠŠ 24Š Š Š 34<br />

{ Bb34 ‰. 24 34 24 Š Š<br />

‰ ‰ Š ‰ 34<br />

35<br />

Vb34 Š Š Š Š Š Š ‰ r p p<br />

Son <strong>of</strong> Man, yet Lord di - vine.<br />

Bb34 Š Š =Š Š Š Š ‰ r p p<br />

V b34 ‰ =Š =Š Š Š Š Š Š Š Š =Š Š Š Š =Š Š Š Š<br />

‰. ‰.<br />

Š Š<br />

{ Bb34 ‰ Š ‰ r p p<br />

39<br />

<br />

TUTTI unis.<br />

Vb p p r r t f<br />

<br />

Še Š Š Š Š Š Š 24<br />

([)<br />

V At thy great name, ma-jes - tic<br />

b Š. Š Š Š Še Š Š Š. Š Š Š Še Š Š Š ‰. ‰ ‰‰‰ ŠŠŠ 24<br />

{<br />

cresc.<br />

Bb p p<br />

f<br />

‰<br />

‰. Š ‰.<br />

Š 24<br />

Vb24 Š. Š f 34 Š<br />

43<br />

<br />

Š Š Š Š Š 24Š. Š f 34Š Š Š Š Š Š 24<br />

([)<br />

for online perusal only<br />

now, All knees must bend, all hearts must bow, And things in heav’n and earth shall<br />

V b24 Š Š Š Š 34 Š 24Š Š Š 34‰ 24<br />

{ Bb24 ‰ ‰‰<br />

‰ Š Š Š<br />

Š‰ Š 34 ‰ Š 24‰ ‰ 34‰ ‰ Š 24


47<br />

<br />

Vb24 Š. Še 34Š Š Š Š Š Š ‰ r p p<br />

([)<br />

own, That thou art Lord and King a - lone.<br />

V b24 Š‰ Š 34‰ Š. Š Š Š Š Š Š Š Š Š Š Š Š. ŠeŠ Š<br />

{<br />

f Š Š ‰ Š ‰ =Š =Š Š ‰<br />

Bb24 Š Š 34 Š Š Š Š. ‰ ŠeŠ=Š Š Š. ‰ ŠeŠ Š Š ‰ Š<br />

Vb r Š Š Š Š Š Š Š 24 Š<br />

DESCANT<br />

=Š Š 34 Š<br />

52<br />

mf<br />

Š =Š 24<br />

([)<br />

([)<br />

ah<br />

for online perusal only<br />

mf<br />

Creator <strong>of</strong> the stars <strong>of</strong> night 55<br />

OTHER VOICES<br />

Vb r r t Še Š Š Š Š Š Š 24 Š. Še 34Š Š Š Š Š Š 24<br />

To thee, O ho - ly One, we pray, Our judge in that tre-men-dous<br />

V b Š Š ‰ Š<br />

=Š Š Š Š Š Š Š Š Š ŠŠ 24 ‰ Š =Š Š 34 Š Š Š Š Š =ŠŠ Š 24<br />

{<br />

mf<br />

Bb ‰ Š. Še<br />

Š ‰ Š<br />

24 Š ‰ Š 34‰ ‰ Š<br />

24<br />

ah<br />

Vb24 Š Š 34 Š<br />

56<br />

Š =Š 24Š Š 34Š Š=Š Š Š Š ‰ r<br />

([)<br />

ah<br />

Vb24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š ‰ r<br />

([)<br />

day, Pre - serve us, while we dwell be - low, From ev’-ry on-slaught <strong>of</strong> the foe.<br />

V b24 Š =Š Š 34 Š ‰ Š<br />

= =Š Š 2 4Š‰ Š 34Š Š<br />

Š=ŠŠ Š =ŠŠ Š ‰ Š Š Š Š Š<br />

r<br />

Š<br />

{ Bb24 Š. Še 34 Š Š Š Š Š 24Š. Še 34 Š cresc.<br />

Š Š ‰ Š ‰<br />

Š Š ‰ Š Š Š‰<br />

Š


56 Creator <strong>of</strong> the stars <strong>of</strong> night<br />

V b<br />

Š. ŠeŠ Š Š. ŠeŠ Š Š. ŠeŠŠ bb bŠ<br />

61<br />

Š<br />

Š b bŠ Š<br />

Š Š<br />

Š‰. bŠ Š bŠ =‰ Š. Š Š Še ‰.‰ Š<br />

24<br />

{ Bb ‰ b b‰ f<br />

Š Š Š ‰. . ŠbŠŠbŠ ‰. Š b‰ Š ‰ Š. ‰ ŠeŠŠ<br />

Š 24<br />

Vb24 r t Še 34 Š Š Š Š Š Š 24 Š. Š f 34 Š<br />

67<br />

<br />

TUTTI unis.f<br />

<br />

Š Š Š Š Š 24<br />

([)<br />

All praise, e - ter - nal Son, to thee, Whose ad-vent sets thy peo-ple<br />

V b24 Š. Še 34 Š Š Š 24 Š. e 34 Š Š Š<br />

‰ Š Š Š Š Š Š Š ‰ Š Š Š 24<br />

{ Bb24 34 ‰. 24Š 34 Š .<br />

Š Š ‰.<br />

Š Š ‰ Še Š<br />

24<br />

for online perusal only<br />

71<br />

dim. al fine<br />

<br />

Vb24 Š. Š f 34Š Š Š Š Š Š 24Š. Še 34 Š Š Š Š Š Š<br />

([)<br />

free, Whom with the Fa-ther we a - dore, And Spi - rit blest, for ev - er -<br />

V b24 Š. Š Š Š Še 34Š ‰ Š Š Š Š Š 24Š Š 34 b‰ Š Š Š Š<br />

{ Bb24 Š 34 Š Š 24 Š . Še 34 dim. al fine<br />

Š Š ‰ Š ‰ Š bŠ Š Š<br />

poco rit.<br />

p<br />

Vb ‰ r r r Š Š Š<br />

Fpp<br />

75<br />

<br />

<br />

Š Š Š ‰. ‰.<br />

([)<br />

- more. A - men.<br />

V b Š Š Š<br />

F<br />

‰ Š Š Š Š Š Š Š Š Š Š. Š ‰ ŠeŠ Š Š. ŠeŠ Š # ‰ .<br />

{ Bb Š Š p<br />

pp<br />

‰ Š Š Š Š ‰. Š ‰ Š b‰ ‰ ‰.<br />

E<br />

‰.


57<br />

Voices 1 2<br />

(Men)*<br />

Keyboard<br />

12. Drop, drop, slow tears<br />

Phineas Fletcher<br />

(1582–1650)<br />

VOICE 1<br />

VOICE 2<br />

MEN<br />

KEYBOARDb<br />

Mournfully i = 100<br />

unis.<br />

V 4 p p p p<br />

mp<br />

Š rŠr r ‰ Š<br />

([)<br />

Drop, drop, slow<br />

stagger breathing<br />

B p<br />

4 ˆ ˆ ˆ ˆ ˆ ˆ<br />

mm<br />

V<br />

Mournfully i = 100<br />

4 p p ˆ-<br />

ˆˆ<br />

ˆ ˆ ‰‰<br />

q<br />

p<br />

{ B 4 ˆ ˆ ˆ ˆ ˆ ˆ<br />

(Ped.)<br />

KERRY ANDREW<br />

(b. 1978)<br />

for online perusal only<br />

7<br />

V Š Š#‰. ‰ r Š bŠ ŠŠ‰ Š ‰ ‰ bŠ ‰. ‰ rŠ<br />

([)<br />

B ˆ ˆ ˆ ˆ ˆ ˆ<br />

V ˆ - ˆ ˆ ˆ ˆ ‰‰<br />

q ˆ-<br />

ˆˆ<br />

{ B<br />

ˆ ˆ ˆ ˆ ˆ ˆ<br />

-<br />

tears and bathe those beau - teous feet, Which<br />

* Voices 1 and 2 may be sung by upper voices or men, but the optional third part must be sung by men only.<br />

b If playing the accompaniment on piano, use the sustaining pedal ad lib. to create a wash <strong>of</strong> sound throughout.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


1<br />

2<br />

MEN<br />

58 Drop, drop, slow tears<br />

13<br />

V Š Š#Š Š ‰ Š Š ‰ Š b‰<br />

(„)<br />

Š ‰. Š Š Š#‰ Š<br />

([)<br />

brought from hea - ven the news and Prince <strong>of</strong><br />

B ˆ ˆ ˆ ˆ ‰. r<br />

(mm)<br />

V ˆ ˆ ‰‰<br />

q ˆ-<br />

ˆˆ<br />

ˆˆ<br />

{ B<br />

ˆ ˆ ˆ ˆ ˆ<br />

‰ ‰<br />

for online perusal only<br />

18<br />

V ˆ<br />

p p p ‰ ‰ r ‰ Š<br />

([)<br />

Peace: Cease not, wet<br />

B ˆ ˆ ˆ ˆ ˆ ˆ<br />

Drop, drop, slow tears,<br />

V ‰ ‰ -<br />

ˆ ‰ ‰ -<br />

ˆ ‰ ‰ ˆ ˆ ‰ ‰ ‰ ˆ ‰ -<br />

ˆ<br />

- -<br />

‰ ‰<br />

mp<br />

-<br />

{ B<br />

ˆ ˆ‰ b‰ ˆ ˆ‰ ‰ ˆ ˆ‰ b‰<br />

24<br />

V ˆ Š Š #‰. ‰ r Š bŠŠ Š Š ‰ Š ‰ ‰<br />

([)<br />

B ˆ ˆ ˆ ˆ<br />

drop, drop, slow<br />

V ‰ ‰ -<br />

ˆ ‰ ‰ -<br />

ˆ ‰ ‰ ˆ ˆ<br />

-<br />

‰ ‰ -<br />

{ B<br />

ˆ ˆ‰ ‰ ˆ ˆ‰ b‰<br />

eyes, his mer - cies to en -


To cry, cry<br />

28<br />

V bŠ ‰. ‰ r Š ‰ Š Š #Š Š<br />

([)<br />

Š #Š Š ‰. ‰ r Š Š Š #Š Š ‰<br />

- treat; To cry<br />

B ˆ ˆ ˆ<br />

tears,<br />

drop,<br />

V ‰ ‰ -<br />

ˆ ˆ ‰ ‰<br />

-<br />

‰ ˆ ‰ -<br />

{ B<br />

ˆ ˆ‰ ‰ ˆ<br />

31<br />

V Š #ŠŠ Š Š Š Š b‰. ‰ Š Š Š Š #ŠŠ Š ‰<br />

([)<br />

for online perusal only<br />

for ven - geance sin doth ne - ver<br />

B ˆ ˆ ˆ ˆ<br />

drop, slow tears.<br />

V ˆ ‰ ‰ ‰ ˆ ‰ -<br />

-<br />

ˆ‰ ‰ -<br />

ˆ<br />

{ B<br />

ˆ‰ b‰ ˆ ˆ ‰ ‰ ˆ<br />

‰ ‰<br />

35<br />

<br />

mf<br />

V ˆ<br />

p ‰ ‰‰ Š Š ‰‰ Š<br />

([)<br />

cease. In your deep<br />

B mp<br />

‰ ‰ ‰ ‰ ˆ ‰ ‰<br />

Drop, drop, slow tears, in your<br />

Vr<br />

(Organ: Solo)<br />

‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />

mf<br />

{ B<br />

ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š<br />

(Organ: sustain ped. D until the end)<br />

Drop, drop, slow tears 59


39<br />

V -<br />

Š Š Š#‰. ‰. r bŠŠ Š Š ‰ Š Š ‰ ‰<br />

([) -<br />

floods drown all my faults and<br />

B ˆ ‰ Š Š ˆ ‰ ‰<br />

floods, drop, slow tears, drown my<br />

V Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />

{ B<br />

ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š<br />

43<br />

V bŠ ˆ Š ‰. ‰ r Š ŠbŠŠ Š#ŠŠ Š Š Š Š‰. Š bŠ ŠŠ<br />

60 Drop, drop, slow tears<br />

([)<br />

for online perusal only<br />

fears; Nor let his eye see<br />

B ˆ ‰ Š Š ˆ ‰ ‰<br />

fears; drop, slow tears, cease not,<br />

V Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />

{ B<br />

ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š<br />

rit.<br />

47<br />

V ˆf div. senza dim.<br />

Šb‰. ŠŠ r b‰ ‰ Š bŠŠ #ŠŠ Š ˆ ˆ<br />

([)<br />

ˆ #ˆ<br />

sin, but through my tears.<br />

senza dim.<br />

B ‰ Š Š ˆ ‰ ‰ ˆ ˆ<br />

drop, slow tears, slow tears.<br />

V Š<br />

rit.<br />

‰. -<br />

r<br />

‰. -<br />

r<br />

‰. -<br />

q ‰-<br />

ˆ<br />

{<br />

senza dim.<br />

B<br />

ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆˆ


61<br />

S(A)(Men)<br />

Keyboard<br />

13. Evening Service in C<br />

Magnificat<br />

VOICES<br />

Allegro maestoso i = 120<br />

<br />

V 4 p p p p<br />

([)<br />

V 4 r Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š.. Š<br />

‰ Š.. Š “<br />

{ B 4 r<br />

Š Š Š Š Š Š Š Š Š Š Š ‰<br />

‰<br />

Š Š Š Š<br />

Š<br />

(Man.) ><br />

KEYBOARD f cresc.<br />

TUTTI unis.<br />

5<br />

ff<br />

VrŠ Š Š Š Š Š Š Š Š Š Š Š ŠŠŠŠ ‰ Š Š 32<br />

([)<br />

(Ped.)<br />

My soul doth mag - ni - fy the Lord, And my spi-rit hath re - joic - ed in<br />

V Š r Š r Š r Š r Š r<br />

ff<br />

{ B Š r Š r Š r Š r Š r<br />

Š Š ‰ Š Š 32<br />

Š ‰ Š Š Š Š<br />

Š 32<br />

9<br />

V 32 Š Š ‰ Š r 24 p mf<br />

<br />

4r Š Š Š Š Š Š Š Š Š<br />

([)<br />

for online perusal only<br />

FRANK HENRY SHERA<br />

(1882–1956)<br />

God my sav - iour, For he hath re - gard-ed the<br />

V 32 Š Š ‰ 24 Š<br />

#Š Š=Š Š Š Š Š Š.. Š 4 Š Š Š Š Š Š “ Š Š Š Š Š<br />

{ B 32 Š Š Š Š Š r 24 Š Š 4 mf<br />

Š Š Š‰<br />

Š ‰ Š Š Š Š Š<br />

© <strong>Oxford</strong> University Press 1923 and 2007. Photocopying this copyright material is ILLEGAL.


S./A.<br />

MEN<br />

62 Evening Service in C<br />

V Š. Š Š Š Š 32 Š<br />

13<br />

<br />

Š ‰ Š r 24 p 4 p<br />

([)<br />

V low - li-ness <strong>of</strong> his hand - maid - en.<br />

Š Š Š 32 Š Š ‰ Š #Š Š Š Š 24#Š Š 4Š Š Š Š Š<br />

{ B #Š<br />

=Š p<br />

Š 32Š Š Š<br />

Š Š<br />

Š 24 #Š Š 4 Š Š<br />

Š Š<br />

Š Š Š<br />

(Man.)<br />

17 S./A. unis. or S.<br />

p<br />

VrŠ.Š Š Š ‰ Š Š Š. ŠeŠ Š Š 32 Š Š ‰ Š r 24<br />

for online perusal only<br />

For be-hold, from hence - forth: all ge - ne-ra-tions shall call me bles - sed.<br />

V Š Š ‰ Š Š # ‰ Š Š =‰ Š. ŠeŠ Š 32 Š Š #Š ‰ Š=Š Š Š Š 24<br />

{ B Š bŠ ‰. =Š ‰. 32 q q mf<br />

Š Š Š Š Š Š Š Š Š Š Š r Š Š<br />

Š Š Š Š Š r 2 4<br />

(Ped.)<br />

21<br />

MEN or A. or TUTTI<br />

TUTTI<br />

V 24 p 4r Šf<br />

p<br />

Š ŠŠ Š Š Š Š Š Š Š r r Š<br />

([)<br />

V For he that is might - y hath mag-ni-fied me, And<br />

24 Š..<br />

ŠŠ<br />

Š<br />

Š 4<br />

Š r Š r Š r Š Š Š #ŠŠŠ # Š =Š<br />

{ B 24 4 f<br />

Š Š r<br />

p<br />

Š Š r Š r Š Š<br />

- Š Š Š Š Š<br />

- - - - -<br />

25<br />

poco rall. Meno mosso<br />

V Š. Š f Š #Š ‰<br />

,<br />

i = 100<br />

S.<br />

r ŠŠ bŠ b Š Š ŠŠ Š ‰ Š Š Š Š<br />

A.<br />

ho - ly is his Name. And his mer - cy is on them that<br />

B Š. Š f Š #Š ‰ ,<br />

r Š Š b Š Š Š Š ‰ Š Š<br />

V<br />

poco rall. Meno mosso i = 100<br />

Š. Še #Š<br />

,<br />

‰ Š Š Š ‰. Š bŠ b Š Š Š ‰ Š Š<br />

Š #‰ Š ‰. Š Š Š ‰<br />

{<br />

keyboard ad lib.<br />

B ‰ ‰. =Š ‰ b<br />

Š Š<br />

Š Š Š Š ‰. Š Š Š<br />

Š Š Š ‰ ‰


29<br />

Vb ˆ ‰ Š Š ‰ Š Š bˆ ‰ ‰ ‰. Š Š<br />

fear him: through - out all ge - ne -<br />

Bb<br />

‰. Š ‰ Š Š ‰ ‰ ‰ Š Š<br />

V b ˆ b bˆ ‰<br />

‰. Š ‰ ‰ ‰ ‰ ˆ Š Š<br />

{ Bb ˆ ‰. Š ‰ q ‰ ‰ ‰ ‰ ‰<br />

33<br />

Vb ˆ ‰ ‰ ‰ q p p p p bbb<br />

- ra - tions.<br />

Bb ‰ ‰ ‰ q p p p p bbb<br />

V b ˆ ‰ ‰ ‰ Š Š b bˆ ‰ b‰ bˆ ‰ Š bŠ ˆ ‰ ‰ . Š bbb<br />

{ Bb ‰ -<br />

ˆ ‰ pp<br />

q b‰ ‰ b‰ b‰ bˆ ‰. Š Š -<br />

Š - bŠ bbb -<br />

(Man.)<br />

Tempo I<br />

(Ped.)<br />

TUTTI unis.<br />

39<br />

ff<br />

Vbbb r ŠŠŠ Š ‰ Š Š Š Š Š Š ŠŠŠŠ Š ŠŠŠŠ<br />

V<br />

Š<br />

([)<br />

V He hath show-ed strength with his arm: he hath scat-ter-edtheproudinthei-ma - gi -<br />

bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š<br />

ff<br />

-<br />

.- .- .- - .<br />

{ Š Š Bbbb<br />

Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />

Š ‰ Š Š Š Š<br />

-<br />

.- .- .- .- Š<br />

(Man.)<br />

(Ped.)<br />

43<br />

<br />

.-<br />

Vbbb Š Š Š. Š<br />

([) f Š r q t Š-<br />

f<br />

ŠŠŠ. - - -<br />

<br />

Š Š f Š Š Š Š Š<br />

V<br />

- na - tion <strong>of</strong> their hearts. He hath put down the might-y from their<br />

bbb Š Š Š. Še Š Š Š.. Š<br />

=Š ŠbŠ Š r Š Š Š Š<br />

- Š<br />

-<br />

.-<br />

Š .-<br />

Š Š “ Š Š Š Š Š<br />

f<br />

{ Bbbb<br />

‰ Š Š<br />

Š r ‰ Š Š Š Š Š r<br />

Š<br />

Š Š Š Š Š Š<br />

-<br />

Š Š<br />

-<br />

Š<br />

.- .-<br />

for online perusal only<br />

Evening Service in C 63


S.<br />

A.<br />

MEN<br />

47<br />

<br />

Vbbb Š Š Š Š Š ŠŠŠŠŠ<br />

64 Evening Service in C<br />

([)<br />

S. or S./A. unis.<br />

mf<br />

Š ŠŠ=Š ŠŠ Š Š Š Š Š Š<br />

seat: and hath ex - alt - ed the hum-ble and meek. He hath fill - ed the hun - gry with good<br />

V bbb Š Š Š Š Š Š ŠŠ =ŠŠ Š Š Š =Š<br />

=ŠŠ Š<br />

‰<br />

Š Š Š Š Š<br />

{ Bbbb =Š Š Š ‰ mf<br />

bŠ Š Š Š Š<br />

Š Š Š Š<br />

Š Š<br />

Š Š Š Š =Š<br />

51<br />

unis.<br />

<br />

fTUTTI<br />

Vbbb ‰ Š. - Še - Š-<br />

Š-<br />

Š-<br />

Š - ‰-<br />

Š-<br />

Š-<br />

ˆ-<br />

([)<br />

V things: and the rich he hath sent emp - ty a - way.<br />

bbb = ‰ = Š . Še Š Š Š = Š ‰ Š b( Š ) ˆ‰. -<br />

{ =Š<br />

Bbbb #‰ Š. -f<br />

Še -<br />

Š<br />

-<br />

‰ -<br />

-<br />

-<br />

-<br />

-<br />

Š<br />

-<br />

Š. Š b( ) Š Š Š ‰ Š #Š ˆ-<br />

- - f - - - - - - -<br />

55<br />

Meno mosso<br />

Vbbb ‰ , pp<br />

cresc.<br />

=ŠŠ Š === Še Š Š Š Š<br />

Š. Š f<br />

Š Š ‰ Š Š Š ŠŠŠ Š Š<br />

He re - mem - ber-ing his mer - cy hath hol - pen his ser - vant<br />

Bbbb ‰ ,<br />

Š Š === Š. Š Š Š Š f<br />

Š Š Š Š ŠŠ#Š Š Š<br />

pp<br />

V cresc.<br />

Meno mosso<br />

bbb ‰<br />

,<br />

=Š Š === Š. Še Š ‰ Š Š Š =‰ ‰ ‰. Š Š Š Š Š ‰ Š Š Š<br />

{<br />

pp<br />

Bbbb<br />

‰<br />

keyboard ad lib.<br />

cresc.<br />

‰ Š Š === ‰ Š<br />

Š Š Š<br />

Š ‰ ‰ ‰ #Š‰<br />

Š Š<br />

59<br />

V mf<br />

Š. Še<br />

Š Š Š Š. Še Š ‰ Š<br />

f<br />

Š ŠŠ Š Š Š bŠ b‰ ‰ ‰ #Š r<br />

Is - ra - el: as he pro - mis - ed to our fore - fa - thers,<br />

B#Š. Š f<br />

Š =Š Š Š Š Š Š ‰ b‰ ‰<br />

Š Š<br />

V<br />

mf<br />

Š.<br />

‰. Še Š Š Š Š.<br />

Š Š Še Š bŠ b ‰ ‰ ‰ # Š r<br />

{<br />

mf<br />

B #Š. Še Š =ŠŠ ˆ ‰.<br />

Š Š Š Š ‰ b‰ ‰ ‰. Šr<br />

for online perusal only<br />

mf


63<br />

V ‰. p<br />

‰ ‰ Š ‰ Š Š ŠŠ Š ‰. Š ˆ‰ ‰ ˆˆ<br />

A - bra - ham and his seed, for ev - er.<br />

B‰ ‰ ‰ Š Š ‰. , Š ‰ ‰ ˆ<br />

V p<br />

‰<br />

‰.<br />

‰ Š ‰ Š Š Š‰ Š ‰. Š ˆ‰ Š Š ˆ<br />

{<br />

mf<br />

p<br />

B ‰ ‰<br />

‰ ‰ Š Š ‰. Š ‰ Š<br />

‰ Š ˆ<br />

Tempo I<br />

68 unis.<br />

<br />

fTUTTI<br />

V Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š. Še<br />

([)<br />

V Glo - ry be to the Fa - ther, and to the Son, and to the Ho - ly<br />

Š r Š r Š r Š r Š Š Š Š‰ Š Š Š Š. Š#Š Še<br />

f<br />

{ B Š r ‰ q Š. Še<br />

Š r Š r Š r Š<br />

Š Š Š Š Š Š Š Š<br />

72<br />

mf<br />

cresc.<br />

<br />

V‰ Š Š bŠ. Še Š Š Š Š Š Š Š. Š<br />

([)<br />

f Š #Š<br />

V<br />

Ghost: ‰ As it was in the be - gin - ning, is now, and ev - er<br />

Š Š b ŠŠŠ r # Š r Š Š Š r #ŠŠŠ Š Š ‰. r # Š r<br />

{<br />

cresc.<br />

B ‰ Š mf<br />

Š r ‰.<br />

r<br />

Š Š r Š r Š Š Š Š r Š r<br />

S./T.<br />

76<br />

allargando<br />

V#Š Š ‰ Š. f cresc. molto<br />

Š<br />

([) f<br />

‰ Š<br />

Š Š Š Š ‰‰. ‰ Š<br />

ff<br />

<br />

ˆ<br />

A./B.<br />

V#Š<br />

shall be: world with-out end. A - - men.<br />

‰. Š Š Š ‰ ‰ Š<br />

Š Š Š ‰ ‰ ˆ<br />

Š ŠŠ Š { B ‰.<br />

f<br />

r = ff<br />

cresc. molto<br />

Š #Š #Š #Š ‰ ‰<br />

Š<br />

Š -<br />

Š<br />

-<br />

Š<br />

-<br />

Š<br />

-<br />

Š<br />

- Š<br />

- Š<br />

- Š Š<br />

- -<br />

ˆˆ<br />

for online perusal only<br />

,<br />

Evening Service in C 65


66<br />

Voices 1 (2)<br />

Keyboard<br />

Nunc dimittis<br />

VOICES<br />

Andante i = 100<br />

TUTTI unis.<br />

V 2 p p q F p<br />

<br />

r r ‰. Š<br />

([)<br />

Lord,<br />

V 2 ‰ .<br />

Š Š<br />

F<br />

Š Š‰<br />

Š ‰. r ‰ .<br />

Š<br />

{ B 2 ‰ ‰ ‰ ‰ ‰. r ‰ ‰<br />

KEYBOARD pp p<br />

5<br />

<br />

VŠ Š Š Š ‰ Š Š ‰. Š ‰. Š<br />

([)<br />

for online perusal only<br />

(Man.) E<br />

(Ped.)<br />

let - test thou thy ser - vant de - part in peace: ac -<br />

V Š Š Š‰ Š ‰ Š Š Š Š ˆ<br />

‰ ‰ ‰. Š<br />

{ B ‰ ‰ ‰. Š Š Š Š ‰ ‰ ‰. r<br />

,<br />

9<br />

poco sostenuto<br />

a tempo<br />

<br />

cresc.<br />

1<br />

VŠ Š Š Š ‰ Š Š ‰. Š ‰ Š Š<br />

,<br />

FRANK HENRY SHERA<br />

(1882–1956)<br />

([)<br />

2<br />

- cord - ing to thy word: For mine eyes have seen: thy sal -<br />

V Š Š Š Š ‰ Š #Š Š Š ‰ Š Š ‰ Š Š<br />

‰ ‰ ‰<br />

{<br />

cresc.<br />

B q b‰ r Š ‰ Š =Š Š Š Š Š Š Š Š Š<br />

now<br />

© <strong>Oxford</strong> University Press 1925 and 2007. Photocopying this copyright material is ILLEGAL.


