Oxford Book of Flexible Anthems

Edited by Alan Bullard
4
The Oxford Book of
Flexible Anthems
a complete resource for
every church choir

The Oxford Book of
Flexible Anthems
for online perusal only
a complete resource for
every church choir
Edited by Alan Bullard
B

3
Great Clarendon Street, Oxford OX2 6DP, England
198 Madison Avenue, New York, NY 10016, USA
Oxford University Press is a department of the University of Oxford.
It furthers the University’s aim of excellence in research, scholarship,
and education by publishing worldwide
Oxford is a registered trade mark of Oxford University Press
in the UK and in certain other countries
© Oxford University Press 2007
Each composer has asserted his/her right under the Copyright, Designs
and Patents Act, 1988, to be identified as the Composer of their Work
for online perusal only
Database right Oxford University Press (maker)
First published 2007
All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
without the prior permission in writing of Oxford University Press,
or as expressly permitted by law. Enquiries concerning reproduction
outside the scope of the above should be sent to the Music Copyright
Department, Oxford University Press, at the address above
Permission to perform the works in this anthology in public
(except in the course of divine worship) should normally be obtained
from the Performing Right Society Ltd. (PRS), 29/33 Berners Street,
London W1T 3AB, or its affiliated Societies in each country throughout
the world, unless the owner or the occupier of the premises
being used holds a licence from the Society
Permission to make a recording must be obtained in advance
from the Mechanical-Copyright Protection Society Ltd. (MCPS),
Elgar House, 41 Streatham High Road, London SW16 1ER,
or its affiliated Societies in each country throughout the world
ISBN 978–0–19–335895–9 (paperback)
ISBN 978–0–19–335896–6 (wiro)
Music origination by
Barnes Music Engraving Ltd., East Sussex
Printed in Great Britain on acid-free paper by
Caligraving Ltd., Thetford, Norfolk

Preface
This book is for church choirs of all types and sizes who wish to sing anthems.
All the anthems in this book can be performed by a mixed choir, but the flexible
arrangements also enable them to be performed by a wide variety of other
groups, including upper-voice choirs, choirs with few men, unison choirs, small
choirs, and choirs just starting out. The book thus meets a very real need of
church choirs today in offering flexibility of scoring in a constructive and realistic
way.
The collection presents a wide variety of repertoire for all types of occasion.
There are flexible arrangements of favourite anthems alongside less familiar
pieces. There are new arrangements of plainsong melodies and of folk
tunes from several continents. In addition, a number of anthems have been
specially commissioned, enabling a wide range of musical styles to be represented.
The emphasis throughout is on practicality and accessibility, without
ever compromising on musical integrity and quality.
for online perusal only
Vocal scoring
All the possible scorings for each anthem are shown in a box at the top of the
first page of each piece. The basic principle is that anything in brackets may be
omitted. Additionally, parts simply marked VOICE can be sung by upper voices,
or men, or a combination of both.
Here are examples of the principal scorings used:
S A (T) B
Keyboard
S A (Men)
Keyboard
S (A) (Men)
Keyboard
S (A) (T) (B)
(Keyboard)*
This may be performed with four vocal parts and keyboard, or
the tenor part may be omitted, with all men singing the bass
part.
There is a unison men’s part, suitable for tenors and basses,
which may be omitted to make an upper-voice anthem with
keyboard.
This may be sung as a unison anthem with all voices singing
the soprano/melody line (men an octave lower), or by upper
voices in two parts, or in three parts for S A Men, all with keyboard
accompaniment. Alternatively, the alto part may be
omitted to create a two-part anthem for upper voices, men’s
voices, and keyboard.
This can be sung by SATB a cappella, or by unison voices
(singing the soprano/melody line) or any vocal combination
including soprano, with keyboard accompaniment. * The keyboard
part may be omitted when all voice parts are present, or
as indicated by the footnote.

Voices 1 2
Keyboard
Voices 1 (2) (3)
Keyboard
This may be sung by any combination of voices in two parts,
for example Voice 1 (Soprano and/or Tenor) and Voice 2 (Alto
and/or Bass), or by Voice 1 (upper voices) and Voice 2 (men), all
with keyboard accompaniment. More specific suggestions are
sometimes given during the course of the anthem.
This may be sung in unison or in two or three parts with any
appropriate combination of voices, either upper, men, or
mixed.
Further clarification on scoring is given in a footnote where necessary.
In some anthems there is a DESCANT towards the end. This is optional, and
may in most cases be sung by sopranos and/or tenors, either full or as a semichorus.
Occasionally, individual voice parts will divide, with two notes indicated on
the same stem. If both notes are large, then either or both may be sung. If one
note is small, then the larger is preferable, but the smaller is an acceptable
alternative (or again, both may be sung).
Where there are passages in unison, vocal options are usually specified,
but others may be substituted if preferred. Using contrasting groups—upper
and lower voices, solo and tutti—will help give variety to the different verses or
sections.
In short, choir leaders may choose from the many different scoring options
available to make the most appropriate use of the singers at their disposal and
perform the anthems in the way which suits them best.
An Appendix listing the original versions and scorings of those anthems
where more substantial arrangements or adaptations have been made for the
purposes of this book is given on p. 284.
for online perusal only
Keyboard parts
In almost every case the keyboard parts have been arranged to be suitable for
playing on an organ with pedals, or organ manuals only, or piano. Players may
wish to exercise their judgement in some instances, bearing the following
guidelines in mind:
Organ with pedals: Play everything you can, following the bracketed Man.
and Ped. markings. Ignore the occasional markings for the piano sustaining
pedal and any piano notes which go out of range. The left-hand part is
frequently shared between the staves, and cross-staff lines clarify this where
necessary.
Organ manuals only: ignore the bracketed Man. and Ped. markings and any
solo stops that are not practicable, and omit any small notes that cannot be
reached.
iv

Piano: Ignore the organ-specific instructions and omit any small notes that
cannot be reached. Adapt the music for piano by repeating long pedal notes
that would be sustained on the organ, or doubling the bass line in octaves, or
using the sustaining pedal where appropriate.
It is worth noting that although the accompaniments may be played on
piano or organ, some are more suitable for one instrument than the other. If
you are lucky enough to have both instruments available, choose the one which
suits the anthem best.
In several anthems there are sections where the keyboard part is entirely in
small notes, or where doubling ‘ad lib.’ is indicated. If desired, the keyboard can
be omitted if all voices are present, but it should normally be played if they are
not. Above all, remember that the keyboard part is designed to support the
choir, adding musical interest but not detracting from the singing or the
projection of the words.
for online perusal only
Words, tempi, and expression
The starting point for every anthem is the words—they set the speed, mood,
style, expression, and character of the anthem. Metronome marks are provided,
but these are only suggestions, as the optimum tempo will vary according to
the circumstances and the size and acoustic of the building in which the
anthem is performed. Clarity of words is essential, and this should also guide
the choice of tempo. A slight emphasis on the important words will help to
shape the phrases musically. When learning a new anthem, focus right from
the beginning on the sense of the words, as well as the notes and rhythms.
This will help choirs to develop a deeper understanding of the anthem and its
meaning.
The intention of this collection is to enable all choirs, of whatever size or composition,
to sing to the glory of God every Sunday and on each principal feast
day of the year (with the exception of Christmas, for which there are many
carol and other collections available). I hope it meets that expectation and that
choirs will find it an invaluable aid to worship.
I would like to thank all those who have given helpful advice and made
suggestions of anthems or texts to include, in particular Julian Elloway and
Helen Burrows, and the editorial team at OUP for all their help and care with
this project.
Alan Bullard
Summer 2007
v

Index of Titles and First Lines
Where first lines differ from titles, the former are shown in italics.
TITLE COMPOSER NO. PAGE
Agnus Dei Samuel Webbe 33 145
Alleluia William Boyce, accomp. Alan Bullard 1 2
Angelus ad virginem 14th-cent. Irish, arr. Alan Bullard 15 72
Author of life divine Cecilia McDowall 2 6
Ave Maria Franz Liszt 21 96
Ave verum corpus Edward Elgar 30 132
Be still, for the presence of the Lord David J. Evans, arr. Richard Shephard 3 10
Blessed Jesu, Lord, I pray Gabriel Fauré 46 195
Bread of the angel host César Franck 44 187
Bread of the world Trad. Scottish, arr. Alan Bullard 4 14
Brightest and best of the sons Malcolm Archer 5 19
of the morning
Christians, shout for joy and gladness J. S. Bach, adap. Alan Bullard 6 25
Christ is the world’s true Light Walter Kendall Stanton 7 31
Christ the Lord is ris’n again! Richard Shephard 8 36
Clare Benediction, A John Rutter 9 41
Come down, O Love divine Hilary Tadman-Robins 10 46
Creator of the stars of night Mode iv melody, arr. John Scott 11 52
Drop, drop, slow tears Kerry Andrew 12 57
Evening Service in C Frank Henry Shera 13 61
Fairest Lord Jesus Silesian folk song, arr. Martin How 14 69
Gabriel to Mary came 14th-cent. Irish, arr. Alan Bullard 15 72
Give thanks to God Trad. Botswanan, arr. Alan Bullard 16 77
God be in my head Cecil Armstrong Gibbs 17 82
God in Mine Eternity Alan Bullard 18 84
God so loved the world Alan Bullard 19 87
God that madest earth and heaven Trad. Welsh, arr. David Thorne 20 92
God to enfold me Alan Bullard 18 84
Hail, Virgin Mary Franz Liszt 21 96
Hark, the glad sound! David Thorne 22 99
Harvest Carol Ian Ray 23 103
He is risen Cecil Cope 24 105
Hide not thou thy face Richard Farrant 25 110
Holy, holy, holy, Holy is the Lord Franz Schubert, accomp. Alan Bullard 26 112
Holy, holy, holy! Lord God Almighty! Alan Smith 27 115
Hosanna to the Son of David Georg Philipp Telemann 28 121
I bow before you David Blackwell 60 255
Irish Blessing Bob Chilcott 29 128
Jesu, Lamb of God, Redeemer Edward Elgar 30 132
Jesus Christ the Apple Tree Somerset folk song, arr. Alan Bullard 31 136
Jubilate attrib. W. A. Mozart, arr. Alan Bullard 32 140
Lamb of God Samuel Webbe 33 145
Let all mortal flesh keep silence French carol, arr. Stephen Cleobury 34 148
for online perusal only
vi

Let us praise you attrib. W. A. Mozart, arr. Alan Bullard 32 140
Like the murmur of the dove’s song Alan Smith 35 152
Lord, in thy mercy Felix Mendelssohn 36 156
Lord, now lettest thou thy servant Frank Henry Shera 13 66
depart in peace
Magnificat Frank Henry Shera 13 61
May the Lord show his mercy upon you John Rutter 9 41
May the road rise to meet you Bob Chilcott 29 128
My soul doth magnify the Lord Frank Henry Shera 13 61
Never weather-beaten sail Thomas Campion, adap. Alan Bullard 37 161
Now the green blade rises Trad. French, arr. Alan Bullard 38 164
Nunc dimittis Frank Henry Shera 13 66
O Breath of life Trad. English, arr. Alan Bullard 39 168
O for a closer walk with God Charles Villiers Stanford 40 172
O God of mercy Simon Lole 41 177
O God, your goodness L. van Beethoven, adap. Alan Bullard 42 180
O holy Jesus L. J. White, adap. Alan Bullard 48 199
O Lord! Shout for joy! American spiritual, arr. Alan Bullard 51 214
O praise God in his holiness Bob Chilcott 49 203
O praise God in his holiness John Weldon 43 183
Panis angelicus César Franck 44 187
Peace between nations Christopher Wiggins 45 192
Pie Jesu Gabriel Fauré 46 195
Praise to the Trinity Hildegard of Bingen, ed. Julian Elloway 47 198
Prayer of St Richard of Chichester, A L. J. White, adap. Alan Bullard 48 199
Psalm 150 Bob Chilcott 49 203
Rejoice in the Lord alway Christopher Wiggins 50 210
Shout for Joy! American spiritual, arr. Alan Bullard 51 214
Sing to the Lord of harvest Ian Ray 23 103
Star of Wonder Alan Bullard 52 220
The eternal gifts of Christ the King Guidetti, arr. Henry G. Ley 53 224
The heav’ns sing praises to God L. van Beethoven, adap. Alan Bullard 54 229
The Lord ascendeth up on high Michael Praetorius, ed. Timothy Morris 55a 232
(Version 1)
The Lord ascendeth up on high Michael Praetorius, arr. Alan Bullard 55b 233
(Version 2)
The Lord bless you and keep you John Rutter 56 237
The Lord’s my Shepherd Bob Chilcott 57 242
The peace of God Alan Bullard 58 247
There is no rose Andrew Smith 59 251
The tree of life my soul hath seen Somerset folk song, arr. Alan Bullard 31 136
The True and Living Bread David Blackwell 60 255
Thou visitest the earth Maurice Greene 61 259
To be a Pilgrim Nicholas Burt 62 262
Ubi caritas Antiphon, arr. Alan Bullard 64 273
Were you there? American spiritual, arr. Peter Hunt 63 267
We three kings of Orient are Alan Bullard 52 220
When I survey the wondrous cross Philip Wilby 65 278
Where all charity and love are Antiphon, arr. Alan Bullard 64 273
Who would true valour see Nicholas Burt 62 262
Wondrous Cross Philip Wilby 65 278
for online perusal only
vii

Listing by Liturgical Year and Themes
with Scoring
Many anthems are also suitable for general use.
For further details on scoring, see Preface.
TITLE SCORING COMPOSER/ARRANGER PAGE
Advent
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31
Creator of the stars of night S (A) (Men) Kbd arr. Scott 52
Gabriel to Mary came S (A) (T) (B) (Kbd) arr. Bullard 72
(Angelus ad virginem)
Hark, the glad sound! S (A) (Men) Kbd Thorne 99
Jesus Christ the Apple Tree S (A) (Men) Kbd arr. Bullard 136
Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148
Magnificat S (A) (Men) Kbd Shera 61
Never weather-beaten sail S (A) (Men) Kbd Campion, adap. Bullard 161
There is no rose Voices 1 (2) Kbd Smith 251
for online perusal only
Epiphany
Brightest and best of the sons S (A) (Men) Kbd Archer 19
of the morning
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31
Star of Wonder S (A) (Men) Kbd Bullard 220
Presentation of Christ in the Temple
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31
Nunc dimittis Voices 1 (2) Kbd Shera 66
Lent
A Prayer of St Richard of Chichester S S (A) (T) (B) Kbd White, adap. Bullard 199
Bread of the world S (A) (T) (B) Kbd arr. Bullard 14
Hide not thou thy face S (A) (Men) or Farrant 110
SATB (Kbd)
Lamb of God (Agnus Dei) Voices 1 (2) Kbd Webbe 145
O for a closer walk with God S A (T) (B) Kbd Stanford 172
O God of mercy Voices 1 (2) Kbd Lole 177
Passiontide
Drop, drop, slow tears Voices 1 2 (Men) Kbd Andrew 57
God so loved the world S A (T) (B) Kbd Bullard 87
Hosanna to the Son of David S (A) (Men) Kbd Telemann 121
Jesu, Lamb of God, Redeemer S A (Men) Kbd Elgar 132
(Ave verum corpus)
Were you there? Voices 1 (2) (3) Kbd arr. Hunt 267
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273
(Ubi caritas)
Wondrous Cross S A (Men) Kbd Wilby 278
viii

Easter
Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2
Christians, shout for joy and gladness S (A) (T) (B) Kbd J. S. Bach, adap. Bullard 25
Christ the Lord is ris’n again! S (A) (Men) Kbd Shephard 36
He is risen Voices 1 2 Kbd Cope 105
Now the green blade rises S A (T) (B) Kbd arr. Bullard 164
Ascension
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31
The Lord ascendeth up on high SATB (Kbd) Praetorius, ed. Morris 232
(Version 1)
The Lord ascendeth up on high Voices 1 2 Kbd Praetorius, arr. Bullard 233
(Version 2)
Pentecost
Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46
Like the murmur of the dove’s song Voices 1 (2) Kbd Smith 152
O Breath of life S (A) (Men) Kbd arr. Bullard 168
for online perusal only
Trinity
Holy, holy, holy, Holy is the Lord S (A) (T) (B) (Kbd) Schubert, accomp. Bullard 112
Holy, holy, holy! Lord God Almighty! S (A) Men Kbd Smith 115
Praise to the Trinity Unis. (Kbd) Hildegard, ed. Elloway 198
Transfiguration
Be still, for the presence of the Lord S (A) (Men) Kbd Evans, arr. Shephard 10
Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46
Harvest
Harvest Carol S A (T) B (Kbd) Ray 103
O God, your goodness S (A) (T) (B) Kbd Beethoven, adap. Bullard 180
Thou visitest the earth S (A) (Men) Kbd Greene 259
All Saints
The eternal gifts of Christ the King S (A) Men Kbd Guidetti, arr. Ley 224
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273
(Ubi caritas)
The Faithful Departed (All Souls’ Day)
God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92
Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195
Remembrance Sunday
Peace between nations Voices 1 (2) Kbd Wiggins 192
Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195
The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242
Christ the King
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31
Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148
The Lord ascendeth up on high SATB (Kbd) Praetorius, ed. Morris 232
(Version 1)
The Lord ascendeth up on high Voices 1 2 Kbd Praetorius, arr. Bullard 233
(Version 2)
ix

Annunciation/BVM
Gabriel to Mary came S (A) (T) (B) (Kbd) arr. Bullard 72
(Angelus ad virginem)
Hail, Virgin Mary (Ave Maria) S (A) (T) (B) (Kbd) Liszt 96
Magnificat S (A) (Men) Kbd Shera 61
There is no rose Voices 1 (2) Kbd Smith 251
Holy Communion
Author of life divine S A (T) (B) Kbd McDowall 6
Be still, for the presence of the Lord S (A) (Men) Kbd Evans, arr. Shephard 10
Bread of the world S (A) (T) (B) Kbd arr. Bullard 14
Holy, holy, holy, Holy is the Lord S (A) (T) (B) (Kbd) Schubert, accomp. Bullard 112
Jesu, Lamb of God, Redeemer S A (Men) Kbd Elgar 132
(Ave verum corpus)
Lamb of God (Agnus Dei) Voices 1 (2) Kbd Webbe 145
Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148
Panis angelicus (Bread of the angel host) Voices 1 (2) Kbd Franck 187
The True and Living Bread S A (Men) Kbd Blackwell 255
for online perusal only
Baptism
Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46
God in Mine Eternity S A (Men) Kbd Bullard 84
The Lord bless you and keep you S A Men Piano Rutter 237
Weddings and Blessings
A Clare Benediction S A Men (or Unis.) Rutter 41
Piano
Irish Blessing S (A) (Men) Kbd Chilcott 128
The Lord bless you and keep you S A Men Piano Rutter 237
The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242
The peace of God S (A) (T) (B) (Kbd) Bullard 247
Funeral and Remembrance
God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82
God in Mine Eternity S A (Men) Kbd Bullard 84
God so loved the world S A (T) (B) Kbd Bullard 87
God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92
Never weather-beaten sail S (A) (Men) Kbd Campion, adap. Bullard 161
O God of mercy Voices 1 (2) Kbd Lole 177
Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195
The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242
The peace of God S (A) (T) (B) (Kbd) Bullard 247
Morning
Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2
Holy, holy, holy! Lord God Almighty! S (A) Men Kbd Smith 115
Jubilate (Let us praise you) Voices 1 2 (3) (4) (Kbd) Mozart, arr. Bullard 140
Evening
Creator of the stars of night S (A) (Men) Kbd arr. Scott 52
Evening Service in C S (A) (Men) Kbd/ Shera 61
Voices 1 (2) Kbd
God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92
x

Unity
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31
Like the murmur of the dove’s song Voices 1 (2) Kbd Smith 152
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273
(Ubi caritas)
Creation
Fairest Lord Jesus S (A) (Men) Kbd arr. How 69
God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92
Praise to the Trinity Unis. (Kbd) Hildegard, ed. Elloway 198
The heav’ns sing praises to God S (A) (Men) Kbd Beethoven, adap. Bullard 229
Healing
Give thanks to God S (A) (Men) (Kbd) arr. Bullard 77
God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82
God in Mine Eternity S A (Men) Kbd Bullard 84
Irish Blessing S (A) (Men) Kbd Chilcott 128
Now the green blade rises S A (T) (B) Kbd arr. Bullard 164
The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242
for online perusal only
Peace and justice
Lamb of God (Agnus Dei) Voices 1 (2) Kbd Webbe 145
Like the murmur of the dove’s song Voices 1 (2) Kbd Smith 152
Lord, in thy mercy S (A) (Men) Kbd Mendelssohn 156
Peace between nations Voices 1 (2) Kbd Wiggins 192
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273
(Ubi caritas)
Prayer
Be still, for the presence of the Lord S (A) (Men) Kbd Evans, arr. Shephard 10
God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82
Like the murmur of the dove’s song Voices 1 (2) Kbd Smith 152
O for a closer walk with God S A (T) (B) Kbd Stanford 172
O God, your goodness S (A) (T) (B) Kbd Beethoven, adap. Bullard 180
Service in Christ
O for a closer walk with God S A (T) (B) Kbd Stanford 172
The Lord bless you and keep you S A Men Piano Rutter 237
To be a Pilgrim S (A) (T) (B) Kbd Burt 262
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273
(Ubi caritas)
Praise
Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2
Give thanks to God S (A) (Men) (Kbd) arr. Bullard 77
Jubilate (Let us praise you) Voices 1 2 (3) (4) (Kbd) Mozart, arr. Bullard 140
O praise God in his holiness (Version 1) SATB (Kbd) Weldon 183
O praise God in his holiness (Version 2) S (A) (Men) (Kbd) Weldon 185
Psalm 150 S (A) (Men) Kbd Chilcott 203
Rejoice in the Lord alway Voices 1 (2) Kbd Wiggins 210
Shout for Joy! Voices 1 2 (3) (4) arr. Bullard 214
(Kbd) (Perc)
The heav’ns sing praises to God S (A) (Men) Kbd Beethoven, adap. Bullard 229
xi

Voices 1 2 (3)
(Keyboard)*
1. Alleluia
1
WILLIAM BOYCE (1711–79)
accomp. Alan Bullard
Lively h = 84
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for online perusal only
* The keyboard part may be omitted if all three voice parts are sung; begin at either bar 5 or bar 21.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

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for online perusal only
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mf

25
V ‰ ‰ ‰. Š ‰ ‰ ˆ
f
4 Alleluia
([)
- le - lu - ia, al - le - lu - ia.
VŠ Š ‰ ‰ ‰ Š Š ‰ ˆ
([)
mf
- le - lu - ia, al - le - lu - ia.
V ‰. Š Š Š Š Š Š Š Š Š ‰ ‰ ˆ
([)
V al - le - lu - - - ia.
‰ ‰ Š Š Š Š Š Š Š Š Š‰
Š ‰ Š Š Š Š Š Š Š
mf
f
{ B Š‰. Š ‰ Š ˆ ‰ ‰ ‰ ‰ ˆ
29
V ˆ ˆ ˆ ˆ
([) Al - le - lu - ia,
V ‰. Š Š Š Š Š ‰ Š Š #‰ ‰. Š
([)
Al - le - lu - ia, al - le - lu - ia, al -
VrŠ Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰
([) . . .
V
Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia, al -
‰ Š#Š Š Š Š Š Š Š Š Š#Š Š Š Š Š#Š Š Š Š#Š Š Š Š Š
{ B ˆ ˆ Š Š #‰ ‰ ‰ ‰ ‰ ‰ ‰
33
V ‰. Š Š
ff
Š Š Š Š Š Š Š ‰ ‰ ˆ
([)
al - le - lu - - - ia.
V ‰ ‰ ‰. Š ‰ ‰ ff
ˆ
([)
- le - lu - ia, al - le - lu - ia.
VŠ Š ‰ ‰ ‰ Š
ff
Š ‰ ˆ
([)
V - le - lu - ia, al - le - lu - ia.
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ B ‰ ‰ ‰ ‰ ˆ ‰ ‰ ˆ
for online perusal only
f
f

37
Vr Š Š.
Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰
([) . .
V ˆ ˆ ˆ ˆ
([)
Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia, al -
Al - le - lu - ia,
V ‰. Š Š Š Š Š ‰ Š Š #‰ ‰. Š
([)
Alleluia 5
Al - le - lu - ia, al - le - lu - ia, al -
V ˆ ˆ ˆ ‰ #‰ ‰ ‰
{
ff
B ˆ ˆ ‰ ‰ r
Š Š Š Š
Š Š Š Š Š Š
. . . . . . . . . . Š ‰. Š
.
for online perusal only
rit.
41
fff
VŠ Š ‰ ‰ ‰ Š Š ‰ ˆF
([)
- le - lu - ia, al - le - lu - ia.
fff
V ‰. Š Š Š Š Š Š Š Š Š ‰ ‰ ˆF
([)
al - le - lu - - - ia.
fff
V ‰ ‰ ‰. Š ‰ ‰ ˆF
([)
- le - lu - ia, al - le - lu - ia.
V
rit.
Š Š ‰ Š Š Š Š Š Š Š Š Š Š ‰
F
‰ ˆ
{
fff
B ‰ ‰ ‰. ‰ Š Š Š ˆ
‰ ‰ E
ˆˆ

6
SA(T)(B)
Keyboard
2. Author of life divine
Charles Wesley
(1707–88)
SOPRANO
TENOR
ALTO
BASS
Flowing i = 94
unis.
Vbbbb 34 p p p
Š Š Š ‰ Š
([)
Au - thor of life, of
unis.
Vbbbb 34 p p p p
Š Š Š
([)
Au - thor
V
Flowing i = 94
bbbb 34 Š‰. Š Š Š‰. Š Š Š ‰‰. Š Š‰ Š Š
{ Bbbbb 34 ‰. Š Š Š Š‰. Š Š Š
‰. ‰.
KEYBOARD mp p
(Ped.)
*
CECILIA McDOWALL
(b. 1951)
of
for online perusal only
5
Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š ‰. ‰.
([)
life di - vine, who hast a ta - ble spread,
Vbbbb Š Š Š ‰ Š ‰ Š Š Š Š ‰. ‰.
([)
life di - vine, who hast a ta - ble spread,
V bbbb Š‰. Š Š ‰. Š ‰. Š Š Š
Š‰ Š ‰. ‰.
{ Š Š Š Š Š Š Š
Bbbbb r r Š ‰ r
‰. ‰. ‰. ‰. ‰. ‰.
* If performing on piano, repeat the tied bass notes as required throughout.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

11
mp
Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š
([)
Vbbbb p mp
Š Š Š Š Š Š ‰ Š
([)
V bbbb ‰ ŠŠŠ ‰. Š Š‰. Š Š ‰ Š
{
mp
Bbbbb r r Š ‰.‰ Š ‰. Š Š Š
‰. ‰. ‰.
‰.
‰.
furn - ished with mys - tic wine and
furn - ished with mys - tic wine and
15
p
Vbbbb Š Š Š Š Š Š ‰. ‰ Š 32
([)
([)
ev - er - last - ing bread, pre -
Vbbbb ‰ Š ‰ Š Š Š Š Š Š Š 32
ev - er - last - ing bread, pre -
V bbbb Š
‰ Š ‰‰. Š Š ‰. ‰.
Š 32
{ Bbbbb ‰.
‰. ‰‰. ‰. ‰‰. Š Š Š ‰ Š Š Š Š
p 32
19 i = i
mf mp
Vbbbb32 Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š 34
([)
- serve the life thy - self hast given, and feed and train us up for
Vbbbb32 Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š 34
([)
mf
p
(Man.)
- serve the life thy - self hast given, and feed and train us up for
i = i
for online perusal only
V bbbb32 Š‰ Š Š‰ Š ‰ ˆ. Š Š Š Š Š Š Š‰ Š Š‰ Š ‰ 34
{ Bbbbb32 mf mp
‰ ‰‰ ‰ ˆ ‰ Š Š ˆ ‰ ‰ ‰‰‰
34
mp
Author of life divine 7

S.
A./
T./B.
8 Author of life divine
22
Vbbbb34 ‰. ‰. p p
heaven.
Vbbbb34 ‰. ‰. p p
([)
([)
heaven.
V bbbb34 ‰. ‰. Š‰. Š Š Š‰.
Š Š Š Š Š
{ Bbbbb34 ‰.
Š ‰. Š Š Š ‰. Š Š Š ‰. Š Š Š ‰.
Š Š
(Ped.)
for online perusal only
26
Vbbbb p mf
Š ‰ ‰ Š ‰ Š ‰ Š
unis. mf
Vbbbb
Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š
([)
V bbbb ‰. ‰. ‰ ‰
Š Š Š ‰ Š Š Š Š Š Š Š ‰. Š Š Š
{
mf
Bbbbb ‰ Š ‰ Š ‰ Š
‰. ‰.
‰. ‰‰. Š ‰. Š Š Š
‰. ‰. ‰.
Our souls sus - tain with
Our nee - dy souls, our souls sus - tain with fresh sup -
31
Vbbbb ‰ Š Š Š Š ‰. p Š f ‰
fresh sup - plies of love, all
f
Vbbbb Š Š Š ‰. ‰. Š Š Š Š Š Š
([)
V bbbb ‰. Š Š Š ‰. ‰ . Š‰. Š Š Š ‰.
‰ Š Š
{ Bbbbb Š ‰. Š Š Š ‰.
‰ . ‰ . ‰ . f
Š Š
‰ . ‰ .
- plies of love, till all thy life we

36
Vbbbb Š ‰ Š ‰ Š ‰ ‰ Š
Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š
([)
thy full - ness, full - ness,
gain, and all thy full - ness, full - ness
V bbbb Š‰.
‰ Š Š Š ‰ Š Š Š ‰ Š Š ‰.
Š
{ Bbbbb Š ‰. Š Š ‰ Š Š Š ‰.
‰.
‰.
‰.
‰.
Š ‰‰. ‰.
40
Vbbbb Š Š Š ‰. 32 Š r q r Š
mf
full - ness prove. thy
Vbbbb ‰. ‰ Š 32 Š Š Š Š Š Š
([)
V bbbb ‰. Š Š Š Š‰ Š Š 32 ‰ Š Š Š‰ Š ‰
{
mf
Bbbbb ‰. ‰‰. ‰‰‰ Š Š 32ˆ ‰ ‰ ‰
prove, and, strength-ened by thy per - fect
(Man.)
43
Vbbbb Š Š Š Š Š Š ˆ mp
q r Š Š Š Š Š ˆ.
per - fect, per-fect grace, be - hold thy face.
Vbbbb ˆ Š Š Š Š Š Š Š Š ˆ. ˆ.
([)
for online perusal only
mf mp p
grace, be - hold with-out a veil thy face.
V bbbb ŠˆŠ Š Š Š Š ˆ Š Š Š Š ‰ ‰ ˆ. ‰ ‰ ˆ.
{
mp p
Bbbbb ˆ. Š Š ‰ ˆˆ ‰ ‰ ˆ.
ˆ. ˆ. ˆ.
(Ped.)
Author of life divine 9
mf
p

10
S(A)(Men)
Keyboard
3. Be still, for the presence
of the Lord
S.
A.
MEN
V # Andante espressivo i = 100
SOPRANOS & ALTOS unis.
# ([)
4 p p mp
VOICES
r Š Š Š Š ŠŠŠŠ Š. Še
V#
1. Be still, for the pre-sence of the Lord, the
# 4 ‰ Š‰ Š Š‰ Š Š‰ Š ‰ ‰ ‰‰
Š‰
Š
{ B## 4 Š
KEYBOARD p sempre legato
Š ‰ Š ŠŠŠ Š ‰
‰‰ ‰ ‰
V # (Ped.)
MEN or TUTTI
5
#
mp
Š Š Š Š ˆ r Š Š ŠŠ Š. Še
([)
Š. Š e Š Š Š Š ˆ
V#
Ho-ly One, is here; Come, bow be - fore him now, with re-ver-ence and fear.
# ˆ‰ ‰ ˆ Š Š Š Š Š Š Š Š Š Š ŠŠ Š Š
Š ‰ ‰ ‰ ‰ ‰ ‰ ‰‰
{ B## ˆ p
‰ ‰ ˆ
‰. Š ‰ q‰ q ‰ Š Š Š #Š ˆ
‰ Š Š ‰ ‰ ‰. Š
V #
11 mf
# r Š. Še‰ r Š.
mp
Š Š Š Š Š ‰ Š Š Š Š Š Še ‰ r Š Š ŠŠŠ
In him no sin is found, we stand on ho - ly ground; Be still, for the
B## r Š Š Š Š Š ‰ r Š Š Š Š Š ‰ r Š Š ŠŠ
V#
mf
# Š Š Š Š ‰ ‰. bŠ Š Š ‰ ‰ mp
‰ ‰ ‰ Š Š ˆ Š Š Š‰
Š
{
mf
B## ‰. =Š
‰. Š mp
‰
‰ Š Š ‰ ˆ‰ ‰ ‰ Š
Š
Š
Š ‰ ˆ
for online perusal only
If performing in unison, sing the melody throughout, omitting the descant sections in vv. 2 and 3.
Words and music by
DAVID J. EVANS (b. 1957)
arr. Richard Shephard
© 1986 Thankyou Music. Administered in UK and Europe by worshiptogether.com and rest of world by kingswaysongs.com,
email: tym@kingsway.co.uk. Used by permission. Photocopying this copyright material is ILLEGAL.

V #
16
# ŠŠŠŠ Š Š. Š Še Š. Še r p p
Š Š Š Š Š ‰.
pre-sence of the Lord, the Ho - ly One, is here.
B## ŠŠŠŠŠ. Š Š Š Š Š f
‰. r p p
V# # ‰ ‰ Š Š Š. Še r
Š Š Š Š
Š Š
Š ‰. Š
Š ‰ Š Š Š Š‰ Š Š ‰
{ B## Š Š Š Š Š Š r
‰ ‰ ‰ ‰ ‰
‰ Š Š Š
V #
21
# p p
r Š Š Š Š ŠŠŠŠ Š. Še Š Š Š ‰ Š r f
Š ‰.
2. Be still, for the glo-ry of the Lord is shi-ning all a - round;
B## p p p p p
V# # Š‰. Š ‰ Š ‰ ‰ ‰‰‰ Š‰ Š Š‰ Š Š‰ Š ‰. ‰ ‰ Š
{
p
B## Š‰ Š Š Š ‰ ‰ ‰ ‰ ‰ ‰ ‰
‰ ˆŠ Š ‰
for online perusal only
Be still, for the presence of the Lord 11
ah
V #
26
mp
# ˆ ‰ Š Š r r r Š Š Š Š Š. Š f Š. Š Š Š Š f
Š ‰. Š Š Š
B## r Š Š Š Š Š. Š f Š. Š Š Š Š f
Š ‰.
r r
Š Š Š
V#
p
# ‰ Š Š ‰ Š Š Š Š Š Š ‰ = ‰ mp
‰ ‰ Š Š
‰ Š Š Š Š ‰ Š‰
Š
{
mp
B## ‰ ‰ Š‰ Š ‰ ‰ q
‰ ‰ Š‰ Š ‰
‰
He burns with ho - ly fire, with splen-dour he is crowned. How awe-some

12 Be still, for the presence of the Lord
ah
V #
31
# Š. Še r Še q ‰ Š Š Š Š
f
‰ Š Š Š Š. f
‰ r Š Š Š Š ŠŠŠŠ
mf
Š. Š
is the sight, our ra-diant King of light! Be still, for the glo-ry of the Lord is
f
B##
Š. Š f
‰ r
Š Š Š Š. Š f
‰ mp
r Š ‰ r Š ‰
V#
Be still, be still,
# Š‰ Š Š‰ Š ‰‰ ‰ Š Š ‰ Š Š ‰ =ˆ ‰ ‰ Š‰ Š #(‰
) ŠŠ
{ B## Š Š ‰ #ˆ ‰ Š Š mp
Š Š ‰ b‰ ˆ ˆ ‰ ‰ ‰ ‰
for online perusal only
p
V #
36
# ‰ Š Š Š. Š Š r p p p
f
‰.
p
p
shi-ning all a-round.
B## q ‰ ‰. r p p p
V#
be still.
# ‰ Š Š Š Š Š Š Š Š Š Š Š ‰.
Š ‰ Š. Š Š Š Š Š Š
{
f
‰ ‰ ‰ ‰ Š Š Š Š ‰
p
f
B## Š Š Š Š ‰ ‰
‰ ‰ ‰ ‰ ‰ ‰ ‰ Š Š ‰ Š
‰ Š
V #
41
unis.
# f
S. mf
r Š Š Š Š ŠŠŠŠ Š. Še Š Š Š Š ˆ r Š Š ŠŠŠ
A.
3. Be still, for the pow-er of the Lord is mov-ing in this place; He comes to
B## r Š Š Š Š ŠŠŠŠ Š. Š Š Š Š f
Š ˆ r Š Š ŠŠ
V#
f
# ‰ ‰ mf
Š Š Š‰ Š Š‰ Š Š. Š ŠŠeŠ. Š Š Še =Š ‰ Š ‰ Š #( ) Š‰ Š Š Š ŠŠŠ
{ B## Š Š Š Š ‰ ‰
mf
‰ ‰ ‰ ‰ ˆ =Š ‰ Š ‰ ŠŠŠŠ
mp

V #
46
# Š. Š ŠŠe
ŠŠ. Še ‰. r Š Š Š Š Š Š Š Š r Šf
Š Š Š. Še f
‰
cleanse and heal, to mi - ni - ster his grace. No work too hard for him,
B## Š Š Š Š Š Š Š Š ‰ Š ,
r r
Š Š Š Š. Š f
‰
V#
f
# Š Š Š Š ‰ ‰.
,
‰ ‰ Š Š Š Š Š Š ˆ Š Š Š Š
Š Š Š ‰. ‰ ‰ Š ‰. Š
{ B## ‰ Š
f
‰
Š Š Š ‰. Š Š ‰ ‰ ‰.
‰.
Š ‰.
Š Š Š Š Š
for online perusal only
ah the Lord is mov - ing
V # dim. poco a poco
51
# r Š Š ŠŠ Š. Še ‰ ‰ Š Š Š Š f
‰
r
Š Š Š Š ŠŠŠŠ Š. Š ‰ ‰ f
Š Š Š Š
in faith re - ceive from him; Be still, for the pow-er of the Lord is mov - ing
B## r
Š Š Š Š. Š f
‰ r
Š Š Š Š ŠŠŠŠ Š. Š ‰ Š Š f V# # ŠŠ Š Š dim. poco a poco
b‰ Š Š ŠŠ ‰ Š Š ‰ ‰ ‰ Š Š Š‰ Š Š ‰ Š ‰ Š Š
{
dim. poco a poco
B## Š Š ‰ =‰
‰
‰ Š Š ‰ ˆ ‰ ‰ ‰ Š Š ‰ ‰ Š Š
in this place.
V # rit. al fine
56
#
pp
‰. ‰ ‰ Š ˆˆ Š
r q p Fp
in this place.
B## ‰.
Š ˆ Š r q p p
V#
pp
E
rit. al fine
# ‰‰ Š Š r Š Š Š Š Š. Še
‰ Š. Še
Š Š ‰ ‰ ‰ ‰ ‰ Š
F
Š ‰ ˆ
{ B## Š Š
pp
ˆ
Š Š Š
q Š Š
‰ ‰ Š ‰
‰
Eˆ
,
Be still, for the presence of the Lord 13

14
S(A)(T)(B)
Keyboard
4. Bread of the world
Reginald Heber
(1783–1826)
VOICES
KEYBOARD
([)
V # Gently, but not too slow i = 132
TUTTI or T./B. unis. or SOLO
34 p p p p
p legato
Š. ŠeŠ
([)
Bread
of the
V# 34 Š.
‰. ŠeŠ Š
‰. Š Š ‰. Š ‰. Š ‰.
Š
{ B#34 p
‰. Š ‰ Š ‰. ‰ Š ‰. ‰ Š ‰. ‰ Š ‰.
‰
legato
(Ped.)
V #
6
Š Š Š Š. ŠeŠ ‰ Š Š. ŠeŠ Š Š Š Š. ŠeŠ
([)
for online perusal only
Trad. Scottish
arr. ALAN BULLARD (b. 1947)
world, in mer - cy bro - ken, Wine of the soul, in mer - cy
V# ‰‰. Š ‰. Š ‰ ‰. Š ‰
‰. Š Š
‰. Š Š Š. ‰.
ŠeŠ
{ B# ‰. Š ‰ ‰ ‰. Š ‰. ‰. r ‰ ‰. r ‰ ‰.
r ‰
V #
12
‰ Š Š Š Š Š. Še Š Š Š Š ‰ Š
shed, By whom the words of life were spo - ken,
V# ‰ Š Š Š Š ‰.‰ Š Š‰.
Š Š ‰ = Š
{ B# r ‰ Š Š Š Š ‰ =‰. Š ‰
‰. ‰. ‰. ‰.
This anthem may be shortened by omitting bars 22– 41.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
T.
B.
([)
Bread of the world 15
optional cut to bar 42 O
V #
17
Š Š Š Š Š Š Š. Še Š ‰ Š ‰ Še t
And in whose death our sins are dead.
V# Š Š Š Š Š Š ‰ Š ‰. Š Š‰.
Š Š
{ B# r ‰ r ‰ r ‰ r
‰. #‰. ‰. ‰. ‰ ‰.
(Man.)
V #
22
mp legato
p p p Š. Še Š Š Š Š. f Š ‰ Š ‰ ŠeŠŠ
Bread of the world, in mer - cy
B# p p p Š. ŠeŠ Š Š f
Š ‰ Š ‰ Š
mp legato
V# Š. Š Š f
Š Š Š ‰ Š Š Š Š r r p p
{
double choir ad lib.
B# ‰. ‰. Š. Š ‰. Š f Š r r p p
for online perusal only
V #
28
Š. ‰ Š Š Š. ŠeŠ Š Š Š. Še Š f f Š ‰ Š ‰ #Š ‰.
Š
bro - ken, Wine of the soul, in mer - cy shed,
B# ‰ Š Š. ŠeŠ Š Š Š. Še ‰ Š
f Š #‰ Š ‰ Š ‰.
V #
33
ŠŠ Š Š. Še Š Š Š Š Š ‰ Š ‰ #( ) Š ‰ Š Š #ŠŠ Š
B# Š Š Š ‰ Š =Š Š
‰ Š
Š ‰ Š Š Š Š Š Š #Š
By whom the words of life were spo - ken, And in whose

16 Bread of the world
O
V #
38
‰ Š Š Š ‰ Š. ŠeŠ Š ‰ Šet p p
Š ‰ Š
death our sins are dead.
f
B# ‰ Š Š Š Š‰ Š Š Š ‰. ‰ ŠetŠ p p f
V# p p
O
‰ Š Š Š Š. Š Š Š Š Š
Š Š Š ‰. f
{ B# p p p
‰. ‰. ‰. ‰ r V
V # (Man.)
44
S./A. unis. or SOLO
p
p legato
Š. ŠeŠ Š Š Š Š. ŠeŠ ‰ Š Š. ŠeŠ
Look on the heart by sor - row bro - ken, Look on the
V# Š ‰.. ŠeŠ ‰. ‰. ‰.‰ Š ‰. ‰.
{ V # pp
Š Š Š ‰.‰ Š ‰.‰ Š ‰. ‰. ‰.
Š
V #
50
Š Š Š Š. ŠeŠ ‰ Š Š Š Š Š. ŠeŠ Š Š Š
tears by sin - ners shed; And be your feast to us the
V# Š‰ Š Š. ŠeŠ Š
Š #‰. ‰ Š ‰. Š Š Š‰. Š Š Š‰ Š Š
{ V # ‰ Š ‰ Š ‰ Š ‰ .
‰
‰. ‰. ‰. Š Š Š Š
V #
56
‰ Š Š Š Š Š Š Š Š. ŠeŠ ‰ Š ‰ Šet
to - ken That by your grace our souls are fed.
V# Š‰. Š Š ‰. Š Š Š Š Š Š ‰ Š Š Š ‰. Š Š Š
{ V # ‰. Š Š Š Š Š Š Š ‰.
Š ‰. ‰.
for online perusal only

62
V# molto rit.
Š‰. Š Š ‰. Š Š Š Š Š Š Š Š Š Š
F ,
‰. ‰. Š Š ‰‰. ‰‰ ŠŠ
{ V # dim.
‰. ‰. ‰. ‰. Š rr B Š. Š f Š ‰ Š
Š. Š Š E
f
V # a tempo
69 mp
DESCANT (opt. SOLO)
p Š Š Š ‰. ‰. p
Bread of the world,
V # Š. Še Š Š Š Š Š. Še Š ‰ Š Š. Še Š
([)
OTHER VOICES
mp
Look on the heart by sor - row bro - ken, Look on the
V#
a tempo
‰. Š ‰ Š Š Š ‰. Š ‰ ‰. Š ‰
‰. Š
{
mp
B# Š ‰ Š ‰ ‰ Š
‰. ‰. ‰. ‰. ‰. r ‰
(Ped.)
for online perusal only
Bread of the world 17
V #
74
mp
cresc.
Š Š Š ‰. ‰. p Š Š Š
Wine of the soul, And be your
V # cresc.
Š Š Š Š. Še Š ‰ Š Š Š Š Š. Še Š
([)
tears by sin - ners shed; And be your feast to
V# Š Š Š Š. ‰. Še Š ‰.‰ Š ŠŠ Š Š Š‰ Š =ŠŠ
{ B# Š‰ Š Š ‰. Š Š Š
Š‰. Š Š ‰ Š Š Š ‰ Š Š Š

18 Bread of the world
S.
A.
T.
B.
V #
79
Š. Š f Š
f mp
Š Š Š ‰ Š ‰ Š Š. Š f Š
V # Š Š Š ‰ Š Š
f mp
Š Š Š Š Š Š. Še Š
([)
feast the to - ken That by your grace our souls are
us the to - ken That by your grace our souls are
V# Š. Še Š ‰ Š
‰ . Š Š Š ‰.
Š Š ‰ Š Š Š Š. ‰. Še Š
{
f p
B# ‰. Š Š Š ‰. Š Š Š Š ‰.‰ Š ‰.
Š
V #
84
rit.
‰ Š ‰. Še t r r p
fed.
V # ‰ Š ‰. Še t r r p
([)
fed.
V# rit.
‰ Š Š. Še Š ‰. ‰ Še t
‰. ‰. ‰ Š f
{
pp
B#=Š‰. Š Š ‰. Š. Še Š ‰ Še t
t r p
V # meno mosso
88
Fp p
Š. ŠeŠ Še t f
Š ‰. ‰. Š f
r r
Bread of the world.
B# p Š. ŠeŠ f Š ‰. ‰. ŠeŠ E
f t r r
V# p
F
meno mosso
p p p t
‰. Še r r
{
double choir ad lib.
pp
B#
E
p p p ‰. ŠeŠ t r r f
for online perusal only

S(A)(Men)
Keyboard
for Phillip Bell and the boys of Eccles Hall School, Norfolk
5. Brightest and best of
the sons of the morning
19
Reginald Heber
(1783–1826)
MALCOLM ARCHER
(b. 1952)
VOICES
KEYBOARD
V # 34 p i Con moto = 138
. p p p
([)
V# 34 Š Š Š Š Š Š . Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
mp
Š
{ B#34 ‰. ‰. . ‰.
‰.
‰.
‰ Š ‰ Š
(Ped.)
V # v. 1: SOPRANO
v. 2: MEN or TUTTI
5
mf
Š. Še Š Š Š Š Š Š Š ‰ Š
([)
1. Bright - est and best of the sons of the morn - ing,
2. Cold on his cra - dle the dew - drops are shin - ing;
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
mf
{ B# ‰.
‰. ‰.
‰.
‰.
‰ Š ‰ Š
V #
9
Š Š Š Š Š Š Š Š Š ‰.
([)
for online perusal only
dawn on our dark - ness and lend us thine aid;
low lies his head with the beasts of the stall;
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ B# ‰.‰ Š ‰. ‰. ‰.
© 1990 Kevin Mayhew Ltd. Reproduced by permission of Kevin Mayhew Ltd, www.kevinmayhew.com. Licence nr 709091/1.
Photocopying this copyright material is ILLEGAL.

S./A.
20 Brightest and best of the sons of the morning
V #
13
Š. Š Š Š f Š Š Š Š Š ‰ Š
([)
star of the east, the ho - ri - zon a - dorn - ing,
an - gels a - dore him in slum - ber re - clin - ing,
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ B# ‰. ‰
Š ‰. ‰.
V #
17
1.
2.
Š Š Š Š Š Š Š. Še Š ‰. . ‰.
([)
for online perusal only
guide where our in - fant Re - deem - er is laid.
Ma - ker and Mon - arch and Sa - viour of all.
V# Š Š Š Š Š Š
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š . Š Š Š Š Š Š
{ B# #‰. ‰. Š Š‰. Š Š ‰
‰.
Š . Š
‰. Š Š
V #
21
unis.
mp
Š. Še Š Š Š Š Š. Še Š ‰ Š
3. Say, shall we yield him in cost - ly de - vo - tion,
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
mp
{ B# ‰. ‰. ‰. ‰.
V #
25
Š. Še Š Š Š Š Š Š Š ‰.
o - dours of E - dom, and off’r - ings di - vine,
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š #Š Š Š Š Š
{ B# ‰. ‰. ‰. ‰.
‰.

Brightest and best of the sons of the morning 21
V #
29
Š. Š f Š Š Š Š Š. Š f Š ‰ Š
gems of the moun - tain, and pearls of the o - cean,
V# =( )Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ B# ‰. ‰. ‰.
‰.
‰.
V #
33
Š. Še Š Š Š Š Š Š Š ‰ r
myrrh from the for - est, or gold from the mine?
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ B# ‰. Š
‰. ‰. ‰. Š Š
for online perusal only
S.
A.
V #
37 mf
Š. Še Š Š Š Š Š Š Š ‰ Š
4. Vain - ly we of - fer each am - ple ob - la - tion,
p
V # div. (lower part opt.)
‰. ‰. ‰. ‰ Š
ah
V# Š Š Š Š Š Š Š Š Š Š Š { ‰. ‰. ‰. ‰ Š
mp
B# ‰. ‰. ‰ Š ‰ Š
(Man.)

22 Brightest and best of the sons of the morning
V #
41
Š Š Š Š Š Š Š Š Š ‰. Š. Š Š
vain - ly with gifts would his fa - vour se - cure: rich - er
f
by
V # ‰. ‰. ‰. ‰. ‰.
ah
ah
V# Š‰. Š Š Š‰. Š Š Š‰. Š Š Š‰. Š Š Š‰.
Š Š
{ B# ‰. ‰. ‰. ‰. ‰.
for online perusal only
V #
46
Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š
V # ‰. Š Š‰. Š Š ‰.
Š ‰. ‰ Š
far is the heart’s a - do - ra - tion, dear - er to God are the
V# Š Š Š Š‰ Š Š Š‰ Š Š Š‰. Š Š Š‰.
Š Š
{ B# ‰. ‰. ‰. #‰. ‰.
V 51
Š. ŠeŠ ‰. p p p bbbb
prayers of the poor.
V Š‰.
Š Š ‰.
p p p bbbb
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š bŠ
‰.
=Š bŠ ŠbŠ bŠ bbbb
{ B# ‰. ‰. ‰. b‰
‰. ‰. ‰ Š ‰ bŠŠ bbbb
(Ped.)
ah

SOPRANO DESCANT
56
mf
Vbbbb ‰. ‰. Š Š Š Š Š Š
ah
unis. f
OTHER VOICES
Vbbbb Š. Š f Š Š Š Š Š Š Š ‰ Š
([)
5. Bright - est and best of the sons of the morn - ing,
V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
mf
Š
{ Bbbbb ‰.
‰. ‰.
‰.
‰.
‰ Š ‰ Š
60
Vbbbb ‰ Š ‰. ‰ Š ‰.
ah
Vbbbb Š Š Š Š Š Š Š Š Š ‰.
([)
for online perusal only
Brightest and best of the sons of the morning 23
dawn on our dark - ness and lend us thine aid;
V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ Bbbbb ‰.‰ Š ‰. ‰. ‰.
64
Vbbbb Š. Še Š ‰. Š Š Š ‰ Š
ah
Vbbbb Š. Š Š Š
([) f Š Š Š Š Š ‰ Š
star of the east, the ho - ri - zon a - dorn - ing,
V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ Bbbbb ‰. ‰
Š ‰. Š‰.
Š Š

24 Brightest and best of the sons of the morning
68
Vbbbb ‰ Š ‰ Š Š Š Š ‰.
ah
Vbbbb Š Š Š Š Š Š Š. Še Š ‰.
([)
guide where our in - fant Re - deem - er is laid.
V bbbb Š Š Š Š Š Š
Š Š Š Š Š rall.
Š Š Š Š Š Š Š Š Š Š Š Š Š
{ Bbbbb =‰. ‰. Š Š‰. Š Š ‰.
‰.
rall.
for online perusal only
S.
A.
MEN
slower
or SOLO
72 pTUTTI
Vbbbb Š Š Š Š Š Š Š. Še Š
F
‰.
Guide where our in - fant Re - deem - er is laid.
or S. & A.
pdiv.
Vbbbb ‰. ‰ Š Š‰.
Š Š
F
‰.
ah
Bbbbb=‰. p ‰. ‰. F‰ . ah
V
slower
bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š
F
Š Š Š Š Š ‰.
p
{ Bbbbb =‰. ‰. Š‰. Š Š ‰.
E
‰.

25
S(A)(T)(B)
Keyboard
6. Christians, shout
for joy and gladness
trans. C. S. Philips Melody and figured bass by J. S. BACH (1685–1750)
additional parts by Alan Bullard
VOICES
KEYBOARD
Joyously and with life i = 120
TUTTI unis.
Vbb 34 p p p p Šf
Š Š
([)
V bb 34 Š Š Š Š Š Š Š Š Š Š Š Š. ‰ Še ‰ .
Š‰ Š Š
{ Bbb 34 Š f
Š Š Š Š ‰ Š Š Š Š Š ‰ Š Š Š Š Š ‰. Š Š Š
for online perusal only
(Ped.)
Christ - ians,
6
Vbb ‰ Š Š Š Š Š ‰ Š Š Š Š ‰ Š
([)
shout for joy and glad - ness, Cast a - way all
V bb ‰ Š Š Š Š ‰ Š Š
‰. Š ‰ ‰ Š Š
‰
Š Š =Š Š
{ Bbb Š
‰ Š Š Š
Š Š =Š Š Š Š ‰ ‰ Š ‰. Š Š Š Š Š Š Š
11
Vbb Š Š Š Š mf
‰ Š Š Š Š ‰ Š Š Š Š
([)
V bb Š Š‰ Š Š ‰ Š Š‰ Š Š ‰ Š Š‰
Š#Š Š
{
mf
Bbb =Š ‰ ‰ Š Š
‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
fear and sad - ness: Je - sus, Prince of love and
Music: © Oxford University Press 2007; Words: © 1978 The Royal School of Church Music, 19 The Close, Salisbury, SP1 2EB,
www.rscm.com. All rights reserved. Photocopying this copyright material is ILLEGAL.

26 Christians, shout for joy and gladness
16
Vbb ([)
#‰. ‰ Š Š Š Š ‰ Š Š ‰.
might, End - less life has brought to light,
V bb #‰ .
‰ Š Š Š Š Š #ŠŠ Š Š ‰ #Š Š Š ‰.
{ Bbb Š. ‰. Š ‰ Š#Š Š Š Š r Š Š
f Š Š Š Š Š Š Š Š Š ‰.
21
poco a poco cresc.
Vbb ‰ Š Š Š Š Š Š Š Š Š Š Š ‰ Š
([)
for online perusal only
He has bro - ken death’s dark pri - son
V bb ‰ Š Š =Š Š Š Š Š‰ Š Š Š Š Š Š =‰ Š Š Š Š ‰ Š
{
poco a poco cresc.
Bbb=Š Š Š Š Š Š ‰ Š
‰ Š Š Š Š Š
Š =Š Š Š Š ‰
Š
25
Vbb Š Š Š Š Š Š Š Š Š Š Š ‰ Š
([)
V bb Š Š #ŠŠ Š Š Š Š‰ Š Š Š Š Š Š #‰ Š Š ‰ Š
{ Bbb#Š Š =Š Š. Š Š Š Še
Š ‰ Š
Š ‰ Š Š Š Š Š
#Š Š Š Š ‰
Š
And from out the grave has ri - sen.
29 S./T.
f
VbbŠŠ Š Š Š Š Š Š Š Š Š Š Š. ‰ Še ‰.
([)
A./B.
Al - le - lu - ia, al - le - lu - ia.
V bbŠ Š Š Š Š Š Š Š Š Š. ‰ Še Š. ‰. Še Š Š
{ Bbb f
Š Š Š Š Š Š Š Š Š Š Š
Š Š ‰. Š Š

S.
A.
*
T./B.
33
V bb Š‰ Š Š Š Š Š Š Š Š. ‰ Še ‰.
{ Bbb Š Š ‰ ‰ Š Š Š
Š Š Š Š Š Š
Š ‰.
37
f
Vbb Š‰ Š Š ‰ Š Š =Š Š Š‰ Š Š =Š Š ‰ Š
Š‰ Š Š
unis.
Bbb Š Š Š ‰ Š ‰ Š Š Š Š Š. Š f Š
Hell’s dark pow - ers flee be - fore him; Christ - ians,
f
Christians, shout for joy and gladness 27
for online perusal only
42
p
Vbb ‰ Š Š Š Š Š Š =Š Š ‰ Š Š‰ Š Š ‰ Š Š Š
Bbb ‰ Š ‰ Š Š Š Š Š Š Š ‰ Š
has - ten to a - dore him. Sa - tan can - not
p
47
Vbb ‰ Š Š Š #‰. Š Š Š Š #Š Š Š‰ Š ‰ #ŠŠ Š
BbbŠ Š Š Š #Š Š Š Š Š Š Š Š Š Š Š Š
harm you now: Sin’s do - min - ion is laid
* Keyboard: double voice parts ad lib.

28 Christians, shout for joy and gladness
full - throat - ed cho - rus
52
poco a poco cresc.
Vbb ‰. ‰ Š =Š Š Š‰ Š Š Š Š Š Š=‰ Š Š Š Š ‰ ŠbŠ
low, There - fore in full - throat-ed cho - rus
Bbb ‰. =Š Š Š Š Š ‰ Š =Š Š Š Š Š Š Š
poco a poco cresc.
V full - throat - ed cho - rus
bb Š Š Š Š Š Š ‰ Š =Š Š ‰ Š Š=Š Š Š =Š Š Š Š Š Š ŠbŠ
p
{
poco a poco cresc.
Bbb ‰ Š ‰ Š =Š ‰ Š Š Š Š Š
‰ Š Š Š =Š ‰. Š Š Š
‰. Š Š Š
(Man.)
for online perusal only
57
Vbb Š Š Š Š Š Š Š f
‰ Š Š Š Š Š=Š#Š Š Š ‰ Š Š Š Š Š Š
Bbb#Š =Š Š Š Š Š Š Š #Š Š Š Š Š Š Š
Š Š
V f
bb
‰
Š Š Š Š Š Š Š ‰ #Š Š Š‰. Š Š Š Š Š ‰ Š Š Š Š Š
{ Bbb ‰ Š ‰ #Š Š Š Š Š Š Š ‰
f
#Š =Š Š Š Š Š ‰ Š
r Š Š
Raise this song of praise be - fore us: Al - le - lu -
62
Vbb Š Š Š Š Š Š Š. Še Š p p
f ‰.
- ia, al - le - lu - ia.
BbbŠ Š Š Š ‰ ‰. p p
V bb Š Š Š Š Š Š. Še Š. ŠeŠ Š ‰ Š Š Š Š Š Š Š ‰ Š Š Š Š =Š ‰ Š
{ Bbb Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š ‰. Š Š Š Š b( ) Š (Ped.)

67
DESCANT
Vbb p p Šf
Š Š ‰ Š ‰ =Š
([)
OTHER VOICES
Vbb p p Š Š Š ‰ Š Š Š Š Š
([)
V f
bb Š Š Š. Š Š Š ‰ .
Š Š ‰ Š
‰ =Š
f ‰ Š Š Š Š Š
{ Bbb Š
‰ Š Š Š Š ‰ Š ‰. Š Š Š Š Š Š Š Š Š
Š
for online perusal only
Christians, shout for joy and gladness 29
Na - ture now, her youth re -
72
Vbb Š Š Š Š Š ‰ Š ‰ Š ‰ Š Š Š Š Š Š
([)
Vbb ‰ Š Š Š Š ‰ Š Š Š Š Š ‰ Š
([)
V bb Š‰ Š Š Š Š Š‰ Š Š ‰ Š Š =Š Š Š‰ Š Š =Š Š Š‰ Š Š Š Š
{ Bbb Š‰ Š Š ‰ Š ‰ ‰
Š Š Š Š Š Š Š Š
Š Š Š Š
- new - ing, Flow - ers in his path is strew - ing,
77
Vbb ‰ Š Š Š Š ‰ Š Š Š Š Š Š Š
([)
tree To sing his
While the birds on ev - ery
Vbb Š Š Š ‰ Š Š Š Š #‰. ‰ Š
([)
V tree To his
bb Š‰ Š Š Š‰ Š Š Š‰ Š#Š Š Š #‰. Š Š Š ‰ Š Š Š Š Š
{ Bbb Š Š Š Š Š Š Š Š Š Š Š Š
‰.‰ Š Š ‰ Š Š Š Š

30 Christians, shout for joy and gladness
82
Vbb ‰ Š ‰ Š Š ‰. ‰ Š Š Š Š Š
([)
praise make me - lo - dy. Field and fo - rest,
Vbb Š Š Š ‰ Š Š ‰. ‰ Š Š Š Š Š Š
([)
V bb #Š ‰ Š Š ‰ #ŠŠ Š ‰ . ‰ Š Š =Š Š ŠŠŠ Š Š Š Š Š Š
{ Bbb Š Š Š ‰ Š Š Š Š ‰ Š =Š =Š ‰ Š Š Š Š Š ‰ Š Š Š
87
Vbb Š Š Š ‰
cresc.
= Š ‰ Š Š Š Š Š Š Š
([)
for online perusal only
sky and o - cean Swell the strain of glad
Vbb Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š
([)
cresc.
V bb Š Š Š Š =Š Š Š ‰ Š ‰ Š Š#Š Š Š Š Š Š Š Š Š Š Š#‰ Š Š
{
cresc.
Bbb =ŠŠ Š Š Š
Š‰
Š Š Š Š ‰ ‰ Š Š
#Š=Š Š Š Š Š Š Š
Š #Š Š Š Š
92
rit.
Vbb Š Š Š Š
ff ‰ Š Š Š Š Š Š Š Š Š Š Š F‰.
([)
- vo - tion, Al - le - lu - ia, al - le - lu - ia!
ff
Vbb ‰ Š Š Š Š Š Š Š Š Š Š Š. Še F
‰.
([)
- vo - tion, Al - le - lu - ia, al - le - lu - ia!
V
rit.
bb Š Š Š ‰ Š Š Š Š Š
F
Š. Š Š ‰ f Š Š Š Š Š Š Š Š ‰
ff
.
{ Bbb ‰
Š Š Š Š. Še ‰.
Š
Š Š Š Š Š Š Š Š Š Š E
‰.
de -
de -

31
Voices 1 (2)
Keyboard
George Wallace Briggs
(1875–1959)
7. Christ is the world’s
true Light
WALTER KENDALL STANTON
(1891–1978)
VOICES
KEYBOARD
Maestoso h = 100
Vbb ([)
2 q p p p 32 p 2
V bb 2 Š.
Š f
ˆˆ bˆˆ ˆ =ˆ 32Š =
=Š Š Š Š Š Š 2
{ Bbb 2 Š f
. Še q ‰ Š Š ‰ ‰ ˆ
‰ ‰ 32 Š
r q q 2
for online perusal only
(Ped.)
5
Vbb ([)
2 p p p p p p
V bb 2 b b bˆ ‰ ˆ ‰ ˆ
‰ Š bŠ ˆ
Š Š bŠ Š ‰ ‰ Š‰ Š ‰
{ Bbb b 2 ‰ Š ‰
Š ‰ ‰ bˆ Š bŠ ˆ ‰ ‰ =‰ ‰ ‰ Š Š
‰ ‰
TUTTI unis.
11
Vbb ‰ f
Š Š ‰ ‰ ˆ ‰ ‰ 32‰. Š Š Š ‰ ‰. Š 2
([)
Christ is the world’s true Light, its Cap - tain of sal - va - tion; The
V bb ‰ Š Š ‰ ‰ ˆ ‰ ‰ 32‰. Š Š ‰ Š Š Š ˆŠ Š Š Š ŠŠŠ Š 2
{ Bbb ‰ Š Š ‰ ‰ ˆ ‰ ‰ ‰ ‰ 32 ‰ Š Š ‰ ‰ Š Š ˆ Š Š 2
© Oxford University Press 1943 and 2007. Photocopying this copyright material is ILLEGAL.

