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Edited by Alan Bullard<br />
4<br />
The <strong>Oxford</strong> <strong>Book</strong> <strong>of</strong><br />
<strong>Flexible</strong> <strong>Anthems</strong><br />
a complete resource for<br />
every church choir
The <strong>Oxford</strong> <strong>Book</strong> <strong>of</strong><br />
<strong>Flexible</strong> <strong>Anthems</strong><br />
for online perusal only<br />
a complete resource for<br />
every church choir<br />
Edited by Alan Bullard<br />
B
3<br />
Great Clarendon Street, <strong>Oxford</strong> OX2 6DP, England<br />
198 Madison Avenue, New York, NY 10016, USA<br />
<strong>Oxford</strong> University Press is a department <strong>of</strong> the University <strong>of</strong> <strong>Oxford</strong>.<br />
It furthers the University’s aim <strong>of</strong> excellence in research, scholarship,<br />
and education by publishing worldwide<br />
<strong>Oxford</strong> is a registered trade mark <strong>of</strong> <strong>Oxford</strong> University Press<br />
in the UK and in certain other countries<br />
© <strong>Oxford</strong> University Press 2007<br />
Each composer has asserted his/her right under the Copyright, Designs<br />
and Patents Act, 1988, to be identified as the Composer <strong>of</strong> their Work<br />
for online perusal only<br />
Database right <strong>Oxford</strong> University Press (maker)<br />
First published 2007<br />
All rights reserved. No part <strong>of</strong> this publication may be reproduced,<br />
stored in a retrieval system, or transmitted, in any form or by any means,<br />
without the prior permission in writing <strong>of</strong> <strong>Oxford</strong> University Press,<br />
or as expressly permitted by law. Enquiries concerning reproduction<br />
outside the scope <strong>of</strong> the above should be sent to the Music Copyright<br />
Department, <strong>Oxford</strong> University Press, at the address above<br />
Permission to perform the works in this anthology in public<br />
(except in the course <strong>of</strong> divine worship) should normally be obtained<br />
from the Performing Right Society Ltd. (PRS), 29/33 Berners Street,<br />
London W1T 3AB, or its affiliated Societies in each country throughout<br />
the world, unless the owner or the occupier <strong>of</strong> the premises<br />
being used holds a licence from the Society<br />
Permission to make a recording must be obtained in advance<br />
from the Mechanical-Copyright Protection Society Ltd. (MCPS),<br />
Elgar House, 41 Streatham High Road, London SW16 1ER,<br />
or its affiliated Societies in each country throughout the world<br />
ISBN 978–0–19–335895–9 (paperback)<br />
ISBN 978–0–19–335896–6 (wiro)<br />
Music origination by<br />
Barnes Music Engraving Ltd., East Sussex<br />
Printed in Great Britain on acid-free paper by<br />
Caligraving Ltd., Thetford, Norfolk
Preface<br />
This book is for church choirs <strong>of</strong> all types and sizes who wish to sing anthems.<br />
All the anthems in this book can be performed by a mixed choir, but the flexible<br />
arrangements also enable them to be performed by a wide variety <strong>of</strong> other<br />
groups, including upper-voice choirs, choirs with few men, unison choirs, small<br />
choirs, and choirs just starting out. The book thus meets a very real need <strong>of</strong><br />
church choirs today in <strong>of</strong>fering flexibility <strong>of</strong> scoring in a constructive and realistic<br />
way.<br />
The collection presents a wide variety <strong>of</strong> repertoire for all types <strong>of</strong> occasion.<br />
There are flexible arrangements <strong>of</strong> favourite anthems alongside less familiar<br />
pieces. There are new arrangements <strong>of</strong> plainsong melodies and <strong>of</strong> folk<br />
tunes from several continents. In addition, a number <strong>of</strong> anthems have been<br />
specially commissioned, enabling a wide range <strong>of</strong> musical styles to be represented.<br />
The emphasis throughout is on practicality and accessibility, without<br />
ever compromising on musical integrity and quality.<br />
for online perusal only<br />
Vocal scoring<br />
All the possible scorings for each anthem are shown in a box at the top <strong>of</strong> the<br />
first page <strong>of</strong> each piece. The basic principle is that anything in brackets may be<br />
omitted. Additionally, parts simply marked VOICE can be sung by upper voices,<br />
or men, or a combination <strong>of</strong> both.<br />
Here are examples <strong>of</strong> the principal scorings used:<br />
S A (T) B<br />
Keyboard<br />
S A (Men)<br />
Keyboard<br />
S (A) (Men)<br />
Keyboard<br />
S (A) (T) (B)<br />
(Keyboard)*<br />
This may be performed with four vocal parts and keyboard, or<br />
the tenor part may be omitted, with all men singing the bass<br />
part.<br />
There is a unison men’s part, suitable for tenors and basses,<br />
which may be omitted to make an upper-voice anthem with<br />
keyboard.<br />
This may be sung as a unison anthem with all voices singing<br />
the soprano/melody line (men an octave lower), or by upper<br />
voices in two parts, or in three parts for S A Men, all with keyboard<br />
accompaniment. Alternatively, the alto part may be<br />
omitted to create a two-part anthem for upper voices, men’s<br />
voices, and keyboard.<br />
This can be sung by SATB a cappella, or by unison voices<br />
(singing the soprano/melody line) or any vocal combination<br />
including soprano, with keyboard accompaniment. * The keyboard<br />
part may be omitted when all voice parts are present, or<br />
as indicated by the footnote.
Voices 1 2<br />
Keyboard<br />
Voices 1 (2) (3)<br />
Keyboard<br />
This may be sung by any combination <strong>of</strong> voices in two parts,<br />
for example Voice 1 (Soprano and/or Tenor) and Voice 2 (Alto<br />
and/or Bass), or by Voice 1 (upper voices) and Voice 2 (men), all<br />
with keyboard accompaniment. More specific suggestions are<br />
sometimes given during the course <strong>of</strong> the anthem.<br />
This may be sung in unison or in two or three parts with any<br />
appropriate combination <strong>of</strong> voices, either upper, men, or<br />
mixed.<br />
Further clarification on scoring is given in a footnote where necessary.<br />
In some anthems there is a DESCANT towards the end. This is optional, and<br />
may in most cases be sung by sopranos and/or tenors, either full or as a semichorus.<br />
Occasionally, individual voice parts will divide, with two notes indicated on<br />
the same stem. If both notes are large, then either or both may be sung. If one<br />
note is small, then the larger is preferable, but the smaller is an acceptable<br />
alternative (or again, both may be sung).<br />
Where there are passages in unison, vocal options are usually specified,<br />
but others may be substituted if preferred. Using contrasting groups—upper<br />
and lower voices, solo and tutti—will help give variety to the different verses or<br />
sections.<br />
In short, choir leaders may choose from the many different scoring options<br />
available to make the most appropriate use <strong>of</strong> the singers at their disposal and<br />
perform the anthems in the way which suits them best.<br />
An Appendix listing the original versions and scorings <strong>of</strong> those anthems<br />
where more substantial arrangements or adaptations have been made for the<br />
purposes <strong>of</strong> this book is given on p. 284.<br />
for online perusal only<br />
Keyboard parts<br />
In almost every case the keyboard parts have been arranged to be suitable for<br />
playing on an organ with pedals, or organ manuals only, or piano. Players may<br />
wish to exercise their judgement in some instances, bearing the following<br />
guidelines in mind:<br />
Organ with pedals: Play everything you can, following the bracketed Man.<br />
and Ped. markings. Ignore the occasional markings for the piano sustaining<br />
pedal and any piano notes which go out <strong>of</strong> range. The left-hand part is<br />
frequently shared between the staves, and cross-staff lines clarify this where<br />
necessary.<br />
Organ manuals only: ignore the bracketed Man. and Ped. markings and any<br />
solo stops that are not practicable, and omit any small notes that cannot be<br />
reached.<br />
iv
Piano: Ignore the organ-specific instructions and omit any small notes that<br />
cannot be reached. Adapt the music for piano by repeating long pedal notes<br />
that would be sustained on the organ, or doubling the bass line in octaves, or<br />
using the sustaining pedal where appropriate.<br />
It is worth noting that although the accompaniments may be played on<br />
piano or organ, some are more suitable for one instrument than the other. If<br />
you are lucky enough to have both instruments available, choose the one which<br />
suits the anthem best.<br />
In several anthems there are sections where the keyboard part is entirely in<br />
small notes, or where doubling ‘ad lib.’ is indicated. If desired, the keyboard can<br />
be omitted if all voices are present, but it should normally be played if they are<br />
not. Above all, remember that the keyboard part is designed to support the<br />
choir, adding musical interest but not detracting from the singing or the<br />
projection <strong>of</strong> the words.<br />
for online perusal only<br />
Words, tempi, and expression<br />
The starting point for every anthem is the words—they set the speed, mood,<br />
style, expression, and character <strong>of</strong> the anthem. Metronome marks are provided,<br />
but these are only suggestions, as the optimum tempo will vary according to<br />
the circumstances and the size and acoustic <strong>of</strong> the building in which the<br />
anthem is performed. Clarity <strong>of</strong> words is essential, and this should also guide<br />
the choice <strong>of</strong> tempo. A slight emphasis on the important words will help to<br />
shape the phrases musically. When learning a new anthem, focus right from<br />
the beginning on the sense <strong>of</strong> the words, as well as the notes and rhythms.<br />
This will help choirs to develop a deeper understanding <strong>of</strong> the anthem and its<br />
meaning.<br />
The intention <strong>of</strong> this collection is to enable all choirs, <strong>of</strong> whatever size or composition,<br />
to sing to the glory <strong>of</strong> God every Sunday and on each principal feast<br />
day <strong>of</strong> the year (with the exception <strong>of</strong> Christmas, for which there are many<br />
carol and other collections available). I hope it meets that expectation and that<br />
choirs will find it an invaluable aid to worship.<br />
I would like to thank all those who have given helpful advice and made<br />
suggestions <strong>of</strong> anthems or texts to include, in particular Julian Elloway and<br />
Helen Burrows, and the editorial team at OUP for all their help and care with<br />
this project.<br />
Alan Bullard<br />
Summer 2007<br />
v
Index <strong>of</strong> Titles and First Lines<br />
Where first lines differ from titles, the former are shown in italics.<br />
TITLE COMPOSER NO. PAGE<br />
Agnus Dei Samuel Webbe 33 145<br />
Alleluia William Boyce, accomp. Alan Bullard 1 2<br />
Angelus ad virginem 14th-cent. Irish, arr. Alan Bullard 15 72<br />
Author <strong>of</strong> life divine Cecilia McDowall 2 6<br />
Ave Maria Franz Liszt 21 96<br />
Ave verum corpus Edward Elgar 30 132<br />
Be still, for the presence <strong>of</strong> the Lord David J. Evans, arr. Richard Shephard 3 10<br />
Blessed Jesu, Lord, I pray Gabriel Fauré 46 195<br />
Bread <strong>of</strong> the angel host César Franck 44 187<br />
Bread <strong>of</strong> the world Trad. Scottish, arr. Alan Bullard 4 14<br />
Brightest and best <strong>of</strong> the sons Malcolm Archer 5 19<br />
<strong>of</strong> the morning<br />
Christians, shout for joy and gladness J. S. Bach, adap. Alan Bullard 6 25<br />
Christ is the world’s true Light Walter Kendall Stanton 7 31<br />
Christ the Lord is ris’n again! Richard Shephard 8 36<br />
Clare Benediction, A John Rutter 9 41<br />
Come down, O Love divine Hilary Tadman-Robins 10 46<br />
Creator <strong>of</strong> the stars <strong>of</strong> night Mode iv melody, arr. John Scott 11 52<br />
Drop, drop, slow tears Kerry Andrew 12 57<br />
Evening Service in C Frank Henry Shera 13 61<br />
Fairest Lord Jesus Silesian folk song, arr. Martin How 14 69<br />
Gabriel to Mary came 14th-cent. Irish, arr. Alan Bullard 15 72<br />
Give thanks to God Trad. Botswanan, arr. Alan Bullard 16 77<br />
God be in my head Cecil Armstrong Gibbs 17 82<br />
God in Mine Eternity Alan Bullard 18 84<br />
God so loved the world Alan Bullard 19 87<br />
God that madest earth and heaven Trad. Welsh, arr. David Thorne 20 92<br />
God to enfold me Alan Bullard 18 84<br />
Hail, Virgin Mary Franz Liszt 21 96<br />
Hark, the glad sound! David Thorne 22 99<br />
Harvest Carol Ian Ray 23 103<br />
He is risen Cecil Cope 24 105<br />
Hide not thou thy face Richard Farrant 25 110<br />
Holy, holy, holy, Holy is the Lord Franz Schubert, accomp. Alan Bullard 26 112<br />
Holy, holy, holy! Lord God Almighty! Alan Smith 27 115<br />
Hosanna to the Son <strong>of</strong> David Georg Philipp Telemann 28 121<br />
I bow before you David Blackwell 60 255<br />
Irish Blessing Bob Chilcott 29 128<br />
Jesu, Lamb <strong>of</strong> God, Redeemer Edward Elgar 30 132<br />
Jesus Christ the Apple Tree Somerset folk song, arr. Alan Bullard 31 136<br />
Jubilate attrib. W. A. Mozart, arr. Alan Bullard 32 140<br />
Lamb <strong>of</strong> God Samuel Webbe 33 145<br />
Let all mortal flesh keep silence French carol, arr. Stephen Cleobury 34 148<br />
for online perusal only<br />
vi
Let us praise you attrib. W. A. Mozart, arr. Alan Bullard 32 140<br />
Like the murmur <strong>of</strong> the dove’s song Alan Smith 35 152<br />
Lord, in thy mercy Felix Mendelssohn 36 156<br />
Lord, now lettest thou thy servant Frank Henry Shera 13 66<br />
depart in peace<br />
Magnificat Frank Henry Shera 13 61<br />
May the Lord show his mercy upon you John Rutter 9 41<br />
May the road rise to meet you Bob Chilcott 29 128<br />
My soul doth magnify the Lord Frank Henry Shera 13 61<br />
Never weather-beaten sail Thomas Campion, adap. Alan Bullard 37 161<br />
Now the green blade rises Trad. French, arr. Alan Bullard 38 164<br />
Nunc dimittis Frank Henry Shera 13 66<br />
O Breath <strong>of</strong> life Trad. English, arr. Alan Bullard 39 168<br />
O for a closer walk with God Charles Villiers Stanford 40 172<br />
O God <strong>of</strong> mercy Simon Lole 41 177<br />
O God, your goodness L. van Beethoven, adap. Alan Bullard 42 180<br />
O holy Jesus L. J. White, adap. Alan Bullard 48 199<br />
O Lord! Shout for joy! American spiritual, arr. Alan Bullard 51 214<br />
O praise God in his holiness Bob Chilcott 49 203<br />
O praise God in his holiness John Weldon 43 183<br />
Panis angelicus César Franck 44 187<br />
Peace between nations Christopher Wiggins 45 192<br />
Pie Jesu Gabriel Fauré 46 195<br />
Praise to the Trinity Hildegard <strong>of</strong> Bingen, ed. Julian Elloway 47 198<br />
Prayer <strong>of</strong> St Richard <strong>of</strong> Chichester, A L. J. White, adap. Alan Bullard 48 199<br />
Psalm 150 Bob Chilcott 49 203<br />
Rejoice in the Lord alway Christopher Wiggins 50 210<br />
Shout for Joy! American spiritual, arr. Alan Bullard 51 214<br />
Sing to the Lord <strong>of</strong> harvest Ian Ray 23 103<br />
Star <strong>of</strong> Wonder Alan Bullard 52 220<br />
The eternal gifts <strong>of</strong> Christ the King Guidetti, arr. Henry G. Ley 53 224<br />
The heav’ns sing praises to God L. van Beethoven, adap. Alan Bullard 54 229<br />
The Lord ascendeth up on high Michael Praetorius, ed. Timothy Morris 55a 232<br />
(Version 1)<br />
The Lord ascendeth up on high Michael Praetorius, arr. Alan Bullard 55b 233<br />
(Version 2)<br />
The Lord bless you and keep you John Rutter 56 237<br />
The Lord’s my Shepherd Bob Chilcott 57 242<br />
The peace <strong>of</strong> God Alan Bullard 58 247<br />
There is no rose Andrew Smith 59 251<br />
The tree <strong>of</strong> life my soul hath seen Somerset folk song, arr. Alan Bullard 31 136<br />
The True and Living Bread David Blackwell 60 255<br />
Thou visitest the earth Maurice Greene 61 259<br />
To be a Pilgrim Nicholas Burt 62 262<br />
Ubi caritas Antiphon, arr. Alan Bullard 64 273<br />
Were you there? American spiritual, arr. Peter Hunt 63 267<br />
We three kings <strong>of</strong> Orient are Alan Bullard 52 220<br />
When I survey the wondrous cross Philip Wilby 65 278<br />
Where all charity and love are Antiphon, arr. Alan Bullard 64 273<br />
Who would true valour see Nicholas Burt 62 262<br />
Wondrous Cross Philip Wilby 65 278<br />
for online perusal only<br />
vii
Listing by Liturgical Year and Themes<br />
with Scoring<br />
Many anthems are also suitable for general use.<br />
For further details on scoring, see Preface.<br />
TITLE SCORING COMPOSER/ARRANGER PAGE<br />
Advent<br />
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />
Creator <strong>of</strong> the stars <strong>of</strong> night S (A) (Men) Kbd arr. Scott 52<br />
Gabriel to Mary came S (A) (T) (B) (Kbd) arr. Bullard 72<br />
(Angelus ad virginem)<br />
Hark, the glad sound! S (A) (Men) Kbd Thorne 99<br />
Jesus Christ the Apple Tree S (A) (Men) Kbd arr. Bullard 136<br />
Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148<br />
Magnificat S (A) (Men) Kbd Shera 61<br />
Never weather-beaten sail S (A) (Men) Kbd Campion, adap. Bullard 161<br />
There is no rose Voices 1 (2) Kbd Smith 251<br />
for online perusal only<br />
Epiphany<br />
Brightest and best <strong>of</strong> the sons S (A) (Men) Kbd Archer 19<br />
<strong>of</strong> the morning<br />
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />
Star <strong>of</strong> Wonder S (A) (Men) Kbd Bullard 220<br />
Presentation <strong>of</strong> Christ in the Temple<br />
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />
Nunc dimittis Voices 1 (2) Kbd Shera 66<br />
Lent<br />
A Prayer <strong>of</strong> St Richard <strong>of</strong> Chichester S S (A) (T) (B) Kbd White, adap. Bullard 199<br />
Bread <strong>of</strong> the world S (A) (T) (B) Kbd arr. Bullard 14<br />
Hide not thou thy face S (A) (Men) or Farrant 110<br />
SATB (Kbd)<br />
Lamb <strong>of</strong> God (Agnus Dei) Voices 1 (2) Kbd Webbe 145<br />
O for a closer walk with God S A (T) (B) Kbd Stanford 172<br />
O God <strong>of</strong> mercy Voices 1 (2) Kbd Lole 177<br />
Passiontide<br />
Drop, drop, slow tears Voices 1 2 (Men) Kbd Andrew 57<br />
God so loved the world S A (T) (B) Kbd Bullard 87<br />
Hosanna to the Son <strong>of</strong> David S (A) (Men) Kbd Telemann 121<br />
Jesu, Lamb <strong>of</strong> God, Redeemer S A (Men) Kbd Elgar 132<br />
(Ave verum corpus)<br />
Were you there? Voices 1 (2) (3) Kbd arr. Hunt 267<br />
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />
(Ubi caritas)<br />
Wondrous Cross S A (Men) Kbd Wilby 278<br />
viii
Easter<br />
Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2<br />
Christians, shout for joy and gladness S (A) (T) (B) Kbd J. S. Bach, adap. Bullard 25<br />
Christ the Lord is ris’n again! S (A) (Men) Kbd Shephard 36<br />
He is risen Voices 1 2 Kbd Cope 105<br />
Now the green blade rises S A (T) (B) Kbd arr. Bullard 164<br />
Ascension<br />
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />
The Lord ascendeth up on high SATB (Kbd) Praetorius, ed. Morris 232<br />
(Version 1)<br />
The Lord ascendeth up on high Voices 1 2 Kbd Praetorius, arr. Bullard 233<br />
(Version 2)<br />
Pentecost<br />
Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46<br />
Like the murmur <strong>of</strong> the dove’s song Voices 1 (2) Kbd Smith 152<br />
O Breath <strong>of</strong> life S (A) (Men) Kbd arr. Bullard 168<br />
for online perusal only<br />
Trinity<br />
Holy, holy, holy, Holy is the Lord S (A) (T) (B) (Kbd) Schubert, accomp. Bullard 112<br />
Holy, holy, holy! Lord God Almighty! S (A) Men Kbd Smith 115<br />
Praise to the Trinity Unis. (Kbd) Hildegard, ed. Elloway 198<br />
Transfiguration<br />
Be still, for the presence <strong>of</strong> the Lord S (A) (Men) Kbd Evans, arr. Shephard 10<br />
Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46<br />
Harvest<br />
Harvest Carol S A (T) B (Kbd) Ray 103<br />
O God, your goodness S (A) (T) (B) Kbd Beethoven, adap. Bullard 180<br />
Thou visitest the earth S (A) (Men) Kbd Greene 259<br />
All Saints<br />
The eternal gifts <strong>of</strong> Christ the King S (A) Men Kbd Guidetti, arr. Ley 224<br />
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />
(Ubi caritas)<br />
The Faithful Departed (All Souls’ Day)<br />
God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92<br />
Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195<br />
Remembrance Sunday<br />
Peace between nations Voices 1 (2) Kbd Wiggins 192<br />
Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195<br />
The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242<br />
Christ the King<br />
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />
Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148<br />
The Lord ascendeth up on high SATB (Kbd) Praetorius, ed. Morris 232<br />
(Version 1)<br />
The Lord ascendeth up on high Voices 1 2 Kbd Praetorius, arr. Bullard 233<br />
(Version 2)<br />
ix
Annunciation/BVM<br />
Gabriel to Mary came S (A) (T) (B) (Kbd) arr. Bullard 72<br />
(Angelus ad virginem)<br />
Hail, Virgin Mary (Ave Maria) S (A) (T) (B) (Kbd) Liszt 96<br />
Magnificat S (A) (Men) Kbd Shera 61<br />
There is no rose Voices 1 (2) Kbd Smith 251<br />
Holy Communion<br />
Author <strong>of</strong> life divine S A (T) (B) Kbd McDowall 6<br />
Be still, for the presence <strong>of</strong> the Lord S (A) (Men) Kbd Evans, arr. Shephard 10<br />
Bread <strong>of</strong> the world S (A) (T) (B) Kbd arr. Bullard 14<br />
Holy, holy, holy, Holy is the Lord S (A) (T) (B) (Kbd) Schubert, accomp. Bullard 112<br />
Jesu, Lamb <strong>of</strong> God, Redeemer S A (Men) Kbd Elgar 132<br />
(Ave verum corpus)<br />
Lamb <strong>of</strong> God (Agnus Dei) Voices 1 (2) Kbd Webbe 145<br />
Let all mortal flesh keep silence Voices 1 (2) Kbd arr. Cleobury 148<br />
Panis angelicus (Bread <strong>of</strong> the angel host) Voices 1 (2) Kbd Franck 187<br />
The True and Living Bread S A (Men) Kbd Blackwell 255<br />
for online perusal only<br />
Baptism<br />
Come down, O Love divine S A (T) (B) Kbd Tadman-Robins 46<br />
God in Mine Eternity S A (Men) Kbd Bullard 84<br />
The Lord bless you and keep you S A Men Piano Rutter 237<br />
Weddings and Blessings<br />
A Clare Benediction S A Men (or Unis.) Rutter 41<br />
Piano<br />
Irish Blessing S (A) (Men) Kbd Chilcott 128<br />
The Lord bless you and keep you S A Men Piano Rutter 237<br />
The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242<br />
The peace <strong>of</strong> God S (A) (T) (B) (Kbd) Bullard 247<br />
Funeral and Remembrance<br />
God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82<br />
God in Mine Eternity S A (Men) Kbd Bullard 84<br />
God so loved the world S A (T) (B) Kbd Bullard 87<br />
God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92<br />
Never weather-beaten sail S (A) (Men) Kbd Campion, adap. Bullard 161<br />
O God <strong>of</strong> mercy Voices 1 (2) Kbd Lole 177<br />
Pie Jesu (Blessed Jesu, Lord, I pray) Voices 1 (2) Kbd Fauré 195<br />
The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242<br />
The peace <strong>of</strong> God S (A) (T) (B) (Kbd) Bullard 247<br />
Morning<br />
Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2<br />
Holy, holy, holy! Lord God Almighty! S (A) Men Kbd Smith 115<br />
Jubilate (Let us praise you) Voices 1 2 (3) (4) (Kbd) Mozart, arr. Bullard 140<br />
Evening<br />
Creator <strong>of</strong> the stars <strong>of</strong> night S (A) (Men) Kbd arr. Scott 52<br />
Evening Service in C S (A) (Men) Kbd/ Shera 61<br />
Voices 1 (2) Kbd<br />
God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92<br />
x
Unity<br />
Christ is the world’s true Light Voices 1 (2) Kbd Stanton 31<br />
Like the murmur <strong>of</strong> the dove’s song Voices 1 (2) Kbd Smith 152<br />
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />
(Ubi caritas)<br />
Creation<br />
Fairest Lord Jesus S (A) (Men) Kbd arr. How 69<br />
God that madest earth and heaven S (A) (Men) Kbd arr. Thorne 92<br />
Praise to the Trinity Unis. (Kbd) Hildegard, ed. Elloway 198<br />
The heav’ns sing praises to God S (A) (Men) Kbd Beethoven, adap. Bullard 229<br />
Healing<br />
Give thanks to God S (A) (Men) (Kbd) arr. Bullard 77<br />
God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82<br />
God in Mine Eternity S A (Men) Kbd Bullard 84<br />
Irish Blessing S (A) (Men) Kbd Chilcott 128<br />
Now the green blade rises S A (T) (B) Kbd arr. Bullard 164<br />
The Lord’s my Shepherd S (A) (Men) Kbd Chilcott 242<br />
for online perusal only<br />
Peace and justice<br />
Lamb <strong>of</strong> God (Agnus Dei) Voices 1 (2) Kbd Webbe 145<br />
Like the murmur <strong>of</strong> the dove’s song Voices 1 (2) Kbd Smith 152<br />
Lord, in thy mercy S (A) (Men) Kbd Mendelssohn 156<br />
Peace between nations Voices 1 (2) Kbd Wiggins 192<br />
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />
(Ubi caritas)<br />
Prayer<br />
Be still, for the presence <strong>of</strong> the Lord S (A) (Men) Kbd Evans, arr. Shephard 10<br />
God be in my head S (A) (Men) (Kbd) Armstrong Gibbs 82<br />
Like the murmur <strong>of</strong> the dove’s song Voices 1 (2) Kbd Smith 152<br />
O for a closer walk with God S A (T) (B) Kbd Stanford 172<br />
O God, your goodness S (A) (T) (B) Kbd Beethoven, adap. Bullard 180<br />
Service in Christ<br />
O for a closer walk with God S A (T) (B) Kbd Stanford 172<br />
The Lord bless you and keep you S A Men Piano Rutter 237<br />
To be a Pilgrim S (A) (T) (B) Kbd Burt 262<br />
Where all charity and love are Voices 1 2 Kbd arr. Bullard 273<br />
(Ubi caritas)<br />
Praise<br />
Alleluia Voices 1 2 (3) (Kbd) Boyce, accomp. Bullard 2<br />
Give thanks to God S (A) (Men) (Kbd) arr. Bullard 77<br />
Jubilate (Let us praise you) Voices 1 2 (3) (4) (Kbd) Mozart, arr. Bullard 140<br />
O praise God in his holiness (Version 1) SATB (Kbd) Weldon 183<br />
O praise God in his holiness (Version 2) S (A) (Men) (Kbd) Weldon 185<br />
Psalm 150 S (A) (Men) Kbd Chilcott 203<br />
Rejoice in the Lord alway Voices 1 (2) Kbd Wiggins 210<br />
Shout for Joy! Voices 1 2 (3) (4) arr. Bullard 214<br />
(Kbd) (Perc)<br />
The heav’ns sing praises to God S (A) (Men) Kbd Beethoven, adap. Bullard 229<br />
xi
Voices 1 2 (3)<br />
(Keyboard)*<br />
1. Alleluia<br />
1<br />
WILLIAM BOYCE (1711–79)<br />
accomp. Alan Bullard<br />
Lively h = 84<br />
V D p p p p<br />
VOICE 1<br />
([)<br />
V D p p p p<br />
VOICE 2<br />
([)<br />
V D p p p p<br />
VOICE 3<br />
([)<br />
V Lively D h = 84<br />
‰.‰ ‰ Š Š Š Š Š Š Š Š Š ˆ‰ ‰ ˆ<br />
{<br />
KEYBOARD p<br />
B D r Š ‰ ‰ ‰ Š Š ‰<br />
r Š.<br />
Š.<br />
Š.<br />
(Man.)<br />
5<br />
V ˆp<br />
ˆ ˆ ˆ<br />
([)<br />
V Al - le - lu - ia,<br />
ˆ<br />
r Š Š Š ˆŠ Š Š Š ˆŠ #Š Š Š Š ˆ<br />
.<br />
Š Š Š Š<br />
. .<br />
{ B ˆ ˆ ‰ ‰ ‰ ‰<br />
9<br />
V ‰. Š Š<br />
mf<br />
Š Š Š Š Š Š Š ‰ ‰ ˆ<br />
([)<br />
V al - le - lu - - - ia.<br />
‰.‰ ‰ Š Š Š Š Š Š Š Š Š ˆ ‰ ‰ Š Š.<br />
Š.<br />
Š.<br />
{ B Š Š ‰ ‰ ‰ Š Š ‰ ˆ<br />
for online perusal only<br />
* The keyboard part may be omitted if all three voice parts are sung; begin at either bar 5 or bar 21.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
1<br />
2<br />
1<br />
2<br />
3<br />
13<br />
mp<br />
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r Š Š Š Š Š ‰ #‰ ˆ‰ ‰<br />
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{ B<br />
mp<br />
‰ ‰ ˆ ˆ ‰ ‰ ‰. Š<br />
Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia, al -<br />
17<br />
VŠ Š ‰ ‰ ‰ Š<br />
mf<br />
Š ‰ ˆ<br />
([)<br />
- le - lu - ia, al - le - lu - ia.<br />
V ‰. Š Š<br />
mf<br />
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V al - le - lu - - - ia.<br />
Š‰. Š ‰ Š ˆŠ Š Š Š ‰ ˆŠ Š ‰ ˆ<br />
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21<br />
V ‰.<br />
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Š Š Š Š Š ‰ Š Š #‰ ‰. Š<br />
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V ˆf<br />
ˆ ˆ ˆ<br />
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V Al - le - lu - ia,<br />
‰. Š Š Š Š Š Š Š Š Š‰ Š Š Š#‰ Š Š ‰. ‰ Š<br />
{ B<br />
f.<br />
Š Š<br />
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Š<br />
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ˆ ˆŠ Š ‰ ˆ<br />
‰ ‰ ˆ<br />
Al - le - lu - ia, al - le - lu - ia, al -<br />
(Ped.)<br />
for online perusal only<br />
Alleluia 3<br />
Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia, al -<br />
mf
25<br />
V ‰ ‰ ‰. Š ‰ ‰ ˆ<br />
f<br />
4 Alleluia<br />
([)<br />
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VŠ Š ‰ ‰ ‰ Š Š ‰ ˆ<br />
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mf<br />
- le - lu - ia, al - le - lu - ia.<br />
V ‰. Š Š Š Š Š Š Š Š Š ‰ ‰ ˆ<br />
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V al - le - lu - - - ia.<br />
‰ ‰ Š Š Š Š Š Š Š Š Š‰<br />
Š ‰ Š Š Š Š Š Š Š<br />
mf<br />
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{ B Š‰. Š ‰ Š ˆ ‰ ‰ ‰ ‰ ˆ<br />
29<br />
V ˆ ˆ ˆ ˆ<br />
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V ‰. Š Š Š Š Š ‰ Š Š #‰ ‰. Š<br />
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VrŠ Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />
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V<br />
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‰ Š#Š Š Š Š Š Š Š Š Š#Š Š Š Š Š#Š Š Š Š#Š Š Š Š Š<br />
{ B ˆ ˆ Š Š #‰ ‰ ‰ ‰ ‰ ‰ ‰<br />
33<br />
V ‰. Š Š<br />
ff<br />
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al - le - lu - - - ia.<br />
V ‰ ‰ ‰. Š ‰ ‰ ff<br />
ˆ<br />
([)<br />
- le - lu - ia, al - le - lu - ia.<br />
VŠ Š ‰ ‰ ‰ Š<br />
ff<br />
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([)<br />
V - le - lu - ia, al - le - lu - ia.<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ B ‰ ‰ ‰ ‰ ˆ ‰ ‰ ˆ<br />
for online perusal only<br />
f<br />
f
37<br />
Vr Š Š.<br />
Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />
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V ˆ ˆ ˆ ˆ<br />
([)<br />
Al - le - lu - ia, al - le - lu - ia, al - le - lu - ia, al -<br />
Al - le - lu - ia,<br />
V ‰. Š Š Š Š Š ‰ Š Š #‰ ‰. Š<br />
([)<br />
Alleluia 5<br />
Al - le - lu - ia, al - le - lu - ia, al -<br />
V ˆ ˆ ˆ ‰ #‰ ‰ ‰<br />
{<br />
ff<br />
B ˆ ˆ ‰ ‰ r<br />
Š Š Š Š<br />
Š Š Š Š Š Š<br />
. . . . . . . . . . Š ‰. Š<br />
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for online perusal only<br />
rit.<br />
41<br />
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fff<br />
VŠ Š ‰ ‰ ‰ Š Š ‰ ˆF<br />
([)<br />
- le - lu - ia, al - le - lu - ia.<br />
fff<br />
V ‰. Š Š Š Š Š Š Š Š Š ‰ ‰ ˆF<br />
([)<br />
al - le - lu - - - ia.<br />
fff<br />
V ‰ ‰ ‰. Š ‰ ‰ ˆF<br />
([)<br />
- le - lu - ia, al - le - lu - ia.<br />
V<br />
rit.<br />
Š Š ‰ Š Š Š Š Š Š Š Š Š Š ‰<br />
F<br />
‰ ˆ<br />
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fff<br />
B ‰ ‰ ‰. ‰ Š Š Š ˆ<br />
‰ ‰ E<br />
ˆˆ
6<br />
SA(T)(B)<br />
Keyboard<br />
2. Author <strong>of</strong> life divine<br />
Charles Wesley<br />
(1707–88)<br />
SOPRANO<br />
TENOR<br />
ALTO<br />
BASS<br />
Flowing i = 94<br />
<br />
unis.<br />
Vbbbb 34 p p p<br />
Š Š Š ‰ Š<br />
([)<br />
Au - thor <strong>of</strong> life, <strong>of</strong><br />
unis.<br />
Vbbbb 34 p p p p<br />
Š Š Š<br />
([)<br />
Au - thor<br />
V<br />
Flowing i = 94<br />
bbbb 34 Š‰. Š Š Š‰. Š Š Š ‰‰. Š Š‰ Š Š<br />
{ Bbbbb 34 ‰. Š Š Š Š‰. Š Š Š<br />
‰. ‰.<br />
KEYBOARD mp p<br />
(Ped.)<br />
*<br />
CECILIA McDOWALL<br />
(b. 1951)<br />
<strong>of</strong><br />
for online perusal only<br />
5<br />
Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š ‰. ‰.<br />
([)<br />
life di - vine, who hast a ta - ble spread,<br />
Vbbbb Š Š Š ‰ Š ‰ Š Š Š Š ‰. ‰.<br />
([)<br />
life di - vine, who hast a ta - ble spread,<br />
V bbbb Š‰. Š Š ‰. Š ‰. Š Š Š<br />
Š‰ Š ‰. ‰.<br />
{ Š Š Š Š Š Š Š<br />
Bbbbb r r Š ‰ r<br />
‰. ‰. ‰. ‰. ‰. ‰.<br />
* If performing on piano, repeat the tied bass notes as required throughout.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
11<br />
mp<br />
Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
Vbbbb p mp<br />
Š Š Š Š Š Š ‰ Š<br />
([)<br />
V bbbb ‰ ŠŠŠ ‰. Š Š‰. Š Š ‰ Š<br />
{<br />
mp<br />
Bbbbb r r Š ‰.‰ Š ‰. Š Š Š<br />
‰. ‰. ‰.<br />
‰.<br />
‰.<br />
furn - ished with mys - tic wine and<br />
furn - ished with mys - tic wine and<br />
15<br />
<br />
p<br />
Vbbbb Š Š Š Š Š Š ‰. ‰ Š 32<br />
([)<br />
([)<br />
ev - er - last - ing bread, pre -<br />
Vbbbb ‰ Š ‰ Š Š Š Š Š Š Š 32<br />
ev - er - last - ing bread, pre -<br />
V bbbb Š<br />
‰ Š ‰‰. Š Š ‰. ‰.<br />
Š 32<br />
{ Bbbbb ‰.<br />
‰. ‰‰. ‰. ‰‰. Š Š Š ‰ Š Š Š Š<br />
p 32<br />
19 i = i<br />
<br />
mf mp<br />
Vbbbb32 Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š 34<br />
([)<br />
- serve the life thy - self hast given, and feed and train us up for<br />
Vbbbb32 Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š 34<br />
([)<br />
mf<br />
p<br />
(Man.)<br />
- serve the life thy - self hast given, and feed and train us up for<br />
i = i<br />
for online perusal only<br />
V bbbb32 Š‰ Š Š‰ Š ‰ ˆ. Š Š Š Š Š Š Š‰ Š Š‰ Š ‰ 34<br />
{ Bbbbb32 mf mp<br />
‰ ‰‰ ‰ ˆ ‰ Š Š ˆ ‰ ‰ ‰‰‰<br />
34<br />
mp<br />
Author <strong>of</strong> life divine 7
S.<br />
A./<br />
T./B.<br />
8 Author <strong>of</strong> life divine<br />
22<br />
Vbbbb34 ‰. ‰. p p<br />
heaven.<br />
Vbbbb34 ‰. ‰. p p<br />
([)<br />
([)<br />
heaven.<br />
V bbbb34 ‰. ‰. Š‰. Š Š Š‰.<br />
Š Š Š Š Š<br />
{ Bbbbb34 ‰.<br />
Š ‰. Š Š Š ‰. Š Š Š ‰. Š Š Š ‰.<br />
Š Š<br />
(Ped.)<br />
for online perusal only<br />
26<br />
Vbbbb p mf<br />
Š ‰ ‰ Š ‰ Š ‰ Š<br />
unis. mf<br />
Vbbbb<br />
Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
V bbbb ‰. ‰. ‰ ‰<br />
Š Š Š ‰ Š Š Š Š Š Š Š ‰. Š Š Š<br />
{<br />
mf<br />
Bbbbb ‰ Š ‰ Š ‰ Š<br />
‰. ‰.<br />
‰. ‰‰. Š ‰. Š Š Š<br />
‰. ‰. ‰.<br />
Our souls sus - tain with<br />
Our nee - dy souls, our souls sus - tain with fresh sup -<br />
31<br />
Vbbbb ‰ Š Š Š Š ‰. p Š f ‰<br />
fresh sup - plies <strong>of</strong> love, all<br />
f<br />
Vbbbb Š Š Š ‰. ‰. Š Š Š Š Š Š<br />
([)<br />
V bbbb ‰. Š Š Š ‰. ‰ . Š‰. Š Š Š ‰.<br />
‰ Š Š<br />
{ Bbbbb Š ‰. Š Š Š ‰.<br />
‰ . ‰ . ‰ . f<br />
Š Š<br />
‰ . ‰ .<br />
- plies <strong>of</strong> love, till all thy life we
36<br />
Vbbbb Š ‰ Š ‰ Š ‰ ‰ Š<br />
Vbbbb Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
thy full - ness, full - ness,<br />
gain, and all thy full - ness, full - ness<br />
V bbbb Š‰.<br />
‰ Š Š Š ‰ Š Š Š ‰ Š Š ‰.<br />
Š<br />
{ Bbbbb Š ‰. Š Š ‰ Š Š Š ‰.<br />
‰.<br />
‰.<br />
‰.<br />
‰.<br />
Š ‰‰. ‰.<br />
40<br />
Vbbbb Š Š Š ‰. 32 Š r q r Š<br />
mf<br />
full - ness prove. thy<br />
Vbbbb ‰. ‰ Š 32 Š Š Š Š Š Š<br />
([)<br />
V bbbb ‰. Š Š Š Š‰ Š Š 32 ‰ Š Š Š‰ Š ‰<br />
{<br />
mf<br />
Bbbbb ‰. ‰‰. ‰‰‰ Š Š 32ˆ ‰ ‰ ‰<br />
prove, and, strength-ened by thy per - fect<br />
(Man.)<br />
43<br />
Vbbbb Š Š Š Š Š Š ˆ mp<br />
q r Š Š Š Š Š ˆ.<br />
per - fect, per-fect grace, be - hold thy face.<br />
Vbbbb ˆ Š Š Š Š Š Š Š Š ˆ. ˆ.<br />
([)<br />
for online perusal only<br />
mf mp p<br />
grace, be - hold with-out a veil thy face.<br />
V bbbb ŠˆŠ Š Š Š Š ˆ Š Š Š Š ‰ ‰ ˆ. ‰ ‰ ˆ.<br />
{<br />
mp p<br />
Bbbbb ˆ. Š Š ‰ ˆˆ ‰ ‰ ˆ.<br />
ˆ. ˆ. ˆ.<br />
(Ped.)<br />
Author <strong>of</strong> life divine 9<br />
mf<br />
p
10<br />
S(A)(Men)<br />
Keyboard<br />
3. Be still, for the presence<br />
<strong>of</strong> the Lord<br />
S.<br />
A.<br />
MEN<br />
V # Andante espressivo i = 100<br />
SOPRANOS & ALTOS unis.<br />
# ([)<br />
4 p p mp<br />
VOICES<br />
<br />
r Š Š Š Š ŠŠŠŠ Š. Še<br />
V#<br />
1. Be still, for the pre-sence <strong>of</strong> the Lord, the<br />
# 4 ‰ Š‰ Š Š‰ Š Š‰ Š ‰ ‰ ‰‰<br />
Š‰<br />
Š<br />
{ B## 4 Š<br />
KEYBOARD p sempre legato<br />
Š ‰ Š ŠŠŠ Š ‰<br />
‰‰ ‰ ‰<br />
V # (Ped.)<br />
MEN or TUTTI<br />
5<br />
#<br />
mp<br />
Š Š Š Š ˆ r Š Š ŠŠ Š. Še<br />
([)<br />
Š. Š e Š Š Š Š ˆ<br />
V#<br />
Ho-ly One, is here; Come, bow be - fore him now, with re-ver-ence and fear.<br />
# ˆ‰ ‰ ˆ Š Š Š Š Š Š Š Š Š Š ŠŠ Š Š<br />
Š ‰ ‰ ‰ ‰ ‰ ‰ ‰‰<br />
{ B## ˆ p<br />
‰ ‰ ˆ<br />
‰. Š ‰ q‰ q ‰ Š Š Š #Š ˆ<br />
‰ Š Š ‰ ‰ ‰. Š<br />
V #<br />
11 mf<br />
# r Š. Še‰ r Š.<br />
mp<br />
Š Š Š Š Š ‰ Š Š Š Š Š Še ‰ r Š Š ŠŠŠ<br />
In him no sin is found, we stand on ho - ly ground; Be still, for the<br />
B## r Š Š Š Š Š ‰ r Š Š Š Š Š ‰ r Š Š ŠŠ<br />
V#<br />
mf<br />
# Š Š Š Š ‰ ‰. bŠ Š Š ‰ ‰ mp<br />
‰ ‰ ‰ Š Š ˆ Š Š Š‰<br />
Š<br />
{<br />
mf<br />
B## ‰. =Š<br />
‰. Š mp<br />
‰<br />
‰ Š Š ‰ ˆ‰ ‰ ‰ Š<br />
Š<br />
Š<br />
Š ‰ ˆ<br />
for online perusal only<br />
If performing in unison, sing the melody throughout, omitting the descant sections in vv. 2 and 3.<br />
Words and music by<br />
DAVID J. EVANS (b. 1957)<br />
arr. Richard Shephard<br />
© 1986 Thankyou Music. Administered in UK and Europe by worshiptogether.com and rest <strong>of</strong> world by kingswaysongs.com,<br />
email: tym@kingsway.co.uk. Used by permission. Photocopying this copyright material is ILLEGAL.
V #<br />
16<br />
# ŠŠŠŠ Š Š. Š Še Š. Še r p p<br />
Š Š Š Š Š ‰.<br />
pre-sence <strong>of</strong> the Lord, the Ho - ly One, is here.<br />
B## ŠŠŠŠŠ. Š Š Š Š Š f<br />
‰. r p p<br />
V# # ‰ ‰ Š Š Š. Še r<br />
Š Š Š Š<br />
Š Š<br />
Š ‰. Š<br />
Š ‰ Š Š Š Š‰ Š Š ‰<br />
{ B## Š Š Š Š Š Š r<br />
‰ ‰ ‰ ‰ ‰<br />
‰ Š Š Š<br />
V #<br />
21<br />
# p p<br />
r Š Š Š Š ŠŠŠŠ Š. Še Š Š Š ‰ Š r f<br />
Š ‰.<br />
2. Be still, for the glo-ry <strong>of</strong> the Lord is shi-ning all a - round;<br />
B## p p p p p<br />
V# # Š‰. Š ‰ Š ‰ ‰ ‰‰‰ Š‰ Š Š‰ Š Š‰ Š ‰. ‰ ‰ Š<br />
{<br />
p<br />
B## Š‰ Š Š Š ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />
‰ ˆŠ Š ‰<br />
for online perusal only<br />
Be still, for the presence <strong>of</strong> the Lord 11<br />
ah<br />
V #<br />
26<br />
mp<br />
# ˆ ‰ Š Š r r r Š Š Š Š Š. Š f Š. Š Š Š Š f<br />
Š ‰. Š Š Š<br />
B## r Š Š Š Š Š. Š f Š. Š Š Š Š f<br />
Š ‰.<br />
r r<br />
Š Š Š<br />
V#<br />
p<br />
# ‰ Š Š ‰ Š Š Š Š Š Š ‰ = ‰ mp<br />
‰ ‰ Š Š<br />
‰ Š Š Š Š ‰ Š‰<br />
Š<br />
{<br />
mp<br />
B## ‰ ‰ Š‰ Š ‰ ‰ q<br />
‰ ‰ Š‰ Š ‰<br />
‰<br />
He burns with ho - ly fire, with splen-dour he is crowned. How awe-some
12 Be still, for the presence <strong>of</strong> the Lord<br />
ah<br />
V #<br />
31<br />
# Š. Še r Še q ‰ Š Š Š Š<br />
f<br />
‰ Š Š Š Š. f<br />
‰ r Š Š Š Š ŠŠŠŠ<br />
mf<br />
Š. Š<br />
is the sight, our ra-diant King <strong>of</strong> light! Be still, for the glo-ry <strong>of</strong> the Lord is<br />
f<br />
B##<br />
Š. Š f<br />
‰ r<br />
Š Š Š Š. Š f<br />
‰ mp<br />
r Š ‰ r Š ‰<br />
V#<br />
Be still, be still,<br />
# Š‰ Š Š‰ Š ‰‰ ‰ Š Š ‰ Š Š ‰ =ˆ ‰ ‰ Š‰ Š #(‰<br />
) ŠŠ<br />
{ B## Š Š ‰ #ˆ ‰ Š Š mp<br />
Š Š ‰ b‰ ˆ ˆ ‰ ‰ ‰ ‰<br />
for online perusal only<br />
p<br />
V #<br />
36<br />
# ‰ Š Š Š. Š Š r p p p<br />
f<br />
‰.<br />
p<br />
p<br />
shi-ning all a-round.<br />
B## q ‰ ‰. r p p p<br />
V#<br />
be still.<br />
# ‰ Š Š Š Š Š Š Š Š Š Š Š ‰.<br />
Š ‰ Š. Š Š Š Š Š Š<br />
{<br />
f<br />
‰ ‰ ‰ ‰ Š Š Š Š ‰<br />
p<br />
f<br />
B## Š Š Š Š ‰ ‰<br />
‰ ‰ ‰ ‰ ‰ ‰ ‰ Š Š ‰ Š<br />
‰ Š<br />
V #<br />
41<br />
unis.<br />
# f<br />
S. mf<br />
r Š Š Š Š ŠŠŠŠ Š. Še Š Š Š Š ˆ r Š Š ŠŠŠ<br />
A.<br />
3. Be still, for the pow-er <strong>of</strong> the Lord is mov-ing in this place; He comes to<br />
B## r Š Š Š Š ŠŠŠŠ Š. Š Š Š Š f<br />
Š ˆ r Š Š ŠŠ<br />
V#<br />
f<br />
# ‰ ‰ mf<br />
Š Š Š‰ Š Š‰ Š Š. Š ŠŠeŠ. Š Š Še =Š ‰ Š ‰ Š #( ) Š‰ Š Š Š ŠŠŠ<br />
{ B## Š Š Š Š ‰ ‰<br />
mf<br />
‰ ‰ ‰ ‰ ˆ =Š ‰ Š ‰ ŠŠŠŠ<br />
mp
V #<br />
46<br />
# Š. Š ŠŠe<br />
ŠŠ. Še ‰. r Š Š Š Š Š Š Š Š r Šf<br />
Š Š Š. Še f<br />
‰<br />
cleanse and heal, to mi - ni - ster his grace. No work too hard for him,<br />
B## Š Š Š Š Š Š Š Š ‰ Š ,<br />
r r<br />
Š Š Š Š. Š f<br />
‰<br />
V#<br />
f<br />
# Š Š Š Š ‰ ‰.<br />
,<br />
‰ ‰ Š Š Š Š Š Š ˆ Š Š Š Š<br />
Š Š Š ‰. ‰ ‰ Š ‰. Š<br />
{ B## ‰ Š<br />
f<br />
‰<br />
Š Š Š ‰. Š Š ‰ ‰ ‰.<br />
‰.<br />
Š ‰.<br />
Š Š Š Š Š<br />
for online perusal only<br />
ah the Lord is mov - ing<br />
V # dim. poco a poco<br />
51<br />
# r Š Š ŠŠ Š. Še ‰ ‰ Š Š Š Š f<br />
‰<br />
r<br />
Š Š Š Š ŠŠŠŠ Š. Š ‰ ‰ f<br />
Š Š Š Š<br />
in faith re - ceive from him; Be still, for the pow-er <strong>of</strong> the Lord is mov - ing<br />
B## r<br />
Š Š Š Š. Š f<br />
‰ r<br />
Š Š Š Š ŠŠŠŠ Š. Š ‰ Š Š f V# # ŠŠ Š Š dim. poco a poco<br />
b‰ Š Š ŠŠ ‰ Š Š ‰ ‰ ‰ Š Š Š‰ Š Š ‰ Š ‰ Š Š<br />
{<br />
dim. poco a poco<br />
B## Š Š ‰ =‰<br />
‰<br />
‰ Š Š ‰ ˆ ‰ ‰ ‰ Š Š ‰ ‰ Š Š<br />
in this place.<br />
V # rit. al fine<br />
56<br />
#<br />
pp<br />
‰. ‰ ‰ Š ˆˆ Š<br />
r q p Fp<br />
in this place.<br />
B## ‰.<br />
Š ˆ Š r q p p<br />
V#<br />
pp<br />
E<br />
rit. al fine<br />
# ‰‰ Š Š r Š Š Š Š Š. Še<br />
‰ Š. Še<br />
Š Š ‰ ‰ ‰ ‰ ‰ Š<br />
F<br />
Š ‰ ˆ<br />
{ B## Š Š<br />
pp<br />
ˆ<br />
Š Š Š<br />
q Š Š<br />
‰ ‰ Š ‰<br />
‰<br />
Eˆ<br />
,<br />
Be still, for the presence <strong>of</strong> the Lord 13
14<br />
S(A)(T)(B)<br />
Keyboard<br />
4. Bread <strong>of</strong> the world<br />
Reginald Heber<br />
(1783–1826)<br />
VOICES<br />
KEYBOARD<br />
([)<br />
V # Gently, but not too slow i = 132<br />
TUTTI or T./B. unis. or SOLO<br />
34 p p p p<br />
p legato<br />
<br />
<br />
Š. ŠeŠ<br />
([)<br />
Bread<br />
<strong>of</strong> the<br />
V# 34 Š.<br />
‰. ŠeŠ Š<br />
‰. Š Š ‰. Š ‰. Š ‰.<br />
Š<br />
{ B#34 p<br />
‰. Š ‰ Š ‰. ‰ Š ‰. ‰ Š ‰. ‰ Š ‰.<br />
‰<br />
legato<br />
(Ped.)<br />
V #<br />
6<br />
<br />
Š Š Š Š. ŠeŠ ‰ Š Š. ŠeŠ Š Š Š Š. ŠeŠ<br />
([)<br />
for online perusal only<br />
Trad. Scottish<br />
arr. ALAN BULLARD (b. 1947)<br />
world, in mer - cy bro - ken, Wine <strong>of</strong> the soul, in mer - cy<br />
V# ‰‰. Š ‰. Š ‰ ‰. Š ‰<br />
‰. Š Š<br />
‰. Š Š Š. ‰.<br />
ŠeŠ<br />
{ B# ‰. Š ‰ ‰ ‰. Š ‰. ‰. r ‰ ‰. r ‰ ‰.<br />
r ‰<br />
V #<br />
12<br />
<br />
‰ Š Š Š Š Š. Še Š Š Š Š ‰ Š<br />
shed, By whom the words <strong>of</strong> life were spo - ken,<br />
V# ‰ Š Š Š Š ‰.‰ Š Š‰.<br />
Š Š ‰ = Š<br />
{ B# r ‰ Š Š Š Š ‰ =‰. Š ‰<br />
‰. ‰. ‰. ‰.<br />
This anthem may be shortened by omitting bars 22– 41.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
T.<br />
B.<br />
([)<br />
Bread <strong>of</strong> the world 15<br />
optional cut to bar 42 O<br />
V #<br />
17<br />
<br />
Š Š Š Š Š Š Š. Še Š ‰ Š ‰ Še t<br />
And in whose death our sins are dead.<br />
V# Š Š Š Š Š Š ‰ Š ‰. Š Š‰.<br />
Š Š<br />
{ B# r ‰ r ‰ r ‰ r<br />
‰. #‰. ‰. ‰. ‰ ‰.<br />
(Man.)<br />
V #<br />
22<br />
mp legato<br />
p p p Š. Še Š Š Š Š. f Š ‰ Š ‰ ŠeŠŠ<br />
Bread <strong>of</strong> the world, in mer - cy<br />
B# p p p Š. ŠeŠ Š Š f<br />
Š ‰ Š ‰ Š<br />
mp legato<br />
V# Š. Š Š f<br />
Š Š Š ‰ Š Š Š Š r r p p<br />
{<br />
double choir ad lib.<br />
B# ‰. ‰. Š. Š ‰. Š f Š r r p p<br />
for online perusal only<br />
V #<br />
28<br />
Š. ‰ Š Š Š. ŠeŠ Š Š Š. Še Š f f Š ‰ Š ‰ #Š ‰.<br />
Š<br />
bro - ken, Wine <strong>of</strong> the soul, in mer - cy shed,<br />
B# ‰ Š Š. ŠeŠ Š Š Š. Še ‰ Š<br />
f Š #‰ Š ‰ Š ‰.<br />
V #<br />
33<br />
ŠŠ Š Š. Še Š Š Š Š Š ‰ Š ‰ #( ) Š ‰ Š Š #ŠŠ Š<br />
B# Š Š Š ‰ Š =Š Š<br />
‰ Š<br />
Š ‰ Š Š Š Š Š Š #Š<br />
By whom the words <strong>of</strong> life were spo - ken, And in whose
16 Bread <strong>of</strong> the world<br />
<br />
O<br />
V #<br />
38<br />
‰ Š Š Š ‰ Š. ŠeŠ Š ‰ Šet p p<br />
Š ‰ Š<br />
death our sins are dead.<br />
f<br />
B# ‰ Š Š Š Š‰ Š Š Š ‰. ‰ ŠetŠ p p f<br />
V# p p<br />
O<br />
‰ Š Š Š Š. Š Š Š Š Š<br />
Š Š Š ‰. f<br />
{ B# p p p<br />
‰. ‰. ‰. ‰ r V<br />
V # (Man.)<br />
44<br />
S./A. unis. or SOLO<br />
p<br />
p legato<br />
<br />
Š. ŠeŠ Š Š Š Š. ŠeŠ ‰ Š Š. ŠeŠ<br />
Look on the heart by sor - row bro - ken, Look on the<br />
V# Š ‰.. ŠeŠ ‰. ‰. ‰.‰ Š ‰. ‰.<br />
{ V # pp<br />
Š Š Š ‰.‰ Š ‰.‰ Š ‰. ‰. ‰.<br />
Š<br />
V #<br />
50<br />
<br />
Š Š Š Š. ŠeŠ ‰ Š Š Š Š Š. ŠeŠ Š Š Š<br />
tears by sin - ners shed; And be your feast to us the<br />
V# Š‰ Š Š. ŠeŠ Š<br />
Š #‰. ‰ Š ‰. Š Š Š‰. Š Š Š‰ Š Š<br />
{ V # ‰ Š ‰ Š ‰ Š ‰ .<br />
‰<br />
‰. ‰. ‰. Š Š Š Š<br />
V #<br />
56<br />
<br />
‰ Š Š Š Š Š Š Š Š. ŠeŠ ‰ Š ‰ Šet<br />
to - ken That by your grace our souls are fed.<br />
V# Š‰. Š Š ‰. Š Š Š Š Š Š ‰ Š Š Š ‰. Š Š Š<br />
{ V # ‰. Š Š Š Š Š Š Š ‰.<br />
Š ‰. ‰.<br />
for online perusal only
62<br />
V# molto rit.<br />
Š‰. Š Š ‰. Š Š Š Š Š Š Š Š Š Š<br />
F ,<br />
‰. ‰. Š Š ‰‰. ‰‰ ŠŠ<br />
{ V # dim.<br />
‰. ‰. ‰. ‰. Š rr B Š. Š f Š ‰ Š<br />
Š. Š Š E<br />
f<br />
V # a tempo<br />
69 mp<br />
DESCANT (opt. SOLO)<br />
p Š Š Š ‰. ‰. p<br />
Bread <strong>of</strong> the world,<br />
V # Š. Še Š Š Š Š Š. Še Š ‰ Š Š. Še Š<br />
([)<br />
OTHER VOICES<br />
mp<br />
Look on the heart by sor - row bro - ken, Look on the<br />
V#<br />
a tempo<br />
‰. Š ‰ Š Š Š ‰. Š ‰ ‰. Š ‰<br />
‰. Š<br />
{<br />
mp<br />
B# Š ‰ Š ‰ ‰ Š<br />
‰. ‰. ‰. ‰. ‰. r ‰<br />
(Ped.)<br />
for online perusal only<br />
Bread <strong>of</strong> the world 17<br />
V #<br />
74<br />
mp<br />
cresc.<br />
Š Š Š ‰. ‰. p Š Š Š<br />
Wine <strong>of</strong> the soul, And be your<br />
V # cresc.<br />
Š Š Š Š. Še Š ‰ Š Š Š Š Š. Še Š<br />
([)<br />
tears by sin - ners shed; And be your feast to<br />
V# Š Š Š Š. ‰. Še Š ‰.‰ Š ŠŠ Š Š Š‰ Š =ŠŠ<br />
{ B# Š‰ Š Š ‰. Š Š Š<br />
Š‰. Š Š ‰ Š Š Š ‰ Š Š Š
18 Bread <strong>of</strong> the world<br />
S.<br />
A.<br />
T.<br />
B.<br />
V #<br />
79<br />
Š. Š f Š<br />
f mp<br />
Š Š Š ‰ Š ‰ Š Š. Š f Š<br />
V # Š Š Š ‰ Š Š<br />
f mp<br />
Š Š Š Š Š Š. Še Š<br />
([)<br />
feast the to - ken That by your grace our souls are<br />
us the to - ken That by your grace our souls are<br />
V# Š. Še Š ‰ Š<br />
‰ . Š Š Š ‰.<br />
Š Š ‰ Š Š Š Š. ‰. Še Š<br />
{<br />
f p<br />
B# ‰. Š Š Š ‰. Š Š Š Š ‰.‰ Š ‰.<br />
Š<br />
V #<br />
84<br />
rit.<br />
‰ Š ‰. Še t r r p<br />
fed.<br />
V # ‰ Š ‰. Še t r r p<br />
([)<br />
fed.<br />
V# rit.<br />
‰ Š Š. Še Š ‰. ‰ Še t<br />
‰. ‰. ‰ Š f<br />
{<br />
pp<br />
B#=Š‰. Š Š ‰. Š. Še Š ‰ Še t<br />
t r p<br />
V # meno mosso<br />
88<br />
Fp p<br />
Š. ŠeŠ Še t f<br />
Š ‰. ‰. Š f<br />
r r<br />
Bread <strong>of</strong> the world.<br />
B# p Š. ŠeŠ f Š ‰. ‰. ŠeŠ E<br />
f t r r<br />
V# p<br />
F<br />
meno mosso<br />
p p p t<br />
‰. Še r r<br />
{<br />
double choir ad lib.<br />
pp<br />
B#<br />
E<br />
p p p ‰. ŠeŠ t r r f<br />
for online perusal only
S(A)(Men)<br />
Keyboard<br />
for Phillip Bell and the boys <strong>of</strong> Eccles Hall School, Norfolk<br />
5. Brightest and best <strong>of</strong><br />
the sons <strong>of</strong> the morning<br />
19<br />
Reginald Heber<br />
(1783–1826)<br />
MALCOLM ARCHER<br />
(b. 1952)<br />
VOICES<br />
KEYBOARD<br />
<br />
V # 34 p i Con moto = 138<br />
. p p p<br />
([)<br />
V# 34 Š Š Š Š Š Š . Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
mp<br />
Š<br />
{ B#34 ‰. ‰. . ‰.<br />
‰.<br />
‰.<br />
‰ Š ‰ Š<br />
(Ped.)<br />
V # v. 1: SOPRANO<br />
v. 2: MEN or TUTTI<br />
5<br />
mf<br />
Š. Še Š Š Š Š Š Š Š ‰ Š<br />
([)<br />
1. Bright - est and best <strong>of</strong> the sons <strong>of</strong> the morn - ing,<br />
2. Cold on his cra - dle the dew - drops are shin - ing;<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
mf<br />
{ B# ‰.<br />
‰. ‰.<br />
‰.<br />
‰.<br />
‰ Š ‰ Š<br />
V #<br />
9<br />
<br />
Š Š Š Š Š Š Š Š Š ‰.<br />
([)<br />
for online perusal only<br />
dawn on our dark - ness and lend us thine aid;<br />
low lies his head with the beasts <strong>of</strong> the stall;<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ B# ‰.‰ Š ‰. ‰. ‰.<br />
© 1990 Kevin Mayhew Ltd. Reproduced by permission <strong>of</strong> Kevin Mayhew Ltd, www.kevinmayhew.com. Licence nr 709091/1.<br />
Photocopying this copyright material is ILLEGAL.
S./A.<br />
20 Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning<br />
V #<br />
13<br />
<br />
Š. Š Š Š f Š Š Š Š Š ‰ Š<br />
([)<br />
star <strong>of</strong> the east, the ho - ri - zon a - dorn - ing,<br />
an - gels a - dore him in slum - ber re - clin - ing,<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ B# ‰. ‰<br />
Š ‰. ‰.<br />
V #<br />
17<br />
1.<br />
2.<br />
<br />
Š Š Š Š Š Š Š. Še Š ‰. . ‰.<br />
([)<br />
for online perusal only<br />
guide where our in - fant Re - deem - er is laid.<br />
Ma - ker and Mon - arch and Sa - viour <strong>of</strong> all.<br />
V# Š Š Š Š Š Š<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š . Š Š Š Š Š Š<br />
{ B# #‰. ‰. Š Š‰. Š Š ‰<br />
‰.<br />
Š . Š<br />
‰. Š Š<br />
V #<br />
21<br />
unis.<br />
mp<br />
Š. Še Š Š Š Š Š. Še Š ‰ Š<br />
3. Say, shall we yield him in cost - ly de - vo - tion,<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
mp<br />
{ B# ‰. ‰. ‰. ‰.<br />
V #<br />
25<br />
<br />
Š. Še Š Š Š Š Š Š Š ‰.<br />
o - dours <strong>of</strong> E - dom, and <strong>of</strong>f’r - ings di - vine,<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š #Š Š Š Š Š<br />
{ B# ‰. ‰. ‰. ‰.<br />
‰.
Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning 21<br />
V #<br />
29<br />
<br />
Š. Š f Š Š Š Š Š. Š f Š ‰ Š<br />
gems <strong>of</strong> the moun - tain, and pearls <strong>of</strong> the o - cean,<br />
V# =( )Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ B# ‰. ‰. ‰.<br />
‰.<br />
‰.<br />
V #<br />
33<br />
<br />
Š. Še Š Š Š Š Š Š Š ‰ r<br />
myrrh from the for - est, or gold from the mine?<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ B# ‰. Š<br />
‰. ‰. ‰. Š Š<br />
for online perusal only<br />
S.<br />
A.<br />
V #<br />
37 mf<br />
Š. Še Š Š Š Š Š Š Š ‰ Š<br />
4. Vain - ly we <strong>of</strong> - fer each am - ple ob - la - tion,<br />
p<br />
V # div. (lower part opt.)<br />
‰. ‰. ‰. ‰ Š<br />
ah<br />
V# Š Š Š Š Š Š Š Š Š Š Š { ‰. ‰. ‰. ‰ Š<br />
mp<br />
B# ‰. ‰. ‰ Š ‰ Š<br />
(Man.)
22 Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning<br />
V #<br />
41<br />
Š Š Š Š Š Š Š Š Š ‰. Š. Š Š<br />
vain - ly with gifts would his fa - vour se - cure: rich - er<br />
f<br />
by<br />
V # ‰. ‰. ‰. ‰. ‰.<br />
ah<br />
ah<br />
V# Š‰. Š Š Š‰. Š Š Š‰. Š Š Š‰. Š Š Š‰.<br />
Š Š<br />
{ B# ‰. ‰. ‰. ‰. ‰.<br />
for online perusal only<br />
V #<br />
46<br />
Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š<br />
V # ‰. Š Š‰. Š Š ‰.<br />
Š ‰. ‰ Š<br />
far is the heart’s a - do - ra - tion, dear - er to God are the<br />
V# Š Š Š Š‰ Š Š Š‰ Š Š Š‰. Š Š Š‰.<br />
Š Š<br />
{ B# ‰. ‰. ‰. #‰. ‰.<br />
V 51<br />
Š. ŠeŠ ‰. p p p bbbb<br />
prayers <strong>of</strong> the poor.<br />
V Š‰.<br />
Š Š ‰.<br />
p p p bbbb<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š bŠ<br />
‰.<br />
=Š bŠ ŠbŠ bŠ bbbb<br />
{ B# ‰. ‰. ‰. b‰<br />
‰. ‰. ‰ Š ‰ bŠŠ bbbb<br />
(Ped.)<br />
ah
SOPRANO DESCANT<br />
56<br />
mf<br />
Vbbbb ‰. ‰. Š Š Š Š Š Š<br />
ah<br />
unis. f<br />
OTHER VOICES<br />
Vbbbb Š. Š f Š Š Š Š Š Š Š ‰ Š<br />
([)<br />
5. Bright - est and best <strong>of</strong> the sons <strong>of</strong> the morn - ing,<br />
V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
mf<br />
Š<br />
{ Bbbbb ‰.<br />
‰. ‰.<br />
‰.<br />
‰.<br />
‰ Š ‰ Š<br />
60<br />
Vbbbb ‰ Š ‰. ‰ Š ‰.<br />
ah<br />
Vbbbb Š Š Š Š Š Š Š Š Š ‰.<br />
([)<br />
for online perusal only<br />
Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning 23<br />
dawn on our dark - ness and lend us thine aid;<br />
V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ Bbbbb ‰.‰ Š ‰. ‰. ‰.<br />
64<br />
Vbbbb Š. Še Š ‰. Š Š Š ‰ Š<br />
ah<br />
Vbbbb Š. Š Š Š<br />
([) f Š Š Š Š Š ‰ Š<br />
star <strong>of</strong> the east, the ho - ri - zon a - dorn - ing,<br />
V bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ Bbbbb ‰. ‰<br />
Š ‰. Š‰.<br />
Š Š
24 Brightest and best <strong>of</strong> the sons <strong>of</strong> the morning<br />
68<br />
Vbbbb ‰ Š ‰ Š Š Š Š ‰.<br />
ah<br />
Vbbbb Š Š Š Š Š Š Š. Še Š ‰.<br />
([)<br />
guide where our in - fant Re - deem - er is laid.<br />
V bbbb Š Š Š Š Š Š<br />
Š Š Š Š Š rall.<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ Bbbbb =‰. ‰. Š Š‰. Š Š ‰.<br />
‰.<br />
rall.<br />
for online perusal only<br />
S.<br />
A.<br />
MEN<br />
slower<br />
or SOLO<br />
72 pTUTTI<br />
Vbbbb Š Š Š Š Š Š Š. Še Š<br />
F<br />
‰.<br />
Guide where our in - fant Re - deem - er is laid.<br />
or S. & A.<br />
pdiv.<br />
Vbbbb ‰. ‰ Š Š‰.<br />
Š Š<br />
F<br />
‰.<br />
ah<br />
Bbbbb=‰. p ‰. ‰. F‰ . ah<br />
V<br />
slower<br />
bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
F<br />
Š Š Š Š Š ‰.<br />
p<br />
{ Bbbbb =‰. ‰. Š‰. Š Š ‰.<br />
E<br />
‰.
25<br />
S(A)(T)(B)<br />
Keyboard<br />
6. Christians, shout<br />
for joy and gladness<br />
trans. C. S. Philips Melody and figured bass by J. S. BACH (1685–1750)<br />
additional parts by Alan Bullard<br />
VOICES<br />
KEYBOARD<br />
Joyously and with life i = 120<br />
TUTTI unis.<br />
Vbb 34 p p p p Šf<br />
<br />
Š Š<br />
([)<br />
V bb 34 Š Š Š Š Š Š Š Š Š Š Š Š. ‰ Še ‰ .<br />
Š‰ Š Š<br />
{ Bbb 34 Š f<br />
Š Š Š Š ‰ Š Š Š Š Š ‰ Š Š Š Š Š ‰. Š Š Š<br />
for online perusal only<br />
(Ped.)<br />
Christ - ians,<br />
6<br />
<br />
Vbb ‰ Š Š Š Š Š ‰ Š Š Š Š ‰ Š<br />
([)<br />
shout for joy and glad - ness, Cast a - way all<br />
V bb ‰ Š Š Š Š ‰ Š Š<br />
‰. Š ‰ ‰ Š Š<br />
‰<br />
Š Š =Š Š<br />
{ Bbb Š<br />
‰ Š Š Š<br />
Š Š =Š Š Š Š ‰ ‰ Š ‰. Š Š Š Š Š Š Š<br />
11<br />
Vbb Š Š Š Š mf<br />
‰ Š Š Š Š ‰ Š Š Š Š<br />
([)<br />
V bb Š Š‰ Š Š ‰ Š Š‰ Š Š ‰ Š Š‰<br />
Š#Š Š<br />
{<br />
mf<br />
Bbb =Š ‰ ‰ Š Š<br />
‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
fear and sad - ness: Je - sus, Prince <strong>of</strong> love and<br />
Music: © <strong>Oxford</strong> University Press 2007; Words: © 1978 The Royal School <strong>of</strong> Church Music, 19 The Close, Salisbury, SP1 2EB,<br />
www.rscm.com. All rights reserved. Photocopying this copyright material is ILLEGAL.
26 Christians, shout for joy and gladness<br />
16<br />
<br />
Vbb ([)<br />
#‰. ‰ Š Š Š Š ‰ Š Š ‰.<br />
might, End - less life has brought to light,<br />
V bb #‰ .<br />
‰ Š Š Š Š Š #ŠŠ Š Š ‰ #Š Š Š ‰.<br />
{ Bbb Š. ‰. Š ‰ Š#Š Š Š Š r Š Š<br />
f Š Š Š Š Š Š Š Š Š ‰.<br />
21<br />
poco a poco cresc.<br />
Vbb ‰ Š Š Š Š Š Š Š Š Š Š Š ‰ Š<br />
([)<br />
for online perusal only<br />
He has bro - ken death’s dark pri - son<br />
V bb ‰ Š Š =Š Š Š Š Š‰ Š Š Š Š Š Š =‰ Š Š Š Š ‰ Š<br />
{<br />
poco a poco cresc.<br />
Bbb=Š Š Š Š Š Š ‰ Š<br />
‰ Š Š Š Š Š<br />
Š =Š Š Š Š ‰<br />
Š<br />
25<br />
<br />
Vbb Š Š Š Š Š Š Š Š Š Š Š ‰ Š<br />
([)<br />
V bb Š Š #ŠŠ Š Š Š Š‰ Š Š Š Š Š Š #‰ Š Š ‰ Š<br />
{ Bbb#Š Š =Š Š. Š Š Š Še<br />
Š ‰ Š<br />
Š ‰ Š Š Š Š Š<br />
#Š Š Š Š ‰<br />
Š<br />
And from out the grave has ri - sen.<br />
29 S./T.<br />
f<br />
VbbŠŠ Š Š Š Š Š Š Š Š Š Š Š. ‰ Še ‰.<br />
([)<br />
A./B.<br />
Al - le - lu - ia, al - le - lu - ia.<br />
V bbŠ Š Š Š Š Š Š Š Š Š. ‰ Še Š. ‰. Še Š Š<br />
{ Bbb f<br />
Š Š Š Š Š Š Š Š Š Š Š<br />
Š Š ‰. Š Š
S.<br />
A.<br />
*<br />
T./B.<br />
33<br />
V bb Š‰ Š Š Š Š Š Š Š Š. ‰ Še ‰.<br />
{ Bbb Š Š ‰ ‰ Š Š Š<br />
Š Š Š Š Š Š<br />
Š ‰.<br />
37<br />
f<br />
Vbb Š‰ Š Š ‰ Š Š =Š Š Š‰ Š Š =Š Š ‰ Š<br />
Š‰ Š Š<br />
unis.<br />
Bbb Š Š Š ‰ Š ‰ Š Š Š Š Š. Š f Š<br />
Hell’s dark pow - ers flee be - fore him; Christ - ians,<br />
f<br />
Christians, shout for joy and gladness 27<br />
for online perusal only<br />
42<br />
<br />
p<br />
Vbb ‰ Š Š Š Š Š Š =Š Š ‰ Š Š‰ Š Š ‰ Š Š Š<br />
Bbb ‰ Š ‰ Š Š Š Š Š Š Š ‰ Š<br />
has - ten to a - dore him. Sa - tan can - not<br />
p<br />
47<br />
Vbb ‰ Š Š Š #‰. Š Š Š Š #Š Š Š‰ Š ‰ #ŠŠ Š<br />
BbbŠ Š Š Š #Š Š Š Š Š Š Š Š Š Š Š Š<br />
harm you now: Sin’s do - min - ion is laid<br />
* Keyboard: double voice parts ad lib.
28 Christians, shout for joy and gladness<br />
full - throat - ed cho - rus<br />
52<br />
poco a poco cresc.<br />
Vbb ‰. ‰ Š =Š Š Š‰ Š Š Š Š Š Š=‰ Š Š Š Š ‰ ŠbŠ<br />
low, There - fore in full - throat-ed cho - rus<br />
Bbb ‰. =Š Š Š Š Š ‰ Š =Š Š Š Š Š Š Š<br />
poco a poco cresc.<br />
V full - throat - ed cho - rus<br />
bb Š Š Š Š Š Š ‰ Š =Š Š ‰ Š Š=Š Š Š =Š Š Š Š Š Š ŠbŠ<br />
p<br />
{<br />
poco a poco cresc.<br />
Bbb ‰ Š ‰ Š =Š ‰ Š Š Š Š Š<br />
‰ Š Š Š =Š ‰. Š Š Š<br />
‰. Š Š Š<br />
(Man.)<br />
for online perusal only<br />
57<br />
Vbb Š Š Š Š Š Š Š f<br />
‰ Š Š Š Š Š=Š#Š Š Š ‰ Š Š Š Š Š Š<br />
Bbb#Š =Š Š Š Š Š Š Š #Š Š Š Š Š Š Š<br />
Š Š<br />
V f<br />
bb<br />
‰<br />
Š Š Š Š Š Š Š ‰ #Š Š Š‰. Š Š Š Š Š ‰ Š Š Š Š Š<br />
{ Bbb ‰ Š ‰ #Š Š Š Š Š Š Š ‰<br />
f<br />
#Š =Š Š Š Š Š ‰ Š<br />
r Š Š<br />
Raise this song <strong>of</strong> praise be - fore us: Al - le - lu -<br />
62<br />
Vbb Š Š Š Š Š Š Š. Še Š p p<br />
f ‰.<br />
- ia, al - le - lu - ia.<br />
BbbŠ Š Š Š ‰ ‰. p p<br />
V bb Š Š Š Š Š Š. Še Š. ŠeŠ Š ‰ Š Š Š Š Š Š Š ‰ Š Š Š Š =Š ‰ Š<br />
{ Bbb Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š ‰. Š Š Š Š b( ) Š (Ped.)
67<br />
<br />
DESCANT<br />
Vbb p p Šf<br />
Š Š ‰ Š ‰ =Š<br />
([)<br />
OTHER VOICES<br />
Vbb p p Š Š Š ‰ Š Š Š Š Š<br />
([)<br />
V f<br />
bb Š Š Š. Š Š Š ‰ .<br />
Š Š ‰ Š<br />
‰ =Š<br />
f ‰ Š Š Š Š Š<br />
{ Bbb Š<br />
‰ Š Š Š Š ‰ Š ‰. Š Š Š Š Š Š Š Š Š<br />
Š<br />
for online perusal only<br />
Christians, shout for joy and gladness 29<br />
Na - ture now, her youth re -<br />
72<br />
Vbb Š Š Š Š Š ‰ Š ‰ Š ‰ Š Š Š Š Š Š<br />
([)<br />
Vbb ‰ Š Š Š Š ‰ Š Š Š Š Š ‰ Š<br />
([)<br />
V bb Š‰ Š Š Š Š Š‰ Š Š ‰ Š Š =Š Š Š‰ Š Š =Š Š Š‰ Š Š Š Š<br />
{ Bbb Š‰ Š Š ‰ Š ‰ ‰<br />
Š Š Š Š Š Š Š Š<br />
Š Š Š Š<br />
- new - ing, Flow - ers in his path is strew - ing,<br />
77<br />
Vbb ‰ Š Š Š Š ‰ Š Š Š Š Š Š Š<br />
([)<br />
tree To sing his<br />
While the birds on ev - ery<br />
Vbb Š Š Š ‰ Š Š Š Š #‰. ‰ Š<br />
([)<br />
V tree To his<br />
bb Š‰ Š Š Š‰ Š Š Š‰ Š#Š Š Š #‰. Š Š Š ‰ Š Š Š Š Š<br />
{ Bbb Š Š Š Š Š Š Š Š Š Š Š Š<br />
‰.‰ Š Š ‰ Š Š Š Š
30 Christians, shout for joy and gladness<br />
82<br />
Vbb ‰ Š ‰ Š Š ‰. ‰ Š Š Š Š Š<br />
([)<br />
praise make me - lo - dy. Field and fo - rest,<br />
Vbb Š Š Š ‰ Š Š ‰. ‰ Š Š Š Š Š Š<br />
([)<br />
V bb #Š ‰ Š Š ‰ #ŠŠ Š ‰ . ‰ Š Š =Š Š ŠŠŠ Š Š Š Š Š Š<br />
{ Bbb Š Š Š ‰ Š Š Š Š ‰ Š =Š =Š ‰ Š Š Š Š Š ‰ Š Š Š<br />
87<br />
Vbb Š Š Š ‰<br />
cresc.<br />
= Š ‰ Š Š Š Š Š Š Š<br />
([)<br />
for online perusal only<br />
sky and o - cean Swell the strain <strong>of</strong> glad<br />
Vbb Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
cresc.<br />
V bb Š Š Š Š =Š Š Š ‰ Š ‰ Š Š#Š Š Š Š Š Š Š Š Š Š Š#‰ Š Š<br />
{<br />
cresc.<br />
Bbb =ŠŠ Š Š Š<br />
Š‰<br />
Š Š Š Š ‰ ‰ Š Š<br />
#Š=Š Š Š Š Š Š Š<br />
Š #Š Š Š Š<br />
92<br />
rit.<br />
Vbb Š Š Š Š<br />
ff ‰ Š Š Š Š Š Š Š Š Š Š Š F‰.<br />
([)<br />
- vo - tion, Al - le - lu - ia, al - le - lu - ia!<br />
ff<br />
Vbb ‰ Š Š Š Š Š Š Š Š Š Š Š. Še F<br />
‰.<br />
([)<br />
- vo - tion, Al - le - lu - ia, al - le - lu - ia!<br />
V<br />
rit.<br />
bb Š Š Š ‰ Š Š Š Š Š<br />
F<br />
Š. Š Š ‰ f Š Š Š Š Š Š Š Š ‰<br />
ff<br />
.<br />
{ Bbb ‰<br />
Š Š Š Š. Še ‰.<br />
Š<br />
Š Š Š Š Š Š Š Š Š Š E<br />
‰.<br />
de -<br />
de -
31<br />
Voices 1 (2)<br />
Keyboard<br />
George Wallace Briggs<br />
(1875–1959)<br />
7. Christ is the world’s<br />
true Light<br />
WALTER KENDALL STANTON<br />
(1891–1978)<br />
VOICES<br />
KEYBOARD<br />
Maestoso h = 100<br />
<br />
Vbb ([)<br />
2 q p p p 32 p 2<br />
V bb 2 Š.<br />
Š f<br />
ˆˆ bˆˆ ˆ =ˆ 32Š =<br />
=Š Š Š Š Š Š 2<br />
{ Bbb 2 Š f<br />
. Še q ‰ Š Š ‰ ‰ ˆ<br />
‰ ‰ 32 Š<br />
r q q 2<br />
for online perusal only<br />
(Ped.)<br />
5<br />
<br />
Vbb ([)<br />
2 p p p p p p<br />
V bb 2 b b bˆ ‰ ˆ ‰ ˆ<br />
‰ Š bŠ ˆ<br />
Š Š bŠ Š ‰ ‰ Š‰ Š ‰<br />
{ Bbb b 2 ‰ Š ‰<br />
Š ‰ ‰ bˆ Š bŠ ˆ ‰ ‰ =‰ ‰ ‰ Š Š<br />
‰ ‰<br />
TUTTI unis.<br />
11<br />
Vbb ‰ f<br />
Š Š ‰ ‰ ˆ ‰ ‰ 32‰. Š Š Š ‰ ‰. Š 2<br />
([)<br />
Christ is the world’s true Light, its Cap - tain <strong>of</strong> sal - va - tion; The<br />
V bb ‰ Š Š ‰ ‰ ˆ ‰ ‰ 32‰. Š Š ‰ Š Š Š ˆŠ Š Š Š ŠŠŠ Š 2<br />
{ Bbb ‰ Š Š ‰ ‰ ˆ ‰ ‰ ‰ ‰ 32 ‰ Š Š ‰ ‰ Š Š ˆ Š Š 2<br />
© <strong>Oxford</strong> University Press 1943 and 2007. Photocopying this copyright material is ILLEGAL.
32 Christ is the world’s true Light<br />
Vbb ([)<br />
2 ‰<br />
17<br />
<br />
Š Š ‰ ‰ ‰. Š ‰ ‰ ‰. Š 32 =‰ ‰. Š 2<br />
Day - star clear and bright <strong>of</strong> ev - ’ry race and na - tion. New<br />
V bb 2 ‰ Š<br />
Š‰ Š ‰ # ‰ ‰. =Š ‰ = ‰ ‰.‰ ‰ Š 32 =‰ ‰. Š 2<br />
{ Bbb 2 Š ‰. Š Š<br />
‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š 32 ‰ ‰. Š<br />
‰<br />
Š b( ) 2Š<br />
Vbb ([)<br />
2 b‰<br />
23<br />
<br />
b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ b‰ ‰ ˆ<br />
life, new hope a - wakes where - e’er we own his sway;<br />
V bb 2 b‰ b b‰ bb‰ Š Š b‰<br />
Š Š b‰ ‰ b‰ Š bŠ b‰ b‰‰ ‰ b‰ = ‰ ˆ‰ b‰ Š Š<br />
{ Bbb 2 bb‰ ‰ b b‰ b<br />
b‰<br />
‰ ‰ ‰ ‰ ‰ b bŠ Š Š ‰ = =‰ ‰ ‰ ˆ<br />
‰ Š Š<br />
29<br />
ff<br />
Vbb Š ‰ Š ‰ ‰ ‰. Š ‰ ‰ ‰ Š Š 32ˆ q<br />
([)<br />
Free-dom her bond-age breaks, and night is turned to day.<br />
V bb Š ‰ Š Š Š ‰ ‰ ‰.‰ Š Š ‰ ‰ ‰ Š Š Š 32 Š ‰ Š Š Š Š Š Š<br />
ff<br />
{ Bbb Š Š Š 32ˆ.<br />
dim.<br />
Š ‰ ‰ ‰ ‰ ‰ Š Š ‰ ‰ Vbb p q q r Š 2 ‰<br />
35<br />
S./A. or T./B. unis.<br />
<br />
mf<br />
<br />
Š Š ‰ ‰ ˆ<br />
([)<br />
for online perusal only<br />
In Christ all peo - ples meet,<br />
V bb ˆ‰ ‰. Š ‰ ˆ 2 ˆ ˆ Š Š Š Š<br />
Š<br />
‰ ‰ ‰ Š Š ‰ ‰ ˆ Š Š<br />
{ Bbb ‰ Š Š Š ‰ Š Š Š ‰. Š 2 ˆ p<br />
‰ ‰ ‰ Š Š Š ˆ r q ˆ<br />
(Man.)
Christ is the world’s true Light 33<br />
Vbb ‰ ‰ 32Š Š ‰. Š ‰ ‰. Š 2 ‰<br />
40<br />
<br />
<br />
Š Š ‰ ‰<br />
([)<br />
their an-cient feuds for - get - ting, The whole round world com -<br />
V bb‰ Š Š 32‰<br />
ˆ ˆ. Š Š Š Š Š Š ‰<br />
2ˆ ‰ #‰<br />
{ Bbb ‰ ‰ 32 ‰ ‰. Š Š ‰ Š ˆ. Š Š Š Š Š Š<br />
2ˆ<br />
Vbb ‰. Š 32 ‰ ‰ Š Š =‰ ‰. Š 2 b‰<br />
45<br />
<br />
<br />
b‰ Š Š b‰<br />
([)<br />
- plete, from sun - rise to its set - ting. When Christ is throned as<br />
V bb Š Š ‰ 32 Š Š = ‰ ‰ ˆ q 2 b bˆˆ<br />
bŠ Š Š<br />
=‰ ‰ Š Š b‰<br />
{ Bbb ˆ 32ˆ ‰ ‰ ‰ ‰ q ‰ 2 bˆ ˆ b‰ b‰<br />
50<br />
<br />
Vbb ‰ Š bŠ ‰ ‰ b‰ ‰ ‰. Š 32 ‰ ‰ Š Š 2<br />
([)<br />
Lord, we shall for - sake our fear; To plough-share beat the<br />
V bbb‰ ‰ ‰ Š bŠ<br />
Š‰ bŠ bŠŠ Š bŠ Š =‰ Š bŠ =Š Š 32 ‰<br />
‰<br />
bŠ<br />
b‰<br />
‰ ‰ ˆ ˆ Š Š 2<br />
{ Bbbb‰ b ‰ b‰ b‰ b‰ ‰ ˆŠ Š Š Š<br />
32<br />
ˆ ‰ ‰.<br />
‰<br />
Š<br />
2<br />
Vbb ([)<br />
2 ‰. Š 32 Š<br />
55<br />
<br />
Š ‰ Š Š ˆ q 2 p 32<br />
sword, to prun-ing hook the spear.<br />
V bb ‰ 2 ‰ 32 #Š ‰ Š ‰ ‰ Š Š Š Š Šˆ Š Š Š<br />
2 =ˆ ‰. Š 32<br />
{<br />
cresc.<br />
Bbb 2 ‰ =‰ 32 Š Š ‰ ‰ ˆ.<br />
2<br />
ˆ 32<br />
for online perusal only
34 Christ is the world’s true Light<br />
Vbb32 p 2 p 32 q q r Š 2ˆ ‰ ‰<br />
59<br />
DESCANT<br />
<br />
ff<br />
([)<br />
One Lord, in<br />
Vbb32 p 2 p 32 q q r Š 2 ‰<br />
OTHER VOICES ff<br />
<br />
Š Š ‰ ‰<br />
([)<br />
V bb32<br />
ˆ. 2 ‰ ‰. Š 32 ˆ. Š Š Š Š Š Š 2 ˆ ‰ Š Š ˆ ‰ ‰<br />
{ Bbb32 ˆ.<br />
f<br />
2ˆ<br />
32 Š Š Š Š Š Š<br />
r<br />
bŠ Š Š Š Š ˆ<br />
ˆ.<br />
ˆ. 2ˆ<br />
ˆ ˆ<br />
(Ped.)<br />
One Lord, in one great<br />
Vbb Š Š Š Š Š Š Š Š 32 Š Š Š Š Š Š ‰ ‰ ‰ 2 ‰<br />
64<br />
<br />
. Š<br />
([)<br />
Vbb ˆ ‰. Š 32 Š Š ‰. Š ‰ ‰. Š 2 ‰ Š Š<br />
([)<br />
Name u - nite us all who own thee; Cast out our<br />
V bb Š‰. Š Š Š Š Š ‰ Š Š 32 ‰ Š‰ Š Š ˆ Š<br />
‰ Š Š Š‰<br />
Š Š Š 2 ˆ ‰ Š Š<br />
{ Bbb ˆ ‰ ‰ ‰ ‰ 32 ˆ ‰ ‰ ‰ ˆ Š Š 2ˆ<br />
ˆ<br />
one great Name u - nite us all who own thee; Cast out our<br />
Vbb Š Š =‰ Š bŠ Š Š 32 ‰<br />
69<br />
<br />
=‰ Š Š ‰ ‰. Š 2<br />
([)<br />
for online perusal only<br />
pride and shame, that hin - der to en - throne thee. The<br />
Vbb ‰ ‰ ‰. Š 32 ‰ ‰ Š Š =‰ ‰. Š 2<br />
([)<br />
pride and shame, that hin - der to en - throne thee. The<br />
V bb Š Š =‰ Š bŠ Š Š 32 =<br />
=Š Š =‰ Š Š ‰<br />
‰ ‰ ‰. Š ‰ ‰ Š Š ‰ ˆ 2<br />
{ Bbb b b‰ ‰ ‰ 32ˆ Š ‰ ‰<br />
‰ ‰ ˆ ˆ Š Š ‰ Š Š Š b( ) Š2
73<br />
Vbb ([)<br />
2 b‰ ‰ ‰. Š ‰ b‰ b‰ ‰ ‰. =Š ‰.<br />
Vbb ([)<br />
2 b‰ b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ b‰ ‰ ‰. Š<br />
V bb 2 b b b‰ ˆ ‰ bbˆ ‰. ‰ ‰ Š b‰<br />
b ‰ bb bŠ ‰ Š b‰<br />
‰ =ˆ‰. =Š Š‰.<br />
‰. Š Š Š<br />
ff<br />
{ Bbb 2 bbˆ‰ ‰ b‰ Š b b‰ Š Š b‰ ‰ Š bŠ ‰ ‰ ‰ ‰ ‰.<br />
‰.<br />
Š<br />
Š<br />
world has wait - ed long, has tra - vailed long in pain; To<br />
world has wait - ed long, has tra - vailed long in pain; To<br />
for online perusal only<br />
(Organ: Ped. Reeds)<br />
Christ is the world’s true Light 35<br />
(Reeds <strong>of</strong>f)<br />
79<br />
Vbb ‰ ‰ Š Š Š bŠ ‰ ‰ ‰ ‰ Š Š ‰ 32<br />
([)<br />
heal its an - cient wrong, Come Prince <strong>of</strong> Peace and<br />
Vbb ‰. Š ‰ ‰ ‰. Š ‰ ‰ ‰ Š Š 32<br />
([)<br />
heal its an - cient wrong, Come Prince <strong>of</strong> Peace and<br />
V bb ‰ ‰<br />
Š‰ bŠ ‰ Š bŠ Š ‰.‰ ‰ Š ‰ ‰ ‰‰ ‰<br />
‰ Š Š 32<br />
{ Bbb ‰ Š<br />
Š<br />
Šb bŠ ‰ = =‰ b Š # #‰ ‰ ‰ Š Š ‰ ‰ Š =<br />
=Š<br />
Š ‰ ‰<br />
‰ 32<br />
84<br />
Vbb32 ˆ. 2 p 32 p p pF<br />
([)<br />
reign.<br />
Vbb32 ˆ. 2 p 32 p p pF<br />
([)<br />
reign.<br />
V bb32 2ˆ 32 Š Š Š Š Š Š ‰ ‰ ‰ Š Š ‰ ‰<br />
ˆ. ˆ ‰<br />
Š Š<br />
F<br />
Š Š q ˆ<br />
{ Bbb32 ˆ. 2 32 Š Š Š ‰ ˆ. fff<br />
ˆ. ‰ Š Š Š<br />
ˆ ˆ ‰‰ q ˆ<br />
cresc.<br />
r q q ˆ.<br />
E
36<br />
S(A)(Men)<br />
Keyboard<br />
8. Christ the Lord<br />
is ris’n again!<br />
Michael Weisse (c.1480–c.1530)<br />
trans. Catherine Winkworth<br />
VOICES<br />
V # Con moto i = 132–8<br />
<br />
TUTTI unis.<br />
# ([)<br />
2 q p f<br />
<br />
Š. Še Š Š Š Š ‰<br />
Christ the Lord is ris’n a - gain!<br />
V# # 2 Š ‰ Š Š‰ Š ŠŠ Š Š . Še Š Š Š Š ‰ Š Š<br />
{ B## 2 ‰ Š‰ Š Š‰ Š Š Š Š<br />
Š Š Š<br />
Š Š ‰<br />
KEYBOARD<br />
mf f<br />
(Ped.)<br />
RICHARD SHEPHARD<br />
(b. 1949)<br />
for online perusal only<br />
V #<br />
4<br />
# Š. Š f Š Š Š Š ‰ q<br />
mf<br />
<br />
Š Š Š Š Š #Š ‰ Š Š<br />
([)<br />
Christ hath bro-ken ev - ’ry chain! Hark, an - gel - ic voi - ces cry, Sing-ing<br />
V# # Š. ‰ Še Š Š Š‰ Š ‰ Š Š Š Š<br />
Š ‰ ‰ ‰ Š Š ‰#Š ‰ Š‰<br />
Š<br />
{ B##<br />
‰ Š Š Š<br />
mf<br />
#Š Š ‰<br />
Š<br />
Š #Š‰ #Š ‰ Š‰ Š Š‰ Š Š‰<br />
Š<br />
V #<br />
9<br />
#=Š Š Š Š ‰ Š Š 32 ‰ ‰ Šf<br />
<br />
Š ‰ ‰ q 2<br />
([)<br />
ev - er-more on high, Al - le - lu - ia, al - le - lu - ia!<br />
V# #=Š = Š Š Š ‰ Š Š 32 ‰ ŠŠ Š ˆ Š<br />
‰<br />
Š<br />
=ŠŠ ‰ Š Š ‰ ‰ ‰ ‰ 2<br />
{ B## Š =Š ‰ 32 Š f mf<br />
Š Š Š Š Š ˆ<br />
‰<br />
‰ ‰ ‰<br />
Š Š ˆ ‰<br />
2<br />
(Man.)<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
V #<br />
13<br />
<br />
# 2<br />
p<br />
mf<br />
Christ the Lord is ris’n again! 37<br />
Š. Še Š Š Š Š Š ‰ Š Š Š. Š Š Še<br />
Š Š<br />
f<br />
He who gave for us his life, Who for us en -<br />
V# # 2 Š‰ Š ŠŠ Š ‰ ‰ ˆŠ Š Š Š Š Š Š Š<br />
{ B##2 Š ‰ Š Š‰ Š<br />
ˆ<br />
‰ ‰ ˆ‰ ‰<br />
Š Š ‰<br />
for online perusal only<br />
V #<br />
17<br />
unis.<br />
<br />
# Š Š ‰ ‰ Š Š Š Š Š Š#Š Š ‰ Š Š =Š Š Š Š<br />
V# #Š Š ‰ ‰ Š Š Š Š<br />
=<br />
Š #Š ‰ Š Š =‰ Š Š<br />
‰ ‰ ‰ ‰ ‰<br />
{ B## Š # Š ‰ ‰ =Š #Š Š Š Š Š Š Š Š Š ‰ Š Š<br />
‰ ‰ ‰ ‰ ‰<br />
- dured the strife, Is our Pas-chal Lamb to - day! We too sing for joy and<br />
V #<br />
22<br />
#<br />
f<br />
S.<br />
‰ Š Š 32 ‰ ‰ ŠŠ Š ‰ ‰ q p 2<br />
say Al - le - lu - ia, al - le - lu - ia!<br />
A.<br />
V# # =Š ‰ Š<br />
Š<br />
‰ Š 32 ˆ Š Š Š Š ŠŠ Š ˆ‰ ‰ Š #Š ‰ Š Š =‰ Š Š 2<br />
{<br />
f<br />
B## ‰ V‰ 32 Š Š ‰ B‰ ‰<br />
Š Š ‰ Š<br />
Š<br />
Š<br />
Š ˆ ‰ ˆ ‰ ‰ Š Š ‰ 2<br />
(Ped.)
S.<br />
A.<br />
MEN<br />
38 Christ the Lord is ris’n again!<br />
V #<br />
26 p<br />
pp<br />
# 2 q Š Š Š Š =ŠŠ Š ‰<br />
q 32 #ŠŠ Š Š #ŠŠ =ŠŠ Š<br />
2<br />
He who bore all pain and loss Com-fort-less up - on the<br />
B##2 q Š Š Š Š Š Š #‰ q 32 Š Š #Š Š Š Š<br />
2<br />
V# p<br />
pp<br />
# 2 ‰ . Š ‰ =‰ Š Š Š ‰ #Š #Š =ŠŠ 32# Š # Š Š‰ Š =‰ Š Š 2<br />
{ B##2 ‰ p<br />
pp<br />
ˆ . Š ‰ #Š Š Š Š 32 Š Š #Š Š ‰ ˆ ˆ Š =ŠŠ 2<br />
for online perusal only<br />
V #<br />
30 mf<br />
# 2 Še f<br />
Š. Še Še Š ‰ Š. Š f<br />
Š Š Š Š ‰ #Š. Š f ‰. Š Š Š ‰<br />
32<br />
cross, Lives in glo - ry now on high, Pleads for us, and hears our cry.<br />
B##2 ‰ Š. Š =Š Š<br />
f<br />
Š Š ‰ Š. Š ‰. Š Š Š f ‰ 32<br />
V# mf f<br />
# 2 =‰ ‰ Š Š Š Š Š # ‰ #‰ ‰. Š ŠŠ Š ‰ 32<br />
{ B##2 mf<br />
=‰ f<br />
#Š Š Š Š Š<br />
Š Š Š Š Š<br />
‰<br />
‰ Š Š Š Š Š Š ‰ Š 3 2<br />
V # molto rit.<br />
a tempo<br />
35<br />
unis.<br />
#32 p<br />
pp<br />
S.<br />
q qŠ Š =‰ ‰ Š Š =Š Š ˆ ‰<br />
Fqq A.Š =Š ˆ‰<br />
2<br />
Al-le - lu - ia, al-le - lu - ia!<br />
B##32 p q qŠ Š =‰ ‰ Š Š =‰ ˆ ‰ qq<br />
pp<br />
E 2<br />
V#<br />
molto rit.<br />
#32 Š. Š = Š f<br />
Š Š =Š = =Š Š ‰ ‰ b=‰ =‰ ‰ b= Š = Š a tempo<br />
# Š =Š ‰ =ˆ ‰<br />
FqŠ. Š f 2<br />
ff<br />
{ B##32 pp mf<br />
Š.Še = =Š Š Š Š#‰ Š Š #‰ Š Š #ˆ q Še<br />
f Š =Š Š Š =ŠŠ ‰ ‰ ==‰ ‰ ‰ ==‰ ‰ Š. Š<br />
E f 2
V #<br />
40<br />
unis.<br />
# 2<br />
p mf<br />
Š. Še Š Š Š Š ‰ Š. Š f Š Š<br />
He who slum-bered in the grave Is ex - al - ted<br />
B##2 p q<br />
mf<br />
Š. Š Š Š Š Š ‰ Š. Š f f<br />
V# # 2 Š Š ŠŠŠ Š ‰ Š‰ ŠŠ Š‰ Š ‰ Š. ‰ ŠeŠ. Š Š<br />
{<br />
f<br />
B##2 ‰ Š Š Š Š Š ‰<br />
‰ Š. Še ˆ Š Š Š Š ‰<br />
‰<br />
He who slum-bered in the grave Is ex -<br />
for online perusal only<br />
Christ the Lord is ris’n again! 39<br />
V #<br />
44<br />
# Š Š ‰ q Š Š Š Š Š #Š ‰ Š Š<br />
B## Š Š Š Š ‰ q Š Š Š Š Š #Š ‰<br />
- al - ted now to save; Now through Christ-en - dom it rings<br />
V# # Š‰ Š ‰ ‰ Š‰ Š Š‰ Š Š #Š Š ‰ Š‰<br />
Š<br />
{ B## ˆŠ Š Š #Š ‰ Š =Š #Š‰ #Š ˆˆ Š ‰ #Š =Š‰<br />
Š<br />
now to save; Now through Christ - en - dom it rings That the<br />
V #<br />
48<br />
#=Š<br />
f<br />
Š Š Š ‰ Š Š 32 ‰ ‰ Š Š ‰ ‰ q<br />
Lamb is King <strong>of</strong> kings. Al - le - lu - ia, al - le - lu - ia!<br />
B## Š Š =Š Š Š Š ‰ 32 Š Š Š Š Šf<br />
Š ‰ ‰ q<br />
That the Lamb is King <strong>of</strong> kings. Al - le - lu - ia, al - le - lu - ia!<br />
V# #=‰ Š Š =‰ Š Š 32 ‰ Š Š ˆ.<br />
‰ Š Š ‰ ‰ Š Š Š Š Š Š<br />
{ B## Š Š =‰ Š Š 32 Š f<br />
Š Š Š Š Š Š Š<br />
‰<br />
‰ ‰ Š<br />
‰ ‰ ‰ ‰ ˆ. Š
40 Christ the Lord is ris’n again!<br />
52<br />
V# poco rit.<br />
# Š . #Š ‰ f<br />
Š. Še ‰<br />
Š. ‰ Še Š‰ Š ‰ ‰ Š‰ Š<br />
2<br />
ff<br />
{ B## Š. Še Š Še f ‰ =Š. Š ‰<br />
f<br />
- -<br />
f ‰ ‰ ‰ Š. ‰ Še Š<br />
-<br />
‰ Š<br />
-<br />
2<br />
V # a tempo<br />
55<br />
unis.<br />
<br />
fTUTTI<br />
# ([)<br />
2 Š. Še Š Š Š Š ‰ Š. Š f Š Š Š Š ‰<br />
V#<br />
Thou, our Pas - chal Lamb in - deed, Christ, to-day your peo - ple feed;<br />
# 2 ‰ Š. Še Š‰ Š Š Š ‰<br />
Š. Še<br />
‰ Š Š Š ‰ #Š ‰ Š Š<br />
{ B## 2 Š ‰ Š ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />
V #<br />
59<br />
DESCANT<br />
# q Šf<br />
Š Š Š Š. Š f ‰ Š Š Š =Š Š. Še<br />
Take our sins and guilt a - way, Let us sing by night and<br />
V # OTHER VOICES<br />
# q Š Š Š Š Š. #Še ‰ Š Š =Š Š Š. Še<br />
([)<br />
V# # ‰ Š #Š ‰ Š<br />
=‰ ‰ Š Š . #Š ‰ Š Š =Š Š Š. Še<br />
f ‰ ‰ Š #Š<br />
{ B## Š ‰ Š ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />
rit.<br />
*Al - le - lu - ia,<br />
V #<br />
63<br />
S.<br />
# ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ ‰ ˆ<br />
A.<br />
*Al - le - lu - ia,<br />
day,<br />
*Al - le - lu - ia,<br />
MENdiv.<br />
al - le - lu - ia!<br />
<br />
for online perusal only<br />
V [<br />
# # ‰ Š Š ‰ ‰‰ ‰ Š Š ‰ ‰ ˆ<br />
ff<br />
V#<br />
*Al - le - lu - ia,<br />
# ‰ Š Š ˆ Š Š<br />
= Š Š rit.<br />
‰ Š Š #‰ Š Š ‰ ‰ ˆ ˆ<br />
{<br />
ff<br />
B## ‰ Š Š =Š Š Š Š #Š<br />
‰<br />
Š ˆ ‰ ‰ ˆˆ<br />
ˆ<br />
* If performing in unison, sing the upper men’s part from bar 63 to the end.<br />
ff
SAMen<br />
(or Unis.)<br />
Piano*<br />
for Clare College, Cambridge<br />
9. A Clare Benediction<br />
41<br />
VOICES<br />
PIANO*<br />
Andante tranquillo e legato i = 84<br />
<br />
Vbbb 34 p p p r r Š Š<br />
V bbb 34 ‰ Š Š Š Š Š. Še Š Š Š ‰. Š ‰<br />
mp<br />
{<br />
legato<br />
Bbbb 34 p r r Š Š Š‰ Š Š ‰.<br />
Š<br />
for online perusal only<br />
Words and music by<br />
JOHN RUTTER (b. 1945)<br />
SOPRANOS & ALTOS unis.<br />
mp semplice espress.<br />
May the<br />
5<br />
<br />
Vbbb ‰ Š Š Š Š. Še Š ‰ ‰ Š Š ‰ ŠŠ<br />
V bbb t Š eŠ t Š eŠ Š<br />
t Š eŠ Š<br />
t Š eŠ bŠ Š t Š eŠ Š<br />
{ Bbbb ‰ Š ‰. ‰. ‰ Š ‰. r r Š<br />
Lord show his mer - cy up - on you; may the light <strong>of</strong> his<br />
MEN<br />
10<br />
Vbbb Š Š Š Š<br />
mp dolce cantando<br />
<br />
‰. ‰ VŠ<br />
[ Š ‰. ‰ Š Š<br />
V bbb t =( e )Š Š Š<br />
t Š eŠ Š Š Š ‰ r Š Š Š Š Š ‰<br />
{ Bbbb ‰ Š Š Š Š ‰ Š<br />
t<br />
‰. ŠeŠ Š Š Š Š<br />
‰. ‰. ‰ Š<br />
pres-ence be your guide: May he guard you and up -<br />
* The original version <strong>of</strong> the accompaniment, for organ, is compatible with the voice parts <strong>of</strong> this arrangement, and is found in<br />
the SATB version <strong>of</strong> the anthem (978–0–19–351152–1).<br />
© <strong>Oxford</strong> University Press 1998 and 2007. Authorized for sale in the United States <strong>of</strong> America by kind permission <strong>of</strong> Hinshaw<br />
Music Inc. Photocopying this copyright material is ILLEGAL.
S./A.<br />
MEN<br />
15<br />
<br />
Vbbb ‰.<br />
[ ‰ Š Š Š Š. Še Š Š Š Š ‰.<br />
V<br />
- hold you; may his spi - rit be ev - er by your side.<br />
bbb r Š Š Š Š Š ‰ t Š eŠ t Š eŠ = Š r Š Š Š Š<br />
‰<br />
{<br />
t Bbbb Š eŠ Š t<br />
‰. ‰ Š e‰ Š ‰<br />
‰.<br />
Š ‰<br />
‰.<br />
Š b ‰ Š<br />
SOPRANOS & ALTOS unis.<br />
20<br />
p mp<br />
Vbbb [ ‰ VŠ Š ‰ Š Š Š Š. Še Š Š ‰ ‰ Š Š<br />
V bbb =( ‰. )Š Š ‰ t Š eŠ t<br />
Š Š eŠ Š<br />
t Š eŠ t Š eŠ Š<br />
{ Bbbb<br />
Š Š ‰ cresc.<br />
‰ Š . ‰. ‰ Š ‰ Š<br />
SOPRANOS ONLY<br />
25<br />
mf<br />
Vbbb ‰ ŠŠ Š Š =Š Š<br />
mf cresc.<br />
<br />
‰. ‰ b( ) ŠŠ<br />
Š Š. Š f<br />
Bbbb p p p r r Š Š Š Š. Š<br />
<br />
f<br />
V bbb t Š e Š Š t<br />
Še Š mf cresc.<br />
#Š t Š eŠ Š bŠ Š Š Š =Š‰.<br />
mf<br />
Š Š Š Š Š<br />
{ Bbbb =‰. ‰ =Š =‰ ‰. Š ‰<br />
‰.<br />
Š ‰<br />
‰.<br />
Š<br />
= =‰ ‰.<br />
Š<br />
SOPRANOS & ALTOS unis.<br />
30<br />
f ma dolce<br />
Vbbb ‰ Š ‰ Š Š F mp<br />
‰ Š Š ‰<br />
Š Š Š Š<br />
serve him all your days, Then in hea - ven may you<br />
Bbbb =Š Š Š Š Š Š F‰<br />
<br />
r p p<br />
V<br />
f ma dolce<br />
bbb=‰. ‰.<br />
F<br />
‰ t<br />
Š=Š Š Š Š Š Š Š Š Š Š Š Š Š Š r Š eŠ Š =Š‰ Š=Š E<br />
Š<br />
{ Bbbb b b‰ Š ‰ Š<br />
F mp<br />
dim.<br />
‰ ‰ Š ‰ Š<br />
‰. ‰. Š E<br />
Š r ‰. ‰.<br />
42 A Clare Benediction<br />
When you sleep, may his an - gels watch o-ver you; when you<br />
for online perusal only<br />
wake, may he fill you with his grace: May you love him and
S./A.<br />
S.<br />
A.<br />
MEN<br />
35<br />
<br />
Vbbb ‰. Š ‰ ‰. p p<br />
V<br />
see his face.<br />
bbb t<br />
ŠeŠ t<br />
Še‰ Š Š ‰ Š Š Š Š. Še Š ‰. Š Š Š Š Š { Bbbb ‰ Š ‰ Š t Š eŠ Š<br />
t<br />
‰. ‰. Š eŠ Š Š Š Š ‰. ‰. ‰<br />
Z<br />
Š<br />
40<br />
p dolce<br />
<br />
mp<br />
Vbbb r r Š Š ‰ Š Š Š Š. Še f Š ‰ ‰ Š Š<br />
Bbbb r r Š Š ‰ Š Š Š Š. Š f Š ‰ ‰ Š<br />
<br />
Š<br />
V<br />
p dolce<br />
bbb ‰. t Š e Š Š t Š e Š<br />
mp<br />
Š ‰<br />
Š t Š eŠ Š Š Š bŠ ŠŠ<br />
p<br />
{ Bbbb ‰.‰ Š t Š eŠ Š t Š eŠ Š t Š eŠ Š<br />
t<br />
‰. ‰. ‰. ‰ Š eŠ Š<br />
45<br />
Vbbb ‰<br />
ŠŠ<br />
Š Š<br />
ŠŠŠ Š Š ‰. Š Š Š ‰ Š Š Š ‰.<br />
light <strong>of</strong> his pres-ence be your guide: May he guard<br />
Bbbb<br />
‰ ŠŠ Š Š Š Š ‰. ‰<br />
Š Š Š Š Š<br />
<br />
V bbbŠ Š<br />
Š Š Š Š Š<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š t Š eŠ { mp<br />
poco cresc.<br />
Bbbb<br />
‰ Š ‰ Š<br />
‰. ‰. ‰ Š ‰ Š Š Š Š Š<br />
‰. ‰.<br />
50<br />
Vbbb ‰ Š Š ‰. Š Š Š ‰ Š Š Š Š. ŠeŠ f<br />
Š Š Š Š<br />
you and up - hold you; may his spi - rit be ev - er by your<br />
Bbbb ‰ Š Š ‰. ‰ ŠŠ Š Š. Š ŠŠŠ =Š<br />
<br />
f V bbb Š Š ‰ t ŠeŠ Š Š ‰ t ŠeŠ t<br />
Še Š Š<br />
{ Bbbb<br />
‰. Š Š Š<br />
‰ Š ‰.<br />
‰. ‰ Š<br />
‰ Š<br />
‰ = Š<br />
A Clare Benediction 43<br />
May the Lord show his mer - cy up - on you; may the<br />
for online perusal only
55<br />
<br />
p<br />
Vbbb ‰ Š Š<br />
‰. =( ) ‰ r r Š Š ‰ Š Š ‰<br />
44 A Clare Benediction<br />
side.<br />
ah<br />
Bbbb b‰ . ‰ mp Š Š ‰ Š Š Š Š. Š f Š Š ‰<br />
<br />
*When you sleep, may his an - gels watch o-ver you;<br />
V bbb t Š e Š Š Š Š =( Š ) Š Š Š Š Š<br />
Š Š t Š e Š Š t Š eŠ Š<br />
{ Bbbbbb‰<br />
bŠ Š ‰ Š<br />
t Š eŠ Š t Š eŠ Š t Š e‰<br />
‰. ‰. ‰. ‰ Š<br />
60<br />
cresc.<br />
Vbbb Š<br />
mf<br />
‰ Š ‰. Š =Š Š ‰. #Š =Š ‰. b‰ ‰ b( ŠŠ ) ŠŠ<br />
for online perusal only<br />
ah<br />
May you<br />
‰ Š<br />
mf<br />
Š ‰ Š Š Š Š =Š Š ‰. ‰ b( ) ŠŠ<br />
Bbbb<br />
when you wake, may he fill you with his grace:<br />
V bbb t Š eŠ Š t Š eŠŠ =Š t<br />
Še#Š =Š t Š eŠŠ bŠ Š Š Š<br />
Š Š Š Š Š<br />
{<br />
cresc. mf<br />
Bbbb ‰ Š =‰ Š ‰ =Š ‰ Š ‰<br />
Š<br />
poco rall.<br />
65 cresc.<br />
Then in<br />
<br />
f<br />
Vbbb Š. Še ‰ Š Š<br />
Š ‰ Š Š<br />
Š. =Š Š Š =Š ‰<br />
F mp<br />
Š Š f E<br />
Š r<br />
love him and serve him all your days,<br />
Š Š. Bbbb<br />
Š f =‰ Š Š Š bŠ Š<br />
FŠ<br />
<br />
r<br />
cresc. V bbb Š Š Š Š =Š f<br />
poco rall.<br />
Š Š Š =Š Š Š Š Š Š Š Š Š F<br />
Š ‰ Š Š Š r<br />
{<br />
f<br />
E<br />
dim.<br />
Bbbb = cresc.<br />
‰ ŠŠŠ<br />
b=‰ Š b ‰ Š Š E<br />
Š r<br />
* If performing in unison, sing the men’s part from bar 56 (beat 3) to bar 64 (beat 2).<br />
a tempo<br />
a tempo
69 hea - ven may you see his face,<br />
Vbbb ‰<br />
‰. Š =‰. Š Š Š ‰. Š ‰ ‰ Š ‰.<br />
mp<br />
Š ‰<br />
(hum)<br />
Bbbb<br />
‰. ‰. ‰. ‰ Š Š Š Š<br />
mp<br />
V bbb Z ‰. Z=‰ . ‰. Š ‰ ‰ Š Š ‰<br />
{ Bbbb ‰. p<br />
Š Š Š Š Š Š ‰ Š<br />
‰<br />
Š ‰<br />
Š<br />
rall.<br />
74<br />
see<br />
his<br />
<br />
dim.<br />
Vbbb ‰ ŠŠ Š =‰ ‰<br />
Š Š Š Š Š‰. Š Š Š ‰ ‰ Š<br />
Bbbb b‰ Š Š ‰<br />
Š Š Š Š Š Š Š ‰ Š<br />
<br />
dim.<br />
V rall.<br />
bbbb‰ Š =‰ Š Š<br />
‰<br />
Š Š ‰. Š Š Š ‰ Š<br />
{<br />
dim.<br />
Bbbb Š ‰ ‰ Š Š ‰ =Š Š ‰ Š<br />
‰<br />
‰. . ‰ p<br />
. poco meno mosso<br />
rit.<br />
79<br />
p<br />
Vbbb ‰. ‰ Š ‰ Fpp<br />
Š ‰.<br />
face, may you see his face.<br />
Bbbb ‰. ‰ Š ‰ Š ‰.<br />
p<br />
Epp<br />
V<br />
poco meno mosso<br />
rit.<br />
bbb ‰ Š Š Š Š Š. Š Š F<br />
‰. f Š Š Š ‰.<br />
{<br />
t Bbbb Še Š Š<br />
t<br />
Še Š Š<br />
t<br />
pp<br />
Še Š Š<br />
‰. ‰. ‰.<br />
Z‰<br />
E .<br />
for online perusal only<br />
A Clare Benediction 45<br />
Then in hea - ven may you see, may you see his
46<br />
SA(T)(B)*<br />
Keyboard<br />
for Tim and Nat<br />
10. Come down,<br />
O Love divine<br />
Bianco da Siena (d. 1434)<br />
trans. R. F. Littledale<br />
VOICES<br />
KEYBOARD<br />
Gently i = 88<br />
<br />
SOPRANOS & ALTOS unis.<br />
Vbbb 34 p p p r r Š Š<br />
mp espress.<br />
Come<br />
V bbb 34 r ‰ ŠŠ Š Š ‰. r ŠŠ Š Š<br />
r ‰ ‰ ‰<br />
r ‰ Š Š<br />
{ Bbbb 34 mp<br />
Š ‰. Š ‰ Š ‰. Š ‰ Š ‰. Š ‰ Š ‰. Š ‰<br />
for online perusal only<br />
(Man.)<br />
HILARY TADMAN-ROBINS<br />
(b. 1947)<br />
5<br />
<br />
Vbbb Š. Še Š Š ‰ Š Š Š. Še Š Š ‰ Š Š<br />
down, O Love div - ine, Seek thou this soul <strong>of</strong> mine, And<br />
V bbb ‰.<br />
r ‰ ‰.<br />
r ‰ ‰.<br />
r ‰ ‰.<br />
r ‰<br />
{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š‰. Š ‰ Š‰.<br />
Š ‰<br />
9<br />
Vbbb Š Š Š Š Š Š Š Š<br />
mp<br />
<br />
Š Š Š ‰ Š r Š Š<br />
vis - it it with thine own ar - dour glow - ing; O<br />
V bbb Š Š Š ‰ Š Š Š Š Š. Še Š<br />
Š Š Š Š<br />
{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š Š Š ‰ Š<br />
‰. ‰.<br />
* Sing tenor rather than bass if few men are available.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
13<br />
<br />
Vbbb Š Š Š Š ‰ Š Š Š Š Š Š ‰ Š Š<br />
Com-fort -er, draw near, With - in my heart ap - pear, And<br />
V bbb ‰. ‰. Š Š Š Š Š<br />
r ‰ r ‰<br />
= ‰<br />
{ Bbbb Š‰. Š ‰ Š‰. Š ‰ Š‰. Š ‰ Š‰.<br />
Š ‰<br />
17<br />
<br />
Vbbb Š Š Š Š Š Š Š. - Še Š Š ‰ p<br />
kin - dle it, thy ho - ly flame be - stow - ing.<br />
V bbb r Š Š Š Š Š Š r Š‰<br />
Š Š Š ‰.<br />
{ Bbbb Š ‰. Š ‰ ‰ ‰. p<br />
Š<br />
Š ‰. Š ‰<br />
Š ‰. Š ‰<br />
(Ped.)<br />
21<br />
<br />
TENORS & BASSES unis. (or ALTOS)<br />
Vbbb p r t p espress.<br />
<br />
Še Š Š ‰ Š Š. Še Š Š<br />
([)<br />
V bbb r ‰ Š Š Š Š ‰. ‰.<br />
r ‰ ‰.<br />
r ‰<br />
{ Bbbb Š‰. Š ‰<br />
Š‰. Š ‰<br />
Š‰. Š ‰<br />
Š‰.<br />
Š ‰<br />
25<br />
<br />
Vbbb ‰ Š ‰ Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
ves - ture be, And low - li - ness be - come mine in - ner<br />
V bbb ‰. ‰. Š Š Š ‰ Š Š<br />
r ‰ r ‰ Š Š<br />
{ Bbbb Š Š ‰<br />
Š Š ‰ Š Š ‰ Š Š ‰<br />
‰. ‰.<br />
‰. ‰.<br />
for online perusal only<br />
Come down, O Love divine 47<br />
Let ho - ly char - i - ty Mine out-ward
S./T.<br />
A./B.<br />
48 Come down, O Love divine<br />
29<br />
<br />
Vbbb Š Š ‰ Š r Š Š Š Š Š Š ‰ Š Š<br />
([)<br />
V cloth - ing: True low - li - ness <strong>of</strong> heart, Which<br />
bbb Š. Še Š<br />
Š Š Š Š ‰.<br />
r ‰ ‰.<br />
r ‰<br />
{ Bbbb Š Š Š ‰ Š<br />
‰. ‰. Š‰. Š ‰<br />
Š‰.<br />
Š ‰<br />
33<br />
<br />
Vbbb Š Š Š Š ‰ Š Š Š Š Š Š Š Š<br />
([)<br />
takes the hum - bler part, And o’er its own short-com - ings<br />
V bbb Š Š Š Š Š = ‰ r Š Š Š<br />
{ Bbbb Š Š ‰ Š Š ‰ Š Š ‰<br />
‰. ‰. ‰.<br />
36<br />
<br />
VbbbŠ. - Še Š Š ‰ p p<br />
([)<br />
V weeps with loath - ing.<br />
bbb Š Š Š r Š Š Š Š Š. Še Š r Š Š Š Š<br />
‰ ‰. ‰<br />
{<br />
cresc.<br />
Bbbb ‰.‰<br />
Š<br />
Š‰. Š ‰<br />
Š‰. Š ‰<br />
Š‰.<br />
Š ‰<br />
40<br />
<br />
unis.<br />
Vbbb r t mp<br />
mf<br />
Še Š Š b‰ Š Š.<br />
Še Š bŠ<br />
([)<br />
O let it free - ly burn, Till earth - ly<br />
unis.<br />
Vbbb r t mp<br />
mf<br />
Še Š Š bŠ Š Š ‰ Š bŠ<br />
([)<br />
V O let it free - ly burn Till<br />
bbb ‰. Š. Š ‰ ‰ f<br />
Š Š bŠ Š Š Š Š Š bŠ Š<br />
{ Bbbb Š Š ‰ mf<br />
‰.<br />
Š ‰. Š ‰ bŠ ‰. Š ‰<br />
for online perusal only
43<br />
VbbbŠbŠ Š Š Š ‰ Š Š bŠ. Še Š Š<br />
([)<br />
pas - sions turn To dust and ash - es in its<br />
VbbbŠ Š Š bŠ Š bŠ bŠ Š Š Š Š Š Š<br />
([)<br />
pas - sions turn To dust and ash - es in its<br />
V bbbŠ. Š Š Še Š bŠ bŠ bŠ Š Š‰<br />
bŠ Š<br />
{ Bbbb Š‰. Š ‰ bŠ‰. Š ‰ Š‰.<br />
bŠ ‰<br />
46<br />
Vbbb Š bŠ bŠ Š ‰ r t Še Š Š<br />
([)<br />
for online perusal only<br />
Come down, O Love divine 49<br />
heat con - sum - ing; And let thy<br />
VbbbŠ. bŠe Š Š ‰ r t Še Š Š<br />
([)<br />
V bbb Š b Š‰ bŠ Š r Š Š bŠŠ<br />
Š Š bŠ Š Š Š Š<br />
{ BbbbŠ‰. Š ‰ Š Š ‰ b‰. Š ‰<br />
heat con - sum - ing; And let thy<br />
49<br />
VbbbbŠ Š Š<br />
Š. f bŠ<br />
([)<br />
f<br />
Š Š Š Š ‰ Š t mf<br />
Š f<br />
Š Š<br />
Vbbb Š Š Š bŠ.<br />
f<br />
Š<br />
([) f Š ‰ Š ‰ r<br />
glo - rious light Shine in my sight,<br />
V bbbbŠ Š Š Š Š b Š Š bŠ Š. Še ŠŠ Š Š‰.<br />
Š ‰<br />
{ Bbbb Š‰ Š ‰ Š bŠ bŠ f<br />
‰. bŠb‰ =‰. ‰.<br />
glo - rious light Shine ev - er in my sight, And clothe me
50 Come down, O Love divine<br />
53<br />
Vbbb Š. Še Š Š Š Š. Še Š ‰ Š r r V r Š. Še<br />
([)<br />
mf<br />
SOPRANOS (opt. SOLO or SOLI)<br />
mp<br />
round, the while my path il - lum - ing. So the<br />
OTHER VOICES<br />
Vbbb t Š<br />
([) f<br />
Š Š Š Š Š Š Š ‰. Š t Š e Š Š ‰ Š<br />
V bbb Š Š ‰ Š Š Š Š r<br />
Š Š Š<br />
‰.<br />
Š Š<br />
=‰.<br />
Š Š ‰.<br />
r ‰<br />
{ Bbbb ‰.<br />
mp<br />
‰. ‰.<br />
‰. ‰. Š‰.<br />
Š ‰<br />
And clothe me round, my path il - lum - ing. And so the yearn - ing<br />
for online perusal only<br />
mp<br />
58<br />
Vbbb Š Š ‰ t Š f<br />
Š. Še Š Š ‰ r Š. Še<br />
Vbbb Š. Še Š Š ‰ Š Š. Še Š Š Š Š Š Š<br />
([)<br />
strong With which the soul will long Shall far out - pass the pow’r <strong>of</strong><br />
V bbb ‰. ‰. ‰. Š Š Š<br />
r ‰ r ‰ r ‰<br />
{ Bbbb Š Š ‰ Š Š ‰<br />
Š Š ‰ Š Š ‰<br />
‰. ‰. ‰.<br />
‰.<br />
yearn-ing strong With which the soul will long Shall out -<br />
62<br />
<br />
(TUTTI)<br />
Vbbb Š Š Š Š ‰ Š Š Š f Še Š Š ‰ Š<br />
- pass the pow’r <strong>of</strong> hu - man tel - ling; For none can guess its<br />
Vbbb Š Š Š Š Š Š Š ‰ Š t Še Š Š ‰ Š<br />
([)<br />
hu - man tel - ling; For none can guess its<br />
V bbb ‰ Š Š Š Š ‰ Š Š Š Š ‰.<br />
r ‰<br />
{ Bbbb Š‰. Š ‰ Š Š Š ‰ Š<br />
‰. ‰. Š‰.<br />
Š ‰
S.<br />
A.<br />
T./B.<br />
place Where-in the<br />
66<br />
Vbbb Š. Še Š. Še Š Š Š Š Š f<br />
Š Š ‰ Š Š =Š ŠŠŠ. Š Š f<br />
Š<br />
grace, Till he be - comes the place Where the Ho - ly Spir - it<br />
Bbbb Š. Š f<br />
Š Š ‰ Š ‰ ŠŠŠ. Š f<br />
ŠŠ<br />
V bbb ‰. Š Š Š Š = ‰ r Š Š Š<br />
r ‰<br />
{ Bbbb Š Š ‰<br />
Š Š ‰ Š Š ‰ Š Š ‰<br />
‰. ‰. ‰. ‰.<br />
70<br />
rall.<br />
-<br />
VbbbŠ. Š Še p p<br />
Š Š Š ‰<br />
makes his dwel - ling.<br />
Bbbb ‰ Š Š ‰ p p<br />
V<br />
rall.<br />
bbb Š ‰ r Š Š Š Š Š Š Š Š<br />
‰ Š Š . Še Š<br />
Š<br />
{ Bbbb ‰. Š Š ‰<br />
Š Š ‰ Š Š ‰<br />
‰. ‰. ‰.<br />
74<br />
slower<br />
<br />
p<br />
Vbbb r r Š Š<br />
F<br />
Š Š ‰ Š ‰ Š Š ‰.<br />
for online perusal only<br />
Come down, O Love divine 51<br />
Come down, O Love div - ine.<br />
Bbbb p r Šp<br />
Š Š Š Š. Š f Š ‰.<br />
B.<br />
V<br />
Come down, O Love div - ine.<br />
slower<br />
bbb ‰ r r<br />
Š Š Š Š ‰ Š<br />
F<br />
‰ .<br />
{<br />
p<br />
Bbbb ‰ r ‰. ‰ Š E<br />
‰.<br />
T.<br />
F
52<br />
S(A)(Men)<br />
Keyboard<br />
to Jeremy S. Bruns and the Choir <strong>of</strong> St Paul’s Cathedral, Buffalo, NY<br />
11. Creator <strong>of</strong> the stars <strong>of</strong> night<br />
7th-cent. Office Hymn<br />
trans. J. M. Neale (altd.)<br />
Mode iv melody<br />
arr. JOHN SCOTT (b. 1956)<br />
VOICES<br />
KEYBOARD<br />
Smoothly and expressively i = 76<br />
<br />
Vb 34 p p p p 24<br />
([)<br />
V b 34 t ŠeŠ Š Š Š Š Š Š.<br />
Š Š Še Š Š Š Š Š Š Š Š ‰ ‰ Š<br />
24<br />
{<br />
mp<br />
Bb 34 p r r Š Š Š Š<br />
‰<br />
Š. ŠeŠŠ<br />
Š 24<br />
S./A. unis. or S.<br />
Vb24 r t Še 34 Š Š Š Š Š Š 24 Š. Š f 34 Š<br />
5<br />
mp<br />
<br />
Š Š Š Š Š 24<br />
([)<br />
(Man.)<br />
(Ped.)<br />
Cre - a - tor <strong>of</strong> the stars <strong>of</strong> night, Thy peo-ple’s ev - er - last-ing<br />
V b24 ‰ 34 ‰‰‰ ŠŠŠ 24‰‰ ‰ Š Š<br />
34‰ Š 24<br />
{ Bb24 ‰ Š Š 34 ‰.‰ Š 24 ‰ 34‰ ‰ Š 24<br />
9<br />
<br />
Vb24 Š. Š f 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š<br />
([)<br />
for online perusal only<br />
light, O Je - su, Sa-viour <strong>of</strong> us all, Re - gard thy ser-vants when they<br />
V b24 Š‰ Š 34‰ Š Š Š<br />
24Š ‰ Š 34‰ Š. Š {<br />
f Š Š<br />
Bb24 ‰ 34‰ ‰ Š 24Š Š Š 34 Š Š Š<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S./A.<br />
MEN<br />
13<br />
MEN or ALTOS<br />
Vb ‰ r p p mf<br />
<br />
rrt ([)<br />
Š e Š Š Š Š Š Š 24<br />
V<br />
call.<br />
Thou, grie-ving at the bit-ter<br />
b Š Š Š Š Š Š Š Š Š Š Š. ŠeŠ Š Š ‰<br />
‰ Š ‰ =Š =ŠŠ ‰ =Š Š Š ‰ Š<br />
24<br />
{<br />
mf<br />
cresc.<br />
Bb Š. ŠeŠ=Š Š. ŠeŠ Š ‰ Š ‰ Š ‰ Š ‰.‰ Š ‰ Š<br />
24<br />
18<br />
<br />
Vb24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š 24<br />
([)<br />
V cry Of all cre - a - tion doomed to die, Didst come to save a ruin-ed<br />
b24 =Š‰ Š Š 34Š. ‰ Še =ŠŠ Š<br />
24Š Š Š =ŠŠ 34‰ ‰ =ŠŠ Š<br />
24<br />
{ Bb24 Š Š 34 ‰ Š Š 24Š ‰ Š Š 34 Š. ‰<br />
Še Š Š 24<br />
22<br />
<br />
Vb24 Š. Še 34Š Š Š Š Š Š ‰ r p p<br />
([)<br />
for online perusal only<br />
race With heal-ing gifts <strong>of</strong> heav’n-ly grace.<br />
Creator <strong>of</strong> the stars <strong>of</strong> night 53<br />
V b24 ‰ Š Š<br />
34‰ Š. Š =Š Š Š Š Š Š Š. ŠeŠ Š Š. ŠeŠ Š<br />
{<br />
f Bb24 Š Š Š Š Š Š<br />
‰ Š Š 34‰ Š Š Š Š Š ‰ Š Š ‰ Š Š cresc.<br />
‰.<br />
27<br />
<br />
unis.<br />
Vb p r r t mf<br />
Še Š Š Š Š Š Š 24 Š. Še 34<br />
Thou cam-est, bride-groom <strong>of</strong> the bride, As<br />
Bb p r r t Š f Š Š =Š Š Š Š =Š. Š f 34<br />
V mf<br />
b Š. Š ŠeŠ Š ‰ Š =Š Š 24=Š Š<br />
‰. bŠ Š Š Š =ŠŠ Š = Š Š Š Š<br />
34<br />
{ Bb b b‰ f<br />
. = =Š mf<br />
‰. Š Š Š ‰. 24 ‰ 34
54 Creator <strong>of</strong> the stars <strong>of</strong> night<br />
31<br />
Vb34 Š Š Š Š Š Š 24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34<br />
drew the world to even-ing - tide, Pro - ceed-ing from a vir - gin shrine, The<br />
Bb34 Š Š =Š Š Š Š 24 Š. =Š f Š Š Š Š Š Š Š. Š f 34<br />
V b34 ‰ =Š 24 ‰ Š =Š 34‰ Š Š =ŠŠ 24Š Š Š 34<br />
{ Bb34 ‰. 24 34 24 Š Š<br />
‰ ‰ Š ‰ 34<br />
35<br />
Vb34 Š Š Š Š Š Š ‰ r p p<br />
Son <strong>of</strong> Man, yet Lord di - vine.<br />
Bb34 Š Š =Š Š Š Š ‰ r p p<br />
V b34 ‰ =Š =Š Š Š Š Š Š Š Š =Š Š Š Š =Š Š Š Š<br />
‰. ‰.<br />
Š Š<br />
{ Bb34 ‰ Š ‰ r p p<br />
39<br />
<br />
TUTTI unis.<br />
Vb p p r r t f<br />
<br />
Še Š Š Š Š Š Š 24<br />
([)<br />
V At thy great name, ma-jes - tic<br />
b Š. Š Š Š Še Š Š Š. Š Š Š Še Š Š Š ‰. ‰ ‰‰‰ ŠŠŠ 24<br />
{<br />
cresc.<br />
Bb p p<br />
f<br />
‰<br />
‰. Š ‰.<br />
Š 24<br />
Vb24 Š. Š f 34 Š<br />
43<br />
<br />
Š Š Š Š Š 24Š. Š f 34Š Š Š Š Š Š 24<br />
([)<br />
for online perusal only<br />
now, All knees must bend, all hearts must bow, And things in heav’n and earth shall<br />
V b24 Š Š Š Š 34 Š 24Š Š Š 34‰ 24<br />
{ Bb24 ‰ ‰‰<br />
‰ Š Š Š<br />
Š‰ Š 34 ‰ Š 24‰ ‰ 34‰ ‰ Š 24
47<br />
<br />
Vb24 Š. Še 34Š Š Š Š Š Š ‰ r p p<br />
([)<br />
own, That thou art Lord and King a - lone.<br />
V b24 Š‰ Š 34‰ Š. Š Š Š Š Š Š Š Š Š Š Š Š. ŠeŠ Š<br />
{<br />
f Š Š ‰ Š ‰ =Š =Š Š ‰<br />
Bb24 Š Š 34 Š Š Š Š. ‰ ŠeŠ=Š Š Š. ‰ ŠeŠ Š Š ‰ Š<br />
Vb r Š Š Š Š Š Š Š 24 Š<br />
DESCANT<br />
=Š Š 34 Š<br />
52<br />
mf<br />
Š =Š 24<br />
([)<br />
([)<br />
ah<br />
for online perusal only<br />
mf<br />
Creator <strong>of</strong> the stars <strong>of</strong> night 55<br />
OTHER VOICES<br />
Vb r r t Še Š Š Š Š Š Š 24 Š. Še 34Š Š Š Š Š Š 24<br />
To thee, O ho - ly One, we pray, Our judge in that tre-men-dous<br />
V b Š Š ‰ Š<br />
=Š Š Š Š Š Š Š Š Š ŠŠ 24 ‰ Š =Š Š 34 Š Š Š Š Š =ŠŠ Š 24<br />
{<br />
mf<br />
Bb ‰ Š. Še<br />
Š ‰ Š<br />
24 Š ‰ Š 34‰ ‰ Š<br />
24<br />
ah<br />
Vb24 Š Š 34 Š<br />
56<br />
Š =Š 24Š Š 34Š Š=Š Š Š Š ‰ r<br />
([)<br />
ah<br />
Vb24 Š. Še 34Š Š Š Š Š Š 24Š. Še 34Š Š Š Š Š Š ‰ r<br />
([)<br />
day, Pre - serve us, while we dwell be - low, From ev’-ry on-slaught <strong>of</strong> the foe.<br />
V b24 Š =Š Š 34 Š ‰ Š<br />
= =Š Š 2 4Š‰ Š 34Š Š<br />
Š=ŠŠ Š =ŠŠ Š ‰ Š Š Š Š Š<br />
r<br />
Š<br />
{ Bb24 Š. Še 34 Š Š Š Š Š 24Š. Še 34 Š cresc.<br />
Š Š ‰ Š ‰<br />
Š Š ‰ Š Š Š‰<br />
Š
56 Creator <strong>of</strong> the stars <strong>of</strong> night<br />
V b<br />
Š. ŠeŠ Š Š. ŠeŠ Š Š. ŠeŠŠ bb bŠ<br />
61<br />
Š<br />
Š b bŠ Š<br />
Š Š<br />
Š‰. bŠ Š bŠ =‰ Š. Š Š Še ‰.‰ Š<br />
24<br />
{ Bb ‰ b b‰ f<br />
Š Š Š ‰. . ŠbŠŠbŠ ‰. Š b‰ Š ‰ Š. ‰ ŠeŠŠ<br />
Š 24<br />
Vb24 r t Še 34 Š Š Š Š Š Š 24 Š. Š f 34 Š<br />
67<br />
<br />
TUTTI unis.f<br />
<br />
Š Š Š Š Š 24<br />
([)<br />
All praise, e - ter - nal Son, to thee, Whose ad-vent sets thy peo-ple<br />
V b24 Š. Še 34 Š Š Š 24 Š. e 34 Š Š Š<br />
‰ Š Š Š Š Š Š Š ‰ Š Š Š 24<br />
{ Bb24 34 ‰. 24Š 34 Š .<br />
Š Š ‰.<br />
Š Š ‰ Še Š<br />
24<br />
for online perusal only<br />
71<br />
dim. al fine<br />
<br />
Vb24 Š. Š f 34Š Š Š Š Š Š 24Š. Še 34 Š Š Š Š Š Š<br />
([)<br />
free, Whom with the Fa-ther we a - dore, And Spi - rit blest, for ev - er -<br />
V b24 Š. Š Š Š Še 34Š ‰ Š Š Š Š Š 24Š Š 34 b‰ Š Š Š Š<br />
{ Bb24 Š 34 Š Š 24 Š . Še 34 dim. al fine<br />
Š Š ‰ Š ‰ Š bŠ Š Š<br />
poco rit.<br />
p<br />
Vb ‰ r r r Š Š Š<br />
Fpp<br />
75<br />
<br />
<br />
Š Š Š ‰. ‰.<br />
([)<br />
- more. A - men.<br />
V b Š Š Š<br />
F<br />
‰ Š Š Š Š Š Š Š Š Š Š. Š ‰ ŠeŠ Š Š. ŠeŠ Š # ‰ .<br />
{ Bb Š Š p<br />
pp<br />
‰ Š Š Š Š ‰. Š ‰ Š b‰ ‰ ‰.<br />
E<br />
‰.