13<br />

animato poco a poco<br />

mf<br />

V ˆ Š #Š Š Š ‰ r Š Š‰ Š Š #Š Š ‰ Š Š<br />

([)<br />

- va - tion, which thou hast pre - par - ed be -<br />

V ˆ Š ‰ #Š Š Š ‰.‰ Š Š<br />

Š‰ Š Š ‰ #Š ‰.‰ Š Š<br />

{ B<br />

mf<br />

‰ ‰ ˆ‰ Š Š ‰ Š Š Š Š ‰ ‰ ‰ Š Šr<br />

17<br />

animato<br />

V ‰‰. ‰ Š Š. Š Š Še<br />

Š Š ˆ‰ ‰ Š t f<br />

<br />

Še f<br />

Š Š<br />

([)<br />

for online perusal only<br />

Evening Service in C 67<br />

- fore the face <strong>of</strong> all peo - ple, To be a<br />

V ‰ Š Š ‰ Š Š Š‰<br />

Š Š‰ Š ˆ‰ t<br />

‰ Š Š<br />

Še Š Š<br />

{ B ‰ Š Š Š Š f<br />

‰ ˆ ˆ Š r q<br />

V b‰. bŠ Š bŠ Š bbŠ Š Š bbŠ Š bˆ ‰ ‰ bŠ Š ŠŠŠ Š<br />

21 cresc.<br />

<br />

- - - -<br />

<br />

- -<br />

([)<br />

V bb‰ .<br />

bŠ bŠ bbŠ Š bŠ bb bˆ Š Š -<br />

Š -<br />

‰ b‰ ‰ b‰ ‰ bbˆ Š -<br />

Š -<br />

{<br />

cresc.<br />

B b b‰ ‰<br />

‰<br />

Š bŠ b‰ Š bŠ b‰ ‰ b‰ ‰ bˆ<br />

V =( ff<br />

)Š .<br />

25 ><br />

poco allargando<br />

<br />

Š. ŠeŠ ‰ ‰ ><br />

ˆ<br />

([) f Š Š ‰. Š ‰. Š ˆ<br />

glo - ry <strong>of</strong> thy peo - ple Is - ra - el.<br />

V =(<br />

=( Š . )<br />

Š e<br />

‰ Š Š bˆ ‰. Š Š =Š Š ˆ‰ ‰<br />

{<br />

ff<br />

B b bŠ Š Š =Š Š<br />

‰ Š Š Š Š Š Š<br />

ˆ ˆ<br />

light to light - en the Gen - tiles, and to be the


68 Evening Service in C<br />

Allegro maestoso i = 120<br />

29 unis.<br />

<br />

fTUTTI<br />

V Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

Glo - ry be to the Fa - ther, and to the Son, and to the<br />

V Š r Š r Š r Š r Š Š Š Š‰<br />

Š<br />

f<br />

{ B Š r ‰ Š r Š r Š r Š<br />

Š Š Š Š<br />

32<br />

V Š<br />

mf<br />

Š Š. Še ‰ Š Š bŠ. Še Š Š<br />

([)<br />

V Š Š Š. Š #Š Še ‰ Š Š b ŠŠŠ Š Š<br />

r # Š r<br />

{ B q Š. Še ‰ mf<br />

Š Š Š Š Š Š Š r Š r Š r<br />

Ho - ly Ghost: As it was in the be -<br />

35<br />

cresc.<br />

<br />

V Š Š Š Š Š. Š<br />

([)<br />

f Š #Š #Š Š ‰<br />

- gin - ning, is now, and ev - er shall be:<br />

V Š‰. Š Š r #ŠŠŠ r # Š r #Š ‰. Š Š Š<br />

{<br />

cresc.<br />

B ‰. Š Š Š r Š r Š r Š ‰. #Š #Š<br />

#Š<br />

r<br />

allargando<br />

38<br />

<br />

V Š. Š f<br />

‰<br />

for online perusal only<br />

f<br />

cresc. molto<br />

ff<br />

Š<br />

1<br />

Š Š Š Š ‰‰. ‰ Š ˆ<br />

2<br />

([)<br />

world with-out end. A - - men.<br />

V ‰ ‰ Š<br />

Š Š Š ‰ ‰ ˆ<br />

Š ŠŠ Š {<br />

f<br />

cresc. molto<br />

ff<br />

B ‰ = ‰<br />

Š<br />

Š -<br />

Š<br />

-<br />

Š<br />

-<br />

Š<br />

- Š<br />

- Š<br />

- Š<br />

- Š Š<br />

- -<br />

ˆˆ


69<br />

S(A)(Men)<br />

Keyboard<br />

14. Fairest Lord Jesus<br />

17th-cent. German<br />

trans. Lilian Sinclair Stevenson<br />

Silesian folk song (1842)<br />

arr. MARTIN HOW (b. 1931)<br />

VOICES<br />

KEYBOARD<br />

([)<br />

Moderato h = 63<br />

TUTTI, S./A. unis., or SOLO<br />

Vbbb 2 p p p mp<br />

<br />

‰ Š Š Š Š ‰<br />

([)<br />

Fair - est Lord Je - sus,<br />

V bbb 2 ‰ Š ‰ ‰. Š ‰ ‰ ‰ ‰ Š Š Š Š<br />

p<br />

Š Š Š ‰ Š ‰ Š Š Š<br />

{ Bbbb 2 p Š Š ‰ ˆˆ Š Š Š Š Š Š ‰<br />

for online perusal only<br />

(Man.)<br />

6<br />

<br />

Vbbb Š Š Š Š Š Š ‰ ‰ Š Š ‰ Š Š ‰ Š Š<br />

Lord <strong>of</strong> all cre - a - tion, Je - sus, <strong>of</strong> God and Ma - ry the<br />

V bbb ‰ ‰ Š Š Š Š Š‰ Š ‰ Š Š Š<br />

‰ Š ‰ Š ‰ Š Š ‰ Š Š ‰<br />

{ Bbbb Š Š Š Š Š Š Š Š ‰ ‰ ‰ ‰ ‰ Š Š<br />

11<br />

<br />

Vbbb ˆ ‰ Š Š Š Š ‰ ‰ Š Š Š Š ‰<br />

([)<br />

Son; Thee will I cher - ish, Thee will I hon - our,<br />

V bbb ˆ Š ‰ Š Š Š =Š ‰ ‰ Š Š ‰.<br />

Š ‰ ‰ ‰ ‰ Š Š ‰ Š<br />

{ Bbbb<br />

‰. Š Š Š =‰ ‰. Š Š Š ‰ ‰ =‰<br />

Music: © 1975 The Royal School <strong>of</strong> Church Music, 19 The Close, Salisbury, SP1 2EB, www.rscm.com. All rights reserved.<br />

Words reproduced by permission <strong>of</strong> <strong>Oxford</strong> University Press. Photocopying this copyright material is ILLEGAL.


S.<br />

A.<br />

*<br />

MEN<br />

70 Fairest Lord Jesus<br />

16 S./MEN<br />

<br />

Vbbb ‰ Š Š ‰. Š ‰ ‰ ˆˆ<br />

p p<br />

([)<br />

A.‰ Š<br />

O thou my soul’s de - light and crown.<br />

V bbb ‰ ŠŠ<br />

Š ‰ ‰ ‰. ‰ Š ‰. Š Š Š Š ‰. Š‰ Š ‰ Š ˆ ‰ Š ‰ ‰ Š<br />

{ Bbbb Š Š Š Š Š Š Š Š ‰<br />

‰ ‰ Š Š ‰ ‰ ˆ<br />

22<br />

mp<br />

Vbbb ‰ Š ŠŠ ‰ Š ‰ ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

Fair are the mea - dows, Fair - er still the wood - lands, Robed in the<br />

Bbbb Š Š Š Š Š Š ‰ Š Š Š Š Š Š ‰ Š Š Š Š<br />

mp<br />

27<br />

(Keyboard)<br />

Vbbb ‰ Š Š Š Š ‰ Š Š ‰ Š Š ˆ ‰ Š Š =ŠŠ Š Š Š Š Š =Š Š ‰<br />

ver - dure and bloom <strong>of</strong> spring. Je - sus is fair - er,<br />

Bbbb ‰ Š Š ‰ Š Š ˆ ‰ Š Š ‰. bŠ<br />

fair - er,<br />

32<br />

sad - dest heart to<br />

Vbbb‰ Š bŠ Š Š Š Š ‰ Š Š ‰ Š Š Š Š ‰.<br />

Š Š Š Š ‰ Š ‰ ‰ Š<br />

Je - sus is pur - er, He makes the sad - dest heart to<br />

Bbbb Š Š Š Š ‰. Š Š Š Š Š Š Š ‰ ‰ ‰<br />

pur - er, heart to<br />

37<br />

Vbbb ˆ p p mf<br />

ˆ ‰ Š ŠŠ Š Š ‰ Š Š<br />

sing. Fair are the flow - ers,<br />

Bbbb ˆ p p Š Š Š Š Š Š ‰<br />

V mf<br />

bbb Šˆ Š Š Š ‰. Š Š ‰ Š ‰ Š ‰ ‰ Š ‰ ‰ Š Š Š‰<br />

Š<br />

p<br />

{ Bbbb ‰ ‰ mf<br />

ˆ ‰ ‰ ˆ ˆ<br />

Š Š Š Š ˆŠ Š ‰<br />

(Ped.)<br />

* Keyboard: double voice parts ad lib.<br />

for online perusal only


S.<br />

A.<br />

MEN<br />

42<br />

Vbbb Š ‰ Š Š Š Š Š Š Š Š ‰ Š Š ‰ Š Š ‰ ‰<br />

Fair - er still the sons <strong>of</strong> men, In all the fresh - ness <strong>of</strong> youth ar -<br />

Bbbb Š Š Š Š Š Š ‰ ‰ Š Š ‰ Š Š ‰ ‰<br />

V bbb ‰ ‰‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š Š‰ Š Š‰<br />

Š<br />

{ Bbbb Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š Š ˆ ˆ ˆ ˆ ‰ ‰<br />

47<br />

<br />

unis.<br />

Vbbb ˆ ‰<br />

f<br />

mp<br />

S.<br />

ˆ Š Š Š Š ‰ ‰ Š Š Š Š ‰ ‰ Š Š<br />

A.<br />

Bbbb ˆ ‰ Š Š Š Š ‰ ‰ Š Š Š Š ‰ ‰ Š Š V f<br />

bbb ‰ ‰ ‰ q = ‰<br />

Š<br />

mp<br />

‰ Š ‰ q ‰ Š‰<br />

Š ‰ q<br />

{ Bbbb =‰ ‰ Š‰ bŠ b‰ ‰ q ˆ<br />

‰ ‰ ‰ q ‰ =‰ ‰ ‰ q<br />

for online perusal only<br />

- rayed: Yet is their beau - ty fad - ing and fleet - ing; My Je-sus,<br />

mp<br />

opt. SOLO or SOLI<br />

rall.<br />

53<br />

Vbbb q ‰ ‰ ‰ ˆ p r Š Š Š ˆ<br />

ne - ver fade,<br />

unis.<br />

<br />

p<br />

Vbbb ‰.<br />

Š Š Š Š ‰ Š ‰ ‰ Š ˆ q r Š ‰ ‰ ˆ<br />

BbbbŠ Š Š ‰ ‰ ‰ ˆ q r Š ‰ ‰ ˆ<br />

V<br />

thine will ne - ver fade,<br />

bbb ‰ Š Š ‰ ‰ Š Š p<br />

rall.<br />

Š Š ‰ Š ‰ Š ˆ Š Š Š‰. Š Š Š ‰ Š‰ Š ˆ<br />

{<br />

mp Bbbb<br />

p pp<br />

Š Š ‰ ˆ ˆ ˆ ‰ ‰ ˆ<br />

My Je - sus, will ne-ver fade.<br />

thine will ne - ver fade, will ne - ver fade.<br />

p<br />

Fairest Lord Jesus 71


72<br />

S(A)(T)(B)<br />

(Keyboard)*<br />

15. Gabriel to Mary came<br />

(Angelus ad virginem)<br />

Arundel MS (13th cent.)<br />

trans. W. A. C. Pickard-Cambridge (adap.)<br />

Melody: 14th-cent. Irish<br />

arr. Alan Bullard (b. 1947)<br />

SOPRANO<br />

TENOR<br />

ALTO<br />

BASS<br />

V # With life and joy, but not too hurried i. = 92<br />

68 p p p p<br />

V # 68 p p p p<br />

([)<br />

([)<br />

S./T.<br />

A./B.<br />

With life and joy, but not too hurried i. = 92<br />

V# 68 Š . Š. Š Š f Š. Š. Š. Š Še Š.<br />

{ V # 68 Š. Š. Š. B Š. Š. Š.<br />

Š. Š.<br />

KEYBOARD mf p<br />

(Man.)<br />

V #<br />

5<br />

mp (f)<br />

Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.<br />

([)<br />

Sunis.<br />

1. Ga - bri - el to Ma - ry came, And vi - si - ted her dwell - ing,<br />

1. An - ge - lus ad vir - gi - nem Sub - in - trans in con - cla - ve,<br />

4. Hail! thou Mo - ther <strong>of</strong> the Lord, Who bring’st <strong>of</strong> gifts the ra - rest,<br />

4. E - ia ma - ter Do - mi - ni, Quae pa - cem red - di - dis - ti<br />

V # unis.<br />

Š Še Š Še Š Še Š Še Š Še<br />

([) mp Š Š e Š Še Š Š Š<br />

(f)<br />

V# S<br />

Š. Š. Š. Še Š. Š. Š. Še ‰. Š. Š.<br />

{<br />

mp (f)<br />

B# ‰. ‰. ‰. ‰.<br />

(Man. v. 1; Ped. v. 4 )<br />

for online perusal only<br />

* This piece may be performed in two parts (with scoring as marked) with or without keyboard, or in unison with keyboard. If<br />

performing unaccompanied, omit the introduction and the empty bars between the verses. Simple percussion may be added if<br />

desired.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


V #<br />

9<br />

Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.<br />

([)<br />

With his sa - lu - ta - tion glad Her trem - bling fears dis - pel - ling,<br />

Vir - gi - nis for - mi - di - nem De - mul - cens, in - quit ‘A - ve!<br />

Peace in hea - ven and on earth When Je - sus Christ thou bar - est!<br />

An - ge - lis et ho - mi - ni, Cum Christ - um ge - nu - is - ti;<br />

V # Š Še Š Še Š Še Š Še Š Še Š Še Š. Š.<br />

([)<br />

V# Š.<br />

Š Š Š. Š Še Š. Š Še Š f Š Š f ‰. ‰. Še Š. Š.<br />

{ B# ‰. Š. Š. Š. Š. ‰. Š. Š. Š. ‰.<br />

Š.<br />

V #<br />

13 mf (f)<br />

Š. Š Š f 98Š Še Š Š Š Š. 68Š. Š Š f<br />

([)<br />

‘All hail, thou queen <strong>of</strong> maid - ens bright! God, Lord <strong>of</strong><br />

A - ve, re - gi - na vir - gi - num: Coe - li ter -<br />

Do thou, we pray, en - treat thy Son For us our<br />

Tu - um ex - o - ra Fi - li - um Ut se no -<br />

V # Š. Š Še 98Š Še Š Še Š. 68Š. Š Še<br />

([)<br />

V# mf (f)<br />

‰. Š. Š.<br />

98Š . Š. Š .<br />

68Š. Š .<br />

{ B#<br />

mf (f)<br />

‰. 98‰.<br />

‰. Š. 68Š. Š.<br />

V #<br />

16<br />

Š Še Š Š Š Š. Š<br />

U Š Š Še Š Še Š ŠeŠ Š Š<br />

([)<br />

for online perusal only<br />

earth and hea - ven’s light, Whose ve - ry Son, The Sa - viour <strong>of</strong> all<br />

- rae - que Do - mi - num Con - ci - pi - es Et pa - ri - es In -<br />

safe re - demp - ti - on Him - self to win, And from our sin re -<br />

- bis pro - pi - ti - um Ex - hi - be - at, Et de - le - at Pec -<br />

U<br />

Gabriel to Mary came 73<br />

V # Š Še Š Še Š. Š Š Š Še Š Še Š Še Š Še<br />

([)<br />

V# Š . Š. Š. Š Š Š Š Še Š Še Š ŠeŠ Š Š<br />

{ B# Š. Š. Š. Š. ‰. Š. Š Š ‰. Š. f<br />

Š.


74 Gabriel to Mary came<br />

V #<br />

20<br />

Š Š Š Š Še Š =Še Š Š Š Š. Š #Š<br />

([)<br />

peo - ple Shall come to earth a child, Has<br />

- tac - ta Sa - lu - tem ho - mi - num; Tu<br />

- lease us; His lov - ing grace to give, That<br />

- ca - ta: Prae - stans aux - i - li - um Vi -<br />

V # Š Š Š Š Še Š Še Š Še Š. Š Š<br />

([)<br />

V# Š Š Š Š Še Š =Še Š Š Š Š. Š<br />

U#Š<br />

{ B# Š. Š. ‰. Š. Š. Š Š<br />

U<br />

Š Š<br />

U<br />

V #<br />

23<br />

Š ŠeŠ Š Š Š Š Š Š Še Š =Še Š Š Š ‰.<br />

([)<br />

for online perusal only<br />

cho - sen thee, O Ma - ry, To be his mo - ther mild.’<br />

por - ta coe - li fac - ta, Me - de - la cri - mi - num.’<br />

when we there are ta - ken, We too in heav’n may live.<br />

- ta fru - i be - a - ta Post hoc ex - i - li - um.<br />

V # Š Še Š Še Š. Š Š Š Š Še<br />

([)<br />

Š Še ‰.<br />

V# Š. Š Š Š Še Š Še Š =Še Še Š #Š Š f Š. Š. Š. Š. Š Š. Š Še t<br />

{ B# Š. Š.<br />

Š. Š. Š. Š Š Š. f Š. ‰.<br />

to v. 2 (bar 29)<br />

V #<br />

27 after v. 1<br />

after v. 4<br />

p p<br />

‰. Š<br />

t r. pF<br />

([)<br />

V # p p<br />

‰. Š<br />

t r.<br />

E<br />

p<br />

([)<br />

V# after v. 1<br />

to v. 2 (bar 29) after v. 4 F<br />

ŠŠ =Še Š Š Š Š. Š<br />

t Š Š. =Še Š Š Š Š. Š<br />

t ‰.<br />

{ B# Š. Š. Š. t ‰. #( .) Š<br />

t<br />

Š Š. Š. Š. Š ‰.<br />

E<br />

‰.<br />

(Man.)<br />

U<br />

U<br />

Fine<br />

Fine


V # SOPRANOS only*<br />

29<br />

.<br />

p Š (mf )<br />

Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.<br />

([)<br />

2. ‘How should I a mo - ther be That am to man a stran - ger?<br />

2. ‘Quo - mo - do con - ci - pe - rem Quae vi - rum non cog - no - vi?<br />

3. Then to him the maid re-plied, With con - fi - dence su - per - nal;<br />

3. Ad haec vir - go no - bi - lis Re - spon - dens in - quit e - i:<br />

V # ALTOS only*<br />

. Š ŠeŠ Še Š Še Š Še Š Še Š Še Š Še Š Še<br />

([) p (mf )<br />

V# (v. 3:<br />

. t<br />

Š Š Organ: Solo (Naz.); Piano: 8ve higher)<br />

p Š Š Š Š. Š. tŠ=Š Š Š Š<br />

p<br />

{<br />

(mf)<br />

B# . Š. ‰. Š Še Š. Š. Š. Š.<br />

V Š #( Še)<br />

Š Še<br />

(Man.)<br />

V #<br />

33<br />

Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.<br />

([)<br />

How could I my strong re - solve, My sol - emn vows en - dan - ger?’<br />

Qua - li - ter in - frin - ge - rem Quod fir - ma men - te vo - vi?’<br />

‘Lo! the hum - ble hand - maid I Of God the Lord e - ter - nal!<br />

‘An - cil - la sum hu - mi - lis Om - ni - po - ten - tis De - i.<br />

V # Š Še Š Še Š Še Š Š Š Š Še Š Še Š Še Š.<br />

([)<br />

V# Š Še Š. Š Š f Š Š Š ‰. p<br />

{ V # Š . Š Še Š Še Š. Š . Š. Š Še Š<br />

Š. B<br />

.<br />

V #<br />

37 v. 2: TENORS only (v.3: SOPRANOS continue)<br />

Š. Š Š f 98Š Še Š Š Š Š.<br />

68Š. Š Š f Š Še Š Š Š<br />

([)<br />

for online perusal only<br />

Gabriel to Mary came 75<br />

‘Pow’r from the Ho - ly Ghost on high Shall bring to pass this mys - ter -<br />

‘Spi - ri - tus Sanc - ti gra - ti - a Per - fi - ci - et haec om - ni -<br />

With thee, bright mes - sen - ger <strong>of</strong> heav’n, By whom this wond - rous news is<br />

Ti - bi coe - les - ti nun - ti - o, Tan - ti se - cre - ti con - sci -<br />

V # v. 2: BASSES only (v. 3: ALTOS continue)<br />

Š. Š Še 98Š Še Š Še Š. 68Š. Š Še Š Še Š Š Š<br />

([)<br />

V# mf<br />

Š. Š. 98Š. Š. Š.<br />

68 Š . Š. Š . Š.<br />

{ B#<br />

mf<br />

‰.<br />

98‰. Š. 68‰.<br />

Š. ‰. Š.<br />

* v. 2: if there are insufficient singers to make the suggested contrast between SA and TB effective, use fewer singers in bars<br />

29–36 and sing tutti thereafter.


76 Gabriel to Mary came<br />

V #<br />

41<br />

Š. Š Š Š Še Š Še Š ŠeŠ Š Š Š Š f Š Š f<br />

([)<br />

U<br />

- y. * Then have no fear: Be <strong>of</strong> good cheer, I tell thee That<br />

- a; * Ne tim - e - as, Sed gau - de - as, Se - cu - ra Quod<br />

giv’n, * I well a - gree And long to see Ful - fill - ed Thy<br />

- o, * Con - sen - ti - ens, Et cu - pi - ens Vi - de - re Fac -<br />

U<br />

V # Š. Š Š Š Še Š Še Š ŠeŠ Š Š Š Š Š Š Še<br />

([)<br />

V# Š U<br />

Š Š<br />

UŠ Š Še Š Š Š Š Š Š Še f Š. Š. Š. Š Š f<br />

{ B# Š.<br />

‰. Š Š Š Š f Š Š Š. Š f<br />

Š Š Š. Š Š<br />

U<br />

f<br />

V #<br />

45<br />

Š Še Š Še Š. Š<br />

UŠ Š ŠeŠ Š f<br />

Š Š Š Š Še<br />

([)<br />

still thy pu - ri - ty In God’s al - might - y keep - ing Shall<br />

cas - ti - mo - ni - a Ma - ne - bit in te pu - ra De -<br />

gra - cious pro - phe - cy. As God my Lord doth will it, So<br />

- tum quod au - di - o; Pa - ra - ta sum pa - re - re, De -<br />

U<br />

V # Š =Še Š Š Š Š. Š #Š Š ŠeŠ Š Š Š Š Š Š Še<br />

([)<br />

V# Š =Še Š Š f Š. Š<br />

U<br />

‰. Š Š. Š.<br />

Še Š Š f Š Š Š<br />

{ B# Š. Š. Š UŠ Š U<br />

Š Š. Š Š f Š. Š Š f<br />

V #<br />

49<br />

Š =Še Š Š Š ‰.<br />

p p .<br />

([)<br />

all un - sull - ied be.’<br />

- i po - ten - ti - a.’<br />

be it un - to me!’<br />

- i con - si - li - o.’<br />

V # Š =Še Š Š Š ‰.<br />

for online perusal only<br />

([)<br />

V# Š =Še Š Š Š ‰. Š Š Š Š #( ) Š<br />

{<br />

Repeat for v. 3, then<br />

D.S. v. 4 to Fine.<br />

p p .<br />

Repeat for v. 3, then<br />

D.S. v. 4 to Fine<br />

Š Š. Š. .<br />

B# r Še Š Še Š Še Š Še Š. Š. ‰. .<br />

‰. ‰. ‰.<br />

* If performing with unison voices, sing lower part only from bar 41 (beat 2) to bar 50.


77<br />

S(A)(Men)<br />

(Keyboard)*<br />

16. Give thanks to God<br />

Alan Bullard<br />

UNISON<br />

VOICES*<br />

SOPRANO<br />

ALTO<br />

MEN<br />

KEYBOARD<br />

Steadily, but with a jubilant swing i. = 88<br />

([<br />

V b 68 p f<br />

r Še Š Še Š. Š Še Š Š Š<br />

)<br />

f<br />

Š > f Š. Š.<br />

><br />

Give thanks to God on high, give thanks to God on<br />

<br />

unis.<br />

Vb 68 p f<br />

r Še Š Še Š. Š Še Š Š Š f<br />

Š ><br />

f Š. Š.<br />

Give thanks to God on high, give thanks to God on<br />

Bb 68 p r Š Š f<br />

Š > Š. Š Š f f Š Š Š f<br />

Š > f Š. Š.<br />

Steadily, but with a jubilant swing i. = 88<br />

f<br />

V b 68 Š . Š . Š. Š . Š. Š . Š. Š. Š . Š.<br />

f<br />

{ Bb 68 ‰. ‰. ‰. ‰. ‰.<br />

(Man.)<br />

Trad. Botswanan<br />

arr. ALAN BULLARD (b. 1947)<br />

for online perusal only<br />

([<br />

V b Š t Š Š<br />

) f > Š. Š. Š Še Š Še > Š. Š. Še t Še Š Še<br />

6<br />

high, To our Lord sing praise, give thanks to God on high. Our God is<br />

Vb Š t Š Š f Š. Š. Š Še Š Še > Š. Š. Še t Še Š Še<br />

high, To our Lord sing praise, give thanks to God on high. Our God is<br />

Bb Š t Š Š > f Š. Š. Š Š Š f Š > f Š. Š. Š. Š f<br />

tt<br />

V<br />

high.<br />

b Š Š . . Š. Š . Š. Š . Š. Š . Š t Š Še<br />

{ Bb ‰. ‰ . Š . Š. ‰ . ‰.<br />

* This anthem may be performed in unison (sing from the upper stave) with keyboard, or in three parts (sing from the lower<br />

staves) with or without keyboard.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


78 Give thanks to God<br />

11<br />

([<br />

V b Š. Š Še Š Š Š<br />

) f<br />

Š > f Š. Š. Š t Š Š f > Š. Š.<br />

>great and good, our God is great and good. To our Lord sing<br />

><br />

Vb Še Še Še Š. Š Š Še f Š<br />

Š Š<br />

><br />

f<br />

Š f Š. Š. Š t Š<br />

><br />

S.<br />

><br />

Š f ><br />

Š.<br />

><br />

Š.<br />

A.<br />

great and good, our God is great and good, To our Lord sing<br />

Bb r Še Š Še > ‰. ><br />

r Še Š Še ‰.<br />

r<br />

Š f<br />

Š Š f<br />

Our God is good, our God is good, Sing to our<br />

V b Š. Š Še Š tŠ Š f<br />

Š. Š. Š t Š Še Š. Š.<br />

{ Bb r Še Š Še ‰. r Še Š Še ‰.<br />

r Še Š Š f<br />

for online perusal only<br />

mf<br />

([<br />

V b Š Še Š Še Š. Š. Še t Še Š Še Š. Š Še Š Š Š<br />

)<br />

f<br />

Š f<br />

mf<br />

16<br />

><br />

praise, our God is great and good. Our God is fair and just, our God is<br />

Vb Š ŠeŠ Š Še ><br />

Šet t r Še Še f Š f Š. Š. Š. Š Š f f<br />

Š Š ‰.<br />

><br />

praise, our God is great and good. Our God is<br />

f<br />

just,<br />

Bb Š Š f Š Š > Š. f Š. Š f<br />

tŠ mf Š f<br />

Š Š. Š Š f f Š Š Š f<br />

Š f<br />

Lord, our God is great and good. Our God is fair and just, our God is<br />

V b ŠŠ. Še Š.<br />

Še Š. Š. Š t Š. Š. Š. Š. Š.<br />

{<br />

mf<br />

Bb Š. Š. Š. Š. Š t r. ‰. ‰.