32 Christ is the world’s true Light
Vbb ([)
2 ‰
17
Š Š ‰ ‰ ‰. Š ‰ ‰ ‰. Š 32 =‰ ‰. Š 2
Day - star clear and bright of ev - ’ry race and na - tion. New
V bb 2 ‰ Š
Š‰ Š ‰ # ‰ ‰. =Š ‰ = ‰ ‰.‰ ‰ Š 32 =‰ ‰. Š 2
{ Bbb 2 Š ‰. Š Š
‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š 32 ‰ ‰. Š
‰
Š b( ) 2Š
Vbb ([)
2 b‰
23
b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ b‰ ‰ ˆ
life, new hope a - wakes where - e’er we own his sway;
V bb 2 b‰ b b‰ bb‰ Š Š b‰
Š Š b‰ ‰ b‰ Š bŠ b‰ b‰‰ ‰ b‰ = ‰ ˆ‰ b‰ Š Š
{ Bbb 2 bb‰ ‰ b b‰ b
b‰
‰ ‰ ‰ ‰ ‰ b bŠ Š Š ‰ = =‰ ‰ ‰ ˆ
‰ Š Š
29
ff
Vbb Š ‰ Š ‰ ‰ ‰. Š ‰ ‰ ‰ Š Š 32ˆ q
([)
Free-dom her bond-age breaks, and night is turned to day.
V bb Š ‰ Š Š Š ‰ ‰ ‰.‰ Š Š ‰ ‰ ‰ Š Š Š 32 Š ‰ Š Š Š Š Š Š
ff
{ Bbb Š Š Š 32ˆ.
dim.
Š ‰ ‰ ‰ ‰ ‰ Š Š ‰ ‰ Vbb p q q r Š 2 ‰
35
S./A. or T./B. unis.
mf
Š Š ‰ ‰ ˆ
([)
for online perusal only
In Christ all peo - ples meet,
V bb ˆ‰ ‰. Š ‰ ˆ 2 ˆ ˆ Š Š Š Š
Š
‰ ‰ ‰ Š Š ‰ ‰ ˆ Š Š
{ Bbb ‰ Š Š Š ‰ Š Š Š ‰. Š 2 ˆ p
‰ ‰ ‰ Š Š Š ˆ r q ˆ
(Man.)

Christ is the world’s true Light 33
Vbb ‰ ‰ 32Š Š ‰. Š ‰ ‰. Š 2 ‰
40
Š Š ‰ ‰
([)
their an-cient feuds for - get - ting, The whole round world com -
V bb‰ Š Š 32‰
ˆ ˆ. Š Š Š Š Š Š ‰
2ˆ ‰ #‰
{ Bbb ‰ ‰ 32 ‰ ‰. Š Š ‰ Š ˆ. Š Š Š Š Š Š
2ˆ
Vbb ‰. Š 32 ‰ ‰ Š Š =‰ ‰. Š 2 b‰
45
b‰ Š Š b‰
([)
- plete, from sun - rise to its set - ting. When Christ is throned as
V bb Š Š ‰ 32 Š Š = ‰ ‰ ˆ q 2 b bˆˆ
bŠ Š Š
=‰ ‰ Š Š b‰
{ Bbb ˆ 32ˆ ‰ ‰ ‰ ‰ q ‰ 2 bˆ ˆ b‰ b‰
50
Vbb ‰ Š bŠ ‰ ‰ b‰ ‰ ‰. Š 32 ‰ ‰ Š Š 2
([)
Lord, we shall for - sake our fear; To plough-share beat the
V bbb‰ ‰ ‰ Š bŠ
Š‰ bŠ bŠŠ Š bŠ Š =‰ Š bŠ =Š Š 32 ‰
‰
bŠ
b‰
‰ ‰ ˆ ˆ Š Š 2
{ Bbbb‰ b ‰ b‰ b‰ b‰ ‰ ˆŠ Š Š Š
32
ˆ ‰ ‰.
‰
Š
2
Vbb ([)
2 ‰. Š 32 Š
55
Š ‰ Š Š ˆ q 2 p 32
sword, to prun-ing hook the spear.
V bb ‰ 2 ‰ 32 #Š ‰ Š ‰ ‰ Š Š Š Š Šˆ Š Š Š
2 =ˆ ‰. Š 32
{
cresc.
Bbb 2 ‰ =‰ 32 Š Š ‰ ‰ ˆ.
2
ˆ 32
for online perusal only

34 Christ is the world’s true Light
Vbb32 p 2 p 32 q q r Š 2ˆ ‰ ‰
59
DESCANT
ff
([)
One Lord, in
Vbb32 p 2 p 32 q q r Š 2 ‰
OTHER VOICES ff
Š Š ‰ ‰
([)
V bb32
ˆ. 2 ‰ ‰. Š 32 ˆ. Š Š Š Š Š Š 2 ˆ ‰ Š Š ˆ ‰ ‰
{ Bbb32 ˆ.
f
2ˆ
32 Š Š Š Š Š Š
r
bŠ Š Š Š Š ˆ
ˆ.
ˆ. 2ˆ
ˆ ˆ
(Ped.)
One Lord, in one great
Vbb Š Š Š Š Š Š Š Š 32 Š Š Š Š Š Š ‰ ‰ ‰ 2 ‰
64
. Š
([)
Vbb ˆ ‰. Š 32 Š Š ‰. Š ‰ ‰. Š 2 ‰ Š Š
([)
Name u - nite us all who own thee; Cast out our
V bb Š‰. Š Š Š Š Š ‰ Š Š 32 ‰ Š‰ Š Š ˆ Š
‰ Š Š Š‰
Š Š Š 2 ˆ ‰ Š Š
{ Bbb ˆ ‰ ‰ ‰ ‰ 32 ˆ ‰ ‰ ‰ ˆ Š Š 2ˆ
ˆ
one great Name u - nite us all who own thee; Cast out our
Vbb Š Š =‰ Š bŠ Š Š 32 ‰
69
=‰ Š Š ‰ ‰. Š 2
([)
for online perusal only
pride and shame, that hin - der to en - throne thee. The
Vbb ‰ ‰ ‰. Š 32 ‰ ‰ Š Š =‰ ‰. Š 2
([)
pride and shame, that hin - der to en - throne thee. The
V bb Š Š =‰ Š bŠ Š Š 32 =
=Š Š =‰ Š Š ‰
‰ ‰ ‰. Š ‰ ‰ Š Š ‰ ˆ 2
{ Bbb b b‰ ‰ ‰ 32ˆ Š ‰ ‰
‰ ‰ ˆ ˆ Š Š ‰ Š Š Š b( ) Š2

73
Vbb ([)
2 b‰ ‰ ‰. Š ‰ b‰ b‰ ‰ ‰. =Š ‰.
Vbb ([)
2 b‰ b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ b‰ ‰ ‰. Š
V bb 2 b b b‰ ˆ ‰ bbˆ ‰. ‰ ‰ Š b‰
b ‰ bb bŠ ‰ Š b‰
‰ =ˆ‰. =Š Š‰.
‰. Š Š Š
ff
{ Bbb 2 bbˆ‰ ‰ b‰ Š b b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ ‰ ‰ ‰.
‰.
Š
Š
world has wait - ed long, has tra - vailed long in pain; To
world has wait - ed long, has tra - vailed long in pain; To
for online perusal only
(Organ: Ped. Reeds)
Christ is the world’s true Light 35
(Reeds off)
79
Vbb ‰ ‰ Š Š Š bŠ ‰ ‰ ‰ ‰ Š Š ‰ 32
([)
heal its an - cient wrong, Come Prince of Peace and
Vbb ‰. Š ‰ ‰ ‰. Š ‰ ‰ ‰ Š Š 32
([)
heal its an - cient wrong, Come Prince of Peace and
V bb ‰ ‰
Š‰ bŠ ‰ Š bŠ Š ‰.‰ ‰ Š ‰ ‰ ‰‰ ‰
‰ Š Š 32
{ Bbb ‰ Š
Š
Šb bŠ ‰ = =‰ b Š # #‰ ‰ ‰ Š Š ‰ ‰ Š =
=Š
Š ‰ ‰
‰ 32
84
Vbb32 ˆ. 2 p 32 p p pF
([)
reign.
Vbb32 ˆ. 2 p 32 p p pF
([)
reign.
V bb32 2ˆ 32 Š Š Š Š Š Š ‰ ‰ ‰ Š Š ‰ ‰
ˆ. ˆ ‰
Š Š
F
Š Š q ˆ
{ Bbb32 ˆ. 2 32 Š Š Š ‰ ˆ. fff
ˆ. ‰ Š Š Š
ˆ ˆ ‰‰ q ˆ
cresc.
r q q ˆ.
E

36
S(A)(Men)
Keyboard
8. Christ the Lord
is ris’n again!
Michael Weisse (c.1480–c.1530)
trans. Catherine Winkworth
VOICES
V # Con moto i = 132–8
TUTTI unis.
# ([)
2 q p f
Š. Še Š Š Š Š ‰
Christ the Lord is ris’n a - gain!
V# # 2 Š ‰ Š Š‰ Š ŠŠ Š Š . Še Š Š Š Š ‰ Š Š
{ B## 2 ‰ Š‰ Š Š‰ Š Š Š Š
Š Š Š
Š Š ‰
KEYBOARD
mf f
(Ped.)
RICHARD SHEPHARD
(b. 1949)
for online perusal only
V #
4
# Š. Š f Š Š Š Š ‰ q
mf
Š Š Š Š Š #Š ‰ Š Š
([)
Christ hath bro-ken ev - ’ry chain! Hark, an - gel - ic voi - ces cry, Sing-ing
V# # Š. ‰ Še Š Š Š‰ Š ‰ Š Š Š Š
Š ‰ ‰ ‰ Š Š ‰#Š ‰ Š‰
Š
{ B##
‰ Š Š Š
mf
#Š Š ‰
Š
Š #Š‰ #Š ‰ Š‰ Š Š‰ Š Š‰
Š
V #
9
#=Š Š Š Š ‰ Š Š 32 ‰ ‰ Šf
Š ‰ ‰ q 2
([)
ev - er-more on high, Al - le - lu - ia, al - le - lu - ia!
V# #=Š = Š Š Š ‰ Š Š 32 ‰ ŠŠ Š ˆ Š
‰
Š
=ŠŠ ‰ Š Š ‰ ‰ ‰ ‰ 2
{ B## Š =Š ‰ 32 Š f mf
Š Š Š Š Š ˆ
‰
‰ ‰ ‰
Š Š ˆ ‰
2
(Man.)
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
V #
13
# 2
p
mf
Christ the Lord is ris’n again! 37
Š. Še Š Š Š Š Š ‰ Š Š Š. Š Š Še
Š Š
f
He who gave for us his life, Who for us en -
V# # 2 Š‰ Š ŠŠ Š ‰ ‰ ˆŠ Š Š Š Š Š Š Š
{ B##2 Š ‰ Š Š‰ Š
ˆ
‰ ‰ ˆ‰ ‰
Š Š ‰
for online perusal only
V #
17
unis.
# Š Š ‰ ‰ Š Š Š Š Š Š#Š Š ‰ Š Š =Š Š Š Š
V# #Š Š ‰ ‰ Š Š Š Š
=
Š #Š ‰ Š Š =‰ Š Š
‰ ‰ ‰ ‰ ‰
{ B## Š # Š ‰ ‰ =Š #Š Š Š Š Š Š Š Š Š ‰ Š Š
‰ ‰ ‰ ‰ ‰
- dured the strife, Is our Pas-chal Lamb to - day! We too sing for joy and
V #
22
#
f
S.
‰ Š Š 32 ‰ ‰ ŠŠ Š ‰ ‰ q p 2
say Al - le - lu - ia, al - le - lu - ia!
A.
V# # =Š ‰ Š
Š
‰ Š 32 ˆ Š Š Š Š ŠŠ Š ˆ‰ ‰ Š #Š ‰ Š Š =‰ Š Š 2
{
f
B## ‰ V‰ 32 Š Š ‰ B‰ ‰
Š Š ‰ Š
Š
Š
Š ˆ ‰ ˆ ‰ ‰ Š Š ‰ 2
(Ped.)

S.
A.
MEN
38 Christ the Lord is ris’n again!
V #
26 p
pp
# 2 q Š Š Š Š =ŠŠ Š ‰
q 32 #ŠŠ Š Š #ŠŠ =ŠŠ Š
2
He who bore all pain and loss Com-fort-less up - on the
B##2 q Š Š Š Š Š Š #‰ q 32 Š Š #Š Š Š Š
2
V# p
pp
# 2 ‰ . Š ‰ =‰ Š Š Š ‰ #Š #Š =ŠŠ 32# Š # Š Š‰ Š =‰ Š Š 2
{ B##2 ‰ p
pp
ˆ . Š ‰ #Š Š Š Š 32 Š Š #Š Š ‰ ˆ ˆ Š =ŠŠ 2
for online perusal only
V #
30 mf
# 2 Še f
Š. Še Še Š ‰ Š. Š f
Š Š Š Š ‰ #Š. Š f ‰. Š Š Š ‰
32
cross, Lives in glo - ry now on high, Pleads for us, and hears our cry.
B##2 ‰ Š. Š =Š Š
f
Š Š ‰ Š. Š ‰. Š Š Š f ‰ 32
V# mf f
# 2 =‰ ‰ Š Š Š Š Š # ‰ #‰ ‰. Š ŠŠ Š ‰ 32
{ B##2 mf
=‰ f
#Š Š Š Š Š
Š Š Š Š Š
‰
‰ Š Š Š Š Š Š ‰ Š 3 2
V # molto rit.
a tempo
35
unis.
#32 p
pp
S.
q qŠ Š =‰ ‰ Š Š =Š Š ˆ ‰
Fqq A.Š =Š ˆ‰
2
Al-le - lu - ia, al-le - lu - ia!
B##32 p q qŠ Š =‰ ‰ Š Š =‰ ˆ ‰ qq
pp
E 2
V#
molto rit.
#32 Š. Š = Š f
Š Š =Š = =Š Š ‰ ‰ b=‰ =‰ ‰ b= Š = Š a tempo
# Š =Š ‰ =ˆ ‰
FqŠ. Š f 2
ff
{ B##32 pp mf
Š.Še = =Š Š Š Š#‰ Š Š #‰ Š Š #ˆ q Še
f Š =Š Š Š =ŠŠ ‰ ‰ ==‰ ‰ ‰ ==‰ ‰ Š. Š
E f 2

V #
40
unis.
# 2
p mf
Š. Še Š Š Š Š ‰ Š. Š f Š Š
He who slum-bered in the grave Is ex - al - ted
B##2 p q
mf
Š. Š Š Š Š Š ‰ Š. Š f f
V# # 2 Š Š ŠŠŠ Š ‰ Š‰ ŠŠ Š‰ Š ‰ Š. ‰ ŠeŠ. Š Š
{
f
B##2 ‰ Š Š Š Š Š ‰
‰ Š. Še ˆ Š Š Š Š ‰
‰
He who slum-bered in the grave Is ex -
for online perusal only
Christ the Lord is ris’n again! 39
V #
44
# Š Š ‰ q Š Š Š Š Š #Š ‰ Š Š
B## Š Š Š Š ‰ q Š Š Š Š Š #Š ‰
- al - ted now to save; Now through Christ-en - dom it rings
V# # Š‰ Š ‰ ‰ Š‰ Š Š‰ Š Š #Š Š ‰ Š‰
Š
{ B## ˆŠ Š Š #Š ‰ Š =Š #Š‰ #Š ˆˆ Š ‰ #Š =Š‰
Š
now to save; Now through Christ - en - dom it rings That the
V #
48
#=Š
f
Š Š Š ‰ Š Š 32 ‰ ‰ Š Š ‰ ‰ q
Lamb is King of kings. Al - le - lu - ia, al - le - lu - ia!
B## Š Š =Š Š Š Š ‰ 32 Š Š Š Š Šf
Š ‰ ‰ q
That the Lamb is King of kings. Al - le - lu - ia, al - le - lu - ia!
V# #=‰ Š Š =‰ Š Š 32 ‰ Š Š ˆ.
‰ Š Š ‰ ‰ Š Š Š Š Š Š
{ B## Š Š =‰ Š Š 32 Š f
Š Š Š Š Š Š Š
‰
‰ ‰ Š
‰ ‰ ‰ ‰ ˆ. Š

40 Christ the Lord is ris’n again!
52
V# poco rit.
# Š . #Š ‰ f
Š. Še ‰
Š. ‰ Še Š‰ Š ‰ ‰ Š‰ Š
2
ff
{ B## Š. Še Š Še f ‰ =Š. Š ‰
f
- -
f ‰ ‰ ‰ Š. ‰ Še Š
-
‰ Š
-
2
V # a tempo
55
unis.
fTUTTI
# ([)
2 Š. Še Š Š Š Š ‰ Š. Š f Š Š Š Š ‰
V#
Thou, our Pas - chal Lamb in - deed, Christ, to-day your peo - ple feed;
# 2 ‰ Š. Še Š‰ Š Š Š ‰
Š. Še
‰ Š Š Š ‰ #Š ‰ Š Š
{ B## 2 Š ‰ Š ‰ ‰ ‰ ‰ ‰ ‰ ‰
V #
59
DESCANT
# q Šf
Š Š Š Š. Š f ‰ Š Š Š =Š Š. Še
Take our sins and guilt a - way, Let us sing by night and
V # OTHER VOICES
# q Š Š Š Š Š. #Še ‰ Š Š =Š Š Š. Še
([)
V# # ‰ Š #Š ‰ Š
=‰ ‰ Š Š . #Š ‰ Š Š =Š Š Š. Še
f ‰ ‰ Š #Š
{ B## Š ‰ Š ‰ ‰ ‰ ‰ ‰ ‰ ‰
rit.
*Al - le - lu - ia,
V #
63
S.
# ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ ‰ ˆ
A.
*Al - le - lu - ia,
day,
*Al - le - lu - ia,
MENdiv.
al - le - lu - ia!
for online perusal only
V [
# # ‰ Š Š ‰ ‰‰ ‰ Š Š ‰ ‰ ˆ
ff
V#
*Al - le - lu - ia,
# ‰ Š Š ˆ Š Š
= Š Š rit.
‰ Š Š #‰ Š Š ‰ ‰ ˆ ˆ
{
ff
B## ‰ Š Š =Š Š Š Š #Š
‰
Š ˆ ‰ ‰ ˆˆ
ˆ
* If performing in unison, sing the upper men’s part from bar 63 to the end.
ff

SAMen
(or Unis.)
Piano*
for Clare College, Cambridge
9. A Clare Benediction
41
VOICES
PIANO*
Andante tranquillo e legato i = 84
Vbbb 34 p p p r r Š Š
V bbb 34 ‰ Š Š Š Š Š. Še Š Š Š ‰. Š ‰
mp
{
legato
Bbbb 34 p r r Š Š Š‰ Š Š ‰.
Š
for online perusal only
Words and music by
JOHN RUTTER (b. 1945)
SOPRANOS & ALTOS unis.
mp semplice espress.
May the
5
Vbbb ‰ Š Š Š Š. Še Š ‰ ‰ Š Š ‰ ŠŠ
V bbb t Š eŠ t Š eŠ Š
t Š eŠ Š
t Š eŠ bŠ Š t Š eŠ Š
{ Bbbb ‰ Š ‰. ‰. ‰ Š ‰. r r Š
Lord show his mer - cy up - on you; may the light of his
MEN
10
Vbbb Š Š Š Š
mp dolce cantando
‰. ‰ VŠ
[ Š ‰. ‰ Š Š
V bbb t =( e )Š Š Š
t Š eŠ Š Š Š ‰ r Š Š Š Š Š ‰
{ Bbbb ‰ Š Š Š Š ‰ Š
t
‰. ŠeŠ Š Š Š Š
‰. ‰. ‰ Š
pres-ence be your guide: May he guard you and up -
* The original version of the accompaniment, for organ, is compatible with the voice parts of this arrangement, and is found in
the SATB version of the anthem (978–0–19–351152–1).
© Oxford University Press 1998 and 2007. Authorized for sale in the United States of America by kind permission of Hinshaw
Music Inc. Photocopying this copyright material is ILLEGAL.

S./A.
MEN
15
Vbbb ‰.
[ ‰ Š Š Š Š. Še Š Š Š Š ‰.
V
- hold you; may his spi - rit be ev - er by your side.
bbb r Š Š Š Š Š ‰ t Š eŠ t Š eŠ = Š r Š Š Š Š
‰
{
t Bbbb Š eŠ Š t
‰. ‰ Š e‰ Š ‰
‰.
Š ‰
‰.
Š b ‰ Š
SOPRANOS & ALTOS unis.
20
p mp
Vbbb [ ‰ VŠ Š ‰ Š Š Š Š. Še Š Š ‰ ‰ Š Š
V bbb =( ‰. )Š Š ‰ t Š eŠ t
Š Š eŠ Š
t Š eŠ t Š eŠ Š
{ Bbbb
Š Š ‰ cresc.
‰ Š . ‰. ‰ Š ‰ Š
SOPRANOS ONLY
25
mf
Vbbb ‰ ŠŠ Š Š =Š Š
mf cresc.
‰. ‰ b( ) ŠŠ
Š Š. Š f
Bbbb p p p r r Š Š Š Š. Š
f
V bbb t Š e Š Š t
Še Š mf cresc.
#Š t Š eŠ Š bŠ Š Š Š =Š‰.
mf
Š Š Š Š Š
{ Bbbb =‰. ‰ =Š =‰ ‰. Š ‰
‰.
Š ‰
‰.
Š
= =‰ ‰.
Š
SOPRANOS & ALTOS unis.
30
f ma dolce
Vbbb ‰ Š ‰ Š Š F mp
‰ Š Š ‰
Š Š Š Š
serve him all your days, Then in hea - ven may you
Bbbb =Š Š Š Š Š Š F‰
r p p
V
f ma dolce
bbb=‰. ‰.
F
‰ t
Š=Š Š Š Š Š Š Š Š Š Š Š Š Š Š r Š eŠ Š =Š‰ Š=Š E
Š
{ Bbbb b b‰ Š ‰ Š
F mp
dim.
‰ ‰ Š ‰ Š
‰. ‰. Š E
Š r ‰. ‰.
42 A Clare Benediction
When you sleep, may his an - gels watch o-ver you; when you
for online perusal only
wake, may he fill you with his grace: May you love him and

S./A.
S.
A.
MEN
35
Vbbb ‰. Š ‰ ‰. p p
V
see his face.
bbb t
ŠeŠ t
Še‰ Š Š ‰ Š Š Š Š. Še Š ‰. Š Š Š Š Š { Bbbb ‰ Š ‰ Š t Š eŠ Š
t
‰. ‰. Š eŠ Š Š Š Š ‰. ‰. ‰
Z
Š
40
p dolce
mp
Vbbb r r Š Š ‰ Š Š Š Š. Še f Š ‰ ‰ Š Š
Bbbb r r Š Š ‰ Š Š Š Š. Š f Š ‰ ‰ Š
Š
V
p dolce
bbb ‰. t Š e Š Š t Š e Š
mp
Š ‰
Š t Š eŠ Š Š Š bŠ ŠŠ
p
{ Bbbb ‰.‰ Š t Š eŠ Š t Š eŠ Š t Š eŠ Š
t
‰. ‰. ‰. ‰ Š eŠ Š
45
Vbbb ‰
ŠŠ
Š Š
ŠŠŠ Š Š ‰. Š Š Š ‰ Š Š Š ‰.
light of his pres-ence be your guide: May he guard
Bbbb
‰ ŠŠ Š Š Š Š ‰. ‰
Š Š Š Š Š
V bbbŠ Š
Š Š Š Š Š
Š Š Š Š Š Š Š Š Š Š Š Š Š Š t Š eŠ { mp
poco cresc.
Bbbb
‰ Š ‰ Š
‰. ‰. ‰ Š ‰ Š Š Š Š Š
‰. ‰.
50
Vbbb ‰ Š Š ‰. Š Š Š ‰ Š Š Š Š. ŠeŠ f
Š Š Š Š
you and up - hold you; may his spi - rit be ev - er by your
Bbbb ‰ Š Š ‰. ‰ ŠŠ Š Š. Š ŠŠŠ =Š
f V bbb Š Š ‰ t ŠeŠ Š Š ‰ t ŠeŠ t
Še Š Š
{ Bbbb
‰. Š Š Š
‰ Š ‰.
‰. ‰ Š
‰ Š
‰ = Š
A Clare Benediction 43
May the Lord show his mer - cy up - on you; may the
for online perusal only

55
p
Vbbb ‰ Š Š
‰. =( ) ‰ r r Š Š ‰ Š Š ‰
44 A Clare Benediction
side.
ah
Bbbb b‰ . ‰ mp Š Š ‰ Š Š Š Š. Š f Š Š ‰
*When you sleep, may his an - gels watch o-ver you;
V bbb t Š e Š Š Š Š =( Š ) Š Š Š Š Š
Š Š t Š e Š Š t Š eŠ Š
{ Bbbbbb‰
bŠ Š ‰ Š
t Š eŠ Š t Š eŠ Š t Š e‰
‰. ‰. ‰. ‰ Š
60
cresc.
Vbbb Š
mf
‰ Š ‰. Š =Š Š ‰. #Š =Š ‰. b‰ ‰ b( ŠŠ ) ŠŠ
for online perusal only
ah
May you
‰ Š
mf
Š ‰ Š Š Š Š =Š Š ‰. ‰ b( ) ŠŠ
Bbbb
when you wake, may he fill you with his grace:
V bbb t Š eŠ Š t Š eŠŠ =Š t
Še#Š =Š t Š eŠŠ bŠ Š Š Š
Š Š Š Š Š
{
cresc. mf
Bbbb ‰ Š =‰ Š ‰ =Š ‰ Š ‰
Š
poco rall.
65 cresc.
Then in
f
Vbbb Š. Še ‰ Š Š
Š ‰ Š Š
Š. =Š Š Š =Š ‰
F mp
Š Š f E
Š r
love him and serve him all your days,
Š Š. Bbbb
Š f =‰ Š Š Š bŠ Š
FŠ
r
cresc. V bbb Š Š Š Š =Š f
poco rall.
Š Š Š =Š Š Š Š Š Š Š Š Š F
Š ‰ Š Š Š r
{
f
E
dim.
Bbbb = cresc.
‰ ŠŠŠ
b=‰ Š b ‰ Š Š E
Š r
* If performing in unison, sing the men’s part from bar 56 (beat 3) to bar 64 (beat 2).
a tempo
a tempo

69 hea - ven may you see his face,
Vbbb ‰
‰. Š =‰. Š Š Š ‰. Š ‰ ‰ Š ‰.
mp
Š ‰
(hum)
Bbbb
‰. ‰. ‰. ‰ Š Š Š Š
mp
V bbb Z ‰. Z=‰ . ‰. Š ‰ ‰ Š Š ‰
{ Bbbb ‰. p
Š Š Š Š Š Š ‰ Š
‰
Š ‰
Š
rall.
74
see
his
dim.
Vbbb ‰ ŠŠ Š =‰ ‰
Š Š Š Š Š‰. Š Š Š ‰ ‰ Š
Bbbb b‰ Š Š ‰
Š Š Š Š Š Š Š ‰ Š
dim.
V rall.
bbbb‰ Š =‰ Š Š
‰
Š Š ‰. Š Š Š ‰ Š
{
dim.
Bbbb Š ‰ ‰ Š Š ‰ =Š Š ‰ Š
‰
‰. . ‰ p
. poco meno mosso
rit.
79
p
Vbbb ‰. ‰ Š ‰ Fpp
Š ‰.
face, may you see his face.
Bbbb ‰. ‰ Š ‰ Š ‰.
p
Epp
V
poco meno mosso
rit.
bbb ‰ Š Š Š Š Š. Š Š F
‰. f Š Š Š ‰.
{
t Bbbb Še Š Š
t
Še Š Š
t
pp
Še Š Š
‰. ‰. ‰.
Z‰
E .
for online perusal only
A Clare Benediction 45
Then in hea - ven may you see, may you see his

46
SA(T)(B)*
Keyboard
for Tim and Nat
10. Come down,
O Love divine
Bianco da Siena (d. 1434)
trans. R. F. Littledale
VOICES
KEYBOARD
Gently i = 88
SOPRANOS & ALTOS unis.
Vbbb 34 p p p r r Š Š
mp espress.
Come
V bbb 34 r ‰ ŠŠ Š Š ‰. r ŠŠ Š Š
r ‰ ‰ ‰
r ‰ Š Š
{ Bbbb 34 mp
Š ‰. Š ‰ Š ‰. Š ‰ Š ‰. Š ‰ Š ‰. Š ‰
for online perusal only
(Man.)
HILARY TADMAN-ROBINS
(b. 1947)
5
Vbbb Š. Še Š Š ‰ Š Š Š. Še Š Š ‰ Š Š
down, O Love div - ine, Seek thou this soul of mine, And
V bbb ‰.
r ‰ ‰.
r ‰ ‰.
r ‰ ‰.
r ‰
{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š‰. Š ‰ Š‰.
Š ‰
9
Vbbb Š Š Š Š Š Š Š Š
mp
Š Š Š ‰ Š r Š Š
vis - it it with thine own ar - dour glow - ing; O
V bbb Š Š Š ‰ Š Š Š Š Š. Še Š
Š Š Š Š
{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š Š Š ‰ Š
‰. ‰.
* Sing tenor rather than bass if few men are available.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

13
Vbbb Š Š Š Š ‰ Š Š Š Š Š Š ‰ Š Š
Com-fort -er, draw near, With - in my heart ap - pear, And
V bbb ‰. ‰. Š Š Š Š Š
r ‰ r ‰
= ‰
{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š‰. Š ‰ Š‰.
Š ‰
17
Vbbb Š Š Š Š Š Š Š. - Še Š Š ‰ p
kin - dle it, thy ho - ly flame be - stow - ing.
V bbb r Š Š Š Š Š Š r Š‰
Š Š Š ‰.
{ Bbbb Š ‰. Š ‰ ‰ ‰. p
Š
Š ‰. Š ‰
Š ‰. Š ‰
(Ped.)
21
TENORS & BASSES unis. (or ALTOS)
Vbbb p r t p espress.
Še Š Š ‰ Š Š. Še Š Š
([)
V bbb r ‰ Š Š Š Š ‰. ‰.
r ‰ ‰.
r ‰
{ Bbbb Š‰. Š ‰
Š‰. Š ‰
Š‰. Š ‰
Š‰.
Š ‰
25
Vbbb ‰ Š ‰ Š Š Š Š Š Š Š Š Š Š Š
([)
ves - ture be, And low - li - ness be - come mine in - ner
V bbb ‰. ‰. Š Š Š ‰ Š Š
r ‰ r ‰ Š Š
{ Bbbb Š Š ‰
Š Š ‰ Š Š ‰ Š Š ‰
‰. ‰.
‰. ‰.
for online perusal only
Come down, O Love divine 47
Let ho - ly char - i - ty Mine out-ward

S./T.
A./B.
48 Come down, O Love divine
29
Vbbb Š Š ‰ Š r Š Š Š Š Š Š ‰ Š Š
([)
V cloth - ing: True low - li - ness of heart, Which
bbb Š. Še Š
Š Š Š Š ‰.
r ‰ ‰.
r ‰
{ Bbbb Š Š Š ‰ Š
‰. ‰. Š‰. Š ‰
Š‰.
Š ‰
33
Vbbb Š Š Š Š ‰ Š Š Š Š Š Š Š Š
([)
takes the hum - bler part, And o’er its own short-com - ings
V bbb Š Š Š Š Š = ‰ r Š Š Š
{ Bbbb Š Š ‰ Š Š ‰ Š Š ‰
‰. ‰. ‰.
36
VbbbŠ. - Še Š Š ‰ p p
([)
V weeps with loath - ing.
bbb Š Š Š r Š Š Š Š Š. Še Š r Š Š Š Š
‰ ‰. ‰
{
cresc.
Bbbb ‰.‰
Š
Š‰. Š ‰
Š‰. Š ‰
Š‰.
Š ‰
40
unis.
Vbbb r t mp
mf
Še Š Š b‰ Š Š.
Še Š bŠ
([)
O let it free - ly burn, Till earth - ly
unis.
Vbbb r t mp
mf
Še Š Š bŠ Š Š ‰ Š bŠ
([)
V O let it free - ly burn Till
bbb ‰. Š. Š ‰ ‰ f
Š Š bŠ Š Š Š Š Š bŠ Š
{ Bbbb Š Š ‰ mf
‰.
Š ‰. Š ‰ bŠ ‰. Š ‰
for online perusal only

43
VbbbŠbŠ Š Š Š ‰ Š Š bŠ. Še Š Š
([)
pas - sions turn To dust and ash - es in its
VbbbŠ Š Š bŠ Š bŠ bŠ Š Š Š Š Š Š
([)
pas - sions turn To dust and ash - es in its
V bbbŠ. Š Š Še Š bŠ bŠ bŠ Š Š‰
bŠ Š
{ Bbbb Š‰. Š ‰ bŠ‰. Š ‰ Š‰.
bŠ ‰
46
Vbbb Š bŠ bŠ Š ‰ r t Še Š Š
([)
for online perusal only
Come down, O Love divine 49
heat con - sum - ing; And let thy
VbbbŠ. bŠe Š Š ‰ r t Še Š Š
([)
V bbb Š b Š‰ bŠ Š r Š Š bŠŠ
Š Š bŠ Š Š Š Š
{ BbbbŠ‰. Š ‰ Š Š ‰ b‰. Š ‰
heat con - sum - ing; And let thy
49
VbbbbŠ Š Š
Š. f bŠ
([)
f
Š Š Š Š ‰ Š t mf
Š f
Š Š
Vbbb Š Š Š bŠ.
f
Š
([) f Š ‰ Š ‰ r
glo - rious light Shine in my sight,
V bbbbŠ Š Š Š Š b Š Š bŠ Š. Še ŠŠ Š Š‰.
Š ‰
{ Bbbb Š‰ Š ‰ Š bŠ bŠ f
‰. bŠb‰ =‰. ‰.
glo - rious light Shine ev - er in my sight, And clothe me

50 Come down, O Love divine
53
Vbbb Š. Še Š Š Š Š. Še Š ‰ Š r r V r Š. Še
([)
mf
SOPRANOS (opt. SOLO or SOLI)
mp
round, the while my path il - lum - ing. So the
OTHER VOICES
Vbbb t Š
([) f
Š Š Š Š Š Š Š ‰. Š t Š e Š Š ‰ Š
V bbb Š Š ‰ Š Š Š Š r
Š Š Š
‰.
Š Š
=‰.
Š Š ‰.
r ‰
{ Bbbb ‰.
mp
‰. ‰.
‰. ‰. Š‰.
Š ‰
And clothe me round, my path il - lum - ing. And so the yearn - ing
for online perusal only
mp
58
Vbbb Š Š ‰ t Š f
Š. Še Š Š ‰ r Š. Še
Vbbb Š. Še Š Š ‰ Š Š. Še Š Š Š Š Š Š
([)
strong With which the soul will long Shall far out - pass the pow’r of
V bbb ‰. ‰. ‰. Š Š Š
r ‰ r ‰ r ‰
{ Bbbb Š Š ‰ Š Š ‰
Š Š ‰ Š Š ‰
‰. ‰. ‰.
‰.
yearn-ing strong With which the soul will long Shall out -
62
(TUTTI)
Vbbb Š Š Š Š ‰ Š Š Š f Še Š Š ‰ Š
- pass the pow’r of hu - man tel - ling; For none can guess its
Vbbb Š Š Š Š Š Š Š ‰ Š t Še Š Š ‰ Š
([)
hu - man tel - ling; For none can guess its
V bbb ‰ Š Š Š Š ‰ Š Š Š Š ‰.
r ‰
{ Bbbb Š‰. Š ‰ Š Š Š ‰ Š
‰. ‰. Š‰.
Š ‰

S.
A.
T./B.
place Where-in the
66
Vbbb Š. Še Š. Še Š Š Š Š Š f
Š Š ‰ Š Š =Š ŠŠŠ. Š Š f
Š
grace, Till he be - comes the place Where the Ho - ly Spir - it
Bbbb Š. Š f
Š Š ‰ Š ‰ ŠŠŠ. Š f
ŠŠ
V bbb ‰. Š Š Š Š = ‰ r Š Š Š
r ‰
{ Bbbb Š Š ‰
Š Š ‰ Š Š ‰ Š Š ‰
‰. ‰. ‰. ‰.
70
rall.
-
VbbbŠ. Š Še p p
Š Š Š ‰
makes his dwel - ling.
Bbbb ‰ Š Š ‰ p p
V
rall.
bbb Š ‰ r Š Š Š Š Š Š Š Š
‰ Š Š . Še Š
Š
{ Bbbb ‰. Š Š ‰
Š Š ‰ Š Š ‰
‰. ‰. ‰.
74
slower
p
Vbbb r r Š Š
F
Š Š ‰ Š ‰ Š Š ‰.
for online perusal only
Come down, O Love divine 51
Come down, O Love div - ine.
Bbbb p r Šp
Š Š Š Š. Š f Š ‰.
B.
V
Come down, O Love div - ine.
slower
bbb ‰ r r
Š Š Š Š ‰ Š
F
‰ .
{
p
Bbbb ‰ r ‰. ‰ Š E
‰.
T.
F

52
S(A)(Men)
Keyboard
to Jeremy S. Bruns and the Choir of St Paul’s Cathedral, Buffalo, NY
11. Creator of the stars of night
7th-cent. Office Hymn
trans. J. M. Neale (altd.)
Mode iv melody
arr. JOHN SCOTT (b. 1956)
VOICES
KEYBOARD
Smoothly and expressively i = 76
Vb 34 p p p p 24
([)
V b 34 t ŠeŠ Š Š Š Š Š Š.
Š Š Še Š Š Š Š Š Š Š Š ‰ ‰ Š
24
{
mp
Bb 34 p r r Š Š Š Š
‰
Š. ŠeŠŠ
Š 24
S./A. unis. or S.
Vb24 r t Še 34 Š Š Š Š Š Š 24 Š. Š f 34 Š
5
mp
Š Š Š Š Š 24
([)
(Man.)
(Ped.)
Cre - a - tor of the stars of night, Thy peo-ple’s ev - er - last-ing
V b24 ‰ 34 ‰‰‰ ŠŠŠ 24‰‰ ‰ Š Š
34‰ Š 24
{ Bb24 ‰ Š Š 34 ‰.‰ Š 24 ‰ 34‰ ‰ Š 24
9
Vb24 Š. Š f 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š
([)
for online perusal only
light, O Je - su, Sa-viour of us all, Re - gard thy ser-vants when they
V b24 Š‰ Š 34‰ Š Š Š
24Š ‰ Š 34‰ Š. Š {
f Š Š
Bb24 ‰ 34‰ ‰ Š 24Š Š Š 34 Š Š Š
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S./A.
MEN
13
MEN or ALTOS
Vb ‰ r p p mf
rrt ([)
Š e Š Š Š Š Š Š 24
V
call.
Thou, grie-ving at the bit-ter
b Š Š Š Š Š Š Š Š Š Š Š. ŠeŠ Š Š ‰
‰ Š ‰ =Š =ŠŠ ‰ =Š Š Š ‰ Š
24
{
mf
cresc.
Bb Š. ŠeŠ=Š Š. ŠeŠ Š ‰ Š ‰ Š ‰ Š ‰.‰ Š ‰ Š
24
18
Vb24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š 24
([)
V cry Of all cre - a - tion doomed to die, Didst come to save a ruin-ed
b24 =Š‰ Š Š 34Š. ‰ Še =ŠŠ Š
24Š Š Š =ŠŠ 34‰ ‰ =ŠŠ Š
24
{ Bb24 Š Š 34 ‰ Š Š 24Š ‰ Š Š 34 Š. ‰
Še Š Š 24
22
Vb24 Š. Še 34Š Š Š Š Š Š ‰ r p p
([)
for online perusal only
race With heal-ing gifts of heav’n-ly grace.
Creator of the stars of night 53
V b24 ‰ Š Š
34‰ Š. Š =Š Š Š Š Š Š Š. ŠeŠ Š Š. ŠeŠ Š
{
f Bb24 Š Š Š Š Š Š
‰ Š Š 34‰ Š Š Š Š Š ‰ Š Š ‰ Š Š cresc.
‰.
27
unis.
Vb p r r t mf
Še Š Š Š Š Š Š 24 Š. Še 34
Thou cam-est, bride-groom of the bride, As
Bb p r r t Š f Š Š =Š Š Š Š =Š. Š f 34
V mf
b Š. Š ŠeŠ Š ‰ Š =Š Š 24=Š Š
‰. bŠ Š Š Š =ŠŠ Š = Š Š Š Š
34
{ Bb b b‰ f
. = =Š mf
‰. Š Š Š ‰. 24 ‰ 34

54 Creator of the stars of night
31
Vb34 Š Š Š Š Š Š 24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34
drew the world to even-ing - tide, Pro - ceed-ing from a vir - gin shrine, The
Bb34 Š Š =Š Š Š Š 24 Š. =Š f Š Š Š Š Š Š Š. Š f 34
V b34 ‰ =Š 24 ‰ Š =Š 34‰ Š Š =ŠŠ 24Š Š Š 34
{ Bb34 ‰. 24 34 24 Š Š
‰ ‰ Š ‰ 34
35
Vb34 Š Š Š Š Š Š ‰ r p p
Son of Man, yet Lord di - vine.
Bb34 Š Š =Š Š Š Š ‰ r p p
V b34 ‰ =Š =Š Š Š Š Š Š Š Š =Š Š Š Š =Š Š Š Š
‰. ‰.
Š Š
{ Bb34 ‰ Š ‰ r p p
39
TUTTI unis.
Vb p p r r t f
Še Š Š Š Š Š Š 24
([)
V At thy great name, ma-jes - tic
b Š. Š Š Š Še Š Š Š. Š Š Š Še Š Š Š ‰. ‰ ‰‰‰ ŠŠŠ 24
{
cresc.
Bb p p
f
‰
‰. Š ‰.
Š 24
Vb24 Š. Š f 34 Š
43
Š Š Š Š Š 24Š. Š f 34Š Š Š Š Š Š 24
([)
for online perusal only
now, All knees must bend, all hearts must bow, And things in heav’n and earth shall
V b24 Š Š Š Š 34 Š 24Š Š Š 34‰ 24
{ Bb24 ‰ ‰‰
‰ Š Š Š
Š‰ Š 34 ‰ Š 24‰ ‰ 34‰ ‰ Š 24

47
Vb24 Š. Še 34Š Š Š Š Š Š ‰ r p p
([)
own, That thou art Lord and King a - lone.
V b24 Š‰ Š 34‰ Š. Š Š Š Š Š Š Š Š Š Š Š Š. ŠeŠ Š
{
f Š Š ‰ Š ‰ =Š =Š Š ‰
Bb24 Š Š 34 Š Š Š Š. ‰ ŠeŠ=Š Š Š. ‰ ŠeŠ Š Š ‰ Š
Vb r Š Š Š Š Š Š Š 24 Š
DESCANT
=Š Š 34 Š
52
mf
Š =Š 24
([)
([)
ah
for online perusal only
mf
Creator of the stars of night 55
OTHER VOICES
Vb r r t Še Š Š Š Š Š Š 24 Š. Še 34Š Š Š Š Š Š 24
To thee, O ho - ly One, we pray, Our judge in that tre-men-dous
V b Š Š ‰ Š
=Š Š Š Š Š Š Š Š Š ŠŠ 24 ‰ Š =Š Š 34 Š Š Š Š Š =ŠŠ Š 24
{
mf
Bb ‰ Š. Še
Š ‰ Š
24 Š ‰ Š 34‰ ‰ Š
24
ah
Vb24 Š Š 34 Š
56
Š =Š 24Š Š 34Š Š=Š Š Š Š ‰ r
([)
ah
Vb24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š ‰ r
([)
day, Pre - serve us, while we dwell be - low, From ev’-ry on-slaught of the foe.
V b24 Š =Š Š 34 Š ‰ Š
= =Š Š 2 4Š‰ Š 34Š Š
Š=ŠŠ Š =ŠŠ Š ‰ Š Š Š Š Š
r
Š
{ Bb24 Š. Še 34 Š Š Š Š Š 24Š. Še 34 Š cresc.
Š Š ‰ Š ‰
Š Š ‰ Š Š Š‰
Š

56 Creator of the stars of night
V b
Š. ŠeŠ Š Š. ŠeŠ Š Š. ŠeŠŠ bb bŠ
61
Š
Š b bŠ Š
Š Š
Š‰. bŠ Š bŠ =‰ Š. Š Š Še ‰.‰ Š
24
{ Bb ‰ b b‰ f
Š Š Š ‰. . ŠbŠŠbŠ ‰. Š b‰ Š ‰ Š. ‰ ŠeŠŠ
Š 24
Vb24 r t Še 34 Š Š Š Š Š Š 24 Š. Š f 34 Š
67
TUTTI unis.f
Š Š Š Š Š 24
([)
All praise, e - ter - nal Son, to thee, Whose ad-vent sets thy peo-ple
V b24 Š. Še 34 Š Š Š 24 Š. e 34 Š Š Š
‰ Š Š Š Š Š Š Š ‰ Š Š Š 24
{ Bb24 34 ‰. 24Š 34 Š .
Š Š ‰.
Š Š ‰ Še Š
24
for online perusal only
71
dim. al fine
Vb24 Š. Š f 34Š Š Š Š Š Š 24Š. Še 34 Š Š Š Š Š Š
([)
free, Whom with the Fa-ther we a - dore, And Spi - rit blest, for ev - er -
V b24 Š. Š Š Š Še 34Š ‰ Š Š Š Š Š 24Š Š 34 b‰ Š Š Š Š
{ Bb24 Š 34 Š Š 24 Š . Še 34 dim. al fine
Š Š ‰ Š ‰ Š bŠ Š Š
poco rit.
p
Vb ‰ r r r Š Š Š
Fpp
75
Š Š Š ‰. ‰.
([)
- more. A - men.
V b Š Š Š
F
‰ Š Š Š Š Š Š Š Š Š Š. Š ‰ ŠeŠ Š Š. ŠeŠ Š # ‰ .
{ Bb Š Š p
pp
‰ Š Š Š Š ‰. Š ‰ Š b‰ ‰ ‰.
E
‰.

57
Voices 1 2
(Men)*
Keyboard
12. Drop, drop, slow tears
Phineas Fletcher
(1582–1650)
VOICE 1
VOICE 2
MEN
KEYBOARDb
Mournfully i = 100
unis.
V 4 p p p p
mp
Š rŠr r ‰ Š
([)
Drop, drop, slow
stagger breathing
B p
4 ˆ ˆ ˆ ˆ ˆ ˆ
mm
V
Mournfully i = 100
4 p p ˆ-
ˆˆ
ˆ ˆ ‰‰
q
p
{ B 4 ˆ ˆ ˆ ˆ ˆ ˆ
(Ped.)
KERRY ANDREW
(b. 1978)
for online perusal only
7
V Š Š#‰. ‰ r Š bŠ ŠŠ‰ Š ‰ ‰ bŠ ‰. ‰ rŠ
([)
B ˆ ˆ ˆ ˆ ˆ ˆ
V ˆ - ˆ ˆ ˆ ˆ ‰‰
q ˆ-
ˆˆ
{ B
ˆ ˆ ˆ ˆ ˆ ˆ
-
tears and bathe those beau - teous feet, Which
* Voices 1 and 2 may be sung by upper voices or men, but the optional third part must be sung by men only.
b If playing the accompaniment on piano, use the sustaining pedal ad lib. to create a wash of sound throughout.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

1
2
MEN
58 Drop, drop, slow tears
13
V Š Š#Š Š ‰ Š Š ‰ Š b‰
(„)
Š ‰. Š Š Š#‰ Š
([)
brought from hea - ven the news and Prince of
B ˆ ˆ ˆ ˆ ‰. r
(mm)
V ˆ ˆ ‰‰
q ˆ-
ˆˆ
ˆˆ
{ B
ˆ ˆ ˆ ˆ ˆ
‰ ‰
for online perusal only
18
V ˆ
p p p ‰ ‰ r ‰ Š
([)
Peace: Cease not, wet
B ˆ ˆ ˆ ˆ ˆ ˆ
Drop, drop, slow tears,
V ‰ ‰ -
ˆ ‰ ‰ -
ˆ ‰ ‰ ˆ ˆ ‰ ‰ ‰ ˆ ‰ -
ˆ
- -
‰ ‰
mp
-
{ B
ˆ ˆ‰ b‰ ˆ ˆ‰ ‰ ˆ ˆ‰ b‰
24
V ˆ Š Š #‰. ‰ r Š bŠŠ Š Š ‰ Š ‰ ‰
([)
B ˆ ˆ ˆ ˆ
drop, drop, slow
V ‰ ‰ -
ˆ ‰ ‰ -
ˆ ‰ ‰ ˆ ˆ
-
‰ ‰ -
{ B
ˆ ˆ‰ ‰ ˆ ˆ‰ b‰
eyes, his mer - cies to en -

To cry, cry
28
V bŠ ‰. ‰ r Š ‰ Š Š #Š Š
([)
Š #Š Š ‰. ‰ r Š Š Š #Š Š ‰
- treat; To cry
B ˆ ˆ ˆ
tears,
drop,
V ‰ ‰ -
ˆ ˆ ‰ ‰
-
‰ ˆ ‰ -
{ B
ˆ ˆ‰ ‰ ˆ
31
V Š #ŠŠ Š Š Š Š b‰. ‰ Š Š Š Š #ŠŠ Š ‰
([)
for online perusal only
for ven - geance sin doth ne - ver
B ˆ ˆ ˆ ˆ
drop, slow tears.
V ˆ ‰ ‰ ‰ ˆ ‰ -
-
ˆ‰ ‰ -
ˆ
{ B
ˆ‰ b‰ ˆ ˆ ‰ ‰ ˆ
‰ ‰
35
mf
V ˆ
p ‰ ‰‰ Š Š ‰‰ Š
([)
cease. In your deep
B mp
‰ ‰ ‰ ‰ ˆ ‰ ‰
Drop, drop, slow tears, in your
Vr
(Organ: Solo)
‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š
mf
{ B
ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š
(Organ: sustain ped. D until the end)
Drop, drop, slow tears 59

39
V -
Š Š Š#‰. ‰. r bŠŠ Š Š ‰ Š Š ‰ ‰
([) -
floods drown all my faults and
B ˆ ‰ Š Š ˆ ‰ ‰
floods, drop, slow tears, drown my
V Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š
{ B
ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š
43
V bŠ ˆ Š ‰. ‰ r Š ŠbŠŠ Š#ŠŠ Š Š Š Š‰. Š bŠ ŠŠ
60 Drop, drop, slow tears
([)
for online perusal only
fears; Nor let his eye see
B ˆ ‰ Š Š ˆ ‰ ‰
fears; drop, slow tears, cease not,
V Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š
{ B
ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š
rit.
47
V ˆf div. senza dim.
Šb‰. ŠŠ r b‰ ‰ Š bŠŠ #ŠŠ Š ˆ ˆ
([)
ˆ #ˆ
sin, but through my tears.
senza dim.
B ‰ Š Š ˆ ‰ ‰ ˆ ˆ
drop, slow tears, slow tears.
V Š
rit.
‰. -
r
‰. -
r
‰. -
q ‰-
ˆ
{
senza dim.
B
ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆˆ

61
S(A)(Men)
Keyboard
13. Evening Service in C
Magnificat
VOICES
Allegro maestoso i = 120
V 4 p p p p
([)
V 4 r Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š.. Š
‰ Š.. Š “
{ B 4 r
Š Š Š Š Š Š Š Š Š Š Š ‰
‰
Š Š Š Š
Š
(Man.) >
KEYBOARD f cresc.
TUTTI unis.
5
ff
VrŠ Š Š Š Š Š Š Š Š Š Š Š ŠŠŠŠ ‰ Š Š 32
([)
(Ped.)
My soul doth mag - ni - fy the Lord, And my spi-rit hath re - joic - ed in
V Š r Š r Š r Š r Š r
ff
{ B Š r Š r Š r Š r Š r
Š Š ‰ Š Š 32
Š ‰ Š Š Š Š
Š 32
9
V 32 Š Š ‰ Š r 24 p mf
4r Š Š Š Š Š Š Š Š Š
([)
for online perusal only
FRANK HENRY SHERA
(1882–1956)
God my sav - iour, For he hath re - gard-ed the
V 32 Š Š ‰ 24 Š
#Š Š=Š Š Š Š Š Š.. Š 4 Š Š Š Š Š Š “ Š Š Š Š Š
{ B 32 Š Š Š Š Š r 24 Š Š 4 mf
Š Š Š‰
Š ‰ Š Š Š Š Š
© Oxford University Press 1923 and 2007. Photocopying this copyright material is ILLEGAL.

S./A.
MEN
62 Evening Service in C
V Š. Š Š Š Š 32 Š
13
Š ‰ Š r 24 p 4 p
([)
V low - li-ness of his hand - maid - en.
Š Š Š 32 Š Š ‰ Š #Š Š Š Š 24#Š Š 4Š Š Š Š Š
{ B #Š
=Š p
Š 32Š Š Š
Š Š
Š 24 #Š Š 4 Š Š
Š Š
Š Š Š
(Man.)
17 S./A. unis. or S.
p
VrŠ.Š Š Š ‰ Š Š Š. ŠeŠ Š Š 32 Š Š ‰ Š r 24
for online perusal only
For be-hold, from hence - forth: all ge - ne-ra-tions shall call me bles - sed.
V Š Š ‰ Š Š # ‰ Š Š =‰ Š. ŠeŠ Š 32 Š Š #Š ‰ Š=Š Š Š Š 24
{ B Š bŠ ‰. =Š ‰. 32 q q mf
Š Š Š Š Š Š Š Š Š Š Š r Š Š
Š Š Š Š Š r 2 4
(Ped.)
21
MEN or A. or TUTTI
TUTTI
V 24 p 4r Šf
p
Š ŠŠ Š Š Š Š Š Š Š r r Š
([)
V For he that is might - y hath mag-ni-fied me, And
24 Š..
ŠŠ
Š
Š 4
Š r Š r Š r Š Š Š #ŠŠŠ # Š =Š
{ B 24 4 f
Š Š r
p
Š Š r Š r Š Š
- Š Š Š Š Š
- - - - -
25
poco rall. Meno mosso
V Š. Š f Š #Š ‰
,
i = 100
S.
r ŠŠ bŠ b Š Š ŠŠ Š ‰ Š Š Š Š
A.
ho - ly is his Name. And his mer - cy is on them that
B Š. Š f Š #Š ‰ ,
r Š Š b Š Š Š Š ‰ Š Š
V
poco rall. Meno mosso i = 100
Š. Še #Š
,
‰ Š Š Š ‰. Š bŠ b Š Š Š ‰ Š Š
Š #‰ Š ‰. Š Š Š ‰
{
keyboard ad lib.
B ‰ ‰. =Š ‰ b
Š Š
Š Š Š Š ‰. Š Š Š
Š Š Š ‰ ‰

29
Vb ˆ ‰ Š Š ‰ Š Š bˆ ‰ ‰ ‰. Š Š
fear him: through - out all ge - ne -
Bb
‰. Š ‰ Š Š ‰ ‰ ‰ Š Š
V b ˆ b bˆ ‰
‰. Š ‰ ‰ ‰ ‰ ˆ Š Š
{ Bb ˆ ‰. Š ‰ q ‰ ‰ ‰ ‰ ‰
33
Vb ˆ ‰ ‰ ‰ q p p p p bbb
- ra - tions.
Bb ‰ ‰ ‰ q p p p p bbb
V b ˆ ‰ ‰ ‰ Š Š b bˆ ‰ b‰ bˆ ‰ Š bŠ ˆ ‰ ‰ . Š bbb
{ Bb ‰ -
ˆ ‰ pp
q b‰ ‰ b‰ b‰ bˆ ‰. Š Š -
Š - bŠ bbb -
(Man.)
Tempo I
(Ped.)
TUTTI unis.
39
ff
Vbbb r ŠŠŠ Š ‰ Š Š Š Š Š Š ŠŠŠŠ Š ŠŠŠŠ
V
Š
([)
V He hath show-ed strength with his arm: he hath scat-ter-edtheproudinthei-ma - gi -
bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š
ff
-
.- .- .- - .
{ Š Š Bbbb
Š Š Š Š Š Š Š Š Š Š ‰ ‰
Š ‰ Š Š Š Š
-
.- .- .- .- Š
(Man.)
(Ped.)
43
.-
Vbbb Š Š Š. Š
([) f Š r q t Š-
f
ŠŠŠ. - - -
Š Š f Š Š Š Š Š
V
- na - tion of their hearts. He hath put down the might-y from their
bbb Š Š Š. Še Š Š Š.. Š
=Š ŠbŠ Š r Š Š Š Š
- Š
-
.-
Š .-
Š Š “ Š Š Š Š Š
f
{ Bbbb
‰ Š Š
Š r ‰ Š Š Š Š Š r
Š
Š Š Š Š Š Š
-
Š Š
-
Š
.- .-
for online perusal only
Evening Service in C 63

S.
A.
MEN
47
Vbbb Š Š Š Š Š ŠŠŠŠŠ
64 Evening Service in C
([)
S. or S./A. unis.
mf
Š ŠŠ=Š ŠŠ Š Š Š Š Š Š
seat: and hath ex - alt - ed the hum-ble and meek. He hath fill - ed the hun - gry with good
V bbb Š Š Š Š Š Š ŠŠ =ŠŠ Š Š Š =Š
=ŠŠ Š
‰
Š Š Š Š Š
{ Bbbb =Š Š Š ‰ mf
bŠ Š Š Š Š
Š Š Š Š
Š Š
Š Š Š Š =Š
51
unis.
fTUTTI
Vbbb ‰ Š. - Še - Š-
Š-
Š-
Š - ‰-
Š-
Š-
ˆ-
([)
V things: and the rich he hath sent emp - ty a - way.
bbb = ‰ = Š . Še Š Š Š = Š ‰ Š b( Š ) ˆ‰. -
{ =Š
Bbbb #‰ Š. -f
Še -
Š
-
‰ -
-
-
-
-
Š
-
Š. Š b( ) Š Š Š ‰ Š #Š ˆ-
- - f - - - - - - -
55
Meno mosso
Vbbb ‰ , pp
cresc.
=ŠŠ Š === Še Š Š Š Š
Š. Š f
Š Š ‰ Š Š Š ŠŠŠ Š Š
He re - mem - ber-ing his mer - cy hath hol - pen his ser - vant
Bbbb ‰ ,
Š Š === Š. Š Š Š Š f
Š Š Š Š ŠŠ#Š Š Š
pp
V cresc.
Meno mosso
bbb ‰
,
=Š Š === Š. Še Š ‰ Š Š Š =‰ ‰ ‰. Š Š Š Š Š ‰ Š Š Š
{
pp
Bbbb
‰
keyboard ad lib.
cresc.
‰ Š Š === ‰ Š
Š Š Š
Š ‰ ‰ ‰ #Š‰
Š Š
59
V mf
Š. Še
Š Š Š Š. Še Š ‰ Š
f
Š ŠŠ Š Š Š bŠ b‰ ‰ ‰ #Š r
Is - ra - el: as he pro - mis - ed to our fore - fa - thers,
B#Š. Š f
Š =Š Š Š Š Š Š ‰ b‰ ‰
Š Š
V
mf
Š.
‰. Še Š Š Š Š.
Š Š Še Š bŠ b ‰ ‰ ‰ # Š r
{
mf
B #Š. Še Š =ŠŠ ˆ ‰.
Š Š Š Š ‰ b‰ ‰ ‰. Šr
for online perusal only
mf

63
V ‰. p
‰ ‰ Š ‰ Š Š ŠŠ Š ‰. Š ˆ‰ ‰ ˆˆ
A - bra - ham and his seed, for ev - er.
B‰ ‰ ‰ Š Š ‰. , Š ‰ ‰ ˆ
V p
‰
‰.
‰ Š ‰ Š Š Š‰ Š ‰. Š ˆ‰ Š Š ˆ
{
mf
p
B ‰ ‰
‰ ‰ Š Š ‰. Š ‰ Š
‰ Š ˆ
Tempo I
68 unis.
fTUTTI
V Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š. Še
([)
V Glo - ry be to the Fa - ther, and to the Son, and to the Ho - ly
Š r Š r Š r Š r Š Š Š Š‰ Š Š Š Š. Š#Š Še
f
{ B Š r ‰ q Š. Še
Š r Š r Š r Š
Š Š Š Š Š Š Š Š
72
mf
cresc.
V‰ Š Š bŠ. Še Š Š Š Š Š Š Š. Š
([)
f Š #Š
V
Ghost: ‰ As it was in the be - gin - ning, is now, and ev - er
Š Š b ŠŠŠ r # Š r Š Š Š r #ŠŠŠ Š Š ‰. r # Š r
{
cresc.
B ‰ Š mf
Š r ‰.
r
Š Š r Š r Š Š Š Š r Š r
S./T.
76
allargando
V#Š Š ‰ Š. f cresc. molto
Š
([) f
‰ Š
Š Š Š Š ‰‰. ‰ Š
ff
ˆ
A./B.
V#Š
shall be: world with-out end. A - - men.
‰. Š Š Š ‰ ‰ Š
Š Š Š ‰ ‰ ˆ
Š ŠŠ Š { B ‰.
f
r = ff
cresc. molto
Š #Š #Š #Š ‰ ‰
Š
Š -
Š
-
Š
-
Š
-
Š
- Š
- Š
- Š Š
- -
ˆˆ
for online perusal only
,
Evening Service in C 65

66
Voices 1 (2)
Keyboard
Nunc dimittis
VOICES
Andante i = 100
TUTTI unis.
V 2 p p q F p
r r ‰. Š
([)
Lord,
V 2 ‰ .
Š Š
F
Š Š‰
Š ‰. r ‰ .
Š
{ B 2 ‰ ‰ ‰ ‰ ‰. r ‰ ‰
KEYBOARD pp p
5
VŠ Š Š Š ‰ Š Š ‰. Š ‰. Š
([)
for online perusal only
(Man.) E
(Ped.)
let - test thou thy ser - vant de - part in peace: ac -
V Š Š Š‰ Š ‰ Š Š Š Š ˆ
‰ ‰ ‰. Š
{ B ‰ ‰ ‰. Š Š Š Š ‰ ‰ ‰. r
,
9
poco sostenuto
a tempo
cresc.
1
VŠ Š Š Š ‰ Š Š ‰. Š ‰ Š Š
,
FRANK HENRY SHERA
(1882–1956)
([)
2
- cord - ing to thy word: For mine eyes have seen: thy sal -
V Š Š Š Š ‰ Š #Š Š Š ‰ Š Š ‰ Š Š
‰ ‰ ‰
{
cresc.
B q b‰ r Š ‰ Š =Š Š Š Š Š Š Š Š Š
now
© Oxford University Press 1925 and 2007. Photocopying this copyright material is ILLEGAL.