57<br />
Voices 1 2<br />
(Men)*<br />
Keyboard<br />
12. Drop, drop, slow tears<br />
Phineas Fletcher<br />
(1582–1650)<br />
VOICE 1<br />
VOICE 2<br />
MEN<br />
KEYBOARDb<br />
Mournfully i = 100<br />
unis.<br />
V 4 p p p p<br />
mp<br />
Š rŠr r ‰ Š<br />
([)<br />
Drop, drop, slow<br />
stagger breathing<br />
B p<br />
4 ˆ ˆ ˆ ˆ ˆ ˆ<br />
mm<br />
V<br />
Mournfully i = 100<br />
4 p p ˆ-<br />
ˆˆ<br />
ˆ ˆ ‰‰<br />
q<br />
p<br />
{ B 4 ˆ ˆ ˆ ˆ ˆ ˆ<br />
(Ped.)<br />
KERRY ANDREW<br />
(b. 1978)<br />
for online perusal only<br />
7<br />
V Š Š#‰. ‰ r Š bŠ ŠŠ‰ Š ‰ ‰ bŠ ‰. ‰ rŠ<br />
([)<br />
B ˆ ˆ ˆ ˆ ˆ ˆ<br />
V ˆ - ˆ ˆ ˆ ˆ ‰‰<br />
q ˆ-<br />
ˆˆ<br />
{ B<br />
ˆ ˆ ˆ ˆ ˆ ˆ<br />
-<br />
tears and bathe those beau - teous feet, Which<br />
* Voices 1 and 2 may be sung by upper voices or men, but the optional third part must be sung by men only.<br />
b If playing the accompaniment on piano, use the sustaining pedal ad lib. to create a wash <strong>of</strong> sound throughout.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
1<br />
2<br />
MEN<br />
58 Drop, drop, slow tears<br />
13<br />
V Š Š#Š Š ‰ Š Š ‰ Š b‰<br />
(„)<br />
Š ‰. Š Š Š#‰ Š<br />
([)<br />
brought from hea - ven the news and Prince <strong>of</strong><br />
B ˆ ˆ ˆ ˆ ‰. r<br />
(mm)<br />
V ˆ ˆ ‰‰<br />
q ˆ-<br />
ˆˆ<br />
ˆˆ<br />
{ B<br />
ˆ ˆ ˆ ˆ ˆ<br />
‰ ‰<br />
for online perusal only<br />
18<br />
V ˆ<br />
p p p ‰ ‰ r ‰ Š<br />
([)<br />
Peace: Cease not, wet<br />
B ˆ ˆ ˆ ˆ ˆ ˆ<br />
Drop, drop, slow tears,<br />
V ‰ ‰ -<br />
ˆ ‰ ‰ -<br />
ˆ ‰ ‰ ˆ ˆ ‰ ‰ ‰ ˆ ‰ -<br />
ˆ<br />
- -<br />
‰ ‰<br />
mp<br />
-<br />
{ B<br />
ˆ ˆ‰ b‰ ˆ ˆ‰ ‰ ˆ ˆ‰ b‰<br />
24<br />
V ˆ Š Š #‰. ‰ r Š bŠŠ Š Š ‰ Š ‰ ‰<br />
([)<br />
B ˆ ˆ ˆ ˆ<br />
drop, drop, slow<br />
V ‰ ‰ -<br />
ˆ ‰ ‰ -<br />
ˆ ‰ ‰ ˆ ˆ<br />
-<br />
‰ ‰ -<br />
{ B<br />
ˆ ˆ‰ ‰ ˆ ˆ‰ b‰<br />
eyes, his mer - cies to en -
To cry, cry<br />
28<br />
V bŠ ‰. ‰ r Š ‰ Š Š #Š Š<br />
([)<br />
Š #Š Š ‰. ‰ r Š Š Š #Š Š ‰<br />
- treat; To cry<br />
B ˆ ˆ ˆ<br />
tears,<br />
drop,<br />
V ‰ ‰ -<br />
ˆ ˆ ‰ ‰<br />
-<br />
‰ ˆ ‰ -<br />
{ B<br />
ˆ ˆ‰ ‰ ˆ<br />
31<br />
V Š #ŠŠ Š Š Š Š b‰. ‰ Š Š Š Š #ŠŠ Š ‰<br />
([)<br />
for online perusal only<br />
for ven - geance sin doth ne - ver<br />
B ˆ ˆ ˆ ˆ<br />
drop, slow tears.<br />
V ˆ ‰ ‰ ‰ ˆ ‰ -<br />
-<br />
ˆ‰ ‰ -<br />
ˆ<br />
{ B<br />
ˆ‰ b‰ ˆ ˆ ‰ ‰ ˆ<br />
‰ ‰<br />
35<br />
<br />
mf<br />
V ˆ<br />
p ‰ ‰‰ Š Š ‰‰ Š<br />
([)<br />
cease. In your deep<br />
B mp<br />
‰ ‰ ‰ ‰ ˆ ‰ ‰<br />
Drop, drop, slow tears, in your<br />
Vr<br />
(Organ: Solo)<br />
‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />
mf<br />
{ B<br />
ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š<br />
(Organ: sustain ped. D until the end)<br />
Drop, drop, slow tears 59
39<br />
V -<br />
Š Š Š#‰. ‰. r bŠŠ Š Š ‰ Š Š ‰ ‰<br />
([) -<br />
floods drown all my faults and<br />
B ˆ ‰ Š Š ˆ ‰ ‰<br />
floods, drop, slow tears, drown my<br />
V Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />
{ B<br />
ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š<br />
43<br />
V bŠ ˆ Š ‰. ‰ r Š ŠbŠŠ Š#ŠŠ Š Š Š Š‰. Š bŠ ŠŠ<br />
60 Drop, drop, slow tears<br />
([)<br />
for online perusal only<br />
fears; Nor let his eye see<br />
B ˆ ‰ Š Š ˆ ‰ ‰<br />
fears; drop, slow tears, cease not,<br />
V Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />
{ B<br />
ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š<br />
rit.<br />
47<br />
V ˆf div. senza dim.<br />
Šb‰. ŠŠ r b‰ ‰ Š bŠŠ #ŠŠ Š ˆ ˆ<br />
([)<br />
ˆ #ˆ<br />
sin, but through my tears.<br />
senza dim.<br />
B ‰ Š Š ˆ ‰ ‰ ˆ ˆ<br />
drop, slow tears, slow tears.<br />
V Š<br />
rit.<br />
‰. -<br />
r<br />
‰. -<br />
r<br />
‰. -<br />
q ‰-<br />
ˆ<br />
{<br />
senza dim.<br />
B<br />
ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆˆ
61<br />
S(A)(Men)<br />
Keyboard<br />
13. Evening Service in C<br />
Magnificat<br />
VOICES<br />
Allegro maestoso i = 120<br />
<br />
V 4 p p p p<br />
([)<br />
V 4 r Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š.. Š<br />
‰ Š.. Š “<br />
{ B 4 r<br />
Š Š Š Š Š Š Š Š Š Š Š ‰<br />
‰<br />
Š Š Š Š<br />
Š<br />
(Man.) ><br />
KEYBOARD f cresc.<br />
TUTTI unis.<br />
5<br />
ff<br />
VrŠ Š Š Š Š Š Š Š Š Š Š Š ŠŠŠŠ ‰ Š Š 32<br />
([)<br />
(Ped.)<br />
My soul doth mag - ni - fy the Lord, And my spi-rit hath re - joic - ed in<br />
V Š r Š r Š r Š r Š r<br />
ff<br />
{ B Š r Š r Š r Š r Š r<br />
Š Š ‰ Š Š 32<br />
Š ‰ Š Š Š Š<br />
Š 32<br />
9<br />
V 32 Š Š ‰ Š r 24 p mf<br />
<br />
4r Š Š Š Š Š Š Š Š Š<br />
([)<br />
for online perusal only<br />
FRANK HENRY SHERA<br />
(1882–1956)<br />
God my sav - iour, For he hath re - gard-ed the<br />
V 32 Š Š ‰ 24 Š<br />
#Š Š=Š Š Š Š Š Š.. Š 4 Š Š Š Š Š Š “ Š Š Š Š Š<br />
{ B 32 Š Š Š Š Š r 24 Š Š 4 mf<br />
Š Š Š‰<br />
Š ‰ Š Š Š Š Š<br />
© <strong>Oxford</strong> University Press 1923 and 2007. Photocopying this copyright material is ILLEGAL.
S./A.<br />
MEN<br />
62 Evening Service in C<br />
V Š. Š Š Š Š 32 Š<br />
13<br />
<br />
Š ‰ Š r 24 p 4 p<br />
([)<br />
V low - li-ness <strong>of</strong> his hand - maid - en.<br />
Š Š Š 32 Š Š ‰ Š #Š Š Š Š 24#Š Š 4Š Š Š Š Š<br />
{ B #Š<br />
=Š p<br />
Š 32Š Š Š<br />
Š Š<br />
Š 24 #Š Š 4 Š Š<br />
Š Š<br />
Š Š Š<br />
(Man.)<br />
17 S./A. unis. or S.<br />
p<br />
VrŠ.Š Š Š ‰ Š Š Š. ŠeŠ Š Š 32 Š Š ‰ Š r 24<br />
for online perusal only<br />
For be-hold, from hence - forth: all ge - ne-ra-tions shall call me bles - sed.<br />
V Š Š ‰ Š Š # ‰ Š Š =‰ Š. ŠeŠ Š 32 Š Š #Š ‰ Š=Š Š Š Š 24<br />
{ B Š bŠ ‰. =Š ‰. 32 q q mf<br />
Š Š Š Š Š Š Š Š Š Š Š r Š Š<br />
Š Š Š Š Š r 2 4<br />
(Ped.)<br />
21<br />
MEN or A. or TUTTI<br />
TUTTI<br />
V 24 p 4r Šf<br />
p<br />
Š ŠŠ Š Š Š Š Š Š Š r r Š<br />
([)<br />
V For he that is might - y hath mag-ni-fied me, And<br />
24 Š..<br />
ŠŠ<br />
Š<br />
Š 4<br />
Š r Š r Š r Š Š Š #ŠŠŠ # Š =Š<br />
{ B 24 4 f<br />
Š Š r<br />
p<br />
Š Š r Š r Š Š<br />
- Š Š Š Š Š<br />
- - - - -<br />
25<br />
poco rall. Meno mosso<br />
V Š. Š f Š #Š ‰<br />
,<br />
i = 100<br />
S.<br />
r ŠŠ bŠ b Š Š ŠŠ Š ‰ Š Š Š Š<br />
A.<br />
ho - ly is his Name. And his mer - cy is on them that<br />
B Š. Š f Š #Š ‰ ,<br />
r Š Š b Š Š Š Š ‰ Š Š<br />
V<br />
poco rall. Meno mosso i = 100<br />
Š. Še #Š<br />
,<br />
‰ Š Š Š ‰. Š bŠ b Š Š Š ‰ Š Š<br />
Š #‰ Š ‰. Š Š Š ‰<br />
{<br />
keyboard ad lib.<br />
B ‰ ‰. =Š ‰ b<br />
Š Š<br />
Š Š Š Š ‰. Š Š Š<br />
Š Š Š ‰ ‰
29<br />
Vb ˆ ‰ Š Š ‰ Š Š bˆ ‰ ‰ ‰. Š Š<br />
fear him: through - out all ge - ne -<br />
Bb<br />
‰. Š ‰ Š Š ‰ ‰ ‰ Š Š<br />
V b ˆ b bˆ ‰<br />
‰. Š ‰ ‰ ‰ ‰ ˆ Š Š<br />
{ Bb ˆ ‰. Š ‰ q ‰ ‰ ‰ ‰ ‰<br />
33<br />
Vb ˆ ‰ ‰ ‰ q p p p p bbb<br />
- ra - tions.<br />
Bb ‰ ‰ ‰ q p p p p bbb<br />
V b ˆ ‰ ‰ ‰ Š Š b bˆ ‰ b‰ bˆ ‰ Š bŠ ˆ ‰ ‰ . Š bbb<br />
{ Bb ‰ -<br />
ˆ ‰ pp<br />
q b‰ ‰ b‰ b‰ bˆ ‰. Š Š -<br />
Š - bŠ bbb -<br />
(Man.)<br />
Tempo I<br />
(Ped.)<br />
TUTTI unis.<br />
39<br />
ff<br />
Vbbb r ŠŠŠ Š ‰ Š Š Š Š Š Š ŠŠŠŠ Š ŠŠŠŠ<br />
V<br />
Š<br />
([)<br />
V He hath show-ed strength with his arm: he hath scat-ter-edtheproudinthei-ma - gi -<br />
bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š<br />
ff<br />
-<br />
.- .- .- - .<br />
{ Š Š Bbbb<br />
Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />
Š ‰ Š Š Š Š<br />
-<br />
.- .- .- .- Š<br />
(Man.)<br />
(Ped.)<br />
43<br />
<br />
.-<br />
Vbbb Š Š Š. Š<br />
([) f Š r q t Š-<br />
f<br />
ŠŠŠ. - - -<br />
<br />
Š Š f Š Š Š Š Š<br />
V<br />
- na - tion <strong>of</strong> their hearts. He hath put down the might-y from their<br />
bbb Š Š Š. Še Š Š Š.. Š<br />
=Š ŠbŠ Š r Š Š Š Š<br />
- Š<br />
-<br />
.-<br />
Š .-<br />
Š Š “ Š Š Š Š Š<br />
f<br />
{ Bbbb<br />
‰ Š Š<br />
Š r ‰ Š Š Š Š Š r<br />
Š<br />
Š Š Š Š Š Š<br />
-<br />
Š Š<br />
-<br />
Š<br />
.- .-<br />
for online perusal only<br />
Evening Service in C 63
S.<br />
A.<br />
MEN<br />
47<br />
<br />
Vbbb Š Š Š Š Š ŠŠŠŠŠ<br />
64 Evening Service in C<br />
([)<br />
S. or S./A. unis.<br />
mf<br />
Š ŠŠ=Š ŠŠ Š Š Š Š Š Š<br />
seat: and hath ex - alt - ed the hum-ble and meek. He hath fill - ed the hun - gry with good<br />
V bbb Š Š Š Š Š Š ŠŠ =ŠŠ Š Š Š =Š<br />
=ŠŠ Š<br />
‰<br />
Š Š Š Š Š<br />
{ Bbbb =Š Š Š ‰ mf<br />
bŠ Š Š Š Š<br />
Š Š Š Š<br />
Š Š<br />
Š Š Š Š =Š<br />
51<br />
unis.<br />
<br />
fTUTTI<br />
Vbbb ‰ Š. - Še - Š-<br />
Š-<br />
Š-<br />
Š - ‰-<br />
Š-<br />
Š-<br />
ˆ-<br />
([)<br />
V things: and the rich he hath sent emp - ty a - way.<br />
bbb = ‰ = Š . Še Š Š Š = Š ‰ Š b( Š ) ˆ‰. -<br />
{ =Š<br />
Bbbb #‰ Š. -f<br />
Še -<br />
Š<br />
-<br />
‰ -<br />
-<br />
-<br />
-<br />
-<br />
Š<br />
-<br />
Š. Š b( ) Š Š Š ‰ Š #Š ˆ-<br />
- - f - - - - - - -<br />
55<br />
Meno mosso<br />
Vbbb ‰ , pp<br />
cresc.<br />
=ŠŠ Š === Še Š Š Š Š<br />
Š. Š f<br />
Š Š ‰ Š Š Š ŠŠŠ Š Š<br />
He re - mem - ber-ing his mer - cy hath hol - pen his ser - vant<br />
Bbbb ‰ ,<br />
Š Š === Š. Š Š Š Š f<br />
Š Š Š Š ŠŠ#Š Š Š<br />
pp<br />
V cresc.<br />
Meno mosso<br />
bbb ‰<br />
,<br />
=Š Š === Š. Še Š ‰ Š Š Š =‰ ‰ ‰. Š Š Š Š Š ‰ Š Š Š<br />
{<br />
pp<br />
Bbbb<br />
‰<br />
keyboard ad lib.<br />
cresc.<br />
‰ Š Š === ‰ Š<br />
Š Š Š<br />
Š ‰ ‰ ‰ #Š‰<br />
Š Š<br />
59<br />
V mf<br />
Š. Še<br />
Š Š Š Š. Še Š ‰ Š<br />
f<br />
Š ŠŠ Š Š Š bŠ b‰ ‰ ‰ #Š r<br />
Is - ra - el: as he pro - mis - ed to our fore - fa - thers,<br />
B#Š. Š f<br />
Š =Š Š Š Š Š Š ‰ b‰ ‰<br />
Š Š<br />
V<br />
mf<br />
Š.<br />
‰. Še Š Š Š Š.<br />
Š Š Še Š bŠ b ‰ ‰ ‰ # Š r<br />
{<br />
mf<br />
B #Š. Še Š =ŠŠ ˆ ‰.<br />
Š Š Š Š ‰ b‰ ‰ ‰. Šr<br />
for online perusal only<br />
mf
63<br />
V ‰. p<br />
‰ ‰ Š ‰ Š Š ŠŠ Š ‰. Š ˆ‰ ‰ ˆˆ<br />
A - bra - ham and his seed, for ev - er.<br />
B‰ ‰ ‰ Š Š ‰. , Š ‰ ‰ ˆ<br />
V p<br />
‰<br />
‰.<br />
‰ Š ‰ Š Š Š‰ Š ‰. Š ˆ‰ Š Š ˆ<br />
{<br />
mf<br />
p<br />
B ‰ ‰<br />
‰ ‰ Š Š ‰. Š ‰ Š<br />
‰ Š ˆ<br />
Tempo I<br />
68 unis.<br />
<br />
fTUTTI<br />
V Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š. Še<br />
([)<br />
V Glo - ry be to the Fa - ther, and to the Son, and to the Ho - ly<br />
Š r Š r Š r Š r Š Š Š Š‰ Š Š Š Š. Š#Š Še<br />
f<br />
{ B Š r ‰ q Š. Še<br />
Š r Š r Š r Š<br />
Š Š Š Š Š Š Š Š<br />
72<br />
mf<br />
cresc.<br />
<br />
V‰ Š Š bŠ. Še Š Š Š Š Š Š Š. Š<br />
([)<br />
f Š #Š<br />
V<br />
Ghost: ‰ As it was in the be - gin - ning, is now, and ev - er<br />
Š Š b ŠŠŠ r # Š r Š Š Š r #ŠŠŠ Š Š ‰. r # Š r<br />
{<br />
cresc.<br />
B ‰ Š mf<br />
Š r ‰.<br />
r<br />
Š Š r Š r Š Š Š Š r Š r<br />
S./T.<br />
76<br />
allargando<br />
V#Š Š ‰ Š. f cresc. molto<br />
Š<br />
([) f<br />
‰ Š<br />
Š Š Š Š ‰‰. ‰ Š<br />
ff<br />
<br />
ˆ<br />
A./B.<br />
V#Š<br />
shall be: world with-out end. A - - men.<br />
‰. Š Š Š ‰ ‰ Š<br />
Š Š Š ‰ ‰ ˆ<br />
Š ŠŠ Š { B ‰.<br />
f<br />
r = ff<br />
cresc. molto<br />
Š #Š #Š #Š ‰ ‰<br />
Š<br />
Š -<br />
Š<br />
-<br />
Š<br />
-<br />
Š<br />
-<br />
Š<br />
- Š<br />
- Š<br />
- Š Š<br />
- -<br />
ˆˆ<br />
for online perusal only<br />
,<br />
Evening Service in C 65
66<br />
Voices 1 (2)<br />
Keyboard<br />
Nunc dimittis<br />
VOICES<br />
Andante i = 100<br />
TUTTI unis.<br />
V 2 p p q F p<br />
<br />
r r ‰. Š<br />
([)<br />
Lord,<br />
V 2 ‰ .<br />
Š Š<br />
F<br />
Š Š‰<br />
Š ‰. r ‰ .<br />
Š<br />
{ B 2 ‰ ‰ ‰ ‰ ‰. r ‰ ‰<br />
KEYBOARD pp p<br />
5<br />
<br />
VŠ Š Š Š ‰ Š Š ‰. Š ‰. Š<br />
([)<br />
for online perusal only<br />
(Man.) E<br />
(Ped.)<br />
let - test thou thy ser - vant de - part in peace: ac -<br />
V Š Š Š‰ Š ‰ Š Š Š Š ˆ<br />
‰ ‰ ‰. Š<br />
{ B ‰ ‰ ‰. Š Š Š Š ‰ ‰ ‰. r<br />
,<br />
9<br />
poco sostenuto<br />
a tempo<br />
<br />
cresc.<br />
1<br />
VŠ Š Š Š ‰ Š Š ‰. Š ‰ Š Š<br />
,<br />
FRANK HENRY SHERA<br />
(1882–1956)<br />
([)<br />
2<br />
- cord - ing to thy word: For mine eyes have seen: thy sal -<br />
V Š Š Š Š ‰ Š #Š Š Š ‰ Š Š ‰ Š Š<br />
‰ ‰ ‰<br />
{<br />
cresc.<br />
B q b‰ r Š ‰ Š =Š Š Š Š Š Š Š Š Š<br />
now<br />
© <strong>Oxford</strong> University Press 1925 and 2007. Photocopying this copyright material is ILLEGAL.
13<br />
animato poco a poco<br />
mf<br />
V ˆ Š #Š Š Š ‰ r Š Š‰ Š Š #Š Š ‰ Š Š<br />
([)<br />
- va - tion, which thou hast pre - par - ed be -<br />
V ˆ Š ‰ #Š Š Š ‰.‰ Š Š<br />
Š‰ Š Š ‰ #Š ‰.‰ Š Š<br />
{ B<br />
mf<br />
‰ ‰ ˆ‰ Š Š ‰ Š Š Š Š ‰ ‰ ‰ Š Šr<br />
17<br />
animato<br />
V ‰‰. ‰ Š Š. Š Š Še<br />
Š Š ˆ‰ ‰ Š t f<br />
<br />
Še f<br />
Š Š<br />
([)<br />
for online perusal only<br />
Evening Service in C 67<br />
- fore the face <strong>of</strong> all peo - ple, To be a<br />
V ‰ Š Š ‰ Š Š Š‰<br />
Š Š‰ Š ˆ‰ t<br />
‰ Š Š<br />
Še Š Š<br />
{ B ‰ Š Š Š Š f<br />
‰ ˆ ˆ Š r q<br />
V b‰. bŠ Š bŠ Š bbŠ Š Š bbŠ Š bˆ ‰ ‰ bŠ Š ŠŠŠ Š<br />
21 cresc.<br />
<br />
- - - -<br />
<br />
- -<br />
([)<br />
V bb‰ .<br />
bŠ bŠ bbŠ Š bŠ bb bˆ Š Š -<br />
Š -<br />
‰ b‰ ‰ b‰ ‰ bbˆ Š -<br />
Š -<br />
{<br />
cresc.<br />
B b b‰ ‰<br />
‰<br />
Š bŠ b‰ Š bŠ b‰ ‰ b‰ ‰ bˆ<br />
V =( ff<br />
)Š .<br />
25 ><br />
poco allargando<br />
<br />
Š. ŠeŠ ‰ ‰ ><br />
ˆ<br />
([) f Š Š ‰. Š ‰. Š ˆ<br />
glo - ry <strong>of</strong> thy peo - ple Is - ra - el.<br />
V =(<br />
=( Š . )<br />
Š e<br />
‰ Š Š bˆ ‰. Š Š =Š Š ˆ‰ ‰<br />
{<br />
ff<br />
B b bŠ Š Š =Š Š<br />
‰ Š Š Š Š Š Š<br />
ˆ ˆ<br />
light to light - en the Gen - tiles, and to be the
68 Evening Service in C<br />
Allegro maestoso i = 120<br />
29 unis.<br />
<br />
fTUTTI<br />
V Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
Glo - ry be to the Fa - ther, and to the Son, and to the<br />
V Š r Š r Š r Š r Š Š Š Š‰<br />
Š<br />
f<br />
{ B Š r ‰ Š r Š r Š r Š<br />
Š Š Š Š<br />
32<br />
V Š<br />
mf<br />
Š Š. Še ‰ Š Š bŠ. Še Š Š<br />
([)<br />
V Š Š Š. Š #Š Še ‰ Š Š b ŠŠŠ Š Š<br />
r # Š r<br />
{ B q Š. Še ‰ mf<br />
Š Š Š Š Š Š Š r Š r Š r<br />
Ho - ly Ghost: As it was in the be -<br />
35<br />
cresc.<br />
<br />
V Š Š Š Š Š. Š<br />
([)<br />
f Š #Š #Š Š ‰<br />
- gin - ning, is now, and ev - er shall be:<br />
V Š‰. Š Š r #ŠŠŠ r # Š r #Š ‰. Š Š Š<br />
{<br />
cresc.<br />
B ‰. Š Š Š r Š r Š r Š ‰. #Š #Š<br />
#Š<br />
r<br />
allargando<br />
38<br />
<br />
V Š. Š f<br />
‰<br />
for online perusal only<br />
f<br />
cresc. molto<br />
ff<br />
Š<br />
1<br />
Š Š Š Š ‰‰. ‰ Š ˆ<br />
2<br />
([)<br />
world with-out end. A - - men.<br />
V ‰ ‰ Š<br />
Š Š Š ‰ ‰ ˆ<br />
Š ŠŠ Š {<br />
f<br />
cresc. molto<br />
ff<br />
B ‰ = ‰<br />
Š<br />
Š -<br />
Š<br />
-<br />
Š<br />
-<br />
Š<br />
- Š<br />
- Š<br />
- Š<br />
- Š Š<br />
- -<br />
ˆˆ
69<br />
S(A)(Men)<br />
Keyboard<br />
14. Fairest Lord Jesus<br />
17th-cent. German<br />
trans. Lilian Sinclair Stevenson<br />
Silesian folk song (1842)<br />
arr. MARTIN HOW (b. 1931)<br />
VOICES<br />
KEYBOARD<br />
([)<br />
Moderato h = 63<br />
TUTTI, S./A. unis., or SOLO<br />
Vbbb 2 p p p mp<br />
<br />
‰ Š Š Š Š ‰<br />
([)<br />
Fair - est Lord Je - sus,<br />
V bbb 2 ‰ Š ‰ ‰. Š ‰ ‰ ‰ ‰ Š Š Š Š<br />
p<br />
Š Š Š ‰ Š ‰ Š Š Š<br />
{ Bbbb 2 p Š Š ‰ ˆˆ Š Š Š Š Š Š ‰<br />
for online perusal only<br />
(Man.)<br />
6<br />
<br />
Vbbb Š Š Š Š Š Š ‰ ‰ Š Š ‰ Š Š ‰ Š Š<br />
Lord <strong>of</strong> all cre - a - tion, Je - sus, <strong>of</strong> God and Ma - ry the<br />
V bbb ‰ ‰ Š Š Š Š Š‰ Š ‰ Š Š Š<br />
‰ Š ‰ Š ‰ Š Š ‰ Š Š ‰<br />
{ Bbbb Š Š Š Š Š Š Š Š ‰ ‰ ‰ ‰ ‰ Š Š<br />
11<br />
<br />
Vbbb ˆ ‰ Š Š Š Š ‰ ‰ Š Š Š Š ‰<br />
([)<br />
Son; Thee will I cher - ish, Thee will I hon - our,<br />
V bbb ˆ Š ‰ Š Š Š =Š ‰ ‰ Š Š ‰.<br />
Š ‰ ‰ ‰ ‰ Š Š ‰ Š<br />
{ Bbbb<br />
‰. Š Š Š =‰ ‰. Š Š Š ‰ ‰ =‰<br />
Music: © 1975 The Royal School <strong>of</strong> Church Music, 19 The Close, Salisbury, SP1 2EB, www.rscm.com. All rights reserved.<br />
Words reproduced by permission <strong>of</strong> <strong>Oxford</strong> University Press. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
*<br />
MEN<br />
70 Fairest Lord Jesus<br />
16 S./MEN<br />
<br />
Vbbb ‰ Š Š ‰. Š ‰ ‰ ˆˆ<br />
p p<br />
([)<br />
A.‰ Š<br />
O thou my soul’s de - light and crown.<br />
V bbb ‰ ŠŠ<br />
Š ‰ ‰ ‰. ‰ Š ‰. Š Š Š Š ‰. Š‰ Š ‰ Š ˆ ‰ Š ‰ ‰ Š<br />
{ Bbbb Š Š Š Š Š Š Š Š ‰<br />
‰ ‰ Š Š ‰ ‰ ˆ<br />
22<br />
mp<br />
Vbbb ‰ Š ŠŠ ‰ Š ‰ ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
Fair are the mea - dows, Fair - er still the wood - lands, Robed in the<br />
Bbbb Š Š Š Š Š Š ‰ Š Š Š Š Š Š ‰ Š Š Š Š<br />
mp<br />
27<br />
(Keyboard)<br />
Vbbb ‰ Š Š Š Š ‰ Š Š ‰ Š Š ˆ ‰ Š Š =ŠŠ Š Š Š Š Š =Š Š ‰<br />
ver - dure and bloom <strong>of</strong> spring. Je - sus is fair - er,<br />
Bbbb ‰ Š Š ‰ Š Š ˆ ‰ Š Š ‰. bŠ<br />
fair - er,<br />
32<br />
sad - dest heart to<br />
Vbbb‰ Š bŠ Š Š Š Š ‰ Š Š ‰ Š Š Š Š ‰.<br />
Š Š Š Š ‰ Š ‰ ‰ Š<br />
Je - sus is pur - er, He makes the sad - dest heart to<br />
Bbbb Š Š Š Š ‰. Š Š Š Š Š Š Š ‰ ‰ ‰<br />
pur - er, heart to<br />
37<br />
Vbbb ˆ p p mf<br />
ˆ ‰ Š ŠŠ Š Š ‰ Š Š<br />
sing. Fair are the flow - ers,<br />
Bbbb ˆ p p Š Š Š Š Š Š ‰<br />
V mf<br />
bbb Šˆ Š Š Š ‰. Š Š ‰ Š ‰ Š ‰ ‰ Š ‰ ‰ Š Š Š‰<br />
Š<br />
p<br />
{ Bbbb ‰ ‰ mf<br />
ˆ ‰ ‰ ˆ ˆ<br />
Š Š Š Š ˆŠ Š ‰<br />
(Ped.)<br />
* Keyboard: double voice parts ad lib.<br />
for online perusal only
S.<br />
A.<br />
MEN<br />
42<br />
Vbbb Š ‰ Š Š Š Š Š Š Š Š ‰ Š Š ‰ Š Š ‰ ‰<br />
Fair - er still the sons <strong>of</strong> men, In all the fresh - ness <strong>of</strong> youth ar -<br />
Bbbb Š Š Š Š Š Š ‰ ‰ Š Š ‰ Š Š ‰ ‰<br />
V bbb ‰ ‰‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š Š‰ Š Š‰<br />
Š<br />
{ Bbbb Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š Š ˆ ˆ ˆ ˆ ‰ ‰<br />
47<br />
<br />
unis.<br />
Vbbb ˆ ‰<br />
f<br />
mp<br />
S.<br />
ˆ Š Š Š Š ‰ ‰ Š Š Š Š ‰ ‰ Š Š<br />
A.<br />
Bbbb ˆ ‰ Š Š Š Š ‰ ‰ Š Š Š Š ‰ ‰ Š Š V f<br />
bbb ‰ ‰ ‰ q = ‰<br />
Š<br />
mp<br />
‰ Š ‰ q ‰ Š‰<br />
Š ‰ q<br />
{ Bbbb =‰ ‰ Š‰ bŠ b‰ ‰ q ˆ<br />
‰ ‰ ‰ q ‰ =‰ ‰ ‰ q<br />
for online perusal only<br />
- rayed: Yet is their beau - ty fad - ing and fleet - ing; My Je-sus,<br />
mp<br />
opt. SOLO or SOLI<br />
rall.<br />
53<br />
Vbbb q ‰ ‰ ‰ ˆ p r Š Š Š ˆ<br />
ne - ver fade,<br />
unis.<br />
<br />
p<br />
Vbbb ‰.<br />
Š Š Š Š ‰ Š ‰ ‰ Š ˆ q r Š ‰ ‰ ˆ<br />
BbbbŠ Š Š ‰ ‰ ‰ ˆ q r Š ‰ ‰ ˆ<br />
V<br />
thine will ne - ver fade,<br />
bbb ‰ Š Š ‰ ‰ Š Š p<br />
rall.<br />
Š Š ‰ Š ‰ Š ˆ Š Š Š‰. Š Š Š ‰ Š‰ Š ˆ<br />
{<br />
mp Bbbb<br />
p pp<br />
Š Š ‰ ˆ ˆ ˆ ‰ ‰ ˆ<br />
My Je - sus, will ne-ver fade.<br />
thine will ne - ver fade, will ne - ver fade.<br />
p<br />
Fairest Lord Jesus 71
72<br />
S(A)(T)(B)<br />
(Keyboard)*<br />
15. Gabriel to Mary came<br />
(Angelus ad virginem)<br />
Arundel MS (13th cent.)<br />
trans. W. A. C. Pickard-Cambridge (adap.)<br />
Melody: 14th-cent. Irish<br />
arr. Alan Bullard (b. 1947)<br />
SOPRANO<br />
TENOR<br />
ALTO<br />
BASS<br />
V # With life and joy, but not too hurried i. = 92<br />
68 p p p p<br />
V # 68 p p p p<br />
([)<br />
([)<br />
S./T.<br />
A./B.<br />
With life and joy, but not too hurried i. = 92<br />
V# 68 Š . Š. Š Š f Š. Š. Š. Š Še Š.<br />
{ V # 68 Š. Š. Š. B Š. Š. Š.<br />
Š. Š.<br />
KEYBOARD mf p<br />
(Man.)<br />
V #<br />
5<br />
mp (f)<br />
Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.<br />
([)<br />
Sunis.<br />
1. Ga - bri - el to Ma - ry came, And vi - si - ted her dwell - ing,<br />
1. An - ge - lus ad vir - gi - nem Sub - in - trans in con - cla - ve,<br />
4. Hail! thou Mo - ther <strong>of</strong> the Lord, Who bring’st <strong>of</strong> gifts the ra - rest,<br />
4. E - ia ma - ter Do - mi - ni, Quae pa - cem red - di - dis - ti<br />
V # unis.<br />
Š Še Š Še Š Še Š Še Š Še<br />
([) mp Š Š e Š Še Š Š Š<br />
(f)<br />
V# S<br />
Š. Š. Š. Še Š. Š. Š. Še ‰. Š. Š.<br />
{<br />
mp (f)<br />
B# ‰. ‰. ‰. ‰.<br />
(Man. v. 1; Ped. v. 4 )<br />
for online perusal only<br />
* This piece may be performed in two parts (with scoring as marked) with or without keyboard, or in unison with keyboard. If<br />
performing unaccompanied, omit the introduction and the empty bars between the verses. Simple percussion may be added if<br />
desired.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
V #<br />
9<br />
Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.<br />
([)<br />
With his sa - lu - ta - tion glad Her trem - bling fears dis - pel - ling,<br />
Vir - gi - nis for - mi - di - nem De - mul - cens, in - quit ‘A - ve!<br />
Peace in hea - ven and on earth When Je - sus Christ thou bar - est!<br />
An - ge - lis et ho - mi - ni, Cum Christ - um ge - nu - is - ti;<br />
V # Š Še Š Še Š Še Š Še Š Še Š Še Š. Š.<br />
([)<br />
V# Š.<br />
Š Š Š. Š Še Š. Š Še Š f Š Š f ‰. ‰. Še Š. Š.<br />
{ B# ‰. Š. Š. Š. Š. ‰. Š. Š. Š. ‰.<br />
Š.<br />
V #<br />
13 mf (f)<br />
Š. Š Š f 98Š Še Š Š Š Š. 68Š. Š Š f<br />
([)<br />
‘All hail, thou queen <strong>of</strong> maid - ens bright! God, Lord <strong>of</strong><br />
A - ve, re - gi - na vir - gi - num: Coe - li ter -<br />
Do thou, we pray, en - treat thy Son For us our<br />
Tu - um ex - o - ra Fi - li - um Ut se no -<br />
V # Š. Š Še 98Š Še Š Še Š. 68Š. Š Še<br />
([)<br />
V# mf (f)<br />
‰. Š. Š.<br />
98Š . Š. Š .<br />
68Š. Š .<br />
{ B#<br />
mf (f)<br />
‰. 98‰.<br />
‰. Š. 68Š. Š.<br />
V #<br />
16<br />
Š Še Š Š Š Š. Š<br />
U Š Š Še Š Še Š ŠeŠ Š Š<br />
([)<br />
for online perusal only<br />
earth and hea - ven’s light, Whose ve - ry Son, The Sa - viour <strong>of</strong> all<br />
- rae - que Do - mi - num Con - ci - pi - es Et pa - ri - es In -<br />
safe re - demp - ti - on Him - self to win, And from our sin re -<br />
- bis pro - pi - ti - um Ex - hi - be - at, Et de - le - at Pec -<br />
U<br />
Gabriel to Mary came 73<br />
V # Š Še Š Še Š. Š Š Š Še Š Še Š Še Š Še<br />
([)<br />
V# Š . Š. Š. Š Š Š Š Še Š Še Š ŠeŠ Š Š<br />
{ B# Š. Š. Š. Š. ‰. Š. Š Š ‰. Š. f<br />
Š.
74 Gabriel to Mary came<br />
V #<br />
20<br />
Š Š Š Š Še Š =Še Š Š Š Š. Š #Š<br />
([)<br />
peo - ple Shall come to earth a child, Has<br />
- tac - ta Sa - lu - tem ho - mi - num; Tu<br />
- lease us; His lov - ing grace to give, That<br />
- ca - ta: Prae - stans aux - i - li - um Vi -<br />
V # Š Š Š Š Še Š Še Š Še Š. Š Š<br />
([)<br />
V# Š Š Š Š Še Š =Še Š Š Š Š. Š<br />
U#Š<br />
{ B# Š. Š. ‰. Š. Š. Š Š<br />
U<br />
Š Š<br />
U<br />
V #<br />
23<br />
Š ŠeŠ Š Š Š Š Š Š Še Š =Še Š Š Š ‰.<br />
([)<br />
for online perusal only<br />
cho - sen thee, O Ma - ry, To be his mo - ther mild.’<br />
por - ta coe - li fac - ta, Me - de - la cri - mi - num.’<br />
when we there are ta - ken, We too in heav’n may live.<br />
- ta fru - i be - a - ta Post hoc ex - i - li - um.<br />
V # Š Še Š Še Š. Š Š Š Š Še<br />
([)<br />
Š Še ‰.<br />
V# Š. Š Š Š Še Š Še Š =Še Še Š #Š Š f Š. Š. Š. Š. Š Š. Š Še t<br />
{ B# Š. Š.<br />
Š. Š. Š. Š Š Š. f Š. ‰.<br />
to v. 2 (bar 29)<br />
V #<br />
27 after v. 1<br />
after v. 4<br />
p p<br />
‰. Š<br />
t r. pF<br />
([)<br />
V # p p<br />
‰. Š<br />
t r.<br />
E<br />
p<br />
([)<br />
V# after v. 1<br />
to v. 2 (bar 29) after v. 4 F<br />
ŠŠ =Še Š Š Š Š. Š<br />
t Š Š. =Še Š Š Š Š. Š<br />
t ‰.<br />
{ B# Š. Š. Š. t ‰. #( .) Š<br />
t<br />
Š Š. Š. Š. Š ‰.<br />
E<br />
‰.<br />
(Man.)<br />
U<br />
U<br />
Fine<br />
Fine
V # SOPRANOS only*<br />
29<br />
.<br />
p Š (mf )<br />
Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.<br />
([)<br />
2. ‘How should I a mo - ther be That am to man a stran - ger?<br />
2. ‘Quo - mo - do con - ci - pe - rem Quae vi - rum non cog - no - vi?<br />
3. Then to him the maid re-plied, With con - fi - dence su - per - nal;<br />
3. Ad haec vir - go no - bi - lis Re - spon - dens in - quit e - i:<br />
V # ALTOS only*<br />
. Š ŠeŠ Še Š Še Š Še Š Še Š Še Š Še Š Še<br />
([) p (mf )<br />
V# (v. 3:<br />
. t<br />
Š Š Organ: Solo (Naz.); Piano: 8ve higher)<br />
p Š Š Š Š. Š. tŠ=Š Š Š Š<br />
p<br />
{<br />
(mf)<br />
B# . Š. ‰. Š Še Š. Š. Š. Š.<br />
V Š #( Še)<br />
Š Še<br />
(Man.)<br />
V #<br />
33<br />
Š Š Š Š f f Š Š f Š Še Š Še Š Š Š Š. Š.<br />
([)<br />
How could I my strong re - solve, My sol - emn vows en - dan - ger?’<br />
Qua - li - ter in - frin - ge - rem Quod fir - ma men - te vo - vi?’<br />
‘Lo! the hum - ble hand - maid I Of God the Lord e - ter - nal!<br />
‘An - cil - la sum hu - mi - lis Om - ni - po - ten - tis De - i.<br />
V # Š Še Š Še Š Še Š Š Š Š Še Š Še Š Še Š.<br />
([)<br />
V# Š Še Š. Š Š f Š Š Š ‰. p<br />
{ V # Š . Š Še Š Še Š. Š . Š. Š Še Š<br />
Š. B<br />
.<br />
V #<br />
37 v. 2: TENORS only (v.3: SOPRANOS continue)<br />
Š. Š Š f 98Š Še Š Š Š Š.<br />
68Š. Š Š f Š Še Š Š Š<br />
([)<br />
for online perusal only<br />
Gabriel to Mary came 75<br />
‘Pow’r from the Ho - ly Ghost on high Shall bring to pass this mys - ter -<br />
‘Spi - ri - tus Sanc - ti gra - ti - a Per - fi - ci - et haec om - ni -<br />
With thee, bright mes - sen - ger <strong>of</strong> heav’n, By whom this wond - rous news is<br />
Ti - bi coe - les - ti nun - ti - o, Tan - ti se - cre - ti con - sci -<br />
V # v. 2: BASSES only (v. 3: ALTOS continue)<br />
Š. Š Še 98Š Še Š Še Š. 68Š. Š Še Š Še Š Š Š<br />
([)<br />
V# mf<br />
Š. Š. 98Š. Š. Š.<br />
68 Š . Š. Š . Š.<br />
{ B#<br />
mf<br />
‰.<br />
98‰. Š. 68‰.<br />
Š. ‰. Š.<br />
* v. 2: if there are insufficient singers to make the suggested contrast between SA and TB effective, use fewer singers in bars<br />
29–36 and sing tutti thereafter.
76 Gabriel to Mary came<br />
V #<br />
41<br />
Š. Š Š Š Še Š Še Š ŠeŠ Š Š Š Š f Š Š f<br />
([)<br />
U<br />
- y. * Then have no fear: Be <strong>of</strong> good cheer, I tell thee That<br />
- a; * Ne tim - e - as, Sed gau - de - as, Se - cu - ra Quod<br />
giv’n, * I well a - gree And long to see Ful - fill - ed Thy<br />
- o, * Con - sen - ti - ens, Et cu - pi - ens Vi - de - re Fac -<br />
U<br />
V # Š. Š Š Š Še Š Še Š ŠeŠ Š Š Š Š Š Š Še<br />
([)<br />
V# Š U<br />
Š Š<br />
UŠ Š Še Š Š Š Š Š Š Še f Š. Š. Š. Š Š f<br />
{ B# Š.<br />
‰. Š Š Š Š f Š Š Š. Š f<br />
Š Š Š. Š Š<br />
U<br />
f<br />
V #<br />
45<br />
Š Še Š Še Š. Š<br />
UŠ Š ŠeŠ Š f<br />
Š Š Š Š Še<br />
([)<br />
still thy pu - ri - ty In God’s al - might - y keep - ing Shall<br />
cas - ti - mo - ni - a Ma - ne - bit in te pu - ra De -<br />
gra - cious pro - phe - cy. As God my Lord doth will it, So<br />
- tum quod au - di - o; Pa - ra - ta sum pa - re - re, De -<br />
U<br />
V # Š =Še Š Š Š Š. Š #Š Š ŠeŠ Š Š Š Š Š Š Še<br />
([)<br />
V# Š =Še Š Š f Š. Š<br />
U<br />
‰. Š Š. Š.<br />
Še Š Š f Š Š Š<br />
{ B# Š. Š. Š UŠ Š U<br />
Š Š. Š Š f Š. Š Š f<br />
V #<br />
49<br />
Š =Še Š Š Š ‰.<br />
p p .<br />
([)<br />
all un - sull - ied be.’<br />
- i po - ten - ti - a.’<br />
be it un - to me!’<br />
- i con - si - li - o.’<br />
V # Š =Še Š Š Š ‰.<br />
for online perusal only<br />
([)<br />
V# Š =Še Š Š Š ‰. Š Š Š Š #( ) Š<br />
{<br />
Repeat for v. 3, then<br />
D.S. v. 4 to Fine.<br />
p p .<br />
Repeat for v. 3, then<br />
D.S. v. 4 to Fine<br />
Š Š. Š. .<br />
B# r Še Š Še Š Še Š Še Š. Š. ‰. .<br />
‰. ‰. ‰.<br />
* If performing with unison voices, sing lower part only from bar 41 (beat 2) to bar 50.
77<br />
S(A)(Men)<br />
(Keyboard)*<br />
16. Give thanks to God<br />
Alan Bullard<br />
UNISON<br />
VOICES*<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
Steadily, but with a jubilant swing i. = 88<br />
([<br />
V b 68 p f<br />
r Še Š Še Š. Š Še Š Š Š<br />
)<br />
f<br />
Š > f Š. Š.<br />
><br />
Give thanks to God on high, give thanks to God on<br />
<br />
unis.<br />
Vb 68 p f<br />
r Še Š Še Š. Š Še Š Š Š f<br />
Š ><br />
f Š. Š.<br />
Give thanks to God on high, give thanks to God on<br />
Bb 68 p r Š Š f<br />
Š > Š. Š Š f f Š Š Š f<br />
Š > f Š. Š.<br />
Steadily, but with a jubilant swing i. = 88<br />
f<br />
V b 68 Š . Š . Š. Š . Š. Š . Š. Š. Š . Š.<br />
f<br />
{ Bb 68 ‰. ‰. ‰. ‰. ‰.<br />
(Man.)<br />
Trad. Botswanan<br />
arr. ALAN BULLARD (b. 1947)<br />
for online perusal only<br />
([<br />
V b Š t Š Š<br />
) f > Š. Š. Š Še Š Še > Š. Š. Še t Še Š Še<br />
6<br />
high, To our Lord sing praise, give thanks to God on high. Our God is<br />
Vb Š t Š Š f Š. Š. Š Še Š Še > Š. Š. Še t Še Š Še<br />
high, To our Lord sing praise, give thanks to God on high. Our God is<br />
Bb Š t Š Š > f Š. Š. Š Š Š f Š > f Š. Š. Š. Š f<br />
tt<br />
V<br />
high.<br />
b Š Š . . Š. Š . Š. Š . Š. Š . Š t Š Še<br />
{ Bb ‰. ‰ . Š . Š. ‰ . ‰.<br />
* This anthem may be performed in unison (sing from the upper stave) with keyboard, or in three parts (sing from the lower<br />
staves) with or without keyboard.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
78 Give thanks to God<br />
11<br />
([<br />
V b Š. Š Še Š Š Š<br />
) f<br />
Š > f Š. Š. Š t Š Š f > Š. Š.<br />
>great and good, our God is great and good. To our Lord sing<br />
><br />
Vb Še Še Še Š. Š Š Še f Š<br />
Š Š<br />
><br />
f<br />
Š f Š. Š. Š t Š<br />
><br />
S.<br />
><br />
Š f ><br />
Š.<br />
><br />
Š.<br />
A.<br />
great and good, our God is great and good, To our Lord sing<br />
Bb r Še Š Še > ‰. ><br />
r Še Š Še ‰.<br />
r<br />
Š f<br />
Š Š f<br />
Our God is good, our God is good, Sing to our<br />
V b Š. Š Še Š tŠ Š f<br />
Š. Š. Š t Š Še Š. Š.<br />
{ Bb r Še Š Še ‰. r Še Š Še ‰.<br />
r Še Š Š f<br />
for online perusal only<br />
mf<br />
([<br />
V b Š Še Š Še Š. Š. Še t Še Š Še Š. Š Še Š Š Š<br />
)<br />
f<br />
Š f<br />
mf<br />
16<br />
><br />
praise, our God is great and good. Our God is fair and just, our God is<br />
Vb Š ŠeŠ Š Še ><br />
Šet t r Še Še f Š f Š. Š. Š. Š Š f f<br />
Š Š ‰.<br />
><br />
praise, our God is great and good. Our God is<br />
f<br />
just,<br />
Bb Š Š f Š Š > Š. f Š. Š f<br />
tŠ mf Š f<br />
Š Š. Š Š f f Š Š Š f<br />
Š f<br />
Lord, our God is great and good. Our God is fair and just, our God is<br />
V b ŠŠ. Še Š.<br />
Še Š. Š. Š t Š. Š. Š. Š. Š.<br />
{<br />
mf<br />
Bb Š. Š. Š. Š. Š t r. ‰. ‰.
21<br />
([<br />
V bŠ. Š. Š t Š Š<br />
)<br />
f Š. Š. Š Še Š Še Š. Š.<br />
fair and just, To our Lord sing praise, our God is fair and<br />
f<br />
Vb r Še Še r Še Še Š<br />
Še Še f<br />
Š Š f ‰. Š Š Š Š f f<br />
Š f Š Š f Š. Š.<br />
Our God is just, Sing to our Lord, our God is fair and<br />
Bb<br />
Š. Š. Š t Š Š f Š. Š. Š Šf<br />
Š Š f Š. Š.<br />
fair and just, To our Lord sing praise, our God is fair and<br />
V b Š. Š. Š. Š. Š. #Š. Š . Š Š f Š. Š.<br />
{ Bb ‰. Š. Š Še Š. Š .<br />
f<br />
Š. Š. Š. Š.<br />
f<br />
Give thanks to God 79<br />
for online perusal only<br />
([<br />
V b Še t<br />
)<br />
26<br />
p<br />
Še Š Še Š. Š Še Š Še Š Še Š. Š. Š<br />
Vb Šet t p<br />
e Še Še Še Še f Šf Š f<br />
Š. Š =Š Š Š Š f f<br />
Š f Š. #Š. Š<br />
t Š Še<br />
just. Our God pro - tects and guides, Our God pro - tects and guides, To our<br />
t Š ŠeŠ f<br />
Bb Š. Š f<br />
tt r Šp<br />
f<br />
Š Š f Š Še Š. r Š f<br />
Š Š f Š t Š.<br />
just, Our God pro - tects and guides, Our God pro - tects and guides, To our<br />
just. Our God pro - tects and guides, Our God pro-tects, sing<br />
V b Šet Š e Š Še Š. Š =Še Š Še Š Še Š. #Š. Š<br />
t Š Še<br />
{<br />
p<br />
Bb Š. Š f<br />
tt Š. Š Š f Š. Š. Š.<br />
Š Š f Š t Š.