21<br />

([<br />

V bŠ. Š. Š t Š Š<br />

)<br />

f Š. Š. Š Še Š Še Š. Š.<br />

fair and just, To our Lord sing praise, our God is fair and<br />

f<br />

Vb r Še Še r Še Še Š<br />

Še Še f<br />

Š Š f ‰. Š Š Š Š f f<br />

Š f Š Š f Š. Š.<br />

Our God is just, Sing to our Lord, our God is fair and<br />

Bb<br />

Š. Š. Š t Š Š f Š. Š. Š Šf<br />

Š Š f Š. Š.<br />

fair and just, To our Lord sing praise, our God is fair and<br />

V b Š. Š. Š. Š. Š. #Š. Š . Š Š f Š. Š.<br />

{ Bb ‰. Š. Š Še Š. Š .<br />

f<br />

Š. Š. Š. Š.<br />

f<br />

Give thanks to God 79<br />

for online perusal only<br />

([<br />

V b Še t<br />

)<br />

26<br />

p<br />

Še Š Še Š. Š Še Š Še Š Še Š. Š. Š<br />

Vb Šet t p<br />

e Še Še Še Še f Šf Š f<br />

Š. Š =Š Š Š Š f f<br />

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just. Our God pro - tects and guides, Our God pro - tects and guides, To our<br />

t Š ŠeŠ f<br />

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f<br />

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just, Our God pro - tects and guides, Our God pro - tects and guides, To our<br />

just. Our God pro - tects and guides, Our God pro-tects, sing<br />

V b Šet Š e Š Še Š. Š =Še Š Še Š Še Š. #Š. Š<br />

t Š Še<br />

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80 Give thanks to God<br />

31<br />

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V b Š. Š. Š Še Š Še Š. =Š. Še t Še Š Še Š. Š Še<br />

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to our Lord, our God pro - tects and guides.<br />

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saved, for we are healed and saved, To our Lord sing praise, for we are<br />

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saved, for we are healed and saved, To our Lord sing praise, for we are<br />

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82<br />

S(A)(Men)<br />

(Keyboard)<br />

17. God be in my head<br />

From a <strong>Book</strong> <strong>of</strong> Hours<br />

(Sarum, 1514)<br />

SOPRANO<br />

ALTO<br />

MEN<br />

KEYBOARD<br />

V # Slow, s<strong>of</strong>t, serene i = 88<br />

# C p p pp<br />

Š. ŠeŠ 32 ŠeŠ C<br />

f Š Š =Š. Š Š Š Š Š f<br />

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32 =‰ Š Š Š Š C<br />

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cantabile<br />

=Š Š ‰ =‰ Š Š Š Š. Š ŠŠe C<br />

(Ped.)<br />

CECIL ARMSTRONG GIBBS<br />

(1889–1960)<br />

for online perusal only<br />

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5 p<br />

Š #Š ‰ Š. Š Š Š Š Š #Š C ‰ f<br />

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Š Š 32=Š Š ‰ Š Š C Š Š ‰ - stand - ing; God be in mine eyes, And in my look - ing;<br />

p<br />

eyes, And in my<br />

V# # C ‰. Š #Š Š Š ‰ Š Š Š Š 32 =‰. ‰ Š #Š #ŠŠ C ˆŠ Š Š. Š f<br />

{<br />

p<br />

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‰ ‰ ‰. =Š Š ‰ ‰ ˆ<br />

© <strong>Oxford</strong> University Press 1958 and 2007. Photocopying this copyright material is ILLEGAL.


mf<br />

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84<br />

SA(Men)<br />

Keyboard<br />

18. God in Mine Eternity<br />

S./A.<br />

Trad. Hebridean<br />

SOPRANO<br />

ALTO<br />

MEN<br />

KEYBOARD<br />

With quiet concentration h = 88<br />

<br />

unis.<br />

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ˆ Š Š<br />

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8<br />

rit.<br />

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Vb ‰ ‰ Š Š ˆ Š Š ‰ ˆ p bbb<br />

speak - ing And God in my think - ing.<br />

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(b. 1947)<br />

V b Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š bŠˆ<br />

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© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S.<br />

A./MEN<br />

12<br />

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God in Mine Eternity 85<br />

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S.<br />

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87<br />

SA(T)(B)<br />

Keyboard<br />

19. God so loved the world<br />

John 3: 16–17<br />

VOICES<br />

KEYBOARD<br />

Graceful and flowing i. = 52<br />

TUTTI unis.<br />

Vb 68 p p p espress.<br />

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Š. Š Še Š ŠeŠ.<br />

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ALAN BULLARD<br />

(b. 1947)<br />

for online perusal only<br />

5<br />

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t Š Še Š. Š Še Š. Š Š Š Š Š Š Š Še<br />

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V b Š. ŠŠŠ Š. ŠeŠŠ Š ŠbŠŠ Š Še Š. Š Š Š 98 Š. e<br />

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r. Š. b‰. Š Š ŠbŠ Š Š ‰. Š. Š<br />

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Son, that all who be - lieve in him shall not pe -rish but have ev-er -<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S./T.<br />

A./B.<br />

S.<br />

A.<br />

T.<br />

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13<br />

Vb Šf Š mf<br />

f =Š. ŠŠŠ Š Š f =Š. ŠŠŠ Š. p<br />

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f mf p<br />

Vb Š. Š Še Š. Š ŠŠŠ ŠeŠ Še Š. Š. Še tt 68<br />

88 God so loved the world<br />

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V b98 Š Š. Š Š ŠŠ Š Š Š Š Š Š Š Š Š#Š Š Š Š Š Š Š=Š Š f<br />

Š. Š. Š f<br />

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Vb ‰. Š t 68 Š. Š<br />

41<br />

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Vb<br />

Bb<br />

pp p pp<br />

t Š<br />

life. God so loved the world, God so<br />

pp t<br />

‰. Š<br />

68 p Š. p Š Še Š Še Š.<br />

life. God so loved the world,<br />

pp ‰. Š t 68 r. Š. p Š Š f Š Š f Š. Š t<br />

life. God so loved the world,<br />

V bb ‰‰. ŠŠ<br />

t 68 r. Š Š Š ‰. Š‰.<br />

Š Š Š Š Š<br />

{<br />

ppp<br />

Vb ‰. Š t B 68 ‰ p. Š‰. Š Š Š Š Š ‰.<br />

(Man.)<br />

God so loved the world 91<br />

Še<br />

for online perusal only<br />

rit.<br />

45<br />

<br />

ppp<br />

Vb Š. Š Še ‰. ‰. ‰. Šettr.<br />

loved the world.<br />

Vb Š<br />

t pp Š Še Š. Š Še ‰. ‰. Šettr.<br />

God so loved the world.<br />

pp<br />

Bb<br />

Š Š f Š. Š Š Š. ‰. ‰. ppp Š f f ttr.<br />

God so loved the world.<br />

rit.<br />

V b Š Š Š Š Š Š Š Š Š Š Š Š ‰. Š<br />

‰.<br />

f ttr.<br />

ppp<br />

{ Bb<br />

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92<br />

S(A)(Men)<br />

Keyboard<br />

in memory <strong>of</strong> my father<br />

20. God that madest<br />

earth and heaven<br />

v. 1: Reginald Heber (1783–1826)<br />

v. 2: Richard Whatley (1787–1863)<br />

Trad. Welsh<br />

arr. DAVID THORNE (b. 1950)<br />

S.<br />

A.<br />

MEN<br />

KEYBOARD<br />

Andante i = 100<br />

V#<br />

(Organ: Solo Flute)<br />

4 ‰ Š Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š<br />

Š<br />

{ B#<br />

mp<br />

4 ˆ legato<br />

‰. ‰<br />

Š Š Š Š Š Š Š Š Š Š Š Š<br />

for online perusal only<br />

(Ped.)<br />

V #<br />

4<br />

mf<br />

Š. Še Še ‰ Š. Še q<br />

f Š Š Š. f Š Š Š Š Š Š ‰<br />

1. God that ma-dest earth and hea-ven, dark - ness and light;<br />

B# p p ‰ Š. Š f ‰ q<br />

mf<br />

V# Š‰ Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š‰<br />

Š Š<br />

{ B# ˆ ‰. Š<br />

Š Š Š Š Š Š Š Š Š Š ‰ Š ˆ<br />

Š Š Š Š<br />

V #<br />

8<br />

p p Š. Še f Š Š Š. ŠeŠ f Š Š<br />

Who the day for toil hast gi - ven,<br />

B# p p p p<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

Š ‰ Š Š ‰ Š Š ‰ ‰. Š Š Š<br />

{ B# Š ‰. Š Š Š Š Š Š ‰ Š Š Š ‰ Š Š Š Š Š Š Š<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


V #<br />

12<br />

‰ Š Š Š. Še q Š<br />

Š Š ‰ Š Š Š =Š<br />

For rest the night. May thine an - gel<br />

B# ‰ Š. Š f ‰ q Š Š =Š Š Š<br />

V# Š Š Š Š Š Š Š Š Š Š Š<br />

Š Š Š Š Š Š Š<br />

Š ‰ ‰ Š = Š<br />

{ B# Š‰ Š Š Š ‰ Š Š Š<br />

Š Š =Š Š Š<br />

for online perusal only<br />

God that madest earth and heaven 93<br />

V #<br />

15<br />

Š =ŠŠ Š Š Š Š Š Š<br />

Š.<br />

Š Š Š Še Š Š<br />

guards de - fend us, Slum - ber sweet thy mer - cy send us,<br />

B# Š Š Š #Š #Š Š Š #Š Š Š Š Š Š Š Š Š ,<br />

V# Š = Š Š Š Š Š Š Š Š. Še ,<br />

Š Š Š Š<br />

{ B# Š Š Š #Š #ŠŠ Š Š #Š Š Š =ŠŠ Š Š Š Š Š Š<br />

V #<br />

18<br />

mf<br />

Š. Še Še ‰ Š. Še q<br />

f Š Š Š. f Š Š Š Š Š Š ‰<br />

Ho - ly dreams and hopes at-tend us This live - long night.<br />

B# Š. Š f Š Š Š. Š f Š Š ‰ Š. Š f ‰ q<br />

mf<br />

V#<br />

(Organ: Solo Flute)<br />

Š‰ Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š‰<br />

Š Š<br />

{ B#<br />

mf ˆ ‰. Š Š Š Š Š Š Š Š Š Š<br />

Š‰ Š ˆ<br />

Š Š Š Š<br />

,


94 God that madest earth and heaven<br />

V # MOST VOICES<br />

22<br />

p p sost.<br />

<br />

<br />

Š. Še Š Š Š. Še Š Š<br />

([)<br />

2. Guard us wak - ing, guard us sleep - ing<br />

V# Š‰ Š Š Š Š Š Š Š r q<br />

Š Š Š Š ‰ Š. Š ‰<br />

{<br />

f Š Š<br />

p<br />

B# Š<br />

‰ Š ‰ Š Š ˆ<br />

Š Š Š Š Š Š Š Š<br />

V # DESCANT*<br />

25<br />

p p<br />

r Š‰ Š Š ‰. Š ‰ Š ŠŠ<br />

([)<br />

ah<br />

V # ‰ Š. Še ˆ Š. Še Š Š Š. Še Š Š<br />

([)<br />

V# Š Š Š Š Š Š ‰. Š ‰ ‰ Š Š Š. Š f Š Š Š. Š f Š Š<br />

{ B# ‰ ‰ Š. Še Š. Še<br />

ˆ Š Š Š Š Š Š Š Š<br />

And, when we die, May we in thy migh - ty keep - ing<br />

V 29<br />

Š ‰ Š Š ˆ<br />

p<br />

V # ‰ Š. Še ˆ Šf<br />

Š Š Š<br />

([)<br />

([)<br />

All peace - ful lie; When the last death<br />

V# Š<br />

(Organ: Full Sw.)<br />

‰ ‰ ‰ Š Š ‰ Š Š =ŠŠŠ Š Š<br />

Š Š Š Š Š Š<br />

{<br />

f<br />

B# Š Š Š Š Š Š ‰ ‰ ‰.<br />

Š Š Š Š Š<br />

* Lower part optional<br />

for online perusal only<br />

ah


V #<br />

32<br />

f<br />

Š =ŠŠ Š Š ‰ Š Š Š Š Š. ŠeŠ ([)<br />

f Š Š<br />

ah<br />

V # Š Š Š Š Š Š Š Š Š. Še Š Š<br />

([)<br />

call shall wake us, Do not then, our God, for-sake us,<br />

V# Š Š=Š<br />

Š #Š Š‰<br />

Š Š Š =ŠŠ Š Š. Š Š Še<br />

Š Š Š<br />

{ B# Š #Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

V #<br />

35<br />

Š Š ‰<br />

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([)<br />

ah<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

V # Š. Še Š Š Š. Še Š Š ‰ Š. Še<br />

But to reign in glo - ry take us with Thee on<br />

V# Š. Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

f Š Š Š. Š f Š Š ‰ ‰<br />

{ B# ˆ<br />

Š Š Š Š ‰.<br />

Š Š Š Š ‰ Š Š ‰<br />

Š Š<br />

V #<br />

38<br />

rit.<br />

ˆ p p p<br />

V # p ˆ p p p<br />

([)<br />

([)<br />

high.<br />

for online perusal only<br />

p<br />

God that madest earth and heaven 95<br />

V#<br />

(Organ: Solo)<br />

rit.<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

‰ ‰ ‰ Š Š Š Š Š Š Š Š ˆ<br />

{<br />

mp<br />

pp<br />

B# ˆ ‰. ‰ Š Š Š Š Š Š Š Š Š Š Š Š ˆ


96<br />

S(A)(T)(B)*<br />

(Keyboard)b<br />

21. Hail, Virgin Mary<br />

(Ave Maria)<br />

The Angelic Salutation<br />

SOPRANO<br />

ALTO<br />

TENOR<br />

BASS<br />

KEYBOARD<br />

V # Andante espressivo i = 100<br />

# 34 p p p p p<br />

‰. Š‰ Š Š Š ‰.<br />

Š<br />

Hail, Vir - gin Ma -<br />

A - ve Ma - ri -<br />

B## 34 p p p p ‰. ‰‰ Š ‰.<br />

p<br />

V#<br />

Andante espressivo i = 100<br />

(Organ: opt. 4i; Piano: opt. 8ve higher)<br />

# 34 p<br />

‰. ‰. ‰. ‰. Š Š Š Š ‰ Š<br />

p<br />

{<br />

dolce<br />

sempre legato<br />

B## 34<br />

p ‰. Š Š Š Š Š Š Š Š<br />

‰. ‰. ‰. ‰. ‰. ‰ Š ‰.<br />

(Ped.)<br />

FRANZ LISZT<br />

(1811–86)<br />

for online perusal only<br />

V #<br />

8<br />

# Š rr ‰. Š‰ Š ŠŠ Š ‰ Š Š rr ‰ Š Š rr ‰ Š Š rr<br />

- ry, Hail, Ma - ry, full <strong>of</strong> grace; For the Lord is with thee,<br />

- a, gra - ti - a ple - na, Do - mi - nus te - cum,<br />

B## Š rr ‰. ‰‰ Š ‰ Š Š rr rr ‰ Š Š<br />

‰ Š Š rr<br />

V# # Š rr ‰. Š Š ŠŠ ‰ Š Š rr ‰. Š Š rr ‰.‰ Š Š rr<br />

{ B## Š Š rr ‰. Š Š Š ‰ Š Š Š ‰. Š Š Š rr ‰.<br />

rr<br />

‰ Š ‰ Š Š<br />

‰. Š rr<br />

* Sing bass rather than tenor if few men are available.<br />

b The keyboard part (and the introduction) may be omitted if all four voice parts are sung.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


V #<br />

17<br />

# Š ‰ #Š Š Š‰ Š Š ‰ #ŠŠ Š Š Š ‰ Š Š r Š Š ‰ #Š Š<br />

B## ‰ Š #‰‰ Š ‰ Š Š Š #Š Š #‰‰ Š Š r Š ‰ Š<br />

V# # Š ‰. #Š Š Š‰. Š ‰ Š ‰ #Š Š‰ Š ‰ Š Š r Š Š ‰. #Š Š<br />

{ B## ‰. Š #‰.‰ Š ‰ Š Š Š #Š Š #‰. Š r Š ‰.‰ Š<br />

r<br />

V #<br />

24<br />

mf mp pp<br />

# ‰ Š Š ŠŠ Š ‰ #Š Š Š‰ Š Š #‰. #Š Š rr ‰. ‰. F<br />

p<br />

‰. ‰. ‰.<br />

blest the fruit, the fruit thou bear - est: Je - sus.<br />

- dic - tus fruc - tus ven - tris tu - i, Je - su.<br />

B## #‰‰ Š Š Š Š Š<br />

‰ Š Š #‰. #ŠŠ rr<br />

‰.<br />

‰.<br />

‰.<br />

‰. ‰. p<br />

V#<br />

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# Š Š Š Š #‰ Š Š # ‰ mp<br />

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E<br />

F<br />

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{<br />

keyboard ad lib.<br />

B## ‰ Š ‰ Š<br />

mf pp<br />

#‰. Š Š Š ‰. Š Š #‰. Š rr ‰. ‰. ‰.<br />

E<br />

p<br />

(Man.)<br />

Most ho - ly Ma - ry, God,<br />

Sanc - ta Ma - ri - a, De - i,<br />

V #<br />

33 p<br />

# Š Š ŠŠ rr Š Š ŠŠ rr<br />

‰. ‰ Š ‰. Š Š Š ‰. ‰ Š ‰. Š Š Š<br />

Great - ly blest are thou a - mong all wo - men - kind, And great - ly<br />

be - ne - dic - ta tu in mu - li - e - ri - bus, et be - ne -<br />

B## ‰. =( ‰) Š ‰Š ##‰. Š rr ‰. =( ‰) Š ‰Š ##‰. Š rr<br />

Most ho - ly Ma - ry, Mo - ther <strong>of</strong> God,<br />

Sanc - ta Ma - ri - a, Ma - ter De - i,<br />

p<br />

Most ho - ly Ma - ry, God,<br />

Sanc - ta Ma - ri - a, De - i,<br />

(Organ: opt. 4i; Piano: opt. 8ve higher)<br />

V# # ‰. Š Š ŠŠ ‰. Š rr ‰. Š Š ŠŠ ‰. Š rr<br />

p<br />

{ B## Š‰. Š Š =( Š) Š‰Š Š #‰. Š #Š Š Š Š Š Š Š Š Š Š Š Š #Š Š Š Š<br />

rr ‰. =( ) ‰Š #‰. Š rr<br />

(Ped.)<br />

for online perusal only<br />

Hail, Virgin Mary 97


V #<br />

41<br />

# ‰. ‰ r =‰<br />

-<br />

‰. ‰ Š ‰ #Š #‰ Š ‰ Š ‰ Š ‰. Š rr<br />

-<br />

Now pray for us, sin - ners that we are,<br />

o - ra pro no - bis pec - ca - to - ri - bus,<br />

B## ‰ #Š #‰ ‰<br />

-<br />

‰. ‰ Š ‰. Š Š Š #‰ Š #‰‰ =Š Š # =‰ ‰.<br />

. -<br />

Š rr<br />

98 Hail, Virgin Mary<br />

for<br />

us,<br />

no - - bis<br />

V# # ‰ . ‰ Š ‰.‰ #Š #‰‰ Š r =‰ ‰. Š ‰. Š ‰. Š rr<br />

{ B## ‰. #Š #‰‰ Š ‰. Š Š Š #‰. ‰. =Š =‰. Š rr<br />

V #<br />

49 p<br />

#<br />

pp<br />

Š rr Š rŠ Š ‰. #‰‰ Š =‰. ‰ r #‰. =‰. p<br />

‰. for online perusal only<br />

Now, and when life is end - ing, end - ing.<br />

nunc et in ho - ra mor - tis nos - trae.<br />

B## Š rr Š r Š ‰.<br />

‰. ‰ Š ‰.<br />

‰<br />

‰.<br />

Š #‰. ‰. #‰. p<br />

V#<br />

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V # (Man.)<br />

59<br />

# p p p<br />

rr p p p Fp<br />

‰. ‰. ‰. Š<br />

A - men.<br />

B## p p =( p<br />

‰. ‰. A ‰.) ‰ .‰. - men.<br />

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p<br />

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V#<br />

A - - - men.<br />

# p p ‰ . ‰ . ‰. Š rr ‰. Š rr<br />

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(Ped.)


S(A)(Men)<br />

Keyboard<br />

to David Hopgood and the Choir <strong>of</strong> St John’s Cathedral, Portsmouth<br />

22. Hark, the glad sound!<br />

99<br />

Philip Doddridge<br />

(1702–51)<br />

DAVID THORNE<br />

(b. 1950)<br />

VOICES<br />

KEYBOARD<br />

V # Moderato i = 84<br />

# 24 p p t<br />

Še ŠŠ 34 Š<br />

TUTTI unis.<br />

<br />

f<br />

<br />

. Š ([)<br />

f Š Š 24<br />

Hark, the glad sound! the Sa-viour<br />

V# # 24 Š Š Š Š<br />

Š Š Š Š Š Š ‰ 34 Š‰ Š ŠŠŠ Š 24<br />

{ B## 24 Š f Š Š Š ‰ Š Š 34 Š Š Š 24<br />

(Man.)<br />

(Ped.)<br />

for online perusal only<br />

V #<br />

5<br />

<br />

#24 Š t Še 34Š Š Š Š 24‰<br />

t<br />

Še Š Š 34<br />

([)<br />

comes, The Sa- viour prom - ised long! Let ev - ’ry<br />

V# #24 ‰ Š Š<br />

34Š Š ŠŠ Š 24Š Š Š Š ‰ 34<br />

{ B##24 Š Š 34 Š ‰ 24 Š. Š Še Š Š 34<br />

V # #34 Š Š Š Š 24 Š t Š f 34 Š<br />

9<br />

<br />

<br />

Š Š #Š 24‰<br />

([)<br />

heart pre-pare a throne, And ev - ’ry voice a song.<br />

V# #34 Š Š #‰ Š Š<br />

24##Š Š 34‰ Š ŠŠ<br />

#Š ŠŠ<br />

24‰ Š Š<br />

{ B##34 Š ‰ 24 #Š Š 34 Š ‰ 24 ‰<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S.<br />

A.<br />

MEN<br />

100 Hark, the glad sound!<br />

S.<br />

V #<br />

13<br />

# t mf cresc.<br />

Še ŠŠ=Š =‰ t =Š e bŠ ‰<br />

f<br />

Š. Š =Š Š Š Š ‰ Š f<br />

ŠŠ Š Š Š Š<br />

He comes the pris’n-ers to re - lease, In Sa-tan’s bond - age held,<br />

B## t Š f<br />

Š. Š ŠŠ=Š Š =‰ t=Š f<br />

ŠŠ Š Š ‰<br />

V#<br />

mf cresc.<br />

# b ‰ =‰ b=‰ ‰ Š ‰ =Š b‰‰ ‰ ‰ Š<br />

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cresc.<br />

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‰<br />

Š =Š Š Š ‰ Š Š<br />

V # # t eŠŠ 34 Š<br />

19<br />

f<br />

Š Š Š. . 24 t Še 34Š Š Š 24‰<br />

p<br />

f<br />

Š Š Š Š Š ŠŠ Š Š ‰<br />

The gates <strong>of</strong> brass be-fore him burst, The i-ron fet-ters yield.<br />

B## t Š Š Š 34 Š. Š Š Š 24 #Š Š Š Š Š Š 24‰ p<br />

V#<br />

f<br />

# ‰ 34 Š ŠŠŠ Š 24 ‰ 34Š ŠŠ Š 24Š ŠŠŠ Š Š<br />

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{<br />

f<br />

B## 34 24 ‰ 34 24 Š Š<br />

‰<br />

Š<br />

Š Š Š #Š Š Š Š Š Š Š<br />

V # (Man.)<br />

# t<br />

Še Š Š 34 Š<br />

25 SOPRANOS<br />

p<br />

<br />

. Š f Š Š 24Š t Še 34Š Š Š Š 24‰<br />

V#<br />

He comes, the bro - ken heart to bind, The wound-ed soul to cure;<br />

# ‰ 34Š Š Š ŠŠ Š 24‰ Š Š<br />

34Š Š ‰<br />

p Š Š<br />

24‰<br />

{<br />

legato<br />

B## Š Š 34Š Š Š 24Š Š 34Š Š Š 24Š Š<br />

V # # t<br />

Še ŠŠ 34 Š Š Š Š 24 mf Š t Š f 34 Š<br />

30<br />

<br />

<br />

Š Š #Š 24‰<br />

V#<br />

And with the trea-sures <strong>of</strong> his grace En - rich the hum - ble poor.<br />

# ‰ 34 ŠŠ #‰ 24Š Š 34Š ‰ Š #ŠŠ 24‰ Š<br />

mf<br />

Š<br />

{ B## Š Š 34#Š Š #Š 24Š Š 34Š Š Š 24‰<br />

for online perusal only


S.<br />

A.<br />

MEN<br />

V #<br />

35<br />

<br />

# t<br />

TUTTI unis.<br />

mf cresc.<br />

Še Š. Š ŠŠ=Š Š =‰ t =Š e ŠŠŠ bŠ 24‰<br />

Our glad ho - san-nas, Prince <strong>of</strong> Peace, Thy wel-come shall pro - claim;<br />

(Organ: opt. Solo)<br />

‰ Še=Š bŠ Š.<br />

‰ ‰ ‰ bŠe 24‰ Š Š<br />

B##b=‰ ‰ ‰ =‰ Š Š Š =Š ‰ 24 ‰ Š Š<br />

([)<br />

V# # ŠbŠ Š =Š bŠ =<br />

. Še b =‰ t<br />

{<br />

mf cresc.<br />

Hark, the glad sound! 101<br />

V # (Ped.)<br />

# t eŠŠ 34 Š<br />

41<br />

f<br />

Š Š Š Š. . 24 t Š e 34Š Š Š 24‰<br />

p<br />

f<br />

Š Š Š Š Š ŠŠ Š Š ‰<br />

And heav’n’s e - ter-nal arch-es ring With thy be-lov -ed name.<br />

B## t Š Š Š 34 Š. Š Š Š 24 #Š Š Š Š Š Š 24‰ p<br />

V# f<br />

# ‰ 34 Š ŠŠŠ Š 24 ‰ 34Š ŠŠ Š 24Š ŠŠŠ Š Š<br />

Š Š Š ŠŠ<br />

Š Š<br />

{<br />

f<br />

B## 34 24 ‰ 34 ff<br />

24 Š Š ‰ Š Š Š #Š Š Š Š Š Š ‰ Š Š<br />

V # # t<br />

Še ŠŠ 34 Š Š Š Š 24 Š tŠ f 34Š Š Š Š 24 ‰<br />

DESCANT<br />

47<br />

f<br />

([) Hark, the glad sound! the Sa-viour comes, The Sa-viour prom-ised long!<br />

V # # t<br />

Še ŠŠ 34 Š<br />

OTHER VOICES<br />

. Š<br />

([) f Š Š 24Š t Še 34Š Š Š Š 24‰<br />

V# f<br />

# ‰ 34 Š Š Š 24 ‰ Š Š 34Š ŠŠŠ Š 24 ‰<br />

{ B## ‰<br />

f<br />

Š Š 34 ‰ Š Š Š 24 ‰ Š 34 ‰<br />

Š Š Š Š 24 ‰ Š Š<br />

V # # t ([)<br />

Š eŠ Š 34 Š Š Š Š 24 Š t Š f 34 Š<br />

52<br />

Š Š. Š f ‰ r 24<br />

Let ev-’ry heart pre-pare a throne, And ev-’ry voice a song.<br />

V # # t<br />

([)<br />

Š eŠ Š 34 Š Š Š Š 24 Š t Š f 34 Š Š Š #Š ‰ r 24<br />

V# # ‰ 34 Š #‰ Š Š 24 #‰ Š Š 34 Š ‰ Š. Š#ŠŠe<br />

‰ 24<br />

{ B## ‰ 34 Š 24#Š Š 34 ‰<br />

Š Š #Š<br />

‰ Š<br />

‰ Š Š Š Š Š Š 24<br />

for online perusal only


S.<br />

A.<br />

MEN<br />

102 Hark, the glad sound!<br />

V # #24 t<br />

57<br />

Še ŠŠ=Š =‰ t =Š e bŠ<br />

f<br />

Š. Š =Š Š Š Š ‰ Š f<br />

ŠŠ Š Š<br />

Our glad ho - san-nas, Prince <strong>of</strong> Peace, Thy wel-come shall pro -<br />

B##24 t Š f<br />

Š. Š ŠŠ=Š Š =‰ t=Š f<br />

ŠŠ Š Š<br />

V# #24 Š bŠ=ŠŠ =Š bŠ = ‰ Š =Š Š =‰ Š Š Š=Š bŠ bŠ =Š Š Š<br />

{ B##24 b=‰ ‰ ‰ b b‰ Š Š Š ‰ =Š Š ‰ Š<br />

for online perusal only<br />

V # # ‰ t<br />

Še ŠŠ 34 62<br />

rit.<br />

cresc.<br />

Š<br />

. 24Š Še 34Š Š Š Š. Š Š Š Š t ff<br />

Š 24<br />

f f<br />

Š Š Š<br />

- claim; And heav’n’s e - ter - nal arch - es ring *With thy be-lov - ed<br />

B## ‰ t Š Š Š f<br />

34 Š. Š Š Š 24 Š tŠ f 34 Š Š Š Š 24<br />

V#<br />

cresc.<br />

# ‰ t Š Š Š 34 Š. ff<br />

rit.<br />

Š<br />

Š<br />

ŠŠ 24‰ 34Š Š ŠŠ Š<br />

Š Š Š Š Š ŠŠ<br />

Š Š Š ‰ 24<br />

{<br />

cresc.<br />

B## ‰ 34 #Š<br />

# 24 ff<br />

Š Š 34 ‰<br />

‰ Š Š Š ‰ Š Š Š Š 24<br />

V # # 24 fff<br />

r p p r ‰ Š Š Š Š F<br />

67<br />

a tempo<br />

rall.<br />

‰<br />

name. A - men!<br />

B## 24 ‰ Š r p p r Š Š Š ‰<br />

E<br />

V# # 24 Š fff<br />

a tempo<br />

rall.<br />

ŠŠŠŠ<br />

Š Š Š Š Š Š Š ŠŠŠŠ Š Š<br />

Š Š ŠŠŠŠ<br />

Š Š ŠŠ Š F<br />

‰<br />

{ B## 24 ‰ ‰ ‰ ‰ ‰ fff<br />

Š Š<br />

‰<br />

Š Š Š Š Š Š Š Š Š Š E<br />

‰<br />

* If performing in unison, sing the alto part from bar 65 to the end.


103<br />

SA(T)B<br />

(Keyboard)*<br />

23. Harvest Carol<br />

J. S. B. Monsell<br />

(1811–75)<br />

IAN RAY<br />

(b. 1946)<br />

VOICES<br />

(KEYBOARD<br />

tacet)<br />

Joyous and with movement ie = 200<br />

mf<br />

(Always follow the natural accentuation <strong>of</strong> the words)<br />

Vb 58 Š Š Š Š Š Š Še ŠŠ Š Š Š Š Š Š Š.<br />

([)<br />

S./A. 1. Sing to the Lord <strong>of</strong> har - vest, Sing songs <strong>of</strong> love and praise;<br />

T./B. 2. By him the clouds drop fat - ness, The de-serts bloom and spring,<br />

S./A. 3. Heap on his sa - cred al - tar The gifts his good - ness gave,<br />

for online perusal only<br />

S.<br />

A.<br />

(KBD)<br />

T.<br />

B.<br />

5<br />

mp<br />

Vb -<br />

Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š<br />

-<br />

Š Š Š.<br />

With joy - ful hearts and voi - ces Your al - le - lu - ias raise:<br />

The hills leap up in glad - ness, The val - leys laugh and sing;<br />

The gold - en sheaves <strong>of</strong> har - vest, The souls he died to save:<br />

Bb<br />

-<br />

Š Š Š Š Š Š Še Š =ŠŠŠ =Š f<br />

Š Š<br />

-<br />

Š Š Š Š Š.<br />

mp<br />

9<br />

mf<br />

Vb Š Š<br />

-<br />

Š Š Š Š Še Š -<br />

f ŠŠ Š Š Š Š f Š Š.<br />

Bb<br />

By him the roll - ing sea - sons In fruit - ful ord - er move,<br />

He fill - eth with his ful - ness All things with large in - crease,<br />

Your hearts lay down be - fore him When at his feet ye fall,<br />

v. 3 to Coda O<br />

Š bŠ -<br />

Š Š Š Š Še Še #Š f ŠŠ Š Š Š Š Š<br />

-<br />

f<br />

Š.<br />

mf<br />

* This anthem may be sung a cappella inthreeorfourparts,orwithkeyboardaccompanimentasmarked.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


104 Harvest Carol<br />

13<br />

Vb Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š Š Š Š.<br />

34<br />

Sing to the Lord <strong>of</strong> har - vest A song <strong>of</strong> hap - py love.<br />

He crowns the year with good - ness, With plen - ty and with peace.<br />

Bb =Š Š Š Š Š Š Š Še Š =ŠŠŠ bŠ Š.<br />

f<br />

Š Š Š Š Š Š Š.<br />

34<br />

for online perusal only<br />

rit.<br />

Sing,<br />

sing.<br />

f<br />

Vb34 Š<br />

><br />

‰. ‰ Š - F<br />

><br />

Š Š. Š Š. ‰. Š ‰ ‰. 58 > ><br />

- E<br />

.<br />

17<br />

pp<br />

Sing, sing, sing, sing.<br />

><br />

Bb34 ‰ . > Š Š Š. Š Š. > ‰. F‰.<br />

58 .<br />

unis.<br />

> ><br />

f<br />

Sing, sing, sing, sing, sing.<br />

pp<br />

21O CODA<br />

rit.<br />

Vb Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š Š Š Š.<br />

And with your lives a - dore him, Who gave his life for all.<br />

Bb =Š Š Š Š Š Š Š Še Š =ŠŠŠ bŠ Š.<br />

f<br />

Š Š Š Š Š Š Š.