13
animato poco a poco
mf
V ˆ Š #Š Š Š ‰ r Š Š‰ Š Š #Š Š ‰ Š Š
([)
- va - tion, which thou hast pre - par - ed be -
V ˆ Š ‰ #Š Š Š ‰.‰ Š Š
Š‰ Š Š ‰ #Š ‰.‰ Š Š
{ B
mf
‰ ‰ ˆ‰ Š Š ‰ Š Š Š Š ‰ ‰ ‰ Š Šr
17
animato
V ‰‰. ‰ Š Š. Š Š Še
Š Š ˆ‰ ‰ Š t f
Še f
Š Š
([)
for online perusal only
Evening Service in C 67
- fore the face of all peo - ple, To be a
V ‰ Š Š ‰ Š Š Š‰
Š Š‰ Š ˆ‰ t
‰ Š Š
Še Š Š
{ B ‰ Š Š Š Š f
‰ ˆ ˆ Š r q
V b‰. bŠ Š bŠ Š bbŠ Š Š bbŠ Š bˆ ‰ ‰ bŠ Š ŠŠŠ Š
21 cresc.
- - - -
- -
([)
V bb‰ .
bŠ bŠ bbŠ Š bŠ bb bˆ Š Š -
Š -
‰ b‰ ‰ b‰ ‰ bbˆ Š -
Š -
{
cresc.
B b b‰ ‰
‰
Š bŠ b‰ Š bŠ b‰ ‰ b‰ ‰ bˆ
V =( ff
)Š .
25 >
poco allargando
Š. ŠeŠ ‰ ‰ >
ˆ
([) f Š Š ‰. Š ‰. Š ˆ
glo - ry of thy peo - ple Is - ra - el.
V =(
=( Š . )
Š e
‰ Š Š bˆ ‰. Š Š =Š Š ˆ‰ ‰
{
ff
B b bŠ Š Š =Š Š
‰ Š Š Š Š Š Š
ˆ ˆ
light to light - en the Gen - tiles, and to be the

68 Evening Service in C
Allegro maestoso i = 120
29 unis.
fTUTTI
V Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š Š
([)
Glo - ry be to the Fa - ther, and to the Son, and to the
V Š r Š r Š r Š r Š Š Š Š‰
Š
f
{ B Š r ‰ Š r Š r Š r Š
Š Š Š Š
32
V Š
mf
Š Š. Še ‰ Š Š bŠ. Še Š Š
([)
V Š Š Š. Š #Š Še ‰ Š Š b ŠŠŠ Š Š
r # Š r
{ B q Š. Še ‰ mf
Š Š Š Š Š Š Š r Š r Š r
Ho - ly Ghost: As it was in the be -
35
cresc.
V Š Š Š Š Š. Š
([)
f Š #Š #Š Š ‰
- gin - ning, is now, and ev - er shall be:
V Š‰. Š Š r #ŠŠŠ r # Š r #Š ‰. Š Š Š
{
cresc.
B ‰. Š Š Š r Š r Š r Š ‰. #Š #Š
#Š
r
allargando
38
V Š. Š f
‰
for online perusal only
f
cresc. molto
ff
Š
1
Š Š Š Š ‰‰. ‰ Š ˆ
2
([)
world with-out end. A - - men.
V ‰ ‰ Š
Š Š Š ‰ ‰ ˆ
Š ŠŠ Š {
f
cresc. molto
ff
B ‰ = ‰
Š
Š -
Š
-
Š
-
Š
- Š
- Š
- Š
- Š Š
- -
ˆˆ

69
S(A)(Men)
Keyboard
14. Fairest Lord Jesus
17th-cent. German
trans. Lilian Sinclair Stevenson
Silesian folk song (1842)
arr. MARTIN HOW (b. 1931)
VOICES
KEYBOARD
([)
Moderato h = 63
TUTTI, S./A. unis., or SOLO
Vbbb 2 p p p mp
‰ Š Š Š Š ‰
([)
Fair - est Lord Je - sus,
V bbb 2 ‰ Š ‰ ‰. Š ‰ ‰ ‰ ‰ Š Š Š Š
p
Š Š Š ‰ Š ‰ Š Š Š
{ Bbbb 2 p Š Š ‰ ˆˆ Š Š Š Š Š Š ‰
for online perusal only
(Man.)
6
Vbbb Š Š Š Š Š Š ‰ ‰ Š Š ‰ Š Š ‰ Š Š
Lord of all cre - a - tion, Je - sus, of God and Ma - ry the
V bbb ‰ ‰ Š Š Š Š Š‰ Š ‰ Š Š Š
‰ Š ‰ Š ‰ Š Š ‰ Š Š ‰
{ Bbbb Š Š Š Š Š Š Š Š ‰ ‰ ‰ ‰ ‰ Š Š
11
Vbbb ˆ ‰ Š Š Š Š ‰ ‰ Š Š Š Š ‰
([)
Son; Thee will I cher - ish, Thee will I hon - our,
V bbb ˆ Š ‰ Š Š Š =Š ‰ ‰ Š Š ‰.
Š ‰ ‰ ‰ ‰ Š Š ‰ Š
{ Bbbb
‰. Š Š Š =‰ ‰. Š Š Š ‰ ‰ =‰
Music: © 1975 The Royal School of Church Music, 19 The Close, Salisbury, SP1 2EB, www.rscm.com. All rights reserved.
Words reproduced by permission of Oxford University Press. Photocopying this copyright material is ILLEGAL.

S.
A.
*
MEN
70 Fairest Lord Jesus
16 S./MEN
Vbbb ‰ Š Š ‰. Š ‰ ‰ ˆˆ
p p
([)
A.‰ Š
O thou my soul’s de - light and crown.
V bbb ‰ ŠŠ
Š ‰ ‰ ‰. ‰ Š ‰. Š Š Š Š ‰. Š‰ Š ‰ Š ˆ ‰ Š ‰ ‰ Š
{ Bbbb Š Š Š Š Š Š Š Š ‰
‰ ‰ Š Š ‰ ‰ ˆ
22
mp
Vbbb ‰ Š ŠŠ ‰ Š ‰ ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
Fair are the mea - dows, Fair - er still the wood - lands, Robed in the
Bbbb Š Š Š Š Š Š ‰ Š Š Š Š Š Š ‰ Š Š Š Š
mp
27
(Keyboard)
Vbbb ‰ Š Š Š Š ‰ Š Š ‰ Š Š ˆ ‰ Š Š =ŠŠ Š Š Š Š Š =Š Š ‰
ver - dure and bloom of spring. Je - sus is fair - er,
Bbbb ‰ Š Š ‰ Š Š ˆ ‰ Š Š ‰. bŠ
fair - er,
32
sad - dest heart to
Vbbb‰ Š bŠ Š Š Š Š ‰ Š Š ‰ Š Š Š Š ‰.
Š Š Š Š ‰ Š ‰ ‰ Š
Je - sus is pur - er, He makes the sad - dest heart to
Bbbb Š Š Š Š ‰. Š Š Š Š Š Š Š ‰ ‰ ‰
pur - er, heart to
37
Vbbb ˆ p p mf
ˆ ‰ Š ŠŠ Š Š ‰ Š Š
sing. Fair are the flow - ers,
Bbbb ˆ p p Š Š Š Š Š Š ‰
V mf
bbb Šˆ Š Š Š ‰. Š Š ‰ Š ‰ Š ‰ ‰ Š ‰ ‰ Š Š Š‰
Š
p
{ Bbbb ‰ ‰ mf
ˆ ‰ ‰ ˆ ˆ
Š Š Š Š ˆŠ Š ‰
(Ped.)
* Keyboard: double voice parts ad lib.
for online perusal only

S.
A.
MEN
42
Vbbb Š ‰ Š Š Š Š Š Š Š Š ‰ Š Š ‰ Š Š ‰ ‰
Fair - er still the sons of men, In all the fresh - ness of youth ar -
Bbbb Š Š Š Š Š Š ‰ ‰ Š Š ‰ Š Š ‰ ‰
V bbb ‰ ‰‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š Š‰ Š Š‰
Š
{ Bbbb Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š Š ˆ ˆ ˆ ˆ ‰ ‰
47
unis.
Vbbb ˆ ‰
f
mp
S.
ˆ Š Š Š Š ‰ ‰ Š Š Š Š ‰ ‰ Š Š
A.
Bbbb ˆ ‰ Š Š Š Š ‰ ‰ Š Š Š Š ‰ ‰ Š Š V f
bbb ‰ ‰ ‰ q = ‰
Š
mp
‰ Š ‰ q ‰ Š‰
Š ‰ q
{ Bbbb =‰ ‰ Š‰ bŠ b‰ ‰ q ˆ
‰ ‰ ‰ q ‰ =‰ ‰ ‰ q
for online perusal only
- rayed: Yet is their beau - ty fad - ing and fleet - ing; My Je-sus,
mp
opt. SOLO or SOLI
rall.
53
Vbbb q ‰ ‰ ‰ ˆ p r Š Š Š ˆ
ne - ver fade,
unis.
p
Vbbb ‰.
Š Š Š Š ‰ Š ‰ ‰ Š ˆ q r Š ‰ ‰ ˆ
BbbbŠ Š Š ‰ ‰ ‰ ˆ q r Š ‰ ‰ ˆ
V
thine will ne - ver fade,
bbb ‰ Š Š ‰ ‰ Š Š p
rall.
Š Š ‰ Š ‰ Š ˆ Š Š Š‰. Š Š Š ‰ Š‰ Š ˆ
{
mp Bbbb
p pp
Š Š ‰ ˆ ˆ ˆ ‰ ‰ ˆ
My Je - sus, will ne-ver fade.
thine will ne - ver fade, will ne - ver fade.
p
Fairest Lord Jesus 71

72
S(A)(T)(B)
(Keyboard)*
15. Gabriel to Mary came
(Angelus ad virginem)
Arundel MS (13th cent.)
trans. W. A. C. Pickard-Cambridge (adap.)
Melody: 14th-cent. Irish
arr. Alan Bullard (b. 1947)
SOPRANO
TENOR
ALTO
BASS
V # With life and joy, but not too hurried i. = 92
68 p p p p
V # 68 p p p p
([)
([)
S./T.
A./B.
With life and joy, but not too hurried i. = 92
V# 68 Š . Š. Š Š f Š. Š. Š. Š Še Š.
{ V # 68 Š. Š. Š. B Š. Š. Š.
Š. Š.
KEYBOARD mf p
(Man.)
V #
5
mp (f)
Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.
([)
Sunis.
1. Ga - bri - el to Ma - ry came, And vi - si - ted her dwell - ing,
1. An - ge - lus ad vir - gi - nem Sub - in - trans in con - cla - ve,
4. Hail! thou Mo - ther of the Lord, Who bring’st of gifts the ra - rest,
4. E - ia ma - ter Do - mi - ni, Quae pa - cem red - di - dis - ti
V # unis.
Š Še Š Še Š Še Š Še Š Še
([) mp Š Š e Š Še Š Š Š
(f)
V# S
Š. Š. Š. Še Š. Š. Š. Še ‰. Š. Š.
{
mp (f)
B# ‰. ‰. ‰. ‰.
(Man. v. 1; Ped. v. 4 )
for online perusal only
* This piece may be performed in two parts (with scoring as marked) with or without keyboard, or in unison with keyboard. If
performing unaccompanied, omit the introduction and the empty bars between the verses. Simple percussion may be added if
desired.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

V #
9
Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.
([)
With his sa - lu - ta - tion glad Her trem - bling fears dis - pel - ling,
Vir - gi - nis for - mi - di - nem De - mul - cens, in - quit ‘A - ve!
Peace in hea - ven and on earth When Je - sus Christ thou bar - est!
An - ge - lis et ho - mi - ni, Cum Christ - um ge - nu - is - ti;
V # Š Še Š Še Š Še Š Še Š Še Š Še Š. Š.
([)
V# Š.
Š Š Š. Š Še Š. Š Še Š f Š Š f ‰. ‰. Še Š. Š.
{ B# ‰. Š. Š. Š. Š. ‰. Š. Š. Š. ‰.
Š.
V #
13 mf (f)
Š. Š Š f 98Š Še Š Š Š Š. 68Š. Š Š f
([)
‘All hail, thou queen of maid - ens bright! God, Lord of
A - ve, re - gi - na vir - gi - num: Coe - li ter -
Do thou, we pray, en - treat thy Son For us our
Tu - um ex - o - ra Fi - li - um Ut se no -
V # Š. Š Še 98Š Še Š Še Š. 68Š. Š Še
([)
V# mf (f)
‰. Š. Š.
98Š . Š. Š .
68Š. Š .
{ B#
mf (f)
‰. 98‰.
‰. Š. 68Š. Š.
V #
16
Š Še Š Š Š Š. Š
U Š Š Še Š Še Š ŠeŠ Š Š
([)
for online perusal only
earth and hea - ven’s light, Whose ve - ry Son, The Sa - viour of all
- rae - que Do - mi - num Con - ci - pi - es Et pa - ri - es In -
safe re - demp - ti - on Him - self to win, And from our sin re -
- bis pro - pi - ti - um Ex - hi - be - at, Et de - le - at Pec -
U
Gabriel to Mary came 73
V # Š Še Š Še Š. Š Š Š Še Š Še Š Še Š Še
([)
V# Š . Š. Š. Š Š Š Š Še Š Še Š ŠeŠ Š Š
{ B# Š. Š. Š. Š. ‰. Š. Š Š ‰. Š. f
Š.

74 Gabriel to Mary came
V #
20
Š Š Š Š Še Š =Še Š Š Š Š. Š #Š
([)
peo - ple Shall come to earth a child, Has
- tac - ta Sa - lu - tem ho - mi - num; Tu
- lease us; His lov - ing grace to give, That
- ca - ta: Prae - stans aux - i - li - um Vi -
V # Š Š Š Š Še Š Še Š Še Š. Š Š
([)
V# Š Š Š Š Še Š =Še Š Š Š Š. Š
U#Š
{ B# Š. Š. ‰. Š. Š. Š Š
U
Š Š
U
V #
23
Š ŠeŠ Š Š Š Š Š Š Še Š =Še Š Š Š ‰.
([)
for online perusal only
cho - sen thee, O Ma - ry, To be his mo - ther mild.’
por - ta coe - li fac - ta, Me - de - la cri - mi - num.’
when we there are ta - ken, We too in heav’n may live.
- ta fru - i be - a - ta Post hoc ex - i - li - um.
V # Š Še Š Še Š. Š Š Š Š Še
([)
Š Še ‰.
V# Š. Š Š Š Še Š Še Š =Še Še Š #Š Š f Š. Š. Š. Š. Š Š. Š Še t
{ B# Š. Š.
Š. Š. Š. Š Š Š. f Š. ‰.
to v. 2 (bar 29)
V #
27 after v. 1
after v. 4
p p
‰. Š
t r. pF
([)
V # p p
‰. Š
t r.
E
p
([)
V# after v. 1
to v. 2 (bar 29) after v. 4 F
ŠŠ =Še Š Š Š Š. Š
t Š Š. =Še Š Š Š Š. Š
t ‰.
{ B# Š. Š. Š. t ‰. #( .) Š
t
Š Š. Š. Š. Š ‰.
E
‰.
(Man.)
U
U
Fine
Fine

V # SOPRANOS only*
29
.
p Š (mf )
Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.
([)
2. ‘How should I a mo - ther be That am to man a stran - ger?
2. ‘Quo - mo - do con - ci - pe - rem Quae vi - rum non cog - no - vi?
3. Then to him the maid re-plied, With con - fi - dence su - per - nal;
3. Ad haec vir - go no - bi - lis Re - spon - dens in - quit e - i:
V # ALTOS only*
. Š ŠeŠ Še Š Še Š Še Š Še Š Še Š Še Š Še
([) p (mf )
V# (v. 3:
. t
Š Š Organ: Solo (Naz.); Piano: 8ve higher)
p Š Š Š Š. Š. tŠ=Š Š Š Š
p
{
(mf)
B# . Š. ‰. Š Še Š. Š. Š. Š.
V Š #( Še)
Š Še
(Man.)
V #
33
Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.
([)
How could I my strong re - solve, My sol - emn vows en - dan - ger?’
Qua - li - ter in - frin - ge - rem Quod fir - ma men - te vo - vi?’
‘Lo! the hum - ble hand - maid I Of God the Lord e - ter - nal!
‘An - cil - la sum hu - mi - lis Om - ni - po - ten - tis De - i.
V # Š Še Š Še Š Še Š Š Š Š Še Š Še Š Še Š.
([)
V# Š Še Š. Š Š f Š Š Š ‰. p
{ V # Š . Š Še Š Še Š. Š . Š. Š Še Š
Š. B
.
V #
37 v. 2: TENORS only (v.3: SOPRANOS continue)
Š. Š Š f 98Š Še Š Š Š Š.
68Š. Š Š f Š Še Š Š Š
([)
for online perusal only
Gabriel to Mary came 75
‘Pow’r from the Ho - ly Ghost on high Shall bring to pass this mys - ter -
‘Spi - ri - tus Sanc - ti gra - ti - a Per - fi - ci - et haec om - ni -
With thee, bright mes - sen - ger of heav’n, By whom this wond - rous news is
Ti - bi coe - les - ti nun - ti - o, Tan - ti se - cre - ti con - sci -
V # v. 2: BASSES only (v. 3: ALTOS continue)
Š. Š Še 98Š Še Š Še Š. 68Š. Š Še Š Še Š Š Š
([)
V# mf
Š. Š. 98Š. Š. Š.
68 Š . Š. Š . Š.
{ B#
mf
‰.
98‰. Š. 68‰.
Š. ‰. Š.
* v. 2: if there are insufficient singers to make the suggested contrast between SA and TB effective, use fewer singers in bars
29–36 and sing tutti thereafter.

76 Gabriel to Mary came
V #
41
Š. Š Š Š Še Š Še Š ŠeŠ Š Š Š Š f Š Š f
([)
U
- y. * Then have no fear: Be of good cheer, I tell thee That
- a; * Ne tim - e - as, Sed gau - de - as, Se - cu - ra Quod
giv’n, * I well a - gree And long to see Ful - fill - ed Thy
- o, * Con - sen - ti - ens, Et cu - pi - ens Vi - de - re Fac -
U
V # Š. Š Š Š Še Š Še Š ŠeŠ Š Š Š Š Š Š Še
([)
V# Š U
Š Š
UŠ Š Še Š Š Š Š Š Š Še f Š. Š. Š. Š Š f
{ B# Š.
‰. Š Š Š Š f Š Š Š. Š f
Š Š Š. Š Š
U
f
V #
45
Š Še Š Še Š. Š
UŠ Š ŠeŠ Š f
Š Š Š Š Še
([)
still thy pu - ri - ty In God’s al - might - y keep - ing Shall
cas - ti - mo - ni - a Ma - ne - bit in te pu - ra De -
gra - cious pro - phe - cy. As God my Lord doth will it, So
- tum quod au - di - o; Pa - ra - ta sum pa - re - re, De -
U
V # Š =Še Š Š Š Š. Š #Š Š ŠeŠ Š Š Š Š Š Š Še
([)
V# Š =Še Š Š f Š. Š
U
‰. Š Š. Š.
Še Š Š f Š Š Š
{ B# Š. Š. Š UŠ Š U
Š Š. Š Š f Š. Š Š f
V #
49
Š =Še Š Š Š ‰.
p p .
([)
all un - sull - ied be.’
- i po - ten - ti - a.’
be it un - to me!’
- i con - si - li - o.’
V # Š =Še Š Š Š ‰.
for online perusal only
([)
V# Š =Še Š Š Š ‰. Š Š Š Š #( ) Š
{
Repeat for v. 3, then
D.S. v. 4 to Fine.
p p .
Repeat for v. 3, then
D.S. v. 4 to Fine
Š Š. Š. .
B# r Še Š Še Š Še Š Še Š. Š. ‰. .
‰. ‰. ‰.
* If performing with unison voices, sing lower part only from bar 41 (beat 2) to bar 50.

77
S(A)(Men)
(Keyboard)*
16. Give thanks to God
Alan Bullard
UNISON
VOICES*
SOPRANO
ALTO
MEN
KEYBOARD
Steadily, but with a jubilant swing i. = 88
([
V b 68 p f
r Še Š Še Š. Š Še Š Š Š
)
f
Š > f Š. Š.
>
Give thanks to God on high, give thanks to God on
unis.
Vb 68 p f
r Še Š Še Š. Š Še Š Š Š f
Š >
f Š. Š.
Give thanks to God on high, give thanks to God on
Bb 68 p r Š Š f
Š > Š. Š Š f f Š Š Š f
Š > f Š. Š.
Steadily, but with a jubilant swing i. = 88
f
V b 68 Š . Š . Š. Š . Š. Š . Š. Š. Š . Š.
f
{ Bb 68 ‰. ‰. ‰. ‰. ‰.
(Man.)
Trad. Botswanan
arr. ALAN BULLARD (b. 1947)
for online perusal only
([
V b Š t Š Š
) f > Š. Š. Š Še Š Še > Š. Š. Še t Še Š Še
6
high, To our Lord sing praise, give thanks to God on high. Our God is
Vb Š t Š Š f Š. Š. Š Še Š Še > Š. Š. Še t Še Š Še
high, To our Lord sing praise, give thanks to God on high. Our God is
Bb Š t Š Š > f Š. Š. Š Š Š f Š > f Š. Š. Š. Š f
tt
V
high.
b Š Š . . Š. Š . Š. Š . Š. Š . Š t Š Še
{ Bb ‰. ‰ . Š . Š. ‰ . ‰.
* This anthem may be performed in unison (sing from the upper stave) with keyboard, or in three parts (sing from the lower
staves) with or without keyboard.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

78 Give thanks to God
11
([
V b Š. Š Še Š Š Š
) f
Š > f Š. Š. Š t Š Š f > Š. Š.
>great and good, our God is great and good. To our Lord sing
>
Vb Še Še Še Š. Š Š Še f Š
Š Š
>
f
Š f Š. Š. Š t Š
>
S.
>
Š f >
Š.
>
Š.
A.
great and good, our God is great and good, To our Lord sing
Bb r Še Š Še > ‰. >
r Še Š Še ‰.
r
Š f
Š Š f
Our God is good, our God is good, Sing to our
V b Š. Š Še Š tŠ Š f
Š. Š. Š t Š Še Š. Š.
{ Bb r Še Š Še ‰. r Še Š Še ‰.
r Še Š Š f
for online perusal only
mf
([
V b Š Še Š Še Š. Š. Še t Še Š Še Š. Š Še Š Š Š
)
f
Š f
mf
16
>
praise, our God is great and good. Our God is fair and just, our God is
Vb Š ŠeŠ Š Še >
Šet t r Še Še f Š f Š. Š. Š. Š Š f f
Š Š ‰.
>
praise, our God is great and good. Our God is
f
just,
Bb Š Š f Š Š > Š. f Š. Š f
tŠ mf Š f
Š Š. Š Š f f Š Š Š f
Š f
Lord, our God is great and good. Our God is fair and just, our God is
V b ŠŠ. Še Š.
Še Š. Š. Š t Š. Š. Š. Š. Š.
{
mf
Bb Š. Š. Š. Š. Š t r. ‰. ‰.

21
([
V bŠ. Š. Š t Š Š
)
f Š. Š. Š Še Š Še Š. Š.
fair and just, To our Lord sing praise, our God is fair and
f
Vb r Še Še r Še Še Š
Še Še f
Š Š f ‰. Š Š Š Š f f
Š f Š Š f Š. Š.
Our God is just, Sing to our Lord, our God is fair and
Bb
Š. Š. Š t Š Š f Š. Š. Š Šf
Š Š f Š. Š.
fair and just, To our Lord sing praise, our God is fair and
V b Š. Š. Š. Š. Š. #Š. Š . Š Š f Š. Š.
{ Bb ‰. Š. Š Še Š. Š .
f
Š. Š. Š. Š.
f
Give thanks to God 79
for online perusal only
([
V b Še t
)
26
p
Še Š Še Š. Š Še Š Še Š Še Š. Š. Š
Vb Šet t p
e Še Še Še Še f Šf Š f
Š. Š =Š Š Š Š f f
Š f Š. #Š. Š
t Š Še
just. Our God pro - tects and guides, Our God pro - tects and guides, To our
t Š ŠeŠ f
Bb Š. Š f
tt r Šp
f
Š Š f Š Še Š. r Š f
Š Š f Š t Š.
just, Our God pro - tects and guides, Our God pro - tects and guides, To our
just. Our God pro - tects and guides, Our God pro-tects, sing
V b Šet Š e Š Še Š. Š =Še Š Še Š Še Š. #Š. Š
t Š Še
{
p
Bb Š. Š f
tt Š. Š Š f Š. Š. Š.
Š Š f Š t Š.

80 Give thanks to God
31
([
V b Š. Š. Š Še Š Še Š. =Š. Še t Še Š Še Š. Š Še
)
>
Lord sing praise, our God pro - tects and guides. For we are healed and
Vb Š. =Š. Š ŠeŠ Š Še =Š. Še Še Še Še
f f Š. t f >
f
Š Š f
Š Š. Š Š f >
Lord sing praise, our God pro - tects and guides. For we are healed and
f
Bb Š. Š Š f Š Š f Š Š Š. Š. f Še t Š Š f
Š > Š. Š Š f f
to our Lord, our God pro - tects and guides.
f
f
for online perusal only
V b Š. =Š. Š Še Š Še Š. =Š. Še t Še Š Še Še t Š f
Š Š f
{
f
Bb Š. Š Š f Š. Š. Š. Š. Še t ŠbŠ f
Š Š. Š Š
‰. f f
([
V b Š Š Š
) f
Š > f Š. Š. Š t Š Š f > Š. Š. Š Še Š Še
36
saved, for we are healed and saved, To our Lord sing praise, for we are
Vb Š
ŠeŠŠ Š Še >
Še f
Š f Š. Š. Š t Š
>
>
Š ŠeŠ f >
Š. Š. Š Š Še f Š Š
saved, for we are healed and saved, To our Lord sing praise, for we are
f
Bb Š Š Š f
Š
> Š. Š. f ‰. r
Š f
Š Š f Š Š f Š Š f
V b Š . Š Šf tt r Š f Š Še
{ Bb Š Š Š f
Š Š. Š. f
saved, Sing to our Lord, for we are
Š. Šet t r Š f
Š Š f Š Š f
Š Še
Š t Š Š f Š. Š. Š Š f Š Še

([ V b Š. Š. Še t opt. Še DESCANT
Š Še Še Še Še 41
ff >
Š ) f
Š Š. Š Š f f Š Š Š
>
>
f
Š
>
f >
Š. Š.
healed and saved. Give thanks to God on high, give thanks to God on
ff >
Vb >
Še t Še Še Še Še Še Š. Š. Š Š Š f f
Š Š. Š Š f f Š Š Š f
Š
>
> f >
Š. Š.
>
healed and saved. Give thanks to God on high, give thanks to God on
Bb Š. Š. Š f
t Š Š f
Š > Š. Š Š f f Š Š Š f
Š > f Š. Š.
>
healed and saved.
ff
V b Š. Š. Še t Š Š f
Š Š. Š. f
Š. Š Š Š. f
Š.
{
ff
Bb Š. Š. Š f
tt r. Š.
‰.
Š Še Š.
‰.
Š Še Š. ‰. Š Še
(Ped.)
Give thanks to God 81
for online perusal only
rit.
([
V b Š t Š Še > Še Še >
Š Š. > F>
Š. ‰.
) f Š. Š. Š Š Š
> f Š f >
Š. Š. >
‰.
>
46
high, To our Lord sing praise, give thanks to God on high!
Vb Š t Š Še > Še Še >
> F
Š >
f Š. Š. Š Š Š Š
> f f >
Š.
>
Š. >
‰.
high, To our Lord sing praise, give thanks to God on high!
Bb
Š t Š Š > f Š. Š. Š Š Š f Š > Š. > Š f . >
E
‰.
V
rit.
b Š t Š Š Š. Š. Š Š f f Š Š
>
f Š.
> F>
Š. ‰.
{ Bb Š t
Še Še >
Š. Š Š Š. ‰.
f
Š. Š. Š Š Š.
> >
f > Š. >
‰.
> E

82
S(A)(Men)
(Keyboard)
17. God be in my head
From a Book of Hours
(Sarum, 1514)
SOPRANO
ALTO
MEN
KEYBOARD
V # Slow, soft, serene i = 88
# C p p pp
Š. ŠeŠ 32 ŠeŠ C
f Š Š =Š. Š Š Š Š Š f
God be in my head, And in my un-der -
B## C p p Š. Š Š f
Š 32 =Š Š Š Š Š Š C
pp
V#
Slow, soft, serene i = 88
# C ‰.‰ ‰ Š =ŠŠ Š ‰ Š#Š ˆ‰ Š Š
32 =‰ Š Š Š Š C
{
pp
B## C ˆ Š. ŠeŠ Š ˆ 32 Š
cantabile
=Š Š ‰ =‰ Š Š Š Š. Š ŠŠe C
(Ped.)
CECIL ARMSTRONG GIBBS
(1889–1960)
for online perusal only
V # # C ‰ ŠeŠ 32 =‰.
5 p
Š #Š ‰ Š. Š Š Š Š Š #Š C ‰ f
#Š Š Š Š ‰
B## C Š Š ‰ Š. Š f
Š Š 32=Š Š ‰ Š Š C Š Š ‰ - stand - ing; God be in mine eyes, And in my look - ing;
p
eyes, And in my
V# # C ‰. Š #Š Š Š ‰ Š Š Š Š 32 =‰. ‰ Š #Š #ŠŠ C ˆŠ Š Š. Š f
{
p
B## C Š Š Š #Š Š 32 q r Š C Š Š Š Š Š
‰ ‰ ‰. =Š Š ‰ ‰ ˆ
© Oxford University Press 1958 and 2007. Photocopying this copyright material is ILLEGAL.

mf
V # 9
# ŠeŠ mp
Š. Š Š. ŠeŠ ‰ Š. ŠeŠ Š =Še f
Š Š Š Š Š Š ‰ #Š Š Š Š Š bŠ Š. Š f
Š Š
God be in my mouth, And in my speak - ing; God be in my heart, And in my
B## Š. Š f
Š Š Š. Š f Š Š Š Š Š Š Š. Š f =Š Š Š Š b bŠ Š
mf
V# # ˆŠ ‰ Š Š Š‰ Š Š Š‰ Š Š‰ Š Š
‰ Š Šb#ŠŠŠ Š‰.
Š Š ŠŠ
mf
{
mp
B##
‰. Š Š Š ‰ ‰ Š Š ‰ Š Š #‰ Š Š ‰.‰ =‰ Š Š. ‰ Šeb‰
Š Š
mp
God be in my head 83
Š
for online perusal only
V # # ‰ ‰ Š Š Š. ŠeŠ 32 ŠŠbŠ bŠ C ‰ f
Š Š b‰. Š Š Š Š Š Š F
14
rit.
p
pp
‰
B## ‰ ‰ Š. Š f
Š Š 32b=‰ b bŠ Š
Š Š Š C ‰ F‰
think - ing; God be at mine end, And at my de - part - ing.
p
pp
end, And at my de - part - ing.
V#
rit.
# ‰ ‰ ‰ ‰ 32bˆ bŠ bŠ
F
‰. Š ˆ ‰ C =‰ Š Š ‰
{
p pp
B## ˆ Š Š ‰ ‰. ‰ =Š 32b=ˆ‰ b‰ b‰ ‰ C =Š ‰ Š E
‰

84
SA(Men)
Keyboard
18. God in Mine Eternity
S./A.
Trad. Hebridean
SOPRANO
ALTO
MEN
KEYBOARD
With quiet concentration h = 88
unis.
Vb 32 p p p legato
ˆ Š Š
Bb 32 p p p
V b 32 Š Š Šˆ Š ‰ Š Š Šˆ Š ‰
Š Š Šˆ
Š ‰
{
p
Bb 32 ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ
for online perusal only
(Man.)
God to en -
4
mp
Vb ‰ ˆ ˆ Š Š ‰ ˆ ˆ Š Š
V b
Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ
Š ‰
{ Bb ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ
- fold me, God to sur - round me, God in my
8
rit.
Vb ‰ ‰ Š Š ˆ Š Š ‰ ˆ p bbb
speak - ing And God in my think - ing.
ALAN BULLARD
(b. 1947)
V b Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š bŠˆ
Š ‰ bbb
{ Bb ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ bˆ. ‰ ˆ bbb
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S.
A./MEN
12
a tempo
Vbbb p mp relaxed
r Š Š Š Š Š p
God in my sleep-ing,
Vbbb ˆ Š Š ‰ ˆ ˆ Š Š
([)
unis.mp legato
God in my sleep - ing, God in my
V
a tempo
bbb
Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ
Š ‰
{
mp
Bbbb ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ
15
Vbbb r Š Š Š Š
mf
Š ˆ.
mf
Š Š Š Š Š Š Š
God in my wak - ing, God in my watch-ing,
Vbbb ‰ ˆ ˆ Š Š ‰ ‰ Š Š
([)
wak - ing, God in my watch - ing And
V bbb Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ
Š ‰
{ Bbbb ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ
18
molto rit.
Vbbb r Š Š Š Š Š rŠŠ Š ‰
p b
God in my hop - ing, my hop - ing.
Vbbb ˆ Š Š ‰ ˆ p , b
([)
for online perusal only
mp ,
God in my hop - ing.
God in Mine Eternity 85
V
molto rit.
bbb Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š bŠˆ
Š ‰ b
{ Bbbb ˆ. ‰ ˆ ˆ. ‰ ˆ bˆ. ‰ ˆ
b
mp
,

S.
A.
MEN
a tempo
Vb -
21
f - - mf mp
‰ ‰ = =‰ ‰ ˆ. - b‰ ‰ b‰ ‰ Š‰ Š b‰ ˆ. ‰ b bŠ ‰ Š Š‰
Š
b
God in my life, God in my lips, God in my
Bb =‰ - ‰ - ‰ - ‰ - ˆ ‰ ‰ ‰ ‰ ˆ ‰ ‰ ‰
f mf mp
V
a tempo
b =‰ ‰ = =‰ ˆ. Š ‰ b‰ ‰ b‰ ‰ Š‰ Š bˆ. Š ‰ b‰ ‰ b bŠ ‰ Š Š‰
Š
{ Bb =ˆ. f Š
mf
Š ˆ
ˆ. Š ˆ
mp
r qq Š r qqbˆ.
86 God in Mine Eternity
(Ped.)
for online perusal only
26
p
Vb ˆ. p
bˆ. ‰ ‰ ‰ ˆ. ˆ ‰
soul, God in my heart, God in
Bb ‰ ˆ ‰ ‰ ‰ ˆ. p ‰ ‰ ‰
V
p
b bˆ. ŠbŠ Š ‰‰. r q
Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ
Š ‰
{
p
Bb ŠbŠ ˆ r q ‰ ˆ ‰ ˆ ‰ ˆ
r qq ‰. ˆ. ˆ. ˆ.
31
Vb ˆ ‰
ˆ ‰ ‰ ‰ ˆ. ˆ. p
mine e - ter - ni - ty.
Bb ‰ ‰ ‰ ‰ ‰ ‰ ˆ. ˆ. p
V b Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š
Š ˆ ‰ ˆ.
ˆ
{
pp
Bb ˆ. ‰ ˆ ˆ. ‰ ˆ. q q
ˆ. p
ˆ. p

87
SA(T)(B)
Keyboard
19. God so loved the world
John 3: 16–17
VOICES
KEYBOARD
Graceful and flowing i. = 52
TUTTI unis.
Vb 68 p p p espress.
Š. Š Še Š ŠeŠ.
([)
V God so loved the world,
b 68 Š ‰. Š Š Š Š Š ‰. Š‰. Š Š Š Š Š ‰.
{
p espress.
Bb 68 p Š‰. Š Š Š Š Š ‰.
Š‰.
Š Š Š Š Š
(Man.)
ALAN BULLARD
(b. 1947)
for online perusal only
5
Vb Š
t Š Še Š. Š Še Š. Š Š Š Š Š Š Š Še
([)
V God so loved the world that he gave his on - ly
b Š‰. Š Š Š Š Š ‰. Š. Š Š Š =Š. Š Še Š. Š Š Š Š. .
{ Bb
‰.
Š‰. Š Š Š Š Š Š. Š. Š. Š Š Š
mp („)
Vb Š Š Š Š. Š Š ŠeŠ Š Še Š. Š Š Š 98 Š
9
f Š Š S./T.
Še Š Š Š
([)
f
ŠŠŠ
A./B.
_
V b Š. ŠŠŠ Š. ŠeŠŠ Š ŠbŠŠ Š Še Š. Š Š Š 98 Š. e
Š ‰.
Š Š Š Š Š Š ŠŠ.
Š Š
{ Bb ‰. Š. Š. Š. Šet t
98 r . r. Š Š
r. Š. b‰. Š Š ŠbŠ Š Š ‰. Š. Š
mf („)
Son, that all who be - lieve in him shall not pe -rish but have ev-er -
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S./T.
A./B.
S.
A.
T.
B.
13
Vb Šf Š mf
f =Š. ŠŠŠ Š Š f =Š. ŠŠŠ Š. p
=Š. Š tt f 68
- last - ing life, ev - er - last - ing life, ev - er - last - ing
f mf p
Vb Š. Š Še Š. Š ŠŠŠ ŠeŠ Še Š. Š. Še tt 68
88 God so loved the world
([)
([)
- last - ing life, ev - er-last - ing, ev - er - last - ing
V b Š =Š Še Š. t Še . t
Š Š Š Š Š Š =Š Š Š Š Š Š Š Š Še=ŠŠ Š Š Š. ŠetŠ t f
68
{
f mf p
Bb =‰. Š.
=‰. Š. ‰. ŠetŠ t f
68
(Ped.)
Vb68 ‰. ‰. 16 p
e pp cresc.
‰. ‰. Š
ttr #Še #Š. #Še f Š f Š Š f
Bb68 ‰. ‰ . ‰.
‰.
Še
Š tt r Še #Še f Š f
Š. Š f
Š
life. For God did not
p
for online perusal only
pp cresc.
V b68 ‰. legato
e
r. Š Š Š ‰. Š
tt #Š . Š. #Š.
{
pp
f
Bb68 ‰.
Š. Še cresc.
Š Š Š Š Š Š Še ttŠ. Š. Š.
(Man.)
f
20
mf
Vb Š Še Še -
=Š Š Še Še Še#Š Še
f
Š. bŠŠŠŠ Š Š f Š f
=Š. Š t mp
f
Š f Š Š f
Bb Še ŠŠŠŠ Še -
Š Š Š. bŠŠŠbŠ Š Š ŠeŠ Še Še Še
f f f
Š. - f t Š Š Š f f
V mf
mp
b = Š. =Š. bŠ. bŠ. Š. =Š. Š t #Š .
{ Bb Š. Š. bŠ. bbŠ. mf Š. Š. Š mp
t Š.
send his Son in - to the world to judge the world, but that through

God so loved the world 89
Vb=Š Še 98 Š
24
rit.
f
Š Š
. Še ttr. F
Š Š Š ‰. Š. Š 68
him the
f
world might be saved.
f
Bb =Š Š Še ‰.
98 e f Š Š Š b( ) ‰ . Š. Š tt r.
f f E 68
V
rit.
Š
b=Š. Š. ‰. Š Š Š Š Š 98 Š Š Š Še Š Š
Ft 68
f
{ Bb Š. Š. b( ‰.) ‰ . 98 Š ‰.. Š. Š
E
t 68
(Ped.)
a
Vb 68 tempo
27 p
mp
Š. Š ŠeŠ Še Še Še
f Š Š
t
f Š. Š Š Š Š. Š Š f f
for online perusal only
God so loved the world, God so loved the
Bb 68 Š unis.
. Š Š f Š Š f Š. Š t Š Š f Š. Š Š
p
f
V b 68 Š mp
a tempo
. Š Še Š Še Š. Š
t Š Še Š. Š Še
{ Bb 68 Š p
mp
. Š Še Š Še Š. Š Še Š. Š Še
r. Š. ‰. Š t
r. r. Š.
Vb Š. Š Š Š Š Š Š Š ŠeŠ Še Š Še
f f Š Š Š Š. Š Š mf
31 („)
Š. Š Š f
world that he gave his on - ly Son, that all who be - lieve, that
Bb Š. Š(„)
Š Š Š Š Š Š Š Š Š f f Š. Š Š Š. Š Š
mf f
V
(Organ: Solo)
b Š. Š Š Še Še Š Š Š Še Š Š Š. Š Š Še Še
f
Š. Š Š f Š Š f Š t
mf
{
(Organ: LH)
Bb Š. Š. Š Š Š Še Š Še Š.
Š. Š Š Š Š. Š. ‰. Š.

90 God so loved the world
35
Vb Š. Š Š Š Š Š ŠŠ Š Š Še
Š Še f Š Š Š Š Š Š f 98
f
Bb
all who be - lieve in him shall not pe - rish, but have ev - er -
Š. Š Š Š Š f Š. Š Š Š Šf
Š Š Š Š Š 98
all who be - lieve in him shall not pe - rish but have ev - er -
V b Š. Še
Š Š ŠeŠ Š. Še
Š. Š Š Š Š Š Š Š
Š Š. 98
{
f
Bb Š. Š. Še Š. Š. Š. Š. 98
for online perusal only
S.
A.
T./B.
Vb98 Š
38
ff Š f Š. Š Š Š Šf Š
p
f Š. Š#Š Š Š. Š. Šet t
- last - ing life, ev - er - last - ing life, ev - er - last - ing
ff f p
Vb98 Š. Š Še Š . ŠŠŠŠ ŠeŠ Še Š. Š. Še tt
- last - ing life, ev - er-last - ing, ev - er - last - ing
ff f p
Bb98 Š . Š. Š. Š. Š. Š. Š. Š. Š f tt
- last - ing life, ev - er - last - ing
V b98 Š Š. Š Š ŠŠ Š Š Š Š Š Š Š Š Š#Š Š Š Š Š Š Š=Š Š f
Š. Š. Š f
Š. Š. Š. Š ŠetŠ t f
{
ff
Bb98 ‰ . Š f p
. ‰. Š. b ‰ . Še ‰. Š. #‰. Š. ‰. Š ttV f

Vb ‰. Š t 68 Š. Š
41
Še Š Še Š. Š
Vb
Bb
pp p pp
t Š
life. God so loved the world, God so
pp t
‰. Š
68 p Š. p Š Še Š Še Š.
life. God so loved the world,
pp ‰. Š t 68 r. Š. p Š Š f Š Š f Š. Š t
life. God so loved the world,
V bb ‰‰. ŠŠ
t 68 r. Š Š Š ‰. Š‰.
Š Š Š Š Š
{
ppp
Vb ‰. Š t B 68 ‰ p. Š‰. Š Š Š Š Š ‰.
(Man.)
God so loved the world 91
Še
for online perusal only
rit.
45
ppp
Vb Š. Š Še ‰. ‰. ‰. Šettr.
loved the world.
Vb Š
t pp Š Še Š. Š Še ‰. ‰. Šettr.
God so loved the world.
pp
Bb
Š Š f Š. Š Š Š. ‰. ‰. ppp Š f f ttr.
God so loved the world.
rit.
V b Š Š Š Š Š Š Š Š Š Š Š Š ‰. Š
‰.
f ttr.
ppp
{ Bb
Š‰.
Š Š Š Š Š Š . ‰. Š. Š. ‰.
Š. ‰. Š Š f ttr. f
ttr.
ppp

92
S(A)(Men)
Keyboard
in memory of my father
20. God that madest
earth and heaven
v. 1: Reginald Heber (1783–1826)
v. 2: Richard Whatley (1787–1863)
Trad. Welsh
arr. DAVID THORNE (b. 1950)
S.
A.
MEN
KEYBOARD
Andante i = 100
V#
(Organ: Solo Flute)
4 ‰ Š Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š
Š
{ B#
mp
4 ˆ legato
‰. ‰
Š Š Š Š Š Š Š Š Š Š Š Š
for online perusal only
(Ped.)
V #
4
mf
Š. Še Še ‰ Š. Še q
f Š Š Š. f Š Š Š Š Š Š ‰
1. God that ma-dest earth and hea-ven, dark - ness and light;
B# p p ‰ Š. Š f ‰ q
mf
V# Š‰ Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š‰
Š Š
{ B# ˆ ‰. Š
Š Š Š Š Š Š Š Š Š Š ‰ Š ˆ
Š Š Š Š
V #
8
p p Š. Še f Š Š Š. ŠeŠ f Š Š
Who the day for toil hast gi - ven,
B# p p p p
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
Š ‰ Š Š ‰ Š Š ‰ ‰. Š Š Š
{ B# Š ‰. Š Š Š Š Š Š ‰ Š Š Š ‰ Š Š Š Š Š Š Š
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

V #
12
‰ Š Š Š. Še q Š
Š Š ‰ Š Š Š =Š
For rest the night. May thine an - gel
B# ‰ Š. Š f ‰ q Š Š =Š Š Š
V# Š Š Š Š Š Š Š Š Š Š Š
Š Š Š Š Š Š Š
Š ‰ ‰ Š = Š
{ B# Š‰ Š Š Š ‰ Š Š Š
Š Š =Š Š Š
for online perusal only
God that madest earth and heaven 93
V #
15
Š =ŠŠ Š Š Š Š Š Š
Š.
Š Š Š Še Š Š
guards de - fend us, Slum - ber sweet thy mer - cy send us,
B# Š Š Š #Š #Š Š Š #Š Š Š Š Š Š Š Š Š ,
V# Š = Š Š Š Š Š Š Š Š. Še ,
Š Š Š Š
{ B# Š Š Š #Š #ŠŠ Š Š #Š Š Š =ŠŠ Š Š Š Š Š Š
V #
18
mf
Š. Še Še ‰ Š. Še q
f Š Š Š. f Š Š Š Š Š Š ‰
Ho - ly dreams and hopes at-tend us This live - long night.
B# Š. Š f Š Š Š. Š f Š Š ‰ Š. Š f ‰ q
mf
V#
(Organ: Solo Flute)
Š‰ Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š‰
Š Š
{ B#
mf ˆ ‰. Š Š Š Š Š Š Š Š Š Š
Š‰ Š ˆ
Š Š Š Š
,

94 God that madest earth and heaven
V # MOST VOICES
22
p p sost.
Š. Še Š Š Š. Še Š Š
([)
2. Guard us wak - ing, guard us sleep - ing
V# Š‰ Š Š Š Š Š Š Š r q
Š Š Š Š ‰ Š. Š ‰
{
f Š Š
p
B# Š
‰ Š ‰ Š Š ˆ
Š Š Š Š Š Š Š Š
V # DESCANT*
25
p p
r Š‰ Š Š ‰. Š ‰ Š ŠŠ
([)
ah
V # ‰ Š. Še ˆ Š. Še Š Š Š. Še Š Š
([)
V# Š Š Š Š Š Š ‰. Š ‰ ‰ Š Š Š. Š f Š Š Š. Š f Š Š
{ B# ‰ ‰ Š. Še Š. Še
ˆ Š Š Š Š Š Š Š Š
And, when we die, May we in thy migh - ty keep - ing
V 29
Š ‰ Š Š ˆ
p
V # ‰ Š. Še ˆ Šf
Š Š Š
([)
([)
All peace - ful lie; When the last death
V# Š
(Organ: Full Sw.)
‰ ‰ ‰ Š Š ‰ Š Š =ŠŠŠ Š Š
Š Š Š Š Š Š
{
f
B# Š Š Š Š Š Š ‰ ‰ ‰.
Š Š Š Š Š
* Lower part optional
for online perusal only
ah

V #
32
f
Š =ŠŠ Š Š ‰ Š Š Š Š Š. ŠeŠ ([)
f Š Š
ah
V # Š Š Š Š Š Š Š Š Š. Še Š Š
([)
call shall wake us, Do not then, our God, for-sake us,
V# Š Š=Š
Š #Š Š‰
Š Š Š =ŠŠ Š Š. Š Š Še
Š Š Š
{ B# Š #Š Š Š Š Š Š Š Š Š Š Š Š Š
V #
35
Š Š ‰
([)
([)
ah
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
V # Š. Še Š Š Š. Še Š Š ‰ Š. Še
But to reign in glo - ry take us with Thee on
V# Š. Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
f Š Š Š. Š f Š Š ‰ ‰
{ B# ˆ
Š Š Š Š ‰.
Š Š Š Š ‰ Š Š ‰
Š Š
V #
38
rit.
ˆ p p p
V # p ˆ p p p
([)
([)
high.
for online perusal only
p
God that madest earth and heaven 95
V#
(Organ: Solo)
rit.
Š Š Š Š Š Š Š Š Š Š Š Š Š Š
‰ ‰ ‰ Š Š Š Š Š Š Š Š ˆ
{
mp
pp
B# ˆ ‰. ‰ Š Š Š Š Š Š Š Š Š Š Š Š ˆ

96
S(A)(T)(B)*
(Keyboard)b
21. Hail, Virgin Mary
(Ave Maria)
The Angelic Salutation
SOPRANO
ALTO
TENOR
BASS
KEYBOARD
V # Andante espressivo i = 100
# 34 p p p p p
‰. Š‰ Š Š Š ‰.
Š
Hail, Vir - gin Ma -
A - ve Ma - ri -
B## 34 p p p p ‰. ‰‰ Š ‰.
p
V#
Andante espressivo i = 100
(Organ: opt. 4i; Piano: opt. 8ve higher)
# 34 p
‰. ‰. ‰. ‰. Š Š Š Š ‰ Š
p
{
dolce
sempre legato
B## 34
p ‰. Š Š Š Š Š Š Š Š
‰. ‰. ‰. ‰. ‰. ‰ Š ‰.
(Ped.)
FRANZ LISZT
(1811–86)
for online perusal only
V #
8
# Š rr ‰. Š‰ Š ŠŠ Š ‰ Š Š rr ‰ Š Š rr ‰ Š Š rr
- ry, Hail, Ma - ry, full of grace; For the Lord is with thee,
- a, gra - ti - a ple - na, Do - mi - nus te - cum,
B## Š rr ‰. ‰‰ Š ‰ Š Š rr rr ‰ Š Š
‰ Š Š rr
V# # Š rr ‰. Š Š ŠŠ ‰ Š Š rr ‰. Š Š rr ‰.‰ Š Š rr
{ B## Š Š rr ‰. Š Š Š ‰ Š Š Š ‰. Š Š Š rr ‰.
rr
‰ Š ‰ Š Š
‰. Š rr
* Sing bass rather than tenor if few men are available.
b The keyboard part (and the introduction) may be omitted if all four voice parts are sung.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

V #
17
# Š ‰ #Š Š Š‰ Š Š ‰ #ŠŠ Š Š Š ‰ Š Š r Š Š ‰ #Š Š
B## ‰ Š #‰‰ Š ‰ Š Š Š #Š Š #‰‰ Š Š r Š ‰ Š
V# # Š ‰. #Š Š Š‰. Š ‰ Š ‰ #Š Š‰ Š ‰ Š Š r Š Š ‰. #Š Š
{ B## ‰. Š #‰.‰ Š ‰ Š Š Š #Š Š #‰. Š r Š ‰.‰ Š
r
V #
24
mf mp pp
# ‰ Š Š ŠŠ Š ‰ #Š Š Š‰ Š Š #‰. #Š Š rr ‰. ‰. F
p
‰. ‰. ‰.
blest the fruit, the fruit thou bear - est: Je - sus.
- dic - tus fruc - tus ven - tris tu - i, Je - su.
B## #‰‰ Š Š Š Š Š
‰ Š Š #‰. #ŠŠ rr
‰.
‰.
‰.
‰. ‰. p
V#
mf
# Š Š Š Š #‰ Š Š # ‰ mp
. Š rr ‰ ‰. . ‰ ‰. pp
E
F
‰. ‰ Š ‰ Š
. ‰. p
{
keyboard ad lib.
B## ‰ Š ‰ Š
mf pp
#‰. Š Š Š ‰. Š Š #‰. Š rr ‰. ‰. ‰.
E
p
(Man.)
Most ho - ly Ma - ry, God,
Sanc - ta Ma - ri - a, De - i,
V #
33 p
# Š Š ŠŠ rr Š Š ŠŠ rr
‰. ‰ Š ‰. Š Š Š ‰. ‰ Š ‰. Š Š Š
Great - ly blest are thou a - mong all wo - men - kind, And great - ly
be - ne - dic - ta tu in mu - li - e - ri - bus, et be - ne -
B## ‰. =( ‰) Š ‰Š ##‰. Š rr ‰. =( ‰) Š ‰Š ##‰. Š rr
Most ho - ly Ma - ry, Mo - ther of God,
Sanc - ta Ma - ri - a, Ma - ter De - i,
p
Most ho - ly Ma - ry, God,
Sanc - ta Ma - ri - a, De - i,
(Organ: opt. 4i; Piano: opt. 8ve higher)
V# # ‰. Š Š ŠŠ ‰. Š rr ‰. Š Š ŠŠ ‰. Š rr
p
{ B## Š‰. Š Š =( Š) Š‰Š Š #‰. Š #Š Š Š Š Š Š Š Š Š Š Š Š #Š Š Š Š
rr ‰. =( ) ‰Š #‰. Š rr
(Ped.)
for online perusal only
Hail, Virgin Mary 97

V #
41
# ‰. ‰ r =‰
-
‰. ‰ Š ‰ #Š #‰ Š ‰ Š ‰ Š ‰. Š rr
-
Now pray for us, sin - ners that we are,
o - ra pro no - bis pec - ca - to - ri - bus,
B## ‰ #Š #‰ ‰
-
‰. ‰ Š ‰. Š Š Š #‰ Š #‰‰ =Š Š # =‰ ‰.
. -
Š rr
98 Hail, Virgin Mary
for
us,
no - - bis
V# # ‰ . ‰ Š ‰.‰ #Š #‰‰ Š r =‰ ‰. Š ‰. Š ‰. Š rr
{ B## ‰. #Š #‰‰ Š ‰. Š Š Š #‰. ‰. =Š =‰. Š rr
V #
49 p
#
pp
Š rr Š rŠ Š ‰. #‰‰ Š =‰. ‰ r #‰. =‰. p
‰. for online perusal only
Now, and when life is end - ing, end - ing.
nunc et in ho - ra mor - tis nos - trae.
B## Š rr Š r Š ‰.
‰. ‰ Š ‰.
‰
‰.
Š #‰. ‰. #‰. p
V#
p
pp
# Š rr Š r Š ‰ Š =‰. ‰ r ‰. #‰. =‰.
p
‰. #‰
{
p
B## Š rr Š r Š ‰. ‰ Š ‰ .
‰
pp
Š
‰.
#‰. ‰. ‰. p
V # (Man.)
59
# p p p
rr p p p Fp
‰. ‰. ‰. Š
A - men.
B## p p =( p
‰. ‰. A ‰.) ‰ .‰. - men.
‰. Š rr p p p p
p
E
A - - - men.
V#
A - - - men.
# p p ‰ . ‰ . ‰. Š rr ‰. Š rr
F
pp
‰. ‰.
{
ppp
B## ‰. ‰. ‰. ‰. ‰.
‰. Š rr ‰. Š rr ‰. ‰.
‰.
E
‰.
(Ped.)

S(A)(Men)
Keyboard
to David Hopgood and the Choir of St John’s Cathedral, Portsmouth
22. Hark, the glad sound!
99
Philip Doddridge
(1702–51)
DAVID THORNE
(b. 1950)
VOICES
KEYBOARD
V # Moderato i = 84
# 24 p p t
Še ŠŠ 34 Š
TUTTI unis.
f
. Š ([)
f Š Š 24
Hark, the glad sound! the Sa-viour
V# # 24 Š Š Š Š
Š Š Š Š Š Š ‰ 34 Š‰ Š ŠŠŠ Š 24
{ B## 24 Š f Š Š Š ‰ Š Š 34 Š Š Š 24
(Man.)
(Ped.)
for online perusal only
V #
5
#24 Š t Še 34Š Š Š Š 24‰
t
Še Š Š 34
([)
comes, The Sa- viour prom - ised long! Let ev - ’ry
V# #24 ‰ Š Š
34Š Š ŠŠ Š 24Š Š Š Š ‰ 34
{ B##24 Š Š 34 Š ‰ 24 Š. Š Še Š Š 34
V # #34 Š Š Š Š 24 Š t Š f 34 Š
9
Š Š #Š 24‰
([)
heart pre-pare a throne, And ev - ’ry voice a song.
V# #34 Š Š #‰ Š Š
24##Š Š 34‰ Š ŠŠ
#Š ŠŠ
24‰ Š Š
{ B##34 Š ‰ 24 #Š Š 34 Š ‰ 24 ‰
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
MEN
100 Hark, the glad sound!
S.
V #
13
# t mf cresc.
Še ŠŠ=Š =‰ t =Š e bŠ ‰
f
Š. Š =Š Š Š Š ‰ Š f
ŠŠ Š Š Š Š
He comes the pris’n-ers to re - lease, In Sa-tan’s bond - age held,
B## t Š f
Š. Š ŠŠ=Š Š =‰ t=Š f
ŠŠ Š Š ‰
V#
mf cresc.
# b ‰ =‰ b=‰ ‰ Š ‰ =Š b‰‰ ‰ ‰ Š
mf
Š
{
cresc.
B##b=‰ ‰ ‰ Š Š
‰
Š =Š Š Š ‰ Š Š
V # # t eŠŠ 34 Š
19
f
Š Š Š. . 24 t Še 34Š Š Š 24‰
p
f
Š Š Š Š Š ŠŠ Š Š ‰
The gates of brass be-fore him burst, The i-ron fet-ters yield.
B## t Š Š Š 34 Š. Š Š Š 24 #Š Š Š Š Š Š 24‰ p
V#
f
# ‰ 34 Š ŠŠŠ Š 24 ‰ 34Š ŠŠ Š 24Š ŠŠŠ Š Š
Š Š ŠŠ
Š Š
{
f
B## 34 24 ‰ 34 24 Š Š
‰
Š
Š Š Š #Š Š Š Š Š Š Š
V # (Man.)
# t
Še Š Š 34 Š
25 SOPRANOS
p
. Š f Š Š 24Š t Še 34Š Š Š Š 24‰
V#
He comes, the bro - ken heart to bind, The wound-ed soul to cure;
# ‰ 34Š Š Š ŠŠ Š 24‰ Š Š
34Š Š ‰
p Š Š
24‰
{
legato
B## Š Š 34Š Š Š 24Š Š 34Š Š Š 24Š Š
V # # t
Še ŠŠ 34 Š Š Š Š 24 mf Š t Š f 34 Š
30
Š Š #Š 24‰
V#
And with the trea-sures of his grace En - rich the hum - ble poor.
# ‰ 34 ŠŠ #‰ 24Š Š 34Š ‰ Š #ŠŠ 24‰ Š
mf
Š
{ B## Š Š 34#Š Š #Š 24Š Š 34Š Š Š 24‰
for online perusal only

S.
A.
MEN
V #
35
# t
TUTTI unis.
mf cresc.
Še Š. Š ŠŠ=Š Š =‰ t =Š e ŠŠŠ bŠ 24‰
Our glad ho - san-nas, Prince of Peace, Thy wel-come shall pro - claim;
(Organ: opt. Solo)
‰ Še=Š bŠ Š.
‰ ‰ ‰ bŠe 24‰ Š Š
B##b=‰ ‰ ‰ =‰ Š Š Š =Š ‰ 24 ‰ Š Š
([)
V# # ŠbŠ Š =Š bŠ =
. Še b =‰ t
{
mf cresc.
Hark, the glad sound! 101
V # (Ped.)
# t eŠŠ 34 Š
41
f
Š Š Š Š. . 24 t Š e 34Š Š Š 24‰
p
f
Š Š Š Š Š ŠŠ Š Š ‰
And heav’n’s e - ter-nal arch-es ring With thy be-lov -ed name.
B## t Š Š Š 34 Š. Š Š Š 24 #Š Š Š Š Š Š 24‰ p
V# f
# ‰ 34 Š ŠŠŠ Š 24 ‰ 34Š ŠŠ Š 24Š ŠŠŠ Š Š
Š Š Š ŠŠ
Š Š
{
f
B## 34 24 ‰ 34 ff
24 Š Š ‰ Š Š Š #Š Š Š Š Š Š ‰ Š Š
V # # t
Še ŠŠ 34 Š Š Š Š 24 Š tŠ f 34Š Š Š Š 24 ‰
DESCANT
47
f
([) Hark, the glad sound! the Sa-viour comes, The Sa-viour prom-ised long!
V # # t
Še ŠŠ 34 Š
OTHER VOICES
. Š
([) f Š Š 24Š t Še 34Š Š Š Š 24‰
V# f
# ‰ 34 Š Š Š 24 ‰ Š Š 34Š ŠŠŠ Š 24 ‰
{ B## ‰
f
Š Š 34 ‰ Š Š Š 24 ‰ Š 34 ‰
Š Š Š Š 24 ‰ Š Š
V # # t ([)
Š eŠ Š 34 Š Š Š Š 24 Š t Š f 34 Š
52
Š Š. Š f ‰ r 24
Let ev-’ry heart pre-pare a throne, And ev-’ry voice a song.
V # # t
([)
Š eŠ Š 34 Š Š Š Š 24 Š t Š f 34 Š Š Š #Š ‰ r 24
V# # ‰ 34 Š #‰ Š Š 24 #‰ Š Š 34 Š ‰ Š. Š#ŠŠe
‰ 24
{ B## ‰ 34 Š 24#Š Š 34 ‰
Š Š #Š
‰ Š
‰ Š Š Š Š Š Š 24
for online perusal only

S.
A.
MEN
102 Hark, the glad sound!
V # #24 t
57
Še ŠŠ=Š =‰ t =Š e bŠ
f
Š. Š =Š Š Š Š ‰ Š f
ŠŠ Š Š
Our glad ho - san-nas, Prince of Peace, Thy wel-come shall pro -
B##24 t Š f
Š. Š ŠŠ=Š Š =‰ t=Š f
ŠŠ Š Š
V# #24 Š bŠ=ŠŠ =Š bŠ = ‰ Š =Š Š =‰ Š Š Š=Š bŠ bŠ =Š Š Š
{ B##24 b=‰ ‰ ‰ b b‰ Š Š Š ‰ =Š Š ‰ Š
for online perusal only
V # # ‰ t
Še ŠŠ 34 62
rit.
cresc.
Š
. 24Š Še 34Š Š Š Š. Š Š Š Š t ff
Š 24
f f
Š Š Š
- claim; And heav’n’s e - ter - nal arch - es ring *With thy be-lov - ed
B## ‰ t Š Š Š f
34 Š. Š Š Š 24 Š tŠ f 34 Š Š Š Š 24
V#
cresc.
# ‰ t Š Š Š 34 Š. ff
rit.
Š
Š
ŠŠ 24‰ 34Š Š ŠŠ Š
Š Š Š Š Š ŠŠ
Š Š Š ‰ 24
{
cresc.
B## ‰ 34 #Š
# 24 ff
Š Š 34 ‰
‰ Š Š Š ‰ Š Š Š Š 24
V # # 24 fff
r p p r ‰ Š Š Š Š F
67
a tempo
rall.
‰
name. A - men!
B## 24 ‰ Š r p p r Š Š Š ‰
E
V# # 24 Š fff
a tempo
rall.
ŠŠŠŠ
Š Š Š Š Š Š Š ŠŠŠŠ Š Š
Š Š ŠŠŠŠ
Š Š ŠŠ Š F
‰
{ B## 24 ‰ ‰ ‰ ‰ ‰ fff
Š Š
‰
Š Š Š Š Š Š Š Š Š Š E
‰
* If performing in unison, sing the alto part from bar 65 to the end.