80 Give thanks to God<br />
31<br />
([<br />
V b Š. Š. Š Še Š Še Š. =Š. Še t Še Š Še Š. Š Še<br />
)<br />
><br />
Lord sing praise, our God pro - tects and guides. For we are healed and<br />
Vb Š. =Š. Š ŠeŠ Š Še =Š. Še Še Še Še<br />
f f Š. t f ><br />
f<br />
Š Š f<br />
Š Š. Š Š f ><br />
Lord sing praise, our God pro - tects and guides. For we are healed and<br />
f<br />
Bb Š. Š Š f Š Š f Š Š Š. Š. f Še t Š Š f<br />
Š > Š. Š Š f f<br />
to our Lord, our God pro - tects and guides.<br />
f<br />
f<br />
for online perusal only<br />
V b Š. =Š. Š Še Š Še Š. =Š. Še t Še Š Še Še t Š f<br />
Š Š f<br />
{<br />
f<br />
Bb Š. Š Š f Š. Š. Š. Š. Še t ŠbŠ f<br />
Š Š. Š Š<br />
‰. f f<br />
([<br />
V b Š Š Š<br />
) f<br />
Š > f Š. Š. Š t Š Š f > Š. Š. Š Še Š Še<br />
36<br />
saved, for we are healed and saved, To our Lord sing praise, for we are<br />
Vb Š<br />
ŠeŠŠ Š Še ><br />
Še f<br />
Š f Š. Š. Š t Š<br />
><br />
><br />
Š ŠeŠ f ><br />
Š. Š. Š Š Še f Š Š<br />
saved, for we are healed and saved, To our Lord sing praise, for we are<br />
f<br />
Bb Š Š Š f<br />
Š<br />
> Š. Š. f ‰. r<br />
Š f<br />
Š Š f Š Š f Š Š f<br />
V b Š . Š Šf tt r Š f Š Še<br />
{ Bb Š Š Š f<br />
Š Š. Š. f<br />
saved, Sing to our Lord, for we are<br />
Š. Šet t r Š f<br />
Š Š f Š Š f<br />
Š Še<br />
Š t Š Š f Š. Š. Š Š f Š Še
([ V b Š. Š. Še t opt. Še DESCANT<br />
Š Še Še Še Še 41<br />
ff ><br />
Š ) f<br />
Š Š. Š Š f f Š Š Š<br />
><br />
><br />
f<br />
Š<br />
><br />
f ><br />
Š. Š.<br />
healed and saved. Give thanks to God on high, give thanks to God on<br />
ff ><br />
Vb ><br />
Še t Še Še Še Še Še Š. Š. Š Š Š f f<br />
Š Š. Š Š f f Š Š Š f<br />
Š<br />
><br />
> f ><br />
Š. Š.<br />
><br />
healed and saved. Give thanks to God on high, give thanks to God on<br />
Bb Š. Š. Š f<br />
t Š Š f<br />
Š > Š. Š Š f f Š Š Š f<br />
Š > f Š. Š.<br />
><br />
healed and saved.<br />
ff<br />
V b Š. Š. Še t Š Š f<br />
Š Š. Š. f<br />
Š. Š Š Š. f<br />
Š.<br />
{<br />
ff<br />
Bb Š. Š. Š f<br />
tt r. Š.<br />
‰.<br />
Š Še Š.<br />
‰.<br />
Š Še Š. ‰. Š Še<br />
(Ped.)<br />
Give thanks to God 81<br />
for online perusal only<br />
rit.<br />
([<br />
V b Š t Š Še > Še Še ><br />
Š Š. > F><br />
Š. ‰.<br />
) f Š. Š. Š Š Š<br />
> f Š f ><br />
Š. Š. ><br />
‰.<br />
><br />
46<br />
high, To our Lord sing praise, give thanks to God on high!<br />
Vb Š t Š Še > Še Še ><br />
> F<br />
Š ><br />
f Š. Š. Š Š Š Š<br />
> f f ><br />
Š.<br />
><br />
Š. ><br />
‰.<br />
high, To our Lord sing praise, give thanks to God on high!<br />
Bb<br />
Š t Š Š > f Š. Š. Š Š Š f Š > Š. > Š f . ><br />
E<br />
‰.<br />
V<br />
rit.<br />
b Š t Š Š Š. Š. Š Š f f Š Š<br />
><br />
f Š.<br />
> F><br />
Š. ‰.<br />
{ Bb Š t<br />
Še Še ><br />
Š. Š Š Š. ‰.<br />
f<br />
Š. Š. Š Š Š.<br />
> ><br />
f > Š. ><br />
‰.<br />
> E
82<br />
S(A)(Men)<br />
(Keyboard)<br />
17. God be in my head<br />
From a <strong>Book</strong> <strong>of</strong> Hours<br />
(Sarum, 1514)<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
V # Slow, s<strong>of</strong>t, serene i = 88<br />
# C p p pp<br />
Š. ŠeŠ 32 ŠeŠ C<br />
f Š Š =Š. Š Š Š Š Š f<br />
God be in my head, And in my un-der -<br />
B## C p p Š. Š Š f<br />
Š 32 =Š Š Š Š Š Š C<br />
pp<br />
V#<br />
Slow, s<strong>of</strong>t, serene i = 88<br />
# C ‰.‰ ‰ Š =ŠŠ Š ‰ Š#Š ˆ‰ Š Š<br />
32 =‰ Š Š Š Š C<br />
{<br />
pp<br />
B## C ˆ Š. ŠeŠ Š ˆ 32 Š<br />
cantabile<br />
=Š Š ‰ =‰ Š Š Š Š. Š ŠŠe C<br />
(Ped.)<br />
CECIL ARMSTRONG GIBBS<br />
(1889–1960)<br />
for online perusal only<br />
V # # C ‰ ŠeŠ 32 =‰.<br />
5 p<br />
Š #Š ‰ Š. Š Š Š Š Š #Š C ‰ f<br />
#Š Š Š Š ‰<br />
B## C Š Š ‰ Š. Š f<br />
Š Š 32=Š Š ‰ Š Š C Š Š ‰ - stand - ing; God be in mine eyes, And in my look - ing;<br />
p<br />
eyes, And in my<br />
V# # C ‰. Š #Š Š Š ‰ Š Š Š Š 32 =‰. ‰ Š #Š #ŠŠ C ˆŠ Š Š. Š f<br />
{<br />
p<br />
B## C Š Š Š #Š Š 32 q r Š C Š Š Š Š Š<br />
‰ ‰ ‰. =Š Š ‰ ‰ ˆ<br />
© <strong>Oxford</strong> University Press 1958 and 2007. Photocopying this copyright material is ILLEGAL.
mf<br />
V # 9<br />
# ŠeŠ mp<br />
Š. Š Š. ŠeŠ ‰ Š. ŠeŠ Š =Še f<br />
Š Š Š Š Š Š ‰ #Š Š Š Š Š bŠ Š. Š f<br />
Š Š<br />
God be in my mouth, And in my speak - ing; God be in my heart, And in my<br />
B## Š. Š f<br />
Š Š Š. Š f Š Š Š Š Š Š Š. Š f =Š Š Š Š b bŠ Š<br />
mf<br />
V# # ˆŠ ‰ Š Š Š‰ Š Š Š‰ Š Š‰ Š Š<br />
‰ Š Šb#ŠŠŠ Š‰.<br />
Š Š ŠŠ<br />
mf<br />
{<br />
mp<br />
B##<br />
‰. Š Š Š ‰ ‰ Š Š ‰ Š Š #‰ Š Š ‰.‰ =‰ Š Š. ‰ Šeb‰<br />
Š Š<br />
mp<br />
God be in my head 83<br />
Š<br />
for online perusal only<br />
V # # ‰ ‰ Š Š Š. ŠeŠ 32 ŠŠbŠ bŠ C ‰ f<br />
Š Š b‰. Š Š Š Š Š Š F<br />
14<br />
rit.<br />
p<br />
pp<br />
‰<br />
B## ‰ ‰ Š. Š f<br />
Š Š 32b=‰ b bŠ Š<br />
Š Š Š C ‰ F‰<br />
think - ing; God be at mine end, And at my de - part - ing.<br />
p<br />
pp<br />
end, And at my de - part - ing.<br />
V#<br />
rit.<br />
# ‰ ‰ ‰ ‰ 32bˆ bŠ bŠ<br />
F<br />
‰. Š ˆ ‰ C =‰ Š Š ‰<br />
{<br />
p pp<br />
B## ˆ Š Š ‰ ‰. ‰ =Š 32b=ˆ‰ b‰ b‰ ‰ C =Š ‰ Š E<br />
‰
84<br />
SA(Men)<br />
Keyboard<br />
18. God in Mine Eternity<br />
S./A.<br />
Trad. Hebridean<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
With quiet concentration h = 88<br />
<br />
unis.<br />
Vb 32 p p p legato<br />
ˆ Š Š<br />
Bb 32 p p p<br />
V b 32 Š Š Šˆ Š ‰ Š Š Šˆ Š ‰<br />
Š Š Šˆ<br />
Š ‰<br />
{<br />
p<br />
Bb 32 ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ<br />
for online perusal only<br />
(Man.)<br />
God to en -<br />
4<br />
<br />
mp<br />
Vb ‰ ˆ ˆ Š Š ‰ ˆ ˆ Š Š<br />
V b<br />
Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ<br />
Š ‰<br />
{ Bb ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ<br />
- fold me, God to sur - round me, God in my<br />
8<br />
rit.<br />
<br />
Vb ‰ ‰ Š Š ˆ Š Š ‰ ˆ p bbb<br />
speak - ing And God in my think - ing.<br />
ALAN BULLARD<br />
(b. 1947)<br />
V b Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š bŠˆ<br />
Š ‰ bbb<br />
{ Bb ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ bˆ. ‰ ˆ bbb<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A./MEN<br />
12<br />
a tempo<br />
Vbbb p mp relaxed<br />
r Š Š Š Š Š p<br />
God in my sleep-ing,<br />
Vbbb ˆ Š Š ‰ ˆ ˆ Š Š<br />
([)<br />
unis.mp legato<br />
God in my sleep - ing, God in my<br />
V<br />
a tempo<br />
bbb<br />
Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ<br />
Š ‰<br />
{<br />
mp<br />
Bbbb ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ<br />
15<br />
Vbbb r Š Š Š Š<br />
mf<br />
Š ˆ.<br />
mf<br />
Š Š Š Š Š Š Š<br />
God in my wak - ing, God in my watch-ing,<br />
Vbbb ‰ ˆ ˆ Š Š ‰ ‰ Š Š<br />
([)<br />
wak - ing, God in my watch - ing And<br />
V bbb Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ<br />
Š ‰<br />
{ Bbbb ˆ. ‰ ˆ ˆ. ‰ ˆ ˆ. ‰ ˆ<br />
18<br />
molto rit.<br />
Vbbb r Š Š Š Š Š rŠŠ Š ‰<br />
p b<br />
God in my hop - ing, my hop - ing.<br />
Vbbb ˆ Š Š ‰ ˆ p , b<br />
([)<br />
for online perusal only<br />
mp ,<br />
God in my hop - ing.<br />
God in Mine Eternity 85<br />
V<br />
molto rit.<br />
bbb Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š bŠˆ<br />
Š ‰ b<br />
{ Bbbb ˆ. ‰ ˆ ˆ. ‰ ˆ bˆ. ‰ ˆ<br />
b<br />
mp<br />
,
S.<br />
A.<br />
MEN<br />
a tempo<br />
Vb -<br />
21<br />
f - - mf mp<br />
‰ ‰ = =‰ ‰ ˆ. - b‰ ‰ b‰ ‰ Š‰ Š b‰ ˆ. ‰ b bŠ ‰ Š Š‰<br />
Š<br />
b<br />
God in my life, God in my lips, God in my<br />
Bb =‰ - ‰ - ‰ - ‰ - ˆ ‰ ‰ ‰ ‰ ˆ ‰ ‰ ‰<br />
f mf mp<br />
V<br />
a tempo<br />
b =‰ ‰ = =‰ ˆ. Š ‰ b‰ ‰ b‰ ‰ Š‰ Š bˆ. Š ‰ b‰ ‰ b bŠ ‰ Š Š‰<br />
Š<br />
{ Bb =ˆ. f Š<br />
mf<br />
Š ˆ<br />
ˆ. Š ˆ<br />
mp<br />
r qq Š r qqbˆ.<br />
86 God in Mine Eternity<br />
(Ped.)<br />
for online perusal only<br />
26<br />
p<br />
Vb ˆ. p<br />
bˆ. ‰ ‰ ‰ ˆ. ˆ ‰<br />
soul, God in my heart, God in<br />
Bb ‰ ˆ ‰ ‰ ‰ ˆ. p ‰ ‰ ‰<br />
V<br />
p<br />
b bˆ. ŠbŠ Š ‰‰. r q<br />
Š Š Šˆ Š ‰ Š Š Šˆ Š ‰ Š Š Šˆ<br />
Š ‰<br />
{<br />
p<br />
Bb ŠbŠ ˆ r q ‰ ˆ ‰ ˆ ‰ ˆ<br />
r qq ‰. ˆ. ˆ. ˆ.<br />
31<br />
Vb ˆ ‰<br />
ˆ ‰ ‰ ‰ ˆ. ˆ. p<br />
mine e - ter - ni - ty.<br />
Bb ‰ ‰ ‰ ‰ ‰ ‰ ˆ. ˆ. p<br />
V b Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š<br />
Š ˆ ‰ ˆ.<br />
ˆ<br />
{<br />
pp<br />
Bb ˆ. ‰ ˆ ˆ. ‰ ˆ. q q<br />
ˆ. p<br />
ˆ. p
87<br />
SA(T)(B)<br />
Keyboard<br />
19. God so loved the world<br />
John 3: 16–17<br />
VOICES<br />
KEYBOARD<br />
Graceful and flowing i. = 52<br />
TUTTI unis.<br />
Vb 68 p p p espress.<br />
<br />
<br />
Š. Š Še Š ŠeŠ.<br />
([)<br />
V God so loved the world,<br />
b 68 Š ‰. Š Š Š Š Š ‰. Š‰. Š Š Š Š Š ‰.<br />
{<br />
p espress.<br />
Bb 68 p Š‰. Š Š Š Š Š ‰.<br />
Š‰.<br />
Š Š Š Š Š<br />
(Man.)<br />
ALAN BULLARD<br />
(b. 1947)<br />
for online perusal only<br />
5<br />
<br />
Vb Š<br />
t Š Še Š. Š Še Š. Š Š Š Š Š Š Š Še<br />
([)<br />
V God so loved the world that he gave his on - ly<br />
b Š‰. Š Š Š Š Š ‰. Š. Š Š Š =Š. Š Še Š. Š Š Š Š. .<br />
{ Bb<br />
‰.<br />
Š‰. Š Š Š Š Š Š. Š. Š. Š Š Š<br />
mp („)<br />
Vb Š Š Š Š. Š Š ŠeŠ Š Še Š. Š Š Š 98 Š<br />
9<br />
<br />
f Š Š S./T.<br />
<br />
Še Š Š Š<br />
([)<br />
f<br />
ŠŠŠ<br />
A./B.<br />
_<br />
V b Š. ŠŠŠ Š. ŠeŠŠ Š ŠbŠŠ Š Še Š. Š Š Š 98 Š. e<br />
Š ‰.<br />
Š Š Š Š Š Š ŠŠ.<br />
Š Š<br />
{ Bb ‰. Š. Š. Š. Šet t<br />
98 r . r. Š Š<br />
r. Š. b‰. Š Š ŠbŠ Š Š ‰. Š. Š<br />
mf („)<br />
Son, that all who be - lieve in him shall not pe -rish but have ev-er -<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S./T.<br />
A./B.<br />
S.<br />
A.<br />
T.<br />
B.<br />
13<br />
Vb Šf Š mf<br />
f =Š. ŠŠŠ Š Š f =Š. ŠŠŠ Š. p<br />
=Š. Š tt f 68<br />
- last - ing life, ev - er - last - ing life, ev - er - last - ing<br />
f mf p<br />
Vb Š. Š Še Š. Š ŠŠŠ ŠeŠ Še Š. Š. Še tt 68<br />
88 God so loved the world<br />
([)<br />
([)<br />
- last - ing life, ev - er-last - ing, ev - er - last - ing<br />
V b Š =Š Še Š. t Še . t<br />
Š Š Š Š Š Š =Š Š Š Š Š Š Š Š Še=ŠŠ Š Š Š. ŠetŠ t f<br />
68<br />
{<br />
f mf p<br />
Bb =‰. Š.<br />
=‰. Š. ‰. ŠetŠ t f<br />
68<br />
(Ped.)<br />
Vb68 ‰. ‰. 16 p<br />
e pp cresc.<br />
‰. ‰. Š<br />
ttr #Še #Š. #Še f Š f Š Š f<br />
Bb68 ‰. ‰ . ‰.<br />
‰.<br />
Še<br />
Š tt r Še #Še f Š f<br />
Š. Š f<br />
Š<br />
life. For God did not<br />
p<br />
for online perusal only<br />
pp cresc.<br />
V b68 ‰. legato<br />
e<br />
r. Š Š Š ‰. Š<br />
tt #Š . Š. #Š.<br />
{<br />
pp<br />
f<br />
Bb68 ‰.<br />
Š. Še cresc.<br />
Š Š Š Š Š Š Še ttŠ. Š. Š.<br />
(Man.)<br />
f<br />
20<br />
<br />
mf<br />
Vb Š Še Še -<br />
=Š Š Še Še Še#Š Še<br />
f<br />
Š. bŠŠŠŠ Š Š f Š f<br />
=Š. Š t mp<br />
f<br />
Š f Š Š f<br />
Bb Še ŠŠŠŠ Še -<br />
Š Š Š. bŠŠŠbŠ Š Š ŠeŠ Še Še Še<br />
f f f<br />
Š. - f t Š Š Š f f<br />
V mf<br />
mp<br />
b = Š. =Š. bŠ. bŠ. Š. =Š. Š t #Š .<br />
{ Bb Š. Š. bŠ. bbŠ. mf Š. Š. Š mp<br />
t Š.<br />
send his Son in - to the world to judge the world, but that through
God so loved the world 89<br />
Vb=Š Še 98 Š<br />
24<br />
rit.<br />
f<br />
Š Š<br />
. Še ttr. F<br />
Š Š Š ‰. Š. Š 68<br />
him the<br />
f<br />
world might be saved.<br />
f<br />
Bb =Š Š Še ‰.<br />
98 e f Š Š Š b( ) ‰ . Š. Š tt r.<br />
f f E 68<br />
V<br />
rit.<br />
Š<br />
b=Š. Š. ‰. Š Š Š Š Š 98 Š Š Š Še Š Š<br />
Ft 68<br />
f<br />
{ Bb Š. Š. b( ‰.) ‰ . 98 Š ‰.. Š. Š<br />
E<br />
t 68<br />
(Ped.)<br />
a<br />
Vb 68 tempo<br />
27 p<br />
mp<br />
Š. Š ŠeŠ Še Še Še<br />
f Š Š<br />
t<br />
f Š. Š Š Š Š. Š Š f f<br />
for online perusal only<br />
God so loved the world, God so loved the<br />
Bb 68 Š unis.<br />
. Š Š f Š Š f Š. Š t Š Š f Š. Š Š<br />
p<br />
f<br />
V b 68 Š mp<br />
a tempo<br />
. Š Še Š Še Š. Š<br />
t Š Še Š. Š Še<br />
{ Bb 68 Š p<br />
mp<br />
. Š Še Š Še Š. Š Še Š. Š Še<br />
r. Š. ‰. Š t<br />
r. r. Š.<br />
Vb Š. Š Š Š Š Š Š Š ŠeŠ Še Š Še<br />
f f Š Š Š Š. Š Š mf<br />
31 („)<br />
Š. Š Š f<br />
world that he gave his on - ly Son, that all who be - lieve, that<br />
Bb Š. Š(„)<br />
Š Š Š Š Š Š Š Š Š f f Š. Š Š Š. Š Š<br />
mf f<br />
V<br />
(Organ: Solo)<br />
b Š. Š Š Še Še Š Š Š Še Š Š Š. Š Š Še Še<br />
f<br />
Š. Š Š f Š Š f Š t<br />
mf<br />
{<br />
(Organ: LH)<br />
Bb Š. Š. Š Š Š Še Š Še Š.<br />
Š. Š Š Š Š. Š. ‰. Š.
90 God so loved the world<br />
35<br />
Vb Š. Š Š Š Š Š ŠŠ Š Š Še<br />
Š Še f Š Š Š Š Š Š f 98<br />
f<br />
Bb<br />
all who be - lieve in him shall not pe - rish, but have ev - er -<br />
Š. Š Š Š Š f Š. Š Š Š Šf<br />
Š Š Š Š Š 98<br />
all who be - lieve in him shall not pe - rish but have ev - er -<br />
V b Š. Še<br />
Š Š ŠeŠ Š. Še<br />
Š. Š Š Š Š Š Š Š<br />
Š Š. 98<br />
{<br />
f<br />
Bb Š. Š. Še Š. Š. Š. Š. 98<br />
for online perusal only<br />
S.<br />
A.<br />
T./B.<br />
Vb98 Š<br />
38<br />
ff Š f Š. Š Š Š Šf Š<br />
p<br />
f Š. Š#Š Š Š. Š. Šet t<br />
- last - ing life, ev - er - last - ing life, ev - er - last - ing<br />
ff f p<br />
Vb98 Š. Š Še Š . ŠŠŠŠ ŠeŠ Še Š. Š. Še tt<br />
- last - ing life, ev - er-last - ing, ev - er - last - ing<br />
ff f p<br />
Bb98 Š . Š. Š. Š. Š. Š. Š. Š. Š f tt<br />
- last - ing life, ev - er - last - ing<br />
V b98 Š Š. Š Š ŠŠ Š Š Š Š Š Š Š Š Š#Š Š Š Š Š Š Š=Š Š f<br />
Š. Š. Š f<br />
Š. Š. Š. Š ŠetŠ t f<br />
{<br />
ff<br />
Bb98 ‰ . Š f p<br />
. ‰. Š. b ‰ . Še ‰. Š. #‰. Š. ‰. Š ttV f
Vb ‰. Š t 68 Š. Š<br />
41<br />
Še Š Še Š. Š<br />
Vb<br />
Bb<br />
pp p pp<br />
t Š<br />
life. God so loved the world, God so<br />
pp t<br />
‰. Š<br />
68 p Š. p Š Še Š Še Š.<br />
life. God so loved the world,<br />
pp ‰. Š t 68 r. Š. p Š Š f Š Š f Š. Š t<br />
life. God so loved the world,<br />
V bb ‰‰. ŠŠ<br />
t 68 r. Š Š Š ‰. Š‰.<br />
Š Š Š Š Š<br />
{<br />
ppp<br />
Vb ‰. Š t B 68 ‰ p. Š‰. Š Š Š Š Š ‰.<br />
(Man.)<br />
God so loved the world 91<br />
Še<br />
for online perusal only<br />
rit.<br />
45<br />
<br />
ppp<br />
Vb Š. Š Še ‰. ‰. ‰. Šettr.<br />
loved the world.<br />
Vb Š<br />
t pp Š Še Š. Š Še ‰. ‰. Šettr.<br />
God so loved the world.<br />
pp<br />
Bb<br />
Š Š f Š. Š Š Š. ‰. ‰. ppp Š f f ttr.<br />
God so loved the world.<br />
rit.<br />
V b Š Š Š Š Š Š Š Š Š Š Š Š ‰. Š<br />
‰.<br />
f ttr.<br />
ppp<br />
{ Bb<br />
Š‰.<br />
Š Š Š Š Š Š . ‰. Š. Š. ‰.<br />
Š. ‰. Š Š f ttr. f<br />
ttr.<br />
ppp
92<br />
S(A)(Men)<br />
Keyboard<br />
in memory <strong>of</strong> my father<br />
20. God that madest<br />
earth and heaven<br />
v. 1: Reginald Heber (1783–1826)<br />
v. 2: Richard Whatley (1787–1863)<br />
Trad. Welsh<br />
arr. DAVID THORNE (b. 1950)<br />
S.<br />
A.<br />
MEN<br />
KEYBOARD<br />
Andante i = 100<br />
V#<br />
(Organ: Solo Flute)<br />
4 ‰ Š Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š<br />
Š<br />
{ B#<br />
mp<br />
4 ˆ legato<br />
‰. ‰<br />
Š Š Š Š Š Š Š Š Š Š Š Š<br />
for online perusal only<br />
(Ped.)<br />
V #<br />
4<br />
mf<br />
Š. Še Še ‰ Š. Še q<br />
f Š Š Š. f Š Š Š Š Š Š ‰<br />
1. God that ma-dest earth and hea-ven, dark - ness and light;<br />
B# p p ‰ Š. Š f ‰ q<br />
mf<br />
V# Š‰ Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š‰<br />
Š Š<br />
{ B# ˆ ‰. Š<br />
Š Š Š Š Š Š Š Š Š Š ‰ Š ˆ<br />
Š Š Š Š<br />
V #<br />
8<br />
p p Š. Še f Š Š Š. ŠeŠ f Š Š<br />
Who the day for toil hast gi - ven,<br />
B# p p p p<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
Š ‰ Š Š ‰ Š Š ‰ ‰. Š Š Š<br />
{ B# Š ‰. Š Š Š Š Š Š ‰ Š Š Š ‰ Š Š Š Š Š Š Š<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
V #<br />
12<br />
‰ Š Š Š. Še q Š<br />
Š Š ‰ Š Š Š =Š<br />
For rest the night. May thine an - gel<br />
B# ‰ Š. Š f ‰ q Š Š =Š Š Š<br />
V# Š Š Š Š Š Š Š Š Š Š Š<br />
Š Š Š Š Š Š Š<br />
Š ‰ ‰ Š = Š<br />
{ B# Š‰ Š Š Š ‰ Š Š Š<br />
Š Š =Š Š Š<br />
for online perusal only<br />
God that madest earth and heaven 93<br />
V #<br />
15<br />
Š =ŠŠ Š Š Š Š Š Š<br />
Š.<br />
Š Š Š Še Š Š<br />
guards de - fend us, Slum - ber sweet thy mer - cy send us,<br />
B# Š Š Š #Š #Š Š Š #Š Š Š Š Š Š Š Š Š ,<br />
V# Š = Š Š Š Š Š Š Š Š. Še ,<br />
Š Š Š Š<br />
{ B# Š Š Š #Š #ŠŠ Š Š #Š Š Š =ŠŠ Š Š Š Š Š Š<br />
V #<br />
18<br />
mf<br />
Š. Še Še ‰ Š. Še q<br />
f Š Š Š. f Š Š Š Š Š Š ‰<br />
Ho - ly dreams and hopes at-tend us This live - long night.<br />
B# Š. Š f Š Š Š. Š f Š Š ‰ Š. Š f ‰ q<br />
mf<br />
V#<br />
(Organ: Solo Flute)<br />
Š‰ Š Š Š Š‰ Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š Š Š Š‰ Š Š Š Š‰<br />
Š Š<br />
{ B#<br />
mf ˆ ‰. Š Š Š Š Š Š Š Š Š Š<br />
Š‰ Š ˆ<br />
Š Š Š Š<br />
,
94 God that madest earth and heaven<br />
V # MOST VOICES<br />
22<br />
p p sost.<br />
<br />
<br />
Š. Še Š Š Š. Še Š Š<br />
([)<br />
2. Guard us wak - ing, guard us sleep - ing<br />
V# Š‰ Š Š Š Š Š Š Š r q<br />
Š Š Š Š ‰ Š. Š ‰<br />
{<br />
f Š Š<br />
p<br />
B# Š<br />
‰ Š ‰ Š Š ˆ<br />
Š Š Š Š Š Š Š Š<br />
V # DESCANT*<br />
25<br />
p p<br />
r Š‰ Š Š ‰. Š ‰ Š ŠŠ<br />
([)<br />
ah<br />
V # ‰ Š. Še ˆ Š. Še Š Š Š. Še Š Š<br />
([)<br />
V# Š Š Š Š Š Š ‰. Š ‰ ‰ Š Š Š. Š f Š Š Š. Š f Š Š<br />
{ B# ‰ ‰ Š. Še Š. Še<br />
ˆ Š Š Š Š Š Š Š Š<br />
And, when we die, May we in thy migh - ty keep - ing<br />
V 29<br />
Š ‰ Š Š ˆ<br />
p<br />
V # ‰ Š. Še ˆ Šf<br />
Š Š Š<br />
([)<br />
([)<br />
All peace - ful lie; When the last death<br />
V# Š<br />
(Organ: Full Sw.)<br />
‰ ‰ ‰ Š Š ‰ Š Š =ŠŠŠ Š Š<br />
Š Š Š Š Š Š<br />
{<br />
f<br />
B# Š Š Š Š Š Š ‰ ‰ ‰.<br />
Š Š Š Š Š<br />
* Lower part optional<br />
for online perusal only<br />
ah
V #<br />
32<br />
f<br />
Š =ŠŠ Š Š ‰ Š Š Š Š Š. ŠeŠ ([)<br />
f Š Š<br />
ah<br />
V # Š Š Š Š Š Š Š Š Š. Še Š Š<br />
([)<br />
call shall wake us, Do not then, our God, for-sake us,<br />
V# Š Š=Š<br />
Š #Š Š‰<br />
Š Š Š =ŠŠ Š Š. Š Š Še<br />
Š Š Š<br />
{ B# Š #Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
V #<br />
35<br />
Š Š ‰<br />
([)<br />
([)<br />
ah<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
V # Š. Še Š Š Š. Še Š Š ‰ Š. Še<br />
But to reign in glo - ry take us with Thee on<br />
V# Š. Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
f Š Š Š. Š f Š Š ‰ ‰<br />
{ B# ˆ<br />
Š Š Š Š ‰.<br />
Š Š Š Š ‰ Š Š ‰<br />
Š Š<br />
V #<br />
38<br />
rit.<br />
ˆ p p p<br />
V # p ˆ p p p<br />
([)<br />
([)<br />
high.<br />
for online perusal only<br />
p<br />
God that madest earth and heaven 95<br />
V#<br />
(Organ: Solo)<br />
rit.<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
‰ ‰ ‰ Š Š Š Š Š Š Š Š ˆ<br />
{<br />
mp<br />
pp<br />
B# ˆ ‰. ‰ Š Š Š Š Š Š Š Š Š Š Š Š ˆ
96<br />
S(A)(T)(B)*<br />
(Keyboard)b<br />
21. Hail, Virgin Mary<br />
(Ave Maria)<br />
The Angelic Salutation<br />
SOPRANO<br />
ALTO<br />
TENOR<br />
BASS<br />
KEYBOARD<br />
V # Andante espressivo i = 100<br />
# 34 p p p p p<br />
‰. Š‰ Š Š Š ‰.<br />
Š<br />
Hail, Vir - gin Ma -<br />
A - ve Ma - ri -<br />
B## 34 p p p p ‰. ‰‰ Š ‰.<br />
p<br />
V#<br />
Andante espressivo i = 100<br />
(Organ: opt. 4i; Piano: opt. 8ve higher)<br />
# 34 p<br />
‰. ‰. ‰. ‰. Š Š Š Š ‰ Š<br />
p<br />
{<br />
dolce<br />
sempre legato<br />
B## 34<br />
p ‰. Š Š Š Š Š Š Š Š<br />
‰. ‰. ‰. ‰. ‰. ‰ Š ‰.<br />
(Ped.)<br />
FRANZ LISZT<br />
(1811–86)<br />
for online perusal only<br />
V #<br />
8<br />
# Š rr ‰. Š‰ Š ŠŠ Š ‰ Š Š rr ‰ Š Š rr ‰ Š Š rr<br />
- ry, Hail, Ma - ry, full <strong>of</strong> grace; For the Lord is with thee,<br />
- a, gra - ti - a ple - na, Do - mi - nus te - cum,<br />
B## Š rr ‰. ‰‰ Š ‰ Š Š rr rr ‰ Š Š<br />
‰ Š Š rr<br />
V# # Š rr ‰. Š Š ŠŠ ‰ Š Š rr ‰. Š Š rr ‰.‰ Š Š rr<br />
{ B## Š Š rr ‰. Š Š Š ‰ Š Š Š ‰. Š Š Š rr ‰.<br />
rr<br />
‰ Š ‰ Š Š<br />
‰. Š rr<br />
* Sing bass rather than tenor if few men are available.<br />
b The keyboard part (and the introduction) may be omitted if all four voice parts are sung.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
V #<br />
17<br />
# Š ‰ #Š Š Š‰ Š Š ‰ #ŠŠ Š Š Š ‰ Š Š r Š Š ‰ #Š Š<br />
B## ‰ Š #‰‰ Š ‰ Š Š Š #Š Š #‰‰ Š Š r Š ‰ Š<br />
V# # Š ‰. #Š Š Š‰. Š ‰ Š ‰ #Š Š‰ Š ‰ Š Š r Š Š ‰. #Š Š<br />
{ B## ‰. Š #‰.‰ Š ‰ Š Š Š #Š Š #‰. Š r Š ‰.‰ Š<br />
r<br />
V #<br />
24<br />
mf mp pp<br />
# ‰ Š Š ŠŠ Š ‰ #Š Š Š‰ Š Š #‰. #Š Š rr ‰. ‰. F<br />
p<br />
‰. ‰. ‰.<br />
blest the fruit, the fruit thou bear - est: Je - sus.<br />
- dic - tus fruc - tus ven - tris tu - i, Je - su.<br />
B## #‰‰ Š Š Š Š Š<br />
‰ Š Š #‰. #ŠŠ rr<br />
‰.<br />
‰.<br />
‰.<br />
‰. ‰. p<br />
V#<br />
mf<br />
# Š Š Š Š #‰ Š Š # ‰ mp<br />
. Š rr ‰ ‰. . ‰ ‰. pp<br />
E<br />
F<br />
‰. ‰ Š ‰ Š<br />
. ‰. p<br />
{<br />
keyboard ad lib.<br />
B## ‰ Š ‰ Š<br />
mf pp<br />
#‰. Š Š Š ‰. Š Š #‰. Š rr ‰. ‰. ‰.<br />
E<br />
p<br />
(Man.)<br />
Most ho - ly Ma - ry, God,<br />
Sanc - ta Ma - ri - a, De - i,<br />
V #<br />
33 p<br />
# Š Š ŠŠ rr Š Š ŠŠ rr<br />
‰. ‰ Š ‰. Š Š Š ‰. ‰ Š ‰. Š Š Š<br />
Great - ly blest are thou a - mong all wo - men - kind, And great - ly<br />
be - ne - dic - ta tu in mu - li - e - ri - bus, et be - ne -<br />
B## ‰. =( ‰) Š ‰Š ##‰. Š rr ‰. =( ‰) Š ‰Š ##‰. Š rr<br />
Most ho - ly Ma - ry, Mo - ther <strong>of</strong> God,<br />
Sanc - ta Ma - ri - a, Ma - ter De - i,<br />
p<br />
Most ho - ly Ma - ry, God,<br />
Sanc - ta Ma - ri - a, De - i,<br />
(Organ: opt. 4i; Piano: opt. 8ve higher)<br />
V# # ‰. Š Š ŠŠ ‰. Š rr ‰. Š Š ŠŠ ‰. Š rr<br />
p<br />
{ B## Š‰. Š Š =( Š) Š‰Š Š #‰. Š #Š Š Š Š Š Š Š Š Š Š Š Š #Š Š Š Š<br />
rr ‰. =( ) ‰Š #‰. Š rr<br />
(Ped.)<br />
for online perusal only<br />
Hail, Virgin Mary 97
V #<br />
41<br />
# ‰. ‰ r =‰<br />
-<br />
‰. ‰ Š ‰ #Š #‰ Š ‰ Š ‰ Š ‰. Š rr<br />
-<br />
Now pray for us, sin - ners that we are,<br />
o - ra pro no - bis pec - ca - to - ri - bus,<br />
B## ‰ #Š #‰ ‰<br />
-<br />
‰. ‰ Š ‰. Š Š Š #‰ Š #‰‰ =Š Š # =‰ ‰.<br />
. -<br />
Š rr<br />
98 Hail, Virgin Mary<br />
for<br />
us,<br />
no - - bis<br />
V# # ‰ . ‰ Š ‰.‰ #Š #‰‰ Š r =‰ ‰. Š ‰. Š ‰. Š rr<br />
{ B## ‰. #Š #‰‰ Š ‰. Š Š Š #‰. ‰. =Š =‰. Š rr<br />
V #<br />
49 p<br />
#<br />
pp<br />
Š rr Š rŠ Š ‰. #‰‰ Š =‰. ‰ r #‰. =‰. p<br />
‰. for online perusal only<br />
Now, and when life is end - ing, end - ing.<br />
nunc et in ho - ra mor - tis nos - trae.<br />
B## Š rr Š r Š ‰.<br />
‰. ‰ Š ‰.<br />
‰<br />
‰.<br />
Š #‰. ‰. #‰. p<br />
V#<br />
p<br />
pp<br />
# Š rr Š r Š ‰ Š =‰. ‰ r ‰. #‰. =‰.<br />
p<br />
‰. #‰<br />
{<br />
p<br />
B## Š rr Š r Š ‰. ‰ Š ‰ .<br />
‰<br />
pp<br />
Š<br />
‰.<br />
#‰. ‰. ‰. p<br />
V # (Man.)<br />
59<br />
# p p p<br />
rr p p p Fp<br />
‰. ‰. ‰. Š<br />
A - men.<br />
B## p p =( p<br />
‰. ‰. A ‰.) ‰ .‰. - men.<br />
‰. Š rr p p p p<br />
p<br />
E<br />
A - - - men.<br />
V#<br />
A - - - men.<br />
# p p ‰ . ‰ . ‰. Š rr ‰. Š rr<br />
F<br />
pp<br />
‰. ‰.<br />
{<br />
ppp<br />
B## ‰. ‰. ‰. ‰. ‰.<br />
‰. Š rr ‰. Š rr ‰. ‰.<br />
‰.<br />
E<br />
‰.<br />
(Ped.)
S(A)(Men)<br />
Keyboard<br />
to David Hopgood and the Choir <strong>of</strong> St John’s Cathedral, Portsmouth<br />
22. Hark, the glad sound!<br />
99<br />
Philip Doddridge<br />
(1702–51)<br />
DAVID THORNE<br />
(b. 1950)<br />
VOICES<br />
KEYBOARD<br />
V # Moderato i = 84<br />
# 24 p p t<br />
Še ŠŠ 34 Š<br />
TUTTI unis.<br />
<br />
f<br />
<br />
. Š ([)<br />
f Š Š 24<br />
Hark, the glad sound! the Sa-viour<br />
V# # 24 Š Š Š Š<br />
Š Š Š Š Š Š ‰ 34 Š‰ Š ŠŠŠ Š 24<br />
{ B## 24 Š f Š Š Š ‰ Š Š 34 Š Š Š 24<br />
(Man.)<br />
(Ped.)<br />
for online perusal only<br />
V #<br />
5<br />
<br />
#24 Š t Še 34Š Š Š Š 24‰<br />
t<br />
Še Š Š 34<br />
([)<br />
comes, The Sa- viour prom - ised long! Let ev - ’ry<br />
V# #24 ‰ Š Š<br />
34Š Š ŠŠ Š 24Š Š Š Š ‰ 34<br />
{ B##24 Š Š 34 Š ‰ 24 Š. Š Še Š Š 34<br />
V # #34 Š Š Š Š 24 Š t Š f 34 Š<br />
9<br />
<br />
<br />
Š Š #Š 24‰<br />
([)<br />
heart pre-pare a throne, And ev - ’ry voice a song.<br />
V# #34 Š Š #‰ Š Š<br />
24##Š Š 34‰ Š ŠŠ<br />
#Š ŠŠ<br />
24‰ Š Š<br />
{ B##34 Š ‰ 24 #Š Š 34 Š ‰ 24 ‰<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
MEN<br />
100 Hark, the glad sound!<br />
S.<br />
V #<br />
13<br />
# t mf cresc.<br />
Še ŠŠ=Š =‰ t =Š e bŠ ‰<br />
f<br />
Š. Š =Š Š Š Š ‰ Š f<br />
ŠŠ Š Š Š Š<br />
He comes the pris’n-ers to re - lease, In Sa-tan’s bond - age held,<br />
B## t Š f<br />
Š. Š ŠŠ=Š Š =‰ t=Š f<br />
ŠŠ Š Š ‰<br />
V#<br />
mf cresc.<br />
# b ‰ =‰ b=‰ ‰ Š ‰ =Š b‰‰ ‰ ‰ Š<br />
mf<br />
Š<br />
{<br />
cresc.<br />
B##b=‰ ‰ ‰ Š Š<br />
‰<br />
Š =Š Š Š ‰ Š Š<br />
V # # t eŠŠ 34 Š<br />
19<br />
f<br />
Š Š Š. . 24 t Še 34Š Š Š 24‰<br />
p<br />
f<br />
Š Š Š Š Š ŠŠ Š Š ‰<br />
The gates <strong>of</strong> brass be-fore him burst, The i-ron fet-ters yield.<br />
B## t Š Š Š 34 Š. Š Š Š 24 #Š Š Š Š Š Š 24‰ p<br />
V#<br />
f<br />
# ‰ 34 Š ŠŠŠ Š 24 ‰ 34Š ŠŠ Š 24Š ŠŠŠ Š Š<br />
Š Š ŠŠ<br />
Š Š<br />
{<br />
f<br />
B## 34 24 ‰ 34 24 Š Š<br />
‰<br />
Š<br />
Š Š Š #Š Š Š Š Š Š Š<br />
V # (Man.)<br />
# t<br />
Še Š Š 34 Š<br />
25 SOPRANOS<br />
p<br />
<br />
. Š f Š Š 24Š t Še 34Š Š Š Š 24‰<br />
V#<br />
He comes, the bro - ken heart to bind, The wound-ed soul to cure;<br />
# ‰ 34Š Š Š ŠŠ Š 24‰ Š Š<br />
34Š Š ‰<br />
p Š Š<br />
24‰<br />
{<br />
legato<br />
B## Š Š 34Š Š Š 24Š Š 34Š Š Š 24Š Š<br />
V # # t<br />
Še ŠŠ 34 Š Š Š Š 24 mf Š t Š f 34 Š<br />
30<br />
<br />
<br />
Š Š #Š 24‰<br />
V#<br />
And with the trea-sures <strong>of</strong> his grace En - rich the hum - ble poor.<br />
# ‰ 34 ŠŠ #‰ 24Š Š 34Š ‰ Š #ŠŠ 24‰ Š<br />
mf<br />
Š<br />
{ B## Š Š 34#Š Š #Š 24Š Š 34Š Š Š 24‰<br />
for online perusal only
S.<br />
A.<br />
MEN<br />
V #<br />
35<br />
<br />
# t<br />
TUTTI unis.<br />
mf cresc.<br />
Še Š. Š ŠŠ=Š Š =‰ t =Š e ŠŠŠ bŠ 24‰<br />
Our glad ho - san-nas, Prince <strong>of</strong> Peace, Thy wel-come shall pro - claim;<br />
(Organ: opt. Solo)<br />
‰ Še=Š bŠ Š.<br />
‰ ‰ ‰ bŠe 24‰ Š Š<br />
B##b=‰ ‰ ‰ =‰ Š Š Š =Š ‰ 24 ‰ Š Š<br />
([)<br />
V# # ŠbŠ Š =Š bŠ =<br />
. Še b =‰ t<br />
{<br />
mf cresc.<br />
Hark, the glad sound! 101<br />
V # (Ped.)<br />
# t eŠŠ 34 Š<br />
41<br />
f<br />
Š Š Š Š. . 24 t Š e 34Š Š Š 24‰<br />
p<br />
f<br />
Š Š Š Š Š ŠŠ Š Š ‰<br />
And heav’n’s e - ter-nal arch-es ring With thy be-lov -ed name.<br />
B## t Š Š Š 34 Š. Š Š Š 24 #Š Š Š Š Š Š 24‰ p<br />
V# f<br />
# ‰ 34 Š ŠŠŠ Š 24 ‰ 34Š ŠŠ Š 24Š ŠŠŠ Š Š<br />
Š Š Š ŠŠ<br />
Š Š<br />
{<br />
f<br />
B## 34 24 ‰ 34 ff<br />
24 Š Š ‰ Š Š Š #Š Š Š Š Š Š ‰ Š Š<br />
V # # t<br />
Še ŠŠ 34 Š Š Š Š 24 Š tŠ f 34Š Š Š Š 24 ‰<br />
DESCANT<br />
47<br />
f<br />
([) Hark, the glad sound! the Sa-viour comes, The Sa-viour prom-ised long!<br />
V # # t<br />
Še ŠŠ 34 Š<br />
OTHER VOICES<br />
. Š<br />
([) f Š Š 24Š t Še 34Š Š Š Š 24‰<br />
V# f<br />
# ‰ 34 Š Š Š 24 ‰ Š Š 34Š ŠŠŠ Š 24 ‰<br />
{ B## ‰<br />
f<br />
Š Š 34 ‰ Š Š Š 24 ‰ Š 34 ‰<br />
Š Š Š Š 24 ‰ Š Š<br />
V # # t ([)<br />
Š eŠ Š 34 Š Š Š Š 24 Š t Š f 34 Š<br />
52<br />
Š Š. Š f ‰ r 24<br />
Let ev-’ry heart pre-pare a throne, And ev-’ry voice a song.<br />
V # # t<br />
([)<br />
Š eŠ Š 34 Š Š Š Š 24 Š t Š f 34 Š Š Š #Š ‰ r 24<br />
V# # ‰ 34 Š #‰ Š Š 24 #‰ Š Š 34 Š ‰ Š. Š#ŠŠe<br />
‰ 24<br />
{ B## ‰ 34 Š 24#Š Š 34 ‰<br />
Š Š #Š<br />
‰ Š<br />
‰ Š Š Š Š Š Š 24<br />
for online perusal only
S.<br />
A.<br />
MEN<br />
102 Hark, the glad sound!<br />
V # #24 t<br />
57<br />
Še ŠŠ=Š =‰ t =Š e bŠ<br />
f<br />
Š. Š =Š Š Š Š ‰ Š f<br />
ŠŠ Š Š<br />
Our glad ho - san-nas, Prince <strong>of</strong> Peace, Thy wel-come shall pro -<br />
B##24 t Š f<br />
Š. Š ŠŠ=Š Š =‰ t=Š f<br />
ŠŠ Š Š<br />
V# #24 Š bŠ=ŠŠ =Š bŠ = ‰ Š =Š Š =‰ Š Š Š=Š bŠ bŠ =Š Š Š<br />
{ B##24 b=‰ ‰ ‰ b b‰ Š Š Š ‰ =Š Š ‰ Š<br />
for online perusal only<br />
V # # ‰ t<br />
Še ŠŠ 34 62<br />
rit.<br />
cresc.<br />
Š<br />
. 24Š Še 34Š Š Š Š. Š Š Š Š t ff<br />
Š 24<br />
f f<br />
Š Š Š<br />
- claim; And heav’n’s e - ter - nal arch - es ring *With thy be-lov - ed<br />
B## ‰ t Š Š Š f<br />
34 Š. Š Š Š 24 Š tŠ f 34 Š Š Š Š 24<br />
V#<br />
cresc.<br />
# ‰ t Š Š Š 34 Š. ff<br />
rit.<br />
Š<br />
Š<br />
ŠŠ 24‰ 34Š Š ŠŠ Š<br />
Š Š Š Š Š ŠŠ<br />
Š Š Š ‰ 24<br />
{<br />
cresc.<br />
B## ‰ 34 #Š<br />
# 24 ff<br />
Š Š 34 ‰<br />
‰ Š Š Š ‰ Š Š Š Š 24<br />
V # # 24 fff<br />
r p p r ‰ Š Š Š Š F<br />
67<br />
a tempo<br />
rall.<br />
‰<br />
name. A - men!<br />
B## 24 ‰ Š r p p r Š Š Š ‰<br />
E<br />
V# # 24 Š fff<br />
a tempo<br />
rall.<br />
ŠŠŠŠ<br />
Š Š Š Š Š Š Š ŠŠŠŠ Š Š<br />
Š Š ŠŠŠŠ<br />
Š Š ŠŠ Š F<br />
‰<br />
{ B## 24 ‰ ‰ ‰ ‰ ‰ fff<br />
Š Š<br />
‰<br />
Š Š Š Š Š Š Š Š Š Š E<br />
‰<br />
* If performing in unison, sing the alto part from bar 65 to the end.
103<br />
SA(T)B<br />
(Keyboard)*<br />
23. Harvest Carol<br />
J. S. B. Monsell<br />
(1811–75)<br />
IAN RAY<br />
(b. 1946)<br />
VOICES<br />
(KEYBOARD<br />
tacet)<br />
Joyous and with movement ie = 200<br />
mf<br />
(Always follow the natural accentuation <strong>of</strong> the words)<br />
Vb 58 Š Š Š Š Š Š Še ŠŠ Š Š Š Š Š Š Š.<br />
([)<br />
S./A. 1. Sing to the Lord <strong>of</strong> har - vest, Sing songs <strong>of</strong> love and praise;<br />
T./B. 2. By him the clouds drop fat - ness, The de-serts bloom and spring,<br />
S./A. 3. Heap on his sa - cred al - tar The gifts his good - ness gave,<br />
for online perusal only<br />
S.<br />
A.<br />
(KBD)<br />
T.<br />
B.<br />
5<br />
mp<br />
Vb -<br />
Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š<br />
-<br />
Š Š Š.<br />
With joy - ful hearts and voi - ces Your al - le - lu - ias raise:<br />
The hills leap up in glad - ness, The val - leys laugh and sing;<br />
The gold - en sheaves <strong>of</strong> har - vest, The souls he died to save:<br />
Bb<br />
-<br />
Š Š Š Š Š Š Še Š =ŠŠŠ =Š f<br />
Š Š<br />
-<br />
Š Š Š Š Š.<br />
mp<br />
9<br />
mf<br />
Vb Š Š<br />
-<br />
Š Š Š Š Še Š -<br />
f ŠŠ Š Š Š Š f Š Š.<br />
Bb<br />
By him the roll - ing sea - sons In fruit - ful ord - er move,<br />
He fill - eth with his ful - ness All things with large in - crease,<br />
Your hearts lay down be - fore him When at his feet ye fall,<br />
v. 3 to Coda O<br />
Š bŠ -<br />
Š Š Š Š Še Še #Š f ŠŠ Š Š Š Š Š<br />
-<br />
f<br />
Š.<br />
mf<br />
* This anthem may be sung a cappella inthreeorfourparts,orwithkeyboardaccompanimentasmarked.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
104 Harvest Carol<br />
13<br />
Vb Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š Š Š Š.<br />
34<br />
Sing to the Lord <strong>of</strong> har - vest A song <strong>of</strong> hap - py love.<br />
He crowns the year with good - ness, With plen - ty and with peace.<br />
Bb =Š Š Š Š Š Š Š Še Š =ŠŠŠ bŠ Š.<br />
f<br />
Š Š Š Š Š Š Š.<br />
34<br />
for online perusal only<br />
rit.<br />
Sing,<br />
sing.<br />
f<br />
Vb34 Š<br />
><br />
‰. ‰ Š - F<br />
><br />
Š Š. Š Š. ‰. Š ‰ ‰. 58 > ><br />
- E<br />
.<br />
17<br />
pp<br />
Sing, sing, sing, sing.<br />
><br />
Bb34 ‰ . > Š Š Š. Š Š. > ‰. F‰.<br />
58 .<br />
unis.<br />
> ><br />
f<br />
Sing, sing, sing, sing, sing.<br />
pp<br />
21O CODA<br />
rit.<br />
Vb Š Š Š Š Š Š ŠeŠ Š Š Š f ŠŠ ŠŠŠ Š Š Š Š.<br />
And with your lives a - dore him, Who gave his life for all.<br />
Bb =Š Š Š Š Š Š Š Še Š =ŠŠŠ bŠ Š.<br />
f<br />
Š Š Š Š Š Š Š.
Voices 1 2<br />
Keyboard<br />
to William Lovelock<br />
24. He is risen<br />
105<br />
Mrs C. F. Alexander<br />
(1823–95)<br />
VOICES<br />
KEYBOARD<br />
([)<br />
With vigour i = 152<br />
<br />
Vbbb 34 p p p p p p<br />
([)<br />
V bbb 34 p r ŠŠŠŠ Š Š<br />
Š Š Š ‰ ‰ Š Š Š<br />
Š Š Š ‰. Š<br />
.<br />
ŠŠŠ<br />
{<br />
f<br />
Bbbb 34 r Š Š Šr Š .<br />
.<br />
Š Š ‰ ‰ Š Š ŠŠŠ . . . . . .<br />
‰.<br />
(Ped.)<br />
for online perusal only<br />
CECIL COPE<br />
7 TUTTI unis.<br />
f<br />
Vbbb r Š Š Š Š ŠŠ ‰ Š r Š Š Š Š ‰ bŠ Š ‰<br />
He is ris - en, he is ris - en: Tell it with a joy - ful<br />
V bbb ‰ Š ‰ Š Š‰ Š Š Š<br />
Š Š Š Š ‰ bŠ Š ‰<br />
r Š<br />
{ Bbbb ‰.‰ Š ‰ Š Š Š Š Š Š Š ‰ b bb ‰ Š Š r r r Š Š Š ‰<br />
Vbbb ‰. rŠ=Š 4Š. =Še Š Š 34 ‰<br />
13<br />
mf<br />
Š 24 r Šf<br />
<br />
Š 4<br />
([)<br />
voice; He hath burst his three days’ pris - on: Let the<br />
V bbb= ‰ . ‰ =Š 4Š. ‰. =Še Š Š 34=‰ Š 24 Š. ‰ Še 4<br />
{<br />
mf<br />
Bbbb Š<br />
‰.<br />
Š =Š 4Š ‰ 34 =‰ ‰. Š<br />
Š Š Š Š Š Š 24 ‰ f<br />
. .<br />
Š<br />
. . . .<br />
Š<br />
. .<br />
. . 4<br />
© <strong>Oxford</strong> University Press 1937 and 2007. Photocopying this copyright material is ILLEGAL.
S./T.<br />
A./B.<br />
106 He is risen<br />
Vbbb44 Š<br />
18<br />
> > Š > Š > Š 34‰. > Š<br />
mf<br />
<br />
r r r Š Š b‰ Š<br />
([)<br />
V > bbb4 Š ><br />
Š<br />
> ŠŠ =Š<br />
> 34‰<br />
> . Š r r bb‰.<br />
b b‰. ‰.‰ Š<br />
{ Bbbb4 Š Š Š Š 34 ‰. ‰ Š mf<br />
Š Šr Šr<br />
. . . . . . . . b‰. b‰.<br />
Vbbb r Š Š ‰. r Š Š 4 ‰<br />
23<br />
<br />
ff<br />
<br />
Š Š 34‰ Š Š ‰ ‰.<br />
([)<br />
whole wide world re - joice. Death is con - quer’d,<br />
for online perusal only<br />
we are free, Christ has won the vic - to - ry.<br />
V bbb ‰ b Š ‰ . Š Š Š Š Š ‰ Š 4 ‰. ‰ Š Š 34‰ Š Š ‰ ‰.<br />
{ > ff<br />
Bbbb Š Š Š Š Š 4 ‰ . 34<br />
‰ bŠ<br />
‰.<br />
‰ =( ) ŠŠ ‰ Š ><br />
‰ Š ‰ Š Š ‰ r<br />
30<br />
V bbb r Š Š Š Š Š Š ‰ Š Š Š Š Š Š<br />
rit.<br />
‰ ŠŠ Š Š Š ===<br />
><br />
{ Bbbb Šr Š Š Š =Š Š =Š =Š<br />
‰ ‰ Š Š Š Š =Š Š Š<br />
. . . .<br />
===<br />
35<br />
a tempo<br />
V p<br />
unis.mp<br />
r Š Š Š Š Š Š Š Š ‰ Š p<br />
([)<br />
Come, ye sad and fear - ful heart - ed,<br />
unis.<br />
mf<br />
V ‰ Š ‰ Š ‰ Š ‰ Š r Š Š ‰ Š<br />
([)<br />
Come, ye sad and fear - ful heart - ed, With glad smile and<br />
V<br />
a tempo<br />
‰ Š Š ‰.<br />
‰ Š<br />
‰. Š Š Š‰ Š ‰.‰ Š ‰ Š<br />
mp<br />
{ B ‰. ‰. ‰. ‰. ‰ Š ‰ Š ‰ Š<br />
Š Š . .
41<br />
VrŠŠ Š Š Š ‰. r Š Š Š Š #Š #‰ Š<br />
([)<br />
V b‰ Š ‰. ‰ #Š ‰ #Š ‰ Š ‰ Š<br />
([)<br />
V bŠ Š Š Š Š Š ‰.‰ #Š ‰ Š Š Š #Š<br />
# #‰ Š<br />
r Š #Š ‰ Š<br />
{ B b‰ Š Š Š ‰. ‰. Š Š Š Š Š Š Š ‰ Š<br />
With ra - diant brow, sha-dows have de - part - ed,<br />
ra - diant brow; Lent’s long sha - dows have de - part - ed,<br />
47<br />
V p r Š Š Š Š Š Š Š Š ‰. p<br />
All his woes are o - ver now,<br />
VrŠ Š ‰ Š Š Š Š Š Š #Š ‰. rŠŠ<br />
([)<br />
([)<br />
for online perusal only<br />
He is risen 107<br />
All his woes are o - ver now, And the<br />
V ‰ r Š =#Š#Š Š Š‰ . Š =( Š) Š‰ Š Š‰ Š Š ‰. b‰ Š<br />
{ B ‰ Š<br />
Š<br />
‰.<br />
Š =( Š) Š‰ Š Š‰ Š #Š Š ‰. bb‰ Š<br />
‰. ‰.<br />
53<br />
VrbŠ Š Š Š Š Š #‰ r Š Š > ‰ Š Š Š Š<br />
([)<br />
And the Pas - sion he bore: Sin and pain can vex no<br />
V b‰ Š Š Š Š ‰. ‰ Š > Š Š Š Š Š Š<br />
([)<br />
Pas - sion that he bore: Sin and pain can vex no<br />
V Š b Š Š Š Š Š Š #‰ r Š Š<br />
><br />
‰. ‰ #Š ŠŠ<br />
‰ Š Š Š Š Š ŠŠŠ<br />
{ B b b‰ ><br />
Š Š bŠ ‰. Š Š<br />
‰ Š ‰ Š ‰. ‰ Š ‰ Š<br />
Š<br />
‰ Š Š
108 He is risen<br />
59<br />
V ‰. p p p p bbb<br />
([)<br />
more.<br />
V ‰.<br />
p p p p bbb<br />
([)<br />
more.<br />
V Š<br />
Š Š Š Š Š<br />
Š<br />
‰ bŠ b‰ Š Š = Š Š Š bŠ bbŠ ‰ Š ŠbŠŠ<br />
bbb<br />
{<br />
cresc.<br />
B Š Š Š Š ‰ ‰ Š Š bŠŠ bŠ Š b‰.<br />
bbb<br />
TUTTI unis.<br />
f<br />
Vbbb r Š Š 4Š. Š f<br />
Š Š 34 ‰<br />
64<br />
<br />
<br />
([)<br />
for online perusal only<br />
Š r Š Š Š Š bŠ. > > ŠbŠ><br />
f<br />
Come, with high and ho - ly hymn - ing, Chant our Lord’s tri - um -<br />
V bbb ‰ Š 4Šˆˆ Š Š Š 3 4 ‰ Š ‰ Š ‰ b Š<br />
r<br />
Š<br />
r<br />
{<br />
mf<br />
Bbbb Š‰ Š Š 4Š Š Š Š 34 Š Š Š ‰ Š ><br />
Š Š r ><br />
Š r<br />
69<br />
<br />
Vbbb Š ‰ ‰. rŠ=Š 4Š. =Še Š Š ‰ Š Š Š<br />
([)<br />
- phant lay; Not one dark - some cloud is dim - ming Yon-der<br />
V bbb bŠ Š ‰ Š = ‰ . ‰ =Š 4Š. Š =Še Š ‰ Š. Še<br />
><br />
{ r Š Š =Š#Š Š =Š Š ŠŠ=Š<br />
Bbbbbb bŠ > ><br />
‰. ‰ 4 Š =Š =Š<br />
Š r Š Š<br />
Š =Š Š Š Š Š Š Š<br />
> ><br />
. . . . . . . . =Š<br />
. .<br />
Š<br />
.<br />
Š<br />
.<br />
Š .<br />
Š
74<br />
Vbbb > Š > Š > Š > Š 34‰. > Š<br />
mf<br />
<br />
r r r Š Š b‰ Š<br />
([)<br />
He is risen 109<br />
glo - rious morn - ing ray, Break - ing o’er the<br />
V bbb Š Š ŠŠ =Š 34‰ . Š r r bb‰ . b b‰ . ‰ Š<br />
{<br />
><br />
><br />
><br />
Bbbb<br />
=Š<br />
><br />
34 ‰. r r b b‰. mf<br />
‰.<br />
Š Š Š Š ‰ Š Š<br />
. . .<br />
Š<br />
.<br />
Š<br />
.<br />
‰.<br />
. .<br />
b‰.<br />
.<br />
for online perusal only<br />
Vbbb‰ Š ‰. r Š Š<br />
ff<br />
4 34‰ allargando<br />
><br />
‰ Š<br />
><br />
Š ‰ 79<br />
molto cresc.<br />
<br />
S./T.<br />
<br />
Š<br />
([)<br />
A./B.<br />
pur - ple East, Bright - er far our Eas -<br />
V bbb Š ‰ =Š ‰. Š Š Š 4 ‰ Š 34 r Š Š Š Š Š ‰. Š ‰ Š<br />
{<br />
molto cresc.<br />
ff<br />
‰ r Bbbb<br />
‰. 4 ‰ . 34 Š Š bŠ ‰ =Š Š Š Š Š ><br />
‰ Š ‰ Š<br />
. . . . .<br />
a tempo<br />
allargando<br />
84<br />
Vbbb Š ‰ ‰.<br />
‰. Š r r p p F<br />
<br />
p<br />
([)<br />
- ter feast.<br />
V bbb Š ‰‰ ‰ ‰. Š Š Š Š ‰ b bŠ Š ‰ ‰.<br />
r<br />
Š Š =Š F<br />
‰.<br />
{ Bbbb<br />
‰. Š ‰ Š Š Š Š Š Š ‰ b<br />
bŠ<br />
Š Š . .<br />
‰ ‰.<br />
. . . E<br />
‰.
110<br />
S(A)(Men)<br />
or S AT B<br />
(Keyboard)*<br />
25. Hide not thou thy face<br />
Psalm 27: 10<br />
SOPRANO<br />
ALTO<br />
MEN<br />
SOPRANO<br />
ALTO<br />
(KEYBOARD)<br />
TENOR<br />
BASS<br />
Andante<br />
p<br />
i = 80<br />
Vb 4 #Š. Še<br />
Š Š Š Š ‰ Š Š. ŠeŠ f<br />
Š Š #Š Š ŠŠŠŠ #‰ r =Š Š. Š Š Š ‰ Š Š<br />
Hide not thou thy face from us, O Lord, and cast not<br />
f<br />
<strong>of</strong>f thy ser-vants in<br />
Bb 4 Š . Š f<br />
Š Š Š Š Š Š ‰ r Š Š. Š f<br />
Š Š ‰ Š Š<br />
p<br />
Andante<br />
p<br />
i = 80<br />
Vb 4#Š. Še<br />
Š Š Š Š ‰ Š ŠeŠ f<br />
Š Š #Š Š ŠŠŠŠ #‰ r =Š Š. Š f<br />
Š Š ‰ Š Š<br />
Hide not thou thy face from us, O Lord, and cast not <strong>of</strong>f thy ser-vants in<br />
Bb 4 Š. Še Š. ŠeŠ f<br />
Š Š Š Š Š Š ‰ r Š Š. Š f<br />
Š Š ‰ Š Š<br />
for online perusal only<br />
p<br />
6<br />
<br />
mp<br />
VbŠŠ Š Š ‰ Š Š#Š #ˆˆ r Š Š #ŠŠ Š Š #Š Š =Š Š ‰ Š#Š Š Š<br />
Bb Š Š ‰ ˆ r<br />
Š Š Š Š #Š Š Š ‰ Š Š<br />
mp<br />
<br />
mp<br />
VbŠŠ Š Š ‰ Š Š#Š #ˆˆ r Š Š #ŠŠ Š Š #Š Š =Š Š ‰ Š#Š Š Š<br />
Bb ˆ r Š Š Š ‰ ˆ Š Š Š Š #Š Š Š ‰ Š Š<br />
thy dis - plea - sure; and<br />
thy dis-plea - sure; for we con - fess our sins un - to thee, and<br />
thy dis - plea - sure; and<br />
thy dis - plea - sure; and<br />
thy dis-plea - sure; for we con - fess our sins un - to thee, and<br />
mp<br />
RICHARD FARRANT<br />
(d. 1580)<br />
thy dis - plea - sure; and<br />
* This piece may be sung a cappella in three parts (sing from the upper staves) or four parts (sing from the lower staves). It may<br />
also be sung in two parts or in unison (sing from the upper staves), using the lower staves as a keyboard accompaniment. The<br />
SATB version is Farrant’s original.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
hide not our un - right - e-ous - ness.<br />
11<br />
Vb ‰ Š Š ŠbŠ .<br />
mp (pp )<br />
Š Š Š Š Š Š ‰ Š ‰ r #ŠŠ Š #ŠŠ Š Š ŠŠŠ Š<br />
Bb Š Š Š. Še Š bŠ ‰ ‰ . r ŠŠ Š Š Š =Š Š<br />
<br />
hide not our un-right - eous - ness. For thy mer - cy’s sake, for thy<br />
hide not our un - right - e - ous - ness.<br />
hide not our un - right - e-ous - ness.<br />
Vb Š Š ‰ Š Š Š ŠbŠ ‰ . r #Š Š #Š Š Š ŠŠ<br />
Bb<br />
mp (pp )<br />
mp (pp )<br />
Š ‰ Š Š Š ‰ Š ‰ Š Š Š Š Š Š Š<br />
Š Š Š<br />
Š. Š Š Š bŠ Š b‰ . r Š f<br />
‰ ‰ ŠŠ Š Š Š =Š Š<br />
hide not our un-right - eous - ness. For thy mer - cy’s sake, for thy<br />
hide not our un - right - e - ous - ness.<br />
mp (pp )<br />
Hide not thou thy face 111<br />
for online perusal only<br />
rall. (2nd time)<br />
mf (p) p (pp )<br />
de - li - ver us from all our sins.<br />
15<br />
Vb Š Š Š bŠŠ Š. ŠeŠŠ Š #Š Š. ŠeŠ Š#Š .<br />
f Š Š =( )Š Š Š Š Š Š ŠbŠ Š Š Š Š Š Š ‰<br />
mer-cy’s sake de - li - ver us from all our sins, de - li - ver us from all our sins.<br />
Bb Š Š Š Š Š. Š Š f Š Š Š Š Š Š Š Š Š Š Š Š ‰ .<br />
<br />
all our sins.<br />
rall. (2nd time)<br />
all our sins.<br />
mf (p) p (pp )<br />
Vb Š Š Š Š Š. ŠeŠ Š Š #Š Š Š Š. ŠeŠ Š Š Š#Š Š ‰ .<br />
Bb<br />
mf (p) p (pp )<br />
Š Š Š Š Š. Š f<br />
Š Š Š Š =Š Š Š. Š f<br />
Š Š Š Š ‰<br />
mer-cy’s sake de - li - ver us from all our sins, de - li - ver us from<br />
all our sins.<br />
all our sins.<br />
Š bŠ ŠeŠ bŠ Š. ŠeŠ Š Š Š Š. Š Š Š Š Š .<br />
f Š Š Š Š Š Š Š Š ŠbŠ Š Š Š Š ‰<br />
p (pp )<br />
mf (p)<br />
de - li - ver us from all our sins.