Voices 1 2<br />

Keyboard<br />

to William Lovelock<br />

24. He is risen<br />

105<br />

Mrs C. F. Alexander<br />

(1823–95)<br />

VOICES<br />

KEYBOARD<br />

([)<br />

With vigour i = 152<br />

<br />

Vbbb 34 p p p p p p<br />

([)<br />

V bbb 34 p r ŠŠŠŠ Š Š<br />

Š Š Š ‰ ‰ Š Š Š<br />

Š Š Š ‰. Š<br />

.<br />

ŠŠŠ<br />

{<br />

f<br />

Bbbb 34 r Š Š Šr Š .<br />

.<br />

Š Š ‰ ‰ Š Š ŠŠŠ . . . . . .<br />

‰.<br />

(Ped.)<br />

for online perusal only<br />

CECIL COPE<br />

7 TUTTI unis.<br />

f<br />

Vbbb r Š Š Š Š ŠŠ ‰ Š r Š Š Š Š ‰ bŠ Š ‰<br />

He is ris - en, he is ris - en: Tell it with a joy - ful<br />

V bbb ‰ Š ‰ Š Š‰ Š Š Š<br />

Š Š Š Š ‰ bŠ Š ‰<br />

r Š<br />

{ Bbbb ‰.‰ Š ‰ Š Š Š Š Š Š Š ‰ b bb ‰ Š Š r r r Š Š Š ‰<br />

Vbbb ‰. rŠ=Š 4Š. =Še Š Š 34 ‰<br />

13<br />

mf<br />

Š 24 r Šf<br />

<br />

Š 4<br />

([)<br />

voice; He hath burst his three days’ pris - on: Let the<br />

V bbb= ‰ . ‰ =Š 4Š. ‰. =Še Š Š 34=‰ Š 24 Š. ‰ Še 4<br />

{<br />

mf<br />

Bbbb Š<br />

‰.<br />

Š =Š 4Š ‰ 34 =‰ ‰. Š<br />

Š Š Š Š Š Š 24 ‰ f<br />

. .<br />

Š<br />

. . . .<br />

Š<br />

. .<br />

. . 4<br />

© <strong>Oxford</strong> University Press 1937 and 2007. Photocopying this copyright material is ILLEGAL.


S./T.<br />

A./B.<br />

106 He is risen<br />

Vbbb44 Š<br />

18<br />

> > Š > Š > Š 34‰. > Š<br />

mf<br />

<br />

r r r Š Š b‰ Š<br />

([)<br />

V > bbb4 Š ><br />

Š<br />

> ŠŠ =Š<br />

> 34‰<br />

> . Š r r bb‰.<br />

b b‰. ‰.‰ Š<br />

{ Bbbb4 Š Š Š Š 34 ‰. ‰ Š mf<br />

Š Šr Šr<br />

. . . . . . . . b‰. b‰.<br />

Vbbb r Š Š ‰. r Š Š 4 ‰<br />

23<br />

<br />

ff<br />

<br />

Š Š 34‰ Š Š ‰ ‰.<br />

([)<br />

whole wide world re - joice. Death is con - quer’d,<br />

for online perusal only<br />

we are free, Christ has won the vic - to - ry.<br />

V bbb ‰ b Š ‰ . Š Š Š Š Š ‰ Š 4 ‰. ‰ Š Š 34‰ Š Š ‰ ‰.<br />

{ > ff<br />

Bbbb Š Š Š Š Š 4 ‰ . 34<br />

‰ bŠ<br />

‰.<br />

‰ =( ) ŠŠ ‰ Š ><br />

‰ Š ‰ Š Š ‰ r<br />

30<br />

V bbb r Š Š Š Š Š Š ‰ Š Š Š Š Š Š<br />

rit.<br />

‰ ŠŠ Š Š Š ===<br />

><br />

{ Bbbb Šr Š Š Š =Š Š =Š =Š<br />

‰ ‰ Š Š Š Š =Š Š Š<br />

. . . .<br />

===<br />

35<br />

a tempo<br />

V p<br />

unis.mp<br />

r Š Š Š Š Š Š Š Š ‰ Š p<br />

([)<br />

Come, ye sad and fear - ful heart - ed,<br />

unis.<br />

mf<br />

V ‰ Š ‰ Š ‰ Š ‰ Š r Š Š ‰ Š<br />

([)<br />

Come, ye sad and fear - ful heart - ed, With glad smile and<br />

V<br />

a tempo<br />

‰ Š Š ‰.<br />

‰ Š<br />

‰. Š Š Š‰ Š ‰.‰ Š ‰ Š<br />

mp<br />

{ B ‰. ‰. ‰. ‰. ‰ Š ‰ Š ‰ Š<br />

Š Š . .


41<br />

VrŠŠ Š Š Š ‰. r Š Š Š Š #Š #‰ Š<br />

([)<br />

V b‰ Š ‰. ‰ #Š ‰ #Š ‰ Š ‰ Š<br />

([)<br />

V bŠ Š Š Š Š Š ‰.‰ #Š ‰ Š Š Š #Š<br />

# #‰ Š<br />

r Š #Š ‰ Š<br />

{ B b‰ Š Š Š ‰. ‰. Š Š Š Š Š Š Š ‰ Š<br />

With ra - diant brow, sha-dows have de - part - ed,<br />

ra - diant brow; Lent’s long sha - dows have de - part - ed,<br />

47<br />

V p r Š Š Š Š Š Š Š Š ‰. p<br />

All his woes are o - ver now,<br />

VrŠ Š ‰ Š Š Š Š Š Š #Š ‰. rŠŠ<br />

([)<br />

([)<br />

for online perusal only<br />

He is risen 107<br />

All his woes are o - ver now, And the<br />

V ‰ r Š =#Š#Š Š Š‰ . Š =( Š) Š‰ Š Š‰ Š Š ‰. b‰ Š<br />

{ B ‰ Š<br />

Š<br />

‰.<br />

Š =( Š) Š‰ Š Š‰ Š #Š Š ‰. bb‰ Š<br />

‰. ‰.<br />

53<br />

VrbŠ Š Š Š Š Š #‰ r Š Š > ‰ Š Š Š Š<br />

([)<br />

And the Pas - sion he bore: Sin and pain can vex no<br />

V b‰ Š Š Š Š ‰. ‰ Š > Š Š Š Š Š Š<br />

([)<br />

Pas - sion that he bore: Sin and pain can vex no<br />

V Š b Š Š Š Š Š Š #‰ r Š Š<br />

><br />

‰. ‰ #Š ŠŠ<br />

‰ Š Š Š Š Š ŠŠŠ<br />

{ B b b‰ ><br />

Š Š bŠ ‰. Š Š<br />

‰ Š ‰ Š ‰. ‰ Š ‰ Š<br />

Š<br />

‰ Š Š


108 He is risen<br />

59<br />

V ‰. p p p p bbb<br />

([)<br />

more.<br />

V ‰.<br />

p p p p bbb<br />

([)<br />

more.<br />

V Š<br />

Š Š Š Š Š<br />

Š<br />

‰ bŠ b‰ Š Š = Š Š Š bŠ bbŠ ‰ Š ŠbŠŠ<br />

bbb<br />

{<br />

cresc.<br />

B Š Š Š Š ‰ ‰ Š Š bŠŠ bŠ Š b‰.<br />

bbb<br />

TUTTI unis.<br />

f<br />

Vbbb r Š Š 4Š. Š f<br />

Š Š 34 ‰<br />

64<br />

<br />

<br />

([)<br />

for online perusal only<br />

Š r Š Š Š Š bŠ. > > ŠbŠ><br />

f<br />

Come, with high and ho - ly hymn - ing, Chant our Lord’s tri - um -<br />

V bbb ‰ Š 4Šˆˆ Š Š Š 3 4 ‰ Š ‰ Š ‰ b Š<br />

r<br />

Š<br />

r<br />

{<br />

mf<br />

Bbbb Š‰ Š Š 4Š Š Š Š 34 Š Š Š ‰ Š ><br />

Š Š r ><br />

Š r<br />

69<br />

<br />

Vbbb Š ‰ ‰. rŠ=Š 4Š. =Še Š Š ‰ Š Š Š<br />

([)<br />

- phant lay; Not one dark - some cloud is dim - ming Yon-der<br />

V bbb bŠ Š ‰ Š = ‰ . ‰ =Š 4Š. Š =Še Š ‰ Š. Še<br />

><br />

{ r Š Š =Š#Š Š =Š Š ŠŠ=Š<br />

Bbbbbb bŠ > ><br />

‰. ‰ 4 Š =Š =Š<br />

Š r Š Š<br />

Š =Š Š Š Š Š Š Š<br />

> ><br />

. . . . . . . . =Š<br />

. .<br />

Š<br />

.<br />

Š<br />

.<br />

Š .<br />

Š


74<br />

Vbbb > Š > Š > Š > Š 34‰. > Š<br />

mf<br />

<br />

r r r Š Š b‰ Š<br />

([)<br />

He is risen 109<br />

glo - rious morn - ing ray, Break - ing o’er the<br />

V bbb Š Š ŠŠ =Š 34‰ . Š r r bb‰ . b b‰ . ‰ Š<br />

{<br />

><br />

><br />

><br />

Bbbb<br />

=Š<br />

><br />

34 ‰. r r b b‰. mf<br />

‰.<br />

Š Š Š Š ‰ Š Š<br />

. . .<br />

Š<br />

.<br />

Š<br />

.<br />

‰.<br />

. .<br />

b‰.<br />

.<br />

for online perusal only<br />

Vbbb‰ Š ‰. r Š Š<br />

ff<br />

4 34‰ allargando<br />

><br />

‰ Š<br />

><br />

Š ‰ 79<br />

molto cresc.<br />

<br />

S./T.<br />

<br />

Š<br />

([)<br />

A./B.<br />

pur - ple East, Bright - er far our Eas -<br />

V bbb Š ‰ =Š ‰. Š Š Š 4 ‰ Š 34 r Š Š Š Š Š ‰. Š ‰ Š<br />

{<br />

molto cresc.<br />

ff<br />

‰ r Bbbb<br />

‰. 4 ‰ . 34 Š Š bŠ ‰ =Š Š Š Š Š ><br />

‰ Š ‰ Š<br />

. . . . .<br />

a tempo<br />

allargando<br />

84<br />

Vbbb Š ‰ ‰.<br />

‰. Š r r p p F<br />

<br />

p<br />

([)<br />

- ter feast.<br />

V bbb Š ‰‰ ‰ ‰. Š Š Š Š ‰ b bŠ Š ‰ ‰.<br />

r<br />

Š Š =Š F<br />

‰.<br />

{ Bbbb<br />

‰. Š ‰ Š Š Š Š Š Š ‰ b<br />

bŠ<br />

Š Š . .<br />

‰ ‰.<br />

. . . E<br />

‰.


110<br />

S(A)(Men)<br />

or S AT B<br />

(Keyboard)*<br />

25. Hide not thou thy face<br />

Psalm 27: 10<br />

SOPRANO<br />

ALTO<br />

MEN<br />

SOPRANO<br />

ALTO<br />

(KEYBOARD)<br />

TENOR<br />

BASS<br />

Andante<br />

p<br />

i = 80<br />

Vb 4 #Š. Še<br />

Š Š Š Š ‰ Š Š. ŠeŠ f<br />

Š Š #Š Š ŠŠŠŠ #‰ r =Š Š. Š Š Š ‰ Š Š<br />

Hide not thou thy face from us, O Lord, and cast not<br />

f<br />

<strong>of</strong>f thy ser-vants in<br />

Bb 4 Š . Š f<br />

Š Š Š Š Š Š ‰ r Š Š. Š f<br />

Š Š ‰ Š Š<br />

p<br />

Andante<br />

p<br />

i = 80<br />

Vb 4#Š. Še<br />

Š Š Š Š ‰ Š ŠeŠ f<br />

Š Š #Š Š ŠŠŠŠ #‰ r =Š Š. Š f<br />

Š Š ‰ Š Š<br />

Hide not thou thy face from us, O Lord, and cast not <strong>of</strong>f thy ser-vants in<br />

Bb 4 Š. Še Š. ŠeŠ f<br />

Š Š Š Š Š Š ‰ r Š Š. Š f<br />

Š Š ‰ Š Š<br />

for online perusal only<br />

p<br />

6<br />

<br />

mp<br />

VbŠŠ Š Š ‰ Š Š#Š #ˆˆ r Š Š #ŠŠ Š Š #Š Š =Š Š ‰ Š#Š Š Š<br />

Bb Š Š ‰ ˆ r<br />

Š Š Š Š #Š Š Š ‰ Š Š<br />

mp<br />

<br />

mp<br />

VbŠŠ Š Š ‰ Š Š#Š #ˆˆ r Š Š #ŠŠ Š Š #Š Š =Š Š ‰ Š#Š Š Š<br />

Bb ˆ r Š Š Š ‰ ˆ Š Š Š Š #Š Š Š ‰ Š Š<br />

thy dis - plea - sure; and<br />

thy dis-plea - sure; for we con - fess our sins un - to thee, and<br />

thy dis - plea - sure; and<br />

thy dis - plea - sure; and<br />

thy dis-plea - sure; for we con - fess our sins un - to thee, and<br />

mp<br />

RICHARD FARRANT<br />

(d. 1580)<br />

thy dis - plea - sure; and<br />

* This piece may be sung a cappella in three parts (sing from the upper staves) or four parts (sing from the lower staves). It may<br />

also be sung in two parts or in unison (sing from the upper staves), using the lower staves as a keyboard accompaniment. The<br />

SATB version is Farrant’s original.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


hide not our un - right - e-ous - ness.<br />

11<br />

Vb ‰ Š Š ŠbŠ .<br />

mp (pp )<br />

Š Š Š Š Š Š ‰ Š ‰ r #ŠŠ Š #ŠŠ Š Š ŠŠŠ Š<br />

Bb Š Š Š. Še Š bŠ ‰ ‰ . r ŠŠ Š Š Š =Š Š<br />

<br />

hide not our un-right - eous - ness. For thy mer - cy’s sake, for thy<br />

hide not our un - right - e - ous - ness.<br />

hide not our un - right - e-ous - ness.<br />

Vb Š Š ‰ Š Š Š ŠbŠ ‰ . r #Š Š #Š Š Š ŠŠ<br />

Bb<br />

mp (pp )<br />

mp (pp )<br />

Š ‰ Š Š Š ‰ Š ‰ Š Š Š Š Š Š Š<br />

Š Š Š<br />

Š. Š Š Š bŠ Š b‰ . r Š f<br />

‰ ‰ ŠŠ Š Š Š =Š Š<br />

hide not our un-right - eous - ness. For thy mer - cy’s sake, for thy<br />

hide not our un - right - e - ous - ness.<br />

mp (pp )<br />

Hide not thou thy face 111<br />

for online perusal only<br />

rall. (2nd time)<br />

mf (p) p (pp )<br />

de - li - ver us from all our sins.<br />

15<br />

Vb Š Š Š bŠŠ Š. ŠeŠŠ Š #Š Š. ŠeŠ Š#Š .<br />

f Š Š =( )Š Š Š Š Š Š ŠbŠ Š Š Š Š Š Š ‰<br />

mer-cy’s sake de - li - ver us from all our sins, de - li - ver us from all our sins.<br />

Bb Š Š Š Š Š. Š Š f Š Š Š Š Š Š Š Š Š Š Š Š ‰ .<br />

<br />

all our sins.<br />

rall. (2nd time)<br />

all our sins.<br />

mf (p) p (pp )<br />

Vb Š Š Š Š Š. ŠeŠ Š Š #Š Š Š Š. ŠeŠ Š Š Š#Š Š ‰ .<br />

Bb<br />

mf (p) p (pp )<br />

Š Š Š Š Š. Š f<br />

Š Š Š Š =Š Š Š. Š f<br />

Š Š Š Š ‰<br />

mer-cy’s sake de - li - ver us from all our sins, de - li - ver us from<br />

all our sins.<br />

all our sins.<br />

Š bŠ ŠeŠ bŠ Š. ŠeŠ Š Š Š Š. Š Š Š Š Š .<br />

f Š Š Š Š Š Š Š Š ŠbŠ Š Š Š Š ‰<br />

p (pp )<br />

mf (p)<br />

de - li - ver us from all our sins.


112<br />

S(A)(T)(B)<br />

(Keyboard)*<br />

26. Holy, holy, holy,<br />

Holy is the Lord<br />

FRANZ SCHUBERT (1797–1828)<br />

accomp. Alan Bullard<br />

SOPRANO<br />

ALTO<br />

TENOR<br />

BASS<br />

KEYBOARD<br />

Andante espressivo i = 92<br />

Vbbb 34 p p p p pp<br />

‰ Š<br />

Ho - ly,<br />

Bbbb 34 p p p p ‰ Š<br />

V<br />

Andante espressivo i = 92<br />

bbb 34 ‰. tŠŠŠŠŠ ‰ ŠŠŠŠŠŠŠ ‰. ŠŠŠŠŠŠ ‰. ŠŠŠŠ=ŠŠ ‰. ŠŠŠŠŠŠ<br />

{<br />

pp<br />

Bbbb 34 ‰. ‰. ‰. ‰. ‰.<br />

(Man.)<br />

pp<br />

for online perusal only<br />

6<br />

Vbbb ‰ Š ‰. ‰. ‰‰ Š Š ‰ Š<br />

ho - ly, ho - ly, Ho - ly is the<br />

Bbbb<br />

‰ Š ‰. ‰. ‰. ‰ Š ‰ Š<br />

V bbb ‰ Š Š Š Š Š Š ‰. Š Š Š Š Š Š ‰. Š Š Š Š Š Š ‰. ŠŠ Š Š Š Š ‰ Š Š Š Š Š Š<br />

{ Bbbb ‰ Š ‰. ‰. ‰. ‰.<br />

* The keyboard part may be omitted when all four voice parts are sung. This acappellaversion is Schubert’s original.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


11<br />

<br />

fp<br />

Vbbb ‰. ‰ r ‰ Š ‰ Š ‰.<br />

Lord, Ho - ly, ho - ly, ho -<br />

Bbbb ‰. r<br />

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16<br />

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Vbbb ‰. ‰‰ Š Š ‰ Š ‰. Š r r<br />

- ly, Ho - ly is the Lord.<br />

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V pp<br />

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2. Praise to you, O Lord, Ho -<br />

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for online perusal only<br />

(Ped.)<br />

Holy, holy, holy, Holy is the Lord 113


114 Holy, holy, holy, Holy is the Lord<br />

25<br />

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pp<br />

Vbbb‰ ‰ Š ‰ Š ‰. ‰ r b‰ ‰ Š<br />

Ev - er - more shall be, Ho - ly,<br />

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‰. ‰ Š ‰. ‰ r<br />

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30<br />

Vbbb b‰ ‰ Š Š ‰. Š ‰ ‰. ‰ ŠŠ<br />

ho - ly, ho - ly, Bless - ed<br />

ho - ly, ho - ly, God <strong>of</strong><br />

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V bbb bŠ ‰ Š Š Š Š Š Š ‰. Š Š Š ‰. ‰<br />

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{ Bbbb ‰.‰ Š ‰. ‰. ‰.<br />

34<br />

1.<br />

2.<br />

Vbbb ‰ Š ‰. Š r r . ‰. ‰ r<br />

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pow’r and might.<br />

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{ Bbbb ‰ Š ‰. Š Š‰. Š Š Š .‰. ‰ r<br />

for online perusal only


115<br />

S(A)Men<br />

Keyboard<br />

27. Holy, holy, holy!<br />

Lord God Almighty!<br />

S./A.<br />

Reginald Heber<br />

(1783–1826)<br />

SOPRANO<br />

ALTO<br />

MEN<br />

KEYBOARD<br />

V # Brightly i = 128<br />

# 4 p 68 p 4 p 68<br />

B## 4 p 68 p 4 p 68<br />

for online perusal only<br />

Brightly i = 128<br />

V# # 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š<br />

mf<br />

68<br />

{ B## 4 Š Š Š r 68 Š t Š t 4 Š Š Š r 68<br />

(Ped.)<br />

ALAN SMITH<br />

(b. 1962)<br />

Ho - ly, ho - ly, ho - ly! Lord God Al-migh-<br />

V #<br />

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4 Š Š Š Š Š Š Š Š ‰ r r =Š Š Š Š Š<br />

V# #68 Š Š Š Š Š Š 4 Š Š Š Š Š Š Š t Š eŠ Š Š.<br />

Š . =Š r Š t Še<br />

{ B##68 mp<br />

Š 4 Še t ŠeŠ Š Š<br />

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# Š Š ‰ r Š Š ŠeŠ Še ‰ Š Š =Š Š ŠeŠ Še<br />

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- ty! Ear - ly in the morn - ing our song shall rise to<br />

# Š t Š . ŠeŠ Š Š Š ŠeŠ Še t . Še Š Š.<br />

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r<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S./A.<br />

116 Holy, holy, holy! Lord God Almighty!<br />

V #<br />

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V# # 4 Š Š ŠŠŠ Š Š 68 Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4<br />

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# 4 Š r Š t Še Š t Š eŠ Š Š.<br />

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V #<br />

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# Š r Š r Š. ŠeŠ ŠŠ =Š r Š r Š Š Š#Š Š Š Š.<br />

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# Š r Š t Še Š t Š eŠ Š Š Š Š r Š t Še Š t Š.<br />

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V # # r Š 68Š. 78Š Š 4 36<br />

Š #Š Š Š. Š Š Š Š q f ‰<br />

68<br />

Who was, and is, and ev - er - more shall be.<br />

B## r Š #Š Š 68 Š . Š. 78 Š Š Š Š f 4 ‰ q 68<br />

V# mf<br />

# Š r #‰ Š Š 68 Š. Š. 78Še t Še t Šet Še 4 Š Š ŠŠŠ Š Š 68<br />

{ B## Š r #‰ 68 Š . Š. 78 Š e t Šet Še t Še 4 keyboard ad lib.<br />

r q p p Š Š Š r 68<br />

for online perusal only<br />

Holy, holy, holy! Lord God Almighty! 117<br />

V# #68 Š Š Š Š Š Š 4 Š<br />

40<br />

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Š Š Š Š Š 68 Š Š =Š Š Š Š b44<br />

{ B##68 Š t Š t 4 Š Š =ŠŠ<br />

r 68 bŠ Š t bŠ = Š t b4


S./A.<br />

118 Holy, holy, holy! Lord God Almighty!<br />

Slower i = 112<br />

43<br />

unis. mp<br />

Vb 4 Š Š Š Š Š Š. Še‰ Š Š Š Š Š ‰ ‰ Š Š Š Š Š<br />

Ho - ly, ho - ly, ho - ly! Though the dark - ness hide thee, Though the eye <strong>of</strong><br />

V b 4 ‰ ˆ ‰ ˆŠ. Še‰ b‰ ˆ Š Š ˆ ˆ<br />

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(Man.)<br />

V<br />

V<br />

S./A.<br />

MEN<br />

for online perusal only<br />

On - ly thou art ho - ly,<br />

48<br />

<br />

S.<br />

Vb Š Š Š Š bŠ-<br />

Š Š. - Š ‰. f r Š‰. Š Š Š Š Š. ‰ Še‰<br />

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sin - ful man thy glo - ry may not see; On - ly ho - ly,<br />

Bb p p p mp<br />

‰. Š Š Š ‰<br />

On - ly ho - ly,<br />

V b ˆ Š Š Š Š b‰ ‰ ‰ ˆ ‰ =‰ ‰‰. ‰ Š ‰ ‰ Š Š<br />

{ Bb ˆ‰. Š bˆ‰ b‰ =ˆ ˆ Š Š ‰<br />

53<br />

VbŠŠ V<br />

Š Š Š Š Š ‰ ‰ ‰ Š Š ‰.‰ Š ŠŠ Š Š Š Š Š ‰.‰ ‰ Š ##<br />

V<br />

there is none be - side thee, Per - fect in pow’r, in love, and pu - ri -<br />

Bb ‰ ‰ ‰ ‰ ‰<br />

Š Š ‰ ‰ ‰ ‰ ‰. Š ##<br />

none be - side thee, Per - fect in pow’r, in love, and pu - ri -<br />

V b Š Š Š Š Š ˆ ˆ Š Š Š ŠŠ ‰. r<br />

##<br />

{ ‰ Š Š V<br />

V<br />

Š ‰ ‰ ‰ ‰ ‰ ‰<br />

keyboard ad lib.<br />

Bb ‰ ‰ ˆ ‰ ‰ ‰ ˆ ‰ ‰ ‰.<br />

‰ ‰ ‰<br />

r ##


V #<br />

59<br />

Faster i = 128<br />

# ‰ q 68 p 4 p 68 p 4<br />

- ty.<br />

B## ‰ q 68 p 4 p 68 p 4<br />

- ty.<br />

Faster i = 128<br />

V# # Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š<br />

mf<br />

4<br />

{ B## Š Š Š r 68 Š t Š t 4Š Š Š r 68 Š t=ŠŠ t 4<br />

(Ped.)<br />

V #<br />

63<br />

unis.<br />

# f 4 Š Š Š Š Š Š Š Š ‰ r r =Š Š Š Š Š Š Š ‰ r<br />

Ho - ly, ho - ly, ho - ly! Lord God Al-migh - ty!<br />

B##4 Š Š Š Š Š Š Š Š ‰ r r<br />

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f<br />

for online perusal only<br />

Holy, holy, holy! Lord God Almighty! 119<br />

V# # 4 Š r Š t Še Š t Š eŠ Š Š.<br />

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Š Še t<br />

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Š r q =Š r Š t Š f<br />

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V 67<br />

# Š Š ŠeŠ Še Š Š Š Š Š =Š Š ŠeŠ Še ‰. r<br />

All thy works shall praise thy name, in earth, and sky, and sea;<br />

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V# # Š Š ŠeŠ Še .<br />

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120 Holy, holy, holy! Lord God Almighty!<br />

V #<br />

71<br />

S.<br />

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V# # Š r Š t Še Š t Š eŠ Š Š Š Š r Š t Še<br />

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God in three Per - sons,<br />

V # # ‰ 68 78 75<br />

Š Š<br />

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r<br />

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V# # Š Št#Š Š Š 68 Š Š Š Š Š Š 78Šet Šet Š Š Š 4 Š Š Š Š Š Š f<br />

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V# #68 Š Š Š Š Š Š 4 Š<br />

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r


121<br />

S(A)(Men)<br />

Keyboard<br />

28. Hosanna to the Son<br />

<strong>of</strong> David<br />

Matthew 21: 9<br />

SOPRANO<br />

ALTO<br />

MEN<br />

V Allegro moderato i = 138<br />

4 r p p q<br />

f<br />

rŠŠ<br />

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B# 4 r p p q r<br />

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V#<br />

Allegro moderato i = 138<br />

4 Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰. Š Š<br />

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B#<br />

f<br />

4 Š Š Š Š Š Š<br />

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Š Š Š Š Š Š<br />

(Ped. ad lib.)<br />

V #<br />

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GEORG PHILIPP TELEMANN<br />

(1681–1767)<br />

V # ŠŠŠ Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š r<br />

- san-na to the Son <strong>of</strong> Da - vid, ho - san-na to the Son <strong>of</strong> Da - vid,<br />

B# Š Š Š Š Š Š Š Š Š mp Š Š Š Š Š Š Š Š Š Š ‰ Ho -<br />

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- san-na to the Son <strong>of</strong> Da - vid, ho - san-na to the Son <strong>of</strong> Da - vid,<br />

V# Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š<br />

{ B# Š Š Š Š Š Š Š mp<br />

Š Š Š Š Š Š Š Š ‰<br />

f<br />

Cut from bar 24 (beat 2) to bar 49 (beat 1) to form a short introit.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


122 Hosanna to the Son <strong>of</strong> David<br />

V #<br />

8<br />

Š<br />

Š r ŠŠ Š<br />

f<br />

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- san - na, sing ho - san - na, to the Son <strong>of</strong> Da - vid, sing ho -<br />

V # r ŠŠŠ Š r ŠŠ‰ Š Š Š #Š Š ŠŠŠ Š<br />

f<br />

B# r ŠŠŠ Š r ŠŠŠ Š Š Š Š Š Š ŠŠŠ Š<br />

Sing ho-san - na, to the Son <strong>of</strong> Da - vid, sing ho-san - na,<br />

Sing ho-san - na, to the Son <strong>of</strong> Da - vid, sing ho-san - na,<br />

V# Š<br />

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for online perusal only<br />

V #<br />

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Š Š r ŠŠŠ Š r ŠŠ Š Š ‰ Š Šf<br />

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- san-na, sing ho - san-na, to the Son <strong>of</strong> Da - vid, the Son <strong>of</strong> Da -<br />

V # r ŠŠŠ Š r ŠŠ‰ Š Š Š #Š Š Š Š Š Š #Š ‰<br />

sing ho-san-na, to the Son <strong>of</strong> Da - vid, the Son <strong>of</strong> Da -<br />

B# r ŠŠŠ Š r ŠŠŠ Š Š Š Š Š Š #Š Š Š ‰. #Š<br />

sing ho-san-na, to the Son <strong>of</strong> Da - vid, the Son <strong>of</strong> Da -<br />

V# Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰. Š ‰ #Š Š Š Š Š Š #Š Š ‰<br />

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V #<br />

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Š Š ‰ ‰ ‰ rŠ Š ŠŠŠ Š Š ‰ Š<br />

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p mf cresc.<br />

V # *<br />

#Š Š Š Š ‰ #‰ ‰ r Š Š ŠŠŠ Š Š ‰ Š<br />

p mf cresc.<br />

Hosanna to the Son <strong>of</strong> David 123<br />

- vid, the son <strong>of</strong> Da - vid! For bless - ed is he who comes in the<br />

B# Š Š Š Š Š Š ‰ *<br />

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for online perusal only<br />

V #<br />

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mp cresc.<br />

Š Š Š Š Š Š rŠ ŠŠŠŠ<br />

optional cut to bar 49 O<br />

name <strong>of</strong> the Lord, in the name <strong>of</strong> the Lord, Ho - san - na, ho - san-na in the<br />

f mf cresc.<br />

V # Š ‰ Š Š Š Š Š Š Š Š Š Š r r Š Š ŠŠŠ Š<br />

name <strong>of</strong> the Lord, in the name <strong>of</strong> the Lord, For bless - ed is he who<br />

B# Š ‰ Š Šf<br />

Š Š Š Š Š Š Š Š r q p<br />

name <strong>of</strong> the Lord, in the name <strong>of</strong> the Lord,<br />

V# Š ‰ ‰<br />

‰ Š Š Š Š ‰ ‰ Š Š Š Š<br />

Š ‰ Š Š Š Š‰<br />

Š Š<br />

{ B# Š Š Š Š Š f Š Š Š Š<br />

mp cresc.<br />

Š Š Š Š Š Š Š Š<br />

Š<br />

* Only sing small notes if cut is made.