103
SA(T)B
(Keyboard)*
23. Harvest Carol
J. S. B. Monsell
(1811–75)
IAN RAY
(b. 1946)
VOICES
(KEYBOARD
tacet)
Joyous and with movement ie = 200
mf
(Always follow the natural accentuation of the words)
Vb 58 Š Š Š Š Š Š Še ŠŠ Š Š Š Š Š Š Š.
([)
S./A. 1. Sing to the Lord of har - vest, Sing songs of love and praise;
T./B. 2. By him the clouds drop fat - ness, The de-serts bloom and spring,
S./A. 3. Heap on his sa - cred al - tar The gifts his good - ness gave,
for online perusal only
S.
A.
(KBD)
T.
B.
5
mp
Vb -
Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š
-
Š Š Š.
With joy - ful hearts and voi - ces Your al - le - lu - ias raise:
The hills leap up in glad - ness, The val - leys laugh and sing;
The gold - en sheaves of har - vest, The souls he died to save:
Bb
-
Š Š Š Š Š Š Še Š =ŠŠŠ =Š f
Š Š
-
Š Š Š Š Š.
mp
9
mf
Vb Š Š
-
Š Š Š Š Še Š -
f ŠŠ Š Š Š Š f Š Š.
Bb
By him the roll - ing sea - sons In fruit - ful ord - er move,
He fill - eth with his ful - ness All things with large in - crease,
Your hearts lay down be - fore him When at his feet ye fall,
v. 3 to Coda O
Š bŠ -
Š Š Š Š Še Še #Š f ŠŠ Š Š Š Š Š
-
f
Š.
mf
* This anthem may be sung a cappella inthreeorfourparts,orwithkeyboardaccompanimentasmarked.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

104 Harvest Carol
13
Vb Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š Š Š Š.
34
Sing to the Lord of har - vest A song of hap - py love.
He crowns the year with good - ness, With plen - ty and with peace.
Bb =Š Š Š Š Š Š Š Še Š =ŠŠŠ bŠ Š.
f
Š Š Š Š Š Š Š.
34
for online perusal only
rit.
Sing,
sing.
f
Vb34 Š
>
‰. ‰ Š - F
>
Š Š. Š Š. ‰. Š ‰ ‰. 58 > >
- E
.
17
pp
Sing, sing, sing, sing.
>
Bb34 ‰ . > Š Š Š. Š Š. > ‰. F‰.
58 .
unis.
> >
f
Sing, sing, sing, sing, sing.
pp
21O CODA
rit.
Vb Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š Š Š Š.
And with your lives a - dore him, Who gave his life for all.
Bb =Š Š Š Š Š Š Š Še Š =ŠŠŠ bŠ Š.
f
Š Š Š Š Š Š Š.

Voices 1 2
Keyboard
to William Lovelock
24. He is risen
105
Mrs C. F. Alexander
(1823–95)
VOICES
KEYBOARD
([)
With vigour i = 152
Vbbb 34 p p p p p p
([)
V bbb 34 p r ŠŠŠŠ Š Š
Š Š Š ‰ ‰ Š Š Š
Š Š Š ‰. Š
.
ŠŠŠ
{
f
Bbbb 34 r Š Š Šr Š .
.
Š Š ‰ ‰ Š Š ŠŠŠ . . . . . .
‰.
(Ped.)
for online perusal only
CECIL COPE
7 TUTTI unis.
f
Vbbb r Š Š Š Š ŠŠ ‰ Š r Š Š Š Š ‰ bŠ Š ‰
He is ris - en, he is ris - en: Tell it with a joy - ful
V bbb ‰ Š ‰ Š Š‰ Š Š Š
Š Š Š Š ‰ bŠ Š ‰
r Š
{ Bbbb ‰.‰ Š ‰ Š Š Š Š Š Š Š ‰ b bb ‰ Š Š r r r Š Š Š ‰
Vbbb ‰. rŠ=Š 4Š. =Še Š Š 34 ‰
13
mf
Š 24 r Šf
Š 4
([)
voice; He hath burst his three days’ pris - on: Let the
V bbb= ‰ . ‰ =Š 4Š. ‰. =Še Š Š 34=‰ Š 24 Š. ‰ Še 4
{
mf
Bbbb Š
‰.
Š =Š 4Š ‰ 34 =‰ ‰. Š
Š Š Š Š Š Š 24 ‰ f
. .
Š
. . . .
Š
. .
. . 4
© Oxford University Press 1937 and 2007. Photocopying this copyright material is ILLEGAL.

S./T.
A./B.
106 He is risen
Vbbb44 Š
18
> > Š > Š > Š 34‰. > Š
mf
r r r Š Š b‰ Š
([)
V > bbb4 Š >
Š
> ŠŠ =Š
> 34‰
> . Š r r bb‰.
b b‰. ‰.‰ Š
{ Bbbb4 Š Š Š Š 34 ‰. ‰ Š mf
Š Šr Šr
. . . . . . . . b‰. b‰.
Vbbb r Š Š ‰. r Š Š 4 ‰
23
ff
Š Š 34‰ Š Š ‰ ‰.
([)
whole wide world re - joice. Death is con - quer’d,
for online perusal only
we are free, Christ has won the vic - to - ry.
V bbb ‰ b Š ‰ . Š Š Š Š Š ‰ Š 4 ‰. ‰ Š Š 34‰ Š Š ‰ ‰.
{ > ff
Bbbb Š Š Š Š Š 4 ‰ . 34
‰ bŠ
‰.
‰ =( ) ŠŠ ‰ Š >
‰ Š ‰ Š Š ‰ r
30
V bbb r Š Š Š Š Š Š ‰ Š Š Š Š Š Š
rit.
‰ ŠŠ Š Š Š ===
>
{ Bbbb Šr Š Š Š =Š Š =Š =Š
‰ ‰ Š Š Š Š =Š Š Š
. . . .
===
35
a tempo
V p
unis.mp
r Š Š Š Š Š Š Š Š ‰ Š p
([)
Come, ye sad and fear - ful heart - ed,
unis.
mf
V ‰ Š ‰ Š ‰ Š ‰ Š r Š Š ‰ Š
([)
Come, ye sad and fear - ful heart - ed, With glad smile and
V
a tempo
‰ Š Š ‰.
‰ Š
‰. Š Š Š‰ Š ‰.‰ Š ‰ Š
mp
{ B ‰. ‰. ‰. ‰. ‰ Š ‰ Š ‰ Š
Š Š . .

41
VrŠŠ Š Š Š ‰. r Š Š Š Š #Š #‰ Š
([)
V b‰ Š ‰. ‰ #Š ‰ #Š ‰ Š ‰ Š
([)
V bŠ Š Š Š Š Š ‰.‰ #Š ‰ Š Š Š #Š
# #‰ Š
r Š #Š ‰ Š
{ B b‰ Š Š Š ‰. ‰. Š Š Š Š Š Š Š ‰ Š
With ra - diant brow, sha-dows have de - part - ed,
ra - diant brow; Lent’s long sha - dows have de - part - ed,
47
V p r Š Š Š Š Š Š Š Š ‰. p
All his woes are o - ver now,
VrŠ Š ‰ Š Š Š Š Š Š #Š ‰. rŠŠ
([)
([)
for online perusal only
He is risen 107
All his woes are o - ver now, And the
V ‰ r Š =#Š#Š Š Š‰ . Š =( Š) Š‰ Š Š‰ Š Š ‰. b‰ Š
{ B ‰ Š
Š
‰.
Š =( Š) Š‰ Š Š‰ Š #Š Š ‰. bb‰ Š
‰. ‰.
53
VrbŠ Š Š Š Š Š #‰ r Š Š > ‰ Š Š Š Š
([)
And the Pas - sion he bore: Sin and pain can vex no
V b‰ Š Š Š Š ‰. ‰ Š > Š Š Š Š Š Š
([)
Pas - sion that he bore: Sin and pain can vex no
V Š b Š Š Š Š Š Š #‰ r Š Š
>
‰. ‰ #Š ŠŠ
‰ Š Š Š Š Š ŠŠŠ
{ B b b‰ >
Š Š bŠ ‰. Š Š
‰ Š ‰ Š ‰. ‰ Š ‰ Š
Š
‰ Š Š

108 He is risen
59
V ‰. p p p p bbb
([)
more.
V ‰.
p p p p bbb
([)
more.
V Š
Š Š Š Š Š
Š
‰ bŠ b‰ Š Š = Š Š Š bŠ bbŠ ‰ Š ŠbŠŠ
bbb
{
cresc.
B Š Š Š Š ‰ ‰ Š Š bŠŠ bŠ Š b‰.
bbb
TUTTI unis.
f
Vbbb r Š Š 4Š. Š f
Š Š 34 ‰
64
([)
for online perusal only
Š r Š Š Š Š bŠ. > > ŠbŠ>
f
Come, with high and ho - ly hymn - ing, Chant our Lord’s tri - um -
V bbb ‰ Š 4Šˆˆ Š Š Š 3 4 ‰ Š ‰ Š ‰ b Š
r
Š
r
{
mf
Bbbb Š‰ Š Š 4Š Š Š Š 34 Š Š Š ‰ Š >
Š Š r >
Š r
69
Vbbb Š ‰ ‰. rŠ=Š 4Š. =Še Š Š ‰ Š Š Š
([)
- phant lay; Not one dark - some cloud is dim - ming Yon-der
V bbb bŠ Š ‰ Š = ‰ . ‰ =Š 4Š. Š =Še Š ‰ Š. Še
>
{ r Š Š =Š#Š Š =Š Š ŠŠ=Š
Bbbbbb bŠ > >
‰. ‰ 4 Š =Š =Š
Š r Š Š
Š =Š Š Š Š Š Š Š
> >
. . . . . . . . =Š
. .
Š
.
Š
.
Š .
Š

74
Vbbb > Š > Š > Š > Š 34‰. > Š
mf
r r r Š Š b‰ Š
([)
He is risen 109
glo - rious morn - ing ray, Break - ing o’er the
V bbb Š Š ŠŠ =Š 34‰ . Š r r bb‰ . b b‰ . ‰ Š
{
>
>
>
Bbbb
=Š
>
34 ‰. r r b b‰. mf
‰.
Š Š Š Š ‰ Š Š
. . .
Š
.
Š
.
‰.
. .
b‰.
.
for online perusal only
Vbbb‰ Š ‰. r Š Š
ff
4 34‰ allargando
>
‰ Š
>
Š ‰ 79
molto cresc.
S./T.
Š
([)
A./B.
pur - ple East, Bright - er far our Eas -
V bbb Š ‰ =Š ‰. Š Š Š 4 ‰ Š 34 r Š Š Š Š Š ‰. Š ‰ Š
{
molto cresc.
ff
‰ r Bbbb
‰. 4 ‰ . 34 Š Š bŠ ‰ =Š Š Š Š Š >
‰ Š ‰ Š
. . . . .
a tempo
allargando
84
Vbbb Š ‰ ‰.
‰. Š r r p p F
p
([)
- ter feast.
V bbb Š ‰‰ ‰ ‰. Š Š Š Š ‰ b bŠ Š ‰ ‰.
r
Š Š =Š F
‰.
{ Bbbb
‰. Š ‰ Š Š Š Š Š Š ‰ b
bŠ
Š Š . .
‰ ‰.
. . . E
‰.

110
S(A)(Men)
or S AT B
(Keyboard)*
25. Hide not thou thy face
Psalm 27: 10
SOPRANO
ALTO
MEN
SOPRANO
ALTO
(KEYBOARD)
TENOR
BASS
Andante
p
i = 80
Vb 4 #Š. Še
Š Š Š Š ‰ Š Š. ŠeŠ f
Š Š #Š Š ŠŠŠŠ #‰ r =Š Š. Š Š Š ‰ Š Š
Hide not thou thy face from us, O Lord, and cast not
f
off thy ser-vants in
Bb 4 Š . Š f
Š Š Š Š Š Š ‰ r Š Š. Š f
Š Š ‰ Š Š
p
Andante
p
i = 80
Vb 4#Š. Še
Š Š Š Š ‰ Š ŠeŠ f
Š Š #Š Š ŠŠŠŠ #‰ r =Š Š. Š f
Š Š ‰ Š Š
Hide not thou thy face from us, O Lord, and cast not off thy ser-vants in
Bb 4 Š. Še Š. ŠeŠ f
Š Š Š Š Š Š ‰ r Š Š. Š f
Š Š ‰ Š Š
for online perusal only
p
6
mp
VbŠŠ Š Š ‰ Š Š#Š #ˆˆ r Š Š #ŠŠ Š Š #Š Š =Š Š ‰ Š#Š Š Š
Bb Š Š ‰ ˆ r
Š Š Š Š #Š Š Š ‰ Š Š
mp
mp
VbŠŠ Š Š ‰ Š Š#Š #ˆˆ r Š Š #ŠŠ Š Š #Š Š =Š Š ‰ Š#Š Š Š
Bb ˆ r Š Š Š ‰ ˆ Š Š Š Š #Š Š Š ‰ Š Š
thy dis - plea - sure; and
thy dis-plea - sure; for we con - fess our sins un - to thee, and
thy dis - plea - sure; and
thy dis - plea - sure; and
thy dis-plea - sure; for we con - fess our sins un - to thee, and
mp
RICHARD FARRANT
(d. 1580)
thy dis - plea - sure; and
* This piece may be sung a cappella in three parts (sing from the upper staves) or four parts (sing from the lower staves). It may
also be sung in two parts or in unison (sing from the upper staves), using the lower staves as a keyboard accompaniment. The
SATB version is Farrant’s original.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

hide not our un - right - e-ous - ness.
11
Vb ‰ Š Š ŠbŠ .
mp (pp )
Š Š Š Š Š Š ‰ Š ‰ r #ŠŠ Š #ŠŠ Š Š ŠŠŠ Š
Bb Š Š Š. Še Š bŠ ‰ ‰ . r ŠŠ Š Š Š =Š Š
hide not our un-right - eous - ness. For thy mer - cy’s sake, for thy
hide not our un - right - e - ous - ness.
hide not our un - right - e-ous - ness.
Vb Š Š ‰ Š Š Š ŠbŠ ‰ . r #Š Š #Š Š Š ŠŠ
Bb
mp (pp )
mp (pp )
Š ‰ Š Š Š ‰ Š ‰ Š Š Š Š Š Š Š
Š Š Š
Š. Š Š Š bŠ Š b‰ . r Š f
‰ ‰ ŠŠ Š Š Š =Š Š
hide not our un-right - eous - ness. For thy mer - cy’s sake, for thy
hide not our un - right - e - ous - ness.
mp (pp )
Hide not thou thy face 111
for online perusal only
rall. (2nd time)
mf (p) p (pp )
de - li - ver us from all our sins.
15
Vb Š Š Š bŠŠ Š. ŠeŠŠ Š #Š Š. ŠeŠ Š#Š .
f Š Š =( )Š Š Š Š Š Š ŠbŠ Š Š Š Š Š Š ‰
mer-cy’s sake de - li - ver us from all our sins, de - li - ver us from all our sins.
Bb Š Š Š Š Š. Š Š f Š Š Š Š Š Š Š Š Š Š Š Š ‰ .
all our sins.
rall. (2nd time)
all our sins.
mf (p) p (pp )
Vb Š Š Š Š Š. ŠeŠ Š Š #Š Š Š Š. ŠeŠ Š Š Š#Š Š ‰ .
Bb
mf (p) p (pp )
Š Š Š Š Š. Š f
Š Š Š Š =Š Š Š. Š f
Š Š Š Š ‰
mer-cy’s sake de - li - ver us from all our sins, de - li - ver us from
all our sins.
all our sins.
Š bŠ ŠeŠ bŠ Š. ŠeŠ Š Š Š Š. Š Š Š Š Š .
f Š Š Š Š Š Š Š Š ŠbŠ Š Š Š Š ‰
p (pp )
mf (p)
de - li - ver us from all our sins.

112
S(A)(T)(B)
(Keyboard)*
26. Holy, holy, holy,
Holy is the Lord
FRANZ SCHUBERT (1797–1828)
accomp. Alan Bullard
SOPRANO
ALTO
TENOR
BASS
KEYBOARD
Andante espressivo i = 92
Vbbb 34 p p p p pp
‰ Š
Ho - ly,
Bbbb 34 p p p p ‰ Š
V
Andante espressivo i = 92
bbb 34 ‰. tŠŠŠŠŠ ‰ ŠŠŠŠŠŠŠ ‰. ŠŠŠŠŠŠ ‰. ŠŠŠŠ=ŠŠ ‰. ŠŠŠŠŠŠ
{
pp
Bbbb 34 ‰. ‰. ‰. ‰. ‰.
(Man.)
pp
for online perusal only
6
Vbbb ‰ Š ‰. ‰. ‰‰ Š Š ‰ Š
ho - ly, ho - ly, Ho - ly is the
Bbbb
‰ Š ‰. ‰. ‰. ‰ Š ‰ Š
V bbb ‰ Š Š Š Š Š Š ‰. Š Š Š Š Š Š ‰. Š Š Š Š Š Š ‰. ŠŠ Š Š Š Š ‰ Š Š Š Š Š Š
{ Bbbb ‰ Š ‰. ‰. ‰. ‰.
* The keyboard part may be omitted when all four voice parts are sung. This acappellaversion is Schubert’s original.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

11
fp
Vbbb ‰. ‰ r ‰ Š ‰ Š ‰.
Lord, Ho - ly, ho - ly, ho -
Bbbb ‰. r
bŠ
‰ ‰ Š ‰ Š
‰.
‰.
V fp
bbb ‰. Š Š Š Š Š Š ‰. t Š=ŠŠbŠ Š ‰. Š Š Š Š Š Š ‰ Š Š Š ŠbŠŠ Š ‰. Š Š Š Š Š Š
{
fp
Bbbb ‰. ‰. ‰. ‰ Š ‰.
16
pp
Vbbb ‰. ‰‰ Š Š ‰ Š ‰. Š r r
- ly, Ho - ly is the Lord.
Bbbb
‰. ‰ Š ‰ Š ‰. Š r r
V pp
bbb ‰. Š Š Š Š Š Š ‰. ŠŠ Š Š Š Š ‰ Š Š Š Š Š Š ‰ r
Š Š Š Š Š Š Š Š Š Š Š Š
{
pp
Bbbb ‰. ‰. ‰ Š ‰. Š Š‰.
Š Š Š
21
p
f
Vbbb . ‰ Š ‰ Š =‰. ‰.
1. Fa - ther, Son, and Spi - rit,
2. Praise to you, O Lord, Ho -
Bbbb . ‰ Š b‰ ‰ Š ‰. Š ‰.
V
p
bbb . ‰. ‰. = ‰ f
. ‰.
p
f
{ Bbbb . Š‰. Š Š Š Š Š b‰. Š Š Š Š Š Š Š‰. Š Š Š Š Š Š‰.
Š Š Š Š Š
for online perusal only
(Ped.)
Holy, holy, holy, Holy is the Lord 113

114 Holy, holy, holy, Holy is the Lord
25
pp
Vbbb‰ ‰ Š ‰ Š ‰. ‰ r b‰ ‰ Š
Ev - er - more shall be, Ho - ly,
- san - na in the height, Ho - ly,
Bbbb
‰ Š ‰ ‰. r
Š ‰. ‰ ‰ Š
V
pp
bbb‰ ‰. Š ‰ Š Š ‰. Š Š Š Š ŠŠ =Š‰ ŠbŠ Š r bŠ‰.
Š Š Š Š Š
{ Bbbb Š Š Š Š Š Š Š Š Š Š
Š Š
pp
‰. ‰ Š ‰. ‰ r
‰.
30
Vbbb b‰ ‰ Š Š ‰. Š ‰ ‰. ‰ ŠŠ
ho - ly, ho - ly, Bless - ed
ho - ly, ho - ly, God of
Bbbb
‰ Š Š ‰ ‰. ‰. ‰ Š
V bbb bŠ ‰ Š Š Š Š Š Š ‰. Š Š Š ‰. ‰
Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠ Š
{ Bbbb ‰.‰ Š ‰. ‰. ‰.
34
1.
2.
Vbbb ‰ Š ‰. Š r r . ‰. ‰ r
Tri - ni - ty.
pow’r and might.
Bbbb
‰ Š ‰. Š r r . ‰. ‰ r
V
1.
2.
bbb ‰ Š ‰ r Š Š Š Š Š Š .
Š Š Š Š Š Š Š Š Š Š Š ‰. Š Š Š Š Š Š ‰
r
{ Bbbb ‰ Š ‰. Š Š‰. Š Š Š .‰. ‰ r
for online perusal only

115
S(A)Men
Keyboard
27. Holy, holy, holy!
Lord God Almighty!
S./A.
Reginald Heber
(1783–1826)
SOPRANO
ALTO
MEN
KEYBOARD
V # Brightly i = 128
# 4 p 68 p 4 p 68
B## 4 p 68 p 4 p 68
for online perusal only
Brightly i = 128
V# # 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š
mf
68
{ B## 4 Š Š Š r 68 Š t Š t 4 Š Š Š r 68
(Ped.)
ALAN SMITH
(b. 1962)
Ho - ly, ho - ly, ho - ly! Lord God Al-migh-
V #
4
unis.
#68 p mf
4 Š Š Š Š Š Š Š Š ‰ r r =Š Š Š Š Š
V# #68 Š Š Š Š Š Š 4 Š Š Š Š Š Š Š t Š eŠ Š Š.
Š . =Š r Š t Še
{ B##68 mp
Š 4 Še t ŠeŠ Š Š
-
Š t=Š t Š r Š t Š Še
f
Š r q =Š r Š t
- Š f
V #
8
# Š Š ‰ r Š Š ŠeŠ Še ‰ Š Š =Š Š ŠeŠ Še
V#
- ty! Ear - ly in the morn - ing our song shall rise to
# Š t Š . ŠeŠ Š Š Š ŠeŠ Še t . Še Š Š.
Š ŠŠ =Š Š ŠeŠ Še
{ B##
-
-
‰ Š Š ŠŠ r Š r ‰ Š Š bŠŠ rŠr =Š
- -
r
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S./A.
116 Holy, holy, holy! Lord God Almighty!
V #
12
# ‰. r Š Š Š Š Š Š Š Š ‰ r Š Š Š Š Š Š
V#
thee; Ho - ly ho - ly, ho - ly! Mer - ci - ful and migh-
# Š.
Š Š#Š Š Š Š.
Š.
Š r Š t Še Š t Š eŠ Š Š.
Š.
Š r Š t Še
{ B## - mf
t Še t ŠeŠ Š
Š. r Š Š r Š t Š #Š Še
f
Š r q
Š r Š t Š
-
f
V #
16
# Š Š ‰ r r Š-
Š-
Š-
68 Š. Š. 78Š Š Š Š Š 4
V#
- ty! God in three Per - sons, bless - ed Tri - ni -
# Š t Š.
f Š Š Š t
>
#Šf ŠeŠ ‰ Š 68 =Š . Š.
Š Š . Š.
Š 78Šet Šet Š Š Š.
4
. .
{ B## -
-
Š r
Š Š
>
Š Š t#Še‰ 68 78 - -
et Šet -
- - f
‰ Š t Š t Š tŠ f f Š
>
-
t
- - 4
V # # 4 ‰
20
. r 68 p 4 p 68 p 4
- ty!
for online perusal only
V# # 4 Š Š ŠŠŠ Š Š 68 Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4
{ B##4 Š Š Š r 68 Š t Š t 4Š Š Š r 68 Š t=ŠŠ t 4
V #
24
# mp 4 ‰ Š. Še Š Š ‰ r ‰ Š. Še Š Š ‰ r
ah
ah
mf
B##4 Š Š Š Š Š Š Š Š ‰ r Š Š Š Š Š Š ‰r
V#
Ho - ly, ho - ly, ho - ly! All the saints a - dore thee,
# 4 Š r Š t Še Š t Š eŠ Š Š.
Š . =Š rŠ t Še Š t Š . ŠeŠ Š
mp
{ B##4 Š Še t ŠeŠ Š Š
r Š t Š Še -
-
f
Š r q =Š r Š t Š f
‰ Š Š
- -
MEN=Š Š

S.
A.
S.
A.
MEN
V #
28
# ‰ ‰ Š Š Š ‰ ˆ ‰ ‰
ah
ah
B## Š Š Š Š Š Š Š f f Š Š Š =Š Š Š f Š Š ‰. f r
V#
Cast - ing down their gold - en crowns a - round the glass - y sea;
# Š r Š r Š. ŠeŠ ŠŠ =Š r Š r Š Š Š#Š Š Š Š.
Š.
{ B## Š ŠeŠ Š
.
Š =Š r ŠeŠ.
-
r Š r Š. Š f
Š Š bŠ rŠr Š f
Š. r
-
Š
.
V #
32
# mf
Š Š Š Š Š Š Š Š ‰ r Š Š Š Š Š Š Š Š ‰ r
V#
Che - ru - bim and se - ra-phim fall - ing down be-fore thee,
# Š r Š t Še Š t Š eŠ Š Š Š Š r Š t Še Š t Š.
. . f Š Š
mf
{ B## Š Še t ŠeŠ Š
#Š Še Š
-
Š
-
r Š t Š f
Š r q
Š r Š t Š f
Š r q
V # # r Š 68Š. 78Š Š 4 36
Š #Š Š Š. Š Š Š Š q f ‰
68
Who was, and is, and ev - er - more shall be.
B## r Š #Š Š 68 Š . Š. 78 Š Š Š Š f 4 ‰ q 68
V# mf
# Š r #‰ Š Š 68 Š. Š. 78Še t Še t Šet Še 4 Š Š ŠŠŠ Š Š 68
{ B## Š r #‰ 68 Š . Š. 78 Š e t Šet Še t Še 4 keyboard ad lib.
r q p p Š Š Š r 68
for online perusal only
Holy, holy, holy! Lord God Almighty! 117
V# #68 Š Š Š Š Š Š 4 Š
40
poco rit.
Š Š Š Š Š 68 Š Š =Š Š Š Š b44
{ B##68 Š t Š t 4 Š Š =ŠŠ
r 68 bŠ Š t bŠ = Š t b4

S./A.
118 Holy, holy, holy! Lord God Almighty!
Slower i = 112
43
unis. mp
Vb 4 Š Š Š Š Š Š. Še‰ Š Š Š Š Š ‰ ‰ Š Š Š Š Š
Ho - ly, ho - ly, ho - ly! Though the dark - ness hide thee, Though the eye of
V b 4 ‰ ˆ ‰ ˆŠ. Še‰ b‰ ˆ Š Š ˆ ˆ
=‰ #‰ ‰ b‰
{
p
Bb 4 ‰ legato
ˆ ‰ Š Š ˆ ‰ ‰ Š Š
r
‰ ‰ ‰
(Man.)
V
V
S./A.
MEN
for online perusal only
On - ly thou art ho - ly,
48
S.
Vb Š Š Š Š bŠ-
Š Š. - Š ‰. f r Š‰. Š Š Š Š Š. ‰ Še‰
Š Š
A.
sin - ful man thy glo - ry may not see; On - ly ho - ly,
Bb p p p mp
‰. Š Š Š ‰
On - ly ho - ly,
V b ˆ Š Š Š Š b‰ ‰ ‰ ˆ ‰ =‰ ‰‰. ‰ Š ‰ ‰ Š Š
{ Bb ˆ‰. Š bˆ‰ b‰ =ˆ ˆ Š Š ‰
53
VbŠŠ V
Š Š Š Š Š ‰ ‰ ‰ Š Š ‰.‰ Š ŠŠ Š Š Š Š Š ‰.‰ ‰ Š ##
V
there is none be - side thee, Per - fect in pow’r, in love, and pu - ri -
Bb ‰ ‰ ‰ ‰ ‰
Š Š ‰ ‰ ‰ ‰ ‰. Š ##
none be - side thee, Per - fect in pow’r, in love, and pu - ri -
V b Š Š Š Š Š ˆ ˆ Š Š Š ŠŠ ‰. r
##
{ ‰ Š Š V
V
Š ‰ ‰ ‰ ‰ ‰ ‰
keyboard ad lib.
Bb ‰ ‰ ˆ ‰ ‰ ‰ ˆ ‰ ‰ ‰.
‰ ‰ ‰
r ##

V #
59
Faster i = 128
# ‰ q 68 p 4 p 68 p 4
- ty.
B## ‰ q 68 p 4 p 68 p 4
- ty.
Faster i = 128
V# # Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š
mf
4
{ B## Š Š Š r 68 Š t Š t 4Š Š Š r 68 Š t=ŠŠ t 4
(Ped.)
V #
63
unis.
# f 4 Š Š Š Š Š Š Š Š ‰ r r =Š Š Š Š Š Š Š ‰ r
Ho - ly, ho - ly, ho - ly! Lord God Al-migh - ty!
B##4 Š Š Š Š Š Š Š Š ‰ r r
=Š Š Š Š Š Š Š ‰ r
f
for online perusal only
Holy, holy, holy! Lord God Almighty! 119
V# # 4 Š r Š t Še Š t Š eŠ Š Š.
Š . =Š r Š t Še Š t Š . ŠeŠ Š { B##4 f
Š Še t
r Š t Š
ŠeŠ Š Š Še -
-
f
Š r q =Š r Š t Š f
‰ Š Š
- -
V 67
# Š Š ŠeŠ Še Š Š Š Š Š =Š Š ŠeŠ Še ‰. r
All thy works shall praise thy name, in earth, and sky, and sea;
B## Š Š Š Š Š Š Š f f Š Š Š =Š Š Š f Š Š ‰. f r
V# # Š Š ŠeŠ Še .
t ŠeŠ Š Š ŠŠ =Š Š ŠeŠ Še Š.
Š Š#Š Š Š Š.
Š.
{ B## ŠŠ Š =Š r -
r Š r ‰ Š Š bŠ rŠr t Š. r -
Š

120 Holy, holy, holy! Lord God Almighty!
V #
71
S.
# Š Š Š Š Š Š Š Š ‰ r ‰ Š Š ‰ Š Š Š Š Š. Š Š ‰ Še Š Š
A.
r
Ho - ly, ho - ly, ho - ly! Mer - ci - ful and migh - ty!
B## Š Š Š Š Š Š Š Š ‰ r
Š Š Š Š Š Š Š Š ‰
r
V# # Š r Š t Še Š t Š eŠ Š Š Š Š r Š t Še
Š t Š.
. . f Š Š { B## Še t ŠeŠ Š
#Š Še -
Š -
r Š t Š f
Š r q
Š r Š t Š f
Š r
Š
-
Š -
Mer - ci - ful and migh - ty!
for online perusal only
God in three Per - sons,
V # # ‰ 68 78 75
Š Š
- -
r
Š Š. Š. Š Š Š Š Š 4ˆ ˆ
- - -
68
God in three Per - sons, bless - ed Tri - ni - ty!
B## Š-
r
Š-
Š-
68 Š . Š. 78 Š Š Š Š Š
4ˆ
68
V# # Š Št#Š Š Š 68 Š Š Š Š Š Š 78Šet Šet Š Š Š 4 Š Š Š Š Š Š f
‰ . .
68
. . . .
{ B## Š
>
Š Še‰ 68 78 - -
et Šet -
t#Š Še 4 f
‰ Š t Š t Š tŠ f f Š
> - - - t Š Š Š r 68
V# #68 Š Š Š Š Š Š 4 Š
79
rit.
Š Š Š Š Š 68Š Š Š Š Š Š 4‰. r
{ B##68 4 r 68 ff
Š t Š t Š Š Š Š t =ŠŠ t 4 ‰. ‰ .
r

121
S(A)(Men)
Keyboard
28. Hosanna to the Son
of David
Matthew 21: 9
SOPRANO
ALTO
MEN
V Allegro moderato i = 138
4 r p p q
f
rŠŠ
V # 4 r p p q
f
rŠŠ
B# 4 r p p q r
f
Š Š for online perusal only
V#
Allegro moderato i = 138
4 Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰. Š Š
{
KEYBOARD
B#
f
4 Š Š Š Š Š Š
Š Š Š
Š Š Š Š Š Š
(Ped. ad lib.)
V #
4
ŠŠŠ Š Š Š Š Š
mp
Š Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š ŠŠ f
mp
GEORG PHILIPP TELEMANN
(1681–1767)
V # ŠŠŠ Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š r
- san-na to the Son of Da - vid, ho - san-na to the Son of Da - vid,
B# Š Š Š Š Š Š Š Š Š mp Š Š Š Š Š Š Š Š Š Š ‰ Ho -
Ho -
Ho -
- san-na to the Son of Da - vid, ho - san-na to the Son of Da - vid, Sing ho -
- san-na to the Son of Da - vid, ho - san-na to the Son of Da - vid,
V# Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š
{ B# Š Š Š Š Š Š Š mp
Š Š Š Š Š Š Š Š ‰
f
Cut from bar 24 (beat 2) to bar 49 (beat 1) to form a short introit.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

122 Hosanna to the Son of David
V #
8
Š
Š r ŠŠ Š
f
Š r ŠŠ Š Š ‰ ‰ r ŠŠ
- san - na, sing ho - san - na, to the Son of Da - vid, sing ho -
V # r ŠŠŠ Š r ŠŠ‰ Š Š Š #Š Š ŠŠŠ Š
f
B# r ŠŠŠ Š r ŠŠŠ Š Š Š Š Š Š ŠŠŠ Š
Sing ho-san - na, to the Son of Da - vid, sing ho-san - na,
Sing ho-san - na, to the Son of Da - vid, sing ho-san - na,
V# Š
‰ Š Š‰ Š Š
‰ Š Š‰ Š Š‰. Š ‰ #Š Š‰ Š Š‰
Š
{
mp
B# r Š Š Š r Š Š Š Š Š Š Š Š
Š Š Š
mp
mp
mp
for online perusal only
V #
12
Š Š r ŠŠŠ Š r ŠŠ Š Š ‰ Š Šf
Š Š Š Š ‰
- san-na, sing ho - san-na, to the Son of Da - vid, the Son of Da -
V # r ŠŠŠ Š r ŠŠ‰ Š Š Š #Š Š Š Š Š Š #Š ‰
sing ho-san-na, to the Son of Da - vid, the Son of Da -
B# r ŠŠŠ Š r ŠŠŠ Š Š Š Š Š Š #Š Š Š ‰. #Š
sing ho-san-na, to the Son of Da - vid, the Son of Da -
V# Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰. Š ‰ #Š Š Š Š Š Š #Š Š ‰
{ B# r Š Š Š r Š Š Š Š Š Š Š Š #Š f
Š Š ‰. #Š
f
f

V #
17
Š Šp mf cresc.
Š Š ‰ ‰ ‰ rŠ Š ŠŠŠ Š Š ‰ Š
- vid, the son of Da - vid! For bless-ed is he who comes in the
p mf cresc.
V # *
#Š Š Š Š ‰ #‰ ‰ r Š Š ŠŠŠ Š Š ‰ Š
p mf cresc.
Hosanna to the Son of David 123
- vid, the son of Da - vid! For bless - ed is he who comes in the
B# Š Š Š Š Š Š ‰ *
‰ r Š Š Š Š Š Š Š ‰ Š
- vid, the son of Da - vid! For bless - ed is he who comes in the
V# #‰ Š Š Š Š ‰ #‰ rŠ ‰
‰.
‰ Š ‰
Š
Š
‰
Š Š Š Š Š ‰ ‰
{
p
cresc.
B#
mf
Š =Š Š Š Š Š Š Š ‰ r Š Š Š Š #Š Š Š Š Š
for online perusal only
V #
22
Š ‰ Š
f
Š Š Š Š Š Š Š
mp cresc.
Š Š Š Š Š Š rŠ ŠŠŠŠ
optional cut to bar 49 O
name of the Lord, in the name of the Lord, Ho - san - na, ho - san-na in the
f mf cresc.
V # Š ‰ Š Š Š Š Š Š Š Š Š Š r r Š Š ŠŠŠ Š
name of the Lord, in the name of the Lord, For bless - ed is he who
B# Š ‰ Š Šf
Š Š Š Š Š Š Š Š r q p
name of the Lord, in the name of the Lord,
V# Š ‰ ‰
‰ Š Š Š Š ‰ ‰ Š Š Š Š
Š ‰ Š Š Š Š‰
Š Š
{ B# Š Š Š Š Š f Š Š Š Š
mp cresc.
Š Š Š Š Š Š Š Š
Š
* Only sing small notes if cut is made.

124 Hosanna to the Son of David
V #
26
Š Š Š Š Š Š #Š Š Š Š Š Š Š f ‰ #Š ‰ mp
r Š Š
high -est, in the high-est, in the high - est, ho -
V # Š ‰ Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š
comes in the name of the Lord, in the name of the Lord, Ho - san - na,
B# p p p r Š Š Š Š
f
mp
mp
Ho - san -
V# Š‰. Š Š Š Š Š #Š ‰. Š Š Š Š Š Š ‰ Š Š Š #Š Š Š ‰ Š Š Š Šr Š
Š
{
f
B# Š Š Š #Š Š Š Š #Š Š Š Š Š Š
Š Š Š Š
for online perusal only
V #
30 mf
cresc.
Š Š r Š Š ŠŠŠ Š Š ‰ Š Š ‰ Š
- san - na, For bless-ed is he who comes in the name of the
mf
V # cresc.
r Š Š Š Š r Š ŠŠŠŠ Š Š Š Š Š Š #Š Š Š Š Š Š
ho - san - na, ho - san-na in the high-est, in the high-est, in the
B# mf cresc.
Š Š Š Š Š Š Š Š r Š Š ŠŠŠ #Š Š ŠŠ Š #Š Š
- na, ho - san - na, ho - san - na For bless - ed is he who comes in the name of the
V# Š ‰. Š Š Š Š ‰ Š ‰ ‰ Š Š ‰ ‰ Š Š #‰ Š ‰ Š Š
{
mf
cresc.
B# Š Š Š Š Š Š Š Š r Š Š Š Š #Š Š Š Š #Š

V #
34
Šf
Š Š Š Š Š Š Š Š Š Š Š Š
r Š Š Š Š
Lord, in the name of the Lord, Ho - san - na, ho - san - na,
f
Hosanna to the Son of David 125
V # Š ‰ #Š ‰ r Š Š Š Š r Š #Š
high - - est, ho - san - na, ho -
B# Šf
Š Š Š Š Š Š Š Š Š Š Š Š Š
Lord, of the Lord, Ho - san - na, ho - san -
V# ŠŠ Š Š ‰ ‰ #Š Š Š Š
Š ‰ Š Š Š Š‰ Š Š Š #Š
{
f
B# Š Š Š Š Š Š Š Š Š Š
Š Š Š Š
for online perusal only
V #
37
r Š#Š Š Š
mf
cresc.
r Š ŠŠŠŠ#Š Š Š Š Š Š #Š Š Š #Š Š Š
ho - san - na, ho - san-na in the high-est, in the high-est, in the
mf
V # cresc.
Š Š r Š Š ŠŠŠ Š Š ‰ Š #Š ‰ Š
- san - na, For bless-ed is he who comes in the name of the
B# mf cresc.
Š Š#Š Š Š Š Š Š r Š Š ŠŠŠ #Š Š ŠŠ Š #Š Š
- na, ho - san - na, ho - san - na, For bless - ed is he who comes in the name of the
V# Š Š#Š ‰ Š Š Š Š Š Š. Š Š Še #Š Š Š Š Š # #Š Š Š #Š Š { ‰. Š ‰. Š
mf
cresc.
B# Š Š#Š Š Š Š Š Š r Š Š Š Š #Š Š Š Š #Š

126 Hosanna to the Son of David
V #
41
#Š
f
‰ #Š ‰ r Š Š Š Š r Š Š Š Š r Š
high - est, ho - san - na, ho - san - na, For
f
V # Š Š Š Š#Š Š Š Š Š Š Š Š Š
r Š Š Š Š r Š Š Š Š
Lord, in the name of the Lord, Ho - san - na, ho - san - na, ho - san - na,
B# Šf
Š Š Š Š Š#Š Š Š Š Š Š Š Š ‰ Š Š
Lord, of the Lord, Ho - san - na, sing, sing ho - san - na, ho -
V# #Š Š ‰ Š Š#Š #Š Š Š ‰ Š Š Š Šr Š Š Š Š‰ Š Š Š Š‰ Š Š Š‰
Š Š
{
f
B# Š Š Š Š Š Š#Š Š Š Š
Š Š
Š Š Š Š
Š Š
for online perusal only
V #
45
Š ŠŠŠ Š Š ‰ Š Š ‰ Š
bless - ed is he who comes in the name of the
V # r Š ŠŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š
ho - san- na in the high - est, in the high - est, in the
B# Š. Š f Š Š Š ŠŠŠ #Š Š ŠŠŠ ŠŠ
- san - na, For bless - ed is he who comes in the name of the
V# ‰ Š ‰ ‰ Š Š ‰ ‰ Š Š Š ‰ ‰ Š Š
{ B# Š Š Š Š
Š Š Š Š #Š Š Š Š Š

Off
V #
48
Š Š Š Š Š Š Š Š Š ŠŠŠŠŠŠ Š Š r ŠŠ Š Š r ŠŠ
Lord, in the name of the Lord, Sing ho-san-na in the high-est, in the high-est, in the
ff
Hosanna to the Son of David 127
V # Š ‰ Š Š ŠŠŠŠŠŠ Š Š r ŠŠ Š Š rŠŠ
B# Š Š Š Š Š ff ŠŠŠŠŠŠ Š Š
r ŠŠ Š Š
r ŠŠ
high - - est, Sing ho-san-na in the high-est, in the high-est, in the
Lord, of the Lord, Sing ho-san-na in the high-est, in the high-est, in the
V# ŠŠ Š Š ‰ ‰ Š Š Š Š Š Š Š Š Š Š r Š Š Š Š r Š Š
{ B# Š
ff
Š Š Š Š
Š
Š
Š Š
Š
r Š Š
Š
r Š
for online perusal only
V #
52
molto rall.
Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.
high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!
V # Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.
high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!
B# Š Š r ŠŠ ŠŠŠŠŠŠŠŠ Š Š Š Š ‰ ‰ .
high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!
V#
molto rall.
Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.
{ B# Š
Š r Š Š Š Š Š Š Š Š Š Š
Š ‰.

128
S(A)(Men)
Keyboard
for Grupo Vocal Olisipo
29. Irish Blessing
S./A.
Trad.
SOPRANO
ALTO
MEN
KEYBOARD
V # With a gentle lilt i = 92
unis.
C p p p q r ŠŠ
B#C p p p p
V#
With a gentle lilt i = 92
C ‰ Š. Še ‰. ŠŠ ‰ Š. Še =ˆ
r tŠ‰
{ f r t Š‰ f r tŠ‰ f r t Š f
‰
mp dolce
B#C ŠˆŠ‰. ŠˆŠ‰‰. ŠˆŠ‰. ŠˆŠ=‰.
(Ped.)
mp cantabile
May the
V #
5
‰ Š. Še Š Š Š Šet Š Š Š Š Š Š Š Š ‰ r ŠŠ
road rise to meet you, may the wind be ev-er at your back, may the
V# r t Še ‰ r t Še ‰ r t Še ‰ r tr Š=ŠeŠ Še f
‰
{ B# Š ˆ Š ‰. Š ˆ Š ‰‰. Š ˆ Š ‰. Š ˆ Š=‰.
V #
9
Š Š Š.
for online perusal only
Š f
Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š ŠŠ‰
sun shine warm up - on your face, and the rain fall soft up-on your fields,
BOB CHILCOTT
(b. 1955)
V# ˆ ˆ
r t Š Š Š Š Š r t Š Š Š Š Š ‰ Š Š Š
Š Š ‰
{ f ‰ f Š Š Š Š Š ‰. Š Š
B# ŠˆŠ ‰. Šˆ Š ‰. ‰.
‰ =‰ Š ˆ
© Oxford University Press 1997, 2002, and 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
MEN
V #
13
cresc.
‰ rŠŠ Š Š Š
mf
Š Š Š ˆ ˆ
V#
And un - til we meet a - gain,
Š Š ‰ Š Š r t Š eŠ Š Š Š Š. Še‰ Š. Še
Š ‰.
ˆŠ. Š f Š. Š
{
f
B# ˆ Š Š Š Š ‰ #Š Š ‰
cresc. mf
‰. =Š Š ‰‰.
bˆ ˆ ‰. ˆ ˆ
V # mp dolce
17
S.
unis.
Š r Š ŠŠŠ Š Š r Š Š Š Š ‰
r Š Š Š Š
for online perusal only
A.
May God hold you, may God hold you, ev - er in the
V# ˆ r Š ‰ r Š
Š ‰ ˆ
{ B# ˆˆ mp
ˆ Š ‰ Š Š ‰ Šˆ Š ‰. =ˆˆ
V #
21
Š Š Š Š Š Š ‰. ‰. r p
palm of his hand.
Irish Blessing 129
V# ˆ ‰ Š. Še ‰. Š Š ‰ Š. Še
{ r tŠ‰
f r t Š ‰ f r tŠ‰
B# f ˆ ŠˆŠ ‰. ŠˆŠ ‰‰. ŠˆŠ ‰.
V #
25
mf
q r ŠŠ ‰ Š. ŠeŠ Š Š Š ŠeŠ t ŠŠ f f
Š
May the road rise to meet you, may the
B# q r ŠŠ ‰ Š. Š Š Š Š f f t Š Š
V# mf
=ˆ
ˆŠ Š ‰. ˆ
r t Š ‰
Š Š ‰ Š Š ‰. Š Š ‰
{ B# f mf
ŠˆŠ =‰. ŠˆŠ ‰. Š Š ‰
ŠˆŠ Š‰.
Š ‰

130 Irish Blessing
V #
28
Š Š Š Š Š Š =‰ ‰
r ŠŠ Š Š Š. ŠeŠ ŠŠŠ Š f Š Š Š Š Š
B# Š Š ŠŠŠŠ ‰ r ŠŠ Š Š Š. Š f Š Š Š Š Š Š Š
V# ˆ ŠŠ Š ‰. Š ‰ =ˆ ŠŠ Š ‰. Š ‰ ˆ ˆ
{ r t Š Š Š Š Š r t Š Š Š Š Š f
‰
B# f ŠˆŠ ‰. Š Š ‰
ŠˆŠ=ŠŠ ‰. ‰
ŠˆŠ ‰. Šˆ
Š ‰.
wind be ev-er at your back, may the sun shine warm up - on your face, and the
for online perusal only
rain fall soft up-on your fields,
V #
32
cresc.
Š Š Š. Š Š ŠŠ‰ Š Š f Š Š Š Š ŠŠ ‰
rŠŠŠ Š Š Š Š Š
rain fall soft up - on your fields, And un - til we meet a -
B# Š Š
ŠŠ=Š Š ˆ b‰ r ŠŠŠ Š Š Š
rain fall soft up-on your fields,
V# ‰ Š Š Š Š ‰
Š Š ‰ r t
Š Š Š Š Š Š ‰. Š Š Š ‰. Š Š
eŠ Š Š Š
{
cresc.
B# ‰. Š ˆ Š Š Š Š ‰
‰ =‰ ˆ bˆ ˆ ‰.
mf dolce
V #
36
f
ˆ ˆ Š r Š ŠŠŠŠ Š Š ‰ r Š Š
- gain, May God hold you,
B##ˆ =ˆ Š r Š ŠŠŠ ‰
‰
V#
f
Š. Še Š. mf dolce
‰ Še ˆŠ. Š f Š. Š r Š ‰
{
f ˆ Š
f
B# #Š Š ‰ mf
ˆ ‰. =ŠˆŠ ‰‰. ˆˆˆ Š‰ Š Š ‰
cresc.
hold you, may God

mp
hold you,
V #
40
Š Š ‰ r Š Š =ŠŠ Š Š Š Š Š ˆŠ Š ‰.
hold you, ev - er in the palm of his hand,
B# Š ‰
r =Š Š Š Š ‰ Š Š =ˆ
V#
mp
r Š ‰ ˆ ˆ r t
Š ‰. ŠeŠ. Še
{ B#
mp
Šˆ Š ‰. =ˆˆ ˆ =ŠˆŠ ‰.
for online perusal only
p
V # poco rit.
a little slower
44
‰. r Š Š Š Š ‰‰ Š ŠŠ ˆ
ev - er in the palm of his hand,
B# ‰ bŠ r Š Š Š Š ‰
Š Š ˆ
p
V#
poco rit.
a little slower
Š. Še Š. Še ˆ
p
ˆ ‰ Š.
r tŠ‰
Še
{
dim.
B# f
ˆ‰ b‰ p p
ˆ ŠˆŠ ‰.
V # rit. e dim.
48
p p
pp
q r Š =‰ ‰ Š Š ˆF
B# p q r Š ‰ Š Š
p
ˆÊ
V# pp
rit. e dim.
‰. Š Š ‰ Š.
F
Še =ˆ ˆ
r t Š ‰
{ f r tŠ‰ f r t Š ‰
B# f pp
ŠˆŠ ‰‰. ŠˆŠ ‰. ŠˆŠ =‰. ˆ
Ê
the palm of his hand.
Irish Blessing 131

132
SA(Men)
Keyboard
30. Jesu, Lamb of God,
Redeemer
(Ave verum corpus)
Medieval sequence for Corpus Christi
EDWARD ELGAR
(1857–1934)
VOICES
V # Largo i = 88
SOLO or TUTTI
F p legato
4 q Š. Še Š Š Š Š Š Š Š Š Š Š Š Š
([)
Je - su, Lamb of God, Re - deem-er, Born the Vir - gin Ma - ry’s
A - ve ve - rum cor - pus, na - tum Ex Ma - ri - a Vir - gi -
V# F
4 ‰ Š. Še Š Š Š Š Š Š Š Š Š Š Š
‰ ‰ b‰
Š
‰ ‰ ‰ ‰
{ B# 4 ‰ Š ‰ #Š ‰ #‰ ‰
‰ ‰ ‰
E
KEYBOARD p pp
(Ped.)
(Man.)
for online perusal only
V #
5
dim.
‰ Š. Še Š Š Š Š Š Š Š Š Š Š Š. Še ‰
([)
Son, Who up - on the cross a vic - tim Hast man - kind’s sal - va - tion won.
- ne, Ve - re pas - sum, im - mo - la - tum In cru - ce pro ho - mi - ne.
V# ‰ Š.
Š #Š Še Š‰ Š #‰ Š Š Š
‰ Š Š‰ Š Š‰ Š #Š. Še {
f
‰
B# ‰ Š #Š ‰ ‰ ‰ Š Š Š Š
‰ ‰ ˆ Š. Še ‰
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
MEN
V #
9 pp
Š Š. #ŠŠe Š Š #ŠŠ Š =ŠŠ ŠŠ Š Š Š Š Š Š ‰ Š.
Š Š Še
Je - su, Lamb of God, Re - deem-er, Born the Vir - gin Ma - ry’s Son, Who up -
A - ve ve - rum cor - pus, na - tum Ex Ma - ri - a Vir - gi - ne, Ve - re
B# Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š #Š
pp
V# Š. Š Še Š Š Š Š Š Š Š Š Š Š Š
‰ #Š ‰ b#‰ ‰
Š
=ˆ ‰ ‰ ‰ Š.
‰ Še
{
pp
B# ‰ ˆ ‰ ‰ ‰ ‰ ‰ Š ‰ #Š
(Ped.)
V #
14
Š Š #ŠŠ Š Š Š Š ŠŠ Š Š #Š. Še f ‰
- on the cross the vic - tim Hast man - kind’s sal - va - tion won.
pas - sum, im - mo - la - tum In cru - ce pro ho - mi - ne.
B# Š Š Š Š Š Š Š Š Š Š Š. Š f
‰
V# Š‰ Š #‰ Š Š Š‰ Š Š‰ Š Š‰
Š #Š. Še ‰
{ B# Š Š ‰ Š Š Š Š
‰
‰ ‰ ‰ ‰ Š. ‰ Še ‰
V #
17 SOLO or TUTTI
pp cresc.
Š Š Š Š Š. Še Š Š Š Š Š Š Š. Š f ‰ Šf
Š
([)
From whose side, which man had pier-ced, Flowed the wa - ter and the blood: By the
Cu - jus la - tus per - fo - ra - tum Ve - ro flu - xit san - gui - ne; E - sto
V# Š Š ŠŠ Š Š. Š Š Še Š Š Š Š ‰ Š. Še ‰ Š
‰ Š‰
Š ‰ Š
{
pp cresc.
B# ‰ =‰ Š Š ‰ ‰ Š Š Š
Š Š Š ‰ ‰ f
(Man.)
for online perusal only
Jesu, Lamb of God, Redeemer 133

134 Jesu, Lamb of God, Redeemer
V #
22
p
Š Š Š Š Š Š Š Š Š Š Š. Še ‰
([)
sa - cred Bo - dy bro - ken, Be in life and death our food.
no - bis prae - gu - sta - tum, Mor - tis in ex - a - mi - ne.
V# #ˆ Š Š Š Š Š Š Š‰ Š Š‰ Š Š. Š Š Še ‰
{ B# Š Š Š Š Š Š # b p
‰ ‰ ‰ ‰ =‰ ˆ ‰ ‰
V # TUTTI
25
unis.
pp
cresc.
Š Š Š Š Š. Še Š Š Š Š Š Š Š. Š f
([)
From whose side, which man had pier - ced, Flowed the wa - ter and the
Cu - jus la - tus per - fo - ra - tum Ve - ro flu - xit san - gui -
V# ‰ ‰ Š Š Š. Š Š Še Š‰. Š Š Š ˆ‰ Š. Š Š Še
pp
{
cresc.
B# ‰ ‰. Š Š ˆ
‰ Š Š Š Š Š Š
(Ped.)
for online perusal only
S.
A.
MEN
Bo - dy bro - ken, be in
prae - gu - sta - tum, Mor - tis
V #
29
rit.
‰ f
p
Š Š #ŠŠ Š Š Š #Š Š Š‰ Š ŠŠ Š Š Š. Š Š Še
blood: By the sa - cred Bo - dy bro - ken, be in life and death our
- ne; E - sto no - bis prae - gu - sta - tum, Mor-tis in ex - a - mi -
B# ‰ Š Š Š Š Š Š Š Š #Š Š Š Š Š Š
f
Bo - dy bro - ken, be in
prae - gu - sta - tum, Mor - tis
V# rit.
‰ Š
‰ Š #‰. Š Š Š Š Š Š Š‰ Š Š‰ Š Š. Š Š Še
{
f
B# Š Š Š Š Š Š # b‰ p
=‰ ‰
‰
‰ ‰ ‰ ‰ ‰ ˆ
p

Jesu, Lamb of God, Redeemer 135
V #
33
più lento
Še t
Š ‰ Š r q r
‰ Š f r q r
Š ‰ Š Š
B# ‰ Še t Š ‰ Š Š ‰ Š Š
food. O Je - su, O Je - su, O
- ne. O cle - mens, O pi - e, O
O Je - su, O Je - su, O
O cle - mens, O pi - e, O
V#
più lento
‰ Še t
Š ˆ ‰ . Š
{ B# ‰ Še
Š t r #ˆ ‰. Š
f ˆ
pp
pp
pp
for online perusal only
Son of Ma - ry.
Fi - li Ma - ri - ae.
V #
36
f pp
Š Š Š Š Š ŠŠbŠ ŠŠ‰ bŠ ˆŠ. Š
ˆ
f ‰ ˆF
Je - su, hear us, Son of Ma - ry, of Ma - ry.
dul - cis Je - su, Fi - li Ma - ri - ae, Ma - ri - ae.
B# Š Š Š Š Š ŠŠb‰ Š. Š f
‰ ˆ
f pp E
Je - su, hear us, Son of Ma - ry, of Ma - ry.
dul - cis Je - su, Fi - li Ma - ri - ae, Ma - ri - ae.
V# ˆ Š Š
b
bŠ bŠ F
‰ ‰ ‰ ‰ = ˆ
ˆ
{
f pp
B# ˆ‰ ‰ ˆ‰ b‰ ˆ‰ b‰ Eˆˆ

136
S(A)(Men)
Keyboard
31. Jesus Christ the Apple Tree
From Divine Hymns or Spiritual Songs
compiled by Joshua Smith, New Hampshire, 1784
V # Simply
34 t but expressively i = 84
SOLO or TUTTI unis.
r p p p r t p
VOICES
([)
Š e Š Š
1. The tree of
V# 34 Š f Š Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š
{ V # 34 t
KEYBOARD p legato
r p p p p
V #
5
. Š. Še Š Š Š. Še Š Š Š. ŠeŠ ŠŠ Š. Še Š ŠŠ
([)
life my soul hath seen, La - den with fruit and al - ways green: The trees of
(3.)- ness I long have sought, And plea-sure dear - ly I have bought: I missed of
V# . Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠ
{ V # . ‰. Š ‰. Š Š‰. Š Š Š‰.
Š Š
V # (Man.)
9
Š. Š f Š ŠŠ Š. Še Š Š Š Š Š ŠŠ ‰. ‰ r
([)
for online perusal only
na - ture fruit-less be Com-pared with Christ the ap-ple tree.
all; but now I see ’Tis found in Christ the ap-ple tree.
Somerset folk song
collected by Cecil Sharp
arr. ALAN BULLARD (b. 1947)
V# Š Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š
{ V # Š Š Š ‰ .
B ‰. ‰. Š Š Š
‰.
‰.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
MEN
V #
14
p p r t
V # p p r t
Še Š Š Š.
Še Š Š
2. His beau-ty doth all things ex -
4. I’m wear-y with my for-mer
B# p p r t mp
Š Š Š Š Š Š Š f
mp
mp
Jesus Christ the Apple Tree 137
Še Š Š Š.
Še Š Š
2. His beau-ty doth all things ex -
4. I’m wear-y with my for-mer
2. His beau-ty doth all things ex -
4. I’m wear-y with my for - mer
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠ Š Š Š ‰ Š
{
mp
B# ‰. Š Š Š Š‰. Š Š Š‰. Š Š Š
‰.
Š Š Š Š Š
for online perusal only
V #
18
Š. Še Š Š Š. Še Š ŠŠ Š. Še Š ŠŠ Š. Š f Š ŠŠ
- cel: By faith I know, but ne’er can tell, The glo - ry which I now can
toil, Here I will sit and rest a - while: Un-der the sha - dow I will
V # Š. Še Š Š Š Š Š Š Š. Še Š Š Š Š Š Š
- cel: By faith I know, but ne’er can tell, The glo-ry which I now can
toil, Here I will sit and rest a - while: Un-der the sha-dow I will
B# Š. Š f Š Š Š Š Š Š Š Š Š. Š Š f
Š Š Š Š ŠŠ
- cel: By faith I know, but ne’er can tell, The glo-ry which I now can
toil, Here I will sit and rest a - while: Un-der the sha - dow I will
V# Š. Še Š ‰ ‰ Š.
‰ Š Š ŠeŠ
Š Š Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š
{ B# Š Š Š Š Š Š Š Š
‰ Š ‰ Š ‰ Š

S.
A.
MEN
V #
22
Š. Še Š Š Š Š Š Š Š ‰. ‰ r
see In Je - sus Christ the ap - ple tree.
be Of Je - sus Christ the ap - ple tree.
V # Š. Še Š Š Š Š Š Š ‰. ‰
r
138 Jesus Christ the Apple Tree
see In Je - sus Christ the ap - ple tree.
be Of Je - sus Christ the ap - ple tree.
B# Š. Š Š Š Š Š f
Š Š Š ‰. ‰ r
see In Je - sus Christ the ap - ple tree.
be Of Je - sus Christ the ap - ple tree.
V# Š. Š Š Š Š. Še Š Š Š Še Š Š Š Š Š Š Š
{
f Š Š Š Š Š Š. f
Š Š
B# ‰ Š Š Š Š ‰. Š Š Š Š ‰.
Š Š
V #
26 1.
TUTTI unis.
p p r t mf 2.
([)
Š e Š Š. p p
V#
3. For hap-pi -
Š. ŠeŠ Š Š. Še Š Š Š. Š Š Š f . Š.
ŠŠŠ Š Š. ŠŠŠ Š
{ B# Š Š Š Š Š Š
mf
‰ Š
VŠ Š ŠŠŠ Š . Š‰
Š Š Š Š Š Š Š
V #
28b
r t p
Š e Š Š Š. Še Š Š Š. Še Š Š Š. Še Š ŠŠ
5. This fruit doth make my soul to thrive, It keeps my dy - ing faith a -
V # r r t p
Še Š Š Š. Še Š Š Š. Še Š Š Š. Še
5. This fruit doth make my soul to thrive, It keeps my dy - ing
B# p t Šp
Š Š Š Š Š Š Š f
Š ŠŠŠ Š Š
V#
*5. This fruit doth make my soul to thrive, It keeps my dy -
Š. Še Š Š ‰. Š Š Š ŠŠŠ Š ‰. Š Š Š Š Š ŠŠ ‰ Š Š Š ŠŠŠŠ Š
{
p legato
B#ŠŠŠŠ Š Š t Še ‰ Š Š
‰. ‰ Š Š
r
ŠŠ‰
‰.
for online perusal only
(Ped.)
* This line may be sung an octave higher by a third upper-voice part.