112<br />
S(A)(T)(B)<br />
(Keyboard)*<br />
26. Holy, holy, holy,<br />
Holy is the Lord<br />
FRANZ SCHUBERT (1797–1828)<br />
accomp. Alan Bullard<br />
SOPRANO<br />
ALTO<br />
TENOR<br />
BASS<br />
KEYBOARD<br />
Andante espressivo i = 92<br />
Vbbb 34 p p p p pp<br />
‰ Š<br />
Ho - ly,<br />
Bbbb 34 p p p p ‰ Š<br />
V<br />
Andante espressivo i = 92<br />
bbb 34 ‰. tŠŠŠŠŠ ‰ ŠŠŠŠŠŠŠ ‰. ŠŠŠŠŠŠ ‰. ŠŠŠŠ=ŠŠ ‰. ŠŠŠŠŠŠ<br />
{<br />
pp<br />
Bbbb 34 ‰. ‰. ‰. ‰. ‰.<br />
(Man.)<br />
pp<br />
for online perusal only<br />
6<br />
Vbbb ‰ Š ‰. ‰. ‰‰ Š Š ‰ Š<br />
ho - ly, ho - ly, Ho - ly is the<br />
Bbbb<br />
‰ Š ‰. ‰. ‰. ‰ Š ‰ Š<br />
V bbb ‰ Š Š Š Š Š Š ‰. Š Š Š Š Š Š ‰. Š Š Š Š Š Š ‰. ŠŠ Š Š Š Š ‰ Š Š Š Š Š Š<br />
{ Bbbb ‰ Š ‰. ‰. ‰. ‰.<br />
* The keyboard part may be omitted when all four voice parts are sung. This acappellaversion is Schubert’s original.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
11<br />
<br />
fp<br />
Vbbb ‰. ‰ r ‰ Š ‰ Š ‰.<br />
Lord, Ho - ly, ho - ly, ho -<br />
Bbbb ‰. r<br />
bŠ<br />
‰ ‰ Š ‰ Š<br />
‰.<br />
‰.<br />
V fp<br />
bbb ‰. Š Š Š Š Š Š ‰. t Š=ŠŠbŠ Š ‰. Š Š Š Š Š Š ‰ Š Š Š ŠbŠŠ Š ‰. Š Š Š Š Š Š<br />
{<br />
fp<br />
Bbbb ‰. ‰. ‰. ‰ Š ‰.<br />
16<br />
pp<br />
Vbbb ‰. ‰‰ Š Š ‰ Š ‰. Š r r<br />
- ly, Ho - ly is the Lord.<br />
Bbbb<br />
‰. ‰ Š ‰ Š ‰. Š r r<br />
V pp<br />
bbb ‰. Š Š Š Š Š Š ‰. ŠŠ Š Š Š Š ‰ Š Š Š Š Š Š ‰ r<br />
Š Š Š Š Š Š Š Š Š Š Š Š<br />
{<br />
pp<br />
Bbbb ‰. ‰. ‰ Š ‰. Š Š‰.<br />
Š Š Š<br />
21<br />
p<br />
f<br />
Vbbb . ‰ Š ‰ Š =‰. ‰.<br />
1. Fa - ther, Son, and Spi - rit,<br />
2. Praise to you, O Lord, Ho -<br />
Bbbb . ‰ Š b‰ ‰ Š ‰. Š ‰.<br />
V<br />
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bbb . ‰. ‰. = ‰ f<br />
. ‰.<br />
p<br />
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{ Bbbb . Š‰. Š Š Š Š Š b‰. Š Š Š Š Š Š Š‰. Š Š Š Š Š Š‰.<br />
Š Š Š Š Š<br />
for online perusal only<br />
(Ped.)<br />
Holy, holy, holy, Holy is the Lord 113
114 Holy, holy, holy, Holy is the Lord<br />
25<br />
<br />
pp<br />
Vbbb‰ ‰ Š ‰ Š ‰. ‰ r b‰ ‰ Š<br />
Ev - er - more shall be, Ho - ly,<br />
- san - na in the height, Ho - ly,<br />
Bbbb<br />
‰ Š ‰ ‰. r<br />
Š ‰. ‰ ‰ Š<br />
V<br />
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bbb‰ ‰. Š ‰ Š Š ‰. Š Š Š Š ŠŠ =Š‰ ŠbŠ Š r bŠ‰.<br />
Š Š Š Š Š<br />
{ Bbbb Š Š Š Š Š Š Š Š Š Š<br />
Š Š<br />
pp<br />
‰. ‰ Š ‰. ‰ r<br />
‰.<br />
30<br />
Vbbb b‰ ‰ Š Š ‰. Š ‰ ‰. ‰ ŠŠ<br />
ho - ly, ho - ly, Bless - ed<br />
ho - ly, ho - ly, God <strong>of</strong><br />
Bbbb<br />
‰ Š Š ‰ ‰. ‰. ‰ Š<br />
V bbb bŠ ‰ Š Š Š Š Š Š ‰. Š Š Š ‰. ‰<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠ Š<br />
{ Bbbb ‰.‰ Š ‰. ‰. ‰.<br />
34<br />
1.<br />
2.<br />
Vbbb ‰ Š ‰. Š r r . ‰. ‰ r<br />
Tri - ni - ty.<br />
pow’r and might.<br />
Bbbb<br />
‰ Š ‰. Š r r . ‰. ‰ r<br />
V<br />
1.<br />
2.<br />
bbb ‰ Š ‰ r Š Š Š Š Š Š .<br />
Š Š Š Š Š Š Š Š Š Š Š ‰. Š Š Š Š Š Š ‰<br />
r<br />
{ Bbbb ‰ Š ‰. Š Š‰. Š Š Š .‰. ‰ r<br />
for online perusal only
115<br />
S(A)Men<br />
Keyboard<br />
27. Holy, holy, holy!<br />
Lord God Almighty!<br />
S./A.<br />
Reginald Heber<br />
(1783–1826)<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
V # Brightly i = 128<br />
# 4 p 68 p 4 p 68<br />
B## 4 p 68 p 4 p 68<br />
for online perusal only<br />
Brightly i = 128<br />
V# # 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š<br />
mf<br />
68<br />
{ B## 4 Š Š Š r 68 Š t Š t 4 Š Š Š r 68<br />
(Ped.)<br />
ALAN SMITH<br />
(b. 1962)<br />
Ho - ly, ho - ly, ho - ly! Lord God Al-migh-<br />
V #<br />
4<br />
<br />
unis.<br />
#68 p mf<br />
<br />
4 Š Š Š Š Š Š Š Š ‰ r r =Š Š Š Š Š<br />
V# #68 Š Š Š Š Š Š 4 Š Š Š Š Š Š Š t Š eŠ Š Š.<br />
Š . =Š r Š t Še<br />
{ B##68 mp<br />
Š 4 Še t ŠeŠ Š Š<br />
-<br />
Š t=Š t Š r Š t Š Še<br />
f<br />
Š r q =Š r Š t<br />
- Š f<br />
V #<br />
8<br />
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# Š Š ‰ r Š Š ŠeŠ Še ‰ Š Š =Š Š ŠeŠ Še<br />
V#<br />
- ty! Ear - ly in the morn - ing our song shall rise to<br />
# Š t Š . ŠeŠ Š Š Š ŠeŠ Še t . Še Š Š.<br />
Š ŠŠ =Š Š ŠeŠ Še<br />
{ B##<br />
-<br />
-<br />
‰ Š Š ŠŠ r Š r ‰ Š Š bŠŠ rŠr =Š<br />
- -<br />
r<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S./A.<br />
116 Holy, holy, holy! Lord God Almighty!<br />
V #<br />
12<br />
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# ‰. r Š Š Š Š Š Š Š Š ‰ r Š Š Š Š Š Š<br />
V#<br />
thee; Ho - ly ho - ly, ho - ly! Mer - ci - ful and migh-<br />
# Š.<br />
Š Š#Š Š Š Š.<br />
Š.<br />
Š r Š t Še Š t Š eŠ Š Š.<br />
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Š r Š t Še<br />
{ B## - mf<br />
t Še t ŠeŠ Š<br />
Š. r Š Š r Š t Š #Š Še<br />
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V #<br />
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# Š Š ‰ r r Š-<br />
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68 Š. Š. 78Š Š Š Š Š 4<br />
V#<br />
- ty! God in three Per - sons, bless - ed Tri - ni -<br />
# Š t Š.<br />
f Š Š Š t<br />
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#Šf ŠeŠ ‰ Š 68 =Š . Š.<br />
Š Š . Š.<br />
Š 78Šet Šet Š Š Š.<br />
4<br />
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{ B## -<br />
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et Šet -<br />
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t<br />
- - 4<br />
V # # 4 ‰<br />
20<br />
<br />
<br />
. r 68 p 4 p 68 p 4<br />
- ty!<br />
for online perusal only<br />
V# # 4 Š Š ŠŠŠ Š Š 68 Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4<br />
{ B##4 Š Š Š r 68 Š t Š t 4Š Š Š r 68 Š t=ŠŠ t 4<br />
V #<br />
24<br />
# mp 4 ‰ Š. Še Š Š ‰ r ‰ Š. Še Š Š ‰ r<br />
ah<br />
ah<br />
mf<br />
B##4 Š Š Š Š Š Š Š Š ‰ r Š Š Š Š Š Š ‰r<br />
V#<br />
Ho - ly, ho - ly, ho - ly! All the saints a - dore thee,<br />
# 4 Š r Š t Še Š t Š eŠ Š Š.<br />
Š . =Š rŠ t Še Š t Š . ŠeŠ Š<br />
mp<br />
{ B##4 Š Še t ŠeŠ Š Š<br />
r Š t Š Še -<br />
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Š r q =Š r Š t Š f<br />
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MEN=Š Š
S.<br />
A.<br />
S.<br />
A.<br />
MEN<br />
V #<br />
28<br />
# ‰ ‰ Š Š Š ‰ ˆ ‰ ‰<br />
ah<br />
ah<br />
B## Š Š Š Š Š Š Š f f Š Š Š =Š Š Š f Š Š ‰. f r<br />
V#<br />
Cast - ing down their gold - en crowns a - round the glass - y sea;<br />
# Š r Š r Š. ŠeŠ ŠŠ =Š r Š r Š Š Š#Š Š Š Š.<br />
Š.<br />
{ B## Š ŠeŠ Š<br />
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Š =Š r ŠeŠ.<br />
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Š. r<br />
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V #<br />
32<br />
# mf<br />
<br />
Š Š Š Š Š Š Š Š ‰ r Š Š Š Š Š Š Š Š ‰ r<br />
V#<br />
Che - ru - bim and se - ra-phim fall - ing down be-fore thee,<br />
# Š r Š t Še Š t Š eŠ Š Š Š Š r Š t Še Š t Š.<br />
. . f Š Š<br />
mf<br />
{ B## Š Še t ŠeŠ Š<br />
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Š r q<br />
Š r Š t Š f<br />
Š r q<br />
V # # r Š 68Š. 78Š Š 4 36<br />
Š #Š Š Š. Š Š Š Š q f ‰<br />
68<br />
Who was, and is, and ev - er - more shall be.<br />
B## r Š #Š Š 68 Š . Š. 78 Š Š Š Š f 4 ‰ q 68<br />
V# mf<br />
# Š r #‰ Š Š 68 Š. Š. 78Še t Še t Šet Še 4 Š Š ŠŠŠ Š Š 68<br />
{ B## Š r #‰ 68 Š . Š. 78 Š e t Šet Še t Še 4 keyboard ad lib.<br />
r q p p Š Š Š r 68<br />
for online perusal only<br />
Holy, holy, holy! Lord God Almighty! 117<br />
V# #68 Š Š Š Š Š Š 4 Š<br />
40<br />
poco rit.<br />
Š Š Š Š Š 68 Š Š =Š Š Š Š b44<br />
{ B##68 Š t Š t 4 Š Š =ŠŠ<br />
r 68 bŠ Š t bŠ = Š t b4
S./A.<br />
118 Holy, holy, holy! Lord God Almighty!<br />
Slower i = 112<br />
43<br />
unis. mp<br />
Vb 4 Š Š Š Š Š Š. Še‰ Š Š Š Š Š ‰ ‰ Š Š Š Š Š<br />
Ho - ly, ho - ly, ho - ly! Though the dark - ness hide thee, Though the eye <strong>of</strong><br />
V b 4 ‰ ˆ ‰ ˆŠ. Še‰ b‰ ˆ Š Š ˆ ˆ<br />
=‰ #‰ ‰ b‰<br />
{<br />
p<br />
Bb 4 ‰ legato<br />
ˆ ‰ Š Š ˆ ‰ ‰ Š Š<br />
r<br />
‰ ‰ ‰<br />
(Man.)<br />
V<br />
V<br />
S./A.<br />
MEN<br />
for online perusal only<br />
On - ly thou art ho - ly,<br />
48<br />
<br />
S.<br />
Vb Š Š Š Š bŠ-<br />
Š Š. - Š ‰. f r Š‰. Š Š Š Š Š. ‰ Še‰<br />
Š Š<br />
A.<br />
sin - ful man thy glo - ry may not see; On - ly ho - ly,<br />
Bb p p p mp<br />
‰. Š Š Š ‰<br />
On - ly ho - ly,<br />
V b ˆ Š Š Š Š b‰ ‰ ‰ ˆ ‰ =‰ ‰‰. ‰ Š ‰ ‰ Š Š<br />
{ Bb ˆ‰. Š bˆ‰ b‰ =ˆ ˆ Š Š ‰<br />
53<br />
VbŠŠ V<br />
Š Š Š Š Š ‰ ‰ ‰ Š Š ‰.‰ Š ŠŠ Š Š Š Š Š ‰.‰ ‰ Š ##<br />
V<br />
there is none be - side thee, Per - fect in pow’r, in love, and pu - ri -<br />
Bb ‰ ‰ ‰ ‰ ‰<br />
Š Š ‰ ‰ ‰ ‰ ‰. Š ##<br />
none be - side thee, Per - fect in pow’r, in love, and pu - ri -<br />
V b Š Š Š Š Š ˆ ˆ Š Š Š ŠŠ ‰. r<br />
##<br />
{ ‰ Š Š V<br />
V<br />
Š ‰ ‰ ‰ ‰ ‰ ‰<br />
keyboard ad lib.<br />
Bb ‰ ‰ ˆ ‰ ‰ ‰ ˆ ‰ ‰ ‰.<br />
‰ ‰ ‰<br />
r ##
V #<br />
59<br />
Faster i = 128<br />
# ‰ q 68 p 4 p 68 p 4<br />
- ty.<br />
B## ‰ q 68 p 4 p 68 p 4<br />
- ty.<br />
Faster i = 128<br />
V# # Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š 4 Š Š ŠŠŠ Š Š 68Š Š Š Š Š Š<br />
mf<br />
4<br />
{ B## Š Š Š r 68 Š t Š t 4Š Š Š r 68 Š t=ŠŠ t 4<br />
(Ped.)<br />
V #<br />
63<br />
unis.<br />
# f 4 Š Š Š Š Š Š Š Š ‰ r r =Š Š Š Š Š Š Š ‰ r<br />
Ho - ly, ho - ly, ho - ly! Lord God Al-migh - ty!<br />
B##4 Š Š Š Š Š Š Š Š ‰ r r<br />
=Š Š Š Š Š Š Š ‰ r<br />
f<br />
for online perusal only<br />
Holy, holy, holy! Lord God Almighty! 119<br />
V# # 4 Š r Š t Še Š t Š eŠ Š Š.<br />
Š . =Š r Š t Še Š t Š . ŠeŠ Š { B##4 f<br />
Š Še t<br />
r Š t Š<br />
ŠeŠ Š Š Še -<br />
-<br />
f<br />
Š r q =Š r Š t Š f<br />
‰ Š Š<br />
- -<br />
V 67<br />
# Š Š ŠeŠ Še Š Š Š Š Š =Š Š ŠeŠ Še ‰. r<br />
All thy works shall praise thy name, in earth, and sky, and sea;<br />
B## Š Š Š Š Š Š Š f f Š Š Š =Š Š Š f Š Š ‰. f r<br />
V# # Š Š ŠeŠ Še .<br />
t ŠeŠ Š Š ŠŠ =Š Š ŠeŠ Še Š.<br />
Š Š#Š Š Š Š.<br />
Š.<br />
{ B## ŠŠ Š =Š r -<br />
r Š r ‰ Š Š bŠ rŠr t Š. r -<br />
Š
120 Holy, holy, holy! Lord God Almighty!<br />
V #<br />
71<br />
S.<br />
# Š Š Š Š Š Š Š Š ‰ r ‰ Š Š ‰ Š Š Š Š Š. Š Š ‰ Še Š Š<br />
A.<br />
r<br />
Ho - ly, ho - ly, ho - ly! Mer - ci - ful and migh - ty!<br />
B## Š Š Š Š Š Š Š Š ‰ r<br />
Š Š Š Š Š Š Š Š ‰<br />
r<br />
V# # Š r Š t Še Š t Š eŠ Š Š Š Š r Š t Še<br />
Š t Š.<br />
. . f Š Š { B## Še t ŠeŠ Š<br />
#Š Še -<br />
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r Š t Š f<br />
Š r q<br />
Š r Š t Š f<br />
Š r<br />
Š<br />
-<br />
Š -<br />
Mer - ci - ful and migh - ty!<br />
for online perusal only<br />
God in three Per - sons,<br />
V # # ‰ 68 78 75<br />
Š Š<br />
- -<br />
r<br />
Š Š. Š. Š Š Š Š Š 4ˆ ˆ<br />
- - -<br />
68<br />
God in three Per - sons, bless - ed Tri - ni - ty!<br />
B## Š-<br />
r<br />
Š-<br />
Š-<br />
68 Š . Š. 78 Š Š Š Š Š<br />
4ˆ<br />
68<br />
V# # Š Št#Š Š Š 68 Š Š Š Š Š Š 78Šet Šet Š Š Š 4 Š Š Š Š Š Š f<br />
‰ . .<br />
68<br />
. . . .<br />
{ B## Š<br />
><br />
Š Še‰ 68 78 - -<br />
et Šet -<br />
t#Š Še 4 f<br />
‰ Š t Š t Š tŠ f f Š<br />
> - - - t Š Š Š r 68<br />
V# #68 Š Š Š Š Š Š 4 Š<br />
79<br />
rit.<br />
Š Š Š Š Š 68Š Š Š Š Š Š 4‰. r<br />
{ B##68 4 r 68 ff<br />
Š t Š t Š Š Š Š t =ŠŠ t 4 ‰. ‰ .<br />
r
121<br />
S(A)(Men)<br />
Keyboard<br />
28. Hosanna to the Son<br />
<strong>of</strong> David<br />
Matthew 21: 9<br />
SOPRANO<br />
ALTO<br />
MEN<br />
V Allegro moderato i = 138<br />
4 r p p q<br />
f<br />
rŠŠ<br />
V # 4 r p p q<br />
f<br />
rŠŠ<br />
B# 4 r p p q r<br />
f<br />
Š Š for online perusal only<br />
V#<br />
Allegro moderato i = 138<br />
4 Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰. Š Š<br />
{<br />
KEYBOARD<br />
B#<br />
f<br />
4 Š Š Š Š Š Š<br />
Š Š Š<br />
Š Š Š Š Š Š<br />
(Ped. ad lib.)<br />
V #<br />
4<br />
ŠŠŠ Š Š Š Š Š<br />
mp<br />
Š Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š ŠŠ f<br />
mp<br />
GEORG PHILIPP TELEMANN<br />
(1681–1767)<br />
V # ŠŠŠ Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š r<br />
- san-na to the Son <strong>of</strong> Da - vid, ho - san-na to the Son <strong>of</strong> Da - vid,<br />
B# Š Š Š Š Š Š Š Š Š mp Š Š Š Š Š Š Š Š Š Š ‰ Ho -<br />
Ho -<br />
Ho -<br />
- san-na to the Son <strong>of</strong> Da - vid, ho - san-na to the Son <strong>of</strong> Da - vid, Sing ho -<br />
- san-na to the Son <strong>of</strong> Da - vid, ho - san-na to the Son <strong>of</strong> Da - vid,<br />
V# Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š ‰ Š<br />
{ B# Š Š Š Š Š Š Š mp<br />
Š Š Š Š Š Š Š Š ‰<br />
f<br />
Cut from bar 24 (beat 2) to bar 49 (beat 1) to form a short introit.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
122 Hosanna to the Son <strong>of</strong> David<br />
V #<br />
8<br />
Š<br />
Š r ŠŠ Š<br />
f<br />
Š r ŠŠ Š Š ‰ ‰ r ŠŠ<br />
- san - na, sing ho - san - na, to the Son <strong>of</strong> Da - vid, sing ho -<br />
V # r ŠŠŠ Š r ŠŠ‰ Š Š Š #Š Š ŠŠŠ Š<br />
f<br />
B# r ŠŠŠ Š r ŠŠŠ Š Š Š Š Š Š ŠŠŠ Š<br />
Sing ho-san - na, to the Son <strong>of</strong> Da - vid, sing ho-san - na,<br />
Sing ho-san - na, to the Son <strong>of</strong> Da - vid, sing ho-san - na,<br />
V# Š<br />
‰ Š Š‰ Š Š<br />
‰ Š Š‰ Š Š‰. Š ‰ #Š Š‰ Š Š‰<br />
Š<br />
{<br />
mp<br />
B# r Š Š Š r Š Š Š Š Š Š Š Š<br />
Š Š Š<br />
mp<br />
mp<br />
mp<br />
for online perusal only<br />
V #<br />
12<br />
Š Š r ŠŠŠ Š r ŠŠ Š Š ‰ Š Šf<br />
Š Š Š Š ‰<br />
- san-na, sing ho - san-na, to the Son <strong>of</strong> Da - vid, the Son <strong>of</strong> Da -<br />
V # r ŠŠŠ Š r ŠŠ‰ Š Š Š #Š Š Š Š Š Š #Š ‰<br />
sing ho-san-na, to the Son <strong>of</strong> Da - vid, the Son <strong>of</strong> Da -<br />
B# r ŠŠŠ Š r ŠŠŠ Š Š Š Š Š Š #Š Š Š ‰. #Š<br />
sing ho-san-na, to the Son <strong>of</strong> Da - vid, the Son <strong>of</strong> Da -<br />
V# Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰. Š ‰ #Š Š Š Š Š Š #Š Š ‰<br />
{ B# r Š Š Š r Š Š Š Š Š Š Š Š #Š f<br />
Š Š ‰. #Š<br />
f<br />
f
V #<br />
17<br />
Š Šp mf cresc.<br />
Š Š ‰ ‰ ‰ rŠ Š ŠŠŠ Š Š ‰ Š<br />
- vid, the son <strong>of</strong> Da - vid! For bless-ed is he who comes in the<br />
p mf cresc.<br />
V # *<br />
#Š Š Š Š ‰ #‰ ‰ r Š Š ŠŠŠ Š Š ‰ Š<br />
p mf cresc.<br />
Hosanna to the Son <strong>of</strong> David 123<br />
- vid, the son <strong>of</strong> Da - vid! For bless - ed is he who comes in the<br />
B# Š Š Š Š Š Š ‰ *<br />
‰ r Š Š Š Š Š Š Š ‰ Š<br />
- vid, the son <strong>of</strong> Da - vid! For bless - ed is he who comes in the<br />
V# #‰ Š Š Š Š ‰ #‰ rŠ ‰<br />
‰.<br />
‰ Š ‰<br />
Š<br />
Š<br />
‰<br />
Š Š Š Š Š ‰ ‰<br />
{<br />
p<br />
cresc.<br />
B#<br />
mf<br />
Š =Š Š Š Š Š Š Š ‰ r Š Š Š Š #Š Š Š Š Š<br />
for online perusal only<br />
V #<br />
22<br />
Š ‰ Š<br />
f<br />
Š Š Š Š Š Š Š<br />
mp cresc.<br />
Š Š Š Š Š Š rŠ ŠŠŠŠ<br />
optional cut to bar 49 O<br />
name <strong>of</strong> the Lord, in the name <strong>of</strong> the Lord, Ho - san - na, ho - san-na in the<br />
f mf cresc.<br />
V # Š ‰ Š Š Š Š Š Š Š Š Š Š r r Š Š ŠŠŠ Š<br />
name <strong>of</strong> the Lord, in the name <strong>of</strong> the Lord, For bless - ed is he who<br />
B# Š ‰ Š Šf<br />
Š Š Š Š Š Š Š Š r q p<br />
name <strong>of</strong> the Lord, in the name <strong>of</strong> the Lord,<br />
V# Š ‰ ‰<br />
‰ Š Š Š Š ‰ ‰ Š Š Š Š<br />
Š ‰ Š Š Š Š‰<br />
Š Š<br />
{ B# Š Š Š Š Š f Š Š Š Š<br />
mp cresc.<br />
Š Š Š Š Š Š Š Š<br />
Š<br />
* Only sing small notes if cut is made.
124 Hosanna to the Son <strong>of</strong> David<br />
V #<br />
26<br />
Š Š Š Š Š Š #Š Š Š Š Š Š Š f ‰ #Š ‰ mp<br />
r Š Š<br />
high -est, in the high-est, in the high - est, ho -<br />
V # Š ‰ Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
comes in the name <strong>of</strong> the Lord, in the name <strong>of</strong> the Lord, Ho - san - na,<br />
B# p p p r Š Š Š Š<br />
f<br />
mp<br />
mp<br />
Ho - san -<br />
V# Š‰. Š Š Š Š Š #Š ‰. Š Š Š Š Š Š ‰ Š Š Š #Š Š Š ‰ Š Š Š Šr Š<br />
Š<br />
{<br />
f<br />
B# Š Š Š #Š Š Š Š #Š Š Š Š Š Š<br />
Š Š Š Š<br />
for online perusal only<br />
V #<br />
30 mf<br />
cresc.<br />
Š Š r Š Š ŠŠŠ Š Š ‰ Š Š ‰ Š<br />
- san - na, For bless-ed is he who comes in the name <strong>of</strong> the<br />
mf<br />
V # cresc.<br />
r Š Š Š Š r Š ŠŠŠŠ Š Š Š Š Š Š #Š Š Š Š Š Š<br />
ho - san - na, ho - san-na in the high-est, in the high-est, in the<br />
B# mf cresc.<br />
Š Š Š Š Š Š Š Š r Š Š ŠŠŠ #Š Š ŠŠ Š #Š Š<br />
- na, ho - san - na, ho - san - na For bless - ed is he who comes in the name <strong>of</strong> the<br />
V# Š ‰. Š Š Š Š ‰ Š ‰ ‰ Š Š ‰ ‰ Š Š #‰ Š ‰ Š Š<br />
{<br />
mf<br />
cresc.<br />
B# Š Š Š Š Š Š Š Š r Š Š Š Š #Š Š Š Š #Š
V #<br />
34<br />
Šf<br />
Š Š Š Š Š Š Š Š Š Š Š Š<br />
r Š Š Š Š<br />
Lord, in the name <strong>of</strong> the Lord, Ho - san - na, ho - san - na,<br />
f<br />
Hosanna to the Son <strong>of</strong> David 125<br />
V # Š ‰ #Š ‰ r Š Š Š Š r Š #Š<br />
high - - est, ho - san - na, ho -<br />
B# Šf<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
Lord, <strong>of</strong> the Lord, Ho - san - na, ho - san -<br />
V# ŠŠ Š Š ‰ ‰ #Š Š Š Š<br />
Š ‰ Š Š Š Š‰ Š Š Š #Š<br />
{<br />
f<br />
B# Š Š Š Š Š Š Š Š Š Š<br />
Š Š Š Š<br />
for online perusal only<br />
V #<br />
37<br />
r Š#Š Š Š<br />
mf<br />
cresc.<br />
r Š ŠŠŠŠ#Š Š Š Š Š Š #Š Š Š #Š Š Š<br />
ho - san - na, ho - san-na in the high-est, in the high-est, in the<br />
mf<br />
V # cresc.<br />
Š Š r Š Š ŠŠŠ Š Š ‰ Š #Š ‰ Š<br />
- san - na, For bless-ed is he who comes in the name <strong>of</strong> the<br />
B# mf cresc.<br />
Š Š#Š Š Š Š Š Š r Š Š ŠŠŠ #Š Š ŠŠ Š #Š Š<br />
- na, ho - san - na, ho - san - na, For bless - ed is he who comes in the name <strong>of</strong> the<br />
V# Š Š#Š ‰ Š Š Š Š Š Š. Š Š Še #Š Š Š Š Š # #Š Š Š #Š Š { ‰. Š ‰. Š<br />
mf<br />
cresc.<br />
B# Š Š#Š Š Š Š Š Š r Š Š Š Š #Š Š Š Š #Š
126 Hosanna to the Son <strong>of</strong> David<br />
V #<br />
41<br />
#Š<br />
f<br />
‰ #Š ‰ r Š Š Š Š r Š Š Š Š r Š<br />
high - est, ho - san - na, ho - san - na, For<br />
f<br />
V # Š Š Š Š#Š Š Š Š Š Š Š Š Š<br />
r Š Š Š Š r Š Š Š Š<br />
Lord, in the name <strong>of</strong> the Lord, Ho - san - na, ho - san - na, ho - san - na,<br />
B# Šf<br />
Š Š Š Š Š#Š Š Š Š Š Š Š Š ‰ Š Š<br />
Lord, <strong>of</strong> the Lord, Ho - san - na, sing, sing ho - san - na, ho -<br />
V# #Š Š ‰ Š Š#Š #Š Š Š ‰ Š Š Š Šr Š Š Š Š‰ Š Š Š Š‰ Š Š Š‰<br />
Š Š<br />
{<br />
f<br />
B# Š Š Š Š Š Š#Š Š Š Š<br />
Š Š<br />
Š Š Š Š<br />
Š Š<br />
for online perusal only<br />
V #<br />
45<br />
Š ŠŠŠ Š Š ‰ Š Š ‰ Š<br />
bless - ed is he who comes in the name <strong>of</strong> the<br />
V # r Š ŠŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š<br />
ho - san- na in the high - est, in the high - est, in the<br />
B# Š. Š f Š Š Š ŠŠŠ #Š Š ŠŠŠ ŠŠ<br />
- san - na, For bless - ed is he who comes in the name <strong>of</strong> the<br />
V# ‰ Š ‰ ‰ Š Š ‰ ‰ Š Š Š ‰ ‰ Š Š<br />
{ B# Š Š Š Š<br />
Š Š Š Š #Š Š Š Š Š
Off<br />
V #<br />
48<br />
Š Š Š Š Š Š Š Š Š ŠŠŠŠŠŠ Š Š r ŠŠ Š Š r ŠŠ<br />
Lord, in the name <strong>of</strong> the Lord, Sing ho-san-na in the high-est, in the high-est, in the<br />
ff<br />
Hosanna to the Son <strong>of</strong> David 127<br />
V # Š ‰ Š Š ŠŠŠŠŠŠ Š Š r ŠŠ Š Š rŠŠ<br />
B# Š Š Š Š Š ff ŠŠŠŠŠŠ Š Š<br />
r ŠŠ Š Š<br />
r ŠŠ<br />
high - - est, Sing ho-san-na in the high-est, in the high-est, in the<br />
Lord, <strong>of</strong> the Lord, Sing ho-san-na in the high-est, in the high-est, in the<br />
V# ŠŠ Š Š ‰ ‰ Š Š Š Š Š Š Š Š Š Š r Š Š Š Š r Š Š<br />
{ B# Š<br />
ff<br />
Š Š Š Š<br />
Š<br />
Š<br />
Š Š<br />
Š<br />
r Š Š<br />
Š<br />
r Š<br />
for online perusal only<br />
V #<br />
52<br />
molto rall.<br />
Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.<br />
high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!<br />
V # Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.<br />
high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!<br />
B# Š Š r ŠŠ ŠŠŠŠŠŠŠŠ Š Š Š Š ‰ ‰ .<br />
high - est, sing ho - san-na in the high-est, sing ho - san-na in the high - est!<br />
V#<br />
molto rall.<br />
Š Š r Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰.<br />
{ B# Š<br />
Š r Š Š Š Š Š Š Š Š Š Š<br />
Š ‰.
128<br />
S(A)(Men)<br />
Keyboard<br />
for Grupo Vocal Olisipo<br />
29. Irish Blessing<br />
S./A.<br />
Trad.<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
V # With a gentle lilt i = 92<br />
unis.<br />
C p p p q r ŠŠ<br />
B#C p p p p<br />
V#<br />
With a gentle lilt i = 92<br />
C ‰ Š. Še ‰. ŠŠ ‰ Š. Še =ˆ<br />
r tŠ‰<br />
{ f r t Š‰ f r tŠ‰ f r t Š f<br />
‰<br />
mp dolce<br />
B#C ŠˆŠ‰. ŠˆŠ‰‰. ŠˆŠ‰. ŠˆŠ=‰.<br />
(Ped.)<br />
mp cantabile<br />
May the<br />
V #<br />
5<br />
<br />
‰ Š. Še Š Š Š Šet Š Š Š Š Š Š Š Š ‰ r ŠŠ<br />
road rise to meet you, may the wind be ev-er at your back, may the<br />
V# r t Še ‰ r t Še ‰ r t Še ‰ r tr Š=ŠeŠ Še f<br />
‰<br />
{ B# Š ˆ Š ‰. Š ˆ Š ‰‰. Š ˆ Š ‰. Š ˆ Š=‰.<br />
V #<br />
9<br />
<br />
Š Š Š.<br />
for online perusal only<br />
Š f<br />
Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š ŠŠ‰<br />
sun shine warm up - on your face, and the rain fall s<strong>of</strong>t up-on your fields,<br />
BOB CHILCOTT<br />
(b. 1955)<br />
V# ˆ ˆ<br />
r t Š Š Š Š Š r t Š Š Š Š Š ‰ Š Š Š<br />
Š Š ‰<br />
{ f ‰ f Š Š Š Š Š ‰. Š Š<br />
B# ŠˆŠ ‰. Šˆ Š ‰. ‰.<br />
‰ =‰ Š ˆ<br />
© <strong>Oxford</strong> University Press 1997, 2002, and 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
MEN<br />
V #<br />
13<br />
<br />
cresc.<br />
‰ rŠŠ Š Š Š<br />
mf<br />
<br />
Š Š Š ˆ ˆ<br />
V#<br />
And un - til we meet a - gain,<br />
Š Š ‰ Š Š r t Š eŠ Š Š Š Š. Še‰ Š. Še<br />
Š ‰.<br />
ˆŠ. Š f Š. Š<br />
{<br />
f<br />
B# ˆ Š Š Š Š ‰ #Š Š ‰<br />
cresc. mf<br />
‰. =Š Š ‰‰.<br />
bˆ ˆ ‰. ˆ ˆ<br />
V # mp dolce<br />
17<br />
<br />
S.<br />
unis.<br />
<br />
Š r Š ŠŠŠ Š Š r Š Š Š Š ‰<br />
r Š Š Š Š<br />
for online perusal only<br />
A.<br />
May God hold you, may God hold you, ev - er in the<br />
V# ˆ r Š ‰ r Š<br />
Š ‰ ˆ<br />
{ B# ˆˆ mp<br />
ˆ Š ‰ Š Š ‰ Šˆ Š ‰. =ˆˆ<br />
V #<br />
21<br />
<br />
Š Š Š Š Š Š ‰. ‰. r p<br />
palm <strong>of</strong> his hand.<br />
Irish Blessing 129<br />
V# ˆ ‰ Š. Še ‰. Š Š ‰ Š. Še<br />
{ r tŠ‰<br />
f r t Š ‰ f r tŠ‰<br />
B# f ˆ ŠˆŠ ‰. ŠˆŠ ‰‰. ŠˆŠ ‰.<br />
V #<br />
25<br />
mf<br />
q r ŠŠ ‰ Š. ŠeŠ Š Š Š ŠeŠ t ŠŠ f f<br />
Š<br />
May the road rise to meet you, may the<br />
B# q r ŠŠ ‰ Š. Š Š Š Š f f t Š Š<br />
<br />
V# mf<br />
=ˆ<br />
ˆŠ Š ‰. ˆ<br />
r t Š ‰<br />
Š Š ‰ Š Š ‰. Š Š ‰<br />
{ B# f mf<br />
ŠˆŠ =‰. ŠˆŠ ‰. Š Š ‰<br />
ŠˆŠ Š‰.<br />
Š ‰
130 Irish Blessing<br />
V #<br />
28<br />
Š Š Š Š Š Š =‰ ‰<br />
r ŠŠ Š Š Š. ŠeŠ ŠŠŠ Š f Š Š Š Š Š<br />
B# Š Š ŠŠŠŠ ‰ r ŠŠ Š Š Š. Š f Š Š Š Š Š Š Š<br />
<br />
V# ˆ ŠŠ Š ‰. Š ‰ =ˆ ŠŠ Š ‰. Š ‰ ˆ ˆ<br />
{ r t Š Š Š Š Š r t Š Š Š Š Š f<br />
‰<br />
B# f ŠˆŠ ‰. Š Š ‰<br />
ŠˆŠ=ŠŠ ‰. ‰<br />
ŠˆŠ ‰. Šˆ<br />
Š ‰.<br />
wind be ev-er at your back, may the sun shine warm up - on your face, and the<br />
for online perusal only<br />
rain fall s<strong>of</strong>t up-on your fields,<br />
V #<br />
32<br />
cresc.<br />
Š Š Š. Š Š ŠŠ‰ Š Š f Š Š Š Š ŠŠ ‰<br />
rŠŠŠ Š Š Š Š Š<br />
rain fall s<strong>of</strong>t up - on your fields, And un - til we meet a -<br />
B# Š Š<br />
<br />
ŠŠ=Š Š ˆ b‰ r ŠŠŠ Š Š Š<br />
rain fall s<strong>of</strong>t up-on your fields,<br />
V# ‰ Š Š Š Š ‰<br />
Š Š ‰ r t<br />
Š Š Š Š Š Š ‰. Š Š Š ‰. Š Š<br />
eŠ Š Š Š<br />
{<br />
cresc.<br />
B# ‰. Š ˆ Š Š Š Š ‰<br />
‰ =‰ ˆ bˆ ˆ ‰.<br />
mf dolce<br />
V #<br />
36<br />
<br />
f<br />
ˆ ˆ Š r Š ŠŠŠŠ Š Š ‰ r Š Š<br />
- gain, May God hold you,<br />
B##ˆ =ˆ Š r Š ŠŠŠ ‰<br />
<br />
‰<br />
V#<br />
f<br />
Š. Še Š. mf dolce<br />
‰ Še ˆŠ. Š f Š. Š r Š ‰<br />
{<br />
f ˆ Š<br />
f<br />
B# #Š Š ‰ mf<br />
ˆ ‰. =ŠˆŠ ‰‰. ˆˆˆ Š‰ Š Š ‰<br />
cresc.<br />
hold you, may God
mp<br />
hold you,<br />
V #<br />
40<br />
Š Š ‰ r Š Š =ŠŠ Š Š Š Š Š ˆŠ Š ‰.<br />
hold you, ev - er in the palm <strong>of</strong> his hand,<br />
B# Š ‰<br />
r =Š Š Š Š ‰ Š Š =ˆ<br />
V#<br />
mp<br />
r Š ‰ ˆ ˆ r t<br />
Š ‰. ŠeŠ. Še<br />
{ B#<br />
mp<br />
Šˆ Š ‰. =ˆˆ ˆ =ŠˆŠ ‰.<br />
for online perusal only<br />
p<br />
V # poco rit.<br />
a little slower<br />
44<br />
<br />
‰. r Š Š Š Š ‰‰ Š ŠŠ ˆ<br />
ev - er in the palm <strong>of</strong> his hand,<br />
B# ‰ bŠ r Š Š Š Š ‰<br />
<br />
Š Š ˆ<br />
p<br />
V#<br />
poco rit.<br />
a little slower<br />
Š. Še Š. Še ˆ<br />
p<br />
ˆ ‰ Š.<br />
r tŠ‰<br />
Še<br />
{<br />
dim.<br />
B# f<br />
ˆ‰ b‰ p p<br />
ˆ ŠˆŠ ‰.<br />
V # rit. e dim.<br />
48<br />
p p<br />
pp<br />
q r Š =‰ ‰ Š Š ˆF<br />
B# p q r Š ‰ Š Š<br />
p<br />
ˆÊ<br />
V# pp<br />
rit. e dim.<br />
‰. Š Š ‰ Š.<br />
F<br />
Še =ˆ ˆ<br />
r t Š ‰<br />
{ f r tŠ‰ f r t Š ‰<br />
B# f pp<br />
ŠˆŠ ‰‰. ŠˆŠ ‰. ŠˆŠ =‰. ˆ<br />
Ê<br />
the palm <strong>of</strong> his hand.<br />
Irish Blessing 131
132<br />
SA(Men)<br />
Keyboard<br />
30. Jesu, Lamb <strong>of</strong> God,<br />
Redeemer<br />
(Ave verum corpus)<br />
Medieval sequence for Corpus Christi<br />
EDWARD ELGAR<br />
(1857–1934)<br />
VOICES<br />
V # Largo i = 88<br />
SOLO or TUTTI<br />
F p legato<br />
<br />
4 q Š. Še Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
Je - su, Lamb <strong>of</strong> God, Re - deem-er, Born the Vir - gin Ma - ry’s<br />
A - ve ve - rum cor - pus, na - tum Ex Ma - ri - a Vir - gi -<br />
V# F<br />
4 ‰ Š. Še Š Š Š Š Š Š Š Š Š Š Š<br />
‰ ‰ b‰<br />
Š<br />
‰ ‰ ‰ ‰<br />
{ B# 4 ‰ Š ‰ #Š ‰ #‰ ‰<br />
‰ ‰ ‰<br />
E<br />
KEYBOARD p pp<br />
(Ped.)<br />
(Man.)<br />
for online perusal only<br />
V #<br />
5<br />
<br />
dim.<br />
‰ Š. Še Š Š Š Š Š Š Š Š Š Š Š. Še ‰<br />
([)<br />
Son, Who up - on the cross a vic - tim Hast man - kind’s sal - va - tion won.<br />
- ne, Ve - re pas - sum, im - mo - la - tum In cru - ce pro ho - mi - ne.<br />
V# ‰ Š.<br />
Š #Š Še Š‰ Š #‰ Š Š Š<br />
‰ Š Š‰ Š Š‰ Š #Š. Še {<br />
f<br />
‰<br />
B# ‰ Š #Š ‰ ‰ ‰ Š Š Š Š<br />
‰ ‰ ˆ Š. Še ‰<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
MEN<br />
V #<br />
9 pp<br />
Š Š. #ŠŠe Š Š #ŠŠ Š =ŠŠ ŠŠ Š Š Š Š Š Š ‰ Š.<br />
Š Š Še<br />
Je - su, Lamb <strong>of</strong> God, Re - deem-er, Born the Vir - gin Ma - ry’s Son, Who up -<br />
A - ve ve - rum cor - pus, na - tum Ex Ma - ri - a Vir - gi - ne, Ve - re<br />
B# Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š #Š<br />
pp<br />
V# Š. Š Še Š Š Š Š Š Š Š Š Š Š Š<br />
‰ #Š ‰ b#‰ ‰<br />
Š<br />
=ˆ ‰ ‰ ‰ Š.<br />
‰ Še<br />
{<br />
pp<br />
B# ‰ ˆ ‰ ‰ ‰ ‰ ‰ Š ‰ #Š<br />
(Ped.)<br />
V #<br />
14<br />
Š Š #ŠŠ Š Š Š Š ŠŠ Š Š #Š. Še f ‰<br />
- on the cross the vic - tim Hast man - kind’s sal - va - tion won.<br />
pas - sum, im - mo - la - tum In cru - ce pro ho - mi - ne.<br />
B# Š Š Š Š Š Š Š Š Š Š Š. Š f<br />
‰<br />
V# Š‰ Š #‰ Š Š Š‰ Š Š‰ Š Š‰<br />
Š #Š. Še ‰<br />
{ B# Š Š ‰ Š Š Š Š<br />
‰<br />
‰ ‰ ‰ ‰ Š. ‰ Še ‰<br />
V #<br />
17 SOLO or TUTTI<br />
pp cresc.<br />
Š Š Š Š Š. Še Š Š Š Š Š Š Š. Š f ‰ Šf<br />
<br />
Š<br />
([)<br />
From whose side, which man had pier-ced, Flowed the wa - ter and the blood: By the<br />
Cu - jus la - tus per - fo - ra - tum Ve - ro flu - xit san - gui - ne; E - sto<br />
V# Š Š ŠŠ Š Š. Š Š Še Š Š Š Š ‰ Š. Še ‰ Š<br />
‰ Š‰<br />
Š ‰ Š<br />
{<br />
pp cresc.<br />
B# ‰ =‰ Š Š ‰ ‰ Š Š Š<br />
Š Š Š ‰ ‰ f<br />
(Man.)<br />
for online perusal only<br />
Jesu, Lamb <strong>of</strong> God, Redeemer 133
134 Jesu, Lamb <strong>of</strong> God, Redeemer<br />
V #<br />
22<br />
<br />
p<br />
Š Š Š Š Š Š Š Š Š Š Š. Še ‰<br />
([)<br />
sa - cred Bo - dy bro - ken, Be in life and death our food.<br />
no - bis prae - gu - sta - tum, Mor - tis in ex - a - mi - ne.<br />
V# #ˆ Š Š Š Š Š Š Š‰ Š Š‰ Š Š. Š Š Še ‰<br />
{ B# Š Š Š Š Š Š # b p<br />
‰ ‰ ‰ ‰ =‰ ˆ ‰ ‰<br />
V # TUTTI<br />
25<br />
unis.<br />
pp<br />
cresc.<br />
<br />
Š Š Š Š Š. Še Š Š Š Š Š Š Š. Š f<br />
([)<br />
From whose side, which man had pier - ced, Flowed the wa - ter and the<br />
Cu - jus la - tus per - fo - ra - tum Ve - ro flu - xit san - gui -<br />
V# ‰ ‰ Š Š Š. Š Š Še Š‰. Š Š Š ˆ‰ Š. Š Š Še<br />
pp<br />
{<br />
cresc.<br />
B# ‰ ‰. Š Š ˆ<br />
‰ Š Š Š Š Š Š<br />
(Ped.)<br />
for online perusal only<br />
S.<br />
A.<br />
MEN<br />
Bo - dy bro - ken, be in<br />
prae - gu - sta - tum, Mor - tis<br />
V #<br />
29<br />
rit.<br />
‰ f<br />
p<br />
Š Š #ŠŠ Š Š Š #Š Š Š‰ Š ŠŠ Š Š Š. Š Š Še<br />
blood: By the sa - cred Bo - dy bro - ken, be in life and death our<br />
- ne; E - sto no - bis prae - gu - sta - tum, Mor-tis in ex - a - mi -<br />
B# ‰ Š Š Š Š Š Š Š Š #Š Š Š Š Š Š<br />
f<br />
Bo - dy bro - ken, be in<br />
prae - gu - sta - tum, Mor - tis<br />
V# rit.<br />
‰ Š<br />
‰ Š #‰. Š Š Š Š Š Š Š‰ Š Š‰ Š Š. Š Š Še<br />
{<br />
f<br />
B# Š Š Š Š Š Š # b‰ p<br />
=‰ ‰<br />
‰<br />
‰ ‰ ‰ ‰ ‰ ˆ<br />
p
Jesu, Lamb <strong>of</strong> God, Redeemer 135<br />
V #<br />
33<br />
più lento<br />
Še t<br />
Š ‰ Š r q r<br />
‰ Š f r q r<br />
Š ‰ Š Š<br />
B# ‰ Še t Š ‰ Š Š ‰ Š Š<br />
food. O Je - su, O Je - su, O<br />
- ne. O cle - mens, O pi - e, O<br />
O Je - su, O Je - su, O<br />
O cle - mens, O pi - e, O<br />
V#<br />
più lento<br />
‰ Še t<br />
Š ˆ ‰ . Š<br />
{ B# ‰ Še<br />
Š t r #ˆ ‰. Š<br />
f ˆ<br />
pp<br />
pp<br />
pp<br />
for online perusal only<br />
Son <strong>of</strong> Ma - ry.<br />
Fi - li Ma - ri - ae.<br />
V #<br />
36<br />
f pp<br />
Š Š Š Š Š ŠŠbŠ ŠŠ‰ bŠ ˆŠ. Š<br />
ˆ<br />
f ‰ ˆF<br />
Je - su, hear us, Son <strong>of</strong> Ma - ry, <strong>of</strong> Ma - ry.<br />
dul - cis Je - su, Fi - li Ma - ri - ae, Ma - ri - ae.<br />
B# Š Š Š Š Š ŠŠb‰ Š. Š f<br />
‰ ˆ<br />
f pp E<br />
Je - su, hear us, Son <strong>of</strong> Ma - ry, <strong>of</strong> Ma - ry.<br />
dul - cis Je - su, Fi - li Ma - ri - ae, Ma - ri - ae.<br />
V# ˆ Š Š<br />
b<br />
bŠ bŠ F<br />
‰ ‰ ‰ ‰ = ˆ<br />
ˆ<br />
{<br />
f pp<br />
B# ˆ‰ ‰ ˆ‰ b‰ ˆ‰ b‰ Eˆˆ
136<br />
S(A)(Men)<br />
Keyboard<br />
31. Jesus Christ the Apple Tree<br />
From Divine Hymns or Spiritual Songs<br />
compiled by Joshua Smith, New Hampshire, 1784<br />
V # Simply<br />
34 t but expressively i = 84<br />
SOLO or TUTTI unis.<br />
r p p p r t p<br />
VOICES<br />
([)<br />
Š e Š Š<br />
1. The tree <strong>of</strong><br />
V# 34 Š f Š Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š<br />
{ V # 34 t<br />
KEYBOARD p legato<br />
r p p p p<br />
V #<br />
5<br />
<br />
<br />
. Š. Še Š Š Š. Še Š Š Š. ŠeŠ ŠŠ Š. Še Š ŠŠ<br />
([)<br />
life my soul hath seen, La - den with fruit and al - ways green: The trees <strong>of</strong><br />
(3.)- ness I long have sought, And plea-sure dear - ly I have bought: I missed <strong>of</strong><br />
V# . Š Š Š ŠŠŠ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠ<br />
{ V # . ‰. Š ‰. Š Š‰. Š Š Š‰.<br />
Š Š<br />
V # (Man.)<br />
9<br />
<br />
Š. Š f Š ŠŠ Š. Še Š Š Š Š Š ŠŠ ‰. ‰ r<br />
([)<br />
for online perusal only<br />
na - ture fruit-less be Com-pared with Christ the ap-ple tree.<br />
all; but now I see ’Tis found in Christ the ap-ple tree.<br />
Somerset folk song<br />
collected by Cecil Sharp<br />
arr. ALAN BULLARD (b. 1947)<br />
V# Š Š Š Š ŠŠ Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š Š Š ŠŠŠ Š Š Š Š Š Š Š<br />
{ V # Š Š Š ‰ .<br />
B ‰. ‰. Š Š Š<br />
‰.<br />
‰.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
MEN<br />
V #<br />
14<br />
p p r t<br />
V # p p r t<br />
Še Š Š Š.<br />
Še Š Š<br />
2. His beau-ty doth all things ex -<br />
4. I’m wear-y with my for-mer<br />
B# p p r t mp<br />
Š Š Š Š Š Š Š f<br />
mp<br />
mp<br />
Jesus Christ the Apple Tree 137<br />
Še Š Š Š.<br />
Še Š Š<br />
2. His beau-ty doth all things ex -<br />
4. I’m wear-y with my for-mer<br />
2. His beau-ty doth all things ex -<br />
4. I’m wear-y with my for - mer<br />
V# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ŠŠ Š Š Š ‰ Š<br />
{<br />
mp<br />
B# ‰. Š Š Š Š‰. Š Š Š‰. Š Š Š<br />
‰.<br />
Š Š Š Š Š<br />
for online perusal only<br />
V #<br />
18<br />
Š. Še Š Š Š. Še Š ŠŠ Š. Še Š ŠŠ Š. Š f Š ŠŠ<br />
- cel: By faith I know, but ne’er can tell, The glo - ry which I now can<br />
toil, Here I will sit and rest a - while: Un-der the sha - dow I will<br />
V # Š. Še Š Š Š Š Š Š Š. Še Š Š Š Š Š Š<br />
- cel: By faith I know, but ne’er can tell, The glo-ry which I now can<br />
toil, Here I will sit and rest a - while: Un-der the sha-dow I will<br />
B# Š. Š f Š Š Š Š Š Š Š Š Š. Š Š f<br />
Š Š Š Š ŠŠ<br />
- cel: By faith I know, but ne’er can tell, The glo-ry which I now can<br />
toil, Here I will sit and rest a - while: Un-der the sha - dow I will<br />
V# Š. Še Š ‰ ‰ Š.<br />
‰ Š Š ŠeŠ<br />
Š Š Š Š Š Š Š Š Š Š Š Š ŠŠŠ Š Š<br />
{ B# Š Š Š Š Š Š Š Š<br />
‰ Š ‰ Š ‰ Š
S.<br />
A.<br />
MEN<br />
V #<br />
22<br />
Š. Še Š Š Š Š Š Š Š ‰. ‰ r<br />
see In Je - sus Christ the ap - ple tree.<br />
be Of Je - sus Christ the ap - ple tree.<br />
V # Š. Še Š Š Š Š Š Š ‰. ‰<br />
r<br />
138 Jesus Christ the Apple Tree<br />
see In Je - sus Christ the ap - ple tree.<br />
be Of Je - sus Christ the ap - ple tree.<br />
B# Š. Š Š Š Š Š f<br />
Š Š Š ‰. ‰ r<br />
see In Je - sus Christ the ap - ple tree.<br />
be Of Je - sus Christ the ap - ple tree.<br />
V# Š. Š Š Š Š. Še Š Š Š Še Š Š Š Š Š Š Š<br />
{<br />
f Š Š Š Š Š Š. f<br />
Š Š<br />
B# ‰ Š Š Š Š ‰. Š Š Š Š ‰.<br />
Š Š<br />
V #<br />
26 1.<br />
TUTTI unis.<br />
p p r t mf 2.<br />
<br />
<br />
([)<br />
Š e Š Š. p p<br />
V#<br />
3. For hap-pi -<br />
Š. ŠeŠ Š Š. Še Š Š Š. Š Š Š f . Š.<br />
ŠŠŠ Š Š. ŠŠŠ Š<br />
{ B# Š Š Š Š Š Š<br />
mf<br />
‰ Š<br />
VŠ Š ŠŠŠ Š . Š‰<br />
Š Š Š Š Š Š Š<br />
V #<br />
28b<br />
r t p<br />
Š e Š Š Š. Še Š Š Š. Še Š Š Š. Še Š ŠŠ<br />
5. This fruit doth make my soul to thrive, It keeps my dy - ing faith a -<br />
V # r r t p<br />
Še Š Š Š. Še Š Š Š. Še Š Š Š. Še<br />
5. This fruit doth make my soul to thrive, It keeps my dy - ing<br />
B# p t Šp<br />
Š Š Š Š Š Š Š f<br />
Š ŠŠŠ Š Š<br />
V#<br />
*5. This fruit doth make my soul to thrive, It keeps my dy -<br />
Š. Še Š Š ‰. Š Š Š ŠŠŠ Š ‰. Š Š Š Š Š ŠŠ ‰ Š Š Š ŠŠŠŠ Š<br />
{<br />
p legato<br />
B#ŠŠŠŠ Š Š t Še ‰ Š Š<br />
‰. ‰ Š Š<br />
r<br />
ŠŠ‰<br />
‰.<br />
for online perusal only<br />
(Ped.)<br />
* This line may be sung an octave higher by a third upper-voice part.