124 Hosanna to the Son <strong>of</strong> David<br />

V #<br />

26<br />

Š Š Š Š Š Š #Š Š Š Š Š Š Š f ‰ #Š ‰ mp<br />

r Š Š<br />

high -est, in the high-est, in the high - est, ho -<br />

V # Š ‰ Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

comes in the name <strong>of</strong> the Lord, in the name <strong>of</strong> the Lord, Ho - san - na,<br />

B# p p p r Š Š Š Š<br />

f<br />

mp<br />

mp<br />

Ho - san -<br />

V# Š‰. Š Š Š Š Š #Š ‰. Š Š Š Š Š Š ‰ Š Š Š #Š Š Š ‰ Š Š Š Šr Š<br />

Š<br />

{<br />

f<br />

B# Š Š Š #Š Š Š Š #Š Š Š Š Š Š<br />

Š Š Š Š<br />

for online perusal only<br />

V #<br />

30 mf<br />

cresc.<br />

Š Š r Š Š ŠŠŠ Š Š ‰ Š Š ‰ Š<br />

- san - na, For bless-ed is he who comes in the name <strong>of</strong> the<br />

mf<br />

V # cresc.<br />

r Š Š Š Š r Š ŠŠŠŠ Š Š Š Š Š Š #Š Š Š Š Š Š<br />

ho - san - na, ho - san-na in the high-est, in the high-est, in the<br />

B# mf cresc.<br />

Š Š Š Š Š Š Š Š r Š Š ŠŠŠ #Š Š ŠŠ Š #Š Š<br />

- na, ho - san - na, ho - san - na For bless - ed is he who comes in the name <strong>of</strong> the<br />

V# Š ‰. Š Š Š Š ‰ Š ‰ ‰ Š Š ‰ ‰ Š Š #‰ Š ‰ Š Š<br />

{<br />

mf<br />

cresc.<br />

B# Š Š Š Š Š Š Š Š r Š Š Š Š #Š Š Š Š #Š


V #<br />

34<br />

Šf<br />

Š Š Š Š Š Š Š Š Š Š Š Š<br />

r Š Š Š Š<br />

Lord, in the name <strong>of</strong> the Lord, Ho - san - na, ho - san - na,<br />

f<br />

Hosanna to the Son <strong>of</strong> David 125<br />

V # Š ‰ #Š ‰ r Š Š Š Š r Š #Š<br />

high - - est, ho - san - na, ho -<br />

B# Šf<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

Lord, <strong>of</strong> the Lord, Ho - san - na, ho - san -<br />

V# ŠŠ Š Š ‰ ‰ #Š Š Š Š<br />

Š ‰ Š Š Š Š‰ Š Š Š #Š<br />

{<br />

f<br />

B# Š Š Š Š Š Š Š Š Š Š<br />

Š Š Š Š<br />

for online perusal only<br />

V #<br />

37<br />

r Š#Š Š Š<br />

mf<br />

cresc.<br />

r Š ŠŠŠŠ#Š Š Š Š Š Š #Š Š Š #Š Š Š<br />

ho - san - na, ho - san-na in the high-est, in the high-est, in the<br />

mf<br />

V # cresc.<br />

Š Š r Š Š ŠŠŠ Š Š ‰ Š #Š ‰ Š<br />

- san - na, For bless-ed is he who comes in the name <strong>of</strong> the<br />

B# mf cresc.<br />

Š Š#Š Š Š Š Š Š r Š Š ŠŠŠ #Š Š ŠŠ Š #Š Š<br />

- na, ho - san - na, ho - san - na, For bless - ed is he who comes in the name <strong>of</strong> the<br />

V# Š Š#Š ‰ Š Š Š Š Š Š. Š Š Še #Š Š Š Š Š # #Š Š Š #Š Š { ‰. Š ‰. Š<br />

mf<br />

cresc.<br />

B# Š Š#Š Š Š Š Š Š r Š Š Š Š #Š Š Š Š #Š


126 Hosanna to the Son <strong>of</strong> David<br />

V #<br />

41<br />

#Š<br />

f<br />

‰ #Š ‰ r Š Š Š Š r Š Š Š Š r Š<br />

high - est, ho - san - na, ho - san - na, For<br />

f<br />

V # Š Š Š Š#Š Š Š Š Š Š Š Š Š<br />

r Š Š Š Š r Š Š Š Š<br />

Lord, in the name <strong>of</strong> the Lord, Ho - san - na, ho - san - na, ho - san - na,<br />

B# Šf<br />

Š Š Š Š Š#Š Š Š Š Š Š Š Š ‰ Š Š<br />

Lord, <strong>of</strong> the Lord, Ho - san - na, sing, sing ho - san - na, ho -<br />

V# #Š Š ‰ Š Š#Š #Š Š Š ‰ Š Š Š Šr Š Š Š Š‰ Š Š Š Š‰ Š Š Š‰<br />

Š Š<br />

{<br />

f<br />

B# Š Š Š Š Š Š#Š Š Š Š<br />

Š Š<br />

Š Š Š Š<br />

Š Š<br />

for online perusal only<br />

V #<br />

45<br />

Š ŠŠŠ Š Š ‰ Š Š ‰ Š<br />

bless - ed is he who comes in the name <strong>of</strong> the<br />

V # r Š ŠŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š<br />

ho - san- na in the high - est, in the high - est, in the<br />

B# Š. Š f Š Š Š ŠŠŠ #Š Š ŠŠŠ ŠŠ<br />

- san - na, For bless - ed is he who comes in the name <strong>of</strong> the<br />

V# ‰ Š ‰ ‰ Š Š ‰ ‰ Š Š Š ‰ ‰ Š Š<br />

{ B# Š Š Š Š<br />

Š Š Š Š #Š Š Š Š Š


Off<br />

V #<br />

48<br />

Š Š Š Š Š Š Š Š Š ŠŠŠŠŠŠ Š Š r ŠŠ Š Š r ŠŠ<br />

Lord, in the name <strong>of</strong> the Lord, Sing ho-san-na in the high-est, in the high-est, in the<br />

ff<br />

Hosanna to the Son <strong>of</strong> David 127<br />

V # Š ‰ Š Š ŠŠŠŠŠŠ Š Š r ŠŠ Š Š rŠŠ<br />

B# Š Š Š Š Š ff ŠŠŠŠŠŠ Š Š<br />

r ŠŠ Š Š<br />

r ŠŠ<br />

high - - est, Sing ho-san-na in the high-est, in the high-est, in the<br />

Lord, <strong>of</strong> the Lord, Sing ho-san-na in the high-est, in the high-est, in the<br />

V# ŠŠ Š Š ‰ ‰ Š Š Š Š Š Š Š Š Š Š r Š Š Š Š r Š Š<br />

{ B# Š<br />

ff<br />

Š Š Š Š<br />

Š<br />

Š<br />

Š Š<br />

Š<br />

r Š Š<br />

Š<br />

r Š<br />

for online perusal only<br />

V #<br />

52<br />

molto rall.<br />

Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.<br />

high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!<br />

V # Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.<br />

high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!<br />

B# Š Š r ŠŠ ŠŠŠŠŠŠŠŠ Š Š Š Š ‰ ‰ .<br />

high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!<br />

V#<br />

molto rall.<br />

Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.<br />

{ B# Š<br />

Š r Š Š Š Š Š Š Š Š Š Š<br />

Š ‰.


128<br />

S(A)(Men)<br />

Keyboard<br />

for Grupo Vocal Olisipo<br />

29. Irish Blessing<br />

S./A.<br />

Trad.<br />

SOPRANO<br />

ALTO<br />

MEN<br />

KEYBOARD<br />

V # With a gentle lilt i = 92<br />

unis.<br />

C p p p q r ŠŠ<br />

B#C p p p p<br />

V#<br />

With a gentle lilt i = 92<br />

C ‰ Š. Še ‰. ŠŠ ‰ Š. Še =ˆ<br />

r tŠ‰<br />

{ f r t Š‰ f r tŠ‰ f r t Š f<br />

‰<br />

mp dolce<br />

B#C ŠˆŠ‰. ŠˆŠ‰‰. ŠˆŠ‰. ŠˆŠ=‰.<br />

(Ped.)<br />

mp cantabile<br />

May the<br />

V #<br />

5<br />

<br />

‰ Š. Še Š Š Š Šet Š Š Š Š Š Š Š Š ‰ r ŠŠ<br />

road rise to meet you, may the wind be ev-er at your back, may the<br />

V# r t Še ‰ r t Še ‰ r t Še ‰ r tr Š=ŠeŠ Še f<br />

‰<br />

{ B# Š ˆ Š ‰. Š ˆ Š ‰‰. Š ˆ Š ‰. Š ˆ Š=‰.<br />

V #<br />

9<br />

<br />

Š Š Š.<br />

for online perusal only<br />

Š f<br />

Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š ŠŠ‰<br />

sun shine warm up - on your face, and the rain fall s<strong>of</strong>t up-on your fields,<br />

BOB CHILCOTT<br />

(b. 1955)<br />

V# ˆ ˆ<br />

r t Š Š Š Š Š r t Š Š Š Š Š ‰ Š Š Š<br />

Š Š ‰<br />

{ f ‰ f Š Š Š Š Š ‰. Š Š<br />

B# ŠˆŠ ‰. Šˆ Š ‰. ‰.<br />

‰ =‰ Š ˆ<br />

© <strong>Oxford</strong> University Press 1997, 2002, and 2007. Photocopying this copyright material is ILLEGAL.


S.<br />

A.<br />

MEN<br />

V #<br />

13<br />

<br />

cresc.<br />

‰ rŠŠ Š Š Š<br />

mf<br />

<br />

Š Š Š ˆ ˆ<br />

V#<br />

And un - til we meet a - gain,<br />

Š Š ‰ Š Š r t Š eŠ Š Š Š Š. Še‰ Š. Še<br />

Š ‰.<br />

ˆŠ. Š f Š. Š<br />

{<br />

f<br />

B# ˆ Š Š Š Š ‰ #Š Š ‰<br />

cresc. mf<br />

‰. =Š Š ‰‰.<br />

bˆ ˆ ‰. ˆ ˆ<br />

V # mp dolce<br />

17<br />

<br />

S.<br />

unis.<br />

<br />

Š r Š ŠŠŠ Š Š r Š Š Š Š ‰<br />

r Š Š Š Š<br />

for online perusal only<br />

A.<br />

May God hold you, may God hold you, ev - er in the<br />

V# ˆ r Š ‰ r Š<br />

Š ‰ ˆ<br />

{ B# ˆˆ mp<br />

ˆ Š ‰ Š Š ‰ Šˆ Š ‰. =ˆˆ<br />

V #<br />

21<br />

<br />

Š Š Š Š Š Š ‰. ‰. r p<br />

palm <strong>of</strong> his hand.<br />

Irish Blessing 129<br />

V# ˆ ‰ Š. Še ‰. Š Š ‰ Š. Še<br />

{ r tŠ‰<br />

f r t Š ‰ f r tŠ‰<br />

B# f ˆ ŠˆŠ ‰. ŠˆŠ ‰‰. ŠˆŠ ‰.<br />

V #<br />

25<br />

mf<br />

q r ŠŠ ‰ Š. ŠeŠ Š Š Š ŠeŠ t ŠŠ f f<br />

Š<br />

May the road rise to meet you, may the<br />

B# q r ŠŠ ‰ Š. Š Š Š Š f f t Š Š<br />

<br />

V# mf<br />

=ˆ<br />

ˆŠ Š ‰. ˆ<br />

r t Š ‰<br />

Š Š ‰ Š Š ‰. Š Š ‰<br />

{ B# f mf<br />

ŠˆŠ =‰. ŠˆŠ ‰. Š Š ‰<br />

ŠˆŠ Š‰.<br />

Š ‰


130 Irish Blessing<br />

V #<br />

28<br />

Š Š Š Š Š Š =‰ ‰<br />

r ŠŠ Š Š Š. ŠeŠ ŠŠŠ Š f Š Š Š Š Š<br />

B# Š Š ŠŠŠŠ ‰ r ŠŠ Š Š Š. Š f Š Š Š Š Š Š Š<br />

<br />

V# ˆ ŠŠ Š ‰. Š ‰ =ˆ ŠŠ Š ‰. Š ‰ ˆ ˆ<br />

{ r t Š Š Š Š Š r t Š Š Š Š Š f<br />

‰<br />

B# f ŠˆŠ ‰. Š Š ‰<br />

ŠˆŠ=ŠŠ ‰. ‰<br />

ŠˆŠ ‰. Šˆ<br />

Š ‰.<br />

wind be ev-er at your back, may the sun shine warm up - on your face, and the<br />

for online perusal only<br />

rain fall s<strong>of</strong>t up-on your fields,<br />

V #<br />

32<br />

cresc.<br />

Š Š Š. Š Š ŠŠ‰ Š Š f Š Š Š Š ŠŠ ‰<br />

rŠŠŠ Š Š Š Š Š<br />

rain fall s<strong>of</strong>t up - on your fields, And un - til we meet a -<br />

B# Š Š<br />

<br />

ŠŠ=Š Š ˆ b‰ r ŠŠŠ Š Š Š<br />

rain fall s<strong>of</strong>t up-on your fields,<br />

V# ‰ Š Š Š Š ‰<br />

Š Š ‰ r t<br />

Š Š Š Š Š Š ‰. Š Š Š ‰. Š Š<br />

eŠ Š Š Š<br />

{<br />

cresc.<br />

B# ‰. Š ˆ Š Š Š Š ‰<br />

‰ =‰ ˆ bˆ ˆ ‰.<br />

mf dolce<br />

V #<br />

36<br />

<br />

f<br />

ˆ ˆ Š r Š ŠŠŠŠ Š Š ‰ r Š Š<br />

- gain, May God hold you,<br />

B##ˆ =ˆ Š r Š ŠŠŠ ‰<br />

<br />

‰<br />

V#<br />

f<br />

Š. Še Š. mf dolce<br />

‰ Še ˆŠ. Š f Š. Š r Š ‰<br />

{<br />

f ˆ Š<br />

f<br />

B# #Š Š ‰ mf<br />

ˆ ‰. =ŠˆŠ ‰‰. ˆˆˆ Š‰ Š Š ‰<br />

cresc.<br />

hold you, may God


mp<br />

hold you,<br />

V #<br />

40<br />

Š Š ‰ r Š Š =ŠŠ Š Š Š Š Š ˆŠ Š ‰.<br />

hold you, ev - er in the palm <strong>of</strong> his hand,<br />

B# Š ‰<br />

r =Š Š Š Š ‰ Š Š =ˆ<br />

V#<br />

mp<br />

r Š ‰ ˆ ˆ r t<br />

Š ‰. ŠeŠ. Še<br />

{ B#<br />

mp<br />

Šˆ Š ‰. =ˆˆ ˆ =ŠˆŠ ‰.<br />

for online perusal only<br />

p<br />

V # poco rit.<br />

a little slower<br />

44<br />

<br />

‰. r Š Š Š Š ‰‰ Š ŠŠ ˆ<br />

ev - er in the palm <strong>of</strong> his hand,<br />

B# ‰ bŠ r Š Š Š Š ‰<br />

<br />

Š Š ˆ<br />

p<br />

V#<br />

poco rit.<br />

a little slower<br />

Š. Še Š. Še ˆ<br />

p<br />

ˆ ‰ Š.<br />

r tŠ‰<br />

Še<br />

{<br />

dim.<br />

B# f<br />

ˆ‰ b‰ p p<br />

ˆ ŠˆŠ ‰.<br />

V # rit. e dim.<br />

48<br />

p p<br />

pp<br />

q r Š =‰ ‰ Š Š ˆF<br />

B# p q r Š ‰ Š Š<br />

p<br />

ˆÊ<br />

V# pp<br />

rit. e dim.<br />

‰. Š Š ‰ Š.<br />

F<br />

Še =ˆ ˆ<br />

r t Š ‰<br />

{ f r tŠ‰ f r t Š ‰<br />

B# f pp<br />

ŠˆŠ ‰‰. ŠˆŠ ‰. ŠˆŠ =‰. ˆ<br />

Ê<br />

the palm <strong>of</strong> his hand.<br />

Irish Blessing 131


132<br />

SA(Men)<br />

Keyboard<br />

30. Jesu, Lamb <strong>of</strong> God,<br />

Redeemer<br />

(Ave verum corpus)<br />

Medieval sequence for Corpus Christi<br />

EDWARD ELGAR<br />

(1857–1934)<br />

VOICES<br />

V # Largo i = 88<br />

SOLO or TUTTI<br />

F p legato<br />

<br />

4 q Š. Še Š Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

Je - su, Lamb <strong>of</strong> God, Re - deem-er, Born the Vir - gin Ma - ry’s<br />

A - ve ve - rum cor - pus, na - tum Ex Ma - ri - a Vir - gi -<br />

V# F<br />

4 ‰ Š. Še Š Š Š Š Š Š Š Š Š Š Š<br />

‰ ‰ b‰<br />

Š<br />

‰ ‰ ‰ ‰<br />

{ B# 4 ‰ Š ‰ #Š ‰ #‰ ‰<br />

‰ ‰ ‰<br />

E<br />

KEYBOARD p pp<br />

(Ped.)<br />

(Man.)<br />

for online perusal only<br />

V #<br />

5<br />

<br />

dim.<br />

‰ Š. Še Š Š Š Š Š Š Š Š Š Š Š. Še ‰<br />

([)<br />

Son, Who up - on the cross a vic - tim Hast man - kind’s sal - va - tion won.<br />

- ne, Ve - re pas - sum, im - mo - la - tum In cru - ce pro ho - mi - ne.<br />

V# ‰ Š.<br />

Š #Š Še Š‰ Š #‰ Š Š Š<br />

‰ Š Š‰ Š Š‰ Š #Š. Še {<br />

f<br />

‰<br />

B# ‰ Š #Š ‰ ‰ ‰ Š Š Š Š<br />

‰ ‰ ˆ Š. Še ‰<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S.<br />

A.<br />

MEN<br />

V #<br />

9 pp<br />

Š Š. #ŠŠe Š Š #ŠŠ Š =ŠŠ ŠŠ Š Š Š Š Š Š ‰ Š.<br />

Š Š Še<br />

Je - su, Lamb <strong>of</strong> God, Re - deem-er, Born the Vir - gin Ma - ry’s Son, Who up -<br />

A - ve ve - rum cor - pus, na - tum Ex Ma - ri - a Vir - gi - ne, Ve - re<br />

B# Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š #Š<br />

pp<br />

V# Š. Š Še Š Š Š Š Š Š Š Š Š Š Š<br />

‰ #Š ‰ b#‰ ‰<br />

Š<br />

=ˆ ‰ ‰ ‰ Š.<br />

‰ Še<br />

{<br />

pp<br />

B# ‰ ˆ ‰ ‰ ‰ ‰ ‰ Š ‰ #Š<br />

(Ped.)<br />

V #<br />

14<br />

Š Š #ŠŠ Š Š Š Š ŠŠ Š Š #Š. Še f ‰<br />

- on the cross the vic - tim Hast man - kind’s sal - va - tion won.<br />

pas - sum, im - mo - la - tum In cru - ce pro ho - mi - ne.<br />

B# Š Š Š Š Š Š Š Š Š Š Š. Š f<br />

‰<br />

V# Š‰ Š #‰ Š Š Š‰ Š Š‰ Š Š‰<br />

Š #Š. Še ‰<br />

{ B# Š Š ‰ Š Š Š Š<br />

‰<br />

‰ ‰ ‰ ‰ Š. ‰ Še ‰<br />

V #<br />

17 SOLO or TUTTI<br />

pp cresc.<br />

Š Š Š Š Š. Še Š Š Š Š Š Š Š. Š f ‰ Šf<br />

<br />

Š<br />

([)<br />

From whose side, which man had pier-ced, Flowed the wa - ter and the blood: By the<br />

Cu - jus la - tus per - fo - ra - tum Ve - ro flu - xit san - gui - ne; E - sto<br />

V# Š Š ŠŠ Š Š. Š Š Še Š Š Š Š ‰ Š. Še ‰ Š<br />

‰ Š‰<br />

Š ‰ Š<br />

{<br />

pp cresc.<br />

B# ‰ =‰ Š Š ‰ ‰ Š Š Š<br />

Š Š Š ‰ ‰ f<br />

(Man.)<br />

for online perusal only<br />

Jesu, Lamb <strong>of</strong> God, Redeemer 133


134 Jesu, Lamb <strong>of</strong> God, Redeemer<br />

V #<br />

22<br />

<br />

p<br />

Š Š Š Š Š Š Š Š Š Š Š. Še ‰<br />

([)<br />

sa - cred Bo - dy bro - ken, Be in life and death our food.<br />

no - bis prae - gu - sta - tum, Mor - tis in ex - a - mi - ne.<br />

V# #ˆ Š Š Š Š Š Š Š‰ Š Š‰ Š Š. Š Š Še ‰<br />

{ B# Š Š Š Š Š Š # b p<br />

‰ ‰ ‰ ‰ =‰ ˆ ‰ ‰<br />

V # TUTTI<br />

25<br />

unis.<br />

pp<br />

cresc.<br />

<br />

Š Š Š Š Š. Še Š Š Š Š Š Š Š. Š f<br />

([)<br />

From whose side, which man had pier - ced, Flowed the wa - ter and the<br />

Cu - jus la - tus per - fo - ra - tum Ve - ro flu - xit san - gui -<br />

V# ‰ ‰ Š Š Š. Š Š Še Š‰. Š Š Š ˆ‰ Š. Š Š Še<br />

pp<br />

{<br />

cresc.<br />

B# ‰ ‰. Š Š ˆ<br />

‰ Š Š Š Š Š Š<br />

(Ped.)<br />

for online perusal only<br />

S.<br />

A.<br />

MEN<br />

Bo - dy bro - ken, be in<br />

prae - gu - sta - tum, Mor - tis<br />

V #<br />

29<br />

rit.<br />

‰ f<br />

p<br />

Š Š #ŠŠ Š Š Š #Š Š Š‰ Š ŠŠ Š Š Š. Š Š Še<br />

blood: By the sa - cred Bo - dy bro - ken, be in life and death our<br />

- ne; E - sto no - bis prae - gu - sta - tum, Mor-tis in ex - a - mi -<br />

B# ‰ Š Š Š Š Š Š Š Š #Š Š Š Š Š Š<br />

f<br />

Bo - dy bro - ken, be in<br />

prae - gu - sta - tum, Mor - tis<br />

V# rit.<br />

‰ Š<br />

‰ Š #‰. Š Š Š Š Š Š Š‰ Š Š‰ Š Š. Š Š Še<br />

{<br />

f<br />

B# Š Š Š Š Š Š # b‰ p<br />

=‰ ‰<br />

‰<br />

‰ ‰ ‰ ‰ ‰ ˆ<br />

p


Jesu, Lamb <strong>of</strong> God, Redeemer 135<br />

V #<br />

33<br />

più lento<br />

Še t<br />

Š ‰ Š r q r<br />

‰ Š f r q r<br />

Š ‰ Š Š<br />

B# ‰ Še t Š ‰ Š Š ‰ Š Š<br />

food. O Je - su, O Je - su, O<br />

- ne. O cle - mens, O pi - e, O<br />

O Je - su, O Je - su, O<br />

O cle - mens, O pi - e, O<br />

V#<br />

più lento<br />

‰ Še t<br />

Š ˆ ‰ . Š<br />

{ B# ‰ Še<br />

Š t r #ˆ ‰. Š<br />

f ˆ<br />

pp<br />

pp<br />

pp<br />

for online perusal only<br />

Son <strong>of</strong> Ma - ry.<br />

Fi - li Ma - ri - ae.<br />

V #<br />

36<br />

f pp<br />

Š Š Š Š Š ŠŠbŠ ŠŠ‰ bŠ ˆŠ. Š<br />

ˆ<br />

f ‰ ˆF<br />

Je - su, hear us, Son <strong>of</strong> Ma - ry, <strong>of</strong> Ma - ry.<br />

dul - cis Je - su, Fi - li Ma - ri - ae, Ma - ri - ae.<br />

B# Š Š Š Š Š ŠŠb‰ Š. Š f<br />

‰ ˆ<br />

f pp E<br />

Je - su, hear us, Son <strong>of</strong> Ma - ry, <strong>of</strong> Ma - ry.<br />

dul - cis Je - su, Fi - li Ma - ri - ae, Ma - ri - ae.<br />

V# ˆ Š Š<br />

b<br />

bŠ bŠ F<br />

‰ ‰ ‰ ‰ = ˆ<br />

ˆ<br />

{<br />

f pp<br />

B# ˆ‰ ‰ ˆ‰ b‰ ˆ‰ b‰ Eˆˆ


136<br />

S(A)(Men)<br />

Keyboard<br />

31. Jesus Christ the Apple Tree<br />

From Divine Hymns or Spiritual Songs<br />

compiled by Joshua Smith, New Hampshire, 1784<br />

V # Simply<br />

34 t but expressively i = 84<br />

SOLO or TUTTI unis.<br />

r p p p r t p<br />

VOICES<br />

([)<br />

Š e Š Š<br />

1. The tree <strong>of</strong><br />

V# 34 Š f Š Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š<br />

{ V # 34 t<br />

KEYBOARD p legato<br />

r p p p p<br />

V #<br />

5<br />

<br />

<br />

. Š. Še Š Š Š. Še Š Š Š. ŠeŠ ŠŠ Š. Še Š ŠŠ<br />

([)<br />

life my soul hath seen, La - den with fruit and al - ways green: The trees <strong>of</strong><br />

(3.)- ness I long have sought, And plea-sure dear - ly I have bought: I missed <strong>of</strong><br />

V# . Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠ<br />

{ V # . ‰. Š ‰. Š Š‰. Š Š Š‰.<br />

Š Š<br />

V # (Man.)<br />

9<br />

<br />

Š. Š f Š ŠŠ Š. Še Š Š Š Š Š ŠŠ ‰. ‰ r<br />

([)<br />

for online perusal only<br />

na - ture fruit-less be Com-pared with Christ the ap-ple tree.<br />

all; but now I see ’Tis found in Christ the ap-ple tree.<br />

Somerset folk song<br />

collected by Cecil Sharp<br />

arr. ALAN BULLARD (b. 1947)<br />

V# Š Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š<br />

{ V # Š Š Š ‰ .<br />

B ‰. ‰. Š Š Š<br />

‰.<br />

‰.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S.<br />

A.<br />

MEN<br />

V #<br />

14<br />

p p r t<br />

V # p p r t<br />

Še Š Š Š.<br />

Še Š Š<br />

2. His beau-ty doth all things ex -<br />

4. I’m wear-y with my for-mer<br />

B# p p r t mp<br />

Š Š Š Š Š Š Š f<br />

mp<br />

mp<br />

Jesus Christ the Apple Tree 137<br />

Še Š Š Š.<br />

Še Š Š<br />

2. His beau-ty doth all things ex -<br />

4. I’m wear-y with my for-mer<br />

2. His beau-ty doth all things ex -<br />

4. I’m wear-y with my for - mer<br />

V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠ Š Š Š ‰ Š<br />

{<br />

mp<br />

B# ‰. Š Š Š Š‰. Š Š Š‰. Š Š Š<br />

‰.<br />

Š Š Š Š Š<br />

for online perusal only<br />

V #<br />

18<br />

Š. Še Š Š Š. Še Š ŠŠ Š. Še Š ŠŠ Š. Š f Š ŠŠ<br />

- cel: By faith I know, but ne’er can tell, The glo - ry which I now can<br />

toil, Here I will sit and rest a - while: Un-der the sha - dow I will<br />

V # Š. Še Š Š Š Š Š Š Š. Še Š Š Š Š Š Š<br />

- cel: By faith I know, but ne’er can tell, The glo-ry which I now can<br />

toil, Here I will sit and rest a - while: Un-der the sha-dow I will<br />

B# Š. Š f Š Š Š Š Š Š Š Š Š. Š Š f<br />

Š Š Š Š ŠŠ<br />

- cel: By faith I know, but ne’er can tell, The glo-ry which I now can<br />

toil, Here I will sit and rest a - while: Un-der the sha - dow I will<br />

V# Š. Še Š ‰ ‰ Š.<br />

‰ Š Š ŠeŠ<br />

Š Š Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š<br />

{ B# Š Š Š Š Š Š Š Š<br />

‰ Š ‰ Š ‰ Š


S.<br />

A.<br />

MEN<br />

V #<br />

22<br />

Š. Še Š Š Š Š Š Š Š ‰. ‰ r<br />

see In Je - sus Christ the ap - ple tree.<br />

be Of Je - sus Christ the ap - ple tree.<br />

V # Š. Še Š Š Š Š Š Š ‰. ‰<br />

r<br />

138 Jesus Christ the Apple Tree<br />

see In Je - sus Christ the ap - ple tree.<br />

be Of Je - sus Christ the ap - ple tree.<br />

B# Š. Š Š Š Š Š f<br />

Š Š Š ‰. ‰ r<br />

see In Je - sus Christ the ap - ple tree.<br />

be Of Je - sus Christ the ap - ple tree.<br />

V# Š. Š Š Š Š. Še Š Š Š Še Š Š Š Š Š Š Š<br />

{<br />

f Š Š Š Š Š Š. f<br />

Š Š<br />

B# ‰ Š Š Š Š ‰. Š Š Š Š ‰.<br />

Š Š<br />

V #<br />

26 1.<br />

TUTTI unis.<br />

p p r t mf 2.<br />

<br />

<br />

([)<br />

Š e Š Š. p p<br />

V#<br />

3. For hap-pi -<br />

Š. ŠeŠ Š Š. Še Š Š Š. Š Š Š f . Š.<br />

ŠŠŠ Š Š. ŠŠŠ Š<br />

{ B# Š Š Š Š Š Š<br />

mf<br />

‰ Š<br />

VŠ Š ŠŠŠ Š . Š‰<br />

Š Š Š Š Š Š Š<br />

V #<br />

28b<br />

r t p<br />

Š e Š Š Š. Še Š Š Š. Še Š Š Š. Še Š ŠŠ<br />

5. This fruit doth make my soul to thrive, It keeps my dy - ing faith a -<br />

V # r r t p<br />

Še Š Š Š. Še Š Š Š. Še Š Š Š. Še<br />

5. This fruit doth make my soul to thrive, It keeps my dy - ing<br />

B# p t Šp<br />

Š Š Š Š Š Š Š f<br />

Š ŠŠŠ Š Š<br />

V#<br />

*5. This fruit doth make my soul to thrive, It keeps my dy -<br />

Š. Še Š Š ‰. Š Š Š ŠŠŠ Š ‰. Š Š Š Š Š ŠŠ ‰ Š Š Š ŠŠŠŠ Š<br />

{<br />

p legato<br />

B#ŠŠŠŠ Š Š t Še ‰ Š Š<br />

‰. ‰ Š Š<br />

r<br />

ŠŠ‰<br />

‰.<br />

for online perusal only<br />

(Ped.)<br />

* This line may be sung an octave higher by a third upper-voice part.