Jesus Christ the Apple Tree 139
V #
32
Š. Še Š Š Š Š. Š f Š Š Š Š. Še Š Š
- live; Which makes my soul in haste to be With Je - sus
V # Š Š Š Š. Še Š Š Š Š. Š f Š Š Š Š. Še
faith a - live; Which makes my soul in haste to be With
B# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
- ing faith a - live; Which makes my soul in haste to be
V# ŠŠ Š Š. ‰ Š Š =‰ Š Š Š Š Š =Š Š Š ‰ Š Š Š Š Š
{ B# ‰ Š Š Š Š Š Š‰ Š Š Š Š Š ‰. Š Š Š Š
for online perusal only
V # rit. al fine
35
Š Š Š Š Š Š. Še Š Š Š ‰. ‰. p
Christ the ap-ple tree, the ap-ple tree.
V # Š Š Š Š Š ŠŠŠ. Še Š Š Š‰ ‰. p
Je-sus Christ the ap -ple tree, the ap-ple tree.
B# Š Š Š Š Š Š Š Š ŠŠ Š Š Š Š ŠŠ ‰. p
With Je-sus Christ the ap-ple tree, the ap-ple tree.
V#
rit. al fine
‰ Š Š Š Š Š ‰ ŠŠ Š Š Š Š Š Š Š ŠŠ Š ŠŠ ŠŠ Š‰. Š Š Š Š ‰. ‰.
{ B# ‰ dim.
Š Š Š Š Š Š ‰ Š ŠŠ Š pp
Š Š Š Š
‰.
Š Š ‰. ‰.
,

140
Voices 1 2 (3) (4)
(Keyboard)*
32. Jubilate
(Let us praise you)
English text by Alan Bullard attrib. W. A. MOZART (1756–91)
arr. Alan Bullard
VOICES
KEYBOARD
([)
V # Joyfully, like pealing bells h = 80
# ([)
2 p p p p
V# # 2 Š ‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰
Š Š
{ B## 2 ‰ f
ˆ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰
for online perusal only
(Ped.)
V # TUTTI unis.
5
# f
Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰
Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.
Let us praise you, let us praise you, Fa - ther, let us praise you,
V# # Š‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰
Š Š
{ B## ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰
V #
9
# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ˆ
([)
Ju - bi - la - te De - o, ju - bi - la - te De - o.
We re - joice in you, O Fa - ther let us give you praise.
V# # Š‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰
Š Š Š
{ B## ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰
* If performing unaccompanied, begin at bar 27. The four parts may be sung by any combination of voices, including SATB.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

1/3
2/4
V #
13
# p p p
Š Š Š Š Š Š Š Š
([)
Ju - bi - la - te, ju - bi - la - te,
Let us praise you, let us praise you,
V # # p p p p
([)
V# # Š‰ Š Š‰ Š Š Š Š
‰ Š Š‰ Š Š ‰ Š‰ Š Š ‰ Š‰
Š Š
{ B## ˆ‰ ‰ ˆ ‰ ‰ ‰ p
‰ ‰ ‰
V #
17
# Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š
mf Š Š Š Š Š
([)
ju - bi - la - te De - o. Ju - bi - la - te De - o, ju - bi -
Fa - ther, let us praise you, We re - joice in you, O Fa - ther
V # # Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰
([)
p
Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.
Let us praise you, let us praise you, Fa - ther, let us praise you,
V# # ‰ Š‰ Š Š ‰ Š‰ Š Š Š‰ Š Š‰ Š Š Š Š‰ Š Š‰
Š Š Š
{ B## ‰ ‰ ‰ ‰ ˆ ‰ ‰
V #
21
# Š Š Š Š Š ˆ
p
([)
for online perusal only
- la - te De - o.
let us give you praise.
mf
Jubilate 141
V # # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
([)
Ju - bi - la - te De - o, ju - bi - la - te De -
We re - joice in you, O Fa - ther let us give you
V# # ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š
Š ‰ Š Š‰
Š Š Š
{ B## cresc.
‰ ‰ ˆ ‰ Š Š ˆ ‰ ‰

142 Jubilate
V #
24
# p p p
([)
V # #
([)
ˆ
p p
- o.
praise.
V# # Š‰
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ B## ‰ ‰ ˆ ‰ ‰ ‰ ‰
for online perusal only
1
2
3
4
V #
27
# f
Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰
([)
V # #
([)
([)
Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.
Let us praise you, let us praise you, Fa - ther, let us praise you,
p
V # # p p
f
Š Š Š Š Š Š Š Š Š Š Š Š
Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te
Let us praise you, let us praise you, Fa - ther, let us
Š Š Š Š
Š Š Š Š
Ju - bi - la - te, ju - bi - la - te,
Let us praise you, let us praise you,
V # # p p p f
Š Š Š Š
([)
Ju - bi - la - te,
Let us praise you,
V# #
Š
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
f
{ B## ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰
f

V #
31
# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
([)
([)
Ju - bi - la - te De - o, ju - bi - la - te De -
We re - joice in you, O Fa - ther let us give you
V # # ‰ ‰ Š Š Š Š Š Š Š Š Š Š Š Š
([)
De - o. Ju - bi - la - te De - o, ju - bi -
praise you, We re - joice in you, O Fa - ther
V # # Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š
ju - bi - la - te De - o. Ju - bi - la - te
Fa - ther, let us praise you, We re - joice in
V # # Š Š Š Š Š Š Š Š ‰ ‰
([)
ju - bi - la - te, ju - bi - la - te De - o.
let us praise you, Fa - ther, let us praise you,
V# # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ B## ‰ ‰ ‰
‰ ‰ ‰ ˆ
V #
34
# ˆ Š Š Š Š Š Š Š ‰ ‰ ˆ
([)
([)
- o. Ju - bi - la - te De - o,
praise. Fa - ther, let us praise you,
V # # Š Š Š Š Š ˆ Š Š Š Š Š Š Š ‰ ‰
([)
for online perusal only
- la - te De - o. Ju - bi - la - te De - o,
let us give you praise. Fa - ther, let us praise you,
Jubilate 143
V # # Š Š Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š
De - o, ju - bi - la - te De - o. Ju - bi - la - te
you, O Fa - ther let us give you praise. Fa - ther, let us
V # # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ˆ
([)
Ju - bi - la - te De - o, ju - bi - la - te De - o.
V#
We re - joice in you, O Fa - ther let us give you praise.
# Š Š Š Š Š Š Š Š Š Š Š Š Š Š‰
Š Š Š Š Š Š Š Š
{ B## ˆ
‰ ‰ Š Š Š Š ˆ
‰ ‰ ˆ
‰ ‰

V #
38
# Š Š Š Š Š Š Š ‰ ‰ ˆ
Š Š Š Š Š Š Š
([)
Ju - bi - la - te De - o, Ju - bi - la - te
Fa - ther let us praise you, We re - joice in
V # # ˆ
Š Š Š Š Š Š Š ‰ ‰ ˆ
([)
Ju - bi - la - te De - o,
Fa - ther let us praise you,
V # # ‰ ‰ ˆ
Š Š Š Š Š Š Š ‰ ‰
([)
De - o, Ju - bi - la - te De - o,
praise you, Fa - ther let us praise you,
V # # Š Š Š Š Š Š Š ‰ ‰ ˆ
Š Š Š Š Š Š Š
([)
Ju - bi - la - te De - o, Ju - bi - la - te
Fa - ther, let us praise you, We re - joice in
V# # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
‰ ‰ ‰ ‰ ‰ ‰ ‰‰
{ B## ‰ ‰ ‰ ‰ ‰ ‰ ˆ
144 Jubilate
V #
42
allargando
# ff Š Š Š Š Š Š Š Š Š Š ˆˆ
([)
([)
De - o, ju - bi - la - te De - o!
you, O Fa - ther let us give you praise!
ff
‰
‰. . r
V # # Š Š Š Š Š Š Š Š Š Š ˆ ‰. r
([)
De - o, ju - bi - la - te De - o!
O Fa - ther let us give you praise!
V # #
ff Š Š Š Š Š Š Š Š Š Š ˆˆ
De - o, ju - bi - la - te De - o!
O Fa - ther let us give you praise!
ff
for online perusal only
‰
‰. . r
V # # Š Š Š Š Š Š Š ŠŠŠ ŠŠ
ˆ ‰. r
([)
De - o, ju - bi - la - te De - o!
you, O Fa - ther let us give you praise!
V# # Š Š Š Š Š Š
Š
Š Š allargando
Š ˆ
Š Š Š Š Š ‰.
‰. r
ff
{ B## ‰ ‰ Š Š Š Š Š Š Š Š ˆ ‰. r

145
Voices 1 (2)
Keyboard
33. Lamb of God
(Agnus Dei)
SAMUEL WEBBE
(1740–1816)
VOICE 1
VOICE 2
KEYBOARD
V # Larghetto h = 52
D p p p p ‰
p
‰
([)
Lamb of
Ag - nus
V # D p p p p p
([)
V# Larghetto h = 52
D Š‰ Š Š‰ Š #Š‰ Š Š Š ‰. #‰ Š ˆ ‰ ‰
{
p
B#D Š legato
‰ Š Š
‰ Š ‰ Š Š Š Š ˆ ˆ
ˆ
(Ped.)
for online perusal only
V #
6
Š Š q ‰ ‰ Š Š r Š ‰ Š. Še ‰ ‰
([)
God, Lamb of God, who tak - est a - way the
De - i, Ag - nus De - i, qui tol - lis pec - ca - ta
V # p p p p p
([)
V# Š Š Š Š ‰ ‰ Š ‰ ‰ ‰ Š ‰ Š Š. Še Š {
f
‰ ‰
B# ˆ Š Š Š
‰ ‰ Š‰ Š ‰ Š Š ‰ ‰ ‰
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

146 Lamb of God
V #
11
‰‰ ‰ Š. Še ˆ ‰. Š ‰ ‰ Š Š Š Š ‰ ‰
([)
V # p p
Š
([) Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰
V# p
‰. ‰ Š ˆ ‰. Š ‰ ‰ Š‰ Š Š‰
Š # ‰ ‰
{ B# ˆ‰
ˆ ‰ #‰ ‰ ‰ Š Š Š #Š ‰ ‰ ‰
V #
17
‰. Š ‰ ‰ ‰ ‰ ˆ p p
([)
sins of the world, Lord, have mer - cy, Lord, have mer - cy,
mun - di, mi - se - re - re, mi - se - re - re,
Lord, have mer - cy on us.
mi - se - re - re no - bis.
V # ‰. Š ‰ ‰ ˆ ˆ ‰. Š ‰ ‰
([)
([)
([)
for online perusal only
mp
* Lamb of God,
Ag - nus De - i,
V# ‰.‰ =Š Š # ‰ ‰ ‰. #‰ Š ˆ ˆ‰ . Š ˆ‰ ‰
{ B# ‰ Š Š #( ) Š mp
ˆ ‰ ‰ ˆ ˆ ˆ ˆˆ
V #
23
p p p p p p
V # ‰. Š Š Š r Š ‰ Š Š ‰ ‰ ‰ Š. Še ˆˆ
Lamb of God, who tak - est a - way the sins of the world,
Ag - nus De - i, qui tol - lis pec - ca - ta mun - di:
V# ‰ ‰ Š Š r Š ‰ Š Š ‰ Š‰ Š ‰‰. ‰ Š ˆ
{ B#
‰ ‰ ‰.‰ Š r ‰ Š Š ˆ ‰
‰ ˆ
ˆ
* If performing in unison, sing Voice 2 in bars 21–8.

V #
29
mp
‰. Š ‰ ‰ Š Š Š Š ‰ ‰ ‰. Š
([)
Lord, have mer - cy, Lord, have mer - cy, Lord, have
mi - se - re - re, mi - se - re - re, mi - se -
V # Š
([) Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰ ‰. Š
V# ‰. Š ‰ ‰ Š‰ Š Š‰ Š # ‰ ‰ ‰.‰ =Š Š
{ B# Š Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰ ˆ‰ Š Š
V #
34
‰ ‰ ‰ ‰ ˆ .
mf (p)
‰ ‰ ‰ Š Š Š ŠŠŠ Š
([)
mer - cy on us. Lamb of God, who tak - est a-way our
- re - re no - bis. Ag - nus De - i, qui tol - lis pec-ca - ta
V # ‰ ‰ ˆ ˆ .‰ ‰ ‰ Š Š Š ŠŠŠ Š
([)
V# # ‰ mf (p)
‰ ‰ #‰ ˆ . ‰
‰. ‰ ‰
Š Š Š Š‰ Š Š Š #Š ‰ Š
mf
{
(p)
B## ()Š‰ Š ‰ ˆ ˆ . ‰ ‰ ‰ ‰ Š Š Š Š
V #
40
p (pp)
‰ ‰ Š Š Š Š #Š Š Š Š ‰ ‰ ˆ .
([)
for online perusal only
Lamb of God 147
sins, grant us thy peace, grant us thy peace.
mun - di, do - na no - bis pa - cem.
V # ‰ ‰ ‰
([) ‰ Š Š Š Š ‰ ‰ ˆ .
p (pp)
V# #‰‰ ‰ Š‰ Š Š‰ Š #Š‰ Š Š Š ‰. #‰ ˆ .
Š
{
p (pp)
B# ‰ ‰ Š‰ Š Š
‰ Š ‰ Š Š Š Š ˆ ˆ
.

148
Voices 1 (2)
Keyboard
34. Let all mortal flesh
keep silence
Liturgy of St James
trans. Gerard Moultrie
French carol
arr. STEPHEN CLEOBURY (b. 1948)
h = 66
TUTTI unis.
Vb 2 p p p
VOICES
Š Š Š Š ‰ Š Š ‰ ‰
([)
V Let all mor - tal flesh keep si - lence,
b 2 ˆˆ
ˆ ˆ‰ ‰ ˆ p p
{
KEYBOARD p
Bb 2 p p ˆ ‰ ŠŠ Š ˆ
ˆ
6
(Ped.)
Vb Š Š Š Š ‰ Š Š ˆ Š Š Š Š ‰ Š Š
([)
V and with fear and tremb - ling stand; Pon - der no-thing earth - ly -
b ˆ bˆ‰ Š Š ˆ‰ Š Š ‰
‰ ˆ
{ Bb ˆ ˆ
‰ Š Š ˆ
ˆ ‰. ‰ ‰ Š
11
Vb ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š
([)
V - mind - ed, for with bless - ing in his hand Christ our God to
b ˆ ˆ ˆ ‰ ‰ ˆ ‰ ‰ ‰ ‰
{ Bb ˆˆ ˆ ˆ‰ ‰ ˆˆ ˆ
16
Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ
([)
V earth de - scend - eth, our full ho-mage to de - mand.
b ˆ ‰ ‰ ˆ ˆˆ ‰ Š Š ˆ
‰. Š ˆ
‰ ‰
{ Bb ˆ ˆˆ ‰ q
Š Š ˆ ‰ ‰ ˆ
for online perusal only
© Oxford University Press 2000 and 2007. Photocopying this copyright material is ILLEGAL.

22
Vb
([)
p
mp
VOICE 1 or S./A. unis. or TUTTI
Š Š Š Š ‰ Š Š ‰ ‰
Š Š Š Š ‰ Š Š ˆ
King of Kings, yet born of Ma - ry, as of old on earth he stood,
V b Š Š Š Š ‰ ‰ ‰ ‰ ‰ ˆ Š Š Š Š ‰ ‰ ‰ ‰ ‰
Š Š Š
Š Š
{
mp
Bb p ˆ ˆ ˆ ˆ ˆ ˆ
*
(Man.)
29
Vb Š Š Š Š ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š
([)
Lord of lords, in hu - man ves - ture–– in the bo-dy and the blood–– He will give to
V b ‰. Š ˆ Š Š Š Š ‰ ‰ Š Š ˆ‰ ‰ Š Š Š Š ‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š Š
{
ˆ ˆ ˆ ˆ ˆ ˆ ˆ
Bb
36
Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ
([)
for online perusal only
all the faith - ful his own self for heaven - ly food.
V b ‰ Š Š Š‰ Š ‰ ‰ Š Š Š Š ‰ ‰ ‰ ‰ Š‰
Š ˆ
{
ˆ ˆ ˆ ˆ ˆ ‰ Bb
q
qf
Š Š
(Ped.)
42
VOICE 2 or T./B. unis. or TUTTI
Vb p p p p p f
Š Š Š Š
([)
V b p q
p q Š Š ‰ Š Š ‰. Š Š Š Š ‰ Š#Š ‰ Š =Š#‰ ŠŠ ‰ ‰
{ Bb q Š Š Š Š Š Š Š Š Š‰ Š Š Š ‰ ‰ ˆˆ Šˆ
Š Š Š
* If voices are tutti, left-hand D should be an octave lower.
Let all mortal flesh keep silence 149
Rank on rank the

150 Let all mortal flesh keep silence
48
Vb ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š
([)
V host of hea - ven spreads its van-guard on the way, As the Light of
b ‰ ‰ Š Š ˆ
‰ ‰ ‰ ‰
Š‰ Š ‰ Š Š ˆ ‰ Š Š#‰ Š Š ‰
‰.
‰
Š
{ Bb ‰ Š Š Š Š Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š ˆ
‰
54
Vb ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š
([)
V light de - scend - eth from the realms of end - less day, That the powers of
b Š‰ Š ‰ Š Š ‰ Š Š ‰
Š ˆ
‰ ‰ Š‰ Š Š‰ Š ˆ Š ‰ Š ‰ #‰‰
{
Š Š Š Š Bb
Š Š Š Š Š Š Š Š Š Š Š ˆ
Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š ‰ ‰
60
Vb ‰. Š Š Š Š
,
Š ˆ Š Š Š Š ‰ Š Š ˆ
([)
V hell may van - ish as the dark-ness clears a - way.
b ‰ Š‰ Š ˆ Š Š ‰ ˆ ˆ‰ Š Š ˆ ‰ ‰ ‰ Š‰ Š
‰ ‰
{ Bb
‰ Š Š Š Š Š‰. Š ‰ Š ˆ
Š Š Š Š ‰ q ‰ ‰
‰ Š Š Š Š ˆ
66
DESCANT
Vb p p Šf
Š Š Š Š Š Š Š Š ‰ ‰
([)
At his feet the six - winged se - raph;
OTHER VOICES
Vb p p f
Š Š Š Š ‰ Š Š ‰ ‰
([)
At his feet the six - winged se - raph;
V b Š Š Š Š Š Š Š Š Š
Š Š Š Š Š ˆ ‰ Š Š Š Š ‰‰ ‰
{
cresc.
più f
Bb q ‰ Š Š ‰ Š Š Šˆ Š Š Š ‰ Š‰ Š ‰
‰ Š Š
(Man.)
for online perusal only
(Ped.)
,

71
Vb Š Š Š Š Š Š Š Š ‰ #‰ q Š Š Š Š Š Š
Vb Š Š Š Š ‰ Š Š ˆ Š Š Š Š ‰ Š Š
([)
([)
che - ru - bim with sleep - less eye Veil their fa - ces to the
che - ru - bim with sleep - less eye Veil their fa - ces to the
V b Š Š Š Š #‰ ‰. Š
‰ ‰ ‰ ‰ ‰ ‰ Š Š ‰‰.
‰ Š ‰. Š Š Š
{ Bb ˆ Š Š Š Š ‰ Š‰ Š ˆ‰ ‰ Š‰ Š Š‰ Š ‰ Š Š Š‰
Š
76
Vb#‰ ‰ =‰ ‰ Š Š Š Š ‰
‰ ‰ ‰. #Š Š
Pre - sence, as with cease-less voice they cry–– Al - le -
Vb ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š
([)
([)
for online perusal only
Let all mortal flesh keep silence 151
Pre - sence, as with cease-less voice they cry–– Al - le - lu - ia,
V b#‰ ‰ = =‰ Š Š ‰
#Š
#‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ Š ŠŠ
Š
{ Bb ‰ Š Š Š Š Š Š ˆ Š Š Š Š
‰
Š Š ‰ ‰ ‰ ‰ Š Š Š Š ‰ #‰
81
Vb‰ ‰ Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š #Š ˆ
([)
- lu - ia, al - le - lu - ia, al - le - lu - ia, Lord most high!
Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ
([)
al - le - lu - ia, al - le - lu - ia, Lord most high!
V b‰ Š Š Š Š Š Š Š ‰ Š Š#ŠŠ‰
Š =‰ Š Š ‰ ‰ ‰. Š Š‰
Š Š Š#ŠŠ
ˆ
{ Bb ‰. Š Š Š Š Š ˆ Š Š Š Š
‰ ‰ ˆ ‰ ‰ ‰ ‰ ‰ Š‰
Š
ˆ

152
Voices 1 (2)
Keyboard
35. Like the murmur
of the dove’s song
Carl P. Daw
(b. 1944)
VOICES
KEYBOARD
V # Gently i = 92
TUTTI unis.
# 34 p p p mp
r r Š Š
([)
Like the
V# # 34 ‰ Š Š. ‰ Še Š ‰ Š. Š Š. Še Š
{
f Š ‰ Š
B## 34 mp
‰ Š ‰ Š ‰ Š ‰ Š
(Ped.)
ALAN SMITH
(b. 1962)
V #
5
# Š. Še Š Š Š Š ŠŠ Š Š Š Š ‰ ŠŠ
([)
for online perusal only
mur - mur of the dove’s song, like the chal-lenge of her flight, like the
V# # ‰ Š Š Š Š Š‰ Š =Š Š ‰ Š ‰ Š Š ŠŠ
{ B## ‰ Š
Š‰ Š Š Š ‰ Š ‰ Š
V #
9
# Š Š Š Š Š Š ŠŠ #Š Š Š Š ‰.
([)
vi - gour of the wind’s rush, like the new flame’s ea - ger might:
V# # ‰ Š Š Š ‰ Š Š Š #ŠŠ Š Š #Š #Š Š ‰.
{ B## ‰ #‰ #Š Š Š ‰ Š ‰ Š Š #Š Š
Music: © Oxford University Press 2007; Words: © 1982 Hope Publishing Company. Administered by Copycare, PO Box 77,
Hailsham, BN27 3EF, UK, music@copycare.com. Used by permission. Photocopying this copyright material is ILLEGAL.

V #
13
mf
# Š-
Š
mp
Š Š ‰ ‰. p
([)
come, Ho - ly Spi - rit, come.
V# # Š‰. Š Š Š ‰ Š Š ‰ Š Š. ‰ Še Š
mf
{
mp
B##
‰. Š =Š =Š Š ‰ ‰ Š ‰ Š
V #
17
1 or TUTTI
pVOICE
# p r r =Š Š b Š. Še Š Š Š Š ŠŠ
([)
To the mem - bers of Christ’s Bo - dy, to the
V# # b ‰ Š Š =Š b
‰ Š ‰ Š Š ‰ Š Š Š Š Š
{ B##=‰ p
‰ =Š Š b‰ ‰ =Š Š b ‰ Š Š Š Š Š ‰ Š Š
21
VOICE 2 or TUTTI
mp
VbŠ Š Š Š ‰ Š Š Š. Še Š Š Š Š Š Š
([)
branch-es of the vine, to the Church in faith as - sem - bled, to her
V b ‰‰ Š ‰ ŠŠ Š Š Š ‰ Š Š Š Š
{ Bb Š Š bŠ mp
‰ Š ‰ Š Š ‰ Š =Š Š Š ‰ Š Š
25
TUTTI
Vb Š Š Š Š ‰. Š-
Š Š Š ‰ ## ‰.
([)
for online perusal only
Like the murmur of the dove’s song 153
midst as gift and sign: come, Ho - ly Spi - rit, come.
V b Š ‰. ‰ Š Š ‰ ##
Š Š Š ‰. ‰ Š
mf
{ Bb ‰ Š Š‰ Š Š Š‰ Š Š ‰‰. Š ## ‰ Š

154 Like the murmur of the dove’s song
1
2
V 30
# p p r r
mf
Š Š
V # # p p r r
With
mf
Š Š
([)
([)
V# # Š. ‰ Še Š ‰ Š. Š Š. Še Š
{
f Š ‰ Š
B## ‰ Š ‰ Š ‰ Š
for online perusal only
V #
33
# Š. Še Š Š Š Š Š Š Š Š Š Š
([)
heal - ing of di - vi - sion, with the cease - less voice of
V # # Š Š Š Š Š Š Š Š Š Š Š
([)
V# # ‰ Š Š Š Š Š‰ Š =Š Š ‰ Š Š Š Š
{ B## ‰ Š
Š‰ Š Š Š ‰ Š
With
heal - ing of di - vi - sion, with the cease - less
V #
36
# ‰ Š Š Š Š Š Š Š Š Š Š
([)
V # # ‰ Š Š Š. Še Š Š Š Š Š Š
([)
V# # ‰ Š Š Š Š ‰ Š Š Š ‰ Š Š Š
{ B## ‰ Š ‰ Š ‰ Š
prayer, with the pow’r to love and wit - ness, with the
prayer, with the pow’r to love and wit - ness, with the
the
the

V #
39
# #Š Š Š Š ‰. Š-
f
Š Š Š ‰
([)
peace be-yond com - pare: come, Ho - ly Spi - rit,
-
peace be-yond com - pare: come, Ho - ly
V # #
([)
#Š Š #Š Š ‰. p Š Š Š
V# # #Š Š Š ‰. Š
Š Š #Š #Š ‰. Š Š Š ‰
f
{ B###‰ ‰ Š #ŠŠ #ŠŠ Š ‰. Š =Š =Š Š Š Š
V #
43
# mf
Š-
mp
Š Š Š ‰ Š Š Š Š ‰
([)
come, Ho - ly Spi - rit, come, Ho - ly Spi - rit,
V # #
mf
mp
Š ‰ Š-
Š Š Š ‰ ‰ Š
([)
Spi - rit, come, Ho - ly Spi - rit, Spi - rit,
V# # Š = Š Š Š ‰ Š #Š Š‰. Š Š Š‰ Š Š Š
{
mf
mp
B## =‰. ‰ Š ‰
‰. ‰. ‰. Š
V #
47
rall.
p
# ‰. p p p p
come.
V # # p
‰. p p p p
([)
([)
come.
for online perusal only
Like the murmur of the dove’s song 155
V# # ‰ Š Š. ‰ Še Š ‰ Š. Š rall.
Š. Še ‰.
{ f Š p
‰ Š Š ‰.
B## Š Š -
‰ Š ‰ Š ‰ Š ‰ Š Š
- pp
‰. ‰.
f

156
S(A)(Men)
Keyboard
36. Lord, in thy mercy
Martin Luther (1483–1546)
English version by John Rutter
FELIX MENDELSSOHN
(1809–47)
SOPRANO
ALTO
MEN
KEYBOARD
Andante i = 96
Vbbb 34 p p p p
Bbbb 34 p p p p
V
Andante
bbb 34 t i = 96
Š Š Š Š Š ‰ ‰ ŠbŠ Š. Š
t Š Š Š Š Š Š Š f =Š Š
{ Bbbb 34 ‰.
p
‰. Š ‰. Š Š Š Š‰.
Š Š Š Š
(Ped.)
for online perusal only
5
unis.
Vbbb p p p
Š Š Š ‰ Š Š Š Š
Lord, in thy mer - cy grant us
Bbbb p p p
r r Š ‰. Š ‰
O Lord, in thy
V bbb Š. Š f Š Š Š Š r Š Š. ŠŠ Š‰ Š Š Š Š Š Š Š
{
f
bŠ Š Š Š f f Š=Š
Bbbb ‰. Š Š Š Š ‰
Š. Š Šr Š Šr r Š f
Š Š Š ‰ ‰ Š Š Š Š
Performance suggestion: repeat bars 7–32, using solo voice the first time (upper part) and full choir in two parts the second
time, as in Mendelssohn’s original.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

10
Vbbb Š r Š ‰ Š Š Š Š Š ‰. ‰ r
peace Through - out all ge - ne - ra - tions;
Bbbb
‰. Š r Š Š Š Š ‰ r
Š
Š Š Š
mer - cy grant us thy peace; Thou art a -
V bbb ‰ Š Š ‰ Š ‰ Š Š Š Š Š Š
Š Š ŠbŠ Š t Š=Š Š Š Š ŠŠ Š Š Š Š Š Š Š f Š =Š Š
{
f cresc.
Bbbb ‰
Š Š Š Š=Š Š Š Š ‰
Š Š t Š Š Š f
15
cresc.
mf
Vbbb Š Š Š Š ‰ r Š Š Š Š Š r r Š Š Š
Thou art a - lone our sword and shield, Lord who dost
cresc.
Bbbb ‰ r
Š mf
Š Š Š ‰ r
Š Š Š ‰
r
- lone our sword and shield, our sword and shield,
V bbb ŠeŠŠ ŠŠ Š Še Š Š Š Š Š Š ŠeŠŠ ŠŠ Š Še Š Š Š Š ŠbŠ Š Š Š f
Š f
{
mf Š Bbbb Š. Š Š Š
f ‰ r Š. Š Š Š. bŠ f f Š Š Š
for online perusal only
(Man.)
20
p dolce
Vbbb Š Š bŠ ‰. ‰ r r r Š Š Š Š
guide the na - tions. De - fend us, O
Bbbb p
mp
Š =Š Š Š Š. Š f
‰ p dolce
Š rrŠ
Lord who dost guide the na - tions. De -
V bbb Š Š t Š f =Š Š Š Š Š =( )Š=Š Š Š
Š
Š Š Š Š Š Š Š =( )Š
f bŠ Š Š =Š
{
f
Š
p
Bbbb
Š Š ŠbŠ Š‰ Š Š Š‰ Š Š =‰ ‰ Š Š ‰ Š bŠ
(Ped.)
Lord, in thy mercy 157

158 Lord, in thy mercy
25
Vbbb ‰. ‰ Š Š ‰ Š r r
God, we pray thee.
Bbbb Š Š Š ‰ r r r Š
Š ‰
- fend us, O God, we pray
V bbb Š Š Š Š bŠŠ Š ‰ Š Š Š Š Š =( )Š Š Š Š Š Š Š Š
{ Bbbb Š. Š Še Š ‰ r t Še ‰ Š Š ‰
Š ‰. ‰.
29
Vbbb p p p p
Bbbb Š r r p p p
thee.
for online perusal only
V bbb Š Š b‰ Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š
{ Bbbb ‰. Š. Še Š Š Š. ‰. Še Š Š ‰ Š. Š ‰. f Š Š Š Š Š Š Š
33
mf
S.
Vbbb Š Š Š Š Š A.Š Š Š Š ‰ bŠ Š Š. =Š ‰ Š ‰ f
Š
Lord in thy mer - cy grant us peace Through - out all
Bbbb Š Š Š ‰ Š Š Š Š Š ‰ Š ‰ Š
mf
V bbb Š‰ Š Š Š Š ‰ bŠŠ Š Š. Š =Š ‰ Š ‰ Š
{
mf
f
Bbbb ‰ Š Š Š ‰ Š Š Š Š Š ‰ Š ‰ Š

38
p
cresc.
VbbbŠ ‰ Š Š Š ‰.‰ =Š ‰ r Š Š Š Š ‰ r
ge - ne - ra - tions; Thou art a - lone
Bbbb Š Š Š ‰. ‰ r Š Š Š Š ‰
r
p
cresc.
V bbb Š Š Š Š ‰. Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
{ Bbbb
‰ p
cresc.
Š Š Š ‰. =Š ‰ Š Š Š r
Š Š Š Š ‰
r
43
f
Vbbb Š Š Š Š ‰ r Š Š bŠŠ Š Š Š Š
our sword and shield, Lord who dost guide the
Bbbb Š Š Š ‰ r Š bŠ Š Š Š
Š Š
f
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š bŠ Š Š Š =Š
{ Bbbb
‰ r
f
bŠ
Š Š Š ‰ Š bŠ Š Š Š Š Š
na - tions. De - fend us, O
47
Vbbb ‰.
p cresc.
=Š Š Š Š ‰ r r rp Š Š
r
Š
r Š Š
Bbbb Š Š Š Š Š Š. Š f
‰
Š p
na - tions, dost guide the na - tions.
V bbb =Š Š Š Š Š Š =Š Š Š Š Š Š Š =Š Š Š Š Š Š Š
p
{
cresc.
Bbbb ‰ Š Š Š Š Š‰ Š Š Š =‰ ‰ Š Š
‰ Š bŠ
for online perusal only
Lord, in thy mercy 159
p cresc.
na - tions. De -

160 Lord, in thy mercy
51
God, O God,
Vbbb ‰ bŠ Š Š =Š bŠ
mf
‰. ‰ Š ‰ Š Š‰ Š Š =( )Š
- fend us, de - fend us, O
mp cresc.
Bbbb r r Š Š Š Š ‰ Š Š Š mf
Š
De - fend us, O God, de - fend us,
V bbb Š Š Š Š bŠŠ Š Š Š Š =Š Š Š Š Š bŠŠ Š Š Š Š =Š
{ Bbbb ‰ Š Š Š =Š Š Š Š‰ Š Š bŠ Š‰ Š Š =Š Š ‰ Š Š Š
55
p dolce
Vbbb ‰. Š r Š ‰. Š Š Š Š ‰
God, de - fend us, we pray
Bbbb ‰ . Š r
Š ‰ . Š Š Š ‰ Š
for online perusal only
p dolce
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š r Š Š Š
p
Š Š Š
{ Bbbb ‰. Š Š Š Š
Š r t Še‰
r Š ‰. Š r Š ‰.
60
Vbbb ‰
r p p p p Fp
thee.
Bbbb Š ‰ ‰ r p p p
E
p
pray
thee.
V bbb
F
Š. ŠeŠ Š Š Šb‰ Š Š ‰ Š Š Š Š Š Š ‰. ‰.
{
dim. pp
t Bbbb ‰. Še‰ Š. ‰. ŠeŠ Š Š. ‰. ŠeŠ Š ‰. ‰.
‰.
E
‰.
pray,
we

161
S(A)(Men)
Keyboard
37. Never
weather-beaten sail
VOICES
KEYBOARD
Moderato espressivo i = 92
Vb 4 r p p
p
SOLO or TUTTI
Š Š Š. Š
([)
f Š Š Š. Š f
V b 4 Š Š Š Š Š Š Š. ‰ Še ‰. r ‰ ‰ ‰ Š Š Š.
Š f
{
p
Bb 4 Š Š Š Š Š Š‰
Š ‰ . r ‰ ‰ Š Š Š. Še
(Man.)
Ne - ver weath - er - beat-en sail more
5
Vb Š Š Š Š ‰. r Š Š Š. Š
([)
f Š Š Š. Š f Š Š Š Š ‰. r
will - ing bent to shore, Ne-ver ti - red pil-grim’s limbs af - fect - ed slum-ber more;
V b Š Š ŠŠ Š ‰. r ‰ ‰ ‰ Š Š Š.
Š f Š Š ŠŠ Š ‰. r
{
t Bb
ŠeŠŠ‰ ‰. r ‰ ‰ Š Š Š. t
Š Š ‰ Še ŠŠeŠŠ‰
Š ‰ ‰. r
11
mp
Vb Š Š Š Š Š Š Š Š Š Š. Še Š Š Š Š Š. Š f Š Š Š Š ‰
([)
for online perusal only
Words and music by
THOMAS CAMPION (1567–1620)
adap. Alan Bullard
Than my wear - ied sprite now longs to fly out of my trou - bled breast.
V b Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š. Še
=Š Š ‰ Š Š Š Š Š Š ‰
{
mp
Bb Š Š Š‰ Š Š Š Š‰
Š Š Š Š Š Š Š Š Š Š Š ‰ © Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

162 Never weather-beaten sail
S.
A.
15
p mp mf
Vb Š. ŠeŠ Še Š. ŠeŠ Š Š Š =Š
f Š Š Š. Š Š f Š Š Š Š Š Š Š ŠbŠ Š Š
O come quick-ly, O come quick-ly, O come quick - ly, sweet-est Lord, and
Bb
Š Š Š Š Š . Še Š Š Š ŠŠ Š Š Š ŠŠ Š Š
V p mp mf
b Š Š ‰ Š Š ‰ Š Š Š Š Š Š Š ŠbŠŠ Š Š =Š
{ Bb q p mp mf
Š ‰ Š Š
Š Š. Š ŠŠ
f Š Š ‰ Š Š Š Š Š Š Š Š Š. Š f
MENŠ Š
(Ped.)
for online perusal only
19
mf
Vb Š Š Š Š Š. Š Š Še ‰. r Š Š Š. Še
Š Š Š Še
f Š. Š
take my soul to rest. Ev - er bloom - ing are the joys of
f
Bb Š Š Š Š Š ‰. r Š Š Š. Še Š Š Š. Še
V mf
b Š Š Š Š Š. Š Š Še ‰. r ‰ ‰ ‰ Š Š Š. ŠeŠ {
f
Bb mf
Š Š Š Š Š ‰.
‰. r ‰ ‰ Š Š Š. Še
(Man.)
23
p
Vb Š Š ŠŠ Š ‰. r Š Š Še Še
Š. Š Š Š Š. Š
Heav’n’s high Pa - ra - dise, Cold age deafs not
f
there our ears, nor
f
Bb Š Š Š Š ‰. r Š Š Š. Še Š Š Š. Še
V p
b Š Š Š Š Š‰ Š ‰. r ‰ ‰ Š‰ Š Š. ŠeŠ {
f
Bb Š Š ‰ ‰ p
. r ‰ ‰ Š Š Š. Še

mf
27
Vb Š Š Š Š r Š ‰. Š Š Š Š Š Š Š Š Š Š. Š Š Š Še
va - pour dims our eyes; Glo - ry there the sun out - shines; whose
Bb Š Š Š Š ‰. r Š Š Š Š Š Š Š Š Š=Š Š
mf
V b Š Š Š Š ‰ ‰. r Š Š Š Š Š Š ‰ =ŠŠ Š
{ Bb Š Š ‰ . r Š Š ‰ Š Š Š Š
mf
Š Š ‰ ‰ Š Š
for online perusal only
31
Vb Š Š Š. Še p cresc.
Š Š Š Š Š Š Š Š ‰
. Š. ŠeŠ Še f Š Š Š. Š Š f Š
beams the bless - ed on - ly see. O come quick-ly, O come quick - ly,
Bb Š Š Š Š Š Š ‰ . Š Š Š Š Š Š Š. Še
V p cresc.
b Š Š Š Š Š ‰ .
‰ Š Š Š Š ‰ Š Š ‰
{
p cresc.
Bb Š Š Š Š Š Š ‰ . q Š Š Š. ‰ Š f Š Š ‰
35
f
dim. e rit. (second time)
Vb Š. Š Š ŠeŠŠ Š Š Š Š Š bŠŠ Š Š =Š Š Š Š Š Š. Š Š Še ‰. r .
O come quick - ly, glo - rious Lord, and raise my sprite to thee.
Bb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰. r .
V f
dim. e rit. (second time)
b Š Š Š Š Š Š Š Š bŠŠ Š Š =Š Š Š Š Š Š. Š Š Še ‰. r .
{
f
Bb Š Š Š Š ŠŠ Š Š Š Š Š Š Š. Š Š Š Š ‰. r .
f
Š Š ‰.
(Ped.)
Never weather-beaten sail 163

164
SA(T)(B)
Keyboard
38. Now the green blade rises
J. M. C. Crum
(1872–1958)
Trad. French
arr. ALAN BULLARD (b. 1947)
V # Andantino espressivo h = 76
S./A. unis. (or S.)
2 p p p p p
Š Š #Š
VOICES
Š ‰ ‰
V#
Now the green blade ris - es
2 ‰ #Š‰
Š ‰. r ‰ #Š ‰ Š ‰. r Š‰ Š #Š ‰ Š ‰ ‰
pp
{ V # 2 ˆ ‰. r B ˆ ‰. r p KEYBOARD p
ˆ legato
ˆ
V # (Man.)
7
Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ
V#
from the bur-ied grain, Wheat that in the dark earth ma - ny days has lain;
#‰ Š Š Š Š‰ Š ˆ Š‰ Š #Š ‰ Š ‰ ‰ Š‰ Š Š#‰
Š Š ˆ
{ B# ˆ ˆ‰ #‰ ˆ‰ #‰ ˆ‰ #‰ ˆ‰ ‰ ˆ‰ ‰
V # TUTTI unis.
13
mf
S./T.
‰ Š Š ‰. Š Š Š Š Š ˆ Š Š #ŠŠ Š
([)
A./B.
V#
Love lives a - gain, that with the dead has been: Love is come a -
‰ Š Š ‰. Š Š Š ‰
Š #Š ‰ #Š Š
#‰ ‰ #‰ ˆ ‰
{ B# mf
‰ Š Š ˆ (Ped.)‰
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
V #
18
f
unis.
‰ Š Š ‰ Š Š Š Š Š ˆ Š r q p p
([)
V# - gain, like wheat that springs up green.
Š‰ Š ‰ ‰ Š‰
Š ˆ Š r q p p B
f
{ B# ‰ ‰ ‰ ‰ #Š Š p
Š Š Š Š #‰ ‰ ˆ ‰. r ˆ ‰ #Š Š ‰. r
for online perusal only
(Man.)
Music: © Oxford University Press 2007; Words: © Oxford University Press 1928 from The Oxford Book of Carols. Photocopying
this copyright material is ILLEGAL.

V # T./B. unis. (or A.)
24
p
Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰
([)
B# ‰ ‰ ‰ ‰ ‰ # ‰ ‰ ‰ ‰ #‰ ‰ ‰
{ B#
ˆ ˆ ˆ ˆ ˆ ˆ
In the grave they laid him, Love whom we had slain, Think-ing that he ne - ver
ˆ ˆ ˆ ˆ ˆ ˆ
TUTTI unis.
(p)
mf
V # (Organ: Ped. 16i)
30
Š Š Š Š Š ˆ ‰ Š Š ‰. Š Š Š Š Š ˆ
([)
would a - wake a - gain, Laid in the earth like grain that sleeps un - seen:
B# ‰ ‰ ˆ‰ ‰ V ‰ Š Š ‰.‰ Š ‰ Š Š ˆ‰ { B#
mf
ˆ ˆ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
V # (Organ: Ped. 8i)
36 f
S./T.
unis.
Š Š #ŠŠ Š ‰ Š Š ‰ Š Š Š Š Š ˆ Š r q
([) A./B.
V# Love is come a - gain, like wheat that springs up green.
‰ #Š ‰ Š Š‰ Š ‰ ‰ Š #Š ˆ ‰ #Š Š ‰. r
f
{ B# ‰ Š Š ‰ ‰ ‰ =( ) ‰ ‰ ‰ ˆ ‰. r
V #
41
S./A. unis. (or S.)
p mf
Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ
Forth he came at Eas - ter, like the ri - sen grain,
V # T./B. unis. (or A.)
p p mf
Š Š #Š Š ‰ ‰ Š Š Š Š Š
([)
V# ‰ #Š‰ Š ˆ ‰ ‰ ‰ ‰ ˆ ‰ Š ‰ Š
mp
Š ˆ Š
{
gently and smoothly
B# ˆ ˆr Š #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š
(Man.)
for online perusal only
Now the green blade rises 165
Forth he came at Eas - ter, like the ri - sen

166 Now the green blade rises
V #
46
cresc.
Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ ‰ Š Š
He that for the three days in the grave had lain; Quick from the
V # ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ
([)
grain, He that for the three days in the grave had lain,
V# ‰ ˆ ‰ ‰ ‰ ‰ #‰ ˆ‰ Š Š ‰ Š Š
{
cresc.
B# ŠˆŠ #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š Š Š #Š Š ˆ‰ ‰
for online perusal only
(Ped.)
V #
51
f
‰. Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰
V # cresc.
f
‰ Š Š ‰. Š Š Š Š Š ‰ Š Š Š Š ‰
([)
V# ‰ Š Š ‰ Š Š # #Š ‰ Š Š Š ‰ Š Š #‰ Š Š ‰ ‰
{ B# ‰ ‰ ‰ ‰ ‰ Š Š f ‰ ˆ ˆ ˆ ‰ #Š Š Š Š ‰
dead our ri - sen Lord is seen: Love is come a - gain, like
Quick from the dead our ri - sen Lord is seen: Love is come, like
V #
56
molto rit.
Š Š Š Š Š ˆ Š r q p pF
wheat that springs up green.
V # Š Š Š Š Š ˆ Š r q p pF
([)
wheat that springs up green.
molto rit.
V# #‰ ‰ ˆˆ
‰ ‰ #Š . Š ‰.
Š Š Š Š ‰ #Š Š ‰. r
F
r
{ B# pp
‰ Š‰ Š
ˆ
‰. V ‰ ‰
‰. r =( ‰.)
Er B
(Man.)

S./T.
A./B.
V # a tempo
SOPRANOS & TENORS unis.
61
pp
Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š Š #Š Š
([)
When our hearts are win - try, griev - ing, or in pain, Then your touch can
V # ALTOS & BASSES unis.
Š Š Š Š ‰ ‰ Š Š Š #Š ˆ Š Š Š Š
([)
pp
V#
a tempop
p p p p
{ B# ˆ ˆ ˆ ˆ
q
ˆ ‰
ˆ ˆ ˆ ˆ
cresc.
f
(Organ: Ped.)
(Piano: Ped.)
V #
66
‰ ‰ Š Š Š Š Š Š Š Š Š ‰ #Š Š ‰. Š Š Š Š #Š
([)
V # ‰ ‰ Š Š Š Š Š ˆ ‰ Š Š ‰. Š Š Š Š Š
([)
cresc.
f
V# q
‰ ‰ ‰ ‰ ‰ ‰ # #‰ ‰ ‰ ‰ Š
‰ # Š
{
cresc.
f
B# ˆ ˆ ˆ ‰ Š Š ‰. Š Š Š
ˆ ˆ ‰ Š‰
Š
call us back to life a - gain; Fields of our hearts that dead and bare have
V #
72
poco rit.
ˆ Š Š Š Š ‰ ff ‰ Š Š Š Š Š ˆ Š r q
([)
for online perusal only
Now the green blade rises 167
been: Love is come a - gain, like wheat that springs up green!
V # ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š r q
([)
V# #ˆ #‰ Š Š = ff
poco rit.
‰ ‰ #‰ ‰ =‰ = ‰ Š##Š ŠŠ #ˆ Š r q
{ B# Š #Š Š Š
ff
ˆ Š Š =‰ #Š #ˆ ‰ ‰ ‰ ‰ = ‰ Š Š ˆ Š r q

168
S(A)(Men)
Keyboard
39. O Breath of life
Bessie Porter Head
(1850–1936)
VOICES
KEYBOARD
Vivid and joyful h = 80
TUTTI unis.
V 32 r p q
f
rŠŠ Š ‰. Š Š ŠŠ
([)
O Breath of life, come sweep-ing
V 32 #Š Š Š Š Š Š Š #Š ‰. Š Š Š Š Š ‰. Š Š ‰ Š Š Š
{
f
V 32 Š Š #Š Š Š Š Š B Š Š#Š Š Š Š ˆˆ ‰
(Man.)
Trad. English
arr. ALAN BULLARD (b. 1947)
(Ped.)
4
V Š ‰ Š Š Š ‰ ‰ Š Š Š ‰ r Š Š Š
([)
through us, Re - vive your church with life and pow’r; O Breath of
V Š ‰ Š Š Š ‰ ‰ Š Š ‰. Š Š Š
‰ ‰ ‰ #‰ =‰
{ B‰ ‰ ‰ ‰ ‰ ‰ ‰ Š ‰.
Š ‰ r ‰
7
V ‰. Š Š Š Š Š ‰ Š Š Š Š ‰ Š Š Š Š ˆ
([)
for online perusal only
life, come, cleanse, re - new us, And fit your church to meet this hour.
V ‰. Š Š‰ Š Š ‰. ‰ Š Š‰ Š ‰.
Š ŠŠ Š Š # ‰ . Š #Š Š
{ B ˆ ‰ ‰ b‰ ‰ Š ‰ Š ˆ ‰ ˆ Š Š ˆ q
Š r
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S./A.
MEN
11
unis.
V p p
p
q rŠŠ Š ‰. Š Š Š Š
OWindof God, comebendus,
B p p p ˆ p ‰
God, re -
V Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
‰ ‰ =‰ ‰ ‰ ‰ ˆ. ˆ. Š
{ B ˆ. ‰. Š Š Š ˆ. p
ˆ.
ˆ.
(Man.)
15
V Š ‰ Š Š Š ‰ ‰ Š ŠŠ ‰ rŠŠ Š ‰. Š Š ŠŠ
break us, Till hum-bly we con - fess our need; Then in your ten - der-ness re -
B ˆ ‰ ˆ ‰ ˆ ‰ ˆ ‰
for online perusal only
O Breath of life 169
- make us, God re - vive us, God re -
V ˆ. Š Š Š Š Š Š ˆ. Š Š Š Š Š Š ˆ. Š Š Š Š Š Š Š Š Š Š Š Š
{ B ˆ. ˆ. ˆ. ˆ.
19
rall.
V Š ‰ Š Š Š Š ‰ ‰. r ‰ ‰ ‰ ˆ Š r
- make us, Re - vive, re - store; for this we plead.
B ˆ ‰ ‰ ‰. r ‰ ‰ ‰ ˆ Š r
- make, re - store; for this we plead.
V Š Š Š Š Š Š Š Š ‰. r B rall.
‰ ‰ ‰‰
#Š ˆ. Š Š Š Š Š
{ B ˆ. ˆ Š r ‰ ‰ ‰ ˆ.

170 O Breath of life
23
a tempo
V q r
F
DESCANT
r q p q q r Šf
([)
O
OTHER VOICES unis.
V q r r q p q
f
E
rŠŠ Š
([)
O Breath of
B r r V #Š a tempo
‰. F Š Š Š Š Š Š #Š ‰. Š Š Š Š Š
pp f
{ B ‰ . r r VŠ Š #Š Š Š Š Š B Š Š
E
#Š Š Š Š
26
V Š Š ‰ Š Š ‰ ‰ rŠ Š Š ‰ Š Š
([)
Breath of love, breathe with - in us, Re - new - ing will and
V ‰. Š Š Š Š Š ‰ Š Š Š ‰ ‰ Š Š Š
([)
love, come breathe with - in us, Re - new - ing thought and will and
V Š‰ Š ‰ Š Š Š Š ‰ Š Š Š Š Š
Š ‰ Š ‰ ‰ ‰ #‰ Š Š
{ B ˆˆ ‰ ‰ ‰ ‰ ‰ ‰ ‰
(Ped.)
for online perusal only
29
V ‰ q r Š Š Š ‰. Š Š ‰ Š Š =Š Š
([)
V ‰ rŠŠ Š ‰. Š Š Š Š Š ‰ Š Š Š Š
heart; Come, love of Christ, to win us, Re - vive your
([)
heart; Come, love of Christ, a - fresh to win us, Re - vive your
V ˆ ‰. Š =‰ Š Š Š‰. Š ‰. Š ‰ Š Š ‰ Š Š Š
{ B Š
‰.
Š ‰ ‰ ‰ Š Š ‰ Š Š
r ‰ ˆ ‰ ‰ b‰ ‰

32
V ˆ - ‰ ‰-
Š Š Š Š ‰ r Š Š Š Š
([)
V‰ Š Š Š Š ˆ. ‰ r Š Š Š Š
([)
O Breath of life 171
church, your church in ev - ’ry part, re - vive your
-
church in ev - ’ry part, re - vive your
V ˆ ‰ Š Š
‰
Š Š ˆ
‰ Š Š Š‰ Š ‰ r Š Š‰
Š Š
{ B ‰ ‰ ‰
ˆ ‰ ˆ. ‰ ‰ ‰ qr Š b‰ Š Š Š
35
ff
V‰ ‰. r ‰-
‰-
‰-
ˆ. - ˆ.
([)
church, in ev - ’ry part!
ff
V‰ ‰. r ‰ ‰ ‰ ˆ. ˆ. ˆ.
ˆ.
- -
([) - -
church, in ev - ’ry part!
V ‰ ‰. r
- -
‰ ‰ ‰‰‰
-
# Š Š # Š Š Š Š Š Š Š Š Š Š
-ff
{ B r
=‰
-
-
‰ ‰. ˆ-
‰ ‰ ‰ ˆ. r V Š Š
- - -
#Š Š Š Š Š B
(Man.)
rit.
39
V ˆ. ‰ q q p q q r
([)
V ˆ.
ˆ.
‰ q q p q q r
([)
V rit.
‰. Š Š Š
-
#Š =b‰ ‰ ‰‰‰
- -
Š Š
#ˆ.
‰ q r
{ B Š Š #Š Š Š Š b=‰ ‰ - ‰‰ ‰ - =‰‰ ‰ -
#ˆˆ. - ‰
. q
-
r
- -
(Ped.) -
for online perusal only

172
SA(T)(B)*
Keyboard
40. O for a closer
walk with God
William Cowper
(1731–1800)
Andante molto tranquillo h = 69
or S./A. unis.
pS.
SOPRANO
Vbbb 32 p p p ‰ Š Š Š
ALTO
Š
O
TENOR
Bbbb 32 p p p p
BASS
Andante V bbb 32 Š molto tranquillo h = 69
Š ‰ ‰ Š‰ Š ‰ ‰‰
Š Š Š ‰ ‰‰
bŠ ŠŠ
Š‰. Š Š Š
{
KEYBOARD p
Vbbb 32 ˆ. Š Š ‰ ‰ ˆ. Š Š ‰ ‰ ˆ. Š Š ‰ ‰ ˆ. Š Š Š Š Š Š
(Man.)
5
Vbbb Š Š ‰ ‰ Š Š Š Š ‰ ˆ q q q ‰
for online perusal only
CHARLES VILLIERS STANFORD
(1852–1924)
for a clo-ser
walk with God, A calm and heav’n-ly frame; A
V bbb ‰. Š Š Š ‰ Š Š Š Š Š‰ Š Š‰ Š ‰. ŠŠ Š‰
Š ‰. Š
{ Vbbb =Š ‰. Š ‰ ŠbŠ‰ Š ˆ ‰ ‰ ‰ ˆ. ‰ Š Š Š Š ˆ ‰. Š Š‰
Š B
9
Vbbb Š Š Š Š Š Š ˆ. q q ‰ Š Š ‰ ‰
light to shine u - pon the road That leads me to the
V bbb Š ŠŠ Š Š Š Š Š‰. Š ‰ Š ‰ ‰ ‰ Š
r Š bŠ Š =Š ‰ Š Š Š Š Š Š Š
{ Š bŠ Š Š Š ‰ Š =‰ rbŠ=Š ‰ Š Š Š Š ‰
Bbbb Š Š ˆ ˆ. ˆ. ‰. Š Š Š
* Sing bass rather than tenor if few men are available.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
T.
B.
13
Vbbb ˆ. ˆ q p p
Lamb!
V bbb ‰ Š Š ‰ ‰ Š‰ Š ‰ ‰ ˆŠ Š ‰. Š Š ˆŠ Š ‰. Š Š
{
ˆ Bbbb Š Š ‰ ‰
bŠŠ Š ‰ =‰ ‰ ˆ Š Š ‰. ‰ Š ˆ Š Š ‰ ‰
17
p
Vbbb r ‰ ‰ ‰. Š ˆ Š ‰ ‰ ˆ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š Š Š Š
unis.
Bbbb r Š ‰ ‰ ˆ ‰ ˆ ‰ ˆ. mf ˆ.
p
re - turn!
V bbb ˆ ‰. Š ‰ Š Š Š‰ Š Š‰ Š Š‰ Š ‰.‰ ‰. Š Š Š ‰ ‰ ‰ ˆ‰. Š =‰ Š Š
{ Bbbb ˆ. ˆ ‰ ˆ. ‰ ‰‰‰ ‰ ˆ. ˆ ‰ ‰ ‰ Š
ˆ ‰ ˆ. ˆ.
Š
for online perusal only
O for a closer walk with God 173
(Ped.)
Re-turn, O ho - ly Dove, re - turn! Re - turn! Re -
mf
22
S. & A. unis. if no men
Vbbb ‰ q q q q
p
p
S.
‰ Š Š ‰ ‰ ˆ ‰
A.
- turn! Sweet mes-sen-ger of rest; I
Bbbb p q q ‰ Š Š ‰ ‰ ˆ T. ‰
p
B. p
V bbb Š Š ‰. Š
‰
Š Š ‰ Š Š Š Š ‰ q
Š Š Š Š‰. Š Š Š‰. Š Š ‰ Š
{ Bbbb q ‰. Š Š Š ‰ ‰ Š
ˆ. ˆ =‰ ‰ ‰ Š Š
‰ Š ˆ ‰. ‰
‰
Š

174 O for a closer walk with God
26
mourn,
that
Vbbb Š Š ‰.
‰. Š ˆ ‰ ‰ b‰ ‰ ˆ
ˆ. ‰
mourn,
hate the sins that made thee
Bbbb
Š =Š Š ‰.
‰. Š ˆ ‰ =‰ b‰ ‰ =‰ ‰ ˆ ‰
mourn, that
V bbb Š =Š Š Š Š Š ‰. Š Š Š ‰ Š Š
‰ ˆ ‰
Š
‰ b‰ .‰ Š r ‰
{ Bbbb Š‰ Š ˆ ˆ ‰ =‰ b‰ ‰ =‰ ˆ. ˆ
29
S. & A. unis. if no men
Vbbb‰. ‰ bŠ =Š b=‰ q q q
p
‰
Š
ˆ
Š
‰
Š ‰ ‰
for online perusal only
made thee mourn And drove thee
‰ bŠ
Bbbb
Š Š Š b‰ unis.
ˆ ‰ ‰ ‰ q q q ‰ ˆ ‰
p
V bbbbˆ‰. Š Š =Š Š =‰ Š Š ‰ Š bŠ Š Š ‰ Š Š ‰ ‰ ‰
{
‰ Bbbb
‰ Š Š b‰ ‰ Š =Š Š bŠ ‰ =‰
ˆ ‰ ˆ. p
ˆ. ˆŠ ‰ Š =‰ ‰ ‰ Š Š
33
Vbbb ‰ ‰ ‰ ˆ. ‰ q q p p
from my breast.
Bbbb ‰ ‰ ‰ ˆ. ‰ q q p p
V bbb ‰ ‰ ‰ ˆ‰ ˆ ˆ =‰ =ˆ. ˆ.
{ Bbbb =ˆ ‰ ˆ =‰ ˆ b # ‰‰‰ ‰ ˆ‰ ‰ #‰‰ ˆ. =ˆ.

So shall my walk be close with God,
38
S. mf
Vbbb ‰ Š Š Š Š Š Š ˆ q q p
p ‰ Š Š Š Š Š Š ‰ b‰ ‰
A. p
So
shall my walk be close with God, Calm
So
T.
Bbbb q q ‰ ‰ Š Š Š Š Š Š Š Š Š ‰ ‰
p
B.
p
V bbb ‰ Š Š Š Š Š Š Š Š Š Š bŠ Š Š
‰ ‰ ‰ ‰ Š
{ Bbbb ˆ‰. Š Š Š =Š Š q ‰ b‰
‰ Š Š ‰ ˆ Š bŠ ˆ ‰
41
Vbbb ‰ Š bŠ Š ‰
ˆ
‰ ‰ ‰ ˆ q
for online perusal only
O for a closer walk with God 175
and se - rene my frame;
‰ Š Š ‰ ‰ ‰ ‰ ‰ ‰
Bbbb
‰ Š Š ‰ ‰
‰ ‰ ˆ q
V bbbbŠ Š Š Š Š ‰ =Š Š bŠ Š ‰ Š ‰ ‰
‰ ˆ ‰‰
ˆ
p
{
cresc.
Š bŠ Š Š Bbbb
‰ ‰ ‰ q ˆˆ ‰
ˆ. ˆ. ˆ.
‰
(Piano: repeat tied bass notes as required)
44
Vbbb p ‰ ‰ Š Š ‰ Š Š f
ˆ ‰ ˆ ‰
So pu - rer light shall mark the
Bbbb p ‰
Š‰ Š Š‰ Š ˆ b‰ ‰ bˆ ˆ ‰
V
f
bbb ‰ ˆ ‰ ‰ Š Š Š
‰ ‰ Š ‰ Š ‰ ‰‰‰
. ‰
.
Š q ‰.
‰.
f
{ Bbbb
ˆˆ. . . .
‰ ‰ ‰ ‰
‰ b‰‰ ‰ bˆˆ ‰ ‰‰‰
ˆ. ‰ ‰ ‰ q ‰
(Organ: Ped. 8ve lower)

176 O for a closer walk with God
48
Vbbb ˆ. ˆ. p q ˆ
That
‰ ˆ ˆ. ‰ ‰
road.
That
ˆ. ˆ. p q ‰ ‰
Bbbb
ˆ. ˆ. ‰ ‰
V bbb q ˆ‰ ‰ ˆ ‰ ‰ ‰ ˆ
‰ ‰ ‰ ‰ ˆ‰ ‰
{
ˆ ‰ Bbbb q ‰ ‰ ‰ ˆ. ‰ ‰ ‰ bˆ ‰ ‰ ‰ ˆ
‰ ‰
for online perusal only
leads me to the Lamb.
52
dim. p
Vbbb‰ ‰ ˆ‰ ‰ ˆ ‰ ‰ ‰ ˆ. ˆ. ˆ. ˆ.
leads me to the Lamb.
Bbbb
‰ ‰ ‰ ‰ ‰ ‰ ˆ. ˆ.
p
dim.
V bbb ‰ ‰ ‰ ‰‰‰
‰
‰ ‰ ‰ ‰ ‰
‰ ‰
ˆ ˆ.
{
dim. p
Bbbb ˆ.
‰ ‰ ‰ ‰ ˆ.
ˆ ‰ Vˆ‰ ‰ ˆ. ‰ ‰ b‰
(Man.)
V bbb
‰ ‰ ‰ ‰ ‰ ‰ ‰ ˆ F
56
ˆ b‰ ˆ. ˆ. ˆ. ˆ.
{ Vbbb ‰ ‰ ˆ =‰ ‰ ˆ B ‰ ˆ
ˆ ‰
ˆ.
ˆ. ˆ. Eˆ.
(Piano: Ped.)
(Piano: RH)
(Organ: Ped.)

177
Voices 1 (2)
Keyboard
41. O God of mercy
Godfrey Thring
(1823–1903)
VOICES
KEYBOARD
Gently i = 80
VOICE 1 or TUTTI
Vbbb 34 p p p r t
([)
Š e Š Š
OGodof
V bbb 34 ‰ Š ‰ Š Š Š‰. Š Š ‰ Š Š r
{
mp
Bbbb 34 ‰ t ŠeŠ Š Š Š Š‰ Š Š Š Š Š Š‰. Š Š Š Š Š ‰ r
(Ped.)
SIMON LOLE
(b. 1957)
mp legato throughout
for online perusal only
5
Vbbb Š. Še Š Š Š. Še Š
Š Š Š Š Š Š. Š
([)
f
Š Š
mer - cy, God of might, In love and pi - ty in - fi - nite, Teach us, as
V bbb t
Še Š Š Š t
Š Še Š Š Š Š
t
Še Š Š
Š
Š Š Š Š Š Š Š
{
p molto legato
Bbbb ‰ Š Š. r r Š f Š ‰ Š ‰ r
9
VbbbbŠ. Še Š Š Š. Š
([) f Š Š ‰ Š ‰.
ev - er in thy sight, To live our life to thee.
V bbb t Še Š Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š Š ‰
Š
{ Bbbb b‰ ‰ Š ‰ Š Š =ŠŠ t Še Š Š Š
Š Š Š ‰ Š
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

178 O God of mercy
1
2
13
VOICE 2 or TUTTI
Vbbb Š r r p r t mf
Še Š Š Š. Še Š Š
([)
V In sick-ness, sor - row, want, or
bbb Š ‰ ‰ Š Š Š‰ Š Š ‰ Š Š r Š‰.
Š Š
{ Bbbb Š Š Š Š Š Š Š Š Š Š Š mp
‰ Š r
Š Š
‰. ‰ ‰ Š
Vbbb Š. Še Š Š
17
Š Š Š Š Š. Š
([)
f
Š Š bŠ. Še Š Š
V bbb Š ‰ Š ‰ r Š
Š. Š ŠbŠ f Š Š Š Š Š Š Š Š Š Š Š Š Š. Š Š f
Š
{ Bbbb Š Š Š bŠ. Še Š
Š Š Š Š Š Š Š ‰ r
‰ Š
21
Vbbb Š. Š
([) f Š Š ‰ Š ‰. Š r r
V
there Give help as un - to thee.
bbb Š Š =ŠŠ Š Š Š Š Š ŠŠ Š Š ‰ Š ‰. Š Š Š
{ Bbbb
Š Š Š=Š Š Š Š Š ‰
t Še Š Š Š Š Š‰ Š Š Š Š
Š
25
Vbbb p r t f
Še Š Š Š. Še Š Š Š. Še Š
Š
([)
Vbbb p p mf
r Š Š Š Š. Š
([)
ah
f
V bbbŠ Š
Š Š Š ‰ Š r t
Še Š Š Š t
Š Še Š Š Š Š
{
f
BbbbŠŠ Š Š Š Š f molto legato
‰. ‰ r ‰ Š Š. r r Š f Š
for online perusal only
care, What-e’er it be, ’tis ours to share; May we, where help is need-ed,
And may thy Ho - ly Spi-rit move all those who

29
Vbbb Š Š Š Š Š. Š
([)
f
Š Š bŠ. Še Š Š
Vbbb Š. Š Š
([) f
Š Š Š Š. t t f
Še Š. Še
Till thou
shall
V bbb Š Š Š Š Š Š bŠ
Š Š Š Š Š bŠŠ Š Š Š
{ Bbbb ‰ Š Š bŠ
‰ Š ‰. Š Š Š
live, to live in love, Till thou shalt greet in heav’n a -
poco
Vbbb Š. Š f Š Š =Š Š Š Š 4 t rit.
32
sub. mp Š f Š Š Š Š 34
- bove All those who give to thee, all those who give to
Vbbb Š Š Š Š ‰. 4 t sub. mp
Še Š Š Š Š 34
([)
([)
greet in heav’n a - bove All those who give to
V bbb Š Š =Š Š Š Š 4 t
poco rit.
Š Š Š Š ‰ ‰ Še Š Š ‰ Š Š 34
{ Š Bbbb Š Š
4 sub. mp
‰ =Š Š Š
Š =Š ‰ ‰ ‰ 34
35
a tempo
rall.
p
Vbbb 34 ‰. ‰ r p p p
thee.
p
Vbbb 34 ‰. ‰ r p p p
([)
([)
thee.
for online perusal only
O God of mercy 179
V
rall.
a tempo
bbb 34 ‰ Š ‰.‰ Š Š Š‰. Š Š ‰.
Š ‰ ‰.
{
p
Bbbb 34 t ŠeŠ Š Š Š Š Š
pp
‰ Š ‰ Š Š Š Š‰. Š Š Š Š Š ‰.
‰.
‰.