Jesus Christ the Apple Tree 139<br />
V #<br />
32<br />
Š. Še Š Š Š Š. Š f Š Š Š Š. Še Š Š<br />
- live; Which makes my soul in haste to be With Je - sus<br />
V # Š Š Š Š. Še Š Š Š Š. Š f Š Š Š Š. Še<br />
faith a - live; Which makes my soul in haste to be With<br />
B# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
- ing faith a - live; Which makes my soul in haste to be<br />
V# ŠŠ Š Š. ‰ Š Š =‰ Š Š Š Š Š =Š Š Š ‰ Š Š Š Š Š<br />
{ B# ‰ Š Š Š Š Š Š‰ Š Š Š Š Š ‰. Š Š Š Š<br />
for online perusal only<br />
V # rit. al fine<br />
35<br />
Š Š Š Š Š Š. Še Š Š Š ‰. ‰. p<br />
Christ the ap-ple tree, the ap-ple tree.<br />
V # Š Š Š Š Š ŠŠŠ. Še Š Š Š‰ ‰. p<br />
Je-sus Christ the ap -ple tree, the ap-ple tree.<br />
B# Š Š Š Š Š Š Š Š ŠŠ Š Š Š Š ŠŠ ‰. p<br />
With Je-sus Christ the ap-ple tree, the ap-ple tree.<br />
V#<br />
rit. al fine<br />
‰ Š Š Š Š Š ‰ ŠŠ Š Š Š Š Š Š Š ŠŠ Š ŠŠ ŠŠ Š‰. Š Š Š Š ‰. ‰.<br />
{ B# ‰ dim.<br />
Š Š Š Š Š Š ‰ Š ŠŠ Š pp<br />
Š Š Š Š<br />
‰.<br />
Š Š ‰. ‰.<br />
,
140<br />
Voices 1 2 (3) (4)<br />
(Keyboard)*<br />
32. Jubilate<br />
(Let us praise you)<br />
English text by Alan Bullard attrib. W. A. MOZART (1756–91)<br />
arr. Alan Bullard<br />
VOICES<br />
KEYBOARD<br />
([)<br />
V # Joyfully, like pealing bells h = 80<br />
<br />
# ([)<br />
2 p p p p<br />
V# # 2 Š ‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰<br />
Š Š<br />
{ B## 2 ‰ f<br />
ˆ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰<br />
for online perusal only<br />
(Ped.)<br />
V # TUTTI unis.<br />
5<br />
# f<br />
Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />
Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.<br />
Let us praise you, let us praise you, Fa - ther, let us praise you,<br />
V# # Š‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰<br />
Š Š<br />
{ B## ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰<br />
V #<br />
9<br />
<br />
# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ˆ<br />
([)<br />
Ju - bi - la - te De - o, ju - bi - la - te De - o.<br />
We re - joice in you, O Fa - ther let us give you praise.<br />
V# # Š‰ Š Š‰ Š Š‰ Š Š‰ Š Š Š‰ Š Š‰ Š Š‰ Š Š‰<br />
Š Š Š<br />
{ B## ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰ ˆ ‰ ‰<br />
* If performing unaccompanied, begin at bar 27. The four parts may be sung by any combination <strong>of</strong> voices, including SATB.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
1/3<br />
2/4<br />
V #<br />
13<br />
# p p p<br />
Š Š Š Š Š Š Š Š<br />
([)<br />
Ju - bi - la - te, ju - bi - la - te,<br />
Let us praise you, let us praise you,<br />
V # # p p p p<br />
([)<br />
V# # Š‰ Š Š‰ Š Š Š Š<br />
‰ Š Š‰ Š Š ‰ Š‰ Š Š ‰ Š‰<br />
Š Š<br />
{ B## ˆ‰ ‰ ˆ ‰ ‰ ‰ p<br />
‰ ‰ ‰<br />
V #<br />
17<br />
# Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š<br />
mf Š Š Š Š Š<br />
([)<br />
ju - bi - la - te De - o. Ju - bi - la - te De - o, ju - bi -<br />
Fa - ther, let us praise you, We re - joice in you, O Fa - ther<br />
V # # Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />
([)<br />
p<br />
Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.<br />
Let us praise you, let us praise you, Fa - ther, let us praise you,<br />
V# # ‰ Š‰ Š Š ‰ Š‰ Š Š Š‰ Š Š‰ Š Š Š Š‰ Š Š‰<br />
Š Š Š<br />
{ B## ‰ ‰ ‰ ‰ ˆ ‰ ‰<br />
V #<br />
21<br />
# Š Š Š Š Š ˆ<br />
p<br />
([)<br />
for online perusal only<br />
- la - te De - o.<br />
let us give you praise.<br />
mf<br />
Jubilate 141<br />
V # # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
Ju - bi - la - te De - o, ju - bi - la - te De -<br />
We re - joice in you, O Fa - ther let us give you<br />
V# # ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
Š ‰ Š Š‰<br />
Š Š Š<br />
{ B## cresc.<br />
‰ ‰ ˆ ‰ Š Š ˆ ‰ ‰
142 Jubilate<br />
V #<br />
24<br />
# p p p<br />
([)<br />
V # #<br />
([)<br />
ˆ<br />
p p<br />
- o.<br />
praise.<br />
V# # Š‰<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ B## ‰ ‰ ˆ ‰ ‰ ‰ ‰<br />
for online perusal only<br />
1<br />
2<br />
3<br />
4<br />
V #<br />
27<br />
# f<br />
Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />
([)<br />
V # #<br />
([)<br />
([)<br />
Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te De - o.<br />
Let us praise you, let us praise you, Fa - ther, let us praise you,<br />
p<br />
V # # p p<br />
f<br />
Š Š Š Š Š Š Š Š Š Š Š Š<br />
Ju - bi - la - te, ju - bi - la - te, ju - bi - la - te<br />
Let us praise you, let us praise you, Fa - ther, let us<br />
Š Š Š Š<br />
Š Š Š Š<br />
Ju - bi - la - te, ju - bi - la - te,<br />
Let us praise you, let us praise you,<br />
V # # p p p f<br />
Š Š Š Š<br />
([)<br />
Ju - bi - la - te,<br />
Let us praise you,<br />
V# #<br />
Š<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
f<br />
{ B## ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰<br />
f
V #<br />
31<br />
# Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
([)<br />
Ju - bi - la - te De - o, ju - bi - la - te De -<br />
We re - joice in you, O Fa - ther let us give you<br />
V # # ‰ ‰ Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
De - o. Ju - bi - la - te De - o, ju - bi -<br />
praise you, We re - joice in you, O Fa - ther<br />
V # # Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š<br />
ju - bi - la - te De - o. Ju - bi - la - te<br />
Fa - ther, let us praise you, We re - joice in<br />
V # # Š Š Š Š Š Š Š Š ‰ ‰<br />
([)<br />
ju - bi - la - te, ju - bi - la - te De - o.<br />
let us praise you, Fa - ther, let us praise you,<br />
V# # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ B## ‰ ‰ ‰<br />
‰ ‰ ‰ ˆ<br />
V #<br />
34<br />
# ˆ Š Š Š Š Š Š Š ‰ ‰ ˆ<br />
([)<br />
([)<br />
- o. Ju - bi - la - te De - o,<br />
praise. Fa - ther, let us praise you,<br />
V # # Š Š Š Š Š ˆ Š Š Š Š Š Š Š ‰ ‰<br />
([)<br />
for online perusal only<br />
- la - te De - o. Ju - bi - la - te De - o,<br />
let us give you praise. Fa - ther, let us praise you,<br />
Jubilate 143<br />
V # # Š Š Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š<br />
De - o, ju - bi - la - te De - o. Ju - bi - la - te<br />
you, O Fa - ther let us give you praise. Fa - ther, let us<br />
V # # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ˆ<br />
([)<br />
Ju - bi - la - te De - o, ju - bi - la - te De - o.<br />
V#<br />
We re - joice in you, O Fa - ther let us give you praise.<br />
# Š Š Š Š Š Š Š Š Š Š Š Š Š Š‰<br />
Š Š Š Š Š Š Š Š<br />
{ B## ˆ<br />
‰ ‰ Š Š Š Š ˆ<br />
‰ ‰ ˆ<br />
‰ ‰
V #<br />
38<br />
# Š Š Š Š Š Š Š ‰ ‰ ˆ<br />
Š Š Š Š Š Š Š<br />
([)<br />
Ju - bi - la - te De - o, Ju - bi - la - te<br />
Fa - ther let us praise you, We re - joice in<br />
V # # ˆ<br />
Š Š Š Š Š Š Š ‰ ‰ ˆ<br />
([)<br />
Ju - bi - la - te De - o,<br />
Fa - ther let us praise you,<br />
V # # ‰ ‰ ˆ<br />
Š Š Š Š Š Š Š ‰ ‰<br />
([)<br />
De - o, Ju - bi - la - te De - o,<br />
praise you, Fa - ther let us praise you,<br />
V # # Š Š Š Š Š Š Š ‰ ‰ ˆ<br />
Š Š Š Š Š Š Š<br />
([)<br />
Ju - bi - la - te De - o, Ju - bi - la - te<br />
Fa - ther, let us praise you, We re - joice in<br />
V# # Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
‰ ‰ ‰ ‰ ‰ ‰ ‰‰<br />
{ B## ‰ ‰ ‰ ‰ ‰ ‰ ˆ<br />
144 Jubilate<br />
V #<br />
42<br />
allargando<br />
# ff Š Š Š Š Š Š Š Š Š Š ˆˆ<br />
([)<br />
([)<br />
De - o, ju - bi - la - te De - o!<br />
you, O Fa - ther let us give you praise!<br />
ff<br />
‰<br />
‰. . r<br />
V # # Š Š Š Š Š Š Š Š Š Š ˆ ‰. r<br />
([)<br />
De - o, ju - bi - la - te De - o!<br />
O Fa - ther let us give you praise!<br />
V # #<br />
ff Š Š Š Š Š Š Š Š Š Š ˆˆ<br />
De - o, ju - bi - la - te De - o!<br />
O Fa - ther let us give you praise!<br />
ff<br />
for online perusal only<br />
‰<br />
‰. . r<br />
V # # Š Š Š Š Š Š Š ŠŠŠ ŠŠ<br />
ˆ ‰. r<br />
([)<br />
De - o, ju - bi - la - te De - o!<br />
you, O Fa - ther let us give you praise!<br />
V# # Š Š Š Š Š Š<br />
Š<br />
Š Š allargando<br />
Š ˆ<br />
Š Š Š Š Š ‰.<br />
‰. r<br />
ff<br />
{ B## ‰ ‰ Š Š Š Š Š Š Š Š ˆ ‰. r
145<br />
Voices 1 (2)<br />
Keyboard<br />
33. Lamb <strong>of</strong> God<br />
(Agnus Dei)<br />
SAMUEL WEBBE<br />
(1740–1816)<br />
VOICE 1<br />
VOICE 2<br />
KEYBOARD<br />
V # Larghetto h = 52<br />
D p p p p ‰<br />
p<br />
‰<br />
([)<br />
Lamb <strong>of</strong><br />
Ag - nus<br />
V # D p p p p p<br />
([)<br />
V# Larghetto h = 52<br />
D Š‰ Š Š‰ Š #Š‰ Š Š Š ‰. #‰ Š ˆ ‰ ‰<br />
{<br />
p<br />
B#D Š legato<br />
‰ Š Š<br />
‰ Š ‰ Š Š Š Š ˆ ˆ<br />
ˆ<br />
(Ped.)<br />
for online perusal only<br />
V #<br />
6<br />
Š Š q ‰ ‰ Š Š r Š ‰ Š. Še ‰ ‰<br />
([)<br />
God, Lamb <strong>of</strong> God, who tak - est a - way the<br />
De - i, Ag - nus De - i, qui tol - lis pec - ca - ta<br />
V # p p p p p<br />
([)<br />
V# Š Š Š Š ‰ ‰ Š ‰ ‰ ‰ Š ‰ Š Š. Še Š {<br />
f<br />
‰ ‰<br />
B# ˆ Š Š Š<br />
‰ ‰ Š‰ Š ‰ Š Š ‰ ‰ ‰<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
146 Lamb <strong>of</strong> God<br />
V #<br />
11<br />
‰‰ ‰ Š. Še ˆ ‰. Š ‰ ‰ Š Š Š Š ‰ ‰<br />
([)<br />
V # p p<br />
Š<br />
([) Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰<br />
V# p<br />
‰. ‰ Š ˆ ‰. Š ‰ ‰ Š‰ Š Š‰<br />
Š # ‰ ‰<br />
{ B# ˆ‰<br />
ˆ ‰ #‰ ‰ ‰ Š Š Š #Š ‰ ‰ ‰<br />
V #<br />
17<br />
‰. Š ‰ ‰ ‰ ‰ ˆ p p<br />
([)<br />
sins <strong>of</strong> the world, Lord, have mer - cy, Lord, have mer - cy,<br />
mun - di, mi - se - re - re, mi - se - re - re,<br />
Lord, have mer - cy on us.<br />
mi - se - re - re no - bis.<br />
V # ‰. Š ‰ ‰ ˆ ˆ ‰. Š ‰ ‰<br />
([)<br />
([)<br />
([)<br />
for online perusal only<br />
mp<br />
* Lamb <strong>of</strong> God,<br />
Ag - nus De - i,<br />
V# ‰.‰ =Š Š # ‰ ‰ ‰. #‰ Š ˆ ˆ‰ . Š ˆ‰ ‰<br />
{ B# ‰ Š Š #( ) Š mp<br />
ˆ ‰ ‰ ˆ ˆ ˆ ˆˆ<br />
V #<br />
23<br />
p p p p p p<br />
V # ‰. Š Š Š r Š ‰ Š Š ‰ ‰ ‰ Š. Še ˆˆ<br />
Lamb <strong>of</strong> God, who tak - est a - way the sins <strong>of</strong> the world,<br />
Ag - nus De - i, qui tol - lis pec - ca - ta mun - di:<br />
V# ‰ ‰ Š Š r Š ‰ Š Š ‰ Š‰ Š ‰‰. ‰ Š ˆ<br />
{ B#<br />
‰ ‰ ‰.‰ Š r ‰ Š Š ˆ ‰<br />
‰ ˆ<br />
ˆ<br />
* If performing in unison, sing Voice 2 in bars 21–8.
V #<br />
29<br />
mp<br />
‰. Š ‰ ‰ Š Š Š Š ‰ ‰ ‰. Š<br />
([)<br />
Lord, have mer - cy, Lord, have mer - cy, Lord, have<br />
mi - se - re - re, mi - se - re - re, mi - se -<br />
V # Š<br />
([) Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰ ‰. Š<br />
V# ‰. Š ‰ ‰ Š‰ Š Š‰ Š # ‰ ‰ ‰.‰ =Š Š<br />
{ B# Š Š Š #Š ‰ #‰ ‰ ‰ ‰ ‰ ˆ‰ Š Š<br />
V #<br />
34<br />
‰ ‰ ‰ ‰ ˆ .<br />
mf (p)<br />
‰ ‰ ‰ Š Š Š ŠŠŠ Š<br />
([)<br />
mer - cy on us. Lamb <strong>of</strong> God, who tak - est a-way our<br />
- re - re no - bis. Ag - nus De - i, qui tol - lis pec-ca - ta<br />
V # ‰ ‰ ˆ ˆ .‰ ‰ ‰ Š Š Š ŠŠŠ Š<br />
([)<br />
V# # ‰ mf (p)<br />
‰ ‰ #‰ ˆ . ‰<br />
‰. ‰ ‰<br />
Š Š Š Š‰ Š Š Š #Š ‰ Š<br />
mf<br />
{<br />
(p)<br />
B## ()Š‰ Š ‰ ˆ ˆ . ‰ ‰ ‰ ‰ Š Š Š Š<br />
V #<br />
40<br />
p (pp)<br />
‰ ‰ Š Š Š Š #Š Š Š Š ‰ ‰ ˆ .<br />
([)<br />
for online perusal only<br />
Lamb <strong>of</strong> God 147<br />
sins, grant us thy peace, grant us thy peace.<br />
mun - di, do - na no - bis pa - cem.<br />
V # ‰ ‰ ‰<br />
([) ‰ Š Š Š Š ‰ ‰ ˆ .<br />
p (pp)<br />
V# #‰‰ ‰ Š‰ Š Š‰ Š #Š‰ Š Š Š ‰. #‰ ˆ .<br />
Š<br />
{<br />
p (pp)<br />
B# ‰ ‰ Š‰ Š Š<br />
‰ Š ‰ Š Š Š Š ˆ ˆ<br />
.
148<br />
Voices 1 (2)<br />
Keyboard<br />
34. Let all mortal flesh<br />
keep silence<br />
Liturgy <strong>of</strong> St James<br />
trans. Gerard Moultrie<br />
French carol<br />
arr. STEPHEN CLEOBURY (b. 1948)<br />
h = 66<br />
TUTTI unis.<br />
Vb 2 p p p<br />
VOICES<br />
Š Š Š Š ‰ Š Š ‰ ‰<br />
([)<br />
V Let all mor - tal flesh keep si - lence,<br />
b 2 ˆˆ<br />
ˆ ˆ‰ ‰ ˆ p p<br />
{<br />
KEYBOARD p<br />
Bb 2 p p ˆ ‰ ŠŠ Š ˆ<br />
ˆ<br />
6<br />
(Ped.)<br />
<br />
Vb Š Š Š Š ‰ Š Š ˆ Š Š Š Š ‰ Š Š<br />
([)<br />
V and with fear and tremb - ling stand; Pon - der no-thing earth - ly -<br />
b ˆ bˆ‰ Š Š ˆ‰ Š Š ‰<br />
‰ ˆ<br />
{ Bb ˆ ˆ<br />
‰ Š Š ˆ<br />
ˆ ‰. ‰ ‰ Š<br />
11<br />
<br />
Vb ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />
([)<br />
V - mind - ed, for with bless - ing in his hand Christ our God to<br />
b ˆ ˆ ˆ ‰ ‰ ˆ ‰ ‰ ‰ ‰<br />
{ Bb ˆˆ ˆ ˆ‰ ‰ ˆˆ ˆ<br />
16<br />
<br />
Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ<br />
([)<br />
V earth de - scend - eth, our full ho-mage to de - mand.<br />
b ˆ ‰ ‰ ˆ ˆˆ ‰ Š Š ˆ<br />
‰. Š ˆ<br />
‰ ‰<br />
{ Bb ˆ ˆˆ ‰ q<br />
Š Š ˆ ‰ ‰ ˆ<br />
for online perusal only<br />
© <strong>Oxford</strong> University Press 2000 and 2007. Photocopying this copyright material is ILLEGAL.
22<br />
<br />
Vb<br />
([)<br />
p<br />
mp<br />
VOICE 1 or S./A. unis. or TUTTI<br />
Š Š Š Š ‰ Š Š ‰ ‰<br />
Š Š Š Š ‰ Š Š ˆ<br />
King <strong>of</strong> Kings, yet born <strong>of</strong> Ma - ry, as <strong>of</strong> old on earth he stood,<br />
V b Š Š Š Š ‰ ‰ ‰ ‰ ‰ ˆ Š Š Š Š ‰ ‰ ‰ ‰ ‰<br />
Š Š Š<br />
Š Š<br />
{<br />
mp<br />
Bb p ˆ ˆ ˆ ˆ ˆ ˆ<br />
*<br />
(Man.)<br />
29<br />
<br />
Vb Š Š Š Š ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />
([)<br />
Lord <strong>of</strong> lords, in hu - man ves - ture–– in the bo-dy and the blood–– He will give to<br />
V b ‰. Š ˆ Š Š Š Š ‰ ‰ Š Š ˆ‰ ‰ Š Š Š Š ‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š Š<br />
{<br />
ˆ ˆ ˆ ˆ ˆ ˆ ˆ<br />
Bb<br />
36<br />
<br />
Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ<br />
([)<br />
for online perusal only<br />
all the faith - ful his own self for heaven - ly food.<br />
V b ‰ Š Š Š‰ Š ‰ ‰ Š Š Š Š ‰ ‰ ‰ ‰ Š‰<br />
Š ˆ<br />
{<br />
ˆ ˆ ˆ ˆ ˆ ‰ Bb<br />
q<br />
qf<br />
Š Š<br />
(Ped.)<br />
42<br />
VOICE 2 or T./B. unis. or TUTTI<br />
Vb p p p p p f<br />
<br />
Š Š Š Š<br />
([)<br />
V b p q<br />
p q Š Š ‰ Š Š ‰. Š Š Š Š ‰ Š#Š ‰ Š =Š#‰ ŠŠ ‰ ‰<br />
{ Bb q Š Š Š Š Š Š Š Š Š‰ Š Š Š ‰ ‰ ˆˆ Šˆ<br />
Š Š Š<br />
* If voices are tutti, left-hand D should be an octave lower.<br />
Let all mortal flesh keep silence 149<br />
Rank on rank the
150 Let all mortal flesh keep silence<br />
48<br />
<br />
Vb ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />
([)<br />
V host <strong>of</strong> hea - ven spreads its van-guard on the way, As the Light <strong>of</strong><br />
b ‰ ‰ Š Š ˆ<br />
‰ ‰ ‰ ‰<br />
Š‰ Š ‰ Š Š ˆ ‰ Š Š#‰ Š Š ‰<br />
‰.<br />
‰<br />
Š<br />
{ Bb ‰ Š Š Š Š Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š ˆ<br />
‰<br />
54<br />
<br />
Vb ‰ Š Š ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />
([)<br />
V light de - scend - eth from the realms <strong>of</strong> end - less day, That the powers <strong>of</strong><br />
b Š‰ Š ‰ Š Š ‰ Š Š ‰<br />
Š ˆ<br />
‰ ‰ Š‰ Š Š‰ Š ˆ Š ‰ Š ‰ #‰‰<br />
{<br />
Š Š Š Š Bb<br />
Š Š Š Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š Š ‰ ‰<br />
60<br />
Vb ‰. Š Š Š Š<br />
,<br />
Š ˆ Š Š Š Š ‰ Š Š ˆ<br />
([)<br />
V hell may van - ish as the dark-ness clears a - way.<br />
b ‰ Š‰ Š ˆ Š Š ‰ ˆ ˆ‰ Š Š ˆ ‰ ‰ ‰ Š‰ Š<br />
‰ ‰<br />
{ Bb<br />
‰ Š Š Š Š Š‰. Š ‰ Š ˆ<br />
Š Š Š Š ‰ q ‰ ‰<br />
‰ Š Š Š Š ˆ<br />
66<br />
DESCANT<br />
Vb p p Šf<br />
Š Š Š Š Š Š Š Š ‰ ‰<br />
([)<br />
At his feet the six - winged se - raph;<br />
OTHER VOICES<br />
Vb p p f<br />
Š Š Š Š ‰ Š Š ‰ ‰<br />
([)<br />
At his feet the six - winged se - raph;<br />
V b Š Š Š Š Š Š Š Š Š<br />
Š Š Š Š Š ˆ ‰ Š Š Š Š ‰‰ ‰<br />
{<br />
cresc.<br />
più f<br />
Bb q ‰ Š Š ‰ Š Š Šˆ Š Š Š ‰ Š‰ Š ‰<br />
‰ Š Š<br />
(Man.)<br />
for online perusal only<br />
(Ped.)<br />
,
71<br />
Vb Š Š Š Š Š Š Š Š ‰ #‰ q Š Š Š Š Š Š<br />
Vb Š Š Š Š ‰ Š Š ˆ Š Š Š Š ‰ Š Š<br />
([)<br />
([)<br />
che - ru - bim with sleep - less eye Veil their fa - ces to the<br />
che - ru - bim with sleep - less eye Veil their fa - ces to the<br />
V b Š Š Š Š #‰ ‰. Š<br />
‰ ‰ ‰ ‰ ‰ ‰ Š Š ‰‰.<br />
‰ Š ‰. Š Š Š<br />
{ Bb ˆ Š Š Š Š ‰ Š‰ Š ˆ‰ ‰ Š‰ Š Š‰ Š ‰ Š Š Š‰<br />
Š<br />
76<br />
Vb#‰ ‰ =‰ ‰ Š Š Š Š ‰<br />
‰ ‰ ‰. #Š Š<br />
Pre - sence, as with cease-less voice they cry–– Al - le -<br />
Vb ‰ ‰ Š Š Š Š ‰ Š Š ˆ Š Š Š Š<br />
([)<br />
([)<br />
for online perusal only<br />
Let all mortal flesh keep silence 151<br />
Pre - sence, as with cease-less voice they cry–– Al - le - lu - ia,<br />
V b#‰ ‰ = =‰ Š Š ‰<br />
#Š<br />
#‰ ‰ ‰ ‰ Š Š ‰ ‰ ‰ Š ŠŠ<br />
Š<br />
{ Bb ‰ Š Š Š Š Š Š ˆ Š Š Š Š<br />
‰<br />
Š Š ‰ ‰ ‰ ‰ Š Š Š Š ‰ #‰<br />
81<br />
Vb‰ ‰ Š Š Š Š Š Š ‰ Š Š Š Š Š Š Š #Š ˆ<br />
([)<br />
- lu - ia, al - le - lu - ia, al - le - lu - ia, Lord most high!<br />
Vb ‰. Š Š Š Š Š ˆ Š Š Š Š ‰ Š Š ˆ<br />
([)<br />
al - le - lu - ia, al - le - lu - ia, Lord most high!<br />
V b‰ Š Š Š Š Š Š Š ‰ Š Š#ŠŠ‰<br />
Š =‰ Š Š ‰ ‰ ‰. Š Š‰<br />
Š Š Š#ŠŠ<br />
ˆ<br />
{ Bb ‰. Š Š Š Š Š ˆ Š Š Š Š<br />
‰ ‰ ˆ ‰ ‰ ‰ ‰ ‰ Š‰<br />
Š<br />
ˆ
152<br />
Voices 1 (2)<br />
Keyboard<br />
35. Like the murmur<br />
<strong>of</strong> the dove’s song<br />
Carl P. Daw<br />
(b. 1944)<br />
VOICES<br />
KEYBOARD<br />
V # Gently i = 92<br />
<br />
TUTTI unis.<br />
# 34 p p p mp<br />
<br />
r r Š Š<br />
([)<br />
Like the<br />
V# # 34 ‰ Š Š. ‰ Še Š ‰ Š. Š Š. Še Š<br />
{<br />
f Š ‰ Š<br />
B## 34 mp<br />
‰ Š ‰ Š ‰ Š ‰ Š<br />
(Ped.)<br />
ALAN SMITH<br />
(b. 1962)<br />
V #<br />
5<br />
<br />
# Š. Še Š Š Š Š ŠŠ Š Š Š Š ‰ ŠŠ<br />
([)<br />
for online perusal only<br />
mur - mur <strong>of</strong> the dove’s song, like the chal-lenge <strong>of</strong> her flight, like the<br />
V# # ‰ Š Š Š Š Š‰ Š =Š Š ‰ Š ‰ Š Š ŠŠ<br />
{ B## ‰ Š<br />
Š‰ Š Š Š ‰ Š ‰ Š<br />
V #<br />
9<br />
<br />
# Š Š Š Š Š Š ŠŠ #Š Š Š Š ‰.<br />
([)<br />
vi - gour <strong>of</strong> the wind’s rush, like the new flame’s ea - ger might:<br />
V# # ‰ Š Š Š ‰ Š Š Š #ŠŠ Š Š #Š #Š Š ‰.<br />
{ B## ‰ #‰ #Š Š Š ‰ Š ‰ Š Š #Š Š<br />
Music: © <strong>Oxford</strong> University Press 2007; Words: © 1982 Hope Publishing Company. Administered by Copycare, PO Box 77,<br />
Hailsham, BN27 3EF, UK, music@copycare.com. Used by permission. Photocopying this copyright material is ILLEGAL.
V #<br />
13<br />
mf<br />
# Š-<br />
Š<br />
mp<br />
Š Š ‰ ‰. p<br />
([)<br />
come, Ho - ly Spi - rit, come.<br />
V# # Š‰. Š Š Š ‰ Š Š ‰ Š Š. ‰ Še Š<br />
mf<br />
{<br />
mp<br />
B##<br />
‰. Š =Š =Š Š ‰ ‰ Š ‰ Š<br />
V #<br />
17<br />
1 or TUTTI<br />
<br />
pVOICE<br />
# p r r =Š Š b Š. Še Š Š Š Š ŠŠ<br />
([)<br />
To the mem - bers <strong>of</strong> Christ’s Bo - dy, to the<br />
V# # b ‰ Š Š =Š b<br />
‰ Š ‰ Š Š ‰ Š Š Š Š Š<br />
{ B##=‰ p<br />
‰ =Š Š b‰ ‰ =Š Š b ‰ Š Š Š Š Š ‰ Š Š<br />
21<br />
VOICE 2 or TUTTI<br />
<br />
mp<br />
VbŠ Š Š Š ‰ Š Š Š. Še Š Š Š Š Š Š<br />
([)<br />
branch-es <strong>of</strong> the vine, to the Church in faith as - sem - bled, to her<br />
V b ‰‰ Š ‰ ŠŠ Š Š Š ‰ Š Š Š Š<br />
{ Bb Š Š bŠ mp<br />
‰ Š ‰ Š Š ‰ Š =Š Š Š ‰ Š Š<br />
25<br />
<br />
TUTTI<br />
Vb Š Š Š Š ‰. Š-<br />
Š Š Š ‰ ## ‰.<br />
([)<br />
for online perusal only<br />
Like the murmur <strong>of</strong> the dove’s song 153<br />
midst as gift and sign: come, Ho - ly Spi - rit, come.<br />
V b Š ‰. ‰ Š Š ‰ ##<br />
Š Š Š ‰. ‰ Š<br />
mf<br />
{ Bb ‰ Š Š‰ Š Š Š‰ Š Š ‰‰. Š ## ‰ Š
154 Like the murmur <strong>of</strong> the dove’s song<br />
1<br />
2<br />
V 30<br />
# p p r r<br />
mf<br />
Š Š<br />
V # # p p r r<br />
With<br />
mf<br />
Š Š<br />
([)<br />
([)<br />
V# # Š. ‰ Še Š ‰ Š. Š Š. Še Š<br />
{<br />
f Š ‰ Š<br />
B## ‰ Š ‰ Š ‰ Š<br />
for online perusal only<br />
V #<br />
33<br />
# Š. Še Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
heal - ing <strong>of</strong> di - vi - sion, with the cease - less voice <strong>of</strong><br />
V # # Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
V# # ‰ Š Š Š Š Š‰ Š =Š Š ‰ Š Š Š Š<br />
{ B## ‰ Š<br />
Š‰ Š Š Š ‰ Š<br />
With<br />
heal - ing <strong>of</strong> di - vi - sion, with the cease - less<br />
V #<br />
36<br />
# ‰ Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
V # # ‰ Š Š Š. Še Š Š Š Š Š Š<br />
([)<br />
V# # ‰ Š Š Š Š ‰ Š Š Š ‰ Š Š Š<br />
{ B## ‰ Š ‰ Š ‰ Š<br />
prayer, with the pow’r to love and wit - ness, with the<br />
prayer, with the pow’r to love and wit - ness, with the<br />
the<br />
the
V #<br />
39<br />
# #Š Š Š Š ‰. Š-<br />
f<br />
Š Š Š ‰<br />
([)<br />
peace be-yond com - pare: come, Ho - ly Spi - rit,<br />
-<br />
peace be-yond com - pare: come, Ho - ly<br />
V # #<br />
([)<br />
#Š Š #Š Š ‰. p Š Š Š<br />
V# # #Š Š Š ‰. Š<br />
Š Š #Š #Š ‰. Š Š Š ‰<br />
f<br />
{ B###‰ ‰ Š #ŠŠ #ŠŠ Š ‰. Š =Š =Š Š Š Š<br />
V #<br />
43<br />
# mf<br />
Š-<br />
mp<br />
Š Š Š ‰ Š Š Š Š ‰<br />
([)<br />
come, Ho - ly Spi - rit, come, Ho - ly Spi - rit,<br />
V # #<br />
mf<br />
mp<br />
Š ‰ Š-<br />
Š Š Š ‰ ‰ Š<br />
([)<br />
Spi - rit, come, Ho - ly Spi - rit, Spi - rit,<br />
V# # Š = Š Š Š ‰ Š #Š Š‰. Š Š Š‰ Š Š Š<br />
{<br />
mf<br />
mp<br />
B## =‰. ‰ Š ‰<br />
‰. ‰. ‰. Š<br />
V #<br />
47<br />
rall.<br />
p<br />
# ‰. p p p p<br />
come.<br />
V # # p<br />
‰. p p p p<br />
([)<br />
([)<br />
come.<br />
for online perusal only<br />
Like the murmur <strong>of</strong> the dove’s song 155<br />
V# # ‰ Š Š. ‰ Še Š ‰ Š. Š rall.<br />
Š. Še ‰.<br />
{ f Š p<br />
‰ Š Š ‰.<br />
B## Š Š -<br />
‰ Š ‰ Š ‰ Š ‰ Š Š<br />
- pp<br />
‰. ‰.<br />
f
156<br />
S(A)(Men)<br />
Keyboard<br />
36. Lord, in thy mercy<br />
Martin Luther (1483–1546)<br />
English version by John Rutter<br />
FELIX MENDELSSOHN<br />
(1809–47)<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
Andante i = 96<br />
Vbbb 34 p p p p<br />
Bbbb 34 p p p p<br />
V<br />
Andante<br />
bbb 34 t i = 96<br />
Š Š Š Š Š ‰ ‰ ŠbŠ Š. Š<br />
t Š Š Š Š Š Š Š f =Š Š<br />
{ Bbbb 34 ‰.<br />
p<br />
‰. Š ‰. Š Š Š Š‰.<br />
Š Š Š Š<br />
(Ped.)<br />
for online perusal only<br />
5<br />
unis.<br />
Vbbb p p p<br />
Š Š Š ‰ Š Š Š Š<br />
Lord, in thy mer - cy grant us<br />
Bbbb p p p<br />
r r Š ‰. Š ‰<br />
<br />
O Lord, in thy<br />
V bbb Š. Š f Š Š Š Š r Š Š. ŠŠ Š‰ Š Š Š Š Š Š Š<br />
{<br />
f<br />
bŠ Š Š Š f f Š=Š<br />
Bbbb ‰. Š Š Š Š ‰<br />
Š. Š Šr Š Šr r Š f<br />
Š Š Š ‰ ‰ Š Š Š Š<br />
Performance suggestion: repeat bars 7–32, using solo voice the first time (upper part) and full choir in two parts the second<br />
time, as in Mendelssohn’s original.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
10<br />
Vbbb Š r Š ‰ Š Š Š Š Š ‰. ‰ r<br />
peace Through - out all ge - ne - ra - tions;<br />
Bbbb<br />
‰. Š r Š Š Š Š ‰ r<br />
Š<br />
<br />
Š Š Š<br />
mer - cy grant us thy peace; Thou art a -<br />
V bbb ‰ Š Š ‰ Š ‰ Š Š Š Š Š Š<br />
Š Š ŠbŠ Š t Š=Š Š Š Š ŠŠ Š Š Š Š Š Š Š f Š =Š Š<br />
{<br />
f cresc.<br />
Bbbb ‰<br />
Š Š Š Š=Š Š Š Š ‰<br />
Š Š t Š Š Š f<br />
15<br />
cresc.<br />
mf<br />
Vbbb Š Š Š Š ‰ r Š Š Š Š Š r r Š Š Š<br />
Thou art a - lone our sword and shield, Lord who dost<br />
cresc.<br />
Bbbb ‰ r<br />
Š mf<br />
Š Š Š ‰ r<br />
Š Š Š ‰<br />
<br />
r<br />
- lone our sword and shield, our sword and shield,<br />
V bbb ŠeŠŠ ŠŠ Š Še Š Š Š Š Š Š ŠeŠŠ ŠŠ Š Še Š Š Š Š ŠbŠ Š Š Š f<br />
Š f<br />
{<br />
mf Š Bbbb Š. Š Š Š<br />
f ‰ r Š. Š Š Š. bŠ f f Š Š Š<br />
for online perusal only<br />
(Man.)<br />
20<br />
p dolce<br />
Vbbb Š Š bŠ ‰. ‰ r r r Š Š Š Š<br />
guide the na - tions. De - fend us, O<br />
Bbbb p<br />
mp<br />
Š =Š Š Š Š. Š f<br />
‰ p dolce<br />
<br />
Š rrŠ<br />
Lord who dost guide the na - tions. De -<br />
V bbb Š Š t Š f =Š Š Š Š Š =( )Š=Š Š Š<br />
Š<br />
Š Š Š Š Š Š Š =( )Š<br />
f bŠ Š Š =Š<br />
{<br />
f<br />
Š<br />
p<br />
Bbbb<br />
Š Š ŠbŠ Š‰ Š Š Š‰ Š Š =‰ ‰ Š Š ‰ Š bŠ<br />
(Ped.)<br />
Lord, in thy mercy 157
158 Lord, in thy mercy<br />
25<br />
Vbbb ‰. ‰ Š Š ‰ Š r r<br />
God, we pray thee.<br />
Bbbb Š Š Š ‰ r r r Š<br />
<br />
Š ‰<br />
- fend us, O God, we pray<br />
V bbb Š Š Š Š bŠŠ Š ‰ Š Š Š Š Š =( )Š Š Š Š Š Š Š Š<br />
{ Bbbb Š. Š Še Š ‰ r t Še ‰ Š Š ‰<br />
Š ‰. ‰.<br />
29<br />
Vbbb p p p p<br />
Bbbb Š r r p p p<br />
thee.<br />
for online perusal only<br />
V bbb Š Š b‰ Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ Bbbb ‰. Š. Še Š Š Š. ‰. Še Š Š ‰ Š. Š ‰. f Š Š Š Š Š Š Š<br />
33<br />
mf<br />
S.<br />
Vbbb Š Š Š Š Š A.Š Š Š Š ‰ bŠ Š Š. =Š ‰ Š ‰ f<br />
Š<br />
Lord in thy mer - cy grant us peace Through - out all<br />
Bbbb Š Š Š ‰ Š Š Š Š Š ‰ Š ‰ Š<br />
<br />
mf<br />
V bbb Š‰ Š Š Š Š ‰ bŠŠ Š Š. Š =Š ‰ Š ‰ Š<br />
{<br />
mf<br />
f<br />
Bbbb ‰ Š Š Š ‰ Š Š Š Š Š ‰ Š ‰ Š
38<br />
p<br />
cresc.<br />
VbbbŠ ‰ Š Š Š ‰.‰ =Š ‰ r Š Š Š Š ‰ r<br />
ge - ne - ra - tions; Thou art a - lone<br />
Bbbb Š Š Š ‰. ‰ r Š Š Š Š ‰<br />
<br />
r<br />
p<br />
cresc.<br />
V bbb Š Š Š Š ‰. Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ Bbbb<br />
‰ p<br />
cresc.<br />
Š Š Š ‰. =Š ‰ Š Š Š r<br />
Š Š Š Š ‰<br />
r<br />
43<br />
<br />
f<br />
Vbbb Š Š Š Š ‰ r Š Š bŠŠ Š Š Š Š<br />
our sword and shield, Lord who dost guide the<br />
Bbbb Š Š Š ‰ r Š bŠ Š Š Š<br />
<br />
Š Š<br />
f<br />
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š bŠ Š Š Š =Š<br />
{ Bbbb<br />
‰ r<br />
f<br />
bŠ<br />
Š Š Š ‰ Š bŠ Š Š Š Š Š<br />
na - tions. De - fend us, O<br />
47<br />
Vbbb ‰.<br />
p cresc.<br />
<br />
=Š Š Š Š ‰ r r rp Š Š<br />
r<br />
Š<br />
r Š Š<br />
Bbbb Š Š Š Š Š Š. Š f<br />
‰<br />
<br />
Š p<br />
na - tions, dost guide the na - tions.<br />
V bbb =Š Š Š Š Š Š =Š Š Š Š Š Š Š =Š Š Š Š Š Š Š<br />
p<br />
{<br />
cresc.<br />
Bbbb ‰ Š Š Š Š Š‰ Š Š Š =‰ ‰ Š Š<br />
‰ Š bŠ<br />
for online perusal only<br />
Lord, in thy mercy 159<br />
p cresc.<br />
na - tions. De -
160 Lord, in thy mercy<br />
51<br />
God, O God,<br />
Vbbb ‰ bŠ Š Š =Š bŠ<br />
mf<br />
‰. ‰ Š ‰ Š Š‰ Š Š =( )Š<br />
- fend us, de - fend us, O<br />
mp cresc.<br />
Bbbb r r Š Š Š Š ‰ Š Š Š mf<br />
<br />
Š<br />
De - fend us, O God, de - fend us,<br />
V bbb Š Š Š Š bŠŠ Š Š Š Š =Š Š Š Š Š bŠŠ Š Š Š Š =Š<br />
{ Bbbb ‰ Š Š Š =Š Š Š Š‰ Š Š bŠ Š‰ Š Š =Š Š ‰ Š Š Š<br />
55<br />
p dolce<br />
Vbbb ‰. Š r Š ‰. Š Š Š Š ‰<br />
God, de - fend us, we pray<br />
Bbbb ‰ . Š r<br />
Š ‰ . Š Š Š ‰ Š<br />
<br />
for online perusal only<br />
p dolce<br />
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š r Š Š Š<br />
p<br />
Š Š Š<br />
{ Bbbb ‰. Š Š Š Š<br />
Š r t Še‰<br />
r Š ‰. Š r Š ‰.<br />
60<br />
Vbbb ‰<br />
r p p p p Fp<br />
thee.<br />
Bbbb Š ‰ ‰ r p p p<br />
E<br />
p<br />
pray<br />
thee.<br />
V bbb<br />
F<br />
Š. ŠeŠ Š Š Šb‰ Š Š ‰ Š Š Š Š Š Š ‰. ‰.<br />
{<br />
dim. pp<br />
t Bbbb ‰. Še‰ Š. ‰. ŠeŠ Š Š. ‰. ŠeŠ Š ‰. ‰.<br />
‰.<br />
E<br />
‰.<br />
pray,<br />
we
161<br />
S(A)(Men)<br />
Keyboard<br />
37. Never<br />
weather-beaten sail<br />
VOICES<br />
KEYBOARD<br />
Moderato espressivo i = 92<br />
Vb 4 r p p<br />
p<br />
SOLO or TUTTI<br />
<br />
Š Š Š. Š<br />
([)<br />
f Š Š Š. Š f<br />
V b 4 Š Š Š Š Š Š Š. ‰ Še ‰. r ‰ ‰ ‰ Š Š Š.<br />
Š f<br />
{<br />
p<br />
Bb 4 Š Š Š Š Š Š‰<br />
Š ‰ . r ‰ ‰ Š Š Š. Še<br />
(Man.)<br />
Ne - ver weath - er - beat-en sail more<br />
5<br />
<br />
Vb Š Š Š Š ‰. r Š Š Š. Š<br />
([)<br />
f Š Š Š. Š f Š Š Š Š ‰. r<br />
will - ing bent to shore, Ne-ver ti - red pil-grim’s limbs af - fect - ed slum-ber more;<br />
V b Š Š ŠŠ Š ‰. r ‰ ‰ ‰ Š Š Š.<br />
Š f Š Š ŠŠ Š ‰. r<br />
{<br />
t Bb<br />
ŠeŠŠ‰ ‰. r ‰ ‰ Š Š Š. t<br />
Š Š ‰ Še ŠŠeŠŠ‰<br />
Š ‰ ‰. r<br />
11<br />
<br />
mp<br />
Vb Š Š Š Š Š Š Š Š Š Š. Še Š Š Š Š Š. Š f Š Š Š Š ‰<br />
([)<br />
for online perusal only<br />
Words and music by<br />
THOMAS CAMPION (1567–1620)<br />
adap. Alan Bullard<br />
Than my wear - ied sprite now longs to fly out <strong>of</strong> my trou - bled breast.<br />
V b Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š. Še<br />
=Š Š ‰ Š Š Š Š Š Š ‰<br />
{<br />
mp<br />
Bb Š Š Š‰ Š Š Š Š‰<br />
Š Š Š Š Š Š Š Š Š Š Š ‰ © <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
162 Never weather-beaten sail<br />
S.<br />
A.<br />
15<br />
p mp mf<br />
Vb Š. ŠeŠ Še Š. ŠeŠ Š Š Š =Š<br />
f Š Š Š. Š Š f Š Š Š Š Š Š Š ŠbŠ Š Š<br />
O come quick-ly, O come quick-ly, O come quick - ly, sweet-est Lord, and<br />
Bb<br />
Š Š Š Š Š . Še Š Š Š ŠŠ Š Š Š ŠŠ Š Š<br />
V p mp mf<br />
b Š Š ‰ Š Š ‰ Š Š Š Š Š Š Š ŠbŠŠ Š Š =Š<br />
{ Bb q p mp mf<br />
Š ‰ Š Š<br />
Š Š. Š ŠŠ<br />
f Š Š ‰ Š Š Š Š Š Š Š Š Š. Š f<br />
MENŠ Š<br />
(Ped.)<br />
for online perusal only<br />
19<br />
<br />
mf<br />
Vb Š Š Š Š Š. Š Š Še ‰. r Š Š Š. Še<br />
Š Š Š Še<br />
f Š. Š<br />
take my soul to rest. Ev - er bloom - ing are the joys <strong>of</strong><br />
f<br />
Bb Š Š Š Š Š ‰. r Š Š Š. Še Š Š Š. Še<br />
V mf<br />
b Š Š Š Š Š. Š Š Še ‰. r ‰ ‰ ‰ Š Š Š. ŠeŠ {<br />
f<br />
Bb mf<br />
Š Š Š Š Š ‰.<br />
‰. r ‰ ‰ Š Š Š. Še<br />
(Man.)<br />
23<br />
<br />
p<br />
Vb Š Š ŠŠ Š ‰. r Š Š Še Še<br />
Š. Š Š Š Š. Š<br />
Heav’n’s high Pa - ra - dise, Cold age deafs not<br />
f<br />
there our ears, nor<br />
f<br />
Bb Š Š Š Š ‰. r Š Š Š. Še Š Š Š. Še<br />
V p<br />
b Š Š Š Š Š‰ Š ‰. r ‰ ‰ Š‰ Š Š. ŠeŠ {<br />
f<br />
Bb Š Š ‰ ‰ p<br />
. r ‰ ‰ Š Š Š. Še
mf<br />
27<br />
Vb Š Š Š Š r Š ‰. Š Š Š Š Š Š Š Š Š Š. Š Š Š Še<br />
va - pour dims our eyes; Glo - ry there the sun out - shines; whose<br />
Bb Š Š Š Š ‰. r Š Š Š Š Š Š Š Š Š=Š Š<br />
mf<br />
V b Š Š Š Š ‰ ‰. r Š Š Š Š Š Š ‰ =ŠŠ Š<br />
{ Bb Š Š ‰ . r Š Š ‰ Š Š Š Š<br />
mf<br />
Š Š ‰ ‰ Š Š<br />
for online perusal only<br />
31<br />
Vb Š Š Š. Še p cresc.<br />
Š Š Š Š Š Š Š Š ‰<br />
. Š. ŠeŠ Še f Š Š Š. Š Š f Š<br />
beams the bless - ed on - ly see. O come quick-ly, O come quick - ly,<br />
Bb Š Š Š Š Š Š ‰ . Š Š Š Š Š Š Š. Še<br />
V p cresc.<br />
b Š Š Š Š Š ‰ .<br />
‰ Š Š Š Š ‰ Š Š ‰<br />
{<br />
p cresc.<br />
Bb Š Š Š Š Š Š ‰ . q Š Š Š. ‰ Š f Š Š ‰<br />
35<br />
f<br />
dim. e rit. (second time)<br />
Vb Š. Š Š ŠeŠŠ Š Š Š Š Š bŠŠ Š Š =Š Š Š Š Š Š. Š Š Še ‰. r .<br />
O come quick - ly, glo - rious Lord, and raise my sprite to thee.<br />
Bb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰. r .<br />
V f<br />
dim. e rit. (second time)<br />
b Š Š Š Š Š Š Š Š bŠŠ Š Š =Š Š Š Š Š Š. Š Š Še ‰. r .<br />
{<br />
f<br />
Bb Š Š Š Š ŠŠ Š Š Š Š Š Š Š. Š Š Š Š ‰. r .<br />
f<br />
Š Š ‰.<br />
(Ped.)<br />
Never weather-beaten sail 163
164<br />
SA(T)(B)<br />
Keyboard<br />
38. Now the green blade rises<br />
J. M. C. Crum<br />
(1872–1958)<br />
Trad. French<br />
arr. ALAN BULLARD (b. 1947)<br />
V # Andantino espressivo h = 76<br />
S./A. unis. (or S.)<br />
<br />
2 p p p p p<br />
Š Š #Š<br />
VOICES<br />
<br />
Š ‰ ‰<br />
V#<br />
Now the green blade ris - es<br />
2 ‰ #Š‰<br />
Š ‰. r ‰ #Š ‰ Š ‰. r Š‰ Š #Š ‰ Š ‰ ‰<br />
pp<br />
{ V # 2 ˆ ‰. r B ˆ ‰. r p KEYBOARD p<br />
ˆ legato<br />
ˆ<br />
V # (Man.)<br />
7<br />
<br />
Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ<br />
V#<br />
from the bur-ied grain, Wheat that in the dark earth ma - ny days has lain;<br />
#‰ Š Š Š Š‰ Š ˆ Š‰ Š #Š ‰ Š ‰ ‰ Š‰ Š Š#‰<br />
Š Š ˆ<br />
{ B# ˆ ˆ‰ #‰ ˆ‰ #‰ ˆ‰ #‰ ˆ‰ ‰ ˆ‰ ‰<br />
V # TUTTI unis.<br />
13<br />
mf<br />
S./T.<br />
‰ Š Š ‰. Š Š Š Š Š ˆ Š Š #ŠŠ Š<br />
([)<br />
A./B.<br />
V#<br />
Love lives a - gain, that with the dead has been: Love is come a -<br />
‰ Š Š ‰. Š Š Š ‰<br />
Š #Š ‰ #Š Š<br />
#‰ ‰ #‰ ˆ ‰<br />
{ B# mf<br />
‰ Š Š ˆ (Ped.)‰<br />
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />
V #<br />
18<br />
f<br />
unis.<br />
<br />
‰ Š Š ‰ Š Š Š Š Š ˆ Š r q p p<br />
([)<br />
V# - gain, like wheat that springs up green.<br />
Š‰ Š ‰ ‰ Š‰<br />
Š ˆ Š r q p p B<br />
f<br />
{ B# ‰ ‰ ‰ ‰ #Š Š p<br />
Š Š Š Š #‰ ‰ ˆ ‰. r ˆ ‰ #Š Š ‰. r<br />
for online perusal only<br />
(Man.)<br />
Music: © <strong>Oxford</strong> University Press 2007; Words: © <strong>Oxford</strong> University Press 1928 from The <strong>Oxford</strong> <strong>Book</strong> <strong>of</strong> Carols. Photocopying<br />
this copyright material is ILLEGAL.
V # T./B. unis. (or A.)<br />
24<br />
p<br />
Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰<br />
([)<br />
B# ‰ ‰ ‰ ‰ ‰ # ‰ ‰ ‰ ‰ #‰ ‰ ‰<br />
{ B#<br />
ˆ ˆ ˆ ˆ ˆ ˆ<br />
In the grave they laid him, Love whom we had slain, Think-ing that he ne - ver<br />
ˆ ˆ ˆ ˆ ˆ ˆ<br />
TUTTI unis.<br />
(p)<br />
mf<br />
V # (Organ: Ped. 16i)<br />
30<br />
<br />
Š Š Š Š Š ˆ ‰ Š Š ‰. Š Š Š Š Š ˆ<br />
([)<br />
would a - wake a - gain, Laid in the earth like grain that sleeps un - seen:<br />
B# ‰ ‰ ˆ‰ ‰ V ‰ Š Š ‰.‰ Š ‰ Š Š ˆ‰ { B#<br />
mf<br />
ˆ ˆ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />
V # (Organ: Ped. 8i)<br />
36 f<br />
S./T.<br />
unis.<br />
<br />
<br />
Š Š #ŠŠ Š ‰ Š Š ‰ Š Š Š Š Š ˆ Š r q<br />
([) A./B.<br />
V# Love is come a - gain, like wheat that springs up green.<br />
‰ #Š ‰ Š Š‰ Š ‰ ‰ Š #Š ˆ ‰ #Š Š ‰. r<br />
f<br />
{ B# ‰ Š Š ‰ ‰ ‰ =( ) ‰ ‰ ‰ ˆ ‰. r<br />
V #<br />
41<br />
S./A. unis. (or S.)<br />
p mf<br />
Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ<br />
Forth he came at Eas - ter, like the ri - sen grain,<br />
V # T./B. unis. (or A.)<br />
p p mf<br />
Š Š #Š Š ‰ ‰ Š Š Š Š Š<br />
([)<br />
V# ‰ #Š‰ Š ˆ ‰ ‰ ‰ ‰ ˆ ‰ Š ‰ Š<br />
mp<br />
Š ˆ Š<br />
{<br />
gently and smoothly<br />
B# ˆ ˆr Š #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š<br />
(Man.)<br />
for online perusal only<br />
Now the green blade rises 165<br />
Forth he came at Eas - ter, like the ri - sen
166 Now the green blade rises<br />
V #<br />
46<br />
cresc.<br />
Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ ‰ Š Š<br />
He that for the three days in the grave had lain; Quick from the<br />
V # ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ<br />
([)<br />
grain, He that for the three days in the grave had lain,<br />
V# ‰ ˆ ‰ ‰ ‰ ‰ #‰ ˆ‰ Š Š ‰ Š Š<br />
{<br />
cresc.<br />
B# ŠˆŠ #Š Š ŠˆŠ #Š Š ŠˆŠ #Š Š Š Š #Š Š ˆ‰ ‰<br />
for online perusal only<br />
(Ped.)<br />
V #<br />
51<br />
f<br />
‰. Š Š Š Š Š ˆ Š Š #Š Š ‰ ‰<br />
V # cresc.<br />
f<br />
‰ Š Š ‰. Š Š Š Š Š ‰ Š Š Š Š ‰<br />
([)<br />
V# ‰ Š Š ‰ Š Š # #Š ‰ Š Š Š ‰ Š Š #‰ Š Š ‰ ‰<br />
{ B# ‰ ‰ ‰ ‰ ‰ Š Š f ‰ ˆ ˆ ˆ ‰ #Š Š Š Š ‰<br />
dead our ri - sen Lord is seen: Love is come a - gain, like<br />
Quick from the dead our ri - sen Lord is seen: Love is come, like<br />
V #<br />
56<br />
molto rit.<br />
Š Š Š Š Š ˆ Š r q p pF<br />
wheat that springs up green.<br />
V # Š Š Š Š Š ˆ Š r q p pF<br />
([)<br />
wheat that springs up green.<br />
molto rit.<br />
V# #‰ ‰ ˆˆ<br />
‰ ‰ #Š . Š ‰.<br />
Š Š Š Š ‰ #Š Š ‰. r<br />
F<br />
r<br />
{ B# pp<br />
‰ Š‰ Š<br />
ˆ<br />
‰. V ‰ ‰<br />
‰. r =( ‰.)<br />
Er B<br />
(Man.)
S./T.<br />
A./B.<br />
V # a tempo<br />
SOPRANOS & TENORS unis.<br />
61<br />
pp<br />
Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š Š #Š Š<br />
([)<br />
When our hearts are win - try, griev - ing, or in pain, Then your touch can<br />
V # ALTOS & BASSES unis.<br />
Š Š Š Š ‰ ‰ Š Š Š #Š ˆ Š Š Š Š<br />
([)<br />
pp<br />
V#<br />
a tempop<br />
p p p p<br />
{ B# ˆ ˆ ˆ ˆ<br />
q<br />
ˆ ‰<br />
ˆ ˆ ˆ ˆ<br />
cresc.<br />
f<br />
(Organ: Ped.)<br />
(Piano: Ped.)<br />
V #<br />
66<br />
‰ ‰ Š Š Š Š Š Š Š Š Š ‰ #Š Š ‰. Š Š Š Š #Š<br />
([)<br />
V # ‰ ‰ Š Š Š Š Š ˆ ‰ Š Š ‰. Š Š Š Š Š<br />
([)<br />
cresc.<br />
f<br />
V# q<br />
‰ ‰ ‰ ‰ ‰ ‰ # #‰ ‰ ‰ ‰ Š<br />
‰ # Š<br />
{<br />
cresc.<br />
f<br />
B# ˆ ˆ ˆ ‰ Š Š ‰. Š Š Š<br />
ˆ ˆ ‰ Š‰<br />
Š<br />
call us back to life a - gain; Fields <strong>of</strong> our hearts that dead and bare have<br />
V #<br />
72<br />
poco rit.<br />
ˆ Š Š Š Š ‰ ff ‰ Š Š Š Š Š ˆ Š r q<br />
([)<br />
for online perusal only<br />
Now the green blade rises 167<br />
been: Love is come a - gain, like wheat that springs up green!<br />
V # ˆ Š Š #Š Š ‰ ‰ Š Š Š Š Š ˆ Š r q<br />
([)<br />
V# #ˆ #‰ Š Š = ff<br />
poco rit.<br />
‰ ‰ #‰ ‰ =‰ = ‰ Š##Š ŠŠ #ˆ Š r q<br />
{ B# Š #Š Š Š<br />
ff<br />
ˆ Š Š =‰ #Š #ˆ ‰ ‰ ‰ ‰ = ‰ Š Š ˆ Š r q
168<br />
S(A)(Men)<br />
Keyboard<br />
39. O Breath <strong>of</strong> life<br />
Bessie Porter Head<br />
(1850–1936)<br />
VOICES<br />
KEYBOARD<br />
Vivid and joyful h = 80<br />
<br />
TUTTI unis.<br />
V 32 r p q<br />
f<br />
<br />
rŠŠ Š ‰. Š Š ŠŠ<br />
([)<br />
O Breath <strong>of</strong> life, come sweep-ing<br />
V 32 #Š Š Š Š Š Š Š #Š ‰. Š Š Š Š Š ‰. Š Š ‰ Š Š Š<br />
{<br />
f<br />
V 32 Š Š #Š Š Š Š Š B Š Š#Š Š Š Š ˆˆ ‰<br />
(Man.)<br />
Trad. English<br />
arr. ALAN BULLARD (b. 1947)<br />
(Ped.)<br />
4<br />
<br />
V Š ‰ Š Š Š ‰ ‰ Š Š Š ‰ r Š Š Š<br />
([)<br />
through us, Re - vive your church with life and pow’r; O Breath <strong>of</strong><br />
V Š ‰ Š Š Š ‰ ‰ Š Š ‰. Š Š Š<br />
‰ ‰ ‰ #‰ =‰<br />
{ B‰ ‰ ‰ ‰ ‰ ‰ ‰ Š ‰.<br />
Š ‰ r ‰<br />
7<br />
<br />
V ‰. Š Š Š Š Š ‰ Š Š Š Š ‰ Š Š Š Š ˆ<br />
([)<br />
for online perusal only<br />
life, come, cleanse, re - new us, And fit your church to meet this hour.<br />
V ‰. Š Š‰ Š Š ‰. ‰ Š Š‰ Š ‰.<br />
Š ŠŠ Š Š # ‰ . Š #Š Š<br />
{ B ˆ ‰ ‰ b‰ ‰ Š ‰ Š ˆ ‰ ˆ Š Š ˆ q<br />
Š r<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S./A.<br />
MEN<br />
11<br />
unis.<br />
V p p<br />
p<br />
q rŠŠ Š ‰. Š Š Š Š<br />
OWind<strong>of</strong> God, comebendus,<br />
B p p p ˆ p ‰<br />
God, re -<br />
V Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
‰ ‰ =‰ ‰ ‰ ‰ ˆ. ˆ. Š<br />
{ B ˆ. ‰. Š Š Š ˆ. p<br />
ˆ.<br />
ˆ.<br />
(Man.)<br />
15<br />
V Š ‰ Š Š Š ‰ ‰ Š ŠŠ ‰ rŠŠ Š ‰. Š Š ŠŠ<br />
break us, Till hum-bly we con - fess our need; Then in your ten - der-ness re -<br />
B ˆ ‰ ˆ ‰ ˆ ‰ ˆ ‰<br />
for online perusal only<br />
O Breath <strong>of</strong> life 169<br />
- make us, God re - vive us, God re -<br />
V ˆ. Š Š Š Š Š Š ˆ. Š Š Š Š Š Š ˆ. Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ B ˆ. ˆ. ˆ. ˆ.<br />
19<br />
rall.<br />
V Š ‰ Š Š Š Š ‰ ‰. r ‰ ‰ ‰ ˆ Š r<br />
- make us, Re - vive, re - store; for this we plead.<br />
B ˆ ‰ ‰ ‰. r ‰ ‰ ‰ ˆ Š r<br />
- make, re - store; for this we plead.<br />
V Š Š Š Š Š Š Š Š ‰. r B rall.<br />
‰ ‰ ‰‰<br />
#Š ˆ. Š Š Š Š Š<br />
{ B ˆ. ˆ Š r ‰ ‰ ‰ ˆ.
170 O Breath <strong>of</strong> life<br />
23<br />
a tempo<br />
V q r<br />
F<br />
DESCANT<br />
r q p q q r Šf<br />
([)<br />
O<br />
OTHER VOICES unis.<br />
V q r r q p q<br />
f<br />
E<br />
rŠŠ Š<br />
([)<br />
O Breath <strong>of</strong><br />
B r r V #Š a tempo<br />
‰. F Š Š Š Š Š Š #Š ‰. Š Š Š Š Š<br />
pp f<br />
{ B ‰ . r r VŠ Š #Š Š Š Š Š B Š Š<br />
E<br />
#Š Š Š Š<br />
26<br />
V Š Š ‰ Š Š ‰ ‰ rŠ Š Š ‰ Š Š<br />
([)<br />
Breath <strong>of</strong> love, breathe with - in us, Re - new - ing will and<br />
V ‰. Š Š Š Š Š ‰ Š Š Š ‰ ‰ Š Š Š<br />
([)<br />
love, come breathe with - in us, Re - new - ing thought and will and<br />
V Š‰ Š ‰ Š Š Š Š ‰ Š Š Š Š Š<br />
Š ‰ Š ‰ ‰ ‰ #‰ Š Š<br />
{ B ˆˆ ‰ ‰ ‰ ‰ ‰ ‰ ‰<br />
(Ped.)<br />
for online perusal only<br />
29<br />
V ‰ q r Š Š Š ‰. Š Š ‰ Š Š =Š Š<br />
([)<br />
V ‰ rŠŠ Š ‰. Š Š Š Š Š ‰ Š Š Š Š<br />
heart; Come, love <strong>of</strong> Christ, to win us, Re - vive your<br />
([)<br />
heart; Come, love <strong>of</strong> Christ, a - fresh to win us, Re - vive your<br />
V ˆ ‰. Š =‰ Š Š Š‰. Š ‰. Š ‰ Š Š ‰ Š Š Š<br />
{ B Š<br />
‰.<br />
Š ‰ ‰ ‰ Š Š ‰ Š Š<br />
r ‰ ˆ ‰ ‰ b‰ ‰
32<br />
V ˆ - ‰ ‰-<br />
Š Š Š Š ‰ r Š Š Š Š<br />
([)<br />
V‰ Š Š Š Š ˆ. ‰ r Š Š Š Š<br />
([)<br />
O Breath <strong>of</strong> life 171<br />
church, your church in ev - ’ry part, re - vive your<br />
-<br />
church in ev - ’ry part, re - vive your<br />
V ˆ ‰ Š Š<br />
‰<br />
Š Š ˆ<br />
‰ Š Š Š‰ Š ‰ r Š Š‰<br />
Š Š<br />
{ B ‰ ‰ ‰<br />
ˆ ‰ ˆ. ‰ ‰ ‰ qr Š b‰ Š Š Š<br />
35<br />
ff<br />
V‰ ‰. r ‰-<br />
‰-<br />
‰-<br />
ˆ. - ˆ.<br />
([)<br />
church, in ev - ’ry part!<br />
ff<br />
V‰ ‰. r ‰ ‰ ‰ ˆ. ˆ. ˆ.<br />
ˆ.<br />
- -<br />
([) - -<br />
church, in ev - ’ry part!<br />
V ‰ ‰. r<br />
- -<br />
‰ ‰ ‰‰‰<br />
-<br />
# Š Š # Š Š Š Š Š Š Š Š Š Š<br />
-ff<br />
{ B r<br />
=‰<br />
-<br />
-<br />
‰ ‰. ˆ-<br />
‰ ‰ ‰ ˆ. r V Š Š<br />
- - -<br />
#Š Š Š Š Š B<br />
(Man.)<br />
rit.<br />
39<br />
V ˆ. ‰ q q p q q r<br />
([)<br />
V ˆ.<br />
ˆ.<br />
‰ q q p q q r<br />
([)<br />
V rit.<br />
‰. Š Š Š<br />
-<br />
#Š =b‰ ‰ ‰‰‰<br />
- -<br />
Š Š<br />
#ˆ.<br />
‰ q r<br />
{ B Š Š #Š Š Š Š b=‰ ‰ - ‰‰ ‰ - =‰‰ ‰ -<br />
#ˆˆ. - ‰<br />
. q<br />
-<br />
r<br />
- -<br />
(Ped.) -<br />
for online perusal only
172<br />
SA(T)(B)*<br />
Keyboard<br />
40. O for a closer<br />
walk with God<br />
William Cowper<br />
(1731–1800)<br />
Andante molto tranquillo h = 69<br />
or S./A. unis.<br />
<br />
pS.<br />
SOPRANO<br />
Vbbb 32 p p p ‰ Š Š Š<br />
ALTO<br />
Š<br />
O<br />
TENOR<br />
Bbbb 32 p p p p<br />
BASS<br />
Andante V bbb 32 Š molto tranquillo h = 69<br />
Š ‰ ‰ Š‰ Š ‰ ‰‰<br />
Š Š Š ‰ ‰‰<br />
bŠ ŠŠ<br />
Š‰. Š Š Š<br />
{<br />
KEYBOARD p<br />
Vbbb 32 ˆ. Š Š ‰ ‰ ˆ. Š Š ‰ ‰ ˆ. Š Š ‰ ‰ ˆ. Š Š Š Š Š Š<br />
(Man.)<br />
5<br />
<br />
Vbbb Š Š ‰ ‰ Š Š Š Š ‰ ˆ q q q ‰<br />
for online perusal only<br />
CHARLES VILLIERS STANFORD<br />
(1852–1924)<br />
for a clo-ser<br />
walk with God, A calm and heav’n-ly frame; A<br />
V bbb ‰. Š Š Š ‰ Š Š Š Š Š‰ Š Š‰ Š ‰. ŠŠ Š‰<br />
Š ‰. Š<br />
{ Vbbb =Š ‰. Š ‰ ŠbŠ‰ Š ˆ ‰ ‰ ‰ ˆ. ‰ Š Š Š Š ˆ ‰. Š Š‰<br />
Š B<br />
9<br />
<br />
Vbbb Š Š Š Š Š Š ˆ. q q ‰ Š Š ‰ ‰<br />
light to shine u - pon the road That leads me to the<br />
V bbb Š ŠŠ Š Š Š Š Š‰. Š ‰ Š ‰ ‰ ‰ Š<br />
r Š bŠ Š =Š ‰ Š Š Š Š Š Š Š<br />
{ Š bŠ Š Š Š ‰ Š =‰ rbŠ=Š ‰ Š Š Š Š ‰<br />
Bbbb Š Š ˆ ˆ. ˆ. ‰. Š Š Š<br />
* Sing bass rather than tenor if few men are available.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
T.<br />
B.<br />
13<br />
<br />
Vbbb ˆ. ˆ q p p<br />
Lamb!<br />
V bbb ‰ Š Š ‰ ‰ Š‰ Š ‰ ‰ ˆŠ Š ‰. Š Š ˆŠ Š ‰. Š Š<br />
{<br />
ˆ Bbbb Š Š ‰ ‰<br />
bŠŠ Š ‰ =‰ ‰ ˆ Š Š ‰. ‰ Š ˆ Š Š ‰ ‰<br />
17<br />
p<br />
Vbbb r ‰ ‰ ‰. Š ˆ Š ‰ ‰ ˆ ‰ ‰ ‰ Š Š ‰ ‰ ‰ ‰ Š Š Š Š<br />
unis.<br />
Bbbb r Š ‰ ‰ ˆ ‰ ˆ ‰ ˆ. mf ˆ.<br />
p<br />
re - turn!<br />
V bbb ˆ ‰. Š ‰ Š Š Š‰ Š Š‰ Š Š‰ Š ‰.‰ ‰. Š Š Š ‰ ‰ ‰ ˆ‰. Š =‰ Š Š<br />
{ Bbbb ˆ. ˆ ‰ ˆ. ‰ ‰‰‰ ‰ ˆ. ˆ ‰ ‰ ‰ Š<br />
ˆ ‰ ˆ. ˆ.<br />
Š<br />
for online perusal only<br />
O for a closer walk with God 173<br />
(Ped.)<br />
Re-turn, O ho - ly Dove, re - turn! Re - turn! Re -<br />
mf<br />
22<br />
S. & A. unis. if no men<br />
Vbbb ‰ q q q q<br />
p<br />
p<br />
S.<br />
‰ Š Š ‰ ‰ ˆ ‰<br />
A.<br />
- turn! Sweet mes-sen-ger <strong>of</strong> rest; I<br />
Bbbb p q q ‰ Š Š ‰ ‰ ˆ T. ‰<br />
p<br />
B. p<br />
V bbb Š Š ‰. Š<br />
‰<br />
Š Š ‰ Š Š Š Š ‰ q<br />
Š Š Š Š‰. Š Š Š‰. Š Š ‰ Š<br />
{ Bbbb q ‰. Š Š Š ‰ ‰ Š<br />
ˆ. ˆ =‰ ‰ ‰ Š Š<br />
‰ Š ˆ ‰. ‰<br />
‰<br />
Š
174 O for a closer walk with God<br />
26<br />
mourn,<br />
that<br />
Vbbb Š Š ‰.<br />
‰. Š ˆ ‰ ‰ b‰ ‰ ˆ<br />
ˆ. ‰<br />
mourn,<br />
hate the sins that made thee<br />
Bbbb<br />
Š =Š Š ‰.<br />
‰. Š ˆ ‰ =‰ b‰ ‰ =‰ ‰ ˆ ‰<br />
mourn, that<br />
V bbb Š =Š Š Š Š Š ‰. Š Š Š ‰ Š Š<br />
‰ ˆ ‰<br />
Š<br />
‰ b‰ .‰ Š r ‰<br />
{ Bbbb Š‰ Š ˆ ˆ ‰ =‰ b‰ ‰ =‰ ˆ. ˆ<br />
29<br />
S. & A. unis. if no men<br />
Vbbb‰. ‰ bŠ =Š b=‰ q q q<br />
p<br />
‰<br />
Š<br />
ˆ<br />
Š<br />
‰<br />
Š ‰ ‰<br />
for online perusal only<br />
made thee mourn And drove thee<br />
‰ bŠ<br />
Bbbb<br />
Š Š Š b‰ unis.<br />
ˆ ‰ ‰ ‰ q q q ‰ ˆ ‰<br />
p<br />
V bbbbˆ‰. Š Š =Š Š =‰ Š Š ‰ Š bŠ Š Š ‰ Š Š ‰ ‰ ‰<br />
{<br />
‰ Bbbb<br />
‰ Š Š b‰ ‰ Š =Š Š bŠ ‰ =‰<br />
ˆ ‰ ˆ. p<br />
ˆ. ˆŠ ‰ Š =‰ ‰ ‰ Š Š<br />
33<br />
Vbbb ‰ ‰ ‰ ˆ. ‰ q q p p<br />
from my breast.<br />
Bbbb ‰ ‰ ‰ ˆ. ‰ q q p p<br />
V bbb ‰ ‰ ‰ ˆ‰ ˆ ˆ =‰ =ˆ. ˆ.<br />
{ Bbbb =ˆ ‰ ˆ =‰ ˆ b # ‰‰‰ ‰ ˆ‰ ‰ #‰‰ ˆ. =ˆ.