Jesus Christ the Apple Tree 139<br />

V #<br />

32<br />

Š. Še Š Š Š Š. Š f Š Š Š Š. Še Š Š<br />

- live; Which makes my soul in haste to be With Je - sus<br />

V # Š Š Š Š. Še Š Š Š Š. Š f Š Š Š Š. Še<br />

faith a - live; Which makes my soul in haste to be With<br />

B# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

- ing faith a - live; Which makes my soul in haste to be<br />

V# ŠŠ Š Š. ‰ Š Š =‰ Š Š Š Š Š =Š Š Š ‰ Š Š Š Š Š<br />

{ B# ‰ Š Š Š Š Š Š‰ Š Š Š Š Š ‰. Š Š Š Š<br />

for online perusal only<br />

V # rit. al fine<br />

35<br />

Š Š Š Š Š Š. Še Š Š Š ‰. ‰. p<br />

Christ the ap-ple tree, the ap-ple tree.<br />

V # Š Š Š Š Š ŠŠŠ. Še Š Š Š‰ ‰. p<br />

Je-sus Christ the ap -ple tree, the ap-ple tree.<br />

B# Š Š Š Š Š Š Š Š ŠŠ Š Š Š Š ŠŠ ‰. p<br />

With Je-sus Christ the ap-ple tree, the ap-ple tree.<br />

V#<br />

rit. al fine<br />

‰ Š Š Š Š Š ‰ ŠŠ Š Š Š Š Š Š Š ŠŠ Š ŠŠ ŠŠ Š‰. Š Š Š Š ‰. ‰.<br />

{ B# ‰ dim.<br />

Š Š Š Š Š Š ‰ Š ŠŠ Š pp<br />

Š Š Š Š<br />

‰.<br />

Š Š ‰. ‰.<br />

,


140<br />

Voices 1 2 (3) (4)<br />

(Keyboard)*<br />

32. Jubilate<br />

(Let us praise you)<br />

English text by Alan Bullard attrib. W. A. MOZART (1756–91)<br />

arr. Alan Bullard<br />

VOICES<br />

KEYBOARD<br />

([)<br />

V # Joyfully, like pealing bells h = 80<br />

<br />

# ([)<br />

2 p p p p<br />

V# # 2 Š ‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰<br />

Š Š<br />

{ B## 2 ‰ f<br />

ˆ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰<br />

for online perusal only<br />

(Ped.)<br />

V # TUTTI unis.<br />

5<br />

# f<br />

Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />

Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.<br />

Let us praise you, let us praise you, Fa - ther, let us praise you,<br />

V# # Š‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰<br />

Š Š<br />

{ B## ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰<br />

V #<br />

9<br />

<br />

# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ˆ<br />

([)<br />

Ju - bi - la - te De - o, ju - bi - la - te De - o.<br />

We re - joice in you, O Fa - ther let us give you praise.<br />

V# # Š‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰<br />

Š Š Š<br />

{ B## ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰<br />

* If performing unaccompanied, begin at bar 27. The four parts may be sung by any combination <strong>of</strong> voices, including SATB.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


1/3<br />

2/4<br />

V #<br />

13<br />

# p p p<br />

Š Š Š Š Š Š Š Š<br />

([)<br />

Ju - bi - la - te, ju - bi - la - te,<br />

Let us praise you, let us praise you,<br />

V # # p p p p<br />

([)<br />

V# # Š‰ Š Š‰ Š Š Š Š<br />

‰ Š Š‰ Š Š ‰ Š‰ Š Š ‰ Š‰<br />

Š Š<br />

{ B## ˆ‰ ‰ ˆ ‰ ‰ ‰ p<br />

‰ ‰ ‰<br />

V #<br />

17<br />

# Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š<br />

mf Š Š Š Š Š<br />

([)<br />

ju - bi - la - te De - o. Ju - bi - la - te De - o, ju - bi -<br />

Fa - ther, let us praise you, We re - joice in you, O Fa - ther<br />

V # # Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />

([)<br />

p<br />

Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.<br />

Let us praise you, let us praise you, Fa - ther, let us praise you,<br />

V# # ‰ Š‰ Š Š ‰ Š‰ Š Š Š‰ Š Š‰ Š Š Š Š‰ Š Š‰<br />

Š Š Š<br />

{ B## ‰ ‰ ‰ ‰ ˆ ‰ ‰<br />

V #<br />

21<br />

# Š Š Š Š Š ˆ<br />

p<br />

([)<br />

for online perusal only<br />

- la - te De - o.<br />

let us give you praise.<br />

mf<br />

Jubilate 141<br />

V # # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

Ju - bi - la - te De - o, ju - bi - la - te De -<br />

We re - joice in you, O Fa - ther let us give you<br />

V# # ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

Š ‰ Š Š‰<br />

Š Š Š<br />

{ B## cresc.<br />

‰ ‰ ˆ ‰ Š Š ˆ ‰ ‰


142 Jubilate<br />

V #<br />

24<br />

# p p p<br />

([)<br />

V # #<br />

([)<br />

ˆ<br />

p p<br />

- o.<br />

praise.<br />

V# # Š‰<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ B## ‰ ‰ ˆ ‰ ‰ ‰ ‰<br />

for online perusal only<br />

1<br />

2<br />

3<br />

4<br />

V #<br />

27<br />

# f<br />

Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />

([)<br />

V # #<br />

([)<br />

([)<br />

Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.<br />

Let us praise you, let us praise you, Fa - ther, let us praise you,<br />

p<br />

V # # p p<br />

f<br />

Š Š Š Š Š Š Š Š Š Š Š Š<br />

Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te<br />

Let us praise you, let us praise you, Fa - ther, let us<br />

Š Š Š Š<br />

Š Š Š Š<br />

Ju - bi - la - te, ju - bi - la - te,<br />

Let us praise you, let us praise you,<br />

V # # p p p f<br />

Š Š Š Š<br />

([)<br />

Ju - bi - la - te,<br />

Let us praise you,<br />

V# #<br />

Š<br />

Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

f<br />

{ B## ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰<br />

f


V #<br />

31<br />

# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

([)<br />

Ju - bi - la - te De - o, ju - bi - la - te De -<br />

We re - joice in you, O Fa - ther let us give you<br />

V # # ‰ ‰ Š Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

De - o. Ju - bi - la - te De - o, ju - bi -<br />

praise you, We re - joice in you, O Fa - ther<br />

V # # Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š<br />

ju - bi - la - te De - o. Ju - bi - la - te<br />

Fa - ther, let us praise you, We re - joice in<br />

V # # Š Š Š Š Š Š Š Š ‰ ‰<br />

([)<br />

ju - bi - la - te, ju - bi - la - te De - o.<br />

let us praise you, Fa - ther, let us praise you,<br />

V# # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ B## ‰ ‰ ‰<br />

‰ ‰ ‰ ˆ<br />

V #<br />

34<br />

# ˆ Š Š Š Š Š Š Š ‰ ‰ ˆ<br />

([)<br />

([)<br />

- o. Ju - bi - la - te De - o,<br />

praise. Fa - ther, let us praise you,<br />

V # # Š Š Š Š Š ˆ Š Š Š Š Š Š Š ‰ ‰<br />

([)<br />

for online perusal only<br />

- la - te De - o. Ju - bi - la - te De - o,<br />

let us give you praise. Fa - ther, let us praise you,<br />

Jubilate 143<br />

V # # Š Š Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š<br />

De - o, ju - bi - la - te De - o. Ju - bi - la - te<br />

you, O Fa - ther let us give you praise. Fa - ther, let us<br />

V # # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ˆ<br />

([)<br />

Ju - bi - la - te De - o, ju - bi - la - te De - o.<br />

V#<br />

We re - joice in you, O Fa - ther let us give you praise.<br />

# Š Š Š Š Š Š Š Š Š Š Š Š Š Š‰<br />

Š Š Š Š Š Š Š Š<br />

{ B## ˆ<br />

‰ ‰ Š Š Š Š ˆ<br />

‰ ‰ ˆ<br />

‰ ‰


V #<br />

38<br />

# Š Š Š Š Š Š Š ‰ ‰ ˆ<br />

Š Š Š Š Š Š Š<br />

([)<br />

Ju - bi - la - te De - o, Ju - bi - la - te<br />

Fa - ther let us praise you, We re - joice in<br />

V # # ˆ<br />

Š Š Š Š Š Š Š ‰ ‰ ˆ<br />

([)<br />

Ju - bi - la - te De - o,<br />

Fa - ther let us praise you,<br />

V # # ‰ ‰ ˆ<br />

Š Š Š Š Š Š Š ‰ ‰<br />

([)<br />

De - o, Ju - bi - la - te De - o,<br />

praise you, Fa - ther let us praise you,<br />

V # # Š Š Š Š Š Š Š ‰ ‰ ˆ<br />

Š Š Š Š Š Š Š<br />

([)<br />

Ju - bi - la - te De - o, Ju - bi - la - te<br />

Fa - ther, let us praise you, We re - joice in<br />

V# # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

‰ ‰ ‰ ‰ ‰ ‰ ‰‰<br />

{ B## ‰ ‰ ‰ ‰ ‰ ‰ ˆ<br />

144 Jubilate<br />

V #<br />

42<br />

allargando<br />

# ff Š Š Š Š Š Š Š Š Š Š ˆˆ<br />

([)<br />

([)<br />

De - o, ju - bi - la - te De - o!<br />

you, O Fa - ther let us give you praise!<br />

ff<br />

‰<br />

‰. . r<br />

V # # Š Š Š Š Š Š Š Š Š Š ˆ ‰. r<br />

([)<br />

De - o, ju - bi - la - te De - o!<br />

O Fa - ther let us give you praise!<br />

V # #<br />

ff Š Š Š Š Š Š Š Š Š Š ˆˆ<br />

De - o, ju - bi - la - te De - o!<br />

O Fa - ther let us give you praise!<br />

ff<br />

for online perusal only<br />

‰<br />

‰. . r<br />

V # # Š Š Š Š Š Š Š ŠŠŠ ŠŠ<br />

ˆ ‰. r<br />

([)<br />

De - o, ju - bi - la - te De - o!<br />

you, O Fa - ther let us give you praise!<br />

V# # Š Š Š Š Š Š<br />

Š<br />

Š Š allargando<br />

Š ˆ<br />

Š Š Š Š Š ‰.<br />

‰. r<br />

ff<br />

{ B## ‰ ‰ Š Š Š Š Š Š Š Š ˆ ‰. r


145<br />

Voices 1 (2)<br />

Keyboard<br />

33. Lamb <strong>of</strong> God<br />

(Agnus Dei)<br />

SAMUEL WEBBE<br />

(1740–1816)<br />

VOICE 1<br />

VOICE 2<br />

KEYBOARD<br />

V # Larghetto h = 52<br />

D p p p p ‰<br />

p<br />

‰<br />

([)<br />

Lamb <strong>of</strong><br />

Ag - nus<br />

V # D p p p p p<br />

([)<br />

V# Larghetto h = 52<br />

D Š‰ Š Š‰ Š #Š‰ Š Š Š ‰. #‰ Š ˆ ‰ ‰<br />

{<br />

p<br />

B#D Š legato<br />

‰ Š Š<br />

‰ Š ‰ Š Š Š Š ˆ ˆ<br />

ˆ<br />

(Ped.)<br />

for online perusal only<br />

V #<br />

6<br />

Š Š q ‰ ‰ Š Š r Š ‰ Š. Še ‰ ‰<br />

([)<br />

God, Lamb <strong>of</strong> God, who tak - est a - way the<br />

De - i, Ag - nus De - i, qui tol - lis pec - ca - ta<br />

V # p p p p p<br />

([)<br />

V# Š Š Š Š ‰ ‰ Š ‰ ‰ ‰ Š ‰ Š Š. Še Š {<br />

f<br />

‰ ‰<br />

B# ˆ Š Š Š<br />

‰ ‰ Š‰ Š ‰ Š Š ‰ ‰ ‰<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


146 Lamb <strong>of</strong> God<br />

V #<br />

11<br />

‰‰ ‰ Š. Še ˆ ‰. Š ‰ ‰ Š Š Š Š ‰ ‰<br />

([)<br />

V # p p<br />

Š<br />

([) Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰<br />

V# p<br />

‰. ‰ Š ˆ ‰. Š ‰ ‰ Š‰ Š Š‰<br />

Š # ‰ ‰<br />

{ B# ˆ‰<br />

ˆ ‰ #‰ ‰ ‰ Š Š Š #Š ‰ ‰ ‰<br />

V #<br />

17<br />

‰. Š ‰ ‰ ‰ ‰ ˆ p p<br />

([)<br />

sins <strong>of</strong> the world, Lord, have mer - cy, Lord, have mer - cy,<br />

mun - di, mi - se - re - re, mi - se - re - re,<br />

Lord, have mer - cy on us.<br />

mi - se - re - re no - bis.<br />

V # ‰. Š ‰ ‰ ˆ ˆ ‰. Š ‰ ‰<br />

([)<br />

([)<br />

([)<br />

for online perusal only<br />

mp<br />

* Lamb <strong>of</strong> God,<br />

Ag - nus De - i,<br />

V# ‰.‰ =Š Š # ‰ ‰ ‰. #‰ Š ˆ ˆ‰ . Š ˆ‰ ‰<br />

{ B# ‰ Š Š #( ) Š mp<br />

ˆ ‰ ‰ ˆ ˆ ˆ ˆˆ<br />

V #<br />

23<br />

p p p p p p<br />

V # ‰. Š Š Š r Š ‰ Š Š ‰ ‰ ‰ Š. Še ˆˆ<br />

Lamb <strong>of</strong> God, who tak - est a - way the sins <strong>of</strong> the world,<br />

Ag - nus De - i, qui tol - lis pec - ca - ta mun - di:<br />

V# ‰ ‰ Š Š r Š ‰ Š Š ‰ Š‰ Š ‰‰. ‰ Š ˆ<br />

{ B#<br />

‰ ‰ ‰.‰ Š r ‰ Š Š ˆ ‰<br />

‰ ˆ<br />

ˆ<br />

* If performing in unison, sing Voice 2 in bars 21–8.


V #<br />

29<br />

mp<br />

‰. Š ‰ ‰ Š Š Š Š ‰ ‰ ‰. Š<br />

([)<br />

Lord, have mer - cy, Lord, have mer - cy, Lord, have<br />

mi - se - re - re, mi - se - re - re, mi - se -<br />

V # Š<br />

([) Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰ ‰. Š<br />

V# ‰. Š ‰ ‰ Š‰ Š Š‰ Š # ‰ ‰ ‰.‰ =Š Š<br />

{ B# Š Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰ ˆ‰ Š Š<br />

V #<br />

34<br />

‰ ‰ ‰ ‰ ˆ .<br />

mf (p)<br />

‰ ‰ ‰ Š Š Š ŠŠŠ Š<br />

([)<br />

mer - cy on us. Lamb <strong>of</strong> God, who tak - est a-way our<br />

- re - re no - bis. Ag - nus De - i, qui tol - lis pec-ca - ta<br />

V # ‰ ‰ ˆ ˆ .‰ ‰ ‰ Š Š Š ŠŠŠ Š<br />

([)<br />

V# # ‰ mf (p)<br />

‰ ‰ #‰ ˆ . ‰<br />

‰. ‰ ‰<br />

Š Š Š Š‰ Š Š Š #Š ‰ Š<br />

mf<br />

{<br />

(p)<br />

B## ()Š‰ Š ‰ ˆ ˆ . ‰ ‰ ‰ ‰ Š Š Š Š<br />

V #<br />

40<br />

p (pp)<br />

‰ ‰ Š Š Š Š #Š Š Š Š ‰ ‰ ˆ .<br />

([)<br />

for online perusal only<br />

Lamb <strong>of</strong> God 147<br />

sins, grant us thy peace, grant us thy peace.<br />

mun - di, do - na no - bis pa - cem.<br />

V # ‰ ‰ ‰<br />

([) ‰ Š Š Š Š ‰ ‰ ˆ .<br />

p (pp)<br />

V# #‰‰ ‰ Š‰ Š Š‰ Š #Š‰ Š Š Š ‰. #‰ ˆ .<br />

Š<br />

{<br />

p (pp)<br />

B# ‰ ‰ Š‰ Š Š<br />

‰ Š ‰ Š Š Š Š ˆ ˆ<br />

.


148<br />

Voices 1 (2)<br />

Keyboard<br />

34. Let all mortal flesh<br />

keep silence<br />

Liturgy <strong>of</strong> St James<br />

trans. Gerard Moultrie<br />

French carol<br />

arr. STEPHEN CLEOBURY (b. 1948)<br />

h = 66<br />

TUTTI unis.<br />

Vb 2 p p p<br />

VOICES<br />

Š Š Š Š ‰ Š Š ‰ ‰<br />

([)<br />

V Let all mor - tal flesh keep si - lence,<br />

b 2 ˆˆ<br />

ˆ ˆ‰ ‰ ˆ p p<br />

{<br />

KEYBOARD p<br />

Bb 2 p p ˆ ‰ ŠŠ Š ˆ<br />

ˆ<br />

6<br />

(Ped.)<br />

<br />

Vb Š Š Š Š ‰ Š Š ˆ Š Š Š Š ‰ Š Š<br />

([)<br />

V and with fear and tremb - ling stand; Pon - der no-thing earth - ly -<br />

b ˆ bˆ‰ Š Š ˆ‰ Š Š ‰<br />

‰ ˆ<br />

{ Bb ˆ ˆ<br />

‰ Š Š ˆ<br />

ˆ ‰. ‰ ‰ Š<br />

11<br />

<br />

Vb ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />

([)<br />

V - mind - ed, for with bless - ing in his hand Christ our God to<br />

b ˆ ˆ ˆ ‰ ‰ ˆ ‰ ‰ ‰ ‰<br />

{ Bb ˆˆ ˆ ˆ‰ ‰ ˆˆ ˆ<br />

16<br />

<br />

Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ<br />

([)<br />

V earth de - scend - eth, our full ho-mage to de - mand.<br />

b ˆ ‰ ‰ ˆ ˆˆ ‰ Š Š ˆ<br />

‰. Š ˆ<br />

‰ ‰<br />

{ Bb ˆ ˆˆ ‰ q<br />

Š Š ˆ ‰ ‰ ˆ<br />

for online perusal only<br />

© <strong>Oxford</strong> University Press 2000 and 2007. Photocopying this copyright material is ILLEGAL.


22<br />

<br />

Vb<br />

([)<br />

p<br />

mp<br />

VOICE 1 or S./A. unis. or TUTTI<br />

Š Š Š Š ‰ Š Š ‰ ‰<br />

Š Š Š Š ‰ Š Š ˆ<br />

King <strong>of</strong> Kings, yet born <strong>of</strong> Ma - ry, as <strong>of</strong> old on earth he stood,<br />

V b Š Š Š Š ‰ ‰ ‰ ‰ ‰ ˆ Š Š Š Š ‰ ‰ ‰ ‰ ‰<br />

Š Š Š<br />

Š Š<br />

{<br />

mp<br />

Bb p ˆ ˆ ˆ ˆ ˆ ˆ<br />

*<br />

(Man.)<br />

29<br />

<br />

Vb Š Š Š Š ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />

([)<br />

Lord <strong>of</strong> lords, in hu - man ves - ture–– in the bo-dy and the blood–– He will give to<br />

V b ‰. Š ˆ Š Š Š Š ‰ ‰ Š Š ˆ‰ ‰ Š Š Š Š ‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š Š<br />

{<br />

ˆ ˆ ˆ ˆ ˆ ˆ ˆ<br />

Bb<br />

36<br />

<br />

Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ<br />

([)<br />

for online perusal only<br />

all the faith - ful his own self for heaven - ly food.<br />

V b ‰ Š Š Š‰ Š ‰ ‰ Š Š Š Š ‰ ‰ ‰ ‰ Š‰<br />

Š ˆ<br />

{<br />

ˆ ˆ ˆ ˆ ˆ ‰ Bb<br />

q<br />

qf<br />

Š Š<br />

(Ped.)<br />

42<br />

VOICE 2 or T./B. unis. or TUTTI<br />

Vb p p p p p f<br />

<br />

Š Š Š Š<br />

([)<br />

V b p q<br />

p q Š Š ‰ Š Š ‰. Š Š Š Š ‰ Š#Š ‰ Š =Š#‰ ŠŠ ‰ ‰<br />

{ Bb q Š Š Š Š Š Š Š Š Š‰ Š Š Š ‰ ‰ ˆˆ Šˆ<br />

Š Š Š<br />

* If voices are tutti, left-hand D should be an octave lower.<br />

Let all mortal flesh keep silence 149<br />

Rank on rank the


150 Let all mortal flesh keep silence<br />

48<br />

<br />

Vb ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />

([)<br />

V host <strong>of</strong> hea - ven spreads its van-guard on the way, As the Light <strong>of</strong><br />

b ‰ ‰ Š Š ˆ<br />

‰ ‰ ‰ ‰<br />

Š‰ Š ‰ Š Š ˆ ‰ Š Š#‰ Š Š ‰<br />

‰.<br />

‰<br />

Š<br />

{ Bb ‰ Š Š Š Š Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š ˆ<br />

‰<br />

54<br />

<br />

Vb ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />

([)<br />

V light de - scend - eth from the realms <strong>of</strong> end - less day, That the powers <strong>of</strong><br />

b Š‰ Š ‰ Š Š ‰ Š Š ‰<br />

Š ˆ<br />

‰ ‰ Š‰ Š Š‰ Š ˆ Š ‰ Š ‰ #‰‰<br />

{<br />

Š Š Š Š Bb<br />

Š Š Š Š Š Š Š Š Š Š Š ˆ<br />

Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š ‰ ‰<br />

60<br />

Vb ‰. Š Š Š Š<br />

,<br />

Š ˆ Š Š Š Š ‰ Š Š ˆ<br />

([)<br />

V hell may van - ish as the dark-ness clears a - way.<br />

b ‰ Š‰ Š ˆ Š Š ‰ ˆ ˆ‰ Š Š ˆ ‰ ‰ ‰ Š‰ Š<br />

‰ ‰<br />

{ Bb<br />

‰ Š Š Š Š Š‰. Š ‰ Š ˆ<br />

Š Š Š Š ‰ q ‰ ‰<br />

‰ Š Š Š Š ˆ<br />

66<br />

DESCANT<br />

Vb p p Šf<br />

Š Š Š Š Š Š Š Š ‰ ‰<br />

([)<br />

At his feet the six - winged se - raph;<br />

OTHER VOICES<br />

Vb p p f<br />

Š Š Š Š ‰ Š Š ‰ ‰<br />

([)<br />

At his feet the six - winged se - raph;<br />

V b Š Š Š Š Š Š Š Š Š<br />

Š Š Š Š Š ˆ ‰ Š Š Š Š ‰‰ ‰<br />

{<br />

cresc.<br />

più f<br />

Bb q ‰ Š Š ‰ Š Š Šˆ Š Š Š ‰ Š‰ Š ‰<br />

‰ Š Š<br />

(Man.)<br />

for online perusal only<br />

(Ped.)<br />

,


71<br />

Vb Š Š Š Š Š Š Š Š ‰ #‰ q Š Š Š Š Š Š<br />

Vb Š Š Š Š ‰ Š Š ˆ Š Š Š Š ‰ Š Š<br />

([)<br />

([)<br />

che - ru - bim with sleep - less eye Veil their fa - ces to the<br />

che - ru - bim with sleep - less eye Veil their fa - ces to the<br />

V b Š Š Š Š #‰ ‰. Š<br />

‰ ‰ ‰ ‰ ‰ ‰ Š Š ‰‰.<br />

‰ Š ‰. Š Š Š<br />

{ Bb ˆ Š Š Š Š ‰ Š‰ Š ˆ‰ ‰ Š‰ Š Š‰ Š ‰ Š Š Š‰<br />

Š<br />

76<br />

Vb#‰ ‰ =‰ ‰ Š Š Š Š ‰<br />

‰ ‰ ‰. #Š Š<br />

Pre - sence, as with cease-less voice they cry–– Al - le -<br />

Vb ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />

([)<br />

([)<br />

for online perusal only<br />

Let all mortal flesh keep silence 151<br />

Pre - sence, as with cease-less voice they cry–– Al - le - lu - ia,<br />

V b#‰ ‰ = =‰ Š Š ‰<br />

#Š<br />

#‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ Š ŠŠ<br />

Š<br />

{ Bb ‰ Š Š Š Š Š Š ˆ Š Š Š Š<br />

‰<br />

Š Š ‰ ‰ ‰ ‰ Š Š Š Š ‰ #‰<br />

81<br />

Vb‰ ‰ Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š #Š ˆ<br />

([)<br />

- lu - ia, al - le - lu - ia, al - le - lu - ia, Lord most high!<br />

Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ<br />

([)<br />

al - le - lu - ia, al - le - lu - ia, Lord most high!<br />

V b‰ Š Š Š Š Š Š Š ‰ Š Š#ŠŠ‰<br />

Š =‰ Š Š ‰ ‰ ‰. Š Š‰<br />

Š Š Š#ŠŠ<br />

ˆ<br />

{ Bb ‰. Š Š Š Š Š ˆ Š Š Š Š<br />

‰ ‰ ˆ ‰ ‰ ‰ ‰ ‰ Š‰<br />

Š<br />

ˆ


152<br />

Voices 1 (2)<br />

Keyboard<br />

35. Like the murmur<br />

<strong>of</strong> the dove’s song<br />

Carl P. Daw<br />

(b. 1944)<br />

VOICES<br />

KEYBOARD<br />

V # Gently i = 92<br />

<br />

TUTTI unis.<br />

# 34 p p p mp<br />

<br />

r r Š Š<br />

([)<br />

Like the<br />

V# # 34 ‰ Š Š. ‰ Še Š ‰ Š. Š Š. Še Š<br />

{<br />

f Š ‰ Š<br />

B## 34 mp<br />

‰ Š ‰ Š ‰ Š ‰ Š<br />

(Ped.)<br />

ALAN SMITH<br />

(b. 1962)<br />

V #<br />

5<br />

<br />

# Š. Še Š Š Š Š ŠŠ Š Š Š Š ‰ ŠŠ<br />

([)<br />

for online perusal only<br />

mur - mur <strong>of</strong> the dove’s song, like the chal-lenge <strong>of</strong> her flight, like the<br />

V# # ‰ Š Š Š Š Š‰ Š =Š Š ‰ Š ‰ Š Š ŠŠ<br />

{ B## ‰ Š<br />

Š‰ Š Š Š ‰ Š ‰ Š<br />

V #<br />

9<br />

<br />

# Š Š Š Š Š Š ŠŠ #Š Š Š Š ‰.<br />

([)<br />

vi - gour <strong>of</strong> the wind’s rush, like the new flame’s ea - ger might:<br />

V# # ‰ Š Š Š ‰ Š Š Š #ŠŠ Š Š #Š #Š Š ‰.<br />

{ B## ‰ #‰ #Š Š Š ‰ Š ‰ Š Š #Š Š<br />

Music: © <strong>Oxford</strong> University Press 2007; Words: © 1982 Hope Publishing Company. Administered by Copycare, PO Box 77,<br />

Hailsham, BN27 3EF, UK, music@copycare.com. Used by permission. Photocopying this copyright material is ILLEGAL.