180
S(A)(T)(B)
Keyboard
42. O God, your goodness
Christian Gellert (1715–69)
trans. Alan Bullard
L. van BEETHOVEN (1770–1827)
lower voice parts by Alan Bullard
S.
A.
T.
B.
V# With solemn devotion h = 63
# 2 ‰ ‰. Š ‰.
Š Š Š Š ‰.
Š Š ‰‰. Š
{ B## 2 q r Š
Š Š Š Š Š Š Š ‰
KEYBOARD p
Š Š Š Š Š
V # (Man.)
5
# p p p
mp
q ‰ ‰. Š
B## p p p p r Š Š Š
mp
V# # ‰ Š Š Š Š ‰ Š ‰ Š. ŠŠe
ˆ Š r ‰ ‰. Š
{ B## Š Š Š Š ‰
‰ mf
Š Š Š Š Š mp
ˆ r q r Š
Š Š
V #
10
# ‰.
‰ Š Š ‰. Š Š ‰. Š ‰. #Š Š ‰
‰
Š Š
good - ness reach - es wide, As do the clouds a -
B## ‰ ‰ ‰ Š Š Š Š Š ‰. Š ‰ Š Š ‰. Š ‰ ‰
V#
good - ness
# ‰.
Š Š Š Š ‰. Š Š ‰‰. Š ‰. #ŠŠŠ ‰ ‰ Š Š
{ B## Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š
for online perusal only
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.
O God, your
O God, your

V #
15
# ‰ Š r q ‰ ‰ Š #Š #‰‰ ‰ ‰ ‰. Š
B## ‰ Š r q ‰ Š Š #Š ‰. #Š ‰ Š ‰ Š Š ‰
Š Š #Š ‰. Š Š Š
V# # ‰ Š r q ‰ #‰‰‰ ‰ ‰ ‰ Š‰ . Š #Š Š
{ B## Š
Š
Š #Š Š Š Š =Š Š Š Š Š Š Š Š Š #Š Š Š Š
- bove us. You crown us with your per - fect
for online perusal only
V #
20
#‰‰ ‰ Š Š ‰. Š Š Š Š #Š Š #‰‰ Š r
love, You guide us and pro - tect us.
B## ‰ ‰ ‰. Š ‰ ‰ ‰ Š r
V# # ‰ ‰ ‰. Š Š‰
Š Š #Š #‰ Š Š
{ B## Š Š Š Š Š Š Š Š
Š
Š
Š
Š r Š
Š =Š
V #
24
poco a poco cresc.
# p p q ‰ ‰.‰ Š Š ‰. Š
B## p p q ‰ b‰. Š b‰. Š
poco a poco cresc.
V# # Š =#ŠŠ Š #Š #‰ ‰ Š Š Š Š b‰ . ‰ Š Š b‰. Š
{
poco a poco cresc.
B## Š Š Š Š r Š Š Š ‰.
Š rbŠŠ Š rbŠŠ Š
* If performing in unison, sing the alto part from bar 26 to the end of bar 33.
O God, your goodness 181
*O Lord, our rock, our

182 O God, your goodness
V #
29
# ‰. f
‰ Š Š ‰. Š ‰. Š ‰. Š
B## =‰ ‰.. Š =‰. Š b‰. Š =‰. Š
V#
f
#=‰‰. ‰ Š ŠŠ Š =‰‰ . ŠŠ b‰ .
Š ‰ .
Š
f
{ B## r Š =Š Š r Š =Š Š r Š bŠ Š r =Š Š Š
shield, our friend, Un - to our thoughts and
V #
33
#‰‰ =ŠŠ =Š Š ˆ q ‰ ‰. Š ‰. Š ˆ
B## ‰ Š =ŠŠ ˆˆ q ‰ ŠŠ ‰. Š ‰. Š ˆ
V#
sub. p
# ‰ Š
‰ =Š ˆ ‰ ‰ ‰ . Š ‰ . Š ˆ
{
sub. p
B## Š Š =Š Š Š
Š Š Š Š Š Š Š ‰. Š ‰. Š ˆˆ
sub. p
for online perusal only
words at - tend As now we pray be - fore
(Ped.)
V 39
#
mf p
=ŠŠ Š Š Š ‰. ‰ Š Š ˆ ˆ ˆ ‰ q p q
you, as now we pray be - fore you.
B###ŠŠ #ŠŠ Š Š ‰.
Š
ˆ ˆ ˆ ‰ q p q
mf
V# # =Š Š Š Š ‰. ‰ Š Š ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰ ˆ ‰
{ B## #ŠŠ Š Š Š
ˆˆ
mf ˆ ˆˆ
p ˆ
pp
ˆ ‰
ˆ
p

183
SATB*
(Keyboard)
Psalm 150 (BCP)
43a. O praise God
in his holiness
(Version 1)
JOHN WELDON
(1676–1736)
Joyfully i = 132
V # Optional 34 Š Š introduction
. Š
ŠeŠ Š ‰ ‰ Š Š
f
SOPRANO
Š ‰ Šet ALTO
Š Š Š ‰ Š
(KEYBOARD)
B#34 Š Š. Š Š f Š ‰ ‰ Š ‰ Š ‰ Š Š ‰
Š
Šet ‰ Š
TENOR
BASS
f
of his
V #
7
Š Š. Še
Š Še Še Š #Š
f
Š. Š f
Š Š Š ŠŠ Š. Š Š f Š ‰
of his
God in his ho - li-ness: praise him in the fir - ma-ment
of his
B# Š Š.
Š.
Še
Š Š. ŠeŠ Še Š Š
f f
Š Š Š ŠŠ Š. Š Š f Š ‰
of his
V #
12
mf
‰. Š Š ŠŠ Še #Š. Š Š Š Š ŠŠ Š. ŠeŠ Š
f f
mf O praise
for online perusal only
power. Praise him in his no - ble acts: praise him in his no - ble acts:
B# ‰. Š Š ŠŠ Še Še Š. Š Š f Š
Š ŠŠ Š. Š Š
mf
f
V #
17
Še f
Š Š Š Š Š ŠŠ Š. Š r Š Š
f Š Š Š Š Š ŠŠ
praise him ac - cord - ing to his ex - cel-lent great-ness. Praise him in the
B# Š Š Š Š Š ŠŠŠ Š.
Š.
Še
Š r
Š
f
Š Š Š Š Š ŠŠ
* An arrangement for fewer voices is provided in Version 2.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.
f

184 O praise God in his holiness
p
sound of the trum - pet:
V #
22
Š Š Š Š. ŠŠ. Š Š Š Š Š ‰ Š ‰ #Š
‰ ŠŠ Š ‰ Š Š Š Š Š ‰ Š ‰ Š
sound of the trum - pet: praise him up - on the lute and
trum - pet:
B# ‰ ŠŠ Š. ‰ Š Š. Š Š
Š Š Š #‰‰ Š Š Š Š
trum - pet:
p
dan - ces:
V #
27
f
ŠŠ Š. ŠŠ.
p
‰. Š Š Š. Š Š Š Š Š ‰ Š Š Š Š Š Š Š
for online perusal only
harp. Praise him in the cym - bals and
dan -
B# ‰. Š Š Š. ŠŠ Š Š Š Š. ‰ Š Š. Š Š
Š Š Š
f
ces:
dan - ces:
dan - ces:
praise him up -
V #
32
#Š f
‰ Š ‰ Š ‰ Š
Š.
Š. =( Š
e)Š
f
Š Š ‰ ‰ Š
B# #‰‰ Š Š Š Š ‰ Š Š. ŠeŠ Š f Š ‰ ‰ Š
- on the strings and pipe. Let ev - ’ry-thing that hath breath: praise
V #
38
rit.
ff
Š Š Š Š Š Š. Še ‰ Š Š. Š Š F
f
Š Š ‰ ‰ Š Š Š Š Š ‰.
B# Š ‰ ‰ Š Š ‰
Š Š. ŠeŠ Š ‰ Š
F
Š ‰.
f Š ‰ ‰ Š Š ‰ ‰.
f
the Lord, let ev - ’ry-thing that hath breath: praise the Lord.
ff
the Lord, praise the Lord.
p
praise

185
S(A)(Men)
(Keyboard)*
Psalm 150 (BCP)
SOPRANO
ALTO
43b. O praise God
in his holiness
(Version 2)
JOHN WELDON
(1676–1736)
Joyfully i = 132
V # 34 r p p p p p f
‰ Š Š Š. Še
Š
O praise God in his
f
B#34 r p p p p p ‰ Š Š Š. Š f
MEN
V# Joyfully
34 Š Š i
. ŠeŠ Š ‰ ‰ Š f
= 132
ŠŠŠŠ Š ŠŠ ‰ Šet ‰ Š Š ‰
{ B#34 Š Š. Š Š f Š ‰ KEYBOARD mf
‰ Š ‰ Š ‰ ŠŠ ‰ Š
Šet f
‰ Š Š ‰
of his
V # (Man.)
(Ped.)
8
Še ŠeŠ Š#Š mf
Š. Š f
Š Š Š ŠŠ Š. Š Š f Š ‰ ‰. Š Š ŠŠ Š. #Še Š
ho - li-ness: praise him in the fir - ma-ment of his power. Praise him in his no - ble f
acts:
B# Š. Š f
Š Š Š ŠŠ Š. Š Š f Š ‰ ‰. Š Š ŠŠ#Š. Še Š
V# ‰ Š Š Š Š Š Š#Š ‰. mf
Š Š Š.ŠŠ.Š Š Š Š #‰ Š. Še { B# ‰ Š Š Š Š ‰ Š Š ‰ mf
‰. Š Š Š Š. ‰
Še Š
V #
15
ŠeŠ Š.Še f
Š Š ŠŠ Š. Š Š Š Š Š Š r Š Š
f
Š ŠŠ Š f Š Š Š Š Š ŠŠ
praise him in his no - ble acts: praise him ac - cord-ing to his ex - cel-lent great-ness. Praise him in the
B# Š Š ŠŠ Š.
Š Š Š Š Š Š Š ŠŠ f
Š. Š f
Š Š Š r Š Š Š Š
V#
f
‰ Š Š. ‰ ŠeŠŠ Š Š Š Š. ‰ Še Š Š r Š Š Š Š
{ B# Š. ŠeŠ Š Š Š
Š
Š Š ‰ Š Š Š Š Š Š
f
Š ‰ Š ‰ r Š Š ŠŠ Š
for online perusal only
* The keyboard part (and the introduction) may be omitted if all three voice parts are sung.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

186 O praise God in his holiness
trum - pet: lute and
V #
22
p
Š.ŠŠ.ŠŠ Š ‰ ‰ #Š f
Š Š Š Š ‰ Š Š ŠŠ Š. Š f Š Š ‰ ‰. Š Š Š. Š
sound of the trum-pet: praise him up - on the lute and harp. Praise him in the
B# ‰ ŠŠ Š.ŠŠ.ŠŠ Š Š Š #‰ Š Š Š Š ‰. Š Š Š. Š
sound of the trum - pet:
p
lute and
f
V# Š‰ Š Š Š.ŠŠ.ŠŠ Š ‰ Š ŠŠŠ ‰ Š ‰ #Š ‰ . Š Š Š. Š Š
{
p
B# ‰ Š Š.Š‰ ‰. ‰ Š #‰‰ Š Š Š Š ‰. Š f
Š ŠŠ.Š
dan - ces: strings and
V #
29
p
Š.ŠŠ.ŠŠ Š ‰ ‰ #Š f
Š Š Š Š ‰ Š Š ŠŠ Š. Š =( e)Š
f Š Š ‰ ‰ Š Š. Š f Š
cym-bals and dan - ces: praise him up - on the strings and pipe. Let ev - ’ry-thing
B# Š Š Š Š.ŠŠ.ŠŠ Š Š Š #‰ Š Š Š Š ‰ Š Š. Š Š
dan - ces: p
strings and f f V# Š Š Š Š.ŠŠ.ŠŠ Š ‰ Š ŠŠŠ ‰ Š ‰ #Š ‰ Š Š . =( Še)
Š
{
p
B# Š.Š‰ f
Š Š Š ‰. ‰ Š #‰‰ Š Š Š Š ‰ Š Š. ŠeŠ Š
f
V #
36 ff
rit.
Š ‰ ‰ Š
ŠŠŠŠ Š Š ŠŠ Še ‰ Š Š. Š ŠŠŠ f Š Š ‰ ‰ Š Š Š Š
F
ŠŠ ‰.
that hath breath: praise the Lord, let ev - ’ry-thing that hath breath: praise the Lord.
B# Š ‰ ‰ Š Š Š. Š ‰ Š f
Š. Š Š f Š ‰ ‰ Š Š Š. Š F‰.
praise the Lord,
ff
praise the
f
Lord.
V# Š ‰ ‰ Š ŠŠ Š ‰ Š Š rit.
Š Š
.
ŠŠ Še Š Š ‰ ‰ Š ŠŠŠŠ Š
F
ŠŠ ‰.
{
ff
B# Š ‰ ‰ Š ‰ Š ‰ ŠŠ ‰
Š Š. ŠeŠ Š ‰ ŠŠ ‰.
f Š ‰ ‰ Š Š ‰
E
‰.
for online perusal only

187
Voices 1 (2)
Keyboard
44. Panis angelicus
(Bread of the angel host)
1
2
St Thomas Aquinas (1226–74)
English text by John Rutter
KEYBOARD
V Poco lento i = 76
b 4 ‰ Š Š Š. Š‰
Š
ˆ Š Š ˆ Š Š Š Š ˆ‰
‰ Š Š Š Š
{
p dolce e molto cantabile
Bb 4 ‰ #‰ ˆ ‰. Š ‰
ˆ ‰ #‰ Š. Š Š =Š ˆ ‰ f
for online perusal only
(Ped.)
CÉSAR FRANCK
(1822–90)
optional cut to bar 13 O
5
V b Š‰ Š Š Š‰ Š ˆ ‰ Š Š Š Š Š‰ Š Š Š‰ Š Š ‰ Š Š Š Š Š
Š
{ Bb ˆŠ Š Š Š ˆŠ Š Š Š ˆŠ Š Š Š ˆ
9
V b ‰‰ ŠŠŠ ‰ Š Š Š ‰‰ Š‰ Š Š Š ˆ Š Š Š Š Š Š ‰ Š. ‰ ŠeŠŠ
r
{ Bb#‰ ˆ Š Š ‰ ‰ ‰ ˆ ‰ ‰ Š r
O
13 p dolce
Vb ‰ Š Š Š. Š Š q ‰ Š Š Š. Š Š q
([)
Pa - nis an - ge - li - cus fit pa - nis ho - mi-num;
Bread of the an - gel host sent down from God a - bove;
Vb ‰ Š Š Š.ŠŠ q ‰ Š Š Š.Š Š q
([)
V p dolce
b ‰ Š‰ Š Š ‰. ‰ Š‰
Š Š ‰.
pp
{
sempre legato
Bb Š‰ Š Š Š Š Š Š Š t Še Š Š Š Š Š Š Š Š Š Š Š Š Š Š t
‰ ‰ ‰ ‰ ‰ ‰ Še Š Š Š‰
Š Š Š
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

188 Panis angelicus
17
Vb ‰ Š Š Š. Š f
Š Š Š. ŠeŠ Š ˆ
([)
Dat pa - nis cae - li - cus fi - gu - ris ter - mi - num:
Bo - dy of Christ our Lord in to - ken of his love:
Vb‰ Š Š Š. Še Š Š Š. ŠeŠ Š Š Š Š Š
([)
V b ‰. t Š ‰. ‰. ˆ
f Š Š Š Š Š Š t Š f Š Š Š Š Š Š tŠ
{
f Š Š Š Š Š Š Š Š Š Š Š Š Š Š
Bb ˆ ‰. Š ˆ ‰. Š ‰. Š ˆŠ Š Š Š
21
Vb ‰ Š Š Š. Š Š q ‰ Š =Š =Š. Š Š q
([)
O res mi - ra - bi - lis! man - du - cat Do-mi-num:
O gift most won-der-ful! Christ as our sa - cra-ment:
Vb ‰ Š Š Š.ŠŠ q ‰ Š Š #Š. Š Š q
([)
V b ‰ Š Š Š Š Š ‰. ‰ Š
Š Š ‰ tŠŠ =Š =Š ‰.
{
f
Š t Š Š f
Š tŠ f
#ŠŠ Š Š Š Š
Bb Š Š Š Š t Še Š Š Š Š Š Š ‰ ‰ ‰ ‰ ‰ #‰‰ ##ˆˆ
25
cresc.
Vb ‰ Š r ‰ Š r Šf
Š Š Š. Še ‰ q
([)
for online perusal only
Pau - per, pau - per, ser - vus, et hu - mi - lis,
Hum - ble, low - ly, all share his sa - cred feast;
Vb ‰ Š Š ‰ Š Š Š ŠŠŠ. Še ‰ q
([)
cresc.
f
V b ‰ ‰ ‰ ‰ Š
t=Š Š Š. Še ˆ
{
f
=ŠŠ t Š Š f
Š tŠŠ f
Š tŠŠ f
Š t Š f =Š Š Š Š Š Š ‰ Š =Š
cresc.
f
Bb ==‰ ˆ ‰ ˆ ‰ ‰ ˆ #ˆ
t Š#Š Š t Š Š Š

29
p
Vb ‰ Š r Š. ŠeŠ r =Šf
Š Š Š. Š ‰ f
q
([)
pau - per, pau - per, ser - vus, et hu - mi - lis.
hum - ble, low - ly, all share his sa - cred feast.
Panis angelicus 189
Vb Š. ŠeŠ r ‰ Š r Š ŠŠŠ. Še ‰ q
([)
p
f
V b ‰ Š ‰ Š. Še‰ =Š Š. Še ‰ Š Š Š Š
Š Š Š tŠŠ {
f
Š ‰ ‰ Š Š Š Š Š Š Š Š
p
Bb ‰ ‰ #Š Š Š Š Š Š Š Š ‰
f
Š Š t ŠeŠ Š Še
ˆ ‰ ‰ ˆ ‰ Š t f r
33
V b=Š ˆ Š Š Š Š Š‰ Š Š =ŠŠ Š ˆŠ Š Š Š Š ‰. Š Š #Š Š
{
‰ Bb
mf
‰. Š Š Š ‰ ‰. Š Š ˆr =Š Š Š bŠ Š ‰ Š #Š Š
37
mp
cresc.
Vb ‰ Š Š Š. Š Š q ‰ Š Š Š. Š Š q
([)
Pa - nis an - ge - li - cus fit pa - nis ho - mi-num;
Bread of the an - gel host sent down from God a - bove;
cresc.
Vb p ‰ Š Š Š. Š Š q ‰ Š Š
([)
for online perusal only
mp
Pa - nis an - ge - li - cus fit pa - nis
Bread of the an - gel host sent down from
V b ‰ Š Š Š Šq tŠ ‰ Š Š q ‰ Š {
f Š Š tŠ f Š Š tŠ f Š Š tŠ f Š Š tŠ f Š Š tŠ f Š Š tbŠ f Š Š
p
cresc.
Bb ‰ ‰ ‰ ‰ ‰ ‰ ˆ

190 Panis angelicus
41
Vb ‰ f
([)
Š Š Š. Š f
Š Š Š. Še Š Š ˆ
Dat pa - nis cae - li - cus fi - gu - ris ter - mi - num:
Bo - dy of Christ our Lord in to - ken of his love:
Vb Š. Š Š q ‰ Š Š Š. Š f
Š Š Š. ŠeŠ Š
([)
f
ho - mi-num; Dat pa - nis cae - li - cus fi - gu - ris ter - mi -
God a - bove; Bo - dy of Christ our Lord in to - ken of his
V b Š t Š ‰. ‰ Š Š Š. Še Š Š Š. ŠeŠ {
f Š Š t Š f tŠ f
t Š f Š Š t Š f t Š f t Š f Š Š t Š f t Š f tŠ f Š Š tŠ f Š Š
mf
Bb ˆ‰ Š Š ˆ ‰‰. Š
‰. Š ‰. =Š ˆ‰ ‰
45
mp
cresc.
Vb ‰ Š Š Š. Š Š q ‰ Š Š Š. Š Š q
([)
O res mi - ra - bi - lis! man - du - cat Do-mi-num:
O gift most won-der-ful! Christ as our sa - cra-ment:
mp
cresc.
Vb ˆ ‰ Š Š Š. Š Š q ‰ Š Š
([) - num: O res mi - ra - bi - lis! man - du - cat
V
love: O gift most won-der-ful! Christ as our
b ‰ q
‰ ‰ Š‰ Š Š‰ Š q
‰ ‰ Š Š
{
mp t Bb Š eŠŠ t ŠeŠ Š t Š eŠŠ t ŠeŠ Š t Š eŠŠ t cresc.
ŠeŠ Š t Š eŠŠ t
ˆ ˆ ˆ ˆ Še Š Š
49
Vb ‰ f Š Š Š Š Š. Še Š Š Š Š Š Š. Še
([)
for online perusal only
Pau - per, pau - per, ser - vus, et hu - mi -
Hum - ble, low - ly, all share his sa - cred
f
Vb Š. Š Š q ‰ Š Š Š Š Š Š Š Š. Še
([)
V b Št Š q ‰ Š Š Š Š Š. Še
f Š Š t Š f Š Š tŠ f Š Š t Š f Š Š
{ Bb f
‰ ‰ ‰ ‰ ‰ ˆ ‰
t Še Š Š
Do - mi-num: Pau - per, ser - vus, et hu - mi -
sa - cra-ment: Hum - ble, all share his sa - cred

52
ff
Vb ‰ q ‰ Š Š Š Š Š. Še Š Š
([)
- lis, pau - per, pau - per, ser -
feast, hum - ble, low - ly, share
Vb ‰ q #‰ ‰ ‰ Š Š
([)
ff
Panis angelicus 191
- lis, pau - per, pau - per, ser -
feast, hum - ble, low - ly, share
V b Š Š Š Š Š =Š Š#Š ‰ t #Š Š Š Š. Še Š f Š Š Š Š t Š
{
f Š Š t Š f Š Š
ff
dim.
Bb ‰ ‰ #‰‰ ‰ #‰‰ ‰
dim.
dim.
55
rall.
a tempo
VbŠ Š Š
p
Š Š Š ‰ Š. Še ‰ q
([)
- vus, ser - vus, et hu - mi - lis.
his sa - cred, his sa - cred feast.
Vb Š Š Š Š Š ‰ Š. Še ‰ q
([)
- vus, et hu - mi - lis.
his sa - cred, sa - cred feast.
rall.
a tempo
V bŠ Š Š Š Š Š Š r q B Š Š Š Š
ˆ ‰ Š.
‰.
Š
{
f
Bb ˆ Š Š Š Š Š Š Š Š Š ‰.
p
Š Š Š Š r ‰ Š Š
{
for online perusal only
rall.
58
Bb
Š‰ Š Š Š‰ Š Š ‰‰ Š. ‰ Še ˆ Š r q
BbbŠ Š Š Š ‰ ‰ Š V pp
Š Š Š
. . Š r q
.
p
(Man.)

192
Voices 1 (2)
Keyboard
45. Peace between nations
Trad. Hebridean (adap.)
VOICES
Andante semplice i = 84
Vb 34 r p p p
V
V b 34 Š Š Š Š. bbŠ Š f b Š Š. Še b Š Š bbŠ. Š ŠŠbŠ Š
{
KEYBOARD mp legato
Bb 34 r bŠ Š Š Š Š bŠ‰. Š Š Š Š bŠ bŠ Š Š. ‰ Še
(Man.)
4
TUTTI unis.
Vb p mp
Š. Š f Š Š ‰ Š. bŠŠ Š bŠ
V
Peace be-tween na - tions, peace be-tween
b - - b bŠ Š. ŠŠbbŠ Š
-
Š Š Š Š Še t b Š Š bŠ Š. bŠe Š Š Š bŠ Š Š
{
p
Bbbb‰ bŠ Š Š Š Š bŠ Š Š Š Š Š Š bŠ bŠ
‰ Š Š
8
Vb Š ‰ Š. Š f Š Š Š Š Š bŠ Š Š Š bŠ bŠŠ. ‰
V
ra - ces. Peace be-tween neigh-bours in love of the King of Life.
b bŠ‰. Š Š Š Š bŠ Š Š bŠ ‰. bb ‰‰
bŠ =Š b Š .
ŠeŠ Š
Š
Š f
Š
{ Bb ‰.
‰ Š ŠbŠ Š b‰.
‰ Š Š Š ŠbŠ Š
Š
‰
for online perusal only
CHRISTOPHER WIGGINS
(b. 1956)
13
V bbbŠ. Š Š Š Š f b Š ŠbbŠ Š Š Š. Še Š bŠ bŠŠ
Š. Š bŠŠ Š
mp
{ Bb Š‰ Š bŠ Š Š Š Š Š Š Š
dim.
bŠ Š bŠ Š Š Š ‰ Š bŠ
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

1
2
17
Vb p mp
r ŠŠŠ Š Š Š Š f
Š. r ŠŠŠ
Peace be-tween sis-ter and bro-ther, peace be-tween
Vb p r ŠŠŠ bŠ Š Š Še Š. r Š Š Š
V mp
bbŠ Š. ‰ Š b Š ‰ Š ‰ bŠ Š ‰
{
p
Bb Š. Še Š Š =( )Š Š Š‰ Š Š Š bŠ Š Š Š‰ Š Š Š Š. Še .
V
21
Vb Š Š Š Še Š. r ŠŠŠ Š Š Š Š f
Š
V Še 4
wife and hus-band. Peace be-tween pa-rents and chil-dren, the
Vb Š =(
V)Š
Š Še Š. r ŠŠŠ bŠ ŠV
Š Še Š Še 4
V b Š ‰ Š Š Š Š bŠŠ
Š ‰ 4
{ Bb Š Š ‰ Š Š Š Š Š ‰. Š Š Š Š Š bŠ Š Š Š ‰ Š
4
24
p
Vb44 Š. Š f Š ŠbŠ Š 34 ‰. Še t r r p
peace of Christ a-bove all peace.
Vb4 Š. ŠebŠ Š Š Š 34 ‰. Še t r r p
V b4 r b bŠ p
‰ Š Š 34 r b Š Š bŠ bbŠ Š-
Š
- b Š-
Š. Še b Š Š
{
poco f p mf
Bb4 r ‰ Š bŠ 34 Š Š ‰ t
ŠeŠ Š Š
Š
‰.
‰.
Š bŠ Š Š Š ŠbŠ
V
V
for online perusal only
Peace between nations 193

194 Peace between nations
28
TUTTI unis.
Vb p p mp
Š. Š f Š Š f Š. Še t
Peace be-tween bro - thers,
V b b bŠ. ŠŠbŠ
- -
Š bbŠ Š. ŠŠbbŠ Š
-
Š Š Š Š Š Še t b Š Š bŠ Š. Š bŠŠ Š f
{
mp
p
Bb Š Š. ‰ Še
bb‰ bŠ Š Š Š Š bŠ Š Š Š Š Š
‰
for online perusal only
32
unis.
1
VbŠ. bŠ Š Š bŠ Š ‰ Š. Š Š bŠ f
Š
2Š bŠŠ
Š Š
peace be-tween sis - ters. Peace be-tween lo - vers in
V b Š Š bŠ Š Š bŠ‰. Š Š Š Š Š Š Š Š bŠ Š‰ bŠ bŠ Š Š
{ Bb Š bŠ bŠŠ
Š ‰. bŠ
bŠ Š Š bŠ Š
poco meno mosso
mf p
1 F
36
unis.
Vb bŠ Š Š Š bŠ bŠ Š. Še t bŠŠ Š bŠŠ bŠŠ bŠ Š bŠ bŠ Š. ‰
{
2
love of the King of Life, in love of the King of Life.
Vb b ‰‰
bŠ bbŠŠ. Še t r b Š bbŠ t
ŠŠe F ‰. Š =Š. E
‰
mf p
Bb ‰ Š bbŠ. t r bb‰ Š Š ‰
F
‰.
E
Š

195
Voices 1 (2)
Keyboard
46. Pie Jesu
(Blessed Jesu, Lord, I pray)
1
1
2
Anon.
trans. John Rutter
V # Adagio i = 72
SOLO or TUTTI
4 p p dolce e tranquillo
Š. ŠeŠ. Š
([) f Š. Še ‰ ŠŠŠŠŠ Š Š. Š ‰
VOICE 1
Pi - e Je - su Do - mi-ne, do - na e - is re - qui-em,
f
Bless - ed Je - su, Lord, I pray in thy mer-cy grant them rest,
V # 4 p p p p p
VOICE 2
([)
V# Adagio i = 72
4 ˆ ‰ ‰
Š Š Š. Š#Š Še #‰‰ =‰. ŠŠŠŠŠ Š. ‰ Še
Š
‰
{
KEYBOARD p dolce
B# 4
ˆ ‰ Š Š Š Š ‰ Š ‰ Š Š Š Š ‰
Š Š Š
V # (Man.)
6
Š Š Š Š Š Š Š. Še ‰ p p p
([)
for online perusal only
do - na e - is re - qui-em.
in thy mer - cy grant them rest.
GABRIEL FAURÉ
(1845–1924)
V# Š Š#ŠŠ Š. =ŠŠe ‰ Š Š Š Š Š Š Š Š Š Š Š
r ‰ Š Š. Š ˆ f Š Š Š
{ B# Š Š Š Š Š Š ‰ r ‰ Š Š. ŠeŠ Š Š ˆˆ
V # (TUTTI)
11
mp
Š. ŠeŠ. Š
([)
f
Š#Š
mf
Š ‰ #Š Š Š Š Š Š Š. Še‰
Pi - e Je - su Do - mi - ne, do - na e - is re - qui - em,
Bless - ed Je - su, Lord, I pray in thy mer - cy grant them rest,
V # Š. ŠeŠ #Š Š Š #‰ Š =Š Š Š Š Š Š Š #Š
([)
V# mp
mf
‰. ‰ Š Š#Š # Š # ‰ #Š Š
=‰ Š Š Š #Š Š Š. ‰. Še‰ #Š
{ B# ‰ Š #Š ‰ Š Š ##‰‰ Š =‰ Š ‰ Š Š
‰ Š ‰
Music: © Oxford University Press 2007; Translation: © 1984 Hinshaw Music, Inc. Reprinted with permission. Not available
for sale in France until 1 January 2010. Photocopying this copyright material is ILLEGAL.

196 Pie Jesu
V #
15
p
Š Š Š Š Š Š Š. #Še‰
p q r Š
([)
V # Š Š #Š Š Š
([) Š ‰
p q r Š
V#
p
Š Š Š Š#ŠŠ Š Š Š. Š Š #ŠeŠ Š Š #ŠŠ Š Š Š Š. Š Š Š Š Š Š ‰
{ f Š Š#Š
B# Š Š Š Š Š Š
‰ Š Š Š. Še Š Š Š ‰
V #
19
Š Š Š Š
p
Š. Še ‰ Š Š Š Š Š. Še ‰
([)
p dolce
do - na e - is re - qui - em. Do -
in thy mer - cy grant them rest. O
- na e - is Do - mi-ne, do - na e - is re - qui-em,
bless - ed Je - su, Lord, I pray in thy mer - cy grant them rest,
V # Š Š Š Š Š. Še ‰ Š Š Š Š Š. Še ‰
([)
p
V# ‰ ‰ Š Š Š Š Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š Š
{ B#
pp
ˆ ˆ ˆ ˆ
sempre legato
ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰
V # (Ped.)
23
Š Š #Š
p
Š Š. #Še ‰ Š. Še Š Š Š. Še ‰
([)
for online perusal only
sem - pi - ter-nam re - qui-em, sem - pi - ter - nam re - qui-em,
grant them ev - er - last - ing rest, grant them ev - er - last - ing rest,
V # Š Š Š #Š Š. Še ‰ Š. Še Š Š Š. Še ‰
([)
V# p
ˆ‰ #‰ Š‰ Š Š Š #‰ Š#Š Š Š Š
Š Š Š#‰ Š#Š Š Š Š
Š Š Š #‰ Š#Š Š Š
{
pp
B# #‰ ˆ ‰ Š. ‰ #Še
Š #Š #Š ‰ =Š #‰ Š #Š #Š ‰ =Š #‰ Š #Š
p dolce

V #
27
pp
mf
Š. Še Š. Še Š. Še ‰ Š. Še Š. Š f Š. Še ‰
([)
sem - pi - ter - nam re - qui-em. Pi - e, pi - e Je - su,
grant them ev - er - last - ing rest. Bless - ed, bless - ed Je - su,
V # Š. Še Š. Še Š. Še ‰ ‰ Š Š Š. Še ‰
([)
pp
mf
Pi - e Je - su,
Bless - ed Je - su,
V# Š=Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰
Š Š Š. Š #Š Še #‰‰
{ B# ˆŠ=Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š mf
‰ Š Š Š Š ‰
V #
31
Š Š Š Š Š Š Š. Š ‰ f
([)
(Man.)
Š Š Š Š Š Š Š Š Š Š Š Š
pi - e Je - su Do - mi - ne, do - na e - is, do - na e - is
bless - ed Je - su, Lord, I pray in thy mer - cy, in thy mer - cy
V # Š Š Š Š Š. ŠeŠ Š Š Š Š Š Š Š Š Š
([)
V# =‰. Š Š Š Š Š Š. Še‰ Š
Š ‰ Š Š Š Š Š#ŠŠ Š Š Š =ŠŠ Š Š Š
{ B# Š ‰ Š Š Š Š ‰
Š Š Š Š Š Š Š Š Š Š‰
Š
V # Š. Še Š. Še Š. Še ‰ Š Š Š Š Š Š F
35
poco rit.
p
pp
‰
([)
for online perusal only
Pie Jesu 197
sem - pi - ter - nam re - qui-em, sem - pi - ter - nam re - qui - em.
grant them ev - er - last - ing rest, grant them ev - er - last - ing rest.
V # Š. Še Š. Še Š. Še ‰ Š. ŠeŠ. Še Š Š ‰
([)
V# p pp E
poco rit. F
ˆŠ. Še Š. Še ˆŠ Š ‰ Š Š Š Š Š Š ‰
{
p
pp
B#
Š Š Š Š Š
Š Š Š Š‰ Š Š Š Š‰
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š E‰

198
Unis.
(Keyboard)
47. Praise to the Trinity
VOICES
Vbb
([)
([)
Vbb
([)
Freely
Š Š Š Š Š ŠeŠŠ f
Š Š Š Š Š Še Š Š Š Š Š Š ŠeŠeŠ Š Š Šb( Š) Š
(VOICE 1)
Praise to the Tri - ni-ty, which is sound and life,
Še Š Š Š Š Š Š Š Š
(VOICE 2)
„
Še Š Š Š Š Š Š Š Še Še - Š
cre - a - tor of all be - ings in their own lives;
„
(TUTTI)
Vbb
Š Š Š Š Š Š Š f
Š f Š Š Š Š Š. Š Š Š
([)
and the praise of the an - ge - lic host,
(VOICE 1)
Vbb Š Š Š f Š Š Š Še Š Š Š Š Š Š Š Š Š Š
Vbb
([)
([)
and won - d’rous splen - dour of the mys - ter - ies
Š
(VOICE 2)
for online perusal only
Original Latin words and music by
HILDEGARD OF BINGEN (1098–1179)
edited and adapted by Julian Elloway
Še Š Š Š Š Š Š Š Š Š Š Še Š Š Š
that are un - known to all hu - man - kind
(TUTTI)
„
Vbb Š Š Š Š Š Š Š Š ŠŠ ŠeŠ Š Š f Š Š Š. Š-
Š Š Š Š Š Š Š Š Š ŠeŠ Š
and which in ev - ’ry - thing is life, is life.
The plainsong original has no performance indications. This offers much flexibility in performance, for example:
1 Upper voices, optionally supported by a drone on D and A in the lower voices
1 All voices in unison, optionally accompanied by a keyboard drone
1 Two groups of voices, optionally accompanied by a keyboard drone, and following the bracketed suggestions:
Voice 1 could be upper voices and Voice 2 could be men, or Voice 1 could be sopranos and Voice 2 altos.
The composer uses the word ‘creatrix’, i.e. a female creator, in the second line.
Sing with confidence and expression, thinking steady quavers, but responding freely to the shape of the phrases.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S S (A) (T) (B)
Keyboard
to Mrs D. R. Marlowe and the Dudden Hill Girls’ School Choir
48. A Prayer of St Richard
of Chichester
199
St Richard of Chichester
(c.1197–1253)
SOPRANO
KEYBOARD
V # Andante con espress. i = 100
SOLO or SOLI
# 4 p p p p
‰ Š Š
O
ho - ly
V# # 4
ŠŠ Š‰ Š Š ‰ Š Š Š Š ˆ Š Š Š Š ˆ‰ Š Š
pp
{
(Organ: Celeste)
B##
Š Š ‰
4
for online perusal only
L. J. WHITE (b. 1910)
lower voice parts by Alan Bullard
(Man.)
V #
5
# ‰ ‰ q r Š > Š. Š f Š Š ‰ ‰ r
>
‰ Š
Je - sus, most mer - ci-ful re - deem - er, friend and
V# # Š‰ Š ‰ Š Š Š‰ Š Š. ‰ ŠeŠ‰ Š ˆ Š‰. Š Š Š
{ B## ‰ Š Š Š. ‰ Še‰ ‰ ˆ
Š Š Š Š Š ‰. #Š #‰ Š ‰. Š Š ‰ Š
V #
10
cresc.
# ‰ ‰ r Š Š Š ‰ Š Š ‰ ‰ #Š. ŠeŠ Š
bro - ther, may I know theemore clear - ly, love thee more
V# # ‰ Š Š ‰ Š Š‰. Š Š ‰ Š‰ Š ‰. ‰ Š #Š‰.. ŠeŠ #ŠŠ
{ B## ˆ ˆ cresc.
Š Š ‰ Š Š
‰
Š Š ‰. Š ‰ ‰ ‰ ‰ Š‰ Š #‰‰
© Oxford University Press 1947 and 2007. Photocopying this copyright material is ILLEGAL.

200 A Prayer of St Richard of Chichester
S.
A.
T.
B.
V #
15
#‰ Š Š Š Š Š mf
Š ‰. Š ‰ ‰ p
dear - ly, and fol - low thee more near - ly,
V# # Š #Š Š Š Š Š Š
‰. Š ‰ ‰ Š‰ Š Š Š Š Š‰ Š ‰ Š Š ˆŠ Š Š Š
{ B## ˆ Š mf
. ŠeŠ Š Š. ŠeŠ
‰ ‰ ‰ ‰ ‰ Š Š ˆ
p
‰ ‰ ‰. Š
V #
20
# p
p
q r Š Š ‰ Š ‰. Š ˆ
for online perusal only
(Ped.)
and fol - low thee more near -
(Organ: Solo)
V# # ‰ Š Š ‰. r Š Š Š =‰ #‰ ‰‰.
Š Š ‰ Š ‰ Š Š Š Š ˆŠ Š Š Š
{
pp
B## ‰ Š. Š r f ‰.
V #
25
mf
(S. SOLO or SOLI)
# ‰ q r Š Š Š ‰ ‰ q r Š >
Š. Š f Š #Š
V # # mf
Š ‰ q r >
‰ Š Š Š Š ‰ Š Š. ŠeŠŠ f Š Š ‰ ‰ Š Š
O ho - ly Je - sus, most mer - ci-ful re - deem - er,
mf
B## ‰ Š Š
>
Š
Š.
Š Š Š
ŠeŠ ‰ ‰ ‰ ‰ Š Š Š Š ‰ ‰
>
- ly. O ho - ly Je - sus, most mer - ci-ful re -
O ho - ly Je - sus, Je - sus mer - ci-ful re - deem - er,
V# # ˆ‰ Š Š ‰ Š Š
Š
‰ Š ‰ Š Š ‰ Š. ‰ ŠeŠ‰ Š Š ‰ #Š Š ‰ #Š
mf
{
(Organ: Gt.)
B## ‰ Š Š Š ‰ ‰ Š Š Š
Š
Š
‰
Š Š ‰ ‰
‰ Š Š Š
Š ‰ ˆ ‰. Š Š

A Prayer of St Richard of Chichester 201
V #
30
# Š ‰ r r ‰ Š Š Š q rŠŠ Š Š Š Š Š Š
friend and bro - ther,
V # # r‰
>
Š Š ‰ Š ‰ ‰ r Š‰ Š Š ‰ Š Š ‰ Š Š ‰
friend and bro - ther, may I know theemore clear - ly,
B## r
>
Š Š ‰ Š ‰ Š ‰ Š Š ‰ Š Š Š
‰
Š
‰
Š Š ‰ Š Š ‰ Š Š ‰ ‰
>
- deem-er, friend and bro-ther, may I know, thee more
friend and bro - ther may I know thee more clear -
friend and bro - ther, may I know theemore clear - ly,
V# # ‰. Š Š Š Š ‰ Š Š ‰ Š Š‰. Š Š ‰ Š‰ Š ˆŠ Š Š Š
{
cresc. poco a poco
B## ‰. Š Š ‰ Š ˆ ˆ Š Š ‰ ‰
Š Š ‰. Š ‰ Š Š ‰ ‰
for online perusal only
V # ##Š Š #‰ Š. Š f Š Š ‰ Š Š Š ‰
35
>
f
Š ‰ Š Š
clear - ly, love thee more dear - ly, and fol - low thee more
love thee more dear - ly, and fol - low thee more near - ly,
V # ##Š. ‰ Še#‰ Š Š ‰ Š #Š Š Š Š Š Š Š =( ‰.) ‰ Š Š ‰ ‰
love thee more dear - ly,
and fol-low thee more near - ly,
- ly, love thee more dear - ly,
B## Š‰ Š #‰ Š Š Š Š Š Š Š Š Š Š
‰ Š Š ‰ ‰ ‰ Š Š ‰ ‰
love thee more dear - ly, and fol - low thee more near - ly,
V# ##Š. ‰ Še#‰ Š Š Š #Š Š Š Š Š Š
‰. Š =‰ ‰ Š‰ Š Š Š Š Š‰ Š ‰ Š Š
f
{ B## Š‰ Š #‰ ˆ Š. ŠeŠ Š Š.
‰
ŠeŠ
‰ ‰ ‰ ‰ ‰ Š Š ˆ
‰ ‰
f
f

202 A Prayer of St Richard of Chichester
V #
40
# ‰. Š ‰ q q r Šp
Š Š Š Š ‰. Š
near - ly, and fol - low thee more
V # unis.
# p p
p
q r Š Š ‰ Š ‰. Š
and fol - low thee more
B## p p p p p
V#
(Organ: Solo)
# Š Š Š Š ‰ Š Š ‰. r Š Š Š ˆ =‰ #‰ ‰‰.
Š Š ‰ Š ‰ Š Š Š Š
{
p
pp
(Organ: Celeste)
B## ‰. Š ‰ Š. Š r f ‰.
for online perusal only
V # rall.
45
mp pp
# ˆ ‰ q p r Š Š Š ‰ ‰ ˆF
V # mp
S.
# ˆ ‰ q p r Š‰. Š Š Fpp
‰ Š‰ Š ˆ
A.
B## p p p r ‰ Š Š‰ Š ‰ Ê
ˆ
mp pp
V#
rall.
# ˆ Š Š Š Š ˆ‰ Š Š ‰ Š Š ‰ ‰ ˆ Š Š ‰ Š‰ Š ˆ
mp
ˆF
{
pp
B##
Š Š ‰ ‰ Š Š ‰. Š Š‰ Š ‰ ˆ
(Man.)
Ê
near - ly. A - men.
near - ly. A - men.
(Ped.)

203
S(A)(Men)
Keyboard
49. Psalm 150
The Book of Common Prayer
SOPRANO
ALTO
MEN
KEYBOARD
Strong and steady i = 88
ff
Vb 4 p p
>
‰. ‰. >
Š >
‰ ‰. . r >
‰. ‰. >
> > >
> >
Š
Bb 4 p p ‰.
> Š > ‰.
> r > ‰. Š>
ff
V
Strong
b 4 ‰‰ ‰ . and steady Š i ‰‰
= 88
‰ . Š ‰‰‰ . Š ˆˆ ‰‰‰ . Š
{
ff>
Bb 4 ‰ . >
ŠŠ
>
‰. >
ŠŠ
>
‰. >
ŠŠ ˆˆ > >
‰. >
ŠŠ
q ‰ ‰ ‰ ‰ ‰ ‰ >
Š Š ‰ >
‰
> > > >
for online perusal only
(Organ: Ped. 8i, 16i throughout)
(Piano: double 8ve lower as appropriate)
BOB CHILCOTT
(b. 1955)
O praise God, O praise
6
>
Tempo II: Driving
Vb Š Š ‰ r ‰. >
i = 144
> >
‰. Š ‰‰.. > >
> > >
Š 78Š.
>
‰ Š. ‰
> >God, O praise God, praise God.
>
Bb
Š Š ‰
r ‰.
> Š > ‰. > Š > 78 Š .
>
‰ Š. ‰
V
Tempo
b Š Š ‰. ‰‰‰ . ŠŠŠ ‰‰ ‰‰ 78 Š II: Driving
>
Š Š
>
Š
> i = 144
>
Š Š
>
Š Š Š Š
>
Š
>
Š Š
ˆˆˆ
Š
>
> >
{ Bb ˆ ‰. >
‰ Š > >
Š Š ‰ ‰ Š ‰. 78 Š .
>
Š. > > > ‰. >
Š. ‰ Š. ‰
>
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

204 Psalm 150
11
Vb p p
mf >
34 ‰ Š Š Š Š
58
O praise God in his
Bb p p 34 ‰ Š > Š Š Š 58
V >
b Š Š Š
>
Š
>
Š Š
>
Š Š Š Š
>
Š
> mf
Š Š Š 34 Š Š Š Š Š
>
Š Š Š Š Š Š Š 58
mf
{ Bb p p V 34 ‰ Š
>
Š Š Š 58
(Man.)
15
>
Vb58 Še >
54 58Š
>
Š Š Še >
24
f Š ‰ Š Š Š
>
Š Š
> >
f >
Š
ho - li - ness: praise him in the fir - ma-ment
>
Bb58 Š Š > f Š 54 ‰ Š Š Š >
58 Š Š > f Š 24
V >
b58 Š Š Š
>
Š Š 54 Š Š Š Š Š Š Š Š Š
>
Š Š Š Š
>
Š Š 24
{ Vb58 Š Še Š 54 ‰ Š Š Š 58Š Še
>
> >
Š
>
24
18
Vb24 78Š.
> f
mf
Š Š ‰ Š. q 54‰ ‰ Š Š Š
58
of his power. Praise him in his
Bb24 Š Š >
78 Š. ‰ Š. q 54 ‰ Š Š Š 58
V b24 Š Š Š
>
Š Š f Š Š
>
Š
>
Š Š
>
Š Š Š Š
>
Š
>
Š Š mf
Š 54 Š Š Š Š Š Š Š Š Š Š 58
f
{ Vb24 Š Š 78Š . ‰ Š mf
. 54 ‰ Š Š Š
> Š. ‰ ‰. ‰
58
(Ped.)
>
for online perusal only

Psalm 150 205
22
>
Vb58 Še >
54 >
4Š >
Š Š ŠŠŠ 78
f Š Š Š Š Š Š Š Š Š Š Š Š
no - ble acts: praise him ac - cord - ing to his ex - cel-lent
>
Bb58 Š Š > f Š 54 Š Š Š Š Š >
4 Š Š > Š ŠŠŠ 78
V >
b58 Š Š Š
>
Š Š 54 Š Š Š Š Š Š Š Š Š
>
Š 4 Š Š Š
>
Š Š Š
>
Š Š 78
{ Vb58 Š Še Š 54 Š Š Š Š Š 4Š Š
>
Š Š Š
>
Š
>
> >
78
(Man.)
>
Vb78 > > f >
25
Še‰ ŠeŠ
>
>
Š Š >
>
>
>
Še‰
f
‰ Š. q
>
Š Š f Š Š Š.
>
Š
>
Š
>
Š Š f
‰
great - ness. Praise him in the sound of the trum-pet:
>
Bb78 Š > Š f ‰ Š. q
> Š Š > Š > Š > Š. > f Š > Š > Š > Š f
‰
V >
b78 Š Š Š
>
Š
>
Š Š
>
Š Š Š Š
>
Š
> f
Š Š Š Š Še>
> >
Š Š Š. Š Š Š Še‰
> f
{ Vb78 Š Še‰ Š . B Š ŠeŠ
> >
Š
>
Š.
>
Š
>
Š
>
Š
>
Še‰
Š. ‰
Š. ‰ Š. ‰ Š. Š >
Š
> > >
>
>
(Ped.)
Vb >
30 > >
>
Še > >
Š. q Š. Š Š Š Š >
f
Š Š Š. ‰ Š. q
>
praise him up - on the lute and harp.
Bb
Š. q
> Š. > Š > Š > Š Š > f Š > Š > Š. ‰ Š. q
V b Š . ‰ Š Še>
> > Š Š Š Š Š >
f Š Š . ‰ Š . ‰
{ Bb
Š. ‰ Š Š >
Š Š. ŠeŠ
>
‰ >
Š
>
Š Š. Še >
Š ‰ >
Š
>
Š. Š. ‰ Š Š Š. Š. ‰
> > > >
> > > >
Š > Š
for online perusal only

S.
A.
MEN
206 Psalm 150
Vb Š Š f
Š Š Š Š Š Š Š > Š Š > f
Š >
35 SOPRANOS
> > > >
> >
Š
ALTOS
Vb p > Š Š > f
Š > Š > Š Š Š > Š Š>
MEN
Bb p p
> Š Š > f
Š Š>
Praise him in the cym-bals and dan - ces, praise him in the
Praise him in the cym-bals and dan - ces,
Praise him in the
V b > ŠŠ Š Š ŠŠ Š
> ŠŠŠ Š > ŠŠŠ Š > ŠŠŠ Š ŠŠŠ > ŠŠŠ Š > ŠŠŠ Š > ŠŠŠ Š ŠŠŠ > ŠŠŠ Š > ŠŠŠ Š
{ Bb Š Š Š Š Š
Š. ‰ Š. ‰ Š. ‰ Š
for online perusal only
38
Vb > Š Š Š > Š > Š Š. ‰ Š. Š r
cym-bals and dan - ces:
Vb > Š Š > f
Š > Š > Š Š Š > Š > Š Š. Š r
praise him the the cym-bals and dan - ces:
>
Bb
Š Š Š > Š > Š
> Š Š > f
Š > Š > Š Š Š > Š Š>
cym-bals and dan - ces, praise him in the cym-bals and dan - ces:
V b > ŠŠ Š Š ŠŠ Š
> ŠŠŠ Š > ŠŠŠ Š > ŠŠŠ Š ŠŠŠ > ŠŠŠ Š > ŠŠŠ Š > ŠŠŠ Š ŠŠŠ > ŠŠŠ Š > ŠŠŠ Š
{ Bb Š Š Š Š Š
Š. ‰ Š. ‰ Š. ‰ Š

S.
A.
MEN
41
mf
Vb > > >
Š. Š Š Š ŠeŠ 4
f
Š Š Š. ‰ Š. q
>
>
praise him up - on the strings and pipe.
Bb Š. Š mf Š > Š Š f
Š Š > Š. ‰ Š. q 4
V
up - on the strings and pipe.
b Š Še Š Š Š Še Š Š Š . ‰
>
Š. Š ‰ Š 4
{
f
Š
marcato
poco legato
Bb Š>mf Š ŠŠ
Š f
Š ŠŠ
> >
Š Š f Š Š Š. Še Š‰ Š Š. Š‰
Š 4
(Man.)
for online perusal only
45
unis.
broad
Vb44
r Š Š Š Š Š Š Š Š ‰. ˆ
Praise him up - on the well-tuned cym - bals:
broad
Bb4 q r Š Š Š Š Š Š ‰. ˆ
Praise him up - on the cym - bals:
V b4 ˆˆ ‰‰ ‰‰‰ ˆˆˆ
ˆˆˆ
{
broad
Bb4 ‰ Š Š ˆˆ r Š Š Š ‰ Š Š
ˆ ˆ ˆ ˆ
49
f
cresc.
S.
Vb r Š Š Š Š Š Š Š Š ‰.
‰.
‰.
‰. r
78
A.
praise him up - on the loud cym - bals.
Bb q r Š Š Š Š Š Š ‰ . ‰ . r 78
(Ped.)
cresc.
praise him up - on the cym - bals.
V b ˆ ‰ ‰ ‰‰‰ ‰‰‰ ˆˆ Š Š Š Š ‰ ˆ Š Š 78
{ Bb q cresc.
f
Š Š ˆˆ ˆˆˆ
ˆ ˆ ˆ ˆ
78
f
Psalm 150 207

Vb78 53 SOPRANOS
f > Š > Š > Š Š Š Š Š > Š. > Š > Š
Vb78 p
ALTOS
f > Š. > Š > Š > Š Š Š Š Š
Bb78 p
MEN
f > Š. > Š > Š > Š Š Š > Š Š
S.
>
Let ev - ’ry - thing that hath breath, let ev - ’ry -
A.
>
Let ev - ’ry - thing that hath breath:
MEN
208 Psalm 150
Let ev - ’ry - thing that hath breath,
V b78 > ŠŠ Š Š ŠŠ Š ŠŠŠ Š ŠŠŠ Š ŠŠ Š ŠŠ ŠŠ Š ŠŠ Š > ŠŠŠ Š ŠŠŠ ŠŠŠ Š ŠŠŠ Š
{ Bb78 r f. >
Š
> > >
Š Š. Š
>
Š r. >
Š >
Š. ‰ Š. ‰ Š. ‰
Š
>
>
for online perusal only
56
rit.
Tempo I
Vb > Š Š Š Š Š Š. ‰ p 4 p
>
- thing that hath breath:
Vb Š. ‰ Š. ‰ p 4 p
>
Bb
Š. > Š > Š > Š Š Š > Š Š p 4 p
let ev - ’ry - thing that hath breath:
V b ŠŠ Š ŠŠŠŠŠ ŠŠŠ ŠŠ Š ŠŠŠŠŠ ŠŠŠ ŠŠ
ŠŠ
f
ŠŠ
ŠŠ
4
‰ ‰ . >
Tempo I
rit.
> > > > >
>
>
Š
ff
{
> >
Bb Š. Š
> >
Š > >
Š Š
>
Š. >
4 ‰ . >
ŠŠ
Š. ‰ >
Š. ‰ Š. ‰ q >
‰

S.
A.
MEN
Psalm 150 209
ff
60
Vb p
>
‰. > > >
‰. Š ‰‰.. r ‰.
‰. > >
Š > > >
Š Š ‰ r
> >
praise the Lord, praise the Lord,
Bb p ‰.
> Š > ‰.
r ‰.
> >
Š Š Š ‰
> > r
ff
V b ‰
>
‰. > Š ‰
>
‰. > Š ˆˆˆ
> ‰
>
‰. > Š ˆˆ > ŠˆŠ ‰.
>
{ Bb
‰. ‰ ‰ >
ŠŠ
>
‰. ‰ ‰ >
ŠŠ ˆˆ >
‰ Š Š >
‰. ‰ ‰ >
ŠŠ
>
‰‰ ‰ >
Š >
> > > > > > > Š
for online perusal only
Tempo II
>
Vb ‰.
> > fff
‰ >
78 Š
65
> > . Š.
‰. Š ‰ Š Š Š. ‰ Š. q
> > > > > >
praise the Lord, praise the Lord.
Bb ‰.
> Š > ‰ > Š > Š > 78 Š .
>
‰ Š. q
fff
V >
Tempo
b ‰‰.‰
ŠŠ
‰‰‰
‰‰ 78 Š II
> > >
Š Š > Š > >
Š Š Š Š Š
> Š > Š f t
>
r
{ Bb ‰ > ‰ Š >
fff >
‰. 78 Š >
. Še ‰. Š. Š >
Š >
Š >
Š > e t
>
> > > > f > Š r
> > f

210
Voices 1 (2)
Keyboard
50. Rejoice in the Lord
alway
Philippians 4: 4–5
CHRISTOPHER WIGGINS
(b. 1956)
VOICE 1
VOICE 2
KEYBOARD
Allegro ritmico e festivo i = 120
Vb 34 p p p rr t f Š e
([)
Vb 34 p p p rr t
([)
Š e
f
V
Allegro
b 34 ritmico e festivo i = 120
Š Š t ŠŠe ŠŠe t Š ŠŠ Š Š Š t Še Š et ŠŠŠ ŠŠŠ bŠ ŠŠ
.
. . . . .
{ Bb 34 f
Š e Še Š
.
.
.
Š tŠ Š Š ŠeŠet .
Š
.
.
f
Š f
t Š Š Š Š t Š f
Š . f Š bŠ
. .
Š .
Š
(Ped.) .
Re -
for online perusal only
5
Vb Š. Š f Š Š Š Š ‰. Š t f r t Še
([)
- joice in the Lord al - way: Re -
Vb Š. Š
([) f Š Š Š Š ‰. Še t r t Še
V b
>
Š ttŠe Š f Š Š Š ŠŠŠ Š t Še Š e t Š Š bŠ Š
. . .
Š Š
>
{ Bb
ŠeŠ Š
Š Š Še Še Š
f
tŠ
. . . . . .
r Š Š Š Š t Š f
Š t
>
f Š Š bŠ
. . . . . .
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

9
Vb Š Še Š Še Š Š bŠ Š Š Š ‰ r r ŠŠŠ
([)
- joice, re-joice, re - joice in the Lord, and a-gain,
Vb Š Še Š Še Š Š Š Š Š Š ‰ r r ŠŠŠ
([)
V b Š Še Š Še ŠŠ b Š
. Š t > Š
. . f bŠ Š Š Š =( Še . )Š t Š t Š
Še
.> .
{ Bb Š Š Š t bŠ Še Še Š Še Š Še
f Š t f Š .
Š .
bŠ .
Š .
Š .
Š .
.
. . . . . . . f t .>
Š .>
tŠ .
. f
for online perusal only
Rejoice in the Lord alway 211
13
Vb r ŠŠŠ r tŠ
([)
f
Š Š
> Š r r p r Š Š
Vb r ŠŠŠ r t ŠeŠ Š > Š r r p r Š Š
([)
V b Šet Š t Še Š
. t Še t Še t
. f
r Š Š Š
.> . . . Š Š #Š.-
‰
sf -
{
.
Bb Še Š
.> . .
Še Še .
Še .
Še Š f tŠ tŠ f bŠ t f Š t f Š t
. > p
.
‰
f Š
Š
.
=Š
.> . >
Š
.
Š Š
. . Š
(Man.)
p semplice
and a-gain I say, re - joice! Let your
>
p semplice
18
Vb#‰ Š #Š Š r p p r Š Š
([)
Vb#‰ Š #Š Š r p p r Š Š
([)
V b Še t Š Š Š Š Š Še tŠ
- Š ŠŠe t
ŠŠŠ Š Še t
- - - -
- . ‰
{ Bb Š f
t=#Š
- Š #Š Š Š =Š t Š f
#Š =Š
.
- - - - -
t f
Š #Š
-
Še
.
t=#‰
mo - de - ra - tion, let your

212 Rejoice in the Lord alway
23
Vb#‰ Š #Š Š Š =‰. Š t mp
f rr r Š Š ‰ Š
([)
Vb#‰ Š #Š Š Š ‰. Šet rr r Š Š ‰ Š
([)
mp
V b Šet Š.-
Š.-
Š .- # Š
- ŠŠ r =Š‰ Š =ŠŠ =‰ Š Š ‰. =Šet ‰ -
{ Bb Š f
t=#Š .- Š #Š Š Š Š ‰ ‰.
.- .- -
Š#Š Š Š #Š =‰. Š t cresc.
f
‰
mo - de - ra - tion be known, Let your mo - de -
29
Vb Š Š Š ‰. Š
([)
f
t Š Š ‰. Š
p
‰ p
- ra - tion be known, known to all peo - ple.
Vb Š Š Š ‰. Š t
([) f Š Š ‰. Š ‰ p
V b Š b Š Š Š Š Š ‰ Š Š Š t Še Š e t Š Š t p
‰. Še Š et r Š
. Š.
mf
{ Bbb‰. Š p mp cresc.
Š Š ‰. Š tŠeŠet Š ŠeŠet r
mf.
Š .
r =Š Š f
Š t f
Š t Š f
Š f
‰ .
Š
(Ped.)
35
Vb p p p f
r r Š Š. Š f Š
([)
for online perusal only
Re - joice in the
Vb p p p r r Š Š. Š
([)
f Š
V b Š Š t Š Š ŠbŠ Š Š Š Š Šb f Š Š f
.
.
Š Š ‰
-
Š Š.
>
.
r Š ttŠeŠ f Š
{ Bb
. cresc. .
Še .
.
Š Š t Š . .
=( et )Š
Š Še Š
f Š Š Š Š .- .- -f
>
f Š bŠ ‰ r Š
. . . .
> f
tŠr
. . .- .- -

40
Vb Š Š Š ‰.
([)
Š f
t r t Š e Š Še Š Še Š ŠbŠ Š Š Š
Lord al - way: Re - joice, re-joice, re - joice in the
VbŠ Š Š ‰. Šet r t
([)
Š e Š Še Š Še Š Š Š Š Š Š
V b Š Š ŠŠ Š Š t Še Š et Š ŠbŠ Š Š Š Š Še Š Še ŠŠ b Š .
. . .
. Š .
{ Bb .
.
.
Š Š ŠeŠet .
. Š
.
Š Š ŠeŠet .
. Š
.
Š Š Š Š t Š f
Š f Š Š bŠ Š t bŠ f
Š f Š Š bŠ
. . . . . . . . .
45
cresc.
Vb ‰ r r ŠŠŠ r ŠŠŠ r tŠ f
Š Š
([)
Vb ‰ r r ŠŠŠ r ŠŠŠ r t Še Š Š
([)
V b t Š f bŠ Š Š Š =( Še )Š t cresc.
> Š t
Š
Še Šet Š t Še Š
.
.
t Še t Še t
.> . . .> . f . .
{ Bb
.
cresc.
. . .
Š Š Š Še Š
.> .
Še .
Še Š Še Še f t Š tŠ .> . . .
Še .
Še
. . f . f tŠ tŠ f bŠ t f Š t f Š t
. . .> . .> . . . . f
49
rall.
>
Vb Š r r p p r tŠ ff
f
Š Š Š r r
([)
for online perusal only
Lord, and a-gain, and a-gain I say, re -
- joice! I say, re - joice!
Vb > Š r r p p r t ŠeŠ Š Š r r
([)
V b r Š Š Š Š t Šf ŠŠŠ t ŠeŠetŠ Š ŠbŠ Š Š f Š > > >
ff
rall.
> >
> > > >
r r
f r Š Š Š
>
{
>ff >
Bb r >
>
> >
ŠeŠet r
Š bŠ >
Š
Š Š Š Š Š t
Š
Š f
Š > > > f Š Š Š r r
> >
> >
>
Rejoice in the Lord alway 213

214
Voices 1 2 (3) (4)
(Keyboard)
(Percussion)
51. Shout for Joy!
VOICE 1
VOICE 3
VOICE 2
VOICE 4
KEYBOARD
PERCUSSION
Exuberant, but not hurried i = 92
unis.
Vb 24 p p f
Š Š Š. p
> Š Š Š.
([)
>
unis.
Vb 24 p p p f
> Š. Š Š p
([)
for online perusal only
O Lord! O Lord!
Shout for joy!
V
Exuberant,
b 24 ‰ but not hurried i = 92
r Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š
{
f
Bb 24 ‰ ‰ ‰ ‰ ‰
r
Š Š Š Š Š Š Š Š Š
(Man.)
… 24 > ŠŠŠŠ > ŠŠŠŠ >
etc.
and/or
… 24 > ŠŠŠŠŠŠŠŠ > > > ŠŠŠŠŠŠŠŠ > > etc.
and/or
… 24 Š. Š ŠŠ Š. Š ŠŠ etc.
American spiritual
arr. ALAN BULLARD (b. 1947)
6
Vb p Š Š Š. p Š Š Š.
p
>
ŠŠŠŠ Š Š
([)
>
Vb > Š. Š Š p
> Š. Š Š p
> Š. Š Š p
([)
Shout for joy! Shout for joy! Shout for joy!
V b ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š Š‰
Š
{ Bb ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š Š‰
Š
O Lord! O Lord! Ear-ly in the morn-ing,
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

12
Vb ‰ ŠŠŠŠ Š Š ‰ ŠŠŠŠ Š Š ‰
([)
Late in the eve - ning,
Ear-ly in the morn-ing,
Vb > Š. Š Š p
> Š. Š Š p
> Š. Š Š
([)
Shout for joy! Shout for joy! Shout for joy!
V b ‰ Š Š ‰ Š Š ‰ Š Š Š‰ Š ‰ Š Š
{ Bb
‰ Š Š ‰ Š Š ‰ Š Š Š‰ Š ‰ Š Š
17
mf
Vb ŠŠŠŠ Š Š ‰ ŠŠŠ > Š ‰ ŠŠŠ Š Š
([)
Vb p Š. Š Š p mf
> ŠŠŠ > Š ‰
([)
Late in the eve - ning, Feel like shout-ing, feel like pray - ing,
Shout for joy!
Feel like shout-ing,
V b ‰ Š Š ‰ Š Š Š Š.
Š.
Š.
Š.
Š.
Š.
Š.
Š.
Š.
Š.
Š
mf .
.
{ Bb ‰ Š Š ‰ Š Š Š‰ Š ‰ Š‰
Š
22
cresc.
Vb ‰ ŠŠŠ > Š ‰ ŠŠŠ Š Š ‰
Feel like shout-ing, feel like pray - ing,
Vb Š Š Š Š Š ‰ ŠŠŠ Š ‰ Š Š Š Š Š
([)
([)
for online perusal only
Shout for Joy! 215
cresc.
>
feel like pray - ing, Feel like shout-ing, feel like pray - ing,
V b Š.
Š Š Š
Š Š Š Š Š Š Š Š Š Š Š Š Š
. . .
. . . . . . . . . . . . . Š.
Š.
Š.
{
cresc.
Bb ‰ Š‰ Š ‰ Š‰ Š ‰

216 Shout for Joy!
27
f
Vb Š > Š Š. > Š. Š Š Š Š Š. > Š. Š Š Š Š Š. Š. Š Š
([)
>
>
f
Vb ‰ Š. Š Š
p
> Š. Š Š Š Š Š. Š. Š Š
([) >
f
Vb Š Š Š. Š. Š Š Š Š Š. Š. Š Š p >
> > > Š. Š Š
([)
Vb f>
‰ Š. Š Š p
> Š. Š Š p
> Š. Š Š
([)
V b ‰ Š r ‰ Š r ‰ Š r
{ Bb Šf
Š Š r Š
Š r Š
Š Š r
Bb ‰ Š r ‰ Š r ‰ Š r
1
>
O Lord! Shout for joy! O Lord! Shout for joy! O Lord! Shout for joy!
2
>
Shout for joy! Shout for joy! O Lord! Shout for joy!
3
>
O Lord! Shout for joy! O Lord! Shout for joy! Shout for joy!
4
*
(Ped.)
for online perusal only
Shout for joy! Shout for joy! Shout for joy!
33
VbŠ Š Š. Š. Š Š Š > Š Š.
> Š. Š Š Š >
> >
Š Š.
([)
O Lord! Shout for joy! O Lord! Shout for joy! O Lord!
Vb Š
([) > Š Š. > Š. Š Š Š > Š Š. > Š. Š Š Š > Š Š.
O Lord! Shout for joy! O Lord! Shout for joy! O Lord!
Vb p
> Š. Š Š Š > Š Š. Š. Š Š Š Š Š.
([)
>
Shout for joy! O Lord! Shout for joy! O Lord!
Vb p Š. Š Š p >
> Š. Š Š p
([)
V Shout for joy! Shout for joy!
b ‰ Š r Š Š Š Š Š Š Š Š Š Š Š Š
{ Bb Š
Š r Š
Š
Š
Š
Š
Š
Bb ‰ Š r ‰ ‰ ‰
* Omit this stave when performing on piano or manuals only.