So shall my walk be close with God,<br />
38<br />
<br />
S. mf<br />
Vbbb ‰ Š Š Š Š Š Š ˆ q q p<br />
p ‰ Š Š Š Š Š Š ‰ b‰ ‰<br />
A. p<br />
So<br />
shall my walk be close with God, Calm<br />
So<br />
T.<br />
Bbbb q q ‰ ‰ Š Š Š Š Š Š Š Š Š ‰ ‰<br />
p<br />
B.<br />
p<br />
V bbb ‰ Š Š Š Š Š Š Š Š Š Š bŠ Š Š<br />
‰ ‰ ‰ ‰ Š<br />
{ Bbbb ˆ‰. Š Š Š =Š Š q ‰ b‰<br />
‰ Š Š ‰ ˆ Š bŠ ˆ ‰<br />
41<br />
Vbbb ‰ Š bŠ Š ‰<br />
ˆ<br />
‰ ‰ ‰ ˆ q<br />
for online perusal only<br />
O for a closer walk with God 175<br />
and se - rene my frame;<br />
‰ Š Š ‰ ‰ ‰ ‰ ‰ ‰<br />
Bbbb<br />
‰ Š Š ‰ ‰<br />
‰ ‰ ˆ q<br />
V bbbbŠ Š Š Š Š ‰ =Š Š bŠ Š ‰ Š ‰ ‰<br />
‰ ˆ ‰‰<br />
ˆ<br />
p<br />
{<br />
cresc.<br />
Š bŠ Š Š Bbbb<br />
‰ ‰ ‰ q ˆˆ ‰<br />
ˆ. ˆ. ˆ.<br />
‰<br />
(Piano: repeat tied bass notes as required)<br />
44<br />
Vbbb p ‰ ‰ Š Š ‰ Š Š f<br />
ˆ ‰ ˆ ‰<br />
So pu - rer light shall mark the<br />
Bbbb p ‰<br />
Š‰ Š Š‰ Š ˆ b‰ ‰ bˆ ˆ ‰<br />
V<br />
f<br />
bbb ‰ ˆ ‰ ‰ Š Š Š<br />
‰ ‰ Š ‰ Š ‰ ‰‰‰<br />
. ‰<br />
.<br />
Š q ‰.<br />
‰.<br />
f<br />
{ Bbbb<br />
ˆˆ. . . .<br />
‰ ‰ ‰ ‰<br />
‰ b‰‰ ‰ bˆˆ ‰ ‰‰‰<br />
ˆ. ‰ ‰ ‰ q ‰<br />
(Organ: Ped. 8ve lower)
176 O for a closer walk with God<br />
48<br />
Vbbb ˆ. ˆ. p q ˆ<br />
That<br />
‰ ˆ ˆ. ‰ ‰<br />
road.<br />
That<br />
ˆ. ˆ. p q ‰ ‰<br />
Bbbb<br />
ˆ. ˆ. ‰ ‰<br />
V bbb q ˆ‰ ‰ ˆ ‰ ‰ ‰ ˆ<br />
‰ ‰ ‰ ‰ ˆ‰ ‰<br />
{<br />
ˆ ‰ Bbbb q ‰ ‰ ‰ ˆ. ‰ ‰ ‰ bˆ ‰ ‰ ‰ ˆ<br />
‰ ‰<br />
for online perusal only<br />
leads me to the Lamb.<br />
52<br />
<br />
dim. p<br />
Vbbb‰ ‰ ˆ‰ ‰ ˆ ‰ ‰ ‰ ˆ. ˆ. ˆ. ˆ.<br />
leads me to the Lamb.<br />
Bbbb<br />
‰ ‰ ‰ ‰ ‰ ‰ ˆ. ˆ.<br />
p<br />
dim.<br />
V bbb ‰ ‰ ‰ ‰‰‰<br />
‰<br />
‰ ‰ ‰ ‰ ‰<br />
‰ ‰<br />
ˆ ˆ.<br />
{<br />
dim. p<br />
Bbbb ˆ.<br />
‰ ‰ ‰ ‰ ˆ.<br />
ˆ ‰ Vˆ‰ ‰ ˆ. ‰ ‰ b‰<br />
(Man.)<br />
V bbb<br />
‰ ‰ ‰ ‰ ‰ ‰ ‰ ˆ F<br />
56<br />
ˆ b‰ ˆ. ˆ. ˆ. ˆ.<br />
{ Vbbb ‰ ‰ ˆ =‰ ‰ ˆ B ‰ ˆ<br />
ˆ ‰<br />
ˆ.<br />
ˆ. ˆ. Eˆ.<br />
(Piano: Ped.)<br />
(Piano: RH)<br />
(Organ: Ped.)
177<br />
Voices 1 (2)<br />
Keyboard<br />
41. O God <strong>of</strong> mercy<br />
Godfrey Thring<br />
(1823–1903)<br />
VOICES<br />
KEYBOARD<br />
Gently i = 80<br />
<br />
VOICE 1 or TUTTI<br />
Vbbb 34 p p p r t<br />
([)<br />
Š e Š Š<br />
OGod<strong>of</strong><br />
V bbb 34 ‰ Š ‰ Š Š Š‰. Š Š ‰ Š Š r<br />
{<br />
mp<br />
Bbbb 34 ‰ t ŠeŠ Š Š Š Š‰ Š Š Š Š Š Š‰. Š Š Š Š Š ‰ r<br />
(Ped.)<br />
SIMON LOLE<br />
(b. 1957)<br />
mp legato throughout<br />
for online perusal only<br />
5<br />
<br />
Vbbb Š. Še Š Š Š. Še Š<br />
Š Š Š Š Š Š. Š<br />
([)<br />
f<br />
Š Š<br />
mer - cy, God <strong>of</strong> might, In love and pi - ty in - fi - nite, Teach us, as<br />
V bbb t<br />
Še Š Š Š t<br />
Š Še Š Š Š Š<br />
t<br />
Še Š Š<br />
Š<br />
Š Š Š Š Š Š Š<br />
{<br />
p molto legato<br />
Bbbb ‰ Š Š. r r Š f Š ‰ Š ‰ r<br />
9<br />
<br />
VbbbbŠ. Še Š Š Š. Š<br />
([) f Š Š ‰ Š ‰.<br />
ev - er in thy sight, To live our life to thee.<br />
V bbb t Še Š Š Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š Š ‰<br />
Š<br />
{ Bbbb b‰ ‰ Š ‰ Š Š =ŠŠ t Še Š Š Š<br />
Š Š Š ‰ Š<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
178 O God <strong>of</strong> mercy<br />
1<br />
2<br />
13<br />
<br />
VOICE 2 or TUTTI<br />
Vbbb Š r r p r t mf<br />
<br />
Še Š Š Š. Še Š Š<br />
([)<br />
V In sick-ness, sor - row, want, or<br />
bbb Š ‰ ‰ Š Š Š‰ Š Š ‰ Š Š r Š‰.<br />
Š Š<br />
{ Bbbb Š Š Š Š Š Š Š Š Š Š Š mp<br />
‰ Š r<br />
Š Š<br />
‰. ‰ ‰ Š<br />
Vbbb Š. Še Š Š<br />
17<br />
<br />
Š Š Š Š Š. Š<br />
([)<br />
f<br />
Š Š bŠ. Še Š Š<br />
V bbb Š ‰ Š ‰ r Š<br />
Š. Š ŠbŠ f Š Š Š Š Š Š Š Š Š Š Š Š Š. Š Š f<br />
Š<br />
{ Bbbb Š Š Š bŠ. Še Š<br />
Š Š Š Š Š Š Š ‰ r<br />
‰ Š<br />
21<br />
<br />
Vbbb Š. Š<br />
([) f Š Š ‰ Š ‰. Š r r<br />
V<br />
there Give help as un - to thee.<br />
bbb Š Š =ŠŠ Š Š Š Š Š ŠŠ Š Š ‰ Š ‰. Š Š Š<br />
{ Bbbb<br />
Š Š Š=Š Š Š Š Š ‰<br />
t Še Š Š Š Š Š‰ Š Š Š Š<br />
Š<br />
25<br />
Vbbb p r t f<br />
Še Š Š Š. Še Š Š Š. Še Š<br />
Š<br />
([)<br />
Vbbb p p mf<br />
r Š Š Š Š. Š<br />
([)<br />
ah<br />
f<br />
V bbbŠ Š<br />
Š Š Š ‰ Š r t<br />
Še Š Š Š t<br />
Š Še Š Š Š Š<br />
{<br />
f<br />
BbbbŠŠ Š Š Š Š f molto legato<br />
‰. ‰ r ‰ Š Š. r r Š f Š<br />
for online perusal only<br />
care, What-e’er it be, ’tis ours to share; May we, where help is need-ed,<br />
And may thy Ho - ly Spi-rit move all those who
29<br />
Vbbb Š Š Š Š Š. Š<br />
([)<br />
f<br />
Š Š bŠ. Še Š Š<br />
Vbbb Š. Š Š<br />
([) f<br />
Š Š Š Š. t t f<br />
Še Š. Še<br />
Till thou<br />
shall<br />
V bbb Š Š Š Š Š Š bŠ<br />
Š Š Š Š Š bŠŠ Š Š Š<br />
{ Bbbb ‰ Š Š bŠ<br />
‰ Š ‰. Š Š Š<br />
live, to live in love, Till thou shalt greet in heav’n a -<br />
poco<br />
Vbbb Š. Š f Š Š =Š Š Š Š 4 t rit.<br />
32<br />
sub. mp Š f Š Š Š Š 34<br />
- bove All those who give to thee, all those who give to<br />
Vbbb Š Š Š Š ‰. 4 t sub. mp<br />
Še Š Š Š Š 34<br />
([)<br />
([)<br />
greet in heav’n a - bove All those who give to<br />
V bbb Š Š =Š Š Š Š 4 t<br />
poco rit.<br />
Š Š Š Š ‰ ‰ Še Š Š ‰ Š Š 34<br />
{ Š Bbbb Š Š<br />
4 sub. mp<br />
‰ =Š Š Š<br />
Š =Š ‰ ‰ ‰ 34<br />
35<br />
a tempo<br />
rall.<br />
p<br />
Vbbb 34 ‰. ‰ r p p p<br />
thee.<br />
p<br />
Vbbb 34 ‰. ‰ r p p p<br />
([)<br />
([)<br />
thee.<br />
for online perusal only<br />
O God <strong>of</strong> mercy 179<br />
V<br />
rall.<br />
a tempo<br />
bbb 34 ‰ Š ‰.‰ Š Š Š‰. Š Š ‰.<br />
Š ‰ ‰.<br />
{<br />
p<br />
Bbbb 34 t ŠeŠ Š Š Š Š Š<br />
pp<br />
‰ Š ‰ Š Š Š Š‰. Š Š Š Š Š ‰.<br />
‰.<br />
‰.
180<br />
S(A)(T)(B)<br />
Keyboard<br />
42. O God, your goodness<br />
Christian Gellert (1715–69)<br />
trans. Alan Bullard<br />
L. van BEETHOVEN (1770–1827)<br />
lower voice parts by Alan Bullard<br />
S.<br />
A.<br />
T.<br />
B.<br />
V# With solemn devotion h = 63<br />
# 2 ‰ ‰. Š ‰.<br />
Š Š Š Š ‰.<br />
Š Š ‰‰. Š<br />
{ B## 2 q r Š<br />
Š Š Š Š Š Š Š ‰<br />
KEYBOARD p<br />
Š Š Š Š Š<br />
V # (Man.)<br />
5<br />
# p p p<br />
mp<br />
q ‰ ‰. Š<br />
B## p p p p r Š Š Š<br />
mp<br />
V# # ‰ Š Š Š Š ‰ Š ‰ Š. ŠŠe<br />
ˆ Š r ‰ ‰. Š<br />
{ B## Š Š Š Š ‰<br />
‰ mf<br />
Š Š Š Š Š mp<br />
ˆ r q r Š<br />
Š Š<br />
V #<br />
10<br />
# ‰.<br />
‰ Š Š ‰. Š Š ‰. Š ‰. #Š Š ‰<br />
‰<br />
Š Š<br />
good - ness reach - es wide, As do the clouds a -<br />
B## ‰ ‰ ‰ Š Š Š Š Š ‰. Š ‰ Š Š ‰. Š ‰ ‰<br />
V#<br />
good - ness<br />
# ‰.<br />
Š Š Š Š ‰. Š Š ‰‰. Š ‰. #ŠŠŠ ‰ ‰ Š Š<br />
{ B## Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
for online perusal only<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.<br />
O God, your<br />
O God, your
V #<br />
15<br />
# ‰ Š r q ‰ ‰ Š #Š #‰‰ ‰ ‰ ‰. Š<br />
B## ‰ Š r q ‰ Š Š #Š ‰. #Š ‰ Š ‰ Š Š ‰<br />
Š Š #Š ‰. Š Š Š<br />
V# # ‰ Š r q ‰ #‰‰‰ ‰ ‰ ‰ Š‰ . Š #Š Š<br />
{ B## Š<br />
Š<br />
Š #Š Š Š Š =Š Š Š Š Š Š Š Š Š #Š Š Š Š<br />
- bove us. You crown us with your per - fect<br />
for online perusal only<br />
V #<br />
20<br />
#‰‰ ‰ Š Š ‰. Š Š Š Š #Š Š #‰‰ Š r<br />
love, You guide us and pro - tect us.<br />
B## ‰ ‰ ‰. Š ‰ ‰ ‰ Š r<br />
V# # ‰ ‰ ‰. Š Š‰<br />
Š Š #Š #‰ Š Š<br />
{ B## Š Š Š Š Š Š Š Š<br />
Š<br />
Š<br />
Š<br />
Š r Š<br />
Š =Š<br />
V #<br />
24<br />
poco a poco cresc.<br />
# p p q ‰ ‰.‰ Š Š ‰. Š<br />
B## p p q ‰ b‰. Š b‰. Š<br />
poco a poco cresc.<br />
V# # Š =#ŠŠ Š #Š #‰ ‰ Š Š Š Š b‰ . ‰ Š Š b‰. Š<br />
{<br />
poco a poco cresc.<br />
B## Š Š Š Š r Š Š Š ‰.<br />
Š rbŠŠ Š rbŠŠ Š<br />
* If performing in unison, sing the alto part from bar 26 to the end <strong>of</strong> bar 33.<br />
O God, your goodness 181<br />
*O Lord, our rock, our
182 O God, your goodness<br />
V #<br />
29<br />
# ‰. f<br />
‰ Š Š ‰. Š ‰. Š ‰. Š<br />
B## =‰ ‰.. Š =‰. Š b‰. Š =‰. Š<br />
V#<br />
f<br />
#=‰‰. ‰ Š ŠŠ Š =‰‰ . ŠŠ b‰ .<br />
Š ‰ .<br />
Š<br />
f<br />
{ B## r Š =Š Š r Š =Š Š r Š bŠ Š r =Š Š Š<br />
shield, our friend, Un - to our thoughts and<br />
V #<br />
33<br />
#‰‰ =ŠŠ =Š Š ˆ q ‰ ‰. Š ‰. Š ˆ<br />
B## ‰ Š =ŠŠ ˆˆ q ‰ ŠŠ ‰. Š ‰. Š ˆ<br />
V#<br />
sub. p<br />
# ‰ Š<br />
‰ =Š ˆ ‰ ‰ ‰ . Š ‰ . Š ˆ<br />
{<br />
sub. p<br />
B## Š Š =Š Š Š<br />
Š Š Š Š Š Š Š ‰. Š ‰. Š ˆˆ<br />
sub. p<br />
for online perusal only<br />
words at - tend As now we pray be - fore<br />
(Ped.)<br />
V 39<br />
#<br />
mf p<br />
=ŠŠ Š Š Š ‰. ‰ Š Š ˆ ˆ ˆ ‰ q p q<br />
you, as now we pray be - fore you.<br />
B###ŠŠ #ŠŠ Š Š ‰.<br />
Š<br />
ˆ ˆ ˆ ‰ q p q<br />
mf<br />
V# # =Š Š Š Š ‰. ‰ Š Š ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰ ˆ ‰<br />
{ B## #ŠŠ Š Š Š<br />
ˆˆ<br />
mf ˆ ˆˆ<br />
p ˆ<br />
pp<br />
ˆ ‰<br />
ˆ<br />
p
183<br />
SATB*<br />
(Keyboard)<br />
Psalm 150 (BCP)<br />
43a. O praise God<br />
in his holiness<br />
(Version 1)<br />
JOHN WELDON<br />
(1676–1736)<br />
Joyfully i = 132<br />
V # Optional 34 Š Š introduction<br />
. Š<br />
ŠeŠ Š ‰ ‰ Š Š<br />
f<br />
SOPRANO<br />
Š ‰ Šet ALTO<br />
Š Š Š ‰ Š<br />
(KEYBOARD)<br />
B#34 Š Š. Š Š f Š ‰ ‰ Š ‰ Š ‰ Š Š ‰<br />
Š<br />
Šet ‰ Š<br />
TENOR<br />
BASS<br />
f<br />
<strong>of</strong> his<br />
V #<br />
7<br />
Š Š. Še<br />
Š Še Še Š #Š<br />
f<br />
Š. Š f<br />
Š Š Š ŠŠ Š. Š Š f Š ‰<br />
<strong>of</strong> his<br />
God in his ho - li-ness: praise him in the fir - ma-ment<br />
<strong>of</strong> his<br />
B# Š Š.<br />
Š.<br />
Še<br />
Š Š. ŠeŠ Še Š Š<br />
f f<br />
Š Š Š ŠŠ Š. Š Š f Š ‰<br />
<strong>of</strong> his<br />
V #<br />
12<br />
mf<br />
‰. Š Š ŠŠ Še #Š. Š Š Š Š ŠŠ Š. ŠeŠ Š<br />
f f<br />
mf O praise<br />
for online perusal only<br />
power. Praise him in his no - ble acts: praise him in his no - ble acts:<br />
B# ‰. Š Š ŠŠ Še Še Š. Š Š f Š<br />
Š ŠŠ Š. Š Š<br />
mf<br />
f<br />
V #<br />
17<br />
Še f<br />
Š Š Š Š Š ŠŠ Š. Š r Š Š<br />
f Š Š Š Š Š ŠŠ<br />
praise him ac - cord - ing to his ex - cel-lent great-ness. Praise him in the<br />
B# Š Š Š Š Š ŠŠŠ Š.<br />
Š.<br />
Še<br />
Š r<br />
Š<br />
f<br />
Š Š Š Š Š ŠŠ<br />
* An arrangement for fewer voices is provided in Version 2.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.<br />
f
184 O praise God in his holiness<br />
<br />
p<br />
sound <strong>of</strong> the trum - pet:<br />
V #<br />
22<br />
Š Š Š Š. ŠŠ. Š Š Š Š Š ‰ Š ‰ #Š<br />
‰ ŠŠ Š ‰ Š Š Š Š Š ‰ Š ‰ Š<br />
sound <strong>of</strong> the trum - pet: praise him up - on the lute and<br />
trum - pet:<br />
B# ‰ ŠŠ Š. ‰ Š Š. Š Š<br />
Š Š Š #‰‰ Š Š Š Š<br />
trum - pet:<br />
p<br />
dan - ces:<br />
V #<br />
27<br />
f<br />
ŠŠ Š. ŠŠ.<br />
p<br />
‰. Š Š Š. Š Š Š Š Š ‰ Š Š Š Š Š Š Š<br />
for online perusal only<br />
harp. Praise him in the cym - bals and<br />
dan -<br />
B# ‰. Š Š Š. ŠŠ Š Š Š Š. ‰ Š Š. Š Š<br />
Š Š Š<br />
f<br />
ces:<br />
dan - ces:<br />
dan - ces:<br />
praise him up -<br />
V #<br />
32<br />
#Š f<br />
‰ Š ‰ Š ‰ Š<br />
Š.<br />
Š. =( Š<br />
e)Š<br />
f<br />
Š Š ‰ ‰ Š<br />
B# #‰‰ Š Š Š Š ‰ Š Š. ŠeŠ Š f Š ‰ ‰ Š<br />
- on the strings and pipe. Let ev - ’ry-thing that hath breath: praise<br />
V #<br />
38<br />
rit.<br />
ff<br />
Š Š Š Š Š Š. Še ‰ Š Š. Š Š F<br />
f<br />
Š Š ‰ ‰ Š Š Š Š Š ‰.<br />
B# Š ‰ ‰ Š Š ‰<br />
Š Š. ŠeŠ Š ‰ Š<br />
F<br />
Š ‰.<br />
f Š ‰ ‰ Š Š ‰ ‰.<br />
f<br />
the Lord, let ev - ’ry-thing that hath breath: praise the Lord.<br />
ff<br />
the Lord, praise the Lord.<br />
p<br />
praise
185<br />
S(A)(Men)<br />
(Keyboard)*<br />
Psalm 150 (BCP)<br />
SOPRANO<br />
ALTO<br />
<br />
43b. O praise God<br />
in his holiness<br />
(Version 2)<br />
JOHN WELDON<br />
(1676–1736)<br />
Joyfully i = 132<br />
V # 34 r p p p p p f<br />
‰ Š Š Š. Še<br />
Š<br />
O praise God in his<br />
f<br />
B#34 r p p p p p ‰ Š Š Š. Š f<br />
MEN<br />
<br />
V# Joyfully<br />
34 Š Š i<br />
. ŠeŠ Š ‰ ‰ Š f<br />
= 132<br />
ŠŠŠŠ Š ŠŠ ‰ Šet ‰ Š Š ‰<br />
{ B#34 Š Š. Š Š f Š ‰ KEYBOARD mf<br />
‰ Š ‰ Š ‰ ŠŠ ‰ Š<br />
Šet f<br />
‰ Š Š ‰<br />
<strong>of</strong> his<br />
V # (Man.)<br />
(Ped.)<br />
8<br />
Še ŠeŠ Š#Š mf<br />
Š. Š f<br />
Š Š Š ŠŠ Š. Š Š f Š ‰ ‰. Š Š ŠŠ Š. #Še Š<br />
ho - li-ness: praise him in the fir - ma-ment <strong>of</strong> his power. Praise him in his no - ble f<br />
acts:<br />
B# Š. Š f<br />
Š Š Š ŠŠ Š. Š Š f Š ‰ ‰. Š Š ŠŠ#Š. Še Š<br />
V# ‰ Š Š Š Š Š Š#Š ‰. mf<br />
Š Š Š.ŠŠ.Š Š Š Š #‰ Š. Še { B# ‰ Š Š Š Š ‰ Š Š ‰ mf<br />
‰. Š Š Š Š. ‰<br />
Še Š<br />
V #<br />
15<br />
ŠeŠ Š.Še f<br />
Š Š ŠŠ Š. Š Š Š Š Š Š r Š Š<br />
f<br />
Š ŠŠ Š f Š Š Š Š Š ŠŠ<br />
praise him in his no - ble acts: praise him ac - cord-ing to his ex - cel-lent great-ness. Praise him in the<br />
B# Š Š ŠŠ Š.<br />
Š Š Š Š Š Š Š ŠŠ f<br />
Š. Š f<br />
Š Š Š r Š Š Š Š<br />
V#<br />
f<br />
‰ Š Š. ‰ ŠeŠŠ Š Š Š Š. ‰ Še Š Š r Š Š Š Š<br />
{ B# Š. ŠeŠ Š Š Š<br />
Š<br />
Š Š ‰ Š Š Š Š Š Š<br />
f<br />
Š ‰ Š ‰ r Š Š ŠŠ Š<br />
for online perusal only<br />
* The keyboard part (and the introduction) may be omitted if all three voice parts are sung.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
186 O praise God in his holiness<br />
trum - pet: lute and<br />
V #<br />
22<br />
p<br />
Š.ŠŠ.ŠŠ Š ‰ ‰ #Š f<br />
Š Š Š Š ‰ Š Š ŠŠ Š. Š f Š Š ‰ ‰. Š Š Š. Š<br />
sound <strong>of</strong> the trum-pet: praise him up - on the lute and harp. Praise him in the<br />
B# ‰ ŠŠ Š.ŠŠ.ŠŠ Š Š Š #‰ Š Š Š Š ‰. Š Š Š. Š<br />
sound <strong>of</strong> the trum - pet:<br />
p<br />
lute and<br />
f<br />
V# Š‰ Š Š Š.ŠŠ.ŠŠ Š ‰ Š ŠŠŠ ‰ Š ‰ #Š ‰ . Š Š Š. Š Š<br />
{<br />
p<br />
B# ‰ Š Š.Š‰ ‰. ‰ Š #‰‰ Š Š Š Š ‰. Š f<br />
Š ŠŠ.Š<br />
dan - ces: strings and<br />
V #<br />
29<br />
p<br />
Š.ŠŠ.ŠŠ Š ‰ ‰ #Š f<br />
Š Š Š Š ‰ Š Š ŠŠ Š. Š =( e)Š<br />
f Š Š ‰ ‰ Š Š. Š f Š<br />
cym-bals and dan - ces: praise him up - on the strings and pipe. Let ev - ’ry-thing<br />
B# Š Š Š Š.ŠŠ.ŠŠ Š Š Š #‰ Š Š Š Š ‰ Š Š. Š Š<br />
dan - ces: p<br />
strings and f f V# Š Š Š Š.ŠŠ.ŠŠ Š ‰ Š ŠŠŠ ‰ Š ‰ #Š ‰ Š Š . =( Še)<br />
Š<br />
{<br />
p<br />
B# Š.Š‰ f<br />
Š Š Š ‰. ‰ Š #‰‰ Š Š Š Š ‰ Š Š. ŠeŠ Š<br />
f<br />
V #<br />
36 ff<br />
rit.<br />
Š ‰ ‰ Š<br />
ŠŠŠŠ Š Š ŠŠ Še ‰ Š Š. Š ŠŠŠ f Š Š ‰ ‰ Š Š Š Š<br />
F<br />
ŠŠ ‰.<br />
that hath breath: praise the Lord, let ev - ’ry-thing that hath breath: praise the Lord.<br />
B# Š ‰ ‰ Š Š Š. Š ‰ Š f<br />
Š. Š Š f Š ‰ ‰ Š Š Š. Š F‰.<br />
praise the Lord,<br />
ff<br />
praise the<br />
f<br />
Lord.<br />
V# Š ‰ ‰ Š ŠŠ Š ‰ Š Š rit.<br />
Š Š<br />
.<br />
ŠŠ Še Š Š ‰ ‰ Š ŠŠŠŠ Š<br />
F<br />
ŠŠ ‰.<br />
{<br />
ff<br />
B# Š ‰ ‰ Š ‰ Š ‰ ŠŠ ‰<br />
Š Š. ŠeŠ Š ‰ ŠŠ ‰.<br />
f Š ‰ ‰ Š Š ‰<br />
E<br />
‰.<br />
for online perusal only
187<br />
Voices 1 (2)<br />
Keyboard<br />
44. Panis angelicus<br />
(Bread <strong>of</strong> the angel host)<br />
1<br />
2<br />
St Thomas Aquinas (1226–74)<br />
English text by John Rutter<br />
KEYBOARD<br />
V Poco lento i = 76<br />
b 4 ‰ Š Š Š. Š‰<br />
Š<br />
ˆ Š Š ˆ Š Š Š Š ˆ‰<br />
‰ Š Š Š Š<br />
{<br />
p dolce e molto cantabile<br />
Bb 4 ‰ #‰ ˆ ‰. Š ‰<br />
ˆ ‰ #‰ Š. Š Š =Š ˆ ‰ f<br />
for online perusal only<br />
(Ped.)<br />
CÉSAR FRANCK<br />
(1822–90)<br />
optional cut to bar 13 O<br />
5<br />
V b Š‰ Š Š Š‰ Š ˆ ‰ Š Š Š Š Š‰ Š Š Š‰ Š Š ‰ Š Š Š Š Š<br />
Š<br />
{ Bb ˆŠ Š Š Š ˆŠ Š Š Š ˆŠ Š Š Š ˆ<br />
9<br />
V b ‰‰ ŠŠŠ ‰ Š Š Š ‰‰ Š‰ Š Š Š ˆ Š Š Š Š Š Š ‰ Š. ‰ ŠeŠŠ<br />
r<br />
{ Bb#‰ ˆ Š Š ‰ ‰ ‰ ˆ ‰ ‰ Š r<br />
O <br />
13 p dolce<br />
Vb ‰ Š Š Š. Š Š q ‰ Š Š Š. Š Š q<br />
([)<br />
Pa - nis an - ge - li - cus fit pa - nis ho - mi-num;<br />
Bread <strong>of</strong> the an - gel host sent down from God a - bove;<br />
Vb ‰ Š Š Š.ŠŠ q ‰ Š Š Š.Š Š q<br />
([)<br />
V p dolce<br />
b ‰ Š‰ Š Š ‰. ‰ Š‰<br />
Š Š ‰.<br />
pp<br />
{<br />
sempre legato<br />
Bb Š‰ Š Š Š Š Š Š Š t Še Š Š Š Š Š Š Š Š Š Š Š Š Š Š t<br />
‰ ‰ ‰ ‰ ‰ ‰ Še Š Š Š‰<br />
Š Š Š<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
188 Panis angelicus<br />
17<br />
Vb ‰ Š Š Š. Š f<br />
Š Š Š. ŠeŠ Š ˆ<br />
([)<br />
Dat pa - nis cae - li - cus fi - gu - ris ter - mi - num:<br />
Bo - dy <strong>of</strong> Christ our Lord in to - ken <strong>of</strong> his love:<br />
Vb‰ Š Š Š. Še Š Š Š. ŠeŠ Š Š Š Š Š<br />
([)<br />
V b ‰. t Š ‰. ‰. ˆ<br />
f Š Š Š Š Š Š t Š f Š Š Š Š Š Š tŠ<br />
{<br />
f Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
Bb ˆ ‰. Š ˆ ‰. Š ‰. Š ˆŠ Š Š Š<br />
21<br />
Vb ‰ Š Š Š. Š Š q ‰ Š =Š =Š. Š Š q<br />
([)<br />
O res mi - ra - bi - lis! man - du - cat Do-mi-num:<br />
O gift most won-der-ful! Christ as our sa - cra-ment:<br />
Vb ‰ Š Š Š.ŠŠ q ‰ Š Š #Š. Š Š q<br />
([)<br />
V b ‰ Š Š Š Š Š ‰. ‰ Š<br />
Š Š ‰ tŠŠ =Š =Š ‰.<br />
{<br />
f<br />
Š t Š Š f<br />
Š tŠ f<br />
#ŠŠ Š Š Š Š<br />
Bb Š Š Š Š t Še Š Š Š Š Š Š ‰ ‰ ‰ ‰ ‰ #‰‰ ##ˆˆ<br />
25<br />
cresc.<br />
Vb ‰ Š r ‰ Š r Šf<br />
Š Š Š. Še ‰ q<br />
([)<br />
for online perusal only<br />
Pau - per, pau - per, ser - vus, et hu - mi - lis,<br />
Hum - ble, low - ly, all share his sa - cred feast;<br />
Vb ‰ Š Š ‰ Š Š Š ŠŠŠ. Še ‰ q<br />
([)<br />
cresc.<br />
f<br />
V b ‰ ‰ ‰ ‰ Š<br />
t=Š Š Š. Še ˆ<br />
{<br />
f<br />
=ŠŠ t Š Š f<br />
Š tŠŠ f<br />
Š tŠŠ f<br />
Š t Š f =Š Š Š Š Š Š ‰ Š =Š<br />
cresc.<br />
f<br />
Bb ==‰ ˆ ‰ ˆ ‰ ‰ ˆ #ˆ<br />
t Š#Š Š t Š Š Š
29<br />
p<br />
Vb ‰ Š r Š. ŠeŠ r =Šf<br />
Š Š Š. Š ‰ f<br />
q<br />
([)<br />
pau - per, pau - per, ser - vus, et hu - mi - lis.<br />
hum - ble, low - ly, all share his sa - cred feast.<br />
Panis angelicus 189<br />
Vb Š. ŠeŠ r ‰ Š r Š ŠŠŠ. Še ‰ q<br />
([)<br />
p<br />
f<br />
V b ‰ Š ‰ Š. Še‰ =Š Š. Še ‰ Š Š Š Š<br />
Š Š Š tŠŠ {<br />
f<br />
Š ‰ ‰ Š Š Š Š Š Š Š Š<br />
p<br />
Bb ‰ ‰ #Š Š Š Š Š Š Š Š ‰<br />
f<br />
Š Š t ŠeŠ Š Še<br />
ˆ ‰ ‰ ˆ ‰ Š t f r<br />
33<br />
V b=Š ˆ Š Š Š Š Š‰ Š Š =ŠŠ Š ˆŠ Š Š Š Š ‰. Š Š #Š Š<br />
{<br />
‰ Bb<br />
mf<br />
‰. Š Š Š ‰ ‰. Š Š ˆr =Š Š Š bŠ Š ‰ Š #Š Š<br />
37<br />
mp<br />
cresc.<br />
Vb ‰ Š Š Š. Š Š q ‰ Š Š Š. Š Š q<br />
([)<br />
Pa - nis an - ge - li - cus fit pa - nis ho - mi-num;<br />
Bread <strong>of</strong> the an - gel host sent down from God a - bove;<br />
cresc.<br />
Vb p ‰ Š Š Š. Š Š q ‰ Š Š<br />
([)<br />
for online perusal only<br />
mp<br />
Pa - nis an - ge - li - cus fit pa - nis<br />
Bread <strong>of</strong> the an - gel host sent down from<br />
V b ‰ Š Š Š Šq tŠ ‰ Š Š q ‰ Š {<br />
f Š Š tŠ f Š Š tŠ f Š Š tŠ f Š Š tŠ f Š Š tŠ f Š Š tbŠ f Š Š<br />
p<br />
cresc.<br />
Bb ‰ ‰ ‰ ‰ ‰ ‰ ˆ
190 Panis angelicus<br />
41<br />
Vb ‰ f<br />
([)<br />
Š Š Š. Š f<br />
Š Š Š. Še Š Š ˆ<br />
Dat pa - nis cae - li - cus fi - gu - ris ter - mi - num:<br />
Bo - dy <strong>of</strong> Christ our Lord in to - ken <strong>of</strong> his love:<br />
Vb Š. Š Š q ‰ Š Š Š. Š f<br />
Š Š Š. ŠeŠ Š<br />
([)<br />
f<br />
ho - mi-num; Dat pa - nis cae - li - cus fi - gu - ris ter - mi -<br />
God a - bove; Bo - dy <strong>of</strong> Christ our Lord in to - ken <strong>of</strong> his<br />
V b Š t Š ‰. ‰ Š Š Š. Še Š Š Š. ŠeŠ {<br />
f Š Š t Š f tŠ f<br />
t Š f Š Š t Š f t Š f t Š f Š Š t Š f t Š f tŠ f Š Š tŠ f Š Š<br />
mf<br />
Bb ˆ‰ Š Š ˆ ‰‰. Š<br />
‰. Š ‰. =Š ˆ‰ ‰<br />
45<br />
mp<br />
cresc.<br />
Vb ‰ Š Š Š. Š Š q ‰ Š Š Š. Š Š q<br />
([)<br />
O res mi - ra - bi - lis! man - du - cat Do-mi-num:<br />
O gift most won-der-ful! Christ as our sa - cra-ment:<br />
mp<br />
cresc.<br />
Vb ˆ ‰ Š Š Š. Š Š q ‰ Š Š<br />
([) - num: O res mi - ra - bi - lis! man - du - cat<br />
V<br />
love: O gift most won-der-ful! Christ as our<br />
b ‰ q<br />
‰ ‰ Š‰ Š Š‰ Š q<br />
‰ ‰ Š Š<br />
{<br />
mp t Bb Š eŠŠ t ŠeŠ Š t Š eŠŠ t ŠeŠ Š t Š eŠŠ t cresc.<br />
ŠeŠ Š t Š eŠŠ t<br />
ˆ ˆ ˆ ˆ Še Š Š<br />
49<br />
Vb ‰ f Š Š Š Š Š. Še Š Š Š Š Š Š. Še<br />
([)<br />
for online perusal only<br />
Pau - per, pau - per, ser - vus, et hu - mi -<br />
Hum - ble, low - ly, all share his sa - cred<br />
f<br />
Vb Š. Š Š q ‰ Š Š Š Š Š Š Š Š. Še<br />
([)<br />
V b Št Š q ‰ Š Š Š Š Š. Še<br />
f Š Š t Š f Š Š tŠ f Š Š t Š f Š Š<br />
{ Bb f<br />
‰ ‰ ‰ ‰ ‰ ˆ ‰<br />
t Še Š Š<br />
Do - mi-num: Pau - per, ser - vus, et hu - mi -<br />
sa - cra-ment: Hum - ble, all share his sa - cred
52<br />
<br />
ff<br />
Vb ‰ q ‰ Š Š Š Š Š. Še Š Š<br />
([)<br />
- lis, pau - per, pau - per, ser -<br />
feast, hum - ble, low - ly, share<br />
Vb ‰ q #‰ ‰ ‰ Š Š<br />
([)<br />
ff<br />
Panis angelicus 191<br />
- lis, pau - per, pau - per, ser -<br />
feast, hum - ble, low - ly, share<br />
V b Š Š Š Š Š =Š Š#Š ‰ t #Š Š Š Š. Še Š f Š Š Š Š t Š<br />
{<br />
f Š Š t Š f Š Š<br />
ff<br />
dim.<br />
Bb ‰ ‰ #‰‰ ‰ #‰‰ ‰<br />
dim.<br />
dim.<br />
55<br />
rall.<br />
a tempo<br />
VbŠ Š Š<br />
p<br />
Š Š Š ‰ Š. Še ‰ q<br />
([)<br />
- vus, ser - vus, et hu - mi - lis.<br />
his sa - cred, his sa - cred feast.<br />
Vb Š Š Š Š Š ‰ Š. Še ‰ q<br />
([)<br />
- vus, et hu - mi - lis.<br />
his sa - cred, sa - cred feast.<br />
rall.<br />
a tempo<br />
V bŠ Š Š Š Š Š Š r q B Š Š Š Š<br />
ˆ ‰ Š.<br />
‰.<br />
Š<br />
{<br />
f<br />
Bb ˆ Š Š Š Š Š Š Š Š Š ‰.<br />
p<br />
Š Š Š Š r ‰ Š Š<br />
{<br />
for online perusal only<br />
rall.<br />
58<br />
Bb<br />
Š‰ Š Š Š‰ Š Š ‰‰ Š. ‰ Še ˆ Š r q<br />
BbbŠ Š Š Š ‰ ‰ Š V pp<br />
Š Š Š<br />
. . Š r q<br />
.<br />
p<br />
(Man.)
192<br />
Voices 1 (2)<br />
Keyboard<br />
45. Peace between nations<br />
Trad. Hebridean (adap.)<br />
VOICES<br />
<br />
<br />
Andante semplice i = 84<br />
Vb 34 r p p p<br />
V<br />
V b 34 Š Š Š Š. bbŠ Š f b Š Š. Še b Š Š bbŠ. Š ŠŠbŠ Š<br />
{<br />
KEYBOARD mp legato<br />
Bb 34 r bŠ Š Š Š Š bŠ‰. Š Š Š Š bŠ bŠ Š Š. ‰ Še<br />
(Man.)<br />
4<br />
TUTTI unis.<br />
Vb p mp<br />
Š. Š f Š Š ‰ Š. bŠŠ Š bŠ<br />
V<br />
Peace be-tween na - tions, peace be-tween<br />
b - - b bŠ Š. ŠŠbbŠ Š<br />
-<br />
Š Š Š Š Še t b Š Š bŠ Š. bŠe Š Š Š bŠ Š Š<br />
{<br />
p<br />
Bbbb‰ bŠ Š Š Š Š bŠ Š Š Š Š Š Š bŠ bŠ<br />
‰ Š Š<br />
8<br />
<br />
Vb Š ‰ Š. Š f Š Š Š Š Š bŠ Š Š Š bŠ bŠŠ. ‰<br />
V<br />
ra - ces. Peace be-tween neigh-bours in love <strong>of</strong> the King <strong>of</strong> Life.<br />
b bŠ‰. Š Š Š Š bŠ Š Š bŠ ‰. bb ‰‰<br />
bŠ =Š b Š .<br />
ŠeŠ Š<br />
Š<br />
Š f<br />
Š<br />
{ Bb ‰.<br />
‰ Š ŠbŠ Š b‰.<br />
‰ Š Š Š ŠbŠ Š<br />
Š<br />
‰<br />
for online perusal only<br />
CHRISTOPHER WIGGINS<br />
(b. 1956)<br />
13<br />
V bbbŠ. Š Š Š Š f b Š ŠbbŠ Š Š Š. Še Š bŠ bŠŠ<br />
Š. Š bŠŠ Š<br />
mp<br />
{ Bb Š‰ Š bŠ Š Š Š Š Š Š Š<br />
dim.<br />
bŠ Š bŠ Š Š Š ‰ Š bŠ<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
1<br />
2<br />
17<br />
Vb p mp<br />
r ŠŠŠ Š Š Š Š f<br />
Š. r ŠŠŠ<br />
Peace be-tween sis-ter and bro-ther, peace be-tween<br />
Vb p r ŠŠŠ bŠ Š Š Še Š. r Š Š Š<br />
V mp<br />
bbŠ Š. ‰ Š b Š ‰ Š ‰ bŠ Š ‰<br />
{<br />
p<br />
Bb Š. Še Š Š =( )Š Š Š‰ Š Š Š bŠ Š Š Š‰ Š Š Š Š. Še .<br />
V<br />
21<br />
Vb Š Š Š Še Š. r ŠŠŠ Š Š Š Š f<br />
Š<br />
V Še 4<br />
wife and hus-band. Peace be-tween pa-rents and chil-dren, the<br />
Vb Š =(<br />
V)Š<br />
Š Še Š. r ŠŠŠ bŠ ŠV<br />
Š Še Š Še 4<br />
V b Š ‰ Š Š Š Š bŠŠ<br />
Š ‰ 4<br />
{ Bb Š Š ‰ Š Š Š Š Š ‰. Š Š Š Š Š bŠ Š Š Š ‰ Š<br />
4<br />
24<br />
<br />
p<br />
Vb44 Š. Š f Š ŠbŠ Š 34 ‰. Še t r r p<br />
peace <strong>of</strong> Christ a-bove all peace.<br />
Vb4 Š. ŠebŠ Š Š Š 34 ‰. Še t r r p<br />
V b4 r b bŠ p<br />
‰ Š Š 34 r b Š Š bŠ bbŠ Š-<br />
Š<br />
- b Š-<br />
Š. Še b Š Š<br />
{<br />
poco f p mf<br />
Bb4 r ‰ Š bŠ 34 Š Š ‰ t<br />
ŠeŠ Š Š<br />
Š<br />
‰.<br />
‰.<br />
Š bŠ Š Š Š ŠbŠ<br />
V<br />
V<br />
for online perusal only<br />
Peace between nations 193
194 Peace between nations<br />
28<br />
TUTTI unis.<br />
Vb p p mp<br />
<br />
Š. Š f Š Š f Š. Še t<br />
Peace be-tween bro - thers,<br />
V b b bŠ. ŠŠbŠ<br />
- -<br />
Š bbŠ Š. ŠŠbbŠ Š<br />
-<br />
Š Š Š Š Š Še t b Š Š bŠ Š. Š bŠŠ Š f<br />
{<br />
mp<br />
p<br />
Bb Š Š. ‰ Še<br />
bb‰ bŠ Š Š Š Š bŠ Š Š Š Š Š<br />
‰<br />
for online perusal only<br />
32<br />
unis.<br />
<br />
1<br />
VbŠ. bŠ Š Š bŠ Š ‰ Š. Š Š bŠ f<br />
Š<br />
2Š bŠŠ<br />
Š Š<br />
peace be-tween sis - ters. Peace be-tween lo - vers in<br />
V b Š Š bŠ Š Š bŠ‰. Š Š Š Š Š Š Š Š bŠ Š‰ bŠ bŠ Š Š<br />
{ Bb Š bŠ bŠŠ<br />
Š ‰. bŠ<br />
bŠ Š Š bŠ Š<br />
poco meno mosso<br />
mf p<br />
1 F<br />
36<br />
<br />
unis.<br />
Vb bŠ Š Š Š bŠ bŠ Š. Še t bŠŠ Š bŠŠ bŠŠ bŠ Š bŠ bŠ Š. ‰<br />
{<br />
2<br />
love <strong>of</strong> the King <strong>of</strong> Life, in love <strong>of</strong> the King <strong>of</strong> Life.<br />
Vb b ‰‰<br />
bŠ bbŠŠ. Še t r b Š bbŠ t<br />
ŠŠe F ‰. Š =Š. E<br />
‰<br />
mf p<br />
Bb ‰ Š bbŠ. t r bb‰ Š Š ‰<br />
F<br />
‰.<br />
E<br />
Š
195<br />
Voices 1 (2)<br />
Keyboard<br />
46. Pie Jesu<br />
(Blessed Jesu, Lord, I pray)<br />
1<br />
1<br />
2<br />
Anon.<br />
trans. John Rutter<br />
V # Adagio i = 72<br />
SOLO or TUTTI<br />
4 p p dolce e tranquillo<br />
Š. ŠeŠ. Š<br />
([) f Š. Še ‰ ŠŠŠŠŠ Š Š. Š ‰<br />
VOICE 1<br />
Pi - e Je - su Do - mi-ne, do - na e - is re - qui-em,<br />
f<br />
Bless - ed Je - su, Lord, I pray in thy mer-cy grant them rest,<br />
V # 4 p p p p p<br />
VOICE 2<br />
([)<br />
V# Adagio i = 72<br />
4 ˆ ‰ ‰<br />
Š Š Š. Š#Š Še #‰‰ =‰. ŠŠŠŠŠ Š. ‰ Še<br />
Š<br />
‰<br />
{<br />
KEYBOARD p dolce<br />
B# 4<br />
ˆ ‰ Š Š Š Š ‰ Š ‰ Š Š Š Š ‰<br />
Š Š Š<br />
V # (Man.)<br />
6<br />
<br />
Š Š Š Š Š Š Š. Še ‰ p p p<br />
([)<br />
for online perusal only<br />
do - na e - is re - qui-em.<br />
in thy mer - cy grant them rest.<br />
GABRIEL FAURÉ<br />
(1845–1924)<br />
V# Š Š#ŠŠ Š. =ŠŠe ‰ Š Š Š Š Š Š Š Š Š Š Š<br />
r ‰ Š Š. Š ˆ f Š Š Š<br />
{ B# Š Š Š Š Š Š ‰ r ‰ Š Š. ŠeŠ Š Š ˆˆ<br />
V # (TUTTI)<br />
11<br />
mp<br />
Š. ŠeŠ. Š<br />
([)<br />
f<br />
Š#Š<br />
mf<br />
Š ‰ #Š Š Š Š Š Š Š. Še‰<br />
Pi - e Je - su Do - mi - ne, do - na e - is re - qui - em,<br />
Bless - ed Je - su, Lord, I pray in thy mer - cy grant them rest,<br />
V # Š. ŠeŠ #Š Š Š #‰ Š =Š Š Š Š Š Š Š #Š<br />
([)<br />
V# mp<br />
mf<br />
‰. ‰ Š Š#Š # Š # ‰ #Š Š<br />
=‰ Š Š Š #Š Š Š. ‰. Še‰ #Š<br />
{ B# ‰ Š #Š ‰ Š Š ##‰‰ Š =‰ Š ‰ Š Š<br />
‰ Š ‰<br />
Music: © <strong>Oxford</strong> University Press 2007; Translation: © 1984 Hinshaw Music, Inc. Reprinted with permission. Not available<br />
for sale in France until 1 January 2010. Photocopying this copyright material is ILLEGAL.
196 Pie Jesu<br />
V #<br />
15<br />
p<br />
Š Š Š Š Š Š Š. #Še‰<br />
p q r Š<br />
([)<br />
V # Š Š #Š Š Š<br />
([) Š ‰<br />
p q r Š<br />
V#<br />
p<br />
Š Š Š Š#ŠŠ Š Š Š. Š Š #ŠeŠ Š Š #ŠŠ Š Š Š Š. Š Š Š Š Š Š ‰<br />
{ f Š Š#Š<br />
B# Š Š Š Š Š Š<br />
‰ Š Š Š. Še Š Š Š ‰<br />
V #<br />
19<br />
Š Š Š Š<br />
p<br />
Š. Še ‰ Š Š Š Š Š. Še ‰<br />
([)<br />
p dolce<br />
do - na e - is re - qui - em. Do -<br />
in thy mer - cy grant them rest. O<br />
- na e - is Do - mi-ne, do - na e - is re - qui-em,<br />
bless - ed Je - su, Lord, I pray in thy mer - cy grant them rest,<br />
V # Š Š Š Š Š. Še ‰ Š Š Š Š Š. Še ‰<br />
([)<br />
p<br />
V# ‰ ‰ Š Š Š Š Š Š Š Š ‰ ‰ Š Š Š Š Š Š Š Š<br />
{ B#<br />
pp<br />
ˆ ˆ ˆ ˆ<br />
sempre legato<br />
ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰ ˆ‰ ‰<br />
V # (Ped.)<br />
23<br />
Š Š #Š<br />
p<br />
Š Š. #Še ‰ Š. Še Š Š Š. Še ‰<br />
([)<br />
for online perusal only<br />
sem - pi - ter-nam re - qui-em, sem - pi - ter - nam re - qui-em,<br />
grant them ev - er - last - ing rest, grant them ev - er - last - ing rest,<br />
V # Š Š Š #Š Š. Še ‰ Š. Še Š Š Š. Še ‰<br />
([)<br />
V# p<br />
ˆ‰ #‰ Š‰ Š Š Š #‰ Š#Š Š Š Š<br />
Š Š Š#‰ Š#Š Š Š Š<br />
Š Š Š #‰ Š#Š Š Š<br />
{<br />
pp<br />
B# #‰ ˆ ‰ Š. ‰ #Še<br />
Š #Š #Š ‰ =Š #‰ Š #Š #Š ‰ =Š #‰ Š #Š<br />
p dolce
V #<br />
27<br />
pp<br />
mf<br />
Š. Še Š. Še Š. Še ‰ Š. Še Š. Š f Š. Še ‰<br />
([)<br />
sem - pi - ter - nam re - qui-em. Pi - e, pi - e Je - su,<br />
grant them ev - er - last - ing rest. Bless - ed, bless - ed Je - su,<br />
V # Š. Še Š. Še Š. Še ‰ ‰ Š Š Š. Še ‰<br />
([)<br />
pp<br />
mf<br />
Pi - e Je - su,<br />
Bless - ed Je - su,<br />
V# Š=Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ ‰<br />
Š Š Š. Š #Š Še #‰‰<br />
{ B# ˆŠ=Š Š Š Š Š Š Š ˆ Š Š Š Š Š Š Š mf<br />
‰ Š Š Š Š ‰<br />
V #<br />
31<br />
Š Š Š Š Š Š Š. Š ‰ f<br />
([)<br />
(Man.)<br />
Š Š Š Š Š Š Š Š Š Š Š Š<br />
pi - e Je - su Do - mi - ne, do - na e - is, do - na e - is<br />
bless - ed Je - su, Lord, I pray in thy mer - cy, in thy mer - cy<br />
V # Š Š Š Š Š. ŠeŠ Š Š Š Š Š Š Š Š Š<br />
([)<br />
V# =‰. Š Š Š Š Š Š. Še‰ Š<br />
Š ‰ Š Š Š Š Š#ŠŠ Š Š Š =ŠŠ Š Š Š<br />
{ B# Š ‰ Š Š Š Š ‰<br />
Š Š Š Š Š Š Š Š Š Š‰<br />
Š<br />
V # Š. Še Š. Še Š. Še ‰ Š Š Š Š Š Š F<br />
35<br />
poco rit.<br />
p<br />
pp<br />
‰<br />
([)<br />
for online perusal only<br />
Pie Jesu 197<br />
sem - pi - ter - nam re - qui-em, sem - pi - ter - nam re - qui - em.<br />
grant them ev - er - last - ing rest, grant them ev - er - last - ing rest.<br />
V # Š. Še Š. Še Š. Še ‰ Š. ŠeŠ. Še Š Š ‰<br />
([)<br />
V# p pp E<br />
poco rit. F<br />
ˆŠ. Še Š. Še ˆŠ Š ‰ Š Š Š Š Š Š ‰<br />
{<br />
p<br />
pp<br />
B#<br />
Š Š Š Š Š<br />
Š Š Š Š‰ Š Š Š Š‰<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š E‰
198<br />
Unis.<br />
(Keyboard)<br />
47. Praise to the Trinity<br />
VOICES<br />
<br />
Vbb<br />
([)<br />
([)<br />
<br />
Vbb<br />
([)<br />
Freely<br />
Š Š Š Š Š ŠeŠŠ f<br />
Š Š Š Š Š Še Š Š Š Š Š Š ŠeŠeŠ Š Š Šb( Š) Š<br />
(VOICE 1)<br />
Praise to the Tri - ni-ty, which is sound and life,<br />
Še Š Š Š Š Š Š Š Š<br />
(VOICE 2)<br />
„<br />
Še Š Š Š Š Š Š Š Še Še - Š<br />
cre - a - tor <strong>of</strong> all be - ings in their own lives;<br />
„<br />
(TUTTI)<br />
<br />
Vbb<br />
Š Š Š Š Š Š Š f<br />
Š f Š Š Š Š Š. Š Š Š<br />
<br />
<br />
([)<br />
and the praise <strong>of</strong> the an - ge - lic host,<br />
(VOICE 1)<br />
Vbb Š Š Š f Š Š Š Še Š Š Š Š Š Š Š Š Š Š<br />
<br />
Vbb<br />
([)<br />
([)<br />
and won - d’rous splen - dour <strong>of</strong> the mys - ter - ies<br />
Š<br />
(VOICE 2)<br />
for online perusal only<br />
Original Latin words and music by<br />
HILDEGARD OF BINGEN (1098–1179)<br />
edited and adapted by Julian Elloway<br />
Še Š Š Š Š Š Š Š Š Š Š Še Š Š Š<br />
that are un - known to all hu - man - kind<br />
(TUTTI)<br />
<br />
„<br />
Vbb Š Š Š Š Š Š Š Š ŠŠ ŠeŠ Š Š f Š Š Š. Š-<br />
Š Š Š Š Š Š Š Š Š ŠeŠ Š<br />
and which in ev - ’ry - thing is life, is life.<br />
The plainsong original has no performance indications. This <strong>of</strong>fers much flexibility in performance, for example:<br />
1 Upper voices, optionally supported by a drone on D and A in the lower voices<br />
1 All voices in unison, optionally accompanied by a keyboard drone<br />
1 Two groups <strong>of</strong> voices, optionally accompanied by a keyboard drone, and following the bracketed suggestions:<br />
Voice 1 could be upper voices and Voice 2 could be men, or Voice 1 could be sopranos and Voice 2 altos.<br />
The composer uses the word ‘creatrix’, i.e. a female creator, in the second line.<br />
Sing with confidence and expression, thinking steady quavers, but responding freely to the shape <strong>of</strong> the phrases.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S S (A) (T) (B)<br />
Keyboard<br />
to Mrs D. R. Marlowe and the Dudden Hill Girls’ School Choir<br />
48. A Prayer <strong>of</strong> St Richard<br />
<strong>of</strong> Chichester<br />
199<br />
St Richard <strong>of</strong> Chichester<br />
(c.1197–1253)<br />
SOPRANO<br />
KEYBOARD<br />
V # Andante con espress. i = 100<br />
<br />
SOLO or SOLI<br />
# 4 p p p p<br />
<br />
‰ Š Š<br />
O<br />
ho - ly<br />
V# # 4<br />
ŠŠ Š‰ Š Š ‰ Š Š Š Š ˆ Š Š Š Š ˆ‰ Š Š<br />
pp<br />
{<br />
(Organ: Celeste)<br />
B##<br />
Š Š ‰<br />
4<br />
for online perusal only<br />
L. J. WHITE (b. 1910)<br />
lower voice parts by Alan Bullard<br />
(Man.)<br />
V #<br />
5<br />
# ‰ ‰ q r Š > Š. Š f Š Š ‰ ‰ r<br />
><br />
<br />
‰ Š<br />
Je - sus, most mer - ci-ful re - deem - er, friend and<br />
V# # Š‰ Š ‰ Š Š Š‰ Š Š. ‰ ŠeŠ‰ Š ˆ Š‰. Š Š Š<br />
{ B## ‰ Š Š Š. ‰ Še‰ ‰ ˆ<br />
Š Š Š Š Š ‰. #Š #‰ Š ‰. Š Š ‰ Š<br />
V #<br />
10<br />
<br />
cresc.<br />
# ‰ ‰ r Š Š Š ‰ Š Š ‰ ‰ #Š. ŠeŠ Š<br />
bro - ther, may I know theemore clear - ly, love thee more<br />
V# # ‰ Š Š ‰ Š Š‰. Š Š ‰ Š‰ Š ‰. ‰ Š #Š‰.. ŠeŠ #ŠŠ<br />
{ B## ˆ ˆ cresc.<br />
Š Š ‰ Š Š<br />
‰<br />
Š Š ‰. Š ‰ ‰ ‰ ‰ Š‰ Š #‰‰<br />
© <strong>Oxford</strong> University Press 1947 and 2007. Photocopying this copyright material is ILLEGAL.
200 A Prayer <strong>of</strong> St Richard <strong>of</strong> Chichester<br />
S.<br />
A.<br />
T.<br />
B.<br />
V #<br />
15<br />
#‰ Š Š Š Š Š mf<br />
Š ‰. Š ‰ ‰ p<br />
dear - ly, and fol - low thee more near - ly,<br />
V# # Š #Š Š Š Š Š Š<br />
‰. Š ‰ ‰ Š‰ Š Š Š Š Š‰ Š ‰ Š Š ˆŠ Š Š Š<br />
{ B## ˆ Š mf<br />
. ŠeŠ Š Š. ŠeŠ<br />
‰ ‰ ‰ ‰ ‰ Š Š ˆ<br />
p<br />
‰ ‰ ‰. Š<br />
V #<br />
20<br />
# p<br />
p<br />
q r Š Š ‰ Š ‰. Š ˆ<br />
for online perusal only<br />
(Ped.)<br />
and fol - low thee more near -<br />
(Organ: Solo)<br />
V# # ‰ Š Š ‰. r Š Š Š =‰ #‰ ‰‰.<br />
Š Š ‰ Š ‰ Š Š Š Š ˆŠ Š Š Š<br />
{<br />
pp<br />
B## ‰ Š. Š r f ‰.<br />
V #<br />
25<br />
mf<br />
(S. SOLO or SOLI)<br />
# ‰ q r Š Š Š ‰ ‰ q r Š ><br />
<br />
Š. Š f Š #Š<br />
V # # mf<br />
Š ‰ q r ><br />
‰ Š Š Š Š ‰ Š Š. ŠeŠŠ f Š Š ‰ ‰ Š Š<br />
O ho - ly Je - sus, most mer - ci-ful re - deem - er,<br />
mf<br />
B## ‰ Š Š<br />
><br />
Š<br />
Š.<br />
Š Š Š<br />
ŠeŠ ‰ ‰ ‰ ‰ Š Š Š Š ‰ ‰<br />
><br />
- ly. O ho - ly Je - sus, most mer - ci-ful re -<br />
O ho - ly Je - sus, Je - sus mer - ci-ful re - deem - er,<br />
V# # ˆ‰ Š Š ‰ Š Š<br />
Š<br />
‰ Š ‰ Š Š ‰ Š. ‰ ŠeŠ‰ Š Š ‰ #Š Š ‰ #Š<br />
mf<br />
{<br />
(Organ: Gt.)<br />
B## ‰ Š Š Š ‰ ‰ Š Š Š<br />
Š<br />
Š<br />
‰<br />
Š Š ‰ ‰<br />
‰ Š Š Š<br />
Š ‰ ˆ ‰. Š Š
A Prayer <strong>of</strong> St Richard <strong>of</strong> Chichester 201<br />
V #<br />
30<br />
<br />
# Š ‰ r r ‰ Š Š Š q rŠŠ Š Š Š Š Š Š<br />
friend and bro - ther,<br />
V # # r‰<br />
><br />
Š Š ‰ Š ‰ ‰ r Š‰ Š Š ‰ Š Š ‰ Š Š ‰<br />
friend and bro - ther, may I know theemore clear - ly,<br />
B## r<br />
><br />
Š Š ‰ Š ‰ Š ‰ Š Š ‰ Š Š Š<br />
‰<br />
Š<br />
‰<br />
Š Š ‰ Š Š ‰ Š Š ‰ ‰<br />
><br />
- deem-er, friend and bro-ther, may I know, thee more<br />
friend and bro - ther may I know thee more clear -<br />
friend and bro - ther, may I know theemore clear - ly,<br />
V# # ‰. Š Š Š Š ‰ Š Š ‰ Š Š‰. Š Š ‰ Š‰ Š ˆŠ Š Š Š<br />
{<br />
cresc. poco a poco<br />
B## ‰. Š Š ‰ Š ˆ ˆ Š Š ‰ ‰<br />
Š Š ‰. Š ‰ Š Š ‰ ‰<br />
for online perusal only<br />
V # ##Š Š #‰ Š. Š f Š Š ‰ Š Š Š ‰<br />
35<br />
><br />
f<br />
<br />
Š ‰ Š Š<br />
clear - ly, love thee more dear - ly, and fol - low thee more<br />
love thee more dear - ly, and fol - low thee more near - ly,<br />
V # ##Š. ‰ Še#‰ Š Š ‰ Š #Š Š Š Š Š Š Š =( ‰.) ‰ Š Š ‰ ‰<br />
love thee more dear - ly,<br />
and fol-low thee more near - ly,<br />
- ly, love thee more dear - ly,<br />
B## Š‰ Š #‰ Š Š Š Š Š Š Š Š Š Š<br />
‰ Š Š ‰ ‰ ‰ Š Š ‰ ‰<br />
love thee more dear - ly, and fol - low thee more near - ly,<br />
V# ##Š. ‰ Še#‰ Š Š Š #Š Š Š Š Š Š<br />
‰. Š =‰ ‰ Š‰ Š Š Š Š Š‰ Š ‰ Š Š<br />
f<br />
{ B## Š‰ Š #‰ ˆ Š. ŠeŠ Š Š.<br />
‰<br />
ŠeŠ<br />
‰ ‰ ‰ ‰ ‰ Š Š ˆ<br />
‰ ‰<br />
f<br />
f
202 A Prayer <strong>of</strong> St Richard <strong>of</strong> Chichester<br />
V #<br />
40<br />
# ‰. Š ‰ q q r Šp<br />
<br />
Š Š Š Š ‰. Š<br />
near - ly, and fol - low thee more<br />
V # unis.<br />
# p p<br />
p<br />
q r Š Š ‰ Š ‰. Š<br />
and fol - low thee more<br />
B## p p p p p<br />
V#<br />
(Organ: Solo)<br />
# Š Š Š Š ‰ Š Š ‰. r Š Š Š ˆ =‰ #‰ ‰‰.<br />
Š Š ‰ Š ‰ Š Š Š Š<br />
{<br />
p<br />
pp<br />
(Organ: Celeste)<br />
B## ‰. Š ‰ Š. Š r f ‰.<br />
for online perusal only<br />
V # rall.<br />
45<br />
<br />
mp pp<br />
# ˆ ‰ q p r Š Š Š ‰ ‰ ˆF<br />
V # mp<br />
S.<br />
# ˆ ‰ q p r Š‰. Š Š Fpp<br />
‰ Š‰ Š ˆ<br />
A.<br />
B## p p p r ‰ Š Š‰ Š ‰ Ê<br />
ˆ<br />
mp pp<br />
V#<br />
rall.<br />
# ˆ Š Š Š Š ˆ‰ Š Š ‰ Š Š ‰ ‰ ˆ Š Š ‰ Š‰ Š ˆ<br />
mp<br />
ˆF<br />
{<br />
pp<br />
B##<br />
Š Š ‰ ‰ Š Š ‰. Š Š‰ Š ‰ ˆ<br />
(Man.)<br />
Ê<br />
near - ly. A - men.<br />
near - ly. A - men.<br />
(Ped.)