V #<br />

13<br />

mf<br />

# Š-<br />

Š<br />

mp<br />

Š Š ‰ ‰. p<br />

([)<br />

come, Ho - ly Spi - rit, come.<br />

V# # Š‰. Š Š Š ‰ Š Š ‰ Š Š. ‰ Še Š<br />

mf<br />

{<br />

mp<br />

B##<br />

‰. Š =Š =Š Š ‰ ‰ Š ‰ Š<br />

V #<br />

17<br />

1 or TUTTI<br />

<br />

pVOICE<br />

# p r r =Š Š b Š. Še Š Š Š Š ŠŠ<br />

([)<br />

To the mem - bers <strong>of</strong> Christ’s Bo - dy, to the<br />

V# # b ‰ Š Š =Š b<br />

‰ Š ‰ Š Š ‰ Š Š Š Š Š<br />

{ B##=‰ p<br />

‰ =Š Š b‰ ‰ =Š Š b ‰ Š Š Š Š Š ‰ Š Š<br />

21<br />

VOICE 2 or TUTTI<br />

<br />

mp<br />

VbŠ Š Š Š ‰ Š Š Š. Še Š Š Š Š Š Š<br />

([)<br />

branch-es <strong>of</strong> the vine, to the Church in faith as - sem - bled, to her<br />

V b ‰‰ Š ‰ ŠŠ Š Š Š ‰ Š Š Š Š<br />

{ Bb Š Š bŠ mp<br />

‰ Š ‰ Š Š ‰ Š =Š Š Š ‰ Š Š<br />

25<br />

<br />

TUTTI<br />

Vb Š Š Š Š ‰. Š-<br />

Š Š Š ‰ ## ‰.<br />

([)<br />

for online perusal only<br />

Like the murmur <strong>of</strong> the dove’s song 153<br />

midst as gift and sign: come, Ho - ly Spi - rit, come.<br />

V b Š ‰. ‰ Š Š ‰ ##<br />

Š Š Š ‰. ‰ Š<br />

mf<br />

{ Bb ‰ Š Š‰ Š Š Š‰ Š Š ‰‰. Š ## ‰ Š


154 Like the murmur <strong>of</strong> the dove’s song<br />

1<br />

2<br />

V 30<br />

# p p r r<br />

mf<br />

Š Š<br />

V # # p p r r<br />

With<br />

mf<br />

Š Š<br />

([)<br />

([)<br />

V# # Š. ‰ Še Š ‰ Š. Š Š. Še Š<br />

{<br />

f Š ‰ Š<br />

B## ‰ Š ‰ Š ‰ Š<br />

for online perusal only<br />

V #<br />

33<br />

# Š. Še Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

heal - ing <strong>of</strong> di - vi - sion, with the cease - less voice <strong>of</strong><br />

V # # Š Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

V# # ‰ Š Š Š Š Š‰ Š =Š Š ‰ Š Š Š Š<br />

{ B## ‰ Š<br />

Š‰ Š Š Š ‰ Š<br />

With<br />

heal - ing <strong>of</strong> di - vi - sion, with the cease - less<br />

V #<br />

36<br />

# ‰ Š Š Š Š Š Š Š Š Š Š<br />

([)<br />

V # # ‰ Š Š Š. Še Š Š Š Š Š Š<br />

([)<br />

V# # ‰ Š Š Š Š ‰ Š Š Š ‰ Š Š Š<br />

{ B## ‰ Š ‰ Š ‰ Š<br />

prayer, with the pow’r to love and wit - ness, with the<br />

prayer, with the pow’r to love and wit - ness, with the<br />

the<br />

the


V #<br />

39<br />

# #Š Š Š Š ‰. Š-<br />

f<br />

Š Š Š ‰<br />

([)<br />

peace be-yond com - pare: come, Ho - ly Spi - rit,<br />

-<br />

peace be-yond com - pare: come, Ho - ly<br />

V # #<br />

([)<br />

#Š Š #Š Š ‰. p Š Š Š<br />

V# # #Š Š Š ‰. Š<br />

Š Š #Š #Š ‰. Š Š Š ‰<br />

f<br />

{ B###‰ ‰ Š #ŠŠ #ŠŠ Š ‰. Š =Š =Š Š Š Š<br />

V #<br />

43<br />

# mf<br />

Š-<br />

mp<br />

Š Š Š ‰ Š Š Š Š ‰<br />

([)<br />

come, Ho - ly Spi - rit, come, Ho - ly Spi - rit,<br />

V # #<br />

mf<br />

mp<br />

Š ‰ Š-<br />

Š Š Š ‰ ‰ Š<br />

([)<br />

Spi - rit, come, Ho - ly Spi - rit, Spi - rit,<br />

V# # Š = Š Š Š ‰ Š #Š Š‰. Š Š Š‰ Š Š Š<br />

{<br />

mf<br />

mp<br />

B## =‰. ‰ Š ‰<br />

‰. ‰. ‰. Š<br />

V #<br />

47<br />

rall.<br />

p<br />

# ‰. p p p p<br />

come.<br />

V # # p<br />

‰. p p p p<br />

([)<br />

([)<br />

come.<br />

for online perusal only<br />

Like the murmur <strong>of</strong> the dove’s song 155<br />

V# # ‰ Š Š. ‰ Še Š ‰ Š. Š rall.<br />

Š. Še ‰.<br />

{ f Š p<br />

‰ Š Š ‰.<br />

B## Š Š -<br />

‰ Š ‰ Š ‰ Š ‰ Š Š<br />

- pp<br />

‰. ‰.<br />

f


156<br />

S(A)(Men)<br />

Keyboard<br />

36. Lord, in thy mercy<br />

Martin Luther (1483–1546)<br />

English version by John Rutter<br />

FELIX MENDELSSOHN<br />

(1809–47)<br />

SOPRANO<br />

ALTO<br />

MEN<br />

KEYBOARD<br />

Andante i = 96<br />

Vbbb 34 p p p p<br />

Bbbb 34 p p p p<br />

V<br />

Andante<br />

bbb 34 t i = 96<br />

Š Š Š Š Š ‰ ‰ ŠbŠ Š. Š<br />

t Š Š Š Š Š Š Š f =Š Š<br />

{ Bbbb 34 ‰.<br />

p<br />

‰. Š ‰. Š Š Š Š‰.<br />

Š Š Š Š<br />

(Ped.)<br />

for online perusal only<br />

5<br />

unis.<br />

Vbbb p p p<br />

Š Š Š ‰ Š Š Š Š<br />

Lord, in thy mer - cy grant us<br />

Bbbb p p p<br />

r r Š ‰. Š ‰<br />

<br />

O Lord, in thy<br />

V bbb Š. Š f Š Š Š Š r Š Š. ŠŠ Š‰ Š Š Š Š Š Š Š<br />

{<br />

f<br />

bŠ Š Š Š f f Š=Š<br />

Bbbb ‰. Š Š Š Š ‰<br />

Š. Š Šr Š Šr r Š f<br />

Š Š Š ‰ ‰ Š Š Š Š<br />

Performance suggestion: repeat bars 7–32, using solo voice the first time (upper part) and full choir in two parts the second<br />

time, as in Mendelssohn’s original.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


10<br />

Vbbb Š r Š ‰ Š Š Š Š Š ‰. ‰ r<br />

peace Through - out all ge - ne - ra - tions;<br />

Bbbb<br />

‰. Š r Š Š Š Š ‰ r<br />

Š<br />

<br />

Š Š Š<br />

mer - cy grant us thy peace; Thou art a -<br />

V bbb ‰ Š Š ‰ Š ‰ Š Š Š Š Š Š<br />

Š Š ŠbŠ Š t Š=Š Š Š Š ŠŠ Š Š Š Š Š Š Š f Š =Š Š<br />

{<br />

f cresc.<br />

Bbbb ‰<br />

Š Š Š Š=Š Š Š Š ‰<br />

Š Š t Š Š Š f<br />

15<br />

cresc.<br />

mf<br />

Vbbb Š Š Š Š ‰ r Š Š Š Š Š r r Š Š Š<br />

Thou art a - lone our sword and shield, Lord who dost<br />

cresc.<br />

Bbbb ‰ r<br />

Š mf<br />

Š Š Š ‰ r<br />

Š Š Š ‰<br />

<br />

r<br />

- lone our sword and shield, our sword and shield,<br />

V bbb ŠeŠŠ ŠŠ Š Še Š Š Š Š Š Š ŠeŠŠ ŠŠ Š Še Š Š Š Š ŠbŠ Š Š Š f<br />

Š f<br />

{<br />

mf Š Bbbb Š. Š Š Š<br />

f ‰ r Š. Š Š Š. bŠ f f Š Š Š<br />

for online perusal only<br />

(Man.)<br />

20<br />

p dolce<br />

Vbbb Š Š bŠ ‰. ‰ r r r Š Š Š Š<br />

guide the na - tions. De - fend us, O<br />

Bbbb p<br />

mp<br />

Š =Š Š Š Š. Š f<br />

‰ p dolce<br />

<br />

Š rrŠ<br />

Lord who dost guide the na - tions. De -<br />

V bbb Š Š t Š f =Š Š Š Š Š =( )Š=Š Š Š<br />

Š<br />

Š Š Š Š Š Š Š =( )Š<br />

f bŠ Š Š =Š<br />

{<br />

f<br />

Š<br />

p<br />

Bbbb<br />

Š Š ŠbŠ Š‰ Š Š Š‰ Š Š =‰ ‰ Š Š ‰ Š bŠ<br />

(Ped.)<br />

Lord, in thy mercy 157


158 Lord, in thy mercy<br />

25<br />

Vbbb ‰. ‰ Š Š ‰ Š r r<br />

God, we pray thee.<br />

Bbbb Š Š Š ‰ r r r Š<br />

<br />

Š ‰<br />

- fend us, O God, we pray<br />

V bbb Š Š Š Š bŠŠ Š ‰ Š Š Š Š Š =( )Š Š Š Š Š Š Š Š<br />

{ Bbbb Š. Š Še Š ‰ r t Še ‰ Š Š ‰<br />

Š ‰. ‰.<br />

29<br />

Vbbb p p p p<br />

Bbbb Š r r p p p<br />

thee.<br />

for online perusal only<br />

V bbb Š Š b‰ Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ Bbbb ‰. Š. Še Š Š Š. ‰. Še Š Š ‰ Š. Š ‰. f Š Š Š Š Š Š Š<br />

33<br />

mf<br />

S.<br />

Vbbb Š Š Š Š Š A.Š Š Š Š ‰ bŠ Š Š. =Š ‰ Š ‰ f<br />

Š<br />

Lord in thy mer - cy grant us peace Through - out all<br />

Bbbb Š Š Š ‰ Š Š Š Š Š ‰ Š ‰ Š<br />

<br />

mf<br />

V bbb Š‰ Š Š Š Š ‰ bŠŠ Š Š. Š =Š ‰ Š ‰ Š<br />

{<br />

mf<br />

f<br />

Bbbb ‰ Š Š Š ‰ Š Š Š Š Š ‰ Š ‰ Š


38<br />

p<br />

cresc.<br />

VbbbŠ ‰ Š Š Š ‰.‰ =Š ‰ r Š Š Š Š ‰ r<br />

ge - ne - ra - tions; Thou art a - lone<br />

Bbbb Š Š Š ‰. ‰ r Š Š Š Š ‰<br />

<br />

r<br />

p<br />

cresc.<br />

V bbb Š Š Š Š ‰. Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ Bbbb<br />

‰ p<br />

cresc.<br />

Š Š Š ‰. =Š ‰ Š Š Š r<br />

Š Š Š Š ‰<br />

r<br />

43<br />

<br />

f<br />

Vbbb Š Š Š Š ‰ r Š Š bŠŠ Š Š Š Š<br />

our sword and shield, Lord who dost guide the<br />

Bbbb Š Š Š ‰ r Š bŠ Š Š Š<br />

<br />

Š Š<br />

f<br />

V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š bŠ Š Š Š =Š<br />

{ Bbbb<br />

‰ r<br />

f<br />

bŠ<br />

Š Š Š ‰ Š bŠ Š Š Š Š Š<br />

na - tions. De - fend us, O<br />

47<br />

Vbbb ‰.<br />

p cresc.<br />

<br />

=Š Š Š Š ‰ r r rp Š Š<br />

r<br />

Š<br />

r Š Š<br />

Bbbb Š Š Š Š Š Š. Š f<br />

‰<br />

<br />

Š p<br />

na - tions, dost guide the na - tions.<br />

V bbb =Š Š Š Š Š Š =Š Š Š Š Š Š Š =Š Š Š Š Š Š Š<br />

p<br />

{<br />

cresc.<br />

Bbbb ‰ Š Š Š Š Š‰ Š Š Š =‰ ‰ Š Š<br />

‰ Š bŠ<br />

for online perusal only<br />

Lord, in thy mercy 159<br />

p cresc.<br />

na - tions. De -


160 Lord, in thy mercy<br />

51<br />

God, O God,<br />

Vbbb ‰ bŠ Š Š =Š bŠ<br />

mf<br />

‰. ‰ Š ‰ Š Š‰ Š Š =( )Š<br />

- fend us, de - fend us, O<br />

mp cresc.<br />

Bbbb r r Š Š Š Š ‰ Š Š Š mf<br />

<br />

Š<br />

De - fend us, O God, de - fend us,<br />

V bbb Š Š Š Š bŠŠ Š Š Š Š =Š Š Š Š Š bŠŠ Š Š Š Š =Š<br />

{ Bbbb ‰ Š Š Š =Š Š Š Š‰ Š Š bŠ Š‰ Š Š =Š Š ‰ Š Š Š<br />

55<br />

p dolce<br />

Vbbb ‰. Š r Š ‰. Š Š Š Š ‰<br />

God, de - fend us, we pray<br />

Bbbb ‰ . Š r<br />

Š ‰ . Š Š Š ‰ Š<br />

<br />

for online perusal only<br />

p dolce<br />

V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š r Š Š Š<br />

p<br />

Š Š Š<br />

{ Bbbb ‰. Š Š Š Š<br />

Š r t Še‰<br />

r Š ‰. Š r Š ‰.<br />

60<br />

Vbbb ‰<br />

r p p p p Fp<br />

thee.<br />

Bbbb Š ‰ ‰ r p p p<br />

E<br />

p<br />

pray<br />

thee.<br />

V bbb<br />

F<br />

Š. ŠeŠ Š Š Šb‰ Š Š ‰ Š Š Š Š Š Š ‰. ‰.<br />

{<br />

dim. pp<br />

t Bbbb ‰. Še‰ Š. ‰. ŠeŠ Š Š. ‰. ŠeŠ Š ‰. ‰.<br />

‰.<br />

E<br />

‰.<br />

pray,<br />

we


161<br />

S(A)(Men)<br />

Keyboard<br />

37. Never<br />

weather-beaten sail<br />

VOICES<br />

KEYBOARD<br />

Moderato espressivo i = 92<br />

Vb 4 r p p<br />

p<br />

SOLO or TUTTI<br />

<br />

Š Š Š. Š<br />

([)<br />

f Š Š Š. Š f<br />

V b 4 Š Š Š Š Š Š Š. ‰ Še ‰. r ‰ ‰ ‰ Š Š Š.<br />

Š f<br />

{<br />

p<br />

Bb 4 Š Š Š Š Š Š‰<br />

Š ‰ . r ‰ ‰ Š Š Š. Še<br />

(Man.)<br />

Ne - ver weath - er - beat-en sail more<br />

5<br />

<br />

Vb Š Š Š Š ‰. r Š Š Š. Š<br />

([)<br />

f Š Š Š. Š f Š Š Š Š ‰. r<br />

will - ing bent to shore, Ne-ver ti - red pil-grim’s limbs af - fect - ed slum-ber more;<br />

V b Š Š ŠŠ Š ‰. r ‰ ‰ ‰ Š Š Š.<br />

Š f Š Š ŠŠ Š ‰. r<br />

{<br />

t Bb<br />

ŠeŠŠ‰ ‰. r ‰ ‰ Š Š Š. t<br />

Š Š ‰ Še ŠŠeŠŠ‰<br />

Š ‰ ‰. r<br />

11<br />

<br />

mp<br />

Vb Š Š Š Š Š Š Š Š Š Š. Še Š Š Š Š Š. Š f Š Š Š Š ‰<br />

([)<br />

for online perusal only<br />

Words and music by<br />

THOMAS CAMPION (1567–1620)<br />

adap. Alan Bullard<br />

Than my wear - ied sprite now longs to fly out <strong>of</strong> my trou - bled breast.<br />

V b Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š. Še<br />

=Š Š ‰ Š Š Š Š Š Š ‰<br />

{<br />

mp<br />

Bb Š Š Š‰ Š Š Š Š‰<br />

Š Š Š Š Š Š Š Š Š Š Š ‰ © <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


162 Never weather-beaten sail<br />

S.<br />

A.<br />

15<br />

p mp mf<br />

Vb Š. ŠeŠ Še Š. ŠeŠ Š Š Š =Š<br />

f Š Š Š. Š Š f Š Š Š Š Š Š Š ŠbŠ Š Š<br />

O come quick-ly, O come quick-ly, O come quick - ly, sweet-est Lord, and<br />

Bb<br />

Š Š Š Š Š . Še Š Š Š ŠŠ Š Š Š ŠŠ Š Š<br />

V p mp mf<br />

b Š Š ‰ Š Š ‰ Š Š Š Š Š Š Š ŠbŠŠ Š Š =Š<br />

{ Bb q p mp mf<br />

Š ‰ Š Š<br />

Š Š. Š ŠŠ<br />

f Š Š ‰ Š Š Š Š Š Š Š Š Š. Š f<br />

MENŠ Š<br />

(Ped.)<br />

for online perusal only<br />

19<br />

<br />

mf<br />

Vb Š Š Š Š Š. Š Š Še ‰. r Š Š Š. Še<br />

Š Š Š Še<br />

f Š. Š<br />

take my soul to rest. Ev - er bloom - ing are the joys <strong>of</strong><br />

f<br />

Bb Š Š Š Š Š ‰. r Š Š Š. Še Š Š Š. Še<br />

V mf<br />

b Š Š Š Š Š. Š Š Še ‰. r ‰ ‰ ‰ Š Š Š. ŠeŠ {<br />

f<br />

Bb mf<br />

Š Š Š Š Š ‰.<br />

‰. r ‰ ‰ Š Š Š. Še<br />

(Man.)<br />

23<br />

<br />

p<br />

Vb Š Š ŠŠ Š ‰. r Š Š Še Še<br />

Š. Š Š Š Š. Š<br />

Heav’n’s high Pa - ra - dise, Cold age deafs not<br />

f<br />

there our ears, nor<br />

f<br />

Bb Š Š Š Š ‰. r Š Š Š. Še Š Š Š. Še<br />

V p<br />

b Š Š Š Š Š‰ Š ‰. r ‰ ‰ Š‰ Š Š. ŠeŠ {<br />

f<br />

Bb Š Š ‰ ‰ p<br />

. r ‰ ‰ Š Š Š. Še


mf<br />

27<br />

Vb Š Š Š Š r Š ‰. Š Š Š Š Š Š Š Š Š Š. Š Š Š Še<br />

va - pour dims our eyes; Glo - ry there the sun out - shines; whose<br />

Bb Š Š Š Š ‰. r Š Š Š Š Š Š Š Š Š=Š Š<br />

mf<br />

V b Š Š Š Š ‰ ‰. r Š Š Š Š Š Š ‰ =ŠŠ Š<br />

{ Bb Š Š ‰ . r Š Š ‰ Š Š Š Š<br />

mf<br />

Š Š ‰ ‰ Š Š<br />

for online perusal only<br />

31<br />

Vb Š Š Š. Še p cresc.<br />

Š Š Š Š Š Š Š Š ‰<br />

. Š. ŠeŠ Še f Š Š Š. Š Š f Š<br />

beams the bless - ed on - ly see. O come quick-ly, O come quick - ly,<br />

Bb Š Š Š Š Š Š ‰ . Š Š Š Š Š Š Š. Še<br />

V p cresc.<br />

b Š Š Š Š Š ‰ .<br />

‰ Š Š Š Š ‰ Š Š ‰<br />

{<br />

p cresc.<br />

Bb Š Š Š Š Š Š ‰ . q Š Š Š. ‰ Š f Š Š ‰<br />

35<br />

f<br />

dim. e rit. (second time)<br />

Vb Š. Š Š ŠeŠŠ Š Š Š Š Š bŠŠ Š Š =Š Š Š Š Š Š. Š Š Še ‰. r .<br />

O come quick - ly, glo - rious Lord, and raise my sprite to thee.<br />

Bb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰. r .<br />

V f<br />

dim. e rit. (second time)<br />

b Š Š Š Š Š Š Š Š bŠŠ Š Š =Š Š Š Š Š Š. Š Š Še ‰. r .<br />

{<br />

f<br />

Bb Š Š Š Š ŠŠ Š Š Š Š Š Š Š. Š Š Š Š ‰. r .<br />

f<br />

Š Š ‰.<br />

(Ped.)<br />

Never weather-beaten sail 163


164<br />

SA(T)(B)<br />

Keyboard<br />

38. Now the green blade rises<br />

J. M. C. Crum<br />

(1872–1958)<br />

Trad. French<br />

arr. ALAN BULLARD (b. 1947)<br />

V # Andantino espressivo h = 76<br />

S./A. unis. (or S.)<br />

<br />

2 p p p p p<br />

Š Š #Š<br />

VOICES<br />

<br />

Š ‰ ‰<br />

V#<br />

Now the green blade ris - es<br />

2 ‰ #Š‰<br />

Š ‰. r ‰ #Š ‰ Š ‰. r Š‰ Š #Š ‰ Š ‰ ‰<br />

pp<br />

{ V # 2 ˆ ‰. r B ˆ ‰. r p KEYBOARD p<br />

ˆ legato<br />

ˆ<br />

V # (Man.)<br />

7<br />

<br />

Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ<br />

V#<br />

from the bur-ied grain, Wheat that in the dark earth ma - ny days has lain;<br />

#‰ Š Š Š Š‰ Š ˆ Š‰ Š #Š ‰ Š ‰ ‰ Š‰ Š Š#‰<br />

Š Š ˆ<br />

{ B# ˆ ˆ‰ #‰ ˆ‰ #‰ ˆ‰ #‰ ˆ‰ ‰ ˆ‰ ‰<br />

V # TUTTI unis.<br />

13<br />

mf<br />

S./T.<br />

‰ Š Š ‰. Š Š Š Š Š ˆ Š Š #ŠŠ Š<br />

([)<br />

A./B.<br />

V#<br />

Love lives a - gain, that with the dead has been: Love is come a -<br />

‰ Š Š ‰. Š Š Š ‰<br />

Š #Š ‰ #Š Š<br />

#‰ ‰ #‰ ˆ ‰<br />

{ B# mf<br />

‰ Š Š ˆ (Ped.)‰<br />

‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />

V #<br />

18<br />

f<br />

unis.<br />

<br />

‰ Š Š ‰ Š Š Š Š Š ˆ Š r q p p<br />

([)<br />

V# - gain, like wheat that springs up green.<br />

Š‰ Š ‰ ‰ Š‰<br />

Š ˆ Š r q p p B<br />

f<br />

{ B# ‰ ‰ ‰ ‰ #Š Š p<br />

Š Š Š Š #‰ ‰ ˆ ‰. r ˆ ‰ #Š Š ‰. r<br />

for online perusal only<br />

(Man.)<br />

Music: © <strong>Oxford</strong> University Press 2007; Words: © <strong>Oxford</strong> University Press 1928 from The <strong>Oxford</strong> <strong>Book</strong> <strong>of</strong> Carols. Photocopying<br />

this copyright material is ILLEGAL.


V # T./B. unis. (or A.)<br />

24<br />

p<br />

Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰<br />

([)<br />

B# ‰ ‰ ‰ ‰ ‰ # ‰ ‰ ‰ ‰ #‰ ‰ ‰<br />

{ B#<br />

ˆ ˆ ˆ ˆ ˆ ˆ<br />

In the grave they laid him, Love whom we had slain, Think-ing that he ne - ver<br />

ˆ ˆ ˆ ˆ ˆ ˆ<br />

TUTTI unis.<br />

(p)<br />

mf<br />

V # (Organ: Ped. 16i)<br />

30<br />

<br />

Š Š Š Š Š ˆ ‰ Š Š ‰. Š Š Š Š Š ˆ<br />

([)<br />

would a - wake a - gain, Laid in the earth like grain that sleeps un - seen:<br />

B# ‰ ‰ ˆ‰ ‰ V ‰ Š Š ‰.‰ Š ‰ Š Š ˆ‰ { B#<br />

mf<br />

ˆ ˆ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />

V # (Organ: Ped. 8i)<br />

36 f<br />

S./T.<br />

unis.<br />

<br />

<br />

Š Š #ŠŠ Š ‰ Š Š ‰ Š Š Š Š Š ˆ Š r q<br />

([) A./B.<br />

V# Love is come a - gain, like wheat that springs up green.<br />

‰ #Š ‰ Š Š‰ Š ‰ ‰ Š #Š ˆ ‰ #Š Š ‰. r<br />

f<br />

{ B# ‰ Š Š ‰ ‰ ‰ =( ) ‰ ‰ ‰ ˆ ‰. r<br />

V #<br />

41<br />

S./A. unis. (or S.)<br />

p mf<br />

Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ<br />

Forth he came at Eas - ter, like the ri - sen grain,<br />

V # T./B. unis. (or A.)<br />

p p mf<br />

Š Š #Š Š ‰ ‰ Š Š Š Š Š<br />

([)<br />

V# ‰ #Š‰ Š ˆ ‰ ‰ ‰ ‰ ˆ ‰ Š ‰ Š<br />

mp<br />

Š ˆ Š<br />

{<br />

gently and smoothly<br />

B# ˆ ˆr Š #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š<br />

(Man.)<br />

for online perusal only<br />

Now the green blade rises 165<br />

Forth he came at Eas - ter, like the ri - sen


166 Now the green blade rises<br />

V #<br />

46<br />

cresc.<br />

Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ ‰ Š Š<br />

He that for the three days in the grave had lain; Quick from the<br />

V # ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ<br />

([)<br />

grain, He that for the three days in the grave had lain,<br />

V# ‰ ˆ ‰ ‰ ‰ ‰ #‰ ˆ‰ Š Š ‰ Š Š<br />

{<br />

cresc.<br />

B# ŠˆŠ #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š Š Š #Š Š ˆ‰ ‰<br />

for online perusal only<br />

(Ped.)<br />

V #<br />

51<br />

f<br />

‰. Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰<br />

V # cresc.<br />

f<br />

‰ Š Š ‰. Š Š Š Š Š ‰ Š Š Š Š ‰<br />

([)<br />

V# ‰ Š Š ‰ Š Š # #Š ‰ Š Š Š ‰ Š Š #‰ Š Š ‰ ‰<br />

{ B# ‰ ‰ ‰ ‰ ‰ Š Š f ‰ ˆ ˆ ˆ ‰ #Š Š Š Š ‰<br />

dead our ri - sen Lord is seen: Love is come a - gain, like<br />

Quick from the dead our ri - sen Lord is seen: Love is come, like<br />

V #<br />

56<br />

molto rit.<br />

Š Š Š Š Š ˆ Š r q p pF<br />

wheat that springs up green.<br />

V # Š Š Š Š Š ˆ Š r q p pF<br />

([)<br />

wheat that springs up green.<br />

molto rit.<br />

V# #‰ ‰ ˆˆ<br />

‰ ‰ #Š . Š ‰.<br />

Š Š Š Š ‰ #Š Š ‰. r<br />

F<br />

r<br />

{ B# pp<br />

‰ Š‰ Š<br />

ˆ<br />

‰. V ‰ ‰<br />

‰. r =( ‰.)<br />

Er B<br />

(Man.)