Shout for Joy! 217
38
Vb > Š. Š Š ŠŠ>
Š Š ‰ ŠŠŠ Š Š
([)
Vb Š. Š Š Š > Š Š.
> Š. Š Š Š >
>
Š Š.
([)
Shout for joy! O Lord! Shout for joy! O Lord!
Vb > Š. Š Š Š Š Š. Š. Š Š Š Š Š.
([) > > >
Shout for joy! O Lord! Shout for joy! O Lord!
Vb > Š. Š Š Š > Š Š. > Š. Š Š Š Š Š.
([)
>
Shout for joy! O Lord! Shout for joy! O Lord!
V b Š Š Š Š Š Š Š Š ŠŠ Š ŠŠ Š Š Š Š Š
{ Bb Š
Š Š
Š Š Š Š
Š
Bb ‰ ‰ ‰ ‰
42
Vb ‰ Š Š Š. > Š. Š Š Š Š Š. > Š. Š Š
([)
>
O Lord! Shout for joy! O Lord! Shout for joy!
Vb > Š. Š Š ŠŠŠ > Š ‰ ŠŠŠ Š Š ‰
([)
Shout for joy! Feel like shout-ing, feel like pray - ing,
Vb Š. Š Š Š > Š Š.
> Š. Š Š Š > Š Š. >
>
Š. Š Š
([)
Shout for joy! O Lord! Shout for joy! O Lord! Shout for joy!
Vb > Š. Š Š Š Š Š. Š. Š Š Š Š Š. > Š. Š Š
([) > > >
Shout for joy! O Lord! Shout for joy! O Lord! Shout for joy!
V b Š Š Š Š Š Š Š Š ŠŠ Š ŠŠ Š Š Š Š Š Š Š Š Š
{ Bb Š Š Š
Š Š
Š
Š
Š Š Š
Bb ‰
‰ ‰ ‰ ‰
Shout for joy! Feel like shout - ing, feel like pray - ing,
for online perusal only

218 Shout for Joy!
47
Vb Š Š Š. Š. Š Š Š Š Š. > Š. Š Š
([) > > >
O Lord! Shout for joy! O Lord! Shout for joy!
Vb Š Š Š. > Š. Š Š Š Š Š. > Š. Š Š
([)
>
O Lord! Shout for joy! O Lord! Shout for joy!
Vb ŠŠ>
Š Š ‰ ŠŠŠ Š Š ‰
([)
Feel like shout - ing, feel like pray - ing,
Vb Š > Š Š.
> Š. Š Š Š > Š Š. > Š. Š Š
([)
O Lord! Shout for joy! O Lord! Shout for joy!
V b ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
Š Š Š Š Š Š Š Š
{ Bb Š-
Š
Š-
- Š-
Š-
Š-
Š-
Š-
Bb ‰ ‰ ‰ ‰
for online perusal only
51
Vb ŠŠ>
Š Š ‰ ŠŠŠ Š Š ‰
([)
Feel like shout - ing, feel like pray - ing,
Vb ŠŠŠ > Š ŠŠŠ > Š Š Š Š Š Š Š Š
([)
Vb ŠŠŠ Š ŠŠŠ > Š Š Š Š
Š t
([)
Feel like shout-ing, feel like shout - ing, O Lord!
f
Vb ŠŠ>
Š Š ‰ ŠŠŠ Š Š ‰
([)
Feel like shout - ing, feel like pray - ing,
V b ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
ŠŠŠ
Š Š Š Š Š Š Š Š
{ Bb Š
Š-
Š
Š-
Š
Š-
Š
Š-
- - - -
Bb ‰ ‰ ‰ ‰
Feel like shout-ing, feel like shout - ing, O feel like pray - ing,

1/3
2/4
55 VOICES 1 & 3
Vb ŠŠ>
unis.
Š Š ‰ ŠŠŠ Š Š ‰
([) Feel like shout - ing, feel like pray - ing,
VOICES 2 & 4 unis.
Vb ‰ ŠŠŠ > Š Š Š Š Š Š Š Š
([)
V b Š Š Š Š Š Š Š Š Š Š Š Š ŠŠŠ
ŠŠŠ
Š Š
{ Bb Š
Š
Š
Š
Š
Š
Š
Š
Š
Š
Š
Š
Š
Bb ‰ ‰ ‰ Š Š
59
ff
Vb ŠŠŠ > Š p ŠŠŠ > Š p
([)
Feel like shout-ing, feel like shout-ing,
ff
Vb ‰ ŠŠŠŠ >
Š Š p ŠŠŠŠ
> Š
([)
V b ŠŠŠ
Š ŠŠŠ
Š ŠŠŠ
Š ŠŠŠ
Š ŠŠ
Š ŠŠ
Š ŠŠ
Š ŠŠ
Š
{ Bb Š Š Š Š Š Š Š Š
Bb Š Š Š Š Š Š Š Š
63
>
Vb ‰ >
ff
ŠŠ. Š ‰ Š r
>
Š. Š
>
Š ‰ Š t
([)
f r
O Lord! Shout for joy!
Vb‰ >
ff
> ŠŠ. Š ‰ Š r Š. ŠŠ > ‰ Šet r
([)
O Lord! Shout for joy!
V > >
b Š Š Š Š Š Š Š Š Š Š Š r Š r r t Š Š >
Š f t r
ff
{
ff
Bb Š Š Š Š Š Š Š Š Š Š Š >
r Š r r Vt
>
ŠŠ Šet r
Bb ‰ ‰ Š
Š Š r Š r p > Š f
t
> r
Feel like shout - ing, O feel like pray - ing,
for online perusal only
Shout for Joy! 219
ear-ly in the morn-ing, late in the eve-ning,

220
S(A)(Men)
Keyboard
52. Star of Wonder
S.
A.
MEN
John Henry Hopkins
(1820 –91)
Andante h = 63
MEN or TUTTI
Vb 2 p p f
Š-
Š-
Š. - Š
([)
f Š Š Š ‰ Š-
Š-
Š. -
VOICES
Še
V
1. We three kings of O - ri-ent are; Bear-ing gifts we
b 2 Š‰ Š ‰ ŠŠŠ ŠŠŠ Š‰ Š Š.
‰ Še Š Š ‰ Š ‰ ŠŠ Š‰ Š Š. ‰ Še
{ Bb 2 ‰
KEYBOARD f
ˆ ‰ ˆ‰ ‰ ˆ
‰ ‰ ˆ‰ ‰ ˆ‰ ‰
mf
(Ped.)
6
VbŠŠ Š ‰ Š. - Še Š-
Š Š. - Še Š-
Š Š Š Š Š Š Š Š Š ‰ ##
for online perusal only
ALAN BULLARD
(b. 1947)
([)
V tra-verse a-far Field and foun-tain, moor and moun-tain, Fol-low-ing, fol-low-ing yon-der star:
bŠŠŠ ‰ Š ‰ Š Š. Še Š Š Š. Še Š Š Š Š Š Š Š Š Š # ‰ ##
mf
{ Bb
‰ ‰ ŠŠŠ ŠŠ Š ŠŠŠ ŠŠ ( Š)
ˆ ‰ ‰ ‰ ‰ Š Š Š Š ˆ ‰ ‰ ##
V #
11
# f
ŠeŠ Še Š Š
mf
Š. Š ‰ Še f Š Š Š Š ‰ Š. Š Š f Š Š. Š f Š Š Š Š. Š Š Š f
B## Š. Š Š Š Š Š f
Š Š Š Š Š Š Š Š ‰ Š Š Š Š
V#
f
mf
# Š. ‰ ŠeŠŠ Š Š Š ‰ Š Š Š. ‰ Še Š ‰ Š Š. Š Š ‰ Š. Še Š Š
{
f Š Š Š
f
mf
B## ‰ ‰ ‰ ‰ Š Š Š #Š #Š Š
‰ Š Š Š Š ‰ ‰ =‰ ‰ Š
Star of won-der, star of night, Star with roy - al beau - ty bright, West - ward lead-ing,
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

f
Guide us to thy per - fect light.
V #
16
#Š. Še Š Š Š Š Š Š Š Š ‰ b ‰. r p
Š. Š f Š Š ‰. Š Š Š Š Š ‰.
f
still pro-ceed-ing, Guide us to thy per-fect light.
B## Š Š Š Š Š Š Š Š Š Š ‰ b ‰. r p
still pro - ceed-ing, Guide us to thy per - fect light.
V#
(Organ: opt. Solo Flute or Reeds)
#Š. ‰ Še
‰ Š Š Š‰. Š Š Š Š ‰ b ŠŠŠŠŠŠŠŠ . . . . ŠŠŠŠŠ. . ŠŠ
Š ‰ Š
.
Š
mp
{ B###Š ‰#Š Š Š ‰ ‰.
b ‰ ‰ ‰ ‰
Š Š Š ‰ ˆ ˆ
THREE SOLOS or THREE GROUPS or TUTTI
21 mf (f)(p)
Vb . Š Š Š. Š f ŠŠŠ ‰ Š Š Š. Še ŠŠŠ Š Š Š ‰
([)
2. Born a king on Beth-le-hem plain, Gold I bring, to crown him a-gain,
3. Frank-in-cense to of - fer have I: In - cense owns a De - i - ty nigh:
4. Myrrh is mine; its bit-ter per - fume Breathes a life of gath-er-ing gloom;
V b . Š
Š Š. ŠŠ Š Š Š.
Š.
Š Š Š Š Š.
Š.
Š Š Š Š Š Š.
Š.
Š Š
mf
{
(f)(p)
Bb . ˆ
Š Š Š Š ˆ
Š Š Š Š ˆ
Š Š Š Š ‰
Š Š Š‰
Š
25
Vb ŠŠ. Š ŠŠe Š Š Š. Še Š Š Š Š Š Š Š Š Š Š ‰ ##
([)
for online perusal only
Star of Wonder 221
King for ev - er, ceas - ing ne - ver, O - ver us, o - ver us all to reign:
Prayer and prais-ing all men rais-ing, Wor-ship him, wor-ship him, God most high:
Sor-row-ing, sigh-ing, bleed - ing, dy -ing, Sealed in the stone-cold tomb:
V b ‰ Š Š ‰ Š Š ‰ Š Š Š Š Š Š Š Š Š ˆ‰. Š Š ‰#Š
##
{ Bb Š. Še Š Š Š Š
‰ ‰ ‰ ‰ ‰ Š Š ‰ Š Š ˆ
‰ ‰ ##

S.
A.
MEN
222 Star of Wonder
V #
29
# f
ŠeŠ Še Š Š
mf
Š. Š ‰ Še f Š Š Š Š ‰ Š. Š Š f Š Š. Š f Š Š Š Š. Š Š Š f
B## Š. Š Š Š Š Š f
Š Š Š Š Š Š Š Š ‰ Š Š Š Š
V#
f
mf
# Š. ‰ ŠeŠŠ Š Š Š ‰ Š Š Š. ‰ Še Š ‰ Š Š. Š Š ‰ Š. Še Š Š
{
f Š Š Š
f
mf
B## ‰ ‰ ‰ ‰ Š Š Š #Š #Š Š
‰ Š Š Š Š ‰ ‰ =‰ ‰ Š
Star of won-der, star of night, Star with roy - al beau - ty bright, West - ward lead-ing,
for online perusal only
f
Guide us to thy per - fect light.
V #
34
#Š. Še
Š Š Š Š ‰ b r p .
f Š Š ‰. Š Š Š Š Š ‰.
f
still pro-ceed-ing, Guide us to thy per-fect light.
B## Š Š Š Š Š Š Š Š Š Š ‰ b ‰. r p .
still pro - ceed-ing, Guide us to thy per - fect light.
V#
1., 2.
(Organ: opt. Solo Flute or Reeds)
#Š. ‰ Še
‰ Š Š Š‰. Š Š Š Š ‰ b ŠŠŠŠŠŠŠŠ . . . . ŠŠŠŠŠ. .
Š ‰ Š
.
Š
ŠŠ.
mp
{ B###Š ‰ #Š Š Š ‰ ‰.
b ‰ ‰ ‰ ‰
Š Š Š ‰ ˆ ˆ .
V # 3.
37b
# ‰. r p
ff
TUTTI unis.
Š-
Š-
Š. - Š
([)
f Š Š Š ‰ Š-
Š-
Š. -
Še b
light. 5. Glo-rious now, be-hold him a-rise, King, and God, and
V# # ŠŠŠŠŠŠŠŠ . . . . ŠŠŠŠŠ. . . ŠŠ ‰ ‰ Š Š ŠŠŠ
Š ‰ =‰‰ b
ff
{ B## Š‰ Š Š‰ Š Š‰ Š Š‰ Š ‰ ‰ ‰ ‰ ‰ ‰ b
1., 2.

Star of Wonder 223
42
f p
VbŠŠ Š ‰ Š. ŠeŠ Š Š. ŠeŠ Š Š Š Š Š Š Š Š
f
Š ‰ ##
([)
sa - cri - fice! Al - le -lu - ia, al - le -lu - ia, Hea-ven sings and earth re-plies:
V b Š Š Š Š ‰ ‰ ‰ ‰ Š Š Š Š Š Š Š Š ‰ ‰#Š
##
{
f p
Bb ‰ ‰ f
‰ ‰ ‰ ‰ ‰ Š Š ‰ Š Š Š Š Š ‰ ##
V # DESCANT
47
# ff
r ‰ Š Š Š Š ŠŠ Š ‰ Š Š Š. Š f Š Š Š f =Š Š Š
([)
Star of won-der, star of night, Star with beau - ty bright, West-ward lead-ing,
V # OTHER VOICES
# Š. Š f Š Š Š Š ‰ Š. Š f Š Š Š Š ‰ Š. Še Š Š
([)
ff
for online perusal only
Star of won-der, star of night, Star with roy - al beau-ty bright, West - ward lead-ing,
V# # ‰
Š Š Š Š Š ŠŠ ‰ ŠŠ Š Š.
‰ Š Š Š Š Š #Š ‰ Š #Š ŠeŠŠŠ ‰ Š =Š Š Š
{
ff
f
B## ‰ Š Š Š. Še Š. Še =Š ŠŠ Š
‰ ‰ Š Š Š Š Š Š Š Š ‰ ‰ ‰
Š
f
V #
52
poco rit.
# Š Š Š Š
ff Š Š Š Š Š Š Š Š ˆ Š r q pF
([)
still pro - ceed-ing, Guide us to thy per-fect, per - fect light!
V # #Š. Š
([)
f Š
ff
Š Š Š Š Š Š Š ‰ ˆ Š r q pF
still pro-ceed-ing, Guide us to thy per - fect light!
V#
poco rit.
##Š. ŠŠ Š Š Š Š Š Š ŠŠŠ Š ŠŠŠŠŠ=ŠŠŠ =ŠbŠ=ŠŠŠ.ŠŠ f Š
.
Š
. . . . . F #ˆ
{
ff
fff
B###Š #Š Š Š ‰. =‰ =b‰ =‰
‰ ‰ ‰. Š Š Š ‰ ‰ ‰ ‰ ‰ #ˆˆ E

224
S(A)Men
Keyboard
53. The eternal gifts
of Christ the King
Pre-11th cent.
trans. J. M. Neale
VOICES
KEYBOARD
Maestoso h = 63
Vb 2 p p p p
([)
V b 2 r
.
Š-
ŠŠ - ŠŠ ‰. Š =Š Š Š ‰ . Š ‰.
-
‰ Š Š
f
{ Bb . .
2 r ‰ ŠŠ ‰. .
Š Š Š Š =Š Š Š ‰.
Š ŠbŠ Š Š .
Š ‰.
Š Š Š Š Š
ŠŠ
(Ped.)
Melody: GUIDETTI (1582)
arr. Henry G. Ley (1887–1962)
for online perusal only
5
TUTTI unis.
Vb p p p f
r Š Š Š
‰. Š Š. Š Š Š ‰ ‰ Š
f Š Š Š Š Š
Bb =Š #Š Š Š bŠŠ bŠŠ Š Š =Š Š ‰. Š Š ‰ Š Š Š Š Š ([)
V b Š Š Š
{ Š. Š f Š
The _ e - ter - nal
(Man.)
Vb ‰. Š Š Š Š Š Š. Še 32 ‰. Š Š Š 2 Š
9
Š Š Š Š 32
([)
gifts of Christ the King, The _ A-pos - tles’ glo - rious deeds, we
V b ‰. Š ‰ Š Š Š Š Š. ŠeŠ 32 Š Š 2 Š Š Š Š 32
{
f
‰. ‰ Š Š ‰.
Bb ‰. Š ‰ Š. Š f
32 ‰. ‰ Š 2 Š Š ‰ 32
© Oxford University Press 1951 and 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
MEN
The eternal gifts of Christ the King 225
Vb32 ‰. Š Š Š 2 Š
13
Š Š Š Š Š Š
f
Š ‰ ‰ r Š 32
([)
V sing: And while due hymns of praise we pay, Our
b32 ‰ . Š Š Š 2 Š Š ‰ Š Š ˆŠ Š Š Š ‰ ‰ r Š 32
{ Bb32 ‰. Š Š Š 4 Š Š
Š Š ˆ ‰ r
Š 32
17
Vb32 Š Š ‰. Š 2Š Š Š Š Š. Še ‰. r p
([)
V thank-ful hearts cast grief a - way.
b32 Š Š Š ‰. Š 2Š‰ Š Š Š Š. Še Š Š‰ Š Š ‰ Š Š
{ Bb32 2 ‰ Š .
Š Š f
Š ‰. ‰ Š
Š
Š
‰. Š Š Š Š Š Š Š ‰ Š
(Ped.)
21
Vb p p
mf
r Š Š Š ‰. Š
’Twas thus the yearn - ing
Bb p p r Š Š Š ‰. Š
V b Š Š b‰ mf
‰Š Š Š Š Š Š‰
Š Š Š Š Š ‰. Š
{ Bb ‰ mf
‰ Š Š Š Š Š Š Š Š Š Š ‰. Š Š Š Š Š Š
(Man.)
25
Vb Š‰ Š Š. Še
Š 32 2 ŠeŠ. Še 32 2
f
‰. Š Š Š Š Š. Š f
Š Š ‰. Š Š Š
faith of saints, Th’ _ un-con-quered hope that ne - ver faints, The love of
Bb Š Š Š Š Š. Š f 32 ‰ . Š Š Š
2 Š Š Š Š Š 32 ‰ . Š Š Š
2
V b Š‰ Š Š. Še 32 ‰. Š Š Š Š 2 Š. ŠeŠ. Š ŠŠe 32 ‰. Š Š Š 2
{ Bb Š Š Š Š Še 32 ‰ . Š Š Š
2 Š Š 32 ‰ .
‰ Š. f
Š. Š Š Š f
Š Š Š 2
for online perusal only

226 The eternal gifts of Christ the King
29
Vb2 2 Š. ŠŠ Š Š Š Š ‰ 32 f Š Š ˆ ‰ r Š Š Š ‰. Š
2
Christ that knows not shame, The prince of this world
Bb2 Š Š Š Š Š Š Š Š ‰ ‰ r Š 32 Š Š Š Š Š Š Š Š 2
V b2 Š. ŠŠ Š Š Š Š ‰ 32 f Š Š ˆ ‰ r Š Š Š ‰. Š 2
{ Bb2 Š Š Š Š Š
‰ Š Š Š ‰
Š Š ‰ r Š ‰.
32 Š Š Š Š Š Š Š Š 2
33
Vb2 2
Š Š Š Š Š. Še r p p
f
‰.
o - ver - came.
Bb2 ‰ Š. Š f
‰. r p p
V b2 Š Še Š
Š Š Š Š. Š Š Š ‰ Š Š
f
Š r r Š Š ‰ Š Š Š Š ‰
{ Bb2 Š Š Š. f
Še Š Š Š #Š ‰
‰ Š. =Š
f
Š Š Š Š Š
‰ Š Š Š b‰
37
TUTTI unis.
Vb p f
r Š Š Š ‰. Š Š Š Š Š Š. Še 32
([)
for online perusal only
(Ped.)
In these the Fa - ther’s glo - ry
V bŠŠ Š
‰ bŠ Š Š ŠŠ ŠŠ ‰. Š =( )Š Š Š Š =Š #Š Š Š Š Š Š ‰ 32
{ Bb Š Š Š Š Š Š Š
-
Š
- -
Š ŠŠ Š ‰. Š =Š #Š Š Š ‰ Š
Š ‰ 32

S.
A./MEN
The eternal gifts of Christ the King 227
Vb32 ‰. Š Š Š 2 Š Š Š Š Š 32 ‰. Š Š Š
41
2
([)
shone; In these the will of God the Son; In these ex -
V b32 ‰ ‰.. Š Š 2 Š Š Š 32 Š Š
Š
Š
Š Š Š ‰ ‰. Š Š Š Š 2
{ Bb32 Š ‰ . Š Š Š Š 2 Š 32 ‰ .
Š Š Š Š Š ‰.
Š - Š Š
r q - -
2
Vb22 Š
44
Š Š Š Š Š Š Š ‰ ‰ r Š 32 Š Š ‰. Š 2
([)
- ults the Ho - ly Ghost; Through these re-joice the
V b2 Š
-
-
- -
Š Š Š Š ŠŠŠ
Š ‰ Š Š ‰‰. Š Š 32 Š Š ‰. Š
-
2
{ Bb2 Š -
-
-
‰ ‰. 32 Š =Š #Š
r Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
Š ‰.
- -
Š
- -
2
48
Vb22
Š Š Š Š Š. Še ‰. r p p
([)
heaven - ly host.
V b2 Š Š Š Š Š. ‰ Še Š Š Š Š ‰.
Š ‰ Š Š Š ‰ Š Š =Š #Š Š Š
Š Š
{ Bb2 ‰ Š
-
Š Š
-
-
Š ‰ ‰.
‰ Š Š Š Š Š =Š Š
Š #Š =Š Š #ŠŠ
52
Vb p f
r Š Š Š ‰ ‰ Š Š Š. Še 32
Re-deem- er, hear us of Thy
unis.
Vb p r Š Š Š ‰. Š Š Š Š Š Š. Še 32
([)
V f
b Š =ŠŠ Š Š Š Š Š Š ‰. ‰ Š Š Š. Š Š Še 32
{ Bb Š Š Š Š Š Š Š
Š Š Š Š Š
- - -
Š Š Š Š Š ‰ ‰ 32
for online perusal only

S.
A.
MEN
Vb32 ‰. Š Š Š 2 Š Š Š Š. Š f 32 ‰. Š Š Š 2 Š
56
Š Š Š
love, That with this glo - rious band a - bove, Here-af -ter, of thine end-less
Vb32 ‰. Š Š Š 2 Š Š Š Š Š 32 ‰. Š Š Š 2 Š Š Š Š
([)
V b32 Š rrŠ Š‰ Š 2 Š Š Š Š. Š Š Še 3 2 ‰. Š-
ŠŠ
Š-
2 -
-
Š Š Š Š Š
{ Bb32 ‰ 2 Š Š Š Š 32 r Š Š Š Š Š
2 Š ‰
Š Š - - - - -
Š Š Š Š ‰. Š ‰. r q r Š
- -
Š Š
- - - -
Vb ‰ ‰ ‰ r Š 32 Š
60
Š ‰. Š 2Š Š Š ‰
grace, Thy ser-vants al - so may have
Vb Š Š Š Š ‰ ‰ r Š 32 Š Š ‰. Š 2Š Š Š Š Š. Še
([)
V may
have
b ‰ Š
- Š
-
Š Š Š Š ‰ Š rrŠ Š 32 ‰ Š Š ‰. Š Š 2ŠŠ Š Š Š ‰ Š. Š f
{ Bb
Š
‰ Š Š Š Š‰ Š Š Š rrŠŠ 32 ‰ Š Š ‰.
Š Š Š Š Š Š 2 Š Š Š Š Š. Še
f
allargando
Vb ‰ Š Š 32 Š
64
Š Š Š Š. Š Fff
f
ˆ.
place. A - - - men.
Vb ‰ ‰ 32 Š
Fff
Š Š Š ‰ Š ˆ.
place. A - - - men.
Bb ‰ Š Š 32 Š Š Š Š Š Š Fff
ˆ.
place. A - - - men.
V
allargando
b ‰ Š Š 32 Š Š Š Š Š. Še F
‰ ‰ Š ˆ.
{ Bb ‰ ‰
32 Š ff
Š Š Š Š Š Š Š Š Š Š Š - - - -
ˆ.
- -
E
228 The eternal gifts of Christ the King
for online perusal only

229
S(A)(Men)
Keyboard
54. The heav’ns sing
praises to God
Christian Gellert (1715–69)
trans. anon.
L. van BEETHOVEN (1770–1827)
lower voice parts by Alan Bullard
SOPRANO
ALTO
MEN
KEYBOARD
Majestically i = 108
Vbb 4 r p f
q r Š ‰ ‰
‰ Š Š -
‰ Š Š
Bbb 4 r p q r Š ‰ ‰ ‰ Š Š ‰ - Š Š
f
V
Majestically i = 108
bb 4 Š ‰.
Š ‰. Š ‰ ‰ ‰ Š Š ‰ Š Š
{ Bbb f
‰. 4 Š ‰. Š ‰. Š ‰ ‰ -
‰ Š Š ‰ Š -
Š
(Ped.)
The heav’ns sing prais - es to God in his
for online perusal only
6
pF
Vbb F f
‰ Š.
F p
‰ Š Š ‰ ‰ ‰ ‰ =‰ b‰ Še ‰. Š ‰. Š
Bbb ‰ Š Š ‰ ‰ ‰ ‰ b ‰ ‰ ‰ . Š #‰. Š
pE E f
V bb ‰ Š Š ‰ E p
F F
‰ ‰ ‰ =‰ Š.
F
b‰ Še ‰ . Š # ‰ . Š
{ Bbb ‰
p b b‰ ‰.
Š
Š f ‰ ‰ ‰ ‰ ‰ ‰ ‰. Š p
E
‰. Š
E
E r ˆ
glo - ry, And all earth ech - oes with his name. The un - i -
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

230 The heav’ns sing praises to God
12
cresc.
Vbb
‰ Š Š ‰ bŠ Š Š Š ‰ Š Š =‰ ‰ ‰ b‰. bŠŠ
Bbb ‰ Š Š ‰ Š Š b‰ Š Š ‰ =‰ ‰. bŠ
cresc.
V bb
‰ Š Š Š bŠŠ ŠŠ ŠŠ bŠ Š Š Š =‰‰ ‰ ‰‰‰ b b‰ . bŠ
{
legato
cresc.
Bbb ˆ‰ Š Š Š Š Š Š Š Š Š Š ˆ bˆ ‰ = =‰ ‰
‰.
‰. bŠ
- verse tells the won - der - ful sto - ry and to the spheres his
for online perusal only
17
f
Vbb r p
pp
q r bŠ b‰. ‰ ‰ ‰. Š Š
Bbb ‰ ‰ ‰. r p q r Š b‰. Š
V
f
bb
‰ ‰ pp
‰. bbŠ bbŠ Š Š Š bbŠ Š Š Š bbŠ Š Š Š
{
f pp legato
Bbb ‰ ‰ ‰.
‰. bŠ
r b bŠ ˆ Š Š Š bŠ ˆ Š Š Š b bŠ ˆ
Š Š Š
might pro - claim! Who set the
22
cresc.
Vbb bŠŠ ŠŠŠ ŠŠŠ Š =ŠŠ q q r Š Š b‰. Š
num - ber-less stars in the heav-ens? Who gave to
Bbb bŠ ŠŠŠ ŠŠ Š Š q q r Š ‰. bŠ
cresc.
V bb b bŠ Š Š Š ŠŠ = ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ bŠ Š Š Š
{
cresc.
Bbb bŠ Š Š Š Š Š Š Š Š Š Š Š Š
Š ˆ ˆ ˆ ‰ Š Š

26
Vbb Še Še f
=Š. Š r q r f
Š. f ‰. Š ‰ ‰ ‰ Š Š
us the migh - ty sun? That shines so bright - ly, so
Bbb bŠ. Š f
Š. Š f ‰. r q r Š ‰ ‰ ‰ Š
Š
f
V bb = Š Š Š Š Š Š Š Š ŠŠ ŠŠ ŠŠ ŠŠ ‰ ‰ ‰
Š
Š
{
f
Bbb b
bŠ
Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰
‰ Š Š
for online perusal only
The heav’ns sing praises to God 231
31
Vbb - p
F
F f
‰ Š Š ‰ Š Š ‰ ‰ ‰. Š -
‰ -
‰ -
‰. -
Š
- -
Bbb ‰-
Š Š ‰ Š Š ‰ ‰ ‰ . Š ‰ ‰ ‰-
. Š
pE E f - -
V bb ‰ Š Š
F
‰
F
Š Š ‰ ‰ ‰. Š ‰ ‰ ‰ . Š
{ Bbb - p f
‰ Š Š ‰ ‰. -
‰. Š
Š
- -
‰ ‰
- E ‰. Š ‰ ‰ ‰. -
Š
E - -
Vbb >
‰
37 ff >
=‰. Š ‰. Š
> >
‰ ‰ ‰. r p q
> > >
r
lights our path as we sing praise!
Bbb ‰. Š ‰. Š > ‰ > ‰ >
‰. r p q r
ff
V bb=‰. Š
>
‰. Š > - -
‰ ‰ ‰ Š ‰.
. Š ‰.
{
ff >
Bbb ‰. ‰. >
>
>
- -
‰. Š ‰. Š ‰ ‰ ‰. Š
‰. ‰. - -
Š > > - - -
‰.
> >
-
bright - ly up - on us, And lights our path as we sing praise, and

232
SATB
(Keyboard)*
Arthur T. Russell
(1806–74)
SOPRANO
ALTO
55a. The Lord ascendeth
up on high
V # 34 Š ‰ Š
Lively and joyous h. = 60
(Version 1)
‰ Š ‰ Š ‰ Š ‰ Š
mf 1. The Lord as - cend - eth up on high, The Lord hath
mp 2. The heav’ns with joy re - ceive their Lord, By saints, by
f 3. Our great High Priest hath gone be - fore, Up - on his
B#34 Š = ‰ Š ‰ Š ‰ Š ‰
Š ‰
TENOR
Š
BASS
V #
6
‰ Š ‰ Š ‰ Š Š. ‰ ŠeŠŠ Š Š‰ Š Š‰ Š #ŠŠ
for online perusal only
MICHAEL PRAETORIUS (1571–1621)
ed. Timothy Morris
tri - umphed glo - rious - ly, In power and might ex - cel -
an - gel hosts a - dored; O day of ex - ul - ta -
Church his grace to pour; And still his love he giv -
B# ‰ ‰ ‰ Š Š Š Š Š ‰ Š Š. Š Š f Š Š Š Š Š Š Š
V #
12
‰ Š ‰ Š Š. ‰ Še Š Š. ‰ Še Š ‰ Š ‰ Š
- ling; The grave and hell are cap - tive led. Lo! he re -
- tion! O earth, ad - ore thy glo - rious King! His ri - sing,
- eth. O may our hearts to him as - cend; May all with -
B# ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š
V #
18
‰ Š. ŠeŠŠ Š. ‰ ŠeŠ Š ‰ Š Š. ŠeŠŠ Š f Š Š Š ‰. ‰
- turns, our glo - rious Head, To his e - ter - nal dwell - ing.
his as - cen - sion sing With grate - ful ad - or - a - tion.
- in us up - ward tend To him who ev - er liv - eth!
B# ‰ Š ‰ Š ‰ Š ‰ Š Š ‰. Š Š ‰. ‰
* This SATB version may be combined with the keyboard part of Version 2 on the following page by allowing four bars’ rest
for the introduction and between the verses, and by repeating the last four bars of the last verse.
© Oxford University Press 2004 and 2007. Photocopying this copyright material is ILLEGAL.

233
1
2
Voices 1 2
Keyboard*
Arthur T. Russell
(1806–74)
V # Lively and joyous h. = 60
TUTTI unis.
34 r p p p f
rrŠ ‰ Š ‰ Š
VOICES
([)
The Lord as - cend - eth
34 Š Š. ŠeŠ Š Š Š ‰. ‰ Š ‰ Š =‰ ‰ Š
{
(Organ: LH)
B#34 Š
KEYBOARD mf ‰ Š
f
Š Š Š ‰ Š ‰ Š ‰ Š =‰ Š
(Man.)
(Ped.)
V #
7
‰ Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š Š. ŠeŠ
([)
55b. The Lord ascendeth
up on high
(Version 2)
for online perusal only
MICHAEL PRAETORIUS (1571–1621)
arr. Alan Bullard
up on high, The Lord hath tri - umphed glo - rious - ly, In power and
V# ‰ Š. Š#Š Š ‰ Š Š. ŠeŠ
f { B# ‰ ‰ Š ‰ Š Š Š ‰ ‰ Š ‰ ‰
Š ‰ Š ‰ Š Š Š Š Š ‰ Š Š. Š Š f
V #
14
mf
Š Š Š Š Š Š ‰ Š ‰ Š Š. ŠeŠ Š. Š
f
([)
f Š ‰ Š
might ex - cel - ling; The grave and hell are cap - tive led. Lo!
V # Š Š Š Š Š Š ‰ Š Š ‰ Š ‰ Š Š Š Š ‰ Š Š
([)
V# mf
f
Š Š‰ Š Š Š Š ‰ ‰ Š Š. ŠeŠ Š.
‰ #Š Š Š ‰ Š ‰ ŠeŠ Š Š Š
{ B# Š Š Š Š Š Š Š mf
‰ Š ‰ Š ‰ f
Š ‰ Š ‰ Š
* This keyboard part may also be combined with the SATB version on the previous page.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

234 The Lord ascendeth up on high
V #
21
‰ Š Š. ŠeŠ Š. Š
([) f Š ‰ Š Š. ŠeŠ Š Š Š ‰. ‰ r
he re - turns, our glo - rious Head, To his e - ter - nal dwell - ing.
V # Š Š Š ‰ Š ŠŠŠ Š ‰ Š Š. ŠeŠ Š Š Š ‰ Š ‰ r
([)
V# ‰ Š Š. ŠeŠ Š. ŠeŠ ‰ Š Š. ŠeŠ ‰. Š
Š Š ‰ Š ‰ Š Š Š Š Š ‰ Š ‰
{ B# ‰ Š Š Š ‰ Š ‰ Š ‰ Š p
‰ Š Š Š Š ‰. ‰ r V
for online perusal only
V #
29
VOICE 1 or SOPRANO
p p p mf
rrŠ ‰ Š ‰ Š ‰ Š
([)
The heav’ns with joy re - ceive their
V # VOICE 2 or ALTO
p p p rrŠ ‰ Š ‰ Š ‰ Š
([)
mf
V# Š. Š f
Š Š Š Š ‰. ‰ Š ‰ Š ‰ Š Š. ‰ Še#( Š ) Š
{ V # mp
‰ Š Š Š Š ‰ Š
BŠ ‰ Š =‰ Š ‰ Š
(Man.) ‰
V #
36
‰ Š ‰ Š ‰ Š ‰ Š ‰ Š Š. ŠeŠ Š Š Š Š Š Š
([)
Lord, By saints, by an - gel hosts ad - ored; O day of ex - ul - ta -
V # ‰ Š Š. ŠeŠ ‰ Š ŠŠŠ Š ‰ Š ‰ Š Š ‰ ‰ #Š
([)
V# ‰ Š Š. ‰ ŠeŠ Š ‰ Š ‰ Š ‰ Š ‰ Š Š ‰ Š Š ‰.
#Š
{ B# ‰
Š ‰ Š ‰ Š ŠŠŠ Š ‰ Š Š. Š Š f Š ŠŠ Š Š Š Š

V # VOICE 1 or TENOR
44
f
‰ Š ‰ Š Š. ŠeŠ Š. Š f Š ‰ Š ‰
Š Š. ŠeŠ
([)
- tion! O earth, ad - ore thy glo - rious King! His ris - ing, his as -
f
V # VOICE 2 or BASS
‰ Š Š ‰ Š ‰ Š Š Š Š ‰ Š Š Š Š Š ‰ Š
([)
V# ‰ Š ‰ Š Š. ‰ ŠeŠŠ Š. ‰ ŠeŠ Š Š Š ‰ Š Š Š Š. ‰ ŠeŠŠ
f
{ B# ‰ Š Š ‰ Š ‰ Š ‰ Š ‰ Š Š‰ Š Š ‰ Š
(Ped.)
The Lord ascendeth up on high 235
for online perusal only
V #
51
Š. Š
([) f Š ‰ Š Š. ŠeŠ Š Š Š ‰. ‰ r p p
- cen - sion sing With grate - ful ad - or - a - tion.
V # Š ŠŠ Š ‰ Š Š. ŠeŠ Š Š Š ‰ Š ‰ r p p
([)
V# Š. ‰ ŠeŠ Š ‰ Š Š. ŠeŠŠ Š Š Š ‰.‰ Š ‰ Š Š. ŠeŠ ŠŠŠŠ Š
{ B# ‰ Š ‰ Š Š Š Š
mf
‰ Š ‰. ‰ r ‰ Š Š Š Š
V #
59
VOICE 1
p f
rrŠ ‰ Š ‰ Š Š. Š Š
([)
f ‰ Š ‰ Š ‰ Š
V # VOICE 2
p rrŠ ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š
([)
V# f
Š. ‰. ŠeŠ Š ‰ Š. ŠeŠ Š ‰ Š =‰ Š ‰ #Š ‰ Š Š ‰ Š
{ B# ‰ Š ‰ Š f
‰ Š =‰ Š ‰ Š ‰
Š ‰ Š ‰ Š
Our great High Priest hath gone be - fore, Up - on his Church his

236 The Lord ascendeth up on high
V #
67
Š Š Š Š ‰ Š ‰ Š ‰ Š ‰ #Š ‰ Š Š. Š =( )Š
([)
grace to pour; And still his love he giv - eth. O may
f
our
V # ‰ Š ‰ Š Š. ŠeŠ Š Š Š Š Š Š ‰ Š ‰ Š
([)
V# Š‰ Š Š Š ‰ Š ‰ Š. Š Š ‰ ‰ #Š ‰ Š Š. Še =( )Š
f Š Š Š Š Š Š ‰ Š
{ B# Š Š Š Š ‰
Š
‰ Š. Š Š ‰ f Š Š Š Š Š Š Š ‰ Š ‰ Š
for online perusal only
V #
74
‰ Š ‰ Š ‰ Š Š . Š Š ‰ Š ‰ Š ‰
ff Š ([)
hearts to him as - cend; May all
f
with - in us up - ward tend To
V # Š. ŠeŠ Š. Š
([) f Š ‰ Š ‰ Š Š. ŠeŠ Š. Š f Š ‰ Š
ff
V# ‰ Š. Š Š ‰ Š. Š ‰ Š Š. ŠeŠ ‰ ‰ ‰ Š f f Š ‰ Š Š. Š Š Š. Š f f Š
{ B# ‰ Š Š Š Š Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ ff
Š
V # ‰ Š Š Š Š Š . Š f Š Š. Š f Š poco rit.
81
‰
ff
Š Š Š Š ‰. ‰
([)
([)
V # Š. ŠeŠ Š Š Š ‰. ‰ Š Š. ŠeŠ Š Š Š ‰. ‰
him who ev - er liv - eth, to him who ev - er liv - eth!
V#
poco rit.
‰ Š. Š Š Š Š Š Š. Š f Š Š. ŠŠ ‰ Š Š f
Š Š. f ŠŠŠ Š. Š Š ŠeŠŠ ‰ f ‰.
{ B# ff
‰ Š Š Š Š ‰
‰.
Š ‰
Š ‰ Š ŠŠŠŠ Š Š ‰
‰. Š ‰
ff

237
SAMen
Piano*
56. The Lord bless you
and keep you
Numbers 6: 24
JOHN RUTTER
(b. 1945)
S.
SOPRANO
ALTO
MEN
SOPRANOS
Andante espressivo i = 72
Vb 4 p q r t
p dolce e legato
Še ‰ Š Š Š
Bb 4 p p p
for online perusal only
Andante espressivo i = 72
The Lord bless you and
V b 4 t Š Š t Š Š
Š t Š Š Š t Š Š eŠ t Š
Š t Š Š
Š Š
{ Bb 4 ‰
PIANO* p legato sempre
ˆ ‰ ‰ ‰ ‰ ‰
4
Vb Š ‰ ŠŠ Š Š Š Š Š Š. Š f Še Š Še
keep you: The Lord make his face to shine up - on you, to
V b t
Š Š t Š Š Š t Š Š Š Š t Š Š Š
t
Š Š Š
t
Š Š Š
{ Bb ‰ ‰ ‰ ‰ ‰ Š
Š
7
Vb Š. Š f Š Š Š Š Š ‰ Š Š Š ‰ Š Š
shine up - on you and be gra - cious, and be gra - cious un - to
V b t Š Š Š t
Š Š Š t #Š e ‰ Š Š Š Š Š Š Š Š
‰ Š Š Š Š Š Š
{ Bb ‰ ‰ #‰ =‰ =‰ b‰
* The original version of the accompaniment, for organ, is compatible with the voice parts of this arrangement (though in G flat),
and is found in the SATB version of the anthem (978– 0–19–351128– 6) and John Rutter Anthems (978– 0 –19–353417–9).
© Oxford University Press 1981 and 2007. Authorized for sale in the United States of America by kind permission of Hinshaw
Music Inc. Photocopying this copyright material is ILLEGAL.

S.
A.
MEN
238 The Lord bless you and keep you
10
Vb q‰. t
p dolce sempre
r
Še f ‰ Š Š Š Š ‰ ŠŠ
Š
Bb q r t Š f
‰ Š Š Š Š ‰ Š Š
V b #Š Š Š t Š Š Š p dolce sempre
t Š Š = Š t Š Š Š t Š Š Š t Š Š Š Š
{ Bb ‰ ‰ ˆ ‰ ‰ ‰ ‰ you. The Lord bless you and keep you: The
for online perusal only
13
mp
Vb Š ŠŠŠŠŠ Š Š Š. Še
Š Še Še Še Š Š Š Š
f
Š f
Š Š Š. Š f f ŠŠŠŠ
Lord make his face to shine up - on you, to shine up - on you and be
Bb
Š ŠŠŠ Š
Š. Š f Š f
Š Š f Š. Š f ŠŠŠŠ
V b t
Š Š Š t Š Š Š
t
Š Š Š
t
Š Š mp
Š
t Š Š
Š t
Š Š
Š
mp
{ Bb
‰
Š Š ‰ r Š
‰
‰
‰
Š. Š f Š ŠŠ Š ‰ ŠŠ
t
#‰. Š f
Bb #Š. Š Š Š Š Š ‰ Š f Š ‰.
r
V b t #Š e Š Š t
Š Š t Š Š Š t Š Š Š Š
t
Š# Š t Š Š Š Š
{ Bb # ‰ = ‰ = ‰ b ‰ ‰ Š Š
16 gra - cious,
Vb Š ‰ Š Š Š ‰ Š Š ‰. t Še
gra - cious, and be gra - cious un - to you: The
mp

mf
19
cresc.
Vb Š Š =ŠŠ Š #‰. #Š ŠŠ =Š ##Š. ##Še Š Š #Š f #Š Š Š
Lord lift up the light of his coun - te - nance up -
Bb p p p
V b t
Š Š t Š =Š
=Š t Š Š# Š Š
t
Š Š Š
t #Š ##Š Š
t #Š ##Š Š
{
cresc.
mf
Bb #‰ Š. Še =‰ #‰ #‰ =‰
for online perusal only
22
*
Vb # #Š ‰ r mp cresc.
p mf p p
Š =‰ t bŠf Š Š Š Š b‰. Š Š Š. Š f
Š Š=Š
Bb q r t Š f
Š Š Š bŠ
‰. ŠŠ Š. Š f
Š Š
- on you, The Lord lift up the light of his coun - te-nance up -
mp cresc.
V b t bŠ bŠ =
t Š Š Š Š
t bŠ bbŠ t Š =Š bŠ Š
t bŠ
bŠ Š t Š
Š Š t Š
Š Š
t Š
Š Š
{ Bbb‰ Š b bŠ mp
Š b ‰ b Š. Š e
mf
‰ =‰ =‰ b‰
mf
The Lord bless you and keep you 239
and give you peace,
26
Vb p r
mpŠ Š Š Š =‰. Š r q
Š #‰. Š r q p p
- on you and give you
Bb Š ‰. Š r q p r
Š
Š Š
V b t Š #Š Š t Š Š Š t Š
Š Š
t Š
Š Š tr =Š Š Š Š Š p
Š Š Š =ŠŠ Š Š Š
t Š
Š
mp
Š
{
p
Bb ˆ‰ ‰
# ‰ = ‰ ‰
‰ ‰ b ‰ * If tenors are available, they may sing the alto part from here to bar 27, as well as, or instead of, altos.

240 The Lord bless you and keep you
30
Vb p
pp
p
r Š Š Š
Š ‰.
Š Š Š Š
peace,
Bb
Š ‰. Š Š Š Š Š ‰. Š
Š Š Š
and give you peace, and give you
pp
V b tr t Š
Š r Š Z
Š Š Š Š Š Š Š Š Š. t
Š Š Š t Š Š Š Š Š Š Š ‰
{
pp
Bbb‰
b‰ ‰ b ‰ ‰ = ‰ p
ˆˆ
p
for online perusal only
S.
A.
MEN
34
poco rit.
a tempo
Vb ˆ Š. t q p
mf
‰. Š Š
Vb
peace. A -
ˆ Š.
t q
Bb Š Š Š Š ‰. Š Š
Š ‰. Š ‰ Š
p
‰. Š
peace. A - men,
mp
peace. A - - men, a - men,
V
poco rit.
a tempo
b ‰. Š t Š
Š t Š Š
Š t Š Š
Š t Š Š
Š t Š Š
Š Š
t Š Š
ˆ mp
Š
{ Bb ˆˆ ˆ‰ ‰ ‰ ‰ ˆ‰ ‰ mf
mf

38
Vb Š ‰. ‰. f Š Š Š ‰ mf
Š Š Š Š ‰
- men, a - - men, a - men, a -
f
Vb Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š
f
The Lord bless you and keep you 241
a - men, a - men, a - men, a -
Bb Š Š Š Š Š Š Š Š Š Š Š ‰ Š ‰. Š
V b t Š Š Š
t Š Š Š
t Š
Š Š
t Š
Š t Š Š
Š Š
t Š Š Š tr ‰
Š Š Š Š Š
{
mf
Bb ‰ ‰ f mf dim.
ˆ ‰
‰
‰ ‰ Š‰ Š Š Š Š‰
Š
a - men, a - men, a - - men, a -
mf
mf
for online perusal only
rall.
molto rall.
42 mp
Vb ‰ p dim.
pp
‰ Š ‰ Š ‰. Š Š ˆF
- men, a - men, a - - men.
mp p pp
dim.
Vb Š Š Š Š Š Š Š Š Š Š ‰ ˆF
mp p dim. pp
- men, a - - men, a - men.
Bb
Š Š Š Š Š Š Š Š Š Š Š Š
ˆF
V
rall.
molto rall.
b ‰ Š Š ‰ Š Š Š Š ‰. Š Š Š ‰‰ ‰
F
ˆ
mp
{
dim.
Bb
Š Š Š Š p dim. pp
ˆ ˆ ‰
‰ Eˆˆ
- men, a - - men, a - - men.

242
S(A)(Men)
Keyboard
to Neil and Kristen on the occasion of their marriage, 5 May 2007
57. The Lord’s my Shepherd
Psalm 23
The Scottish Psalter, 1650
BOB CHILCOTT
(b. 1955)
S.
A.
SOPRANO
ALTO
MEN
Flowing and expressive i = 84
unis.
V 34 p p p r r t p dolce
Š f Š Š Š Š
B 34 p p p p p
for online perusal only
The Lord’s my Shep-herd,
V
Flowing and expressive i = 84
34 ‰. ‰. ‰. rrŠ Š‰.
Š ‰ ‰.
{ B 34 ‰ Š
KEYBOARD p ‰. ‰ Š ‰ Š ‰. ‰ Š ‰ Š
(Man.)
6
mp
S.
V Š Š Š t Š f Š Š Š Š ‰ Š Š Š A.Š Š Š Š
V
I’ll not want. He makes me down to lie In pas-tures green: he
‰. ‰. r r Š Š‰. Š Š Š Š. ‰. ŠeŠ Š
{ B ‰. ‰ Š ‰ Š ‰‰. mp
‰ Š ‰‰. ‰ Š
10
unis.
V Š. Še Š Š Š Š ‰ t p
Š Š
Še Š Š Š Š ‰.
lead-eth me The qui-et wa - ters by, the qui-et wa - ters by.
V Š‰. Š Š Š Š. ŠeŠ Š Š Š f
Š ‰ Š ‰‰‰ ‰
. ‰.
{ B ‰ . ‰‰ ‰. ‰. ‰ p
‰ Š ‰ Š ‰ Š
Š
‰
(Ped.)
Š
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S.
A.
MEN
15
V p p r r t Še
Š ŠŠŠŠ Š Š Š Še
f
Š Š Š
t
Š
My soul he doth re - store a-gain; And
f
B p p r r t Š f ŠŠŠ Š Š Š Š t Š f
V p
‰‰ .
r r Š Š Š Š Š Š ‰.
‰. ‰.
‰‰ .
{ B ‰. ‰
‰
Š ‰‰. ‰.
Š
‰ Š ‰ Š
‰
Š
for online perusal only
20
mp
V ŠŠŠŠ Š Š Š Š ‰ ŠŠŠŠŠ Š Š Š Š Š Š Š Š. ŠeŠ me to walk doth make With - in the paths of right-eous-ness, E’en
f
B Š Š Š Š ‰ Š Š Š Š Š Š ŠŠŠ. Š
mp
f
Vr r Š Š Š Š Š Š ‰. Š Š Š Š Š Š
{ B ‰. Š ‰‰‰ ‰ . Š mp
‰‰ ‰.‰ Š ‰‰ Š
24
V Š Š ŠŠ Š ‰
t ŠeŠ Š f
Š Š Š Š ‰. ‰.
for his own name’s sake, e’en for his own name’s sake.
B Š Š Š Š ‰ t Š Š f
Š Š Š ‰. ‰.
V‰ Š Š Š Š ‰ ‰‰‰ .
‰
‰ . ‰ ‰‰‰
. .
{
cresc.
B ‰
Š ‰
Š ‰
Š ‰
Š ‰
p
The Lord’s my Shepherd 243
Š

244 The Lord’s my Shepherd
MEN or TUTTI unis.
29
Vr r t mf
bŠ e bbbb Š Š Š Š Š Š Š Š Š Š Š Š
([)
Yea, though I walk through death’s dark vale, Yet will I fear no
V Š‰ Š ŠŠ bbbb ‰
Š Š Š Š Š
Š
Š ‰ Š Š Š
Š Š Š
‰ Š Še Š. Š Š
{ B ‰
mf
Š bbbb Š Š Š Š Š Š
‰. ‰ Š ‰ Š Š‰ Š Š Š
for online perusal only
33
Vbbbb ‰ t Še Š Š Š Š Š Š Š Š Š Š Š Š
([)
ill: For thou art with me and thy rod And staff me com - fort
V bbbb
Š Š Š Š Š Š Š ‰ tŠŠ Š ‰. Š. Š. Še Š Š
{
f
Š Š f
Š
Bbbbb Š‰ Š ‰
Š Š Š Š Š Š ‰ Š Š ‰
‰ Š ‰
Š ‰ Š
S./A.
MEN
37
(unis.)
Vbbbb ‰ t Še Š Š Š Š Š Š Š Š Š Š Š Š
Bbbbb ‰
r r r t Š Š Š f Š Š Š Š Š Š Š
still. My ta - ble thou has fur-nish-ed In pres-ence of my
still. My ta - ble thou has fur - ni -
V bbbb
Š Š Š Š Š Š Š. Še Š Š Š Š Š Š Š ‰ Š. Š Š Š
{ Bbbbb f
‰. Š Š ‰
Š Š Š
‰ Š ‰ Š Š‰ Š Š Š

my cup o - ver -
41
S.
Vbbbb ‰ t Še Š Š Š Š Š Š Š Š Š Š Š ====
A.Š ŠŠ Š
foes; My head thou dost with oil an-oint, And my cup o - ver -
Bbbbb Š Š Š ‰ Š Š Š Š Š Š Š ====
- shed, My head thou dost an - oint, And my
bbbb ‰ Š Š ŠŠ. ŠeŠ Š Š . ŠeŠ Š ‰
Š. Š ====
{
f f
Š Š Š Š Š
‰. Š Š Š Š ‰. Š ‰ Š ‰ Š Š Š Š Š ‰ Š Š Š Š Š ====
- flows, o - ver - flows.
45
V ‰. f
Š Š Š Š‰ Š Š ‰‰.. ‰.
- flows, my cup o - ver - flows.
B Š f =( )Š Š ‰ Š ‰. ‰.
V
cup o - ver - flows.
=( ‰.))Š . Še Š Š ‰.
Š ‰‰ . ‰‰‰ .
{ B Š ‰. =( )Š‰ ‰‰‰ .
r t Še Š Š Š Š Š
(Man.)
49
opt. SOPRANO DESCANT
V p p p p r t mf
Še Š Š Š Š Š Š Š
Good-ness and mer-cy all my
ALTOS & MEN unis. or TUTTI
V p p p r r t mf Š
([)
f Š Š Š Š Š Š Š t Š
Good-ness and mer - cy all my life Shall
f
‰. ‰‰‰ rrŠ Š .
Š Š Š Š ‰.
‰. ‰. Š Š ‰ ‰‰‰ ‰ {
mp
mf
B ‰ Š ‰
Š ‰
Š ‰. ‰ Š ‰.‰ Š
‰
Š
for online perusal only
(Ped.)
The Lord’s my Shepherd 245

S.
A.
MEN
246 The Lord’s my Shepherd
55
V Še Š Še Š Š Š. Š f Š Š t f
ŠeŠŠ Š . Š f Š Š ‰ t Š
life Shall sure-ly fol - low me: And in my Fa - ther’s heart al - way My
f
V Š Š Š Š ‰ t f
Še Š Š Š Š Š Š Š. Še Š Š Š Š
([)
sure-ly fol - low me: And in my Fa - ther’s heart al-way My dwell-ing-place shall
V ŠŠ Š Š Š ŠŠŠ ŠŠ ‰. Š Š ‰ Š Š
Š ‰‰ .
{ B f
‰. Š ‰‰‰ ‰ . Š ‰‰ ‰.‰ Š ‰‰ Š ‰
Š
60
mp
V Š Š Š Š ‰. ‰ Š Š ‰. ‰.
dwell-ing-place shall be, shall be,
V‰ t Š e Š Š ‰ ‰ Š ‰. ‰.
([)
for online perusal only
be, my dwell-ing-place shall be,
V Š‰ Š Š Š Š ŠŠ . Š eŠ Š Š‰.
Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š
{
mp
B ‰
Š ‰
Š Š Š Š Š Š Š Š
‰. ‰. ‰. Š
65
rit.
p
Vrrt
Š e Š p p Fp
f
Š Š Š Š ‰. ‰.
my dwell-ing-place shall be.
B rrt Š Š f
Š Š Š ‰. ‰. p p p
V p
E
rit.
. ‰‰ . ‰. ‰. rrŠ Š F
‰ Š ‰. Š ‰
Š
‰ .
{
p
B ‰. ‰ Š ‰. ‰ Š ‰
‰.
‰ Š ‰ r ‰.
(Man.)
E
‰.
mp
(Ped.)