S./T.<br />

A./B.<br />

V # a tempo<br />

SOPRANOS & TENORS unis.<br />

61<br />

pp<br />

Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š Š #Š Š<br />

([)<br />

When our hearts are win - try, griev - ing, or in pain, Then your touch can<br />

V # ALTOS & BASSES unis.<br />

Š Š Š Š ‰ ‰ Š Š Š #Š ˆ Š Š Š Š<br />

([)<br />

pp<br />

V#<br />

a tempop<br />

p p p p<br />

{ B# ˆ ˆ ˆ ˆ<br />

q<br />

ˆ ‰<br />

ˆ ˆ ˆ ˆ<br />

cresc.<br />

f<br />

(Organ: Ped.)<br />

(Piano: Ped.)<br />

V #<br />

66<br />

‰ ‰ Š Š Š Š Š Š Š Š Š ‰ #Š Š ‰. Š Š Š Š #Š<br />

([)<br />

V # ‰ ‰ Š Š Š Š Š ˆ ‰ Š Š ‰. Š Š Š Š Š<br />

([)<br />

cresc.<br />

f<br />

V# q<br />

‰ ‰ ‰ ‰ ‰ ‰ # #‰ ‰ ‰ ‰ Š<br />

‰ # Š<br />

{<br />

cresc.<br />

f<br />

B# ˆ ˆ ˆ ‰ Š Š ‰. Š Š Š<br />

ˆ ˆ ‰ Š‰<br />

Š<br />

call us back to life a - gain; Fields <strong>of</strong> our hearts that dead and bare have<br />

V #<br />

72<br />

poco rit.<br />

ˆ Š Š Š Š ‰ ff ‰ Š Š Š Š Š ˆ Š r q<br />

([)<br />

for online perusal only<br />

Now the green blade rises 167<br />

been: Love is come a - gain, like wheat that springs up green!<br />

V # ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š r q<br />

([)<br />

V# #ˆ #‰ Š Š = ff<br />

poco rit.<br />

‰ ‰ #‰ ‰ =‰ = ‰ Š##Š ŠŠ #ˆ Š r q<br />

{ B# Š #Š Š Š<br />

ff<br />

ˆ Š Š =‰ #Š #ˆ ‰ ‰ ‰ ‰ = ‰ Š Š ˆ Š r q


168<br />

S(A)(Men)<br />

Keyboard<br />

39. O Breath <strong>of</strong> life<br />

Bessie Porter Head<br />

(1850–1936)<br />

VOICES<br />

KEYBOARD<br />

Vivid and joyful h = 80<br />

<br />

TUTTI unis.<br />

V 32 r p q<br />

f<br />

<br />

rŠŠ Š ‰. Š Š ŠŠ<br />

([)<br />

O Breath <strong>of</strong> life, come sweep-ing<br />

V 32 #Š Š Š Š Š Š Š #Š ‰. Š Š Š Š Š ‰. Š Š ‰ Š Š Š<br />

{<br />

f<br />

V 32 Š Š #Š Š Š Š Š B Š Š#Š Š Š Š ˆˆ ‰<br />

(Man.)<br />

Trad. English<br />

arr. ALAN BULLARD (b. 1947)<br />

(Ped.)<br />

4<br />

<br />

V Š ‰ Š Š Š ‰ ‰ Š Š Š ‰ r Š Š Š<br />

([)<br />

through us, Re - vive your church with life and pow’r; O Breath <strong>of</strong><br />

V Š ‰ Š Š Š ‰ ‰ Š Š ‰. Š Š Š<br />

‰ ‰ ‰ #‰ =‰<br />

{ B‰ ‰ ‰ ‰ ‰ ‰ ‰ Š ‰.<br />

Š ‰ r ‰<br />

7<br />

<br />

V ‰. Š Š Š Š Š ‰ Š Š Š Š ‰ Š Š Š Š ˆ<br />

([)<br />

for online perusal only<br />

life, come, cleanse, re - new us, And fit your church to meet this hour.<br />

V ‰. Š Š‰ Š Š ‰. ‰ Š Š‰ Š ‰.<br />

Š ŠŠ Š Š # ‰ . Š #Š Š<br />

{ B ˆ ‰ ‰ b‰ ‰ Š ‰ Š ˆ ‰ ˆ Š Š ˆ q<br />

Š r<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S./A.<br />

MEN<br />

11<br />

unis.<br />

V p p<br />

p<br />

q rŠŠ Š ‰. Š Š Š Š<br />

OWind<strong>of</strong> God, comebendus,<br />

B p p p ˆ p ‰<br />

God, re -<br />

V Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

‰ ‰ =‰ ‰ ‰ ‰ ˆ. ˆ. Š<br />

{ B ˆ. ‰. Š Š Š ˆ. p<br />

ˆ.<br />

ˆ.<br />

(Man.)<br />

15<br />

V Š ‰ Š Š Š ‰ ‰ Š ŠŠ ‰ rŠŠ Š ‰. Š Š ŠŠ<br />

break us, Till hum-bly we con - fess our need; Then in your ten - der-ness re -<br />

B ˆ ‰ ˆ ‰ ˆ ‰ ˆ ‰<br />

for online perusal only<br />

O Breath <strong>of</strong> life 169<br />

- make us, God re - vive us, God re -<br />

V ˆ. Š Š Š Š Š Š ˆ. Š Š Š Š Š Š ˆ. Š Š Š Š Š Š Š Š Š Š Š Š<br />

{ B ˆ. ˆ. ˆ. ˆ.<br />

19<br />

rall.<br />

V Š ‰ Š Š Š Š ‰ ‰. r ‰ ‰ ‰ ˆ Š r<br />

- make us, Re - vive, re - store; for this we plead.<br />

B ˆ ‰ ‰ ‰. r ‰ ‰ ‰ ˆ Š r<br />

- make, re - store; for this we plead.<br />

V Š Š Š Š Š Š Š Š ‰. r B rall.<br />

‰ ‰ ‰‰<br />

#Š ˆ. Š Š Š Š Š<br />

{ B ˆ. ˆ Š r ‰ ‰ ‰ ˆ.


170 O Breath <strong>of</strong> life<br />

23<br />

a tempo<br />

V q r<br />

F<br />

DESCANT<br />

r q p q q r Šf<br />

([)<br />

O<br />

OTHER VOICES unis.<br />

V q r r q p q<br />

f<br />

E<br />

rŠŠ Š<br />

([)<br />

O Breath <strong>of</strong><br />

B r r V #Š a tempo<br />

‰. F Š Š Š Š Š Š #Š ‰. Š Š Š Š Š<br />

pp f<br />

{ B ‰ . r r VŠ Š #Š Š Š Š Š B Š Š<br />

E<br />

#Š Š Š Š<br />

26<br />

V Š Š ‰ Š Š ‰ ‰ rŠ Š Š ‰ Š Š<br />

([)<br />

Breath <strong>of</strong> love, breathe with - in us, Re - new - ing will and<br />

V ‰. Š Š Š Š Š ‰ Š Š Š ‰ ‰ Š Š Š<br />

([)<br />

love, come breathe with - in us, Re - new - ing thought and will and<br />

V Š‰ Š ‰ Š Š Š Š ‰ Š Š Š Š Š<br />

Š ‰ Š ‰ ‰ ‰ #‰ Š Š<br />

{ B ˆˆ ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />

(Ped.)<br />

for online perusal only<br />

29<br />

V ‰ q r Š Š Š ‰. Š Š ‰ Š Š =Š Š<br />

([)<br />

V ‰ rŠŠ Š ‰. Š Š Š Š Š ‰ Š Š Š Š<br />

heart; Come, love <strong>of</strong> Christ, to win us, Re - vive your<br />

([)<br />

heart; Come, love <strong>of</strong> Christ, a - fresh to win us, Re - vive your<br />

V ˆ ‰. Š =‰ Š Š Š‰. Š ‰. Š ‰ Š Š ‰ Š Š Š<br />

{ B Š<br />

‰.<br />

Š ‰ ‰ ‰ Š Š ‰ Š Š<br />

r ‰ ˆ ‰ ‰ b‰ ‰


32<br />

V ˆ - ‰ ‰-<br />

Š Š Š Š ‰ r Š Š Š Š<br />

([)<br />

V‰ Š Š Š Š ˆ. ‰ r Š Š Š Š<br />

([)<br />

O Breath <strong>of</strong> life 171<br />

church, your church in ev - ’ry part, re - vive your<br />

-<br />

church in ev - ’ry part, re - vive your<br />

V ˆ ‰ Š Š<br />

‰<br />

Š Š ˆ<br />

‰ Š Š Š‰ Š ‰ r Š Š‰<br />

Š Š<br />

{ B ‰ ‰ ‰<br />

ˆ ‰ ˆ. ‰ ‰ ‰ qr Š b‰ Š Š Š<br />

35<br />

ff<br />

V‰ ‰. r ‰-<br />

‰-<br />

‰-<br />

ˆ. - ˆ.<br />

([)<br />

church, in ev - ’ry part!<br />

ff<br />

V‰ ‰. r ‰ ‰ ‰ ˆ. ˆ. ˆ.<br />

ˆ.<br />

- -<br />

([) - -<br />

church, in ev - ’ry part!<br />

V ‰ ‰. r<br />

- -<br />

‰ ‰ ‰‰‰<br />

-<br />

# Š Š # Š Š Š Š Š Š Š Š Š Š<br />

-ff<br />

{ B r<br />

=‰<br />

-<br />

-<br />

‰ ‰. ˆ-<br />

‰ ‰ ‰ ˆ. r V Š Š<br />

- - -<br />

#Š Š Š Š Š B<br />

(Man.)<br />

rit.<br />

39<br />

V ˆ. ‰ q q p q q r<br />

([)<br />

V ˆ.<br />

ˆ.<br />

‰ q q p q q r<br />

([)<br />

V rit.<br />

‰. Š Š Š<br />

-<br />

#Š =b‰ ‰ ‰‰‰<br />

- -<br />

Š Š<br />

#ˆ.<br />

‰ q r<br />

{ B Š Š #Š Š Š Š b=‰ ‰ - ‰‰ ‰ - =‰‰ ‰ -<br />

#ˆˆ. - ‰<br />

. q<br />

-<br />

r<br />

- -<br />

(Ped.) -<br />

for online perusal only


172<br />

SA(T)(B)*<br />

Keyboard<br />

40. O for a closer<br />

walk with God<br />

William Cowper<br />

(1731–1800)<br />

Andante molto tranquillo h = 69<br />

or S./A. unis.<br />

<br />

pS.<br />

SOPRANO<br />

Vbbb 32 p p p ‰ Š Š Š<br />

ALTO<br />

Š<br />

O<br />

TENOR<br />

Bbbb 32 p p p p<br />

BASS<br />

Andante V bbb 32 Š molto tranquillo h = 69<br />

Š ‰ ‰ Š‰ Š ‰ ‰‰<br />

Š Š Š ‰ ‰‰<br />

bŠ ŠŠ<br />

Š‰. Š Š Š<br />

{<br />

KEYBOARD p<br />

Vbbb 32 ˆ. Š Š ‰ ‰ ˆ. Š Š ‰ ‰ ˆ. Š Š ‰ ‰ ˆ. Š Š Š Š Š Š<br />

(Man.)<br />

5<br />

<br />

Vbbb Š Š ‰ ‰ Š Š Š Š ‰ ˆ q q q ‰<br />

for online perusal only<br />

CHARLES VILLIERS STANFORD<br />

(1852–1924)<br />

for a clo-ser<br />

walk with God, A calm and heav’n-ly frame; A<br />

V bbb ‰. Š Š Š ‰ Š Š Š Š Š‰ Š Š‰ Š ‰. ŠŠ Š‰<br />

Š ‰. Š<br />

{ Vbbb =Š ‰. Š ‰ ŠbŠ‰ Š ˆ ‰ ‰ ‰ ˆ. ‰ Š Š Š Š ˆ ‰. Š Š‰<br />

Š B<br />

9<br />

<br />

Vbbb Š Š Š Š Š Š ˆ. q q ‰ Š Š ‰ ‰<br />

light to shine u - pon the road That leads me to the<br />

V bbb Š ŠŠ Š Š Š Š Š‰. Š ‰ Š ‰ ‰ ‰ Š<br />

r Š bŠ Š =Š ‰ Š Š Š Š Š Š Š<br />

{ Š bŠ Š Š Š ‰ Š =‰ rbŠ=Š ‰ Š Š Š Š ‰<br />

Bbbb Š Š ˆ ˆ. ˆ. ‰. Š Š Š<br />

* Sing bass rather than tenor if few men are available.<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


S.<br />

A.<br />

T.<br />

B.<br />

13<br />

<br />

Vbbb ˆ. ˆ q p p<br />

Lamb!<br />

V bbb ‰ Š Š ‰ ‰ Š‰ Š ‰ ‰ ˆŠ Š ‰. Š Š ˆŠ Š ‰. Š Š<br />

{<br />

ˆ Bbbb Š Š ‰ ‰<br />

bŠŠ Š ‰ =‰ ‰ ˆ Š Š ‰. ‰ Š ˆ Š Š ‰ ‰<br />

17<br />

p<br />

Vbbb r ‰ ‰ ‰. Š ˆ Š ‰ ‰ ˆ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š Š Š Š<br />

unis.<br />

Bbbb r Š ‰ ‰ ˆ ‰ ˆ ‰ ˆ. mf ˆ.<br />

p<br />

re - turn!<br />

V bbb ˆ ‰. Š ‰ Š Š Š‰ Š Š‰ Š Š‰ Š ‰.‰ ‰. Š Š Š ‰ ‰ ‰ ˆ‰. Š =‰ Š Š<br />

{ Bbbb ˆ. ˆ ‰ ˆ. ‰ ‰‰‰ ‰ ˆ. ˆ ‰ ‰ ‰ Š<br />

ˆ ‰ ˆ. ˆ.<br />

Š<br />

for online perusal only<br />

O for a closer walk with God 173<br />

(Ped.)<br />

Re-turn, O ho - ly Dove, re - turn! Re - turn! Re -<br />

mf<br />

22<br />

S. & A. unis. if no men<br />

Vbbb ‰ q q q q<br />

p<br />

p<br />

S.<br />

‰ Š Š ‰ ‰ ˆ ‰<br />

A.<br />

- turn! Sweet mes-sen-ger <strong>of</strong> rest; I<br />

Bbbb p q q ‰ Š Š ‰ ‰ ˆ T. ‰<br />

p<br />

B. p<br />

V bbb Š Š ‰. Š<br />

‰<br />

Š Š ‰ Š Š Š Š ‰ q<br />

Š Š Š Š‰. Š Š Š‰. Š Š ‰ Š<br />

{ Bbbb q ‰. Š Š Š ‰ ‰ Š<br />

ˆ. ˆ =‰ ‰ ‰ Š Š<br />

‰ Š ˆ ‰. ‰<br />

‰<br />

Š


174 O for a closer walk with God<br />

26<br />

mourn,<br />

that<br />

Vbbb Š Š ‰.<br />

‰. Š ˆ ‰ ‰ b‰ ‰ ˆ<br />

ˆ. ‰<br />

mourn,<br />

hate the sins that made thee<br />

Bbbb<br />

Š =Š Š ‰.<br />

‰. Š ˆ ‰ =‰ b‰ ‰ =‰ ‰ ˆ ‰<br />

mourn, that<br />

V bbb Š =Š Š Š Š Š ‰. Š Š Š ‰ Š Š<br />

‰ ˆ ‰<br />

Š<br />

‰ b‰ .‰ Š r ‰<br />

{ Bbbb Š‰ Š ˆ ˆ ‰ =‰ b‰ ‰ =‰ ˆ. ˆ<br />

29<br />

S. & A. unis. if no men<br />

Vbbb‰. ‰ bŠ =Š b=‰ q q q<br />

p<br />

‰<br />

Š<br />

ˆ<br />

Š<br />

‰<br />

Š ‰ ‰<br />

for online perusal only<br />

made thee mourn And drove thee<br />

‰ bŠ<br />

Bbbb<br />

Š Š Š b‰ unis.<br />

ˆ ‰ ‰ ‰ q q q ‰ ˆ ‰<br />

p<br />

V bbbbˆ‰. Š Š =Š Š =‰ Š Š ‰ Š bŠ Š Š ‰ Š Š ‰ ‰ ‰<br />

{<br />

‰ Bbbb<br />

‰ Š Š b‰ ‰ Š =Š Š bŠ ‰ =‰<br />

ˆ ‰ ˆ. p<br />

ˆ. ˆŠ ‰ Š =‰ ‰ ‰ Š Š<br />

33<br />

Vbbb ‰ ‰ ‰ ˆ. ‰ q q p p<br />

from my breast.<br />

Bbbb ‰ ‰ ‰ ˆ. ‰ q q p p<br />

V bbb ‰ ‰ ‰ ˆ‰ ˆ ˆ =‰ =ˆ. ˆ.<br />

{ Bbbb =ˆ ‰ ˆ =‰ ˆ b # ‰‰‰ ‰ ˆ‰ ‰ #‰‰ ˆ. =ˆ.


So shall my walk be close with God,<br />

38<br />

<br />

S. mf<br />

Vbbb ‰ Š Š Š Š Š Š ˆ q q p<br />

p ‰ Š Š Š Š Š Š ‰ b‰ ‰<br />

A. p<br />

So<br />

shall my walk be close with God, Calm<br />

So<br />

T.<br />

Bbbb q q ‰ ‰ Š Š Š Š Š Š Š Š Š ‰ ‰<br />

p<br />

B.<br />

p<br />

V bbb ‰ Š Š Š Š Š Š Š Š Š Š bŠ Š Š<br />

‰ ‰ ‰ ‰ Š<br />

{ Bbbb ˆ‰. Š Š Š =Š Š q ‰ b‰<br />

‰ Š Š ‰ ˆ Š bŠ ˆ ‰<br />

41<br />

Vbbb ‰ Š bŠ Š ‰<br />

ˆ<br />

‰ ‰ ‰ ˆ q<br />

for online perusal only<br />

O for a closer walk with God 175<br />

and se - rene my frame;<br />

‰ Š Š ‰ ‰ ‰ ‰ ‰ ‰<br />

Bbbb<br />

‰ Š Š ‰ ‰<br />

‰ ‰ ˆ q<br />

V bbbbŠ Š Š Š Š ‰ =Š Š bŠ Š ‰ Š ‰ ‰<br />

‰ ˆ ‰‰<br />

ˆ<br />

p<br />

{<br />

cresc.<br />

Š bŠ Š Š Bbbb<br />

‰ ‰ ‰ q ˆˆ ‰<br />

ˆ. ˆ. ˆ.<br />

‰<br />

(Piano: repeat tied bass notes as required)<br />

44<br />

Vbbb p ‰ ‰ Š Š ‰ Š Š f<br />

ˆ ‰ ˆ ‰<br />

So pu - rer light shall mark the<br />

Bbbb p ‰<br />

Š‰ Š Š‰ Š ˆ b‰ ‰ bˆ ˆ ‰<br />

V<br />

f<br />

bbb ‰ ˆ ‰ ‰ Š Š Š<br />

‰ ‰ Š ‰ Š ‰ ‰‰‰<br />

. ‰<br />

.<br />

Š q ‰.<br />

‰.<br />

f<br />

{ Bbbb<br />

ˆˆ. . . .<br />

‰ ‰ ‰ ‰<br />

‰ b‰‰ ‰ bˆˆ ‰ ‰‰‰<br />

ˆ. ‰ ‰ ‰ q ‰<br />

(Organ: Ped. 8ve lower)


176 O for a closer walk with God<br />

48<br />

Vbbb ˆ. ˆ. p q ˆ<br />

That<br />

‰ ˆ ˆ. ‰ ‰<br />

road.<br />

That<br />

ˆ. ˆ. p q ‰ ‰<br />

Bbbb<br />

ˆ. ˆ. ‰ ‰<br />

V bbb q ˆ‰ ‰ ˆ ‰ ‰ ‰ ˆ<br />

‰ ‰ ‰ ‰ ˆ‰ ‰<br />

{<br />

ˆ ‰ Bbbb q ‰ ‰ ‰ ˆ. ‰ ‰ ‰ bˆ ‰ ‰ ‰ ˆ<br />

‰ ‰<br />

for online perusal only<br />

leads me to the Lamb.<br />

52<br />

<br />

dim. p<br />

Vbbb‰ ‰ ˆ‰ ‰ ˆ ‰ ‰ ‰ ˆ. ˆ. ˆ. ˆ.<br />

leads me to the Lamb.<br />

Bbbb<br />

‰ ‰ ‰ ‰ ‰ ‰ ˆ. ˆ.<br />

p<br />

dim.<br />

V bbb ‰ ‰ ‰ ‰‰‰<br />

‰<br />

‰ ‰ ‰ ‰ ‰<br />

‰ ‰<br />

ˆ ˆ.<br />

{<br />

dim. p<br />

Bbbb ˆ.<br />

‰ ‰ ‰ ‰ ˆ.<br />

ˆ ‰ Vˆ‰ ‰ ˆ. ‰ ‰ b‰<br />

(Man.)<br />

V bbb<br />

‰ ‰ ‰ ‰ ‰ ‰ ‰ ˆ F<br />

56<br />

ˆ b‰ ˆ. ˆ. ˆ. ˆ.<br />

{ Vbbb ‰ ‰ ˆ =‰ ‰ ˆ B ‰ ˆ<br />

ˆ ‰<br />

ˆ.<br />

ˆ. ˆ. Eˆ.<br />

(Piano: Ped.)<br />

(Piano: RH)<br />

(Organ: Ped.)


177<br />

Voices 1 (2)<br />

Keyboard<br />

41. O God <strong>of</strong> mercy<br />

Godfrey Thring<br />

(1823–1903)<br />

VOICES<br />

KEYBOARD<br />

Gently i = 80<br />

<br />

VOICE 1 or TUTTI<br />

Vbbb 34 p p p r t<br />

([)<br />

Š e Š Š<br />

OGod<strong>of</strong><br />

V bbb 34 ‰ Š ‰ Š Š Š‰. Š Š ‰ Š Š r<br />

{<br />

mp<br />

Bbbb 34 ‰ t ŠeŠ Š Š Š Š‰ Š Š Š Š Š Š‰. Š Š Š Š Š ‰ r<br />

(Ped.)<br />

SIMON LOLE<br />

(b. 1957)<br />

mp legato throughout<br />

for online perusal only<br />

5<br />

<br />

Vbbb Š. Še Š Š Š. Še Š<br />

Š Š Š Š Š Š. Š<br />

([)<br />

f<br />

Š Š<br />

mer - cy, God <strong>of</strong> might, In love and pi - ty in - fi - nite, Teach us, as<br />

V bbb t<br />

Še Š Š Š t<br />

Š Še Š Š Š Š<br />

t<br />

Še Š Š<br />

Š<br />

Š Š Š Š Š Š Š<br />

{<br />

p molto legato<br />

Bbbb ‰ Š Š. r r Š f Š ‰ Š ‰ r<br />

9<br />

<br />

VbbbbŠ. Še Š Š Š. Š<br />

([) f Š Š ‰ Š ‰.<br />

ev - er in thy sight, To live our life to thee.<br />

V bbb t Še Š Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š Š ‰<br />

Š<br />

{ Bbbb b‰ ‰ Š ‰ Š Š =ŠŠ t Še Š Š Š<br />

Š Š Š ‰ Š<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.


178 O God <strong>of</strong> mercy<br />

1<br />

2<br />

13<br />

<br />

VOICE 2 or TUTTI<br />

Vbbb Š r r p r t mf<br />

<br />

Še Š Š Š. Še Š Š<br />

([)<br />

V In sick-ness, sor - row, want, or<br />

bbb Š ‰ ‰ Š Š Š‰ Š Š ‰ Š Š r Š‰.<br />

Š Š<br />

{ Bbbb Š Š Š Š Š Š Š Š Š Š Š mp<br />

‰ Š r<br />

Š Š<br />

‰. ‰ ‰ Š<br />

Vbbb Š. Še Š Š<br />

17<br />

<br />

Š Š Š Š Š. Š<br />

([)<br />

f<br />

Š Š bŠ. Še Š Š<br />

V bbb Š ‰ Š ‰ r Š<br />

Š. Š ŠbŠ f Š Š Š Š Š Š Š Š Š Š Š Š Š. Š Š f<br />

Š<br />

{ Bbbb Š Š Š bŠ. Še Š<br />

Š Š Š Š Š Š Š ‰ r<br />

‰ Š<br />

21<br />

<br />

Vbbb Š. Š<br />

([) f Š Š ‰ Š ‰. Š r r<br />

V<br />

there Give help as un - to thee.<br />

bbb Š Š =ŠŠ Š Š Š Š Š ŠŠ Š Š ‰ Š ‰. Š Š Š<br />

{ Bbbb<br />

Š Š Š=Š Š Š Š Š ‰<br />

t Še Š Š Š Š Š‰ Š Š Š Š<br />

Š<br />

25<br />

Vbbb p r t f<br />

Še Š Š Š. Še Š Š Š. Še Š<br />

Š<br />

([)<br />

Vbbb p p mf<br />

r Š Š Š Š. Š<br />

([)<br />

ah<br />

f<br />

V bbbŠ Š<br />

Š Š Š ‰ Š r t<br />

Še Š Š Š t<br />

Š Še Š Š Š Š<br />

{<br />

f<br />

BbbbŠŠ Š Š Š Š f molto legato<br />

‰. ‰ r ‰ Š Š. r r Š f Š<br />

for online perusal only<br />

care, What-e’er it be, ’tis ours to share; May we, where help is need-ed,<br />

And may thy Ho - ly Spi-rit move all those who


29<br />

Vbbb Š Š Š Š Š. Š<br />

([)<br />

f<br />

Š Š bŠ. Še Š Š<br />

Vbbb Š. Š Š<br />

([) f<br />

Š Š Š Š. t t f<br />

Še Š. Še<br />

Till thou<br />

shall<br />

V bbb Š Š Š Š Š Š bŠ<br />

Š Š Š Š Š bŠŠ Š Š Š<br />

{ Bbbb ‰ Š Š bŠ<br />

‰ Š ‰. Š Š Š<br />

live, to live in love, Till thou shalt greet in heav’n a -<br />

poco<br />

Vbbb Š. Š f Š Š =Š Š Š Š 4 t rit.<br />

32<br />

sub. mp Š f Š Š Š Š 34<br />

- bove All those who give to thee, all those who give to<br />

Vbbb Š Š Š Š ‰. 4 t sub. mp<br />

Še Š Š Š Š 34<br />

([)<br />

([)<br />

greet in heav’n a - bove All those who give to<br />

V bbb Š Š =Š Š Š Š 4 t<br />

poco rit.<br />

Š Š Š Š ‰ ‰ Še Š Š ‰ Š Š 34<br />

{ Š Bbbb Š Š<br />

4 sub. mp<br />

‰ =Š Š Š<br />

Š =Š ‰ ‰ ‰ 34<br />

35<br />

a tempo<br />

rall.<br />

p<br />

Vbbb 34 ‰. ‰ r p p p<br />

thee.<br />

p<br />

Vbbb 34 ‰. ‰ r p p p<br />

([)<br />

([)<br />

thee.<br />

for online perusal only<br />

O God <strong>of</strong> mercy 179<br />

V<br />

rall.<br />

a tempo<br />

bbb 34 ‰ Š ‰.‰ Š Š Š‰. Š Š ‰.<br />

Š ‰ ‰.<br />

{<br />

p<br />

Bbbb 34 t ŠeŠ Š Š Š Š Š<br />

pp<br />

‰ Š ‰ Š Š Š Š‰. Š Š Š Š Š ‰.<br />

‰.<br />

‰.


180<br />

S(A)(T)(B)<br />

Keyboard<br />

42. O God, your goodness<br />

Christian Gellert (1715–69)<br />

trans. Alan Bullard<br />

L. van BEETHOVEN (1770–1827)<br />

lower voice parts by Alan Bullard<br />

S.<br />

A.<br />

T.<br />

B.<br />

V# With solemn devotion h = 63<br />

# 2 ‰ ‰. Š ‰.<br />

Š Š Š Š ‰.<br />

Š Š ‰‰. Š<br />

{ B## 2 q r Š<br />

Š Š Š Š Š Š Š ‰<br />

KEYBOARD p<br />

Š Š Š Š Š<br />

V # (Man.)<br />

5<br />

# p p p<br />

mp<br />

q ‰ ‰. Š<br />

B## p p p p r Š Š Š<br />

mp<br />

V# # ‰ Š Š Š Š ‰ Š ‰ Š. ŠŠe<br />

ˆ Š r ‰ ‰. Š<br />

{ B## Š Š Š Š ‰<br />

‰ mf<br />

Š Š Š Š Š mp<br />

ˆ r q r Š<br />

Š Š<br />

V #<br />

10<br />

# ‰.<br />

‰ Š Š ‰. Š Š ‰. Š ‰. #Š Š ‰<br />

‰<br />

Š Š<br />

good - ness reach - es wide, As do the clouds a -<br />

B## ‰ ‰ ‰ Š Š Š Š Š ‰. Š ‰ Š Š ‰. Š ‰ ‰<br />

V#<br />

good - ness<br />

# ‰.<br />

Š Š Š Š ‰. Š Š ‰‰. Š ‰. #ŠŠŠ ‰ ‰ Š Š<br />

{ B## Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š<br />

for online perusal only<br />

© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.<br />

O God, your<br />

O God, your


V #<br />

15<br />

# ‰ Š r q ‰ ‰ Š #Š #‰‰ ‰ ‰ ‰. Š<br />

B## ‰ Š r q ‰ Š Š #Š ‰. #Š ‰ Š ‰ Š Š ‰<br />

Š Š #Š ‰. Š Š Š<br />

V# # ‰ Š r q ‰ #‰‰‰ ‰ ‰ ‰ Š‰ . Š #Š Š<br />

{ B## Š<br />

Š<br />

Š #Š Š Š Š =Š Š Š Š Š Š Š Š Š #Š Š Š Š<br />

- bove us. You crown us with your per - fect<br />

for online perusal only<br />

V #<br />

20<br />

#‰‰ ‰ Š Š ‰. Š Š Š Š #Š Š #‰‰ Š r<br />

love, You guide us and pro - tect us.<br />

B## ‰ ‰ ‰. Š ‰ ‰ ‰ Š r<br />

V# # ‰ ‰ ‰. Š Š‰<br />

Š Š #Š #‰ Š Š<br />

{ B## Š Š Š Š Š Š Š Š<br />

Š<br />

Š<br />

Š<br />

Š r Š<br />

Š =Š<br />

V #<br />

24<br />

poco a poco cresc.<br />

# p p q ‰ ‰.‰ Š Š ‰. Š<br />

B## p p q ‰ b‰. Š b‰. Š<br />

poco a poco cresc.<br />

V# # Š =#ŠŠ Š #Š #‰ ‰ Š Š Š Š b‰ . ‰ Š Š b‰. Š<br />

{<br />

poco a poco cresc.<br />

B## Š Š Š Š r Š Š Š ‰.<br />

Š rbŠŠ Š rbŠŠ Š<br />

* If performing in unison, sing the alto part from bar 26 to the end <strong>of</strong> bar 33.<br />

O God, your goodness 181<br />

*O Lord, our rock, our


182 O God, your goodness<br />

V #<br />

29<br />

# ‰. f<br />

‰ Š Š ‰. Š ‰. Š ‰. Š<br />

B## =‰ ‰.. Š =‰. Š b‰. Š =‰. Š<br />

V#<br />

f<br />

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shield, our friend, Un - to our thoughts and<br />

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33<br />

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for online perusal only<br />

words at - tend As now we pray be - fore<br />

(Ped.)<br />

V 39<br />

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you, as now we pray be - fore you.<br />

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183<br />

SATB*<br />

(Keyboard)<br />

Psalm 150 (BCP)<br />

43a. O praise God<br />

in his holiness<br />

(Version 1)<br />

JOHN WELDON<br />

(1676–1736)<br />

Joyfully i = 132<br />

V # Optional 34 Š Š introduction<br />

. Š<br />

ŠeŠ Š ‰