247
S(A)(T)(B)
(Keyboard)*
58. The peace of God
Trad. Hebridean
ALAN BULLARD
(b. 1947)
SOPRANO
ALTO
TENOR
BASS
KEYBOARD*
Gently flowing i = 100
Vbbb 34 r p p p
p
rrŠ
Bbbb 34 r p p p rr
Š
V
Gently flowing i = 100
bbb 34 Š Š‰ Š Š Š Š‰ Š Š Š Š. ŠeŠ Š Š‰.
Š Š
{ Bbbb 34 p Š espress. Š Š e legato
Š Š Š Š Š Š Š Š Š Š Š ŠŠŠŠ ‰ Š Š‰.
Š Š
(Man.)
The
p
for online perusal only
5
with you,
Vbbb ‰ Š ‰ Š Š Š ‰ ‰ Š ‰ Š
Bbbb
‰ Š ‰ Š ‰ Š ‰
Š ‰ Š
‰‰ Š ‰ Š ‰ Š ‰ Š ‰ ‰
Š ‰ Š
peace of God be with you, The peace of
V bbb ‰ Š ‰ Š Š‰. Š ‰ ‰
Š ‰ Š
{
gently
Bbbb
Š Š Š Š Š Š Š Š Š Š Š Š Š. Š ‰ ŠeŠ Š Š Š ‰ Š Š Š Š
‰.
Š Š
* Sing bass rather than tenor if few men are available. The keyboard part may be omitted in SATB and SAB performances.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

248 The peace of God
10
with you,
mp
Vbbb ‰ Š Š Š ‰ ‰ Š ‰ Š Š Š Š
‰ Š ‰ Š ‰ Š ‰ Š Š Š Š
Christ be with you, The peace of Spi - rit be
Bbbb ‰ Š Š ‰ ‰ Š ‰‰ Š Š Š Š
V mp
bbb ‰ Š Š‰. Š ‰ ‰ Š Š ‰ Š ‰ Š Š Š Š
{ Bbbb Š Š Š Š Š Š Š Š Š Š Š ‰. mp
Š Š Š Š Š Š Š Š Š Š Š Š
15
Vbbb Š Š ‰ Š Š Š ‰. Š Š Š Š‰ Š Š ‰ Š Š
Bbbb
Š Š Š ‰. Š Š Š ‰. Š
Š Š
Un - til the day, un - til the day at the
with you, Un - til the day, un - til the day at the
with you, Un - til the day at the
V bbb Š Š ‰ Š Š Š ‰. Š Š Š Š‰ Š Š ‰ Š Š
{ Bbbb
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š
20 end of our lives.
VbbbŠ. Še Š ‰. ‰. ‰ Š Š Š Š Š
Bbbb
for online perusal only
‰. Š. Š f
Š ‰. ‰ Š Š Š Š Š
end of our lives. The grace of
Š. Š Še Š ‰‰. Š ‰. ‰ Š Š ŠŠŠŠ Š
end of our lives.
V bbbŠ Š Š ‰ Š Š Š Š Š Š Š. Š Š Š Š f
ŠŠ
Š. Š Š f
‰. ‰ Š ‰ Š
p
{ Bbbb ‰. ‰.
t Š e‰ t Še‰ ‰. ‰ Š Š Š Š Š Š Š Š
,
,
p
, p

mp
Š Š Š Š ‰ Š Š ‰
Š Š Š Š Š Š Š Š Š
God be with you, The grace of Christ be
Bbbb Š‰ Š Š Š ‰ Š Š Š Š
‰ ‰
Š Š ŠŠ Š ‰ Š Š Š
Š
V bbb Š Š Š Š. ŠeŠ Š Š mp
Š
‰ Š ‰ Š Š Š Š Š Š Š Š
mp
{ Bbbb Š Š Š Š Š Š ŠŠŠŠ ‰ Š Š
‰
Š Š Š Š Š Š Š ‰ Š Š Š Š Š Š
30 with you,
mf
Vbbb Š‰ Š ‰ Š Š ‰ Š Š Š Š Š Š Š Š Š Š ‰
The peace of God 249
25
with you,
Vbbb ‰ Š Š Š ‰ ‰ Š Š Š Š Š ‰ Š
Bbbb
for online perusal only
with you,
with you, The grace of Spi - rit be
with
Š ‰ ‰ Š ‰ Š ‰ Š Š Š Š Š‰ Š Š ‰.‰ Š
mf
Spi - rit be with
V bbb Š. Še Š Š Š
Š
Š Š
‰ Š
ŠŠŠ Š Š
Š ‰ Š ‰ Š Š ŠŠŠŠŠŠ Š
mf
{ Bbbb ‰ Š Š ‰ Š ‰ Š Š‰. Š Š Š Š Š Š‰ Š Š Š Š Š Š Š Š Š Š
r ‰.
(Ped.)
35
ev - er, and for e -
p cresc.
Vbbb ‰ Š Š ‰ =Š Š Š
Š Š Š Š Š Š Š Š Š ‰ Š ‰.
p cresc.
For ev - er and ev - er and ev - er,
you,
Bbbb
Š Š Š ‰. ‰ Š
‰ Š Š Š Š =Š Š =ŠŠ
you, For ev - er, and ev - er, and for e -
V bbb ‰ Š Š ŠŠŠ Š Š Š Š Š Š Š Š Š
Š
ŠŠŠŠŠ
Š Š Š Š Š Š Š Š Š Š =Š Š Š
{ Bbbb Š Š Š Š Š p ‰ Š ‰ Š ‰ Š Š
‰ cresc.
r
‰. ‰. Š Š Š Š =Š =Š

250 The peace of God
tenuto
poco meno mosso
- ter - - - ni - ty.
40
f
Vbbb Š ‰. =Š bŠ ‰.‰ Š =‰ Š Š
p
Š =Š ‰ Š Š ‰ Š. Š f Š Š
and for e - ter - ni - ty. The peace of
f
Š Š p
‰ Bbbb
bŠ =Š Š Š ‰ Š ‰ ,
Š ‰ Š
- ter - - - ni - ty. The peace of
tenuto
V bbb Š Š=Š Š Š Š Š
poco meno mosso
‰. ‰ Š Š Š Š Š =ŠŠ ŠŠŠŠŠŠ =Š =ŠŠ Š Š Š Š ‰ Š Š Š Š Š Š
{
f
‰ Bbbb
Š =Š Š Š Š Š Š p
‰. ‰. ‰. ‰ Š ‰.‰ Š
for online perusal only
poco rit.
with you for e - ter - ni - ty.
45
Vbbb Š Š ‰ Š
pp
‰ Š
Š
Š. Š Š Š ‰ Š ‰ Š Š Š Š ‰.
f
God be with you for e - ter - ni - ty.
with you for e - ter - ni - ty.
Bbbb b‰ Š ‰. Š. Š Š Š Š f
‰ Š ‰
Š ‰.
God be with you for e - ter - ni - ty.
V
poco rit.
bbb ‰ Š. ŠeŠ Š ‰ Š ‰. Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š
{
poco pp
Bbbb ‰. ‰
‰ Š ‰. Š Š‰ Š Š ‰. ‰ r
50
V bbb Š‰ Š Š Š Š Š‰ Š Š Š Š Š. ‰ Še Š
Š ‰. ‰
{
ppp
Bbbb
‰. ‰. Š
Š Š ‰. ‰
(Man.)
,
,
pp

251
Voices 1 (2)
Keyboard
59. There is no rose
Anon. Medieval
VOICE 1
VOICE 2
ANDREW SMITH
(b. 1970)
V # Grazioso i = 85
## 3 434 r p p r
F
r Š
([)
V # ## 3 4 r p p r
F ,
r Š
([)
V# Grazioso i = 85
## 3 4 Š ‰ Š Š Š Š
F
‰
,
Š
{ B### 34 r p p r Er Š
,
mp
1. There
KEYBOARD mp p
mp
(Man.)
for online perusal only
V #
4
## . ‰ Š Š Š Š Š. Š f Š Š. ‰ Š
([)
is no rose of such vir - tue As
(2.) in this rose con - tain - ed was Heav’n
V # ## . ‰ Š ‰ Š ‰ Š Š Š Š
([)
V# ## . ‰ Š ŠŠ ‰ ŠŠ Š
Š.
‰
Še
Š Š. ‰ Š Š Š
{ B### .‰ ŠŠ ‰ Š ‰ ŠŠ Š r Š r r Š r r Š r r Š Š
(Ped.)
Performance suggestion: v. 1: sopranos and altos; v. 2: tenors and basses, with sopranos singing ‘Res miranda’ in bars 15–17;
v. 3: sopranos sing the top line while altos, tenors, and basses sing the melody; v. 4: sopranos and altos, with tenors and basses
joining the altos from ‘Transeamus’ (bar 39 to the end).
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

252 There is no rose
V #
8
## mf ‰ Š Š Š Š ‰ Š ‰
Šf
([)
V # ##
‰ Š Š Š Š Š. Še Š Š. ‰ Š
([)
V# mf
f
## ‰ Š ŠŠ ‰. ŠŠ ŠŠ ‰‰ Š ‰ Š Š‰ Š Š
{
mp
B### Š‰ Š Š ‰. Š Š Š ‰. Š Š‰.
Š ŠŠ
V # rit. a tempo
12 1.
## ‰ Š Š Š Š
, mp 2.
Š . ‰ Š Š
mp
Š Š Š
([)
([)
is the rose that bare Je - su; Al -
and earth in lit - tle space; Res
for online perusal only
,
V # ## ‰ Š Š Š Š . ‰ Š Š Š Š
- le - lu - ia. 2. For mi - ran - da, Res
, mp mp
rit. a tempo
V#
1.
2.
## ‰ Š Š Š Š Š ŠŠ Š Š . ‰ Š Š Š Š Š ŠŠŠ ŠŠŠ Š
mf r
{
p mf p
B### ‰. ‰. ‰ Š . ‰. r
‰. ‰ r
V # rit.
14
## Š Š =Š Š Š Š Š Š
p
‰ Š
, f
#( ) Š Š Š Š
([)
V # ## Š Š =Š Š Š Š Š r p ,
r r Š
([)
V# ##
‰ =Š Š Š Š ‰ f
rit.
Š ‰‰‰
‰. ‰
Š # ŠŠ
Š ,
r
Š
{
pp
mf
B###
=‰. ‰ r V ‰‰ Š ‰ BŠ
* If performing in unison, sing the lower part in bars 17–30.
Poco più
mosso
mi - ran - da, Res mi - ran - da. 3. *The
(Man.)
Poco più
mosso

V #
18
## ‰ Š Š Š
Š
‰ Š Š. ‰ Š
([)
an - gels sung - en the shep - herds to:
V # ##=‰ Š Š =Š Š =Š. Š
([)
f Š Š. ‰ Š
V# ##=‰ Š =‰ ŠŠ =ŠŠ Š
=Š. ‰
Še Š Š. =Š ‰ Š = Š
{ B###=‰ ŠŠ =‰ =Š =‰ ŠŠ =Š Š
r =‰ r =‰ =Š
> > r =‰
> r =Š Š
for online perusal only
(Ped.)
There is no rose 253
V #
22
## Š Š =Š ‰ Š ‰
ff
cresc.
Š Š Š =Š
([)
- ria in ex - cel - sis De - o:
V # cresc.
##=‰ Š Š =Š Š =‰ Š ‰
Š
([)
- ria in ex - cel - sis De - o:
ff
V# ##=‰ Š =‰ ŠŠ =ŠŠ ŠŠ Š =‰‰ Š =‰ Š Š ‰. =ŠŠ Š
{
cresc.
B###=Š‰ =Š ‰. Š Š =‰ Š Š =Š ŠŠ
r Š r r Š r r ‰ ‰. ‰.
V # rit.
26
##‰ Š Š Š =Š ‰ Š ‰ Š ‰.
([)
V # ## ‰ =Š Š Š Š Š ‰ =Š Š ‰. ‰.
([)
V# ## ‰ Š =Š Š Š =Š Š ==‰‰ ‰
Š
‰ Š =Š Š Š =Š Š =Š rit.
‰. Š Š ‰.
f
{ B###==‰
‰. . =‰. ==‰
‰. . ‰. ‰.
‰.
- de - a - mus, Gau - de - a - mus.
Glo -
Glo -
Gau -

254 There is no rose
we this joy - ful birth; Trans - e - a - mus, Trans-
V #
31
Tempo I
## p ‰ p Š Š Š Š Š. Š
([)
f ŠŠ. ‰ Š ‰ Š
V # ## p ‰ Š ‰ Š ‰ Š Š Š Š ‰ Š
([)
V# ## p p
Tempo I
‰ Š Š ‰ Š Š Š. ‰ Še Š Š. ‰ Š Š Š ‰ *
Š
p
{ B### ‰ . ‰ ‰. . ‰ ‰. . ‰ ‰. . ‰ ‰. . ‰ ‰. .
V # (Piano: repeat tied notes as required)
37
##
mf
Š Š Š ‰ Š ‰
Š Š Š Š
mp
Š Š Š Š Š
([)
V # ##
‰ Š Š. ŠeŠŠ. ‰ Š Š Š Š Š Š Š Š Š
([)
mf
mp
V# ##
Š‰ Š ‰ Š Š Š Š ‰. ‰
Š Š. Š .
{
f ŠŠ. ‰.
B### ‰
‰ ŠŠ ‰. =‰.
‰. . ‰ ‰. . mf
‰. ‰. V # rit.
## Š =Š Š Š =Š Š Š =Š p ‰ Š
Fpp
42
Š =‰ Š ‰.
([)
Trans - e - a - mus.
- e - a - mus,
V # ## Š
p
=Š Š Š =Š Š Š =Š Š Š Š =Š
Fpp
Š ‰ Š ‰.
([)
Trans - e - a - mus.
V#
rit.
## = =‰. ‰ F
. =‰. ‰. Š ‰. Š
E
‰
{
mp p pp
B### ‰. ‰. ‰. ‰. Š‰. ŠŠ =Š ‰.
E
‰.
(Man.)
4. Leave we all this world - ly mirth, And fol - low
for online perusal only
* The right-hand part may be omitted in bars 32–8.
(Ped.)

SA(Men)
Keyboard
for the Music Group of St Thomas More’s, Kidlington
60. The True
and Living Bread
255
Timothy Dudley-Smith
(b. 1926)
DAVID BLACKWELL
(b. 1961)
SOPRANO
ALTO
MEN
KEYBOARD
Flowing i = 66
Vbbb 4 q p
mp
S./A. unis. or SOLO
q t Še Š Š
Bbbb 4 q p p
I bow be -
V
Flowing
bbb 4 t i = 66
Š f Š Š Še Š Še Š Š Š Š Š Š Š Š Š Š
{
mp legato
Bbbb 4 q
Še ‰. Š Še Š
r ‰. Š
(Man.)
for online perusal only
3
VbbbŠe Š. Š ŠŠŠ ‰
t Še Š Š Š. Še Š Š Š Š
- fore you, all my sin con-fessed, to hear a - gain the words of love you
V bbb Še Š . Š‰ ŠŠŠ t
‰
Še Š Š ‰ Š. Še Š Š Š Š
{ Bbbb ‰ ‰ Š Š Š ‰ r Š
Š‰.
Š ‰ Š
Music: © Oxford University Press 2007; Words: ‘As in that upper room you left your seat’ from A House of Praise © Timothy
Dudley-Smith in Europe and Africa, © 1993 Hope Publishing Company in the United States of America and the rest of the
world. Reproduced by permission of Oxford University Press and Hope Publishing Company. All rights reserved. Photocopying
this copyright material is ILLEGAL.

S./A.
MEN
256 The True and Living Bread
6
Vbbb ‰ t Še Š Š Š Š Š ŠŠŠ ‰ t Še Š Š
V bbb ‰
t
Še Š Š Š Š Š ŠŠŠ ‰
t
Š Š Š Še Š
r bŠ Š ‰. Š
{ Bbbb ‰. Š Š Š Š Š Š Š
‰ ‰. Š Š Š Š
said; and at your ta - ble, as your hon-oured guest, I take and
mp
Vbbb Š. Še Š Š Š Š ‰ t (TUTTI)
9
Še Še f Š Š Š f Š. Š ŠŠŠŠ Š Š
Bbbb p q t Š f
ŠŠ Š f Š. ŠŠŠŠ
mp
V bbb Š . Š e Š Š Š Š ‰ t
Š.
Še Š Š Še Š. Š‰
ŠŠŠ
{ Bbbb ˆ r Š ‰ Š Š Š Š
Š
Še
‰ Š. ‰
for online perusal only
eat the true and liv - ing bread. I bow be - fore you, all my sin con -
(Ped.)
12
Vbbb t Še Še Š Š ‰
t
‰ Š Še Š Š
f Š Š Š. Š f Š Š Š Š Š Š r
- fessed, to hear a - gain the words of love you said;
Bbbb ‰ t Š f
ŠŠ Š. Š f Š Š Š ‰
r
to hear a - gain the words you said;
V bbb t
‰
Še Š Š ‰ Š. Še Š Š Š Š ‰ Š Š Š
t Še Š Š
{ Bbbb Š Š Š Š
Š
Š Š ‰ Š Š Š
‰ ‰ ‰. Š ‰. Šr
to hear a - gain the words of love you said; and at your

15
ta - ble, as your hon-oured guest,
Vbbb Št Š ŠŠŠ Š ŠŠbŠ Š ‰
t Še Š Še f f
Š Š Š.
f
Š Š Š Š
your ta -ble, as your guest, I take and eat the true and liv-ing
Bbbb t Š ŠŠŠ Š Š Š Š ‰ f r Š ŠŠŠŠ
your ta -ble, as your hon - oured guest, the true and liv -ing
V bbb Š Š Š ŠŠŠ ‰
t
bŠ Š Š ‰. Še Š Š Š . Š e Š ŠŠ.
Š Š
{ Bbbb Š Š Š Š
‰ Š Š ‰. ‰. Š Š Š Š ˆr Š ‰
18
Vbbb ‰ q p p p
bread.
Bbbb ‰ q p p p
bread.
for online perusal only
V bbb ‰ t Š eŠ Š Š Š Š Š Š Š Š Š Š ŠetŠ ‰ f Š Š Š. Š { f
Š Š Š Š
mf
Bbbb Š‰ q t Š Š ŠbŠ f
Š Š Š Š f t Š r Š
Š ‰ ‰
(Man.)
22
DESCANT
Vbbb p mf
r Š Š Š Š Š Š ‰
OTHER VOICES Re - mem - brance, life laid down,
mf
Vbbb q t Še Š Š Še Š. Š ŠŠŠ t
‰
Še Š Š
([)
So in re - mem-brance of your life laid down I come to
V bbb ‰ t Še Š Š Šr Š Š Š Š ‰
f Š. Š Š Š ‰ Š f Š. Š Š Š
{ Bbbb Š Š Š ‰ Še
‰ Š.
Š‰ Š Š Š‰ Š Š Š‰
Š Š Š
(Ped.)
The True and Living Bread 257

258 The True and Living Bread
25
Vbbb r Š Š Š Š Š Š ‰ r Š bŠ Š Š Š
to praise you, grace di - vine; and sub-ject to your
VbbbŠ. Še Š Š Š Š ‰ t Še Š Š Š Š Š ŠŠŠ
([)
praise you for your grace di - vine; saved by your cross, and sub-ject to your
V bbb Š Š Š Š Š Š. Š Š ‰ Š Š bŠ Š
f Š Š Š Š Š Š
{ BbbbŠŠ ‰.
‰ Š Š ‰ r Š Š Š Š ‰. Š ‰ Š Š
rall.
28
Vbbb Š Š r Š Š Š ŠŠ Š Š ˆ
crown, for ser - vice by this bread and wine,
Vbbb ‰ t Še Š Š Š Š Š Š Š Š ˆ
([)
crown, strength-ened for ser - vice by this bread and wine,
V
rall.
bbb ‰. Š Š Š Š Š ‰
Š Š Š Š Š Š Š Š Š Š Š Š Š
{ Bbbb ‰. Š ˆr Š ‰
ŠˆŠ ‰.
slower
31
Vbbb ‰ t mp
p
Še Š Š Š Š Š Š Š Š ˆ
strength-ened for ser - vice by this bread and wine.
Vbbb ‰ t mp
p
Še Š Š Š Š Š Š Š Š ˆ
([)
strength-ened for ser - vice by this bread and wine.
V
slower
bbb ‰ t Še Š Š Š Š Š Š Š Š
t
Š. ‰ Še Š Š Še Š.
{
mp
p
Bbbb q r Š ‰ t Še Š Š Še
‰ ˆ
Š. ˆˆ
for online perusal only

259
S(A)(Men)
Keyboard
61. Thou visitest the earth
Psalm 65: 9, 12
MAURICE GREENE
(1696–1755)
SOPRANO
ALTO
MEN
V # 34 r p p p p
rr. Š Š.ŠŠ
r r pŠ
MEN: sing 2nd time only
B#34 r p p p rr. r r r Šp
Moderato i = 116 1st time: SOPRANO SOLO or unis. Ṭhou vi-sit-est the
2nd time: SOPRANOS & ALTOS
34
Thou
V#
Moderato i = 116
34 Š Š.ŠŠ Š ‰ Š Š.ŠŠ.ŠŠŠ Š Š.ŠŠ . Š Š.ŠŠ Š
{ B#34 r rrŠ Š.ŠŠ Š Š ‰
Š.ŠŠ ‰ . r r r Š
KEYBOARD p p
(Man.)
Thou
(Man.)
for online perusal only
V #
6
ŠŠ.Š Šr Š Š. Š Š Š. ŠŠ
Š Š. Š Š Š Š‰.
Š. ŠŠ. Š ‰ Š. Š Š
f
earth, and bless-est it, and bless-est it: and crown - est the year, the
B# Š. Š Š Š Š ‰ Š. Š Š Š Š Š Š Š Š #Š
vi - sit-est the earth, and bless-est it: and crown - - est the
vi - sit-est the earth, and bless-est it: and crown-est the year with thy
V# Š.ŠŠ Š ‰ Š. Š Š. ŠŠ Š Š. ŠŠ Š Š‰
Š. ŠŠ. Š ‰ Š
{ B# Š. Š Š Š Š ‰
Š. ‰ Š Š Š ‰ Š Š Š #Š
The repeat is optional. If omitting, sing tutti throughout.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

260 Thou visitest the earth
V #
11
ŠŠ Š Š. ŠŠ Š Š. Š Š Š.. #ŠŠ. Š
#Š Š Š ‰ ‰ Š. Š Še#Š f Š Š. Š f Š
year with thy good - ness, Thou crown - - est the year with thy
cresc.
B# Š Š Š Š Š Š Š.. Š “
Š. Š #Š Š Š Š Š Š
good-ness, thy good - ness, Thou crown - - est the year with thy
V# ŠŠ Š Š. Š Š. Š#Š Š Š.. Š ‰ #ŠŠ. Š ‰ Š. Š Š . Š #Š f Š f
{
cresc.
B# Š Š Š ‰ Š Š.. Š “
Š. Š #Š Š Š Š Š Š
V #
16
Š mf
Š. Š Š r r r Š. ŠŠ Š r Š.Š Š Š Š. Š Š Š Š r Š Š.Š Š Š Š Š. Š Š
B# Š Š
mf Š Š. Š Š Š Š r Š Š. Š Š Š Š ‰
good - ness. Thou vi - sit-est the earth, Thou vi - sit-est the earth, and
V# Š . Š Š r r r Š Š. ŠŠ Š Š. ŠŠ ‰
‰ Š Š Š. Š mf
{ B# ‰ Š Š. Š Š Š Š r Š. Š Š Š r r Š
Š Š ‰
year with thy good- ness, Thou crown - est the year, the year with thy
cresc.
for online perusal only
good - ness. Thou vi - sit-est the earth, and bless-est it, and
mf
good-ness. Thou vi - sit-est the earth, Thou vi - sit-est the earth, and
V #
21
f
Š. Š ‰
Š
Š. Š ‰ Š ‰ Š.
Š
Š
r Š ‰ Š Š. ŠŠ Š. Š Š. Š f
f Š Š Š Š
B# Š. Š Š Š f ‰ Š. Š ‰ Š Š Š Š Š Š Š
V# Š.ŠŠ ‰ Š ‰ Š. Š ‰ Š Š. ŠŠ ‰ Š. Š Š. Š Š Š. Š f
Š f
{ B# ‰ Š. Š Š Š ‰ Š. Š ‰ Š ‰ Š Š Š Š. Š Š Š Š
(Ped.)
bless-est it: Thou crown - est the year, the year with thy good-ness, Thou
bless-est it: Thou crown - est the year with thy good - ness, Thou
bless-est it: Thou crown - est the year, the year with thy good - ness, Thou

V #
26
Š.. ŠŠ. Š‰ Š. Še Š .
p
Š
Š ‰
‰
Š.
Š. Š
Š
f Š Š Š Š Š. Š Š r Š ‰
p
crown - - est the year with thy good-ness. Thou crown -
B# Š.. Š “
Š. Š Š Š Š Š Š Š Š Š . Š p ‰ Š. Š
crown - - est the year with thy good - ness. Thou crown - est the
V# Š Š.. ‰ Š Š. Še Š . Š Š . ‰ Š. Š
“
Š. Š ‰ Š Š Š Š Š Š ‰
{ B# ‰ Š.. Š Š Š Š Š Š Š Š . Š
p ‰
“
Š.ŠŠ Š Š
Š. Š
(optional repeat)
crown - est the year, the year with thy good - ness. Thou crown - est the
.
for online perusal only
(Man.)
year, the year with thy good-ness, Thou crown - est the year, the
V #
31
‰ Š ‰ Š. Š
mf
Š Š. ŠŠ Š. Š Š Š. Š f Š Š Š Š.. Š ‰ ŠŠ. Š‰ Š. Š f Š
- est the year with thy good - ness, Thou crown - est the
B# ‰ Š Š Š Š Š Š Š Š.. Š “
Š. mf
Š Š Š Š
year, the year with thy good - ness, Thou crown - - est the
V# ‰ Š Š. ŠŠŠ ‰ Š. Š Š. Š Š Š. Š Š Š Š ‰ f Š.. Š “
Š. Š ‰ Š
{ B# ‰ Š ‰ Š Š Š Š. Š Š Š Š ‰ Š.. Š Š “
Š.ŠŠ Š mf
Š
year with thy good - ness.
V #
36
Š. ŠŠe Š Š. Š r p p p
Š
r r
year with thy good-ness.
B# Š Š Š Š Š r p p p r r
year with thy good - ness.
V# Š. Še Š . Š Š Š Š.ŠŠ. ŠŠ. Š ‰ Š ŠeŠ Š
Š Š Š
Š.ŠŠ Š Š.ŠŠŠ
p
pp
{ B# Š Š Š Š
Š r r r Š Š.ŠŠ.ŠŠ.Š Š Š Š Š
Š
(Man.)
Thou visitest the earth 261
(Ped.)

262
S(A)(T)(B)
Keyboard
62. To be a Pilgrim
John Bunyan
(1628–88)
VOICES
KEYBOARD
Maestoso, poco allegro i = 148
V 4 p 34 p p 24 p 34 p p
([)
V 4 ‰ Š Š 34 ŠŠŠŠŠ r bŠ Š 24Š ŠŠŠ 34ŠbbŠbŠ bŠŠŠŠŠ
mf { B 4 ‰ #Š Š 34 Š ŠŠŠŠ r bŠ 24 Š bŠŠŠ 3 4 con brio
‰. ‰ Š ‰ Š b Š
- Š-
bb‰ =Š
(Man.)
NICHOLAS BURT
(b. 1962)
v. 1: TUTTI unis.
v. 2: TENORS & BASSES unis. or TUTTI
7
V p . mf
([)
4 ‰ Š Š Š Š Š Š Š Š Š t Še Š Š 34Š Š Š r 4
1. Who would true va - lour see, let him come hi - ther;
2. Who - so be - set him round with dis - mal sto - ries,
V ‰ . . 4 Š Š ‰ Š Š ŠetŠ ‰ -
34 -
Š Š =Š ‰ Š Š ‰ Š
-
Š 4
{ B ‰. . 4 ‰ ‰‰ ‰ ‰ Šet r ‰ 34Š Š
Š 4
ˆ ‰ ‰ Š f
12
V 4 ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š 34Š Š r 4
([)
(Ped. (small notes) 2nd time only)
one here will con - stant be, come wind, come weath - er.
do but them - selves con - found; his strength the more is.
V 4 ‰ ‰‰ ‰ Š Š Š #ŠŠ Š Š#ŠŠŠ Š Š Š 34Š#ŠŠ r 4
{ B 4 ‰ ‰ ‰ Š Š Š Š Š Š Š 34Š Š
Š 4
(Man. 1st time; Ped. 2nd time)
for online perusal only
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

S./T.
A./B.
S.
A.
T./B.
16unis. (mf )
V 4 b‰ Š Š 34Š Š Š Š Š 4 r bŠbŠ Š 24 Š ŠbŠŠ 34Š. Še Š Š 24
([)
There’s no dis - cou - rage-ment shall make him once re - lent his first a -
No li - on can him fright, he’ll with a gi - ant fight; but he will
V 4 r Š Š Š 34Š Š Š 4‰ Š Š 24 bŠ Š Š 34Š. Še=Š Š 2
unis.
4
([)
(mf )
V 4 b‰ = Š Š 34Š Š Š Š Š 4Š bbŠ bŠ Š 24 bŠ Š Š Š 34ŠŠ. Še Š. Š Š 24
{ B 4 Š Š Š Š 34 Š ‰. bŠŠ Š Š
4Š Š bŠ Š 24 b bŠbŠ ‰ Š Š 34 Š ‰. =ŠŠ =Š Š 24
for online perusal only
To be a Pilgrim 263
V 24 Š
21
1.
2.
Š 34Š t ([)
Š e Š Š 4Š Š Š Š Š
p . p
- vowed in - tent to be a pil-grim.
have a right to be a pil-grim.
V 24 Š Š Š Š 34Š t
([)
Š e Š Š 4Š Š Š Š Š
p . p
V 24 Š Š Š Š 34Š t
Š e Š Š 4Š Š ˆ
. ‰ #‰‰
{
f
Š Š Š Š Š ‰ ‰
B 24 34 4 mp
‰ ‰ Š Š Š Š Š r . r ‰ Š
r q
.
‰. .
Š
25
p
V‰ ‰ marcato
Š Š >
#Š Š >
Š >
Š Š Š Š >
34 ‰ Š. Še#Š Š 4#Š Š Še Š t q
> >
f
3. Hob - gob - lin nor foul fiend can daunt his spi - rit;
B ‰ Š Š Š Š Š Š 34 #Š . Š Š f 4 Š unis. > > > > Š f t q
V p ‰ marcato
Š Š #‰‰ ŠŠ ŠŠ 34 ‰ #ŠŠ 4#ŠŠ Š.
q
- . . - . .
{
p marcato
B r ‰ r r ‰ r 34 r ‰ 4 q Š.
(Man.)
Š.

S./T.
A./B.
29
-
V‰ #Š . Še Š Š 34 Š.
>
‰ Š Š Š. Še#Š 4#Š Še t q
f
Š Š ‰ Š >
Š Š
he knows he at the end shall life in - he - rit.
f
B ‰ Š Š Š. Š f
Š Š 34 #Š -. Š Š > f 4 Š Š f t q
V ‰ ‰ #‰‰. ŠŠ 34 Š. Še#Š 4#Š Še t
‰ Š Š. q
{ B ‰ ‰ #‰. Š 34=‰ Š 4 Š. t Š Š
264 To be a Pilgrim
for online perusal only
Vr Š#Š Š Š 34 Š
33
unis. cresc.
. Š
mf
([) f Š 4 rŠŠbŠ Š Š bŠ Š. Š f
Then fan - cies fly a-way, he’ll fear not what men say; he’ll
unis.
Vr Š Š Š#Š 34 Š. ŠeŠ 4 rŠ Š Š Š bŠ Š Š. Še
([) cresc.
V ‰ ‰ 34 mf
Š . #ŠŠeŠ
4 rŠŠbŠ Š Š bŠ b Š Š . Še
{
cresc.
B ‰ ‰ 34 mf
Š 4 b‰ b‰ ‰
Š Š Š ‰
‰ r tŠbŠ Š f
V b Š
37 f
Š Š =Š #Š. Še Š Š#Š #Š Š q 34 p
([)
la - bour night and day to be a pil- grim.
VŠbŠ Š Š Š. Še Š#Š Š Š Š q 34 p
([) f
V b‰ ‰ #‰‰ ‰ Š‰
Š Š Š # ‰ Š 34 Š Š Š Š Š
f
mf
{ B b‰ ‰ =( ‰) ‰ ‰ Š ‰ #Š Š ‰ =Š Š Š Š#Š 34 Š Š Š Š Š
q ‰.
(Man.)
(Ped.)

To be a Pilgrim 265
41
Vr bŠŠ Š Š Š 24Š > Š Š Š 34Š bbŠ-
bŠ-
bŠ Š Š Š Š
{ B ‰ r bŠ Š 24 Š ‰ bŠ Š Š 34 Š b Š
-
bb‰ =Š
S./T.
A./B.
45
V p 4 q
f
‰ Š Š Š Š Š Š Š t Še Š Š 34
([)
for online perusal only
f
*4. Who would true va - lour see, let him come
V p 4 ‰ Š Š Š Š Š Š Š Š Š t Še Š Š 34
([)
*4. Who would true va - lour see, let him come
V Š Š Š 4 ‰ Š Š ‰ Š Š Šet Š ‰ 34
{ B Š Š =Š
4 ‰ f
‰. ‰‰ ‰ Še ‰
ˆ ‰ ‰ Š
t r q 34 f
(Ped.)
V 34 Š
49
Š Š r 4 q ‰ Š Š Š Š Š Š Š Š#Š Š 34
([)
hi - ther; one here will con-stant be, come wind, come
V 34 Š Š Š r 4 ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š 34
([)
hi - ther; one here will con - stant be, come wind, come
V 34 Š -
Š
-
Š
-
4 ‰ Š‰ Š Š Š Š Š Š #Š
Š Š #Š Š Š Š Š 34
{ B 34 Š Š
Š 4 ‰ ‰ ‰ Š Š Š
Š Š Š Š 34
* If performing in unison, sing the lower part in bars 46–58.

266 To be a Pilgrim
V 34 Š #Š Š r 4 r Š Š Š 34 Š Š Š 4 ‰
53
Š bŠ 24
([)
([)
weath - er. There’s no dis - cou - rage - ment shall make him
V 34 Š Š r 4 b‰ Š Š 34Š Š Š Š Š 4 r bŠ bŠ Š 24
weath - er.
V 34 r 4 r Š 34 4 ‰ Š Š#Š Š
b = ‰ Š Š Š Š Š Š Š Š bb Š b Š Š 24
{ B 34 Š Š
Š 4 Š Š Š Š 34 Š ‰. bŠ Š Š Š
4Š Š bŠ Š 24
for online perusal only
V 24 Š Š 34Š. Še Š =Š 24 Š
57
b b
Š Š Š 34Š t Š ([)
f Š Š 4
once re - lent his first a - vowed in - tent to
V 24 Š Š bŠ Š 34Š. Še=Š Š 24Š Š 34Š t
Še Š Š 4
([)
V 24 bŠ Š Š bbŠŠ Š 34ŠŠ. Še Š. Š Š 24 Š Š Š Š 34Š t
Še Š Š 4
{
f
Š
B 24 b bŠ ‰ bŠ Š Š 34 Š ‰. =Š Š =Š Š 24 ‰ Š Š 34 ‰ Š 4
senza rall.
61
V 4 Š Š Š Š Š Š.
p t p pp
Š Š.
Š.
Š Š Š Š.
Š q
([)
. .
be a pil - grim, to be a pil- grim.
V 4 Š Š Š Š Š
p t
. Š Š.
Š.
Š Š Š Š.
Š q
([) . p.
.
V 4 Š Š Š ‰‰ Š Še t pp
senza rall.
Š Š ŠŠ Š r q ŠŠ Š q
. .
{
mp
pp
B 4 Š Š Š Š Š Š ‰ Š
Še
Š
t r q . .
Š q f . .
Š

267
Voices 1 (2) (3)
Keyboard
63. Were you there?
VOICE 1
VOICE 2
VOICE 3
V # With calm intensity h = 54
v. 1: SOLO or VOICE 1
v. 5: VOICE 1 or TUTTI
2 q p p p mp
q Š Š
([)
V # 2 q p p p p
([)
V# S With calm intensity h = 54
2 Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ ‰ Š Š
{ B# 2 Š Š ‰ ‰ ˆ ˆ ˆ ˆˆˆ
1. Were you
5. Were you
KEYBOARD mf p legato e espress.
(Man.)
American spiritual
arr. PETER HUNT (b. 1955)
S
for online perusal only
V #
5
‰ Š Š Š Š Š. Še ˆ q Š Š ‰ Š Š
([)
-
there when they cru - ci - fied my Lord? Were you there when they
there when they laid him in the tomb? Were you there when they
unis. p
V # ˆ ‰ ‰ ‰. Š Š ‰ r Š Š Š Š
([)
*Swing low, sweet cha - ri - ot, com - in’ for to
V# ‰
Š Š ‰ Š Š ‰ Š Š ‰. Š ‰ Š Š
{ B# r‰. Š ‰. Š ‰ Š Š Š ‰ Š Š Š
ˆ ˆ ˆ
Š
‰. Š ˆ
(Ped.)
* The spiritual ‘Swing low, sweet chariot’ may be sung as an optional counter-melody in verse 5.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

268 Were you there?
V #
10
Š-
Š Š Š ‰. r Š ‰ Š Š. Š f Š. Še
([)
cru - ci - fied my Lord? Some-times it cau - ses me to
laid him in the tomb? Some-times it cau - ses me to
V # Š Š ‰ ‰. r ‰
‰ ‰ ‰
([)
car - ry me home. Swing low, sweet
V# Š ‰ Š Š Š Š Š Š Š Š Š =Š ‰ Š Š Š
{ B# ˆŠ Š Š Š ˆŠ Š Š Š ˆr ‰ Š q ˆ =Š Š
mp
for online perusal only
V #
14
Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š. Še
2nd time to Coda
mp
O
-
([)
trem - ble, trem - ble, trem - ble; were you there when they cru - ci - fied my
trem - ble, trem - ble, trem - ble; were you there when they laid him in the
V # ‰. Š Š ‰ r Š Š Š Š Š Š Š Š
([)
cha - ri - ot, com - in’ for to car - ry me
V# =Š ‰ Š Š Š Š Š Š Š ‰. Š ‰ Š Š Š ‰. ‰ Š Š
{ B# ‰. Š ‰ Š Š Š Š Š ‰ Š Š ˆ ‰ ‰
p
2nd time to Coda O
1
V #
18
ˆ p p p
([)
Lord?
V# ˆ‰ Š Š Š , Š Š Š Š Š Š Š Š Š Š Š Š Š
mf f
{ B# r Š ‰ r Š ‰
ˆ ‰
‰ ˆ ˆ

V # v. 2: TUTTI
22
v. 3: VOICE 1
p mf
q Š Š . ‰ Š Š Š-
Š Š. Še
([)
2. Were you there when they nailed him to the
(3.) there when they pierced him in the
V # v. 3 only: VOICES 2 & 3
p p . r
div.‰
‰ Š ˆ
([)
V# Were you there?
Š Š Š Š Š Š ‰‰‰ . Š Š Š Š Š Š Š Š Š=Š Š Š Š Š Š
{ B# t Š Š Š Š Š ŠŠŠ Š Š Š
mf (p)
ˆ ˆ Š . ˆŠ Š ‰
ˆr bŠ ‰
(Piano: con Ped.)
V #
26
cresc.
ˆ q Š Š ‰ Š Š Š-
Š Š Š 32
([)
tree? Were you there when they nailed him to the
side? Were you there when they pierced him in the
V # cresc.
r ‰ Š r Š
-
=Š ˆ ‰ #( ) Š Š Š Š Š 32
([)
-
Were you there? When they pierced him in the
V# Š Š Š=Š ŠeŠ Š f Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š. Š ŠŠ Š Š Š Š f ‰ 32
{ B# r bŠ ‰ r Š Š
ˆ ‰. Š ˆr ‰.
ˆ
r ‰. 32
V # 32 ‰. r Š Š 2 Š
30
f ‰ Š Š. Š f Š. Še
([)
for online perusal only
tree? Oh some-times it cau - ses me to
side? Oh some-times it cau - ses me to
f
V # 32 ‰. r Š‰ Š 2 ‰ Š =ŠŠ Š Š Š bŠŠ
([)
side? Oh some - times it cau - ses me to
V# 32 ‰‰‰ ‰ ‰‰‰
2 = ‰‰ ‰ ‰ ‰‰
ŠŠŠ Š bŠ Š
{ B#32 r ‰ Š Š Š
2 Š f
Š Š =Š Š Š Š bŠ
ˆ
‰ ‰
‰ ‰. Š
p
Were you there? 269

270 Were you there?
1
2
3
V #
33
f
Š Š Š Š Š Š Š Š ‰ Š Š
([)
trem - ble, trem - ble, trem - ble; were you there when they
trem - ble, trem - ble, trem - ble; were you there when they
V # #(‰ ) ‰ Š Š Š Š Š Š ‰ #‰‰
([)
V# trem - ble, to trem - ble; were you there to
#( ) Š Š Š Š Š Š Š ‰‰ Š ŠŠŠ
‰
-
Š Š #‰
-
f >
{ B# Š #( ) Š Š Š Š =( .) ‰ Š ‰ Š r ‰ >
Š Š ˆ
V #
36
1.
p 2.
Š Š Š. Še ˆ q Š Š . ˆ
([)
for online perusal only
nailed him to the tree? 3. Were you
pierced him in the side?
V # =‰ ‰ ‰ p p . ˆ
([)
see my Lord?
V# = ‰‰‰
- ‰
- Š ‰ Š ‰‰‰
Š Š . Š Š Š Š
> >
{ B# r ‰ Š ‰
dim.
‰ Š Š Š Š Š Š Š .
t Še ‰.
ˆ ˆ ˆ ˆ
V # p p 42 p
38b
VOICES 1 & 2 pp
q Š Š = ([)
2
4. Were you
V # p p 42 p VOICE 3
q
([)
Š =
Š 2
V# Š Š Š Š Š = Š p
Š Š Š Š 42=ˆˆˆ
ŠŠŠ rŠŠ = 2
{ B# t Še‰.
=Š Š ‰.
42 rŠ‰ ‰ ŠŠ pp
ˆ ‰ ‰ ˆ Š r Š Š
q = 2
f
In this verse Voices 1 and 2 are optional; Voice 3 must be sung

shine?
V 2 41
‰ Š Š bŠŠ Š Š. ŠeŠ bbˆ ‰ ([)
f ‰ Š Š =‰ Š Š
there when the sun re - fused to shine? Were you there? Were you
V 2 ‰ Š Š Š Š Š. Še ˆ ‰ Š Š
([)
shine?
V 2 ‰ ‰ b‰ ‰ bb‰ b Š Š = ‰ Š Š
{ B ˆˆ
gently
2 ˆ
ˆ
‰
‰
(Man.)
Were you there? 271
for online perusal only
shine?
V 45
poco
‰ Š Š Š Š Š Š ˆ ‰ Š Š ‰ Š Š ‰ Š Š
([)
there when the sun re - fused to shine? Were you there? Oh some - times it
V‰ Š Š Š Š Š Š ˆ ‰ ‰ Š ‰ Š
([)
poco
shine?
mp
V ‰ ‰ Š Š ‰ Š‰ Š ˆ ‰ Š Š ‰ Š‰
Š ‰ ‰
{
poco
B ‰ Š Š ‰ ‰ p
ˆ
‰ ‰ ‰
‰ Š Š ˆŠ ‰.
50
V bŠ bŠ pp
Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š
([)
cau - ses me to trem - ble, trem - ble, trem - ble; were you there when the
V Š. Še Š. Še Š Š Š Š
([)
Š Š Š Š ‰ Š Š
V p
bˆ bŠ ‰. ‰
Š Š Š Š Š ‰ ‰
{ B ‰ Š Š Š
pp
‰ Š Š ‰. Š ‰ Š Š ˆ‰ ‰
p

272 Were you there?
54
mf
V bŠŠ Š Š. ŠeŠ ([)
b b‰ bŠ bŠ. Še =( )ˆ q
f ‰ Š Š Š Š bŠ f ˆ ‰
sun re- fused to shine? When the sun re-fused to shine?
mf
V Š Š Š. Še ˆ ‰ ‰ ˆ ‰ q
([)
sun re- fused to shine, to shine?
V b‰‰ ‰‰ bb‰ ‰ bŠ‰ Š Š‰ Š bŠ. bŠe =( ‰)
Š #Š ‰ Š Š f
{ B Š ‰ Š b bˆ bbŠ Š Š Š
‰ ˆ ‰ ‰ =( ˆ)ˆ ˆ
59 D.S. al Coda
V p # 60O V # CODA
mf mp
ˆ ‰ Š Š ‰ Š Š
([)
([)
V p #
V # mf mp
ˆ ‰ Š Š Š Š Š Š
([)
([)
home. Oh com - in’ for to
V
D.S. al Coda
‰ Š Š # O
{ B ˆˆˆ V# ‰ ‰ ‰ ‰ CODA
Š Š Š Š Š Š Š Š
Š r q # {
mf
B# mp
‰ ‰ ‰ Š Š ˆ‰ ‰
V #
63
poco rit. al fine
Š Š Š Š ˆ ˆ p p pp
‰ ‰ ˆF
([)
laid him in the tomb? Were you there?
V # Š Š Š Š ˆ ˆ p p
2‰ ([)
3‰ ‰ F pp
ˆ
for online perusal only
tomb? Were you there when they
car - ry me home. Were you there?
poco rit. al fine
V# Š Š Š Š Š ‰ Š ‰. Š ‰ Š Š ˆˆ ‰ ‰
{ B# Š Š Š Š ˆ Š Š Š Š Š
p
ˆ ‰ Š Š ˆ ˆ
Š Š Š ˆŠ Š ‰
Fˆ
pp
ˆ
E

273
Voices 1 2
Keyboard
11th-cent. Latin hymn for the
Exposition of the Holy Sacrament
VOICES
Freely flowing and not too slow i = 80
VOICE 1
Vb 34 p 4 p p
ŠŠŠ Š Š Š Š Š 34Š Š ŠeŠ t 4
([)
Where all cha-ri - ty and love are,
U - bi ca - ri - tas et a - mor,
V b 34 Š Š Š 4‰ ‰ Š‰ Š Š Š Š Š Š 34Š Š Š ŠeŠ t
Š. 4
{
KEYBOARD
Bb 34 Š p
Š Š 4 ‰ sempre legato
‰ ‰ Š Š ‰ Š Š 34 Š Š. Šet 4
(Man.)
VOICE 2
5
Vb4 4 ŠŠŠŠ Š. t p
ŠŠŠ Š Š Š Š Š 34Š Š ŠeŠ t 4ŠŠŠŠ Š. t
([)
God is al-ways there. Where all cha-ri- ty and love are, God is al-ways there.
De-us i - bi est. U - bi ca - ri - tas et a - mor, De-us i - bi est.
V b4 Š. Š Š Še = Š t .
Š Š Š Š Š Š Š 34Š Š Š ŠeŠ Š.
t 4Š. ‰ Še Š. t
{ Bb4 ‰ Š . t Š Š b( Š ) Š 34 Š Š Š. t 4‰ Š Š
Š. t
TUTTI
9
unis.
Vb . mp
ŠŠŠ Š Š Š Š Š 34Š Š Še Š t 4Š Š Š Š. t
([)
64. Where all charity
and love are
(Ubi caritas)
for online perusal only
Antiphon for Maundy Thursday
arr. ALAN BULLARD (b. 1947)
1. We are all gath - ered un - to one by the Christ’s love,
1. Con - gre - ga - vit nos in u - num Chris-ti a - mor.
2. There-fore wher - e’er we are gath - ered all to - ge - ther,
2. Si - mul er - go cum in un - um con -gre - ga - mur:
V b . Š Š Š Š Š Š Š 34 Š Š Š Š t f 4Š Š Š .
t
mp
{ Bb . Š Š Š Š 34 Š Š. t 4Š Š Š. t
The distribution of voices between parts 1 and 2 may be varied to achieve contrasts between the phrases. The repeat for verse 2
is optional.
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.

274 Where all charity and love are
1
2
Vb 34 12
mf
Š Š Š Š Š Š Š Š Š Š ŠeŠ t f Š
4
([)
Let us all re - joice, and be glad in him:
Ex - ul - te - mus, et in ip - so
Let our thoughts not be di - vi - ded,
Ne nos men - te di - vi - da - mur
V b Š Š Š Š Š Š Š 34 Š Š Š f Š t 4
{
mf
Bb Š Š Š Š. Še
‰. Š 34 Š Š Še
Š. Š t 4
Vb44 VOICE 2
14
f
Š t p p
ŠŠŠ Š.
34Š Š Še Š Še
([)
let us praise God. Let us re - vere and
ju - cun - de - mur. Ti - me - a - mus
let us be one. Let us cease to
ca - ve - a - mus. Ces - sent jur - gi -
V b4 Š Š =Š. t -
ŠŠŠŠ Š Š.
t 34‰ Š Š Š
{ Bb4 Š f p
‰ =Š Š. t b ‰ Š. t 34Š Š Š
VOICE 1
17
Vb Š Š Š Š Š Š 4 Š Š Š Š. t p
34Š Š Še Š Še
([)
for online perusal only
let us love the liv - ing God, Let us love each
et a - me - mus De - um vi - vum. Et ex cor - de
quar-rel, let us live in peace, Let us cen -
- a ma - lig - na, ces - sent li - tes. Et in me - di -
V b Š Š Š 4 Š Š Š ‰ ‰ Š Š
34‰ Š Š Š
{ Bb Š Š Š 4 bŠ ‰ Š 34Š Š Š

20
mf (ie = ie
Vb Š Š Š Š Š Š 4 Š Š Š
)
Š Š Š Š ‰
([)
o - ther from the depths of our heart.
di - li - ga - mus nos sin - ce - ro.
- tre our thoughts with Christ in our midst.
- o nos - tri sit Christ - us De - us.
(ie = ie )
Where all charity and love are 275
Še t r
V b Š Š Š 4 Š Š Š Š Š. ‰ Še t r
{ Bb Š Š Š 4 bŠ mf
Š. p
Š. ‰ Še tŠ=Š
1
2
Vb 34 23
ŠŠŠ Š Š Š Š Š Š Š ŠeŠ t 4Š t
f Š ŠŠŠŠ Š.
([)
p
Where all cha - ri - ty and love are, God is al-ways there.
U - bi ca - ri - tas et a - mor, De - us i - bi est.
V b Š Š Š Š Š Š Š 34 Š Š Š Š t f 4Š Š Š Š. t
{
ˆ Bb ‰ ‰ 34 Š Š. t 4 Š ‰ Š Š. t
26
Vb ŠŠŠ Š Š Š Š Š 34 Š Š ŠeŠ t 4Š t .
f Š ŠŠŠŠ Š.
([)
for online perusal only
Where all cha - ri - ty and love are, God is al-ways there.
U - bi ca - ri - tas et a - mor, De - us i - bi est.
(repeat optional)
V b Š Š Š Š Š Š Š 34 Š Š Še Š t 4Š Š Š Š. t .
{ Bb ˆ ‰ ‰ 34 Š Š Š. . t 4Š Š Š. t .

276 Where all charity and love are
TUTTI
29
unis.
mf
Vb ŠŠŠ Š Š Š Š Š 34Š Š Še Š t 4Š ŠŠ Š.
([)
3. And with all the bless-ed com-pa - ny of saints let us see God.
3. Si - mul quo - que cum be - a - tis vi - de - a - mus.
V b Š Š Š Š Š Š Š Š 34Š Š Še t 4Š ŠŠ Š. t
‰ Š Š f Š Š ‰ Š Š
{
mf
Bb 34 t 4 Š Š. t
‰ ‰ Š Š. Š ‰ Š Š
(Ped.)
t
1
2
Vb 34 ŠeŠ t 4 32
f
ŠŠŠ Š Š Š Š Š Š Š Š Š t f Š ŠŠŠ Š.
34
([)
Let us see your glo-rious and most ho-ly face: Christ the one God.
Glo-ri - an - ter vul - tum tu - um. Chri - ste De - us:
V b Š Š Š Š Š Š Š 34 Š Š ŠeŠ t 4 Š Š Š Š .
t 34 Š Š Š Š {
f
Bb 34 Š Š Šet 4 Š. t 34Š
-
‰ ‰ Š Š. Š Š Š. Š Š -
Š
- -
Vb Še Še 4 36
Š Š Š Š t f f
Š Š Š Š Š Š Š Š Š Š.
34
([)
ff
for online perusal only
Pure and un-bound - ed joy be ours, Je - sus Christ,
Gau - di - um, quod est im - men - sum, at - que pro - bum.
V b Š Š Še Š Še Š Š Š Š Š Š 4 Š Š Š Š . t 34
{
ff
Bb ‰ Š 4 t
‰. Š Š Š Š Š Š. 34
p

Vb34 ŠeŠ Še 4 39
Š Š Š Š 54ˆ f f
Š Š Š Š Š Š Š Š Š Š Š Š Š r 34
([)
ff
Where all charity and love are 277
Our Lord for ev - er, and ev - er, Je - sus Christ.
Sae-cu - la per in - fi - ni - ta sae - cu - lo - rum.
V b34 Š Š ŠeŠ Še Š Š Š Š Š Š 4 Š Š Š Š Š Š Š 54ˆ r B 34
{
ff
Bb34 ‰ Š Š Š Š 4 Š Š Š. .
Š.
Š. 54ˆ r 34
43
poco meno mosso
p
Vb 34 Š Š Š 4 ‰ Š. t mp
34Š Š Š Š
54
{
([)
for online perusal only
A - men, A -
Bb 34 ŠŠ Š ŠŠŠ
4 Š Š Š Š Š. t V 34Š ŠŠ ŠŠŠŠ
54
p clearly
mp
Bb 34 4 Š. t
‰. ‰ Š.
34‰. 54
rit.
pp
Vb54 ‰ ‰ r Š Š Š ‰ 4 ˆF ˆ
46
([)
- men, A - men.
V b54 Š Š Š Š ‰ r ŠŠŠ Š Š Š Š Š Š
F
‰ Š Š Š ‰ 4 ˆ
pp
{ Bb54 ‰ ‰ r ‰ Š ˆ ‰. ‰ 4Ê
ˆ

278
SA(Men)
Keyboard
for Wendy
65. Wondrous Cross
Isaac Watts
(1674–1748)
SOPRANO
ALTO
MEN
KEYBOARD
V # SOLO or SMALL GROUP
Teneramente i = 60
# 34 p p t p espress.
Še Š Š Š Š Š Š ‰
B## 34 p p p p
V#
Teneramente i = 60
# 34 ŠŠŠ ŠŠŠ ‰‰‰ =ŠŠŠ Š Š
‰‰
ŠŠŠ ŠŠŠ ‰‰‰ =ŠŠŠ ŠŠŠ ‰‰
pp
{
(Organ: Flute/Celeste)
B## 34 Š Š ‰ =Š Š ‰ Š Š ‰ =Š Š ‰
for online perusal only
(Man.)
PHILIP WILBY
(b. 1949)
When I sur-vey the won-drous cross
V #
5
# ‰ r t
Še Š Š Š Š =Š Š ‰ ‰ r
On which the Prince of Glo - ry died,
V# # ŠŠ ŠŠ ‰‰ Š Š ‰ =ŠŠ ŠŠ ‰‰ = ŠŠ ŠŠ ‰‰
{ B## Š Š ‰ Š Š ‰ =Š Š ‰ Š Š ‰
V #
9
# tŠ f
ŠŠ=Š bŠ =Š Š ‰ ‰ r r t Še Š =Š
V# # Š Š ‰
= =Š Š ‰
=Š Š ‰ bŠŠ ŠŠ ‰‰
{ B##b=Š Š ‰ Š Š ‰ Š Š ‰ b=Š Š ‰
My rich-est gain I count but loss, And pour con -
Music: © 2005 Salvationist Publishing & Supplies. Administered by Copycare, PO Box 77, Hailsham, BN27 3EF, UK,
music@copycare.com. Used by permission. Photocopying this copyright material is ILLEGAL.

S./A.
MEN
V #
13
poco cresc.
# Š. =Še Š Š ‰ Š ‰ Š mp
‰.
- tempt on all my pride.
V# # b ŠŠ ŠŠ ‰‰ #Š‰ Š ‰
Š ‰ ŠŠ‰ Š ‰. ŠŠŠ
ŠŠ Š ‰‰‰
{
poco cresc.
B## =Š Š ‰ #Š Š ‰ =Š Š ‰ Š Š r ‰
for online perusal only
mp espress.
Wondrous Cross 279
(Ped.)
V # TUTTI
17
unis.
# p t
Še Š Š Š Š Š Š ‰ ‰ r
For - bid it, Lord, that I should boast,
B## p t Š f
Š Š Š Š Š Š ‰ ‰ r
V# mp espress.
# = ŠŠŠ ŠŠŠ ‰‰‰ ŠŠŠ ŠŠŠ ‰‰‰ =ŠŠŠ ŠŠŠ ‰‰‰ ŠŠ ŠŠ ‰‰
{
mp
B##=Š Š Š Š =Š Š r ‰
Š Š r
‰
r
‰
r
‰
V #
21
# t
ŠeŠ Š Š Š =Š Š ‰ ‰ r tŠ f
ŠŠ=Š bŠ
Save in the cross of Christ my God; All the vain things that
B## t Š Š Š Š Š =Š Š ‰ ‰ f r t Š f
Š Š =Š bŠ
V# # Š Š ‰ =ŠŠ ŠŠ ‰‰ = ŠŠ ŠŠ ‰‰ Š Š ‰
{ B## Š Š =Š Š‰ ŠŠ‰ b=Š Š‰
r
‰ r
‰
r
‰
r
b‰

280 Wondrous Cross
V #
25
#=Š Š ‰ ‰ r r t Še Š =Š Š. =Še Š Š
charm me most, I sa - cri - fice them
B## =Š Š ‰ ‰ r r t Š f
Š =Š Š. =Š f Š Š
V# # =
=Š Š ‰
=Š Š ‰ bŠŠ ŠŠ ‰‰ b Š Š ‰
{ B## ŠŠ‰ ŠŠ‰ b=Š Š‰ =Š Š‰
r
‰
r
‰
r
b‰
r
‰
poco più mosso
to his blood.
V # poco dim.
29
S.
##‰.‰ Š ‰. Š p
‰.
p
A.
to his blood.
for online perusal only
B## ‰. ‰. ‰. p
poco dim.
p
V# poco più mosso
##Š ‰ Š ‰
Š ‰ ŠŠ‰ Š
Š‰‰. Š Š Š Š Š
‰. Š Š Š Š Š Š
{
poco dim.
p
B###Š Š‰ =Š Š ŠŠ‰ Š Š ‰
r
‰
r
‰ ‰. ‰.
V # # r Š ‰ Š Š b =‰.
33 mp
=Š ŠŠ=Š Š Š =‰ Š See from his head, his hands, his feet,
B## r Š ŠŠ ‰ Š ‰ Š =‰.
mp
V# # =Š =Š ŠŠ Š ŠŠ ŠŠ =Š =Š ŠŠŠŠŠŠ Š Š =Š =Š ŠŠŠ Š ŠŠ Š Š b =ŠŠ bŠ ŠŠ Š ŠŠ Š
{
mp
B## ‰. ‰. ‰. =‰.

S.
A.
MEN
Wondrous Cross 281
Sor - row and love flow min-gled down;
V #
37
# r mfŠ ŠŠ ‰ =Š
Š Š. Š =‰. Š ‰ =Š ‰ Š r
mf f =Š ‰
Sor - row and love flow min-gled down;
B## bŠ Š. Še b‰. b‰ Š Š =‰ r
V# mf
# Š Š
Š Š
Š
Š
=Š =Š Š Š Š Š =Š
Š Š Š Š Š Š Š =Š Š Š Š
mf
{ B## b=‰. b=‰. b=‰. =‰.
Did e’er such
V # # r t
Še Š Š bb‰ b =‰ bŠ b‰
41
tbŠ = bŠ
f
Š. =Š f ‰ Š ‰ Š Š bŠ Š
Did e’er such love and sor - row meet, Or
B##=Š Š. Še =‰ Š ‰ Š b‰ Š
V# # bŠ=Š ‰ Š Š Š =ŠŠ b‰. Š bŠ Š Š Š Š =‰ Š ŠbŠ ŠbŠŠ Š bb‰ Š =ŠbŠ ŠbŠŠ Š
{ B## =‰. b‰. b‰. = b=‰.
V #
45
# b‰
fp
rit.
> ŠŠ =Š. Š f bŠbŠ ‰. ‰ r
thorns com - pose so rich a crown?
V # #
fp
> ‰. =‰. ‰ Š ‰ r
thorns com - pose a crown?
B##
=‰. fp > b‰. ‰ Š =( ) ‰ r
V#
thorns com - pose a crown?
#=b‰. b =‰ rit.
ŠbŠ Š Š Š Š Š =Š Š ŠbŠbŠ Š =Š Š ‰. =( Š) ŠŠ
ŠŠŠ
Š ‰ Š Š Š Š Šr
Š
{
p
B## bbŠ‰. Š ‰ bŠ‰. Š ‰ ==Š. ‰. ŠeŠ Š
‰. Š ‰
for online perusal only

282 Wondrous Cross
V #
49
Tempo I
# p t p
Še Š Š Š Š Š. ŠeŠ ‰ r
Were the whole ream of na - ture mine,
V # # t p
cresc.
Š e Š Š Š Š Š Š ‰ ‰ r t Š eŠŠ Š Š
Were the whole realm of na-ture mine, That were an off’r-ing
B## t Šp
f
Š Š Š Š
cresc.
Š Š ‰ ‰ r t Š Š Š Š Š
f
Were the whole realm of na-ture mine, That were an off’r-ing
V#
Tempo I
# ŠŠŠ ŠŠŠ ‰‰‰ ŠŠŠ ŠŠŠ ‰‰‰ ŠŠŠ ŠŠŠ ‰‰‰ Š Š ‰
{
pp
B## Š Š ‰ =Š Š ‰ Š Š ‰ Š Š ‰
(Man.)
cresc.
for online perusal only
V #
53
cresc.
# t
Še ŠŠ Š Š =Š. Š
mf
f Š ‰. r r =Š Š
That were an off’r-ing far too small; So div -
V # #=Š Š ‰ ‰ r tŠf
ŠŠ=Š bŠ =Š Š Š. Še
far too small; Love so a-maz-ing, so div-ine, div -
B## =Š Š ‰ ‰ r t Šf
Š Š =Š bŠ =‰ Š
far too small; Love so a-maz-ing, so div -
V# # ŠŠ ŠŠ ‰‰ = ŠŠ ŠŠ ‰‰ Š Š ‰
= =Š Š ‰
{
mf
B##=Š Š ‰ Š Š ‰ b=Š Š ‰ Š Š ‰

V #
57
# ‰ r r t p mf
Še Š =Š Š. =Še Š Š ‰ Š
- ine, De-mands my soul, my soul, my
V # # =‰ . ‰ r r r Š ‰ Š
B## ‰. =‰ r r
mf
r Š ‰ Š
- ine, My soul, my
- ine, My soul, my
V# # = Š Š ‰ bŠŠ ŠŠ ‰‰ ‰. ‰ Š
bŠ Š ‰ #Š Š ‰
{ B## Š Š ‰ b=Š p
Š ‰ =Š Š ‰ #Š Š ‰
mf
Wondrous Cross 283
for online perusal only
V # SOLO or SMALL GROUP
61
# ‰ Š ‰ Š p
‰ Š ‰. ‰. pF
life, my all, my life, my all.
V # # ‰ Š ‰ r p p p pF
life, my all.
B## ‰ Š ‰ r p p p pF
life, my all.
V# # ‰ Š r r Š ‰ Š F
ŠŠ‰ ‰‰‰
. ‰. ‰ ‰.
‰. ‰‰
Š ‰.
‰ .
{
pp
B##=Š Š ‰ Š Š =Š Š Š Š Š Š r ‰ r ‰ r ‰ r ‰
‰.
E
‰.
(Ped.)

Appendix: Original Versions
The practical nature of this collection means that many small editorial changes have been
made without comment. This appendix lists the original (and occasionally the alternative)
versions available for those anthems where more substantial alterations, additions, or
arrangements have been made for the purposes of this book.
NO. TITLE COMPOSER ORIGINAL VERSION(S) AVAILABILITY
1 Alleluia Boyce 3-part round, unaccompanied in Voiceworks 2,
OUP 2003
for online perusal only
6 Christians, shout for joy J. S. Bach ‘Jesus, unser Trost und
and gladness
Leben’, from 69 Chorale
Melodies with Figured Bass
7 Christ is the world’s Stanton unison with descant, organ OUP 1943, OEAB
true Light
9 A Clare Benediction Rutter • SATB unaccompanied OUP 1998
• SATB, organ
• SSA, organ
• unison/2-part, organ
13 Magnificat and Shera • Magnificat: SATB, organ OUP 1923
Nunc dimittis • Nunc dimittis: unison, organ OUP 1925
17 God be in my head Armstrong SATB unaccompanied or SA, organ OUP 1958, 1959
Gibbs
24 He is risen Cope 2-part, organ OUP 1937, OEAB
25 Hide not thou thy face Farrant The SATB version is the original Also in NCAB
26 Holy, holy, holy, Holy Schubert From German Mass;
is the Lord
voice parts unaltered
29 Irish Blessing Chilcott SATB, piano or SA, piano OUP 1997
30 Jesu, Lamb of God, Elgar SATB, organ NCAB
Redeemer
32 Jubilate Mozart 4-part round, unaccompanied in Voiceworks 2,
OUP 2003
36 Lord, in thy mercy Mendelssohn Verleih uns Frieden, SATB, organ ESM
(originally orchestra)
37 Never weather-beaten sail Campion From First Book of Ayres, solo voice
and lute
40 O for a closer walk Stanford SATB, organ in A Stanford Anthology,
with God ed. Dibble, OUP 2004

285
42 O God, your goodness Beethoven ‘Bitten’, No. 1 from Gellert-Lieder,
solo voice and piano;
original key: E major
43 O praise God in his Weldon The SATB version is the original
holiness
44 Panis angelicus Franck Tenor solo, cello, harp, organ; SATB, org. version
original key: A major
in ESM
46 Pie Jesu Fauré From Requiem; treble solo Requiem, ed. Rutter,
and strings; OUP 1989
original key: B major
48 A Prayer of St Richard White unison with descant, organ; OUP 1947, OEAB
of Chichester
original key: E major
for online perusal only
53 The eternal gifts of Christ Guidetti, SATB, organ; includes one OUP 1951
the King arr. Ley extra verse
54 The heav’ns sing praises Beethoven ‘Die Ehre Gottes’, No. 4
to God
from Gellert-Lieder, solo voice
and piano;
original key: C major
55 The Lord ascendeth up Praetorius The SATB version is the original in Epiphany to All Saints
on high for Choirs, OUP 2004
56 The Lord bless you and Rutter SATB, organ or SA, organ; OUP 1981
keep you
original key: G major
61 Thou visitest the earth Greene SATB, organ NCAB
Abbreviations are used for the following, published by Oxford University Press.
ESM European Sacred Music
NCAB New Church Anthem Book
OEAB Oxford Easy Anthem Book
Titles available as separate leaflets are listed as ‘OUP’, followed by the date of publication.

‘A great resource that will surely bring the best out of choirs at all levels.
The book has a practical and winning formula that will undoubtedly
be of benefit to choir directors and singers everywhere.’
The Oxford Book of Flexible Anthems is the perfect resource for church choirs of all
types and sizes. Each piece is presented with flexible scoring options, clearly explained
throughout, enabling performance by various combinations of singers. With complete
coverage of the Church’s year and a fabulous range of accessible, quality material, this
is a must-have collection for all church choirs.
• 65 flexibly scored anthems
• Suitable for mixed choirs, upper-voice choirs, choirs with few men, unison choirs,
small choirs, and all other groups
• New flexible arrangements of modern classics and traditional favourites
• Brand new pieces by composers such as Alan Bullard, Bob Chilcott, Simon Lole,
Cecilia McDowall, John Scott, Richard Shephard, and Philip Wilby
• Wide range of material, from Hildegard of Bingen to the present day and including
plainsong, folk tunes, spirituals, and African songs
• Accessible keyboard accompaniments suitable for organ (with or without pedals) or piano
• Comprehensive coverage of the Church’s year, with a table printed for reference
• Available in both standard and spiral-bound editions
Alan Bullard is a composer and pianist, whose choral, instrumental, and educational
compositions are widely performed. He has published a number of choral pieces with
OUP and is co-author, with his wife Janet, of Pianoworks: A tutor for the older beginner.
Also published by Oxford University Press
• The New Oxford Easy Anthem Book
• The New Church Anthem Book
• Ash Wednesday to Easter for Choirs
• Epiphany to All Saints for Choirs
• Advent for Choirs
• Weddings for Choirs
• The Oxford Book of Tudor Anthems
• Oxford Choral Classics: European Sacred Music
• Anthems for Choirs 1–4
Cover image: © iStockphoto.com/estherhavensphotography
1
ISBN 978-0-19-335895-9
9 780193 358959