203<br />
S(A)(Men)<br />
Keyboard<br />
49. Psalm 150<br />
The <strong>Book</strong> <strong>of</strong> Common Prayer<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
Strong and steady i = 88<br />
<br />
ff<br />
Vb 4 p p<br />
><br />
‰. ‰. ><br />
Š ><br />
‰ ‰. . r ><br />
‰. ‰. ><br />
> > ><br />
> ><br />
Š<br />
Bb 4 p p ‰.<br />
> Š > ‰.<br />
> r > ‰. Š><br />
ff<br />
V<br />
Strong<br />
b 4 ‰‰ ‰ . and steady Š i ‰‰<br />
= 88<br />
‰ . Š ‰‰‰ . Š ˆˆ ‰‰‰ . Š<br />
{<br />
ff><br />
Bb 4 ‰ . ><br />
ŠŠ<br />
><br />
‰. ><br />
ŠŠ<br />
><br />
‰. ><br />
ŠŠ ˆˆ > ><br />
‰. ><br />
ŠŠ<br />
q ‰ ‰ ‰ ‰ ‰ ‰ ><br />
Š Š ‰ ><br />
‰<br />
> > > ><br />
for online perusal only<br />
(Organ: Ped. 8i, 16i throughout)<br />
(Piano: double 8ve lower as appropriate)<br />
BOB CHILCOTT<br />
(b. 1955)<br />
O praise God, O praise<br />
6<br />
><br />
Tempo II: Driving<br />
Vb Š Š ‰ r ‰. ><br />
i = 144<br />
> ><br />
‰. Š ‰‰.. > ><br />
> > ><br />
Š 78Š.<br />
><br />
‰ Š. ‰<br />
> >God, O praise God, praise God.<br />
><br />
Bb<br />
Š Š ‰<br />
r ‰.<br />
> Š > ‰. > Š > 78 Š .<br />
><br />
‰ Š. ‰<br />
V<br />
Tempo<br />
b Š Š ‰. ‰‰‰ . ŠŠŠ ‰‰ ‰‰ 78 Š II: Driving<br />
><br />
Š Š<br />
><br />
Š<br />
> i = 144<br />
><br />
Š Š<br />
><br />
Š Š Š Š<br />
><br />
Š<br />
><br />
Š Š<br />
ˆˆˆ<br />
Š<br />
><br />
> ><br />
{ Bb ˆ ‰. ><br />
‰ Š > ><br />
Š Š ‰ ‰ Š ‰. 78 Š .<br />
><br />
Š. > > > ‰. ><br />
Š. ‰ Š. ‰<br />
><br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
204 Psalm 150<br />
11<br />
Vb p p<br />
mf ><br />
34 ‰ Š Š Š Š<br />
58<br />
O praise God in his<br />
Bb p p 34 ‰ Š > Š Š Š 58<br />
V ><br />
b Š Š Š<br />
><br />
Š<br />
><br />
Š Š<br />
><br />
Š Š Š Š<br />
><br />
Š<br />
> mf<br />
Š Š Š 34 Š Š Š Š Š<br />
><br />
Š Š Š Š Š Š Š 58<br />
mf<br />
{ Bb p p V 34 ‰ Š<br />
><br />
Š Š Š 58<br />
(Man.)<br />
15<br />
><br />
Vb58 Še ><br />
54 58Š<br />
><br />
Š Š Še ><br />
24<br />
f Š ‰ Š Š Š<br />
><br />
Š Š<br />
> ><br />
f ><br />
Š<br />
ho - li - ness: praise him in the fir - ma-ment<br />
><br />
Bb58 Š Š > f Š 54 ‰ Š Š Š ><br />
58 Š Š > f Š 24<br />
V ><br />
b58 Š Š Š<br />
><br />
Š Š 54 Š Š Š Š Š Š Š Š Š<br />
><br />
Š Š Š Š<br />
><br />
Š Š 24<br />
{ Vb58 Š Še Š 54 ‰ Š Š Š 58Š Še<br />
><br />
> ><br />
Š<br />
><br />
24<br />
18<br />
Vb24 78Š.<br />
> f<br />
mf<br />
Š Š ‰ Š. q 54‰ ‰ Š Š Š<br />
58<br />
<strong>of</strong> his power. Praise him in his<br />
Bb24 Š Š ><br />
78 Š. ‰ Š. q 54 ‰ Š Š Š 58<br />
V b24 Š Š Š<br />
><br />
Š Š f Š Š<br />
><br />
Š<br />
><br />
Š Š<br />
><br />
Š Š Š Š<br />
><br />
Š<br />
><br />
Š Š mf<br />
Š 54 Š Š Š Š Š Š Š Š Š Š 58<br />
f<br />
{ Vb24 Š Š 78Š . ‰ Š mf<br />
. 54 ‰ Š Š Š<br />
> Š. ‰ ‰. ‰<br />
58<br />
(Ped.)<br />
><br />
for online perusal only
Psalm 150 205<br />
22<br />
><br />
Vb58 Še ><br />
54 ><br />
4Š ><br />
Š Š ŠŠŠ 78<br />
f Š Š Š Š Š Š Š Š Š Š Š Š<br />
no - ble acts: praise him ac - cord - ing to his ex - cel-lent<br />
><br />
Bb58 Š Š > f Š 54 Š Š Š Š Š ><br />
4 Š Š > Š ŠŠŠ 78<br />
V ><br />
b58 Š Š Š<br />
><br />
Š Š 54 Š Š Š Š Š Š Š Š Š<br />
><br />
Š 4 Š Š Š<br />
><br />
Š Š Š<br />
><br />
Š Š 78<br />
{ Vb58 Š Še Š 54 Š Š Š Š Š 4Š Š<br />
><br />
Š Š Š<br />
><br />
Š<br />
><br />
> ><br />
78<br />
(Man.)<br />
><br />
Vb78 > > f ><br />
25<br />
Še‰ ŠeŠ<br />
><br />
><br />
Š Š ><br />
><br />
><br />
><br />
Še‰<br />
f<br />
‰ Š. q<br />
><br />
Š Š f Š Š Š.<br />
><br />
Š<br />
><br />
Š<br />
><br />
Š Š f<br />
‰<br />
great - ness. Praise him in the sound <strong>of</strong> the trum-pet:<br />
><br />
Bb78 Š > Š f ‰ Š. q<br />
> Š Š > Š > Š > Š. > f Š > Š > Š > Š f<br />
‰<br />
V ><br />
b78 Š Š Š<br />
><br />
Š<br />
><br />
Š Š<br />
><br />
Š Š Š Š<br />
><br />
Š<br />
> f<br />
Š Š Š Š Še><br />
> ><br />
Š Š Š. Š Š Š Še‰<br />
> f<br />
{ Vb78 Š Še‰ Š . B Š ŠeŠ<br />
> ><br />
Š<br />
><br />
Š.<br />
><br />
Š<br />
><br />
Š<br />
><br />
Š<br />
><br />
Še‰<br />
Š. ‰<br />
Š. ‰ Š. ‰ Š. Š ><br />
Š<br />
> > ><br />
><br />
><br />
(Ped.)<br />
Vb ><br />
30 > ><br />
><br />
Še > ><br />
Š. q Š. Š Š Š Š ><br />
f<br />
Š Š Š. ‰ Š. q<br />
><br />
praise him up - on the lute and harp.<br />
Bb<br />
Š. q<br />
> Š. > Š > Š > Š Š > f Š > Š > Š. ‰ Š. q<br />
V b Š . ‰ Š Še><br />
> > Š Š Š Š Š ><br />
f Š Š . ‰ Š . ‰<br />
{ Bb<br />
Š. ‰ Š Š ><br />
Š Š. ŠeŠ<br />
><br />
‰ ><br />
Š<br />
><br />
Š Š. Še ><br />
Š ‰ ><br />
Š<br />
><br />
Š. Š. ‰ Š Š Š. Š. ‰<br />
> > > ><br />
> > > ><br />
Š > Š<br />
for online perusal only
S.<br />
A.<br />
MEN<br />
206 Psalm 150<br />
Vb Š Š f<br />
Š Š Š Š Š Š Š > Š Š > f<br />
Š ><br />
35 SOPRANOS<br />
> > > ><br />
> ><br />
Š<br />
ALTOS<br />
Vb p > Š Š > f<br />
Š > Š > Š Š Š > Š Š><br />
MEN<br />
Bb p p<br />
> Š Š > f<br />
Š Š><br />
Praise him in the cym-bals and dan - ces, praise him in the<br />
Praise him in the cym-bals and dan - ces,<br />
Praise him in the<br />
V b > ŠŠ Š Š ŠŠ Š<br />
> ŠŠŠ Š > ŠŠŠ Š > ŠŠŠ Š ŠŠŠ > ŠŠŠ Š > ŠŠŠ Š > ŠŠŠ Š ŠŠŠ > ŠŠŠ Š > ŠŠŠ Š<br />
{ Bb Š Š Š Š Š<br />
Š. ‰ Š. ‰ Š. ‰ Š<br />
for online perusal only<br />
38<br />
Vb > Š Š Š > Š > Š Š. ‰ Š. Š r<br />
cym-bals and dan - ces:<br />
Vb > Š Š > f<br />
Š > Š > Š Š Š > Š > Š Š. Š r<br />
praise him the the cym-bals and dan - ces:<br />
><br />
Bb<br />
Š Š Š > Š > Š<br />
> Š Š > f<br />
Š > Š > Š Š Š > Š Š><br />
cym-bals and dan - ces, praise him in the cym-bals and dan - ces:<br />
V b > ŠŠ Š Š ŠŠ Š<br />
> ŠŠŠ Š > ŠŠŠ Š > ŠŠŠ Š ŠŠŠ > ŠŠŠ Š > ŠŠŠ Š > ŠŠŠ Š ŠŠŠ > ŠŠŠ Š > ŠŠŠ Š<br />
{ Bb Š Š Š Š Š<br />
Š. ‰ Š. ‰ Š. ‰ Š
S.<br />
A.<br />
MEN<br />
41<br />
mf<br />
Vb > > ><br />
Š. Š Š Š ŠeŠ 4<br />
f<br />
Š Š Š. ‰ Š. q<br />
><br />
><br />
praise him up - on the strings and pipe.<br />
Bb Š. Š mf Š > Š Š f<br />
Š Š > Š. ‰ Š. q 4<br />
V<br />
up - on the strings and pipe.<br />
b Š Še Š Š Š Še Š Š Š . ‰<br />
><br />
Š. Š ‰ Š 4<br />
{<br />
f<br />
Š<br />
marcato<br />
poco legato<br />
Bb Š>mf Š ŠŠ<br />
Š f<br />
Š ŠŠ<br />
> ><br />
Š Š f Š Š Š. Še Š‰ Š Š. Š‰<br />
Š 4<br />
(Man.)<br />
for online perusal only<br />
45<br />
unis.<br />
<br />
broad<br />
Vb44<br />
r Š Š Š Š Š Š Š Š ‰. ˆ<br />
Praise him up - on the well-tuned cym - bals:<br />
broad<br />
Bb4 q r Š Š Š Š Š Š ‰. ˆ<br />
Praise him up - on the cym - bals:<br />
V b4 ˆˆ ‰‰ ‰‰‰ ˆˆˆ<br />
ˆˆˆ<br />
{<br />
broad<br />
Bb4 ‰ Š Š ˆˆ r Š Š Š ‰ Š Š<br />
ˆ ˆ ˆ ˆ<br />
49<br />
<br />
f<br />
cresc.<br />
S.<br />
Vb r Š Š Š Š Š Š Š Š ‰.<br />
‰.<br />
‰.<br />
‰. r<br />
78<br />
A.<br />
praise him up - on the loud cym - bals.<br />
Bb q r Š Š Š Š Š Š ‰ . ‰ . r 78<br />
(Ped.)<br />
cresc.<br />
praise him up - on the cym - bals.<br />
V b ˆ ‰ ‰ ‰‰‰ ‰‰‰ ˆˆ Š Š Š Š ‰ ˆ Š Š 78<br />
{ Bb q cresc.<br />
f<br />
Š Š ˆˆ ˆˆˆ<br />
ˆ ˆ ˆ ˆ<br />
78<br />
f<br />
Psalm 150 207
Vb78 53 SOPRANOS<br />
f > Š > Š > Š Š Š Š Š > Š. > Š > Š<br />
Vb78 p<br />
ALTOS<br />
f > Š. > Š > Š > Š Š Š Š Š<br />
Bb78 p<br />
MEN<br />
f > Š. > Š > Š > Š Š Š > Š Š<br />
S.<br />
><br />
Let ev - ’ry - thing that hath breath, let ev - ’ry -<br />
A.<br />
><br />
Let ev - ’ry - thing that hath breath:<br />
MEN<br />
208 Psalm 150<br />
Let ev - ’ry - thing that hath breath,<br />
V b78 > ŠŠ Š Š ŠŠ Š ŠŠŠ Š ŠŠŠ Š ŠŠ Š ŠŠ ŠŠ Š ŠŠ Š > ŠŠŠ Š ŠŠŠ ŠŠŠ Š ŠŠŠ Š<br />
{ Bb78 r f. ><br />
Š<br />
> > ><br />
Š Š. Š<br />
><br />
Š r. ><br />
Š ><br />
Š. ‰ Š. ‰ Š. ‰<br />
Š<br />
><br />
><br />
for online perusal only<br />
56<br />
rit.<br />
Tempo I<br />
Vb > Š Š Š Š Š Š. ‰ p 4 p<br />
><br />
- thing that hath breath:<br />
Vb Š. ‰ Š. ‰ p 4 p<br />
><br />
Bb<br />
Š. > Š > Š > Š Š Š > Š Š p 4 p<br />
let ev - ’ry - thing that hath breath:<br />
V b ŠŠ Š ŠŠŠŠŠ ŠŠŠ ŠŠ Š ŠŠŠŠŠ ŠŠŠ ŠŠ<br />
ŠŠ<br />
f<br />
ŠŠ<br />
ŠŠ<br />
4<br />
‰ ‰ . ><br />
Tempo I<br />
rit.<br />
> > > > ><br />
><br />
><br />
Š<br />
ff<br />
{<br />
> ><br />
Bb Š. Š<br />
> ><br />
Š > ><br />
Š Š<br />
><br />
Š. ><br />
4 ‰ . ><br />
ŠŠ<br />
Š. ‰ ><br />
Š. ‰ Š. ‰ q ><br />
‰
S.<br />
A.<br />
MEN<br />
Psalm 150 209<br />
ff<br />
60<br />
Vb p<br />
><br />
‰. > > ><br />
‰. Š ‰‰.. r ‰.<br />
‰. > ><br />
Š > > ><br />
Š Š ‰ r<br />
> ><br />
praise the Lord, praise the Lord,<br />
Bb p ‰.<br />
> Š > ‰.<br />
r ‰.<br />
> ><br />
Š Š Š ‰<br />
> > r<br />
ff<br />
V b ‰<br />
><br />
‰. > Š ‰<br />
><br />
‰. > Š ˆˆˆ<br />
> ‰<br />
><br />
‰. > Š ˆˆ > ŠˆŠ ‰.<br />
><br />
{ Bb<br />
‰. ‰ ‰ ><br />
ŠŠ<br />
><br />
‰. ‰ ‰ ><br />
ŠŠ ˆˆ ><br />
‰ Š Š ><br />
‰. ‰ ‰ ><br />
ŠŠ<br />
><br />
‰‰ ‰ ><br />
Š ><br />
> > > > > > > Š<br />
for online perusal only<br />
Tempo II<br />
><br />
Vb ‰.<br />
> > fff<br />
‰ ><br />
78 Š<br />
65<br />
> > . Š.<br />
‰. Š ‰ Š Š Š. ‰ Š. q<br />
> > > > > ><br />
praise the Lord, praise the Lord.<br />
Bb ‰.<br />
> Š > ‰ > Š > Š > 78 Š .<br />
><br />
‰ Š. q<br />
fff<br />
V ><br />
Tempo<br />
b ‰‰.‰<br />
ŠŠ<br />
‰‰‰<br />
‰‰ 78 Š II<br />
> > ><br />
Š Š > Š > ><br />
Š Š Š Š Š<br />
> Š > Š f t<br />
><br />
r<br />
{ Bb ‰ > ‰ Š ><br />
fff ><br />
‰. 78 Š ><br />
. Še ‰. Š. Š ><br />
Š ><br />
Š ><br />
Š > e t<br />
><br />
> > > > f > Š r<br />
> > f
210<br />
Voices 1 (2)<br />
Keyboard<br />
50. Rejoice in the Lord<br />
alway<br />
Philippians 4: 4–5<br />
CHRISTOPHER WIGGINS<br />
(b. 1956)<br />
VOICE 1<br />
VOICE 2<br />
KEYBOARD<br />
Allegro ritmico e festivo i = 120<br />
Vb 34 p p p rr t f Š e<br />
([)<br />
Vb 34 p p p rr t<br />
([)<br />
Š e<br />
f<br />
V<br />
Allegro<br />
b 34 ritmico e festivo i = 120<br />
Š Š t ŠŠe ŠŠe t Š ŠŠ Š Š Š t Še Š et ŠŠŠ ŠŠŠ bŠ ŠŠ<br />
.<br />
. . . . .<br />
{ Bb 34 f<br />
Š e Še Š<br />
.<br />
.<br />
.<br />
Š tŠ Š Š ŠeŠet .<br />
Š<br />
.<br />
.<br />
f<br />
Š f<br />
t Š Š Š Š t Š f<br />
Š . f Š bŠ<br />
. .<br />
Š .<br />
Š<br />
(Ped.) .<br />
Re -<br />
for online perusal only<br />
5<br />
Vb Š. Š f Š Š Š Š ‰. Š t f r t Še<br />
([)<br />
- joice in the Lord al - way: Re -<br />
Vb Š. Š<br />
([) f Š Š Š Š ‰. Še t r t Še<br />
V b<br />
><br />
Š ttŠe Š f Š Š Š ŠŠŠ Š t Še Š e t Š Š bŠ Š<br />
. . .<br />
Š Š<br />
><br />
{ Bb<br />
ŠeŠ Š<br />
Š Š Še Še Š<br />
f<br />
tŠ<br />
. . . . . .<br />
r Š Š Š Š t Š f<br />
Š t<br />
><br />
f Š Š bŠ<br />
. . . . . .<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
9<br />
Vb Š Še Š Še Š Š bŠ Š Š Š ‰ r r ŠŠŠ<br />
([)<br />
- joice, re-joice, re - joice in the Lord, and a-gain,<br />
Vb Š Še Š Še Š Š Š Š Š Š ‰ r r ŠŠŠ<br />
([)<br />
V b Š Še Š Še ŠŠ b Š<br />
. Š t > Š<br />
. . f bŠ Š Š Š =( Še . )Š t Š t Š<br />
Še<br />
.> .<br />
{ Bb Š Š Š t bŠ Še Še Š Še Š Še<br />
f Š t f Š .<br />
Š .<br />
bŠ .<br />
Š .<br />
Š .<br />
Š .<br />
.<br />
. . . . . . . f t .><br />
Š .><br />
tŠ .<br />
. f<br />
for online perusal only<br />
Rejoice in the Lord alway 211<br />
13<br />
Vb r ŠŠŠ r tŠ<br />
([)<br />
f<br />
Š Š<br />
> Š r r p r Š Š<br />
Vb r ŠŠŠ r t ŠeŠ Š > Š r r p r Š Š<br />
([)<br />
V b Šet Š t Še Š<br />
. t Še t Še t<br />
. f<br />
r Š Š Š<br />
.> . . . Š Š #Š.-<br />
‰<br />
sf -<br />
{<br />
.<br />
Bb Še Š<br />
.> . .<br />
Še Še .<br />
Še .<br />
Še Š f tŠ tŠ f bŠ t f Š t f Š t<br />
. > p<br />
.<br />
‰<br />
f Š<br />
Š<br />
.<br />
=Š<br />
.> . ><br />
Š<br />
.<br />
Š Š<br />
. . Š<br />
(Man.)<br />
p semplice<br />
and a-gain I say, re - joice! Let your<br />
><br />
p semplice<br />
18<br />
Vb#‰ Š #Š Š r p p r Š Š<br />
([)<br />
Vb#‰ Š #Š Š r p p r Š Š<br />
([)<br />
V b Še t Š Š Š Š Š Še tŠ<br />
- Š ŠŠe t<br />
ŠŠŠ Š Še t<br />
- - - -<br />
- . ‰<br />
{ Bb Š f<br />
t=#Š<br />
- Š #Š Š Š =Š t Š f<br />
#Š =Š<br />
.<br />
- - - - -<br />
t f<br />
Š #Š<br />
-<br />
Še<br />
.<br />
t=#‰<br />
mo - de - ra - tion, let your
212 Rejoice in the Lord alway<br />
23<br />
Vb#‰ Š #Š Š Š =‰. Š t mp<br />
f rr r Š Š ‰ Š<br />
([)<br />
Vb#‰ Š #Š Š Š ‰. Šet rr r Š Š ‰ Š<br />
([)<br />
mp<br />
V b Šet Š.-<br />
Š.-<br />
Š .- # Š<br />
- ŠŠ r =Š‰ Š =ŠŠ =‰ Š Š ‰. =Šet ‰ -<br />
{ Bb Š f<br />
t=#Š .- Š #Š Š Š Š ‰ ‰.<br />
.- .- -<br />
Š#Š Š Š #Š =‰. Š t cresc.<br />
f<br />
‰<br />
mo - de - ra - tion be known, Let your mo - de -<br />
29<br />
Vb Š Š Š ‰. Š<br />
([)<br />
f<br />
t Š Š ‰. Š<br />
p<br />
‰ p<br />
- ra - tion be known, known to all peo - ple.<br />
Vb Š Š Š ‰. Š t<br />
([) f Š Š ‰. Š ‰ p<br />
V b Š b Š Š Š Š Š ‰ Š Š Š t Še Š e t Š Š t p<br />
‰. Še Š et r Š<br />
. Š.<br />
mf<br />
{ Bbb‰. Š p mp cresc.<br />
Š Š ‰. Š tŠeŠet Š ŠeŠet r<br />
mf.<br />
Š .<br />
r =Š Š f<br />
Š t f<br />
Š t Š f<br />
Š f<br />
‰ .<br />
Š<br />
(Ped.)<br />
35<br />
Vb p p p f<br />
r r Š Š. Š f Š<br />
([)<br />
for online perusal only<br />
Re - joice in the<br />
Vb p p p r r Š Š. Š<br />
([)<br />
f Š<br />
V b Š Š t Š Š ŠbŠ Š Š Š Š Šb f Š Š f<br />
.<br />
.<br />
Š Š ‰<br />
-<br />
Š Š.<br />
><br />
.<br />
r Š ttŠeŠ f Š<br />
{ Bb<br />
. cresc. .<br />
Še .<br />
.<br />
Š Š t Š . .<br />
=( et )Š<br />
Š Še Š<br />
f Š Š Š Š .- .- -f<br />
><br />
f Š bŠ ‰ r Š<br />
. . . .<br />
> f<br />
tŠr<br />
. . .- .- -
40<br />
Vb Š Š Š ‰.<br />
([)<br />
Š f<br />
t r t Š e Š Še Š Še Š ŠbŠ Š Š Š<br />
Lord al - way: Re - joice, re-joice, re - joice in the<br />
VbŠ Š Š ‰. Šet r t<br />
([)<br />
Š e Š Še Š Še Š Š Š Š Š Š<br />
V b Š Š ŠŠ Š Š t Še Š et Š ŠbŠ Š Š Š Š Še Š Še ŠŠ b Š .<br />
. . .<br />
. Š .<br />
{ Bb .<br />
.<br />
.<br />
Š Š ŠeŠet .<br />
. Š<br />
.<br />
Š Š ŠeŠet .<br />
. Š<br />
.<br />
Š Š Š Š t Š f<br />
Š f Š Š bŠ Š t bŠ f<br />
Š f Š Š bŠ<br />
. . . . . . . . .<br />
45<br />
cresc.<br />
Vb ‰ r r ŠŠŠ r ŠŠŠ r tŠ f<br />
Š Š<br />
([)<br />
Vb ‰ r r ŠŠŠ r ŠŠŠ r t Še Š Š<br />
([)<br />
V b t Š f bŠ Š Š Š =( Še )Š t cresc.<br />
> Š t<br />
Š<br />
Še Šet Š t Še Š<br />
.<br />
.<br />
t Še t Še t<br />
.> . . .> . f . .<br />
{ Bb<br />
.<br />
cresc.<br />
. . .<br />
Š Š Š Še Š<br />
.> .<br />
Še .<br />
Še Š Še Še f t Š tŠ .> . . .<br />
Še .<br />
Še<br />
. . f . f tŠ tŠ f bŠ t f Š t f Š t<br />
. . .> . .> . . . . f<br />
49<br />
rall.<br />
><br />
Vb Š r r p p r tŠ ff<br />
f<br />
Š Š Š r r<br />
([)<br />
for online perusal only<br />
Lord, and a-gain, and a-gain I say, re -<br />
- joice! I say, re - joice!<br />
Vb > Š r r p p r t ŠeŠ Š Š r r<br />
([)<br />
V b r Š Š Š Š t Šf ŠŠŠ t ŠeŠetŠ Š ŠbŠ Š Š f Š > > ><br />
ff<br />
rall.<br />
> ><br />
> > > ><br />
r r<br />
f r Š Š Š<br />
><br />
{<br />
>ff ><br />
Bb r ><br />
><br />
> ><br />
ŠeŠet r<br />
Š bŠ ><br />
Š<br />
Š Š Š Š Š t<br />
Š<br />
Š f<br />
Š > > > f Š Š Š r r<br />
> ><br />
> ><br />
><br />
Rejoice in the Lord alway 213
214<br />
Voices 1 2 (3) (4)<br />
(Keyboard)<br />
(Percussion)<br />
51. Shout for Joy!<br />
VOICE 1<br />
VOICE 3<br />
VOICE 2<br />
VOICE 4<br />
KEYBOARD<br />
PERCUSSION<br />
Exuberant, but not hurried i = 92<br />
unis.<br />
Vb 24 p p f<br />
Š Š Š. p<br />
> Š Š Š.<br />
([)<br />
><br />
unis.<br />
Vb 24 p p p f<br />
> Š. Š Š p<br />
([)<br />
for online perusal only<br />
O Lord! O Lord!<br />
Shout for joy!<br />
V<br />
Exuberant,<br />
b 24 ‰ but not hurried i = 92<br />
r Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š<br />
{<br />
f<br />
Bb 24 ‰ ‰ ‰ ‰ ‰<br />
r<br />
Š Š Š Š Š Š Š Š Š<br />
(Man.)<br />
… 24 > ŠŠŠŠ > ŠŠŠŠ ><br />
etc.<br />
and/or<br />
… 24 > ŠŠŠŠŠŠŠŠ > > > ŠŠŠŠŠŠŠŠ > > etc.<br />
and/or<br />
… 24 Š. Š ŠŠ Š. Š ŠŠ etc.<br />
American spiritual<br />
arr. ALAN BULLARD (b. 1947)<br />
6<br />
Vb p Š Š Š. p Š Š Š.<br />
p<br />
><br />
ŠŠŠŠ Š Š<br />
([)<br />
><br />
Vb > Š. Š Š p<br />
> Š. Š Š p<br />
> Š. Š Š p<br />
([)<br />
Shout for joy! Shout for joy! Shout for joy!<br />
V b ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š Š‰<br />
Š<br />
{ Bb ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ Š Š Š‰<br />
Š<br />
O Lord! O Lord! Ear-ly in the morn-ing,<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
12<br />
Vb ‰ ŠŠŠŠ Š Š ‰ ŠŠŠŠ Š Š ‰<br />
([)<br />
Late in the eve - ning,<br />
Ear-ly in the morn-ing,<br />
Vb > Š. Š Š p<br />
> Š. Š Š p<br />
> Š. Š Š<br />
([)<br />
Shout for joy! Shout for joy! Shout for joy!<br />
V b ‰ Š Š ‰ Š Š ‰ Š Š Š‰ Š ‰ Š Š<br />
{ Bb<br />
‰ Š Š ‰ Š Š ‰ Š Š Š‰ Š ‰ Š Š<br />
17<br />
<br />
mf<br />
Vb ŠŠŠŠ Š Š ‰ ŠŠŠ > Š ‰ ŠŠŠ Š Š<br />
([)<br />
Vb p Š. Š Š p mf<br />
> ŠŠŠ > Š ‰<br />
([)<br />
Late in the eve - ning, Feel like shout-ing, feel like pray - ing,<br />
Shout for joy!<br />
Feel like shout-ing,<br />
V b ‰ Š Š ‰ Š Š Š Š.<br />
Š.<br />
Š.<br />
Š.<br />
Š.<br />
Š.<br />
Š.<br />
Š.<br />
Š.<br />
Š.<br />
Š<br />
mf .<br />
.<br />
{ Bb ‰ Š Š ‰ Š Š Š‰ Š ‰ Š‰<br />
Š<br />
22<br />
<br />
cresc.<br />
Vb ‰ ŠŠŠ > Š ‰ ŠŠŠ Š Š ‰<br />
Feel like shout-ing, feel like pray - ing,<br />
Vb Š Š Š Š Š ‰ ŠŠŠ Š ‰ Š Š Š Š Š<br />
([)<br />
([)<br />
for online perusal only<br />
Shout for Joy! 215<br />
cresc.<br />
><br />
feel like pray - ing, Feel like shout-ing, feel like pray - ing,<br />
V b Š.<br />
Š Š Š<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
. . .<br />
. . . . . . . . . . . . . Š.<br />
Š.<br />
Š.<br />
{<br />
cresc.<br />
Bb ‰ Š‰ Š ‰ Š‰ Š ‰
216 Shout for Joy!<br />
27<br />
f<br />
Vb Š > Š Š. > Š. Š Š Š Š Š. > Š. Š Š Š Š Š. Š. Š Š<br />
([)<br />
><br />
><br />
f<br />
Vb ‰ Š. Š Š<br />
p<br />
> Š. Š Š Š Š Š. Š. Š Š<br />
([) ><br />
f<br />
Vb Š Š Š. Š. Š Š Š Š Š. Š. Š Š p ><br />
> > > Š. Š Š<br />
([)<br />
Vb f><br />
‰ Š. Š Š p<br />
> Š. Š Š p<br />
> Š. Š Š<br />
([)<br />
V b ‰ Š r ‰ Š r ‰ Š r<br />
{ Bb Šf<br />
Š Š r Š<br />
Š r Š<br />
Š Š r<br />
Bb ‰ Š r ‰ Š r ‰ Š r<br />
1<br />
><br />
O Lord! Shout for joy! O Lord! Shout for joy! O Lord! Shout for joy!<br />
2<br />
><br />
Shout for joy! Shout for joy! O Lord! Shout for joy!<br />
3<br />
><br />
O Lord! Shout for joy! O Lord! Shout for joy! Shout for joy!<br />
4<br />
*<br />
(Ped.)<br />
for online perusal only<br />
Shout for joy! Shout for joy! Shout for joy!<br />
33<br />
VbŠ Š Š. Š. Š Š Š > Š Š.<br />
> Š. Š Š Š ><br />
> ><br />
Š Š.<br />
([)<br />
O Lord! Shout for joy! O Lord! Shout for joy! O Lord!<br />
Vb Š<br />
([) > Š Š. > Š. Š Š Š > Š Š. > Š. Š Š Š > Š Š.<br />
O Lord! Shout for joy! O Lord! Shout for joy! O Lord!<br />
Vb p<br />
> Š. Š Š Š > Š Š. Š. Š Š Š Š Š.<br />
([)<br />
><br />
Shout for joy! O Lord! Shout for joy! O Lord!<br />
Vb p Š. Š Š p ><br />
> Š. Š Š p<br />
([)<br />
V Shout for joy! Shout for joy!<br />
b ‰ Š r Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ Bb Š<br />
Š r Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Bb ‰ Š r ‰ ‰ ‰<br />
* Omit this stave when performing on piano or manuals only.
Shout for Joy! 217<br />
38<br />
Vb > Š. Š Š ŠŠ><br />
Š Š ‰ ŠŠŠ Š Š<br />
([)<br />
Vb Š. Š Š Š > Š Š.<br />
> Š. Š Š Š ><br />
><br />
Š Š.<br />
([)<br />
Shout for joy! O Lord! Shout for joy! O Lord!<br />
Vb > Š. Š Š Š Š Š. Š. Š Š Š Š Š.<br />
([) > > ><br />
Shout for joy! O Lord! Shout for joy! O Lord!<br />
Vb > Š. Š Š Š > Š Š. > Š. Š Š Š Š Š.<br />
([)<br />
><br />
Shout for joy! O Lord! Shout for joy! O Lord!<br />
V b Š Š Š Š Š Š Š Š ŠŠ Š ŠŠ Š Š Š Š Š<br />
{ Bb Š<br />
Š Š<br />
Š Š Š Š<br />
Š<br />
Bb ‰ ‰ ‰ ‰<br />
42<br />
Vb ‰ Š Š Š. > Š. Š Š Š Š Š. > Š. Š Š<br />
([)<br />
><br />
O Lord! Shout for joy! O Lord! Shout for joy!<br />
Vb > Š. Š Š ŠŠŠ > Š ‰ ŠŠŠ Š Š ‰<br />
([)<br />
Shout for joy! Feel like shout-ing, feel like pray - ing,<br />
Vb Š. Š Š Š > Š Š.<br />
> Š. Š Š Š > Š Š. ><br />
><br />
Š. Š Š<br />
([)<br />
Shout for joy! O Lord! Shout for joy! O Lord! Shout for joy!<br />
Vb > Š. Š Š Š Š Š. Š. Š Š Š Š Š. > Š. Š Š<br />
([) > > ><br />
Shout for joy! O Lord! Shout for joy! O Lord! Shout for joy!<br />
V b Š Š Š Š Š Š Š Š ŠŠ Š ŠŠ Š Š Š Š Š Š Š Š Š<br />
{ Bb Š Š Š<br />
Š Š<br />
Š<br />
Š<br />
Š Š Š<br />
Bb ‰<br />
‰ ‰ ‰ ‰<br />
Shout for joy! Feel like shout - ing, feel like pray - ing,<br />
for online perusal only
218 Shout for Joy!<br />
47<br />
Vb Š Š Š. Š. Š Š Š Š Š. > Š. Š Š<br />
([) > > ><br />
O Lord! Shout for joy! O Lord! Shout for joy!<br />
Vb Š Š Š. > Š. Š Š Š Š Š. > Š. Š Š<br />
([)<br />
><br />
O Lord! Shout for joy! O Lord! Shout for joy!<br />
Vb ŠŠ><br />
Š Š ‰ ŠŠŠ Š Š ‰<br />
([)<br />
Feel like shout - ing, feel like pray - ing,<br />
Vb Š > Š Š.<br />
> Š. Š Š Š > Š Š. > Š. Š Š<br />
([)<br />
O Lord! Shout for joy! O Lord! Shout for joy!<br />
V b ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
Š Š Š Š Š Š Š Š<br />
{ Bb Š-<br />
Š<br />
Š-<br />
- Š-<br />
Š-<br />
Š-<br />
Š-<br />
Š-<br />
Bb ‰ ‰ ‰ ‰<br />
for online perusal only<br />
51<br />
Vb ŠŠ><br />
Š Š ‰ ŠŠŠ Š Š ‰<br />
([)<br />
Feel like shout - ing, feel like pray - ing,<br />
Vb ŠŠŠ > Š ŠŠŠ > Š Š Š Š Š Š Š Š<br />
([)<br />
Vb ŠŠŠ Š ŠŠŠ > Š Š Š Š<br />
Š t<br />
([)<br />
Feel like shout-ing, feel like shout - ing, O Lord!<br />
f<br />
Vb ŠŠ><br />
Š Š ‰ ŠŠŠ Š Š ‰<br />
([)<br />
Feel like shout - ing, feel like pray - ing,<br />
V b ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
ŠŠŠ<br />
Š Š Š Š Š Š Š Š<br />
{ Bb Š<br />
Š-<br />
Š<br />
Š-<br />
Š<br />
Š-<br />
Š<br />
Š-<br />
- - - -<br />
Bb ‰ ‰ ‰ ‰<br />
Feel like shout-ing, feel like shout - ing, O feel like pray - ing,
1/3<br />
2/4<br />
55 VOICES 1 & 3<br />
Vb ŠŠ><br />
unis.<br />
Š Š ‰ ŠŠŠ Š Š ‰<br />
([) Feel like shout - ing, feel like pray - ing,<br />
VOICES 2 & 4 unis.<br />
Vb ‰ ŠŠŠ > Š Š Š Š Š Š Š Š<br />
([)<br />
V b Š Š Š Š Š Š Š Š Š Š Š Š ŠŠŠ<br />
ŠŠŠ<br />
Š Š<br />
{ Bb Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Š<br />
Bb ‰ ‰ ‰ Š Š<br />
59<br />
ff<br />
Vb ŠŠŠ > Š p ŠŠŠ > Š p<br />
([)<br />
Feel like shout-ing, feel like shout-ing,<br />
ff<br />
Vb ‰ ŠŠŠŠ ><br />
Š Š p ŠŠŠŠ<br />
> Š<br />
([)<br />
V b ŠŠŠ<br />
Š ŠŠŠ<br />
Š ŠŠŠ<br />
Š ŠŠŠ<br />
Š ŠŠ<br />
Š ŠŠ<br />
Š ŠŠ<br />
Š ŠŠ<br />
Š<br />
{ Bb Š Š Š Š Š Š Š Š<br />
Bb Š Š Š Š Š Š Š Š<br />
63<br />
><br />
Vb ‰ ><br />
ff<br />
ŠŠ. Š ‰ Š r<br />
><br />
Š. Š<br />
><br />
Š ‰ Š t<br />
([)<br />
f r<br />
O Lord! Shout for joy!<br />
Vb‰ ><br />
ff<br />
> ŠŠ. Š ‰ Š r Š. ŠŠ > ‰ Šet r<br />
([)<br />
O Lord! Shout for joy!<br />
V > ><br />
b Š Š Š Š Š Š Š Š Š Š Š r Š r r t Š Š ><br />
Š f t r<br />
ff<br />
{<br />
ff<br />
Bb Š Š Š Š Š Š Š Š Š Š Š ><br />
r Š r r Vt<br />
><br />
ŠŠ Šet r<br />
Bb ‰ ‰ Š<br />
Š Š r Š r p > Š f<br />
t<br />
> r<br />
Feel like shout - ing, O feel like pray - ing,<br />
for online perusal only<br />
Shout for Joy! 219<br />
ear-ly in the morn-ing, late in the eve-ning,
220<br />
S(A)(Men)<br />
Keyboard<br />
52. Star <strong>of</strong> Wonder<br />
S.<br />
A.<br />
MEN<br />
John Henry Hopkins<br />
(1820 –91)<br />
Andante h = 63<br />
MEN or TUTTI<br />
Vb 2 p p f<br />
Š-<br />
Š-<br />
Š. - Š<br />
([)<br />
f Š Š Š ‰ Š-<br />
Š-<br />
Š. -<br />
VOICES<br />
<br />
Še<br />
V<br />
1. We three kings <strong>of</strong> O - ri-ent are; Bear-ing gifts we<br />
b 2 Š‰ Š ‰ ŠŠŠ ŠŠŠ Š‰ Š Š.<br />
‰ Še Š Š ‰ Š ‰ ŠŠ Š‰ Š Š. ‰ Še<br />
{ Bb 2 ‰<br />
KEYBOARD f<br />
ˆ ‰ ˆ‰ ‰ ˆ<br />
‰ ‰ ˆ‰ ‰ ˆ‰ ‰<br />
mf<br />
(Ped.)<br />
6<br />
<br />
VbŠŠ Š ‰ Š. - Še Š-<br />
Š Š. - Še Š-<br />
Š Š Š Š Š Š Š Š Š ‰ ##<br />
for online perusal only<br />
ALAN BULLARD<br />
(b. 1947)<br />
([)<br />
V tra-verse a-far Field and foun-tain, moor and moun-tain, Fol-low-ing, fol-low-ing yon-der star:<br />
bŠŠŠ ‰ Š ‰ Š Š. Še Š Š Š. Še Š Š Š Š Š Š Š Š Š # ‰ ##<br />
mf<br />
{ Bb<br />
‰ ‰ ŠŠŠ ŠŠ Š ŠŠŠ ŠŠ ( Š)<br />
ˆ ‰ ‰ ‰ ‰ Š Š Š Š ˆ ‰ ‰ ##<br />
V #<br />
11<br />
# f<br />
ŠeŠ Še Š Š<br />
mf<br />
Š. Š ‰ Še f Š Š Š Š ‰ Š. Š Š f Š Š. Š f Š Š Š Š. Š Š Š f<br />
B## Š. Š Š Š Š Š f<br />
Š Š Š Š Š Š Š Š ‰ Š Š Š Š<br />
V#<br />
f<br />
mf<br />
# Š. ‰ ŠeŠŠ Š Š Š ‰ Š Š Š. ‰ Še Š ‰ Š Š. Š Š ‰ Š. Še Š Š<br />
{<br />
f Š Š Š<br />
f<br />
mf<br />
B## ‰ ‰ ‰ ‰ Š Š Š #Š #Š Š<br />
‰ Š Š Š Š ‰ ‰ =‰ ‰ Š<br />
Star <strong>of</strong> won-der, star <strong>of</strong> night, Star with roy - al beau - ty bright, West - ward lead-ing,<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
f<br />
Guide us to thy per - fect light.<br />
V #<br />
16<br />
#Š. Še Š Š Š Š Š Š Š Š ‰ b ‰. r p<br />
Š. Š f Š Š ‰. Š Š Š Š Š ‰.<br />
f<br />
still pro-ceed-ing, Guide us to thy per-fect light.<br />
B## Š Š Š Š Š Š Š Š Š Š ‰ b ‰. r p<br />
still pro - ceed-ing, Guide us to thy per - fect light.<br />
V#<br />
(Organ: opt. Solo Flute or Reeds)<br />
#Š. ‰ Še<br />
‰ Š Š Š‰. Š Š Š Š ‰ b ŠŠŠŠŠŠŠŠ . . . . ŠŠŠŠŠ. . ŠŠ<br />
Š ‰ Š<br />
.<br />
Š<br />
mp<br />
{ B###Š ‰#Š Š Š ‰ ‰.<br />
b ‰ ‰ ‰ ‰<br />
Š Š Š ‰ ˆ ˆ<br />
THREE SOLOS or THREE GROUPS or TUTTI<br />
21 mf (f)(p)<br />
<br />
Vb . Š Š Š. Š f ŠŠŠ ‰ Š Š Š. Še ŠŠŠ Š Š Š ‰<br />
([)<br />
2. Born a king on Beth-le-hem plain, Gold I bring, to crown him a-gain,<br />
3. Frank-in-cense to <strong>of</strong> - fer have I: In - cense owns a De - i - ty nigh:<br />
4. Myrrh is mine; its bit-ter per - fume Breathes a life <strong>of</strong> gath-er-ing gloom;<br />
V b . Š<br />
Š Š. ŠŠ Š Š Š.<br />
Š.<br />
Š Š Š Š Š.<br />
Š.<br />
Š Š Š Š Š Š.<br />
Š.<br />
Š Š<br />
mf<br />
{<br />
(f)(p)<br />
Bb . ˆ<br />
Š Š Š Š ˆ<br />
Š Š Š Š ˆ<br />
Š Š Š Š ‰<br />
Š Š Š‰<br />
Š<br />
25<br />
<br />
Vb ŠŠ. Š ŠŠe Š Š Š. Še Š Š Š Š Š Š Š Š Š Š ‰ ##<br />
([)<br />
for online perusal only<br />
Star <strong>of</strong> Wonder 221<br />
King for ev - er, ceas - ing ne - ver, O - ver us, o - ver us all to reign:<br />
Prayer and prais-ing all men rais-ing, Wor-ship him, wor-ship him, God most high:<br />
Sor-row-ing, sigh-ing, bleed - ing, dy -ing, Sealed in the stone-cold tomb:<br />
V b ‰ Š Š ‰ Š Š ‰ Š Š Š Š Š Š Š Š Š ˆ‰. Š Š ‰#Š<br />
##<br />
{ Bb Š. Še Š Š Š Š<br />
‰ ‰ ‰ ‰ ‰ Š Š ‰ Š Š ˆ<br />
‰ ‰ ##
S.<br />
A.<br />
MEN<br />
222 Star <strong>of</strong> Wonder<br />
V #<br />
29<br />
# f<br />
ŠeŠ Še Š Š<br />
mf<br />
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for online perusal only<br />
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still pro-ceed-ing, Guide us to thy per-fect light.<br />
B## Š Š Š Š Š Š Š Š Š Š ‰ b ‰. r p .<br />
still pro - ceed-ing, Guide us to thy per - fect light.<br />
V#<br />
1., 2.<br />
(Organ: opt. Solo Flute or Reeds)<br />
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Star <strong>of</strong> Wonder 223<br />
42<br />
f p<br />
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V # OTHER VOICES<br />
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V# # ‰<br />
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poco rit.<br />
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224<br />
S(A)Men<br />
Keyboard<br />
53. The eternal gifts<br />
<strong>of</strong> Christ the King<br />
Pre-11th cent.<br />
trans. J. M. Neale<br />
VOICES<br />
KEYBOARD<br />
Maestoso h = 63<br />
<br />
Vb 2 p p p p<br />
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ŠŠ<br />
(Ped.)<br />
Melody: GUIDETTI (1582)<br />
arr. Henry G. Ley (1887–1962)<br />
for online perusal only<br />
5<br />
TUTTI unis.<br />
Vb p p p f<br />
<br />
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gifts <strong>of</strong> Christ the King, The _ A-pos - tles’ glo - rious deeds, we<br />
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© <strong>Oxford</strong> University Press 1951 and 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
MEN<br />
The eternal gifts <strong>of</strong> Christ the King 225<br />
Vb32 ‰. Š Š Š 2 Š<br />
13<br />
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Š 32<br />
17<br />
<br />
Vb32 Š Š ‰. Š 2Š Š Š Š Š. Še ‰. r p<br />
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V thank-ful hearts cast grief a - way.<br />
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21<br />
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’Twas thus the yearn - ing<br />
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(Man.)<br />
25<br />
Vb Š‰ Š Š. Še<br />
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f<br />
‰. Š Š Š Š Š. Š f<br />
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faith <strong>of</strong> saints, Th’ _ un-con-quered hope that ne - ver faints, The love <strong>of</strong><br />
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‰ Š. f<br />
Š. Š Š Š f<br />
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for online perusal only
226 The eternal gifts <strong>of</strong> Christ the King<br />
29<br />
Vb2 2 Š. ŠŠ Š Š Š Š ‰ 32 f Š Š ˆ ‰ r Š Š Š ‰. Š<br />
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37<br />
<br />
TUTTI unis.<br />
Vb p f<br />
r Š Š Š ‰. Š Š Š Š Š Š. Še 32<br />
([)<br />
for online perusal only<br />
(Ped.)<br />
In these the Fa - ther’s glo - ry<br />
V bŠŠ Š<br />
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S.<br />
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The eternal gifts <strong>of</strong> Christ the King 227<br />
Vb32 ‰. Š Š Š 2 Š Š Š Š Š 32 ‰. Š Š Š<br />
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unis.<br />
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for online perusal only
S.<br />
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Vb32 ‰. Š Š Š 2 Š Š Š Š. Š f 32 ‰. Š Š Š 2 Š<br />
56<br />
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love, That with this glo - rious band a - bove, Here-af -ter, <strong>of</strong> thine end-less<br />
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grace, Thy ser-vants al - so may have<br />
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([)<br />
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64<br />
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f<br />
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place. A - - - men.<br />
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228 The eternal gifts <strong>of</strong> Christ the King<br />
for online perusal only
229<br />
S(A)(Men)<br />
Keyboard<br />
54. The heav’ns sing<br />
praises to God<br />
Christian Gellert (1715–69)<br />
trans. anon.<br />
L. van BEETHOVEN (1770–1827)<br />
lower voice parts by Alan Bullard<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
Majestically i = 108<br />
Vbb 4 r p f<br />
q r Š ‰ ‰<br />
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{ Bbb f<br />
‰. 4 Š ‰. Š ‰. Š ‰ ‰ -<br />
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Š<br />
(Ped.)<br />
The heav’ns sing prais - es to God in his<br />
for online perusal only<br />
6<br />
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pF<br />
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glo - ry, And all earth ech - oes with his name. The un - i -<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
230 The heav’ns sing praises to God<br />
12<br />
cresc.<br />
Vbb<br />
‰ Š Š ‰ bŠ Š Š Š ‰ Š Š =‰ ‰ ‰ b‰. bŠŠ<br />
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The heav’ns sing praises to God 231<br />
31<br />
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232<br />
SATB<br />
(Keyboard)*<br />
Arthur T. Russell<br />
(1806–74)<br />
SOPRANO<br />
ALTO<br />
55a. The Lord ascendeth<br />
up on high<br />
V # 34 Š ‰ Š<br />
Lively and joyous h. = 60<br />
(Version 1)<br />
‰ Š ‰ Š ‰ Š ‰ Š<br />
mf 1. The Lord as - cend - eth up on high, The Lord hath<br />
mp 2. The heav’ns with joy re - ceive their Lord, By saints, by<br />
f 3. Our great High Priest hath gone be - fore, Up - on his<br />
B#34 Š = ‰ Š ‰ Š ‰ Š ‰<br />
Š ‰<br />
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6<br />
‰ Š ‰ Š ‰ Š Š. ‰ ŠeŠŠ Š Š‰ Š Š‰ Š #ŠŠ<br />
for online perusal only<br />
MICHAEL PRAETORIUS (1571–1621)<br />
ed. Timothy Morris<br />
tri - umphed glo - rious - ly, In power and might ex - cel -<br />
an - gel hosts a - dored; O day <strong>of</strong> ex - ul - ta -<br />
Church his grace to pour; And still his love he giv -<br />
B# ‰ ‰ ‰ Š Š Š Š Š ‰ Š Š. Š Š f Š Š Š Š Š Š Š<br />
V #<br />
12<br />
‰ Š ‰ Š Š. ‰ Še Š Š. ‰ Še Š ‰ Š ‰ Š<br />
- ling; The grave and hell are cap - tive led. Lo! he re -<br />
- tion! O earth, ad - ore thy glo - rious King! His ri - sing,<br />
- eth. O may our hearts to him as - cend; May all with -<br />
B# ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š<br />
V #<br />
18<br />
‰ Š. ŠeŠŠ Š. ‰ ŠeŠ Š ‰ Š Š. ŠeŠŠ Š f Š Š Š ‰. ‰<br />
- turns, our glo - rious Head, To his e - ter - nal dwell - ing.<br />
his as - cen - sion sing With grate - ful ad - or - a - tion.<br />
- in us up - ward tend To him who ev - er liv - eth!<br />
B# ‰ Š ‰ Š ‰ Š ‰ Š Š ‰. Š Š ‰. ‰<br />
* This SATB version may be combined with the keyboard part <strong>of</strong> Version 2 on the following page by allowing four bars’ rest<br />
for the introduction and between the verses, and by repeating the last four bars <strong>of</strong> the last verse.<br />
© <strong>Oxford</strong> University Press 2004 and 2007. Photocopying this copyright material is ILLEGAL.
233<br />
1<br />
2<br />
Voices 1 2<br />
Keyboard*<br />
Arthur T. Russell<br />
(1806–74)<br />
V # Lively and joyous h. = 60<br />
TUTTI unis.<br />
34 r p p p f<br />
rrŠ ‰ Š ‰ Š<br />
VOICES<br />
([)<br />
The Lord as - cend - eth<br />
34 Š Š. ŠeŠ Š Š Š ‰. ‰ Š ‰ Š =‰ ‰ Š<br />
{<br />
(Organ: LH)<br />
B#34 Š<br />
KEYBOARD mf ‰ Š<br />
f<br />
Š Š Š ‰ Š ‰ Š ‰ Š =‰ Š<br />
(Man.)<br />
(Ped.)<br />
V #<br />
7<br />
<br />
‰ Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š Š. ŠeŠ<br />
([)<br />
55b. The Lord ascendeth<br />
up on high<br />
(Version 2)<br />
for online perusal only<br />
MICHAEL PRAETORIUS (1571–1621)<br />
arr. Alan Bullard<br />
up on high, The Lord hath tri - umphed glo - rious - ly, In power and<br />
V# ‰ Š. Š#Š Š ‰ Š Š. ŠeŠ<br />
f { B# ‰ ‰ Š ‰ Š Š Š ‰ ‰ Š ‰ ‰<br />
Š ‰ Š ‰ Š Š Š Š Š ‰ Š Š. Š Š f<br />
V #<br />
14<br />
mf<br />
Š Š Š Š Š Š ‰ Š ‰ Š Š. ŠeŠ Š. Š<br />
f<br />
([)<br />
f Š ‰ Š<br />
might ex - cel - ling; The grave and hell are cap - tive led. Lo!<br />
V # Š Š Š Š Š Š ‰ Š Š ‰ Š ‰ Š Š Š Š ‰ Š Š<br />
([)<br />
V# mf<br />
f<br />
Š Š‰ Š Š Š Š ‰ ‰ Š Š. ŠeŠ Š.<br />
‰ #Š Š Š ‰ Š ‰ ŠeŠ Š Š Š<br />
{ B# Š Š Š Š Š Š Š mf<br />
‰ Š ‰ Š ‰ f<br />
Š ‰ Š ‰ Š<br />
* This keyboard part may also be combined with the SATB version on the previous page.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
234 The Lord ascendeth up on high<br />
V #<br />
21<br />
‰ Š Š. ŠeŠ Š. Š<br />
([) f Š ‰ Š Š. ŠeŠ Š Š Š ‰. ‰ r<br />
he re - turns, our glo - rious Head, To his e - ter - nal dwell - ing.<br />
V # Š Š Š ‰ Š ŠŠŠ Š ‰ Š Š. ŠeŠ Š Š Š ‰ Š ‰ r<br />
([)<br />
V# ‰ Š Š. ŠeŠ Š. ŠeŠ ‰ Š Š. ŠeŠ ‰. Š<br />
Š Š ‰ Š ‰ Š Š Š Š Š ‰ Š ‰<br />
{ B# ‰ Š Š Š ‰ Š ‰ Š ‰ Š p<br />
‰ Š Š Š Š ‰. ‰ r V<br />
for online perusal only<br />
V #<br />
29<br />
VOICE 1 or SOPRANO<br />
p p p mf<br />
rrŠ ‰ Š ‰ Š ‰ Š<br />
([)<br />
The heav’ns with joy re - ceive their<br />
V # VOICE 2 or ALTO<br />
p p p rrŠ ‰ Š ‰ Š ‰ Š<br />
([)<br />
mf<br />
V# Š. Š f<br />
Š Š Š Š ‰. ‰ Š ‰ Š ‰ Š Š. ‰ Še#( Š ) Š<br />
{ V # mp<br />
‰ Š Š Š Š ‰ Š<br />
BŠ ‰ Š =‰ Š ‰ Š<br />
(Man.) ‰<br />
V #<br />
36<br />
‰ Š ‰ Š ‰ Š ‰ Š ‰ Š Š. ŠeŠ Š Š Š Š Š Š<br />
([)<br />
Lord, By saints, by an - gel hosts ad - ored; O day <strong>of</strong> ex - ul - ta -<br />
V # ‰ Š Š. ŠeŠ ‰ Š ŠŠŠ Š ‰ Š ‰ Š Š ‰ ‰ #Š<br />
([)<br />
V# ‰ Š Š. ‰ ŠeŠ Š ‰ Š ‰ Š ‰ Š ‰ Š Š ‰ Š Š ‰.<br />
#Š<br />
{ B# ‰<br />
Š ‰ Š ‰ Š ŠŠŠ Š ‰ Š Š. Š Š f Š ŠŠ Š Š Š Š
V # VOICE 1 or TENOR<br />
44<br />
f<br />
‰ Š ‰ Š Š. ŠeŠ Š. Š f Š ‰ Š ‰<br />
Š Š. ŠeŠ<br />
([)<br />
- tion! O earth, ad - ore thy glo - rious King! His ris - ing, his as -<br />
f<br />
V # VOICE 2 or BASS<br />
‰ Š Š ‰ Š ‰ Š Š Š Š ‰ Š Š Š Š Š ‰ Š<br />
([)<br />
V# ‰ Š ‰ Š Š. ‰ ŠeŠŠ Š. ‰ ŠeŠ Š Š Š ‰ Š Š Š Š. ‰ ŠeŠŠ<br />
f<br />
{ B# ‰ Š Š ‰ Š ‰ Š ‰ Š ‰ Š Š‰ Š Š ‰ Š<br />
(Ped.)<br />
The Lord ascendeth up on high 235<br />
for online perusal only<br />
V #<br />
51<br />
Š. Š<br />
([) f Š ‰ Š Š. ŠeŠ Š Š Š ‰. ‰ r p p<br />
- cen - sion sing With grate - ful ad - or - a - tion.<br />
V # Š ŠŠ Š ‰ Š Š. ŠeŠ Š Š Š ‰ Š ‰ r p p<br />
([)<br />
V# Š. ‰ ŠeŠ Š ‰ Š Š. ŠeŠŠ Š Š Š ‰.‰ Š ‰ Š Š. ŠeŠ ŠŠŠŠ Š<br />
{ B# ‰ Š ‰ Š Š Š Š<br />
mf<br />
‰ Š ‰. ‰ r ‰ Š Š Š Š<br />
V #<br />
59<br />
VOICE 1<br />
p f<br />
rrŠ ‰ Š ‰ Š Š. Š Š<br />
([)<br />
f ‰ Š ‰ Š ‰ Š<br />
V # VOICE 2<br />
p rrŠ ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š<br />
([)<br />
V# f<br />
Š. ‰. ŠeŠ Š ‰ Š. ŠeŠ Š ‰ Š =‰ Š ‰ #Š ‰ Š Š ‰ Š<br />
{ B# ‰ Š ‰ Š f<br />
‰ Š =‰ Š ‰ Š ‰<br />
Š ‰ Š ‰ Š<br />
Our great High Priest hath gone be - fore, Up - on his Church his
236 The Lord ascendeth up on high<br />
V #<br />
67<br />
Š Š Š Š ‰ Š ‰ Š ‰ Š ‰ #Š ‰ Š Š. Š =( )Š<br />
([)<br />
grace to pour; And still his love he giv - eth. O may<br />
f<br />
our<br />
V # ‰ Š ‰ Š Š. ŠeŠ Š Š Š Š Š Š ‰ Š ‰ Š<br />
([)<br />
V# Š‰ Š Š Š ‰ Š ‰ Š. Š Š ‰ ‰ #Š ‰ Š Š. Še =( )Š<br />
f Š Š Š Š Š Š ‰ Š<br />
{ B# Š Š Š Š ‰<br />
Š<br />
‰ Š. Š Š ‰ f Š Š Š Š Š Š Š ‰ Š ‰ Š<br />
for online perusal only<br />
V #<br />
74<br />
‰ Š ‰ Š ‰ Š Š . Š Š ‰ Š ‰ Š ‰<br />
ff Š ([)<br />
hearts to him as - cend; May all<br />
f<br />
with - in us up - ward tend To<br />
V # Š. ŠeŠ Š. Š<br />
([) f Š ‰ Š ‰ Š Š. ŠeŠ Š. Š f Š ‰ Š<br />
ff<br />
V# ‰ Š. Š Š ‰ Š. Š ‰ Š Š. ŠeŠ ‰ ‰ ‰ Š f f Š ‰ Š Š. Š Š Š. Š f f Š<br />
{ B# ‰ Š Š Š Š Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ Š ‰ ff<br />
Š<br />
V # ‰ Š Š Š Š Š . Š f Š Š. Š f Š poco rit.<br />
81<br />
‰<br />
ff<br />
Š Š Š Š ‰. ‰<br />
([)<br />
([)<br />
V # Š. ŠeŠ Š Š Š ‰. ‰ Š Š. ŠeŠ Š Š Š ‰. ‰<br />
him who ev - er liv - eth, to him who ev - er liv - eth!<br />
V#<br />
poco rit.<br />
‰ Š. Š Š Š Š Š Š. Š f Š Š. ŠŠ ‰ Š Š f<br />
Š Š. f ŠŠŠ Š. Š Š ŠeŠŠ ‰ f ‰.<br />
{ B# ff<br />
‰ Š Š Š Š ‰<br />
‰.<br />
Š ‰<br />
Š ‰ Š ŠŠŠŠ Š Š ‰<br />
‰. Š ‰<br />
ff
237<br />
SAMen<br />
Piano*<br />
56. The Lord bless you<br />
and keep you<br />
Numbers 6: 24<br />
JOHN RUTTER<br />
(b. 1945)<br />
S.<br />
SOPRANO<br />
ALTO<br />
MEN<br />
SOPRANOS<br />
Andante espressivo i = 72<br />
Vb 4 p q r t<br />
p dolce e legato<br />
Še ‰ Š Š Š<br />
Bb 4 p p p<br />
for online perusal only<br />
Andante espressivo i = 72<br />
The Lord bless you and<br />
V b 4 t Š Š t Š Š<br />
Š t Š Š Š t Š Š eŠ t Š<br />
Š t Š Š<br />
Š Š<br />
{ Bb 4 ‰<br />
PIANO* p legato sempre<br />
ˆ ‰ ‰ ‰ ‰ ‰<br />
4<br />
<br />
Vb Š ‰ ŠŠ Š Š Š Š Š Š. Š f Še Š Še<br />
keep you: The Lord make his face to shine up - on you, to<br />
V b t<br />
Š Š t Š Š Š t Š Š Š Š t Š Š Š<br />
t<br />
Š Š Š<br />
t<br />
Š Š Š<br />
{ Bb ‰ ‰ ‰ ‰ ‰ Š<br />
Š<br />
7<br />
<br />
Vb Š. Š f Š Š Š Š Š ‰ Š Š Š ‰ Š Š<br />
shine up - on you and be gra - cious, and be gra - cious un - to<br />
V b t Š Š Š t<br />
Š Š Š t #Š e ‰ Š Š Š Š Š Š Š Š<br />
‰ Š Š Š Š Š Š<br />
{ Bb ‰ ‰ #‰ =‰ =‰ b‰<br />
* The original version <strong>of</strong> the accompaniment, for organ, is compatible with the voice parts <strong>of</strong> this arrangement (though in G flat),<br />
and is found in the SATB version <strong>of</strong> the anthem (978– 0–19–351128– 6) and John Rutter <strong>Anthems</strong> (978– 0 –19–353417–9).<br />
© <strong>Oxford</strong> University Press 1981 and 2007. Authorized for sale in the United States <strong>of</strong> America by kind permission <strong>of</strong> Hinshaw<br />
Music Inc. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
MEN<br />
238 The Lord bless you and keep you<br />
10<br />
Vb q‰. t<br />
p dolce sempre<br />
<br />
r<br />
Še f ‰ Š Š Š Š ‰ ŠŠ<br />
Š<br />
Bb q r t Š f<br />
‰ Š Š Š Š ‰ Š Š<br />
<br />
V b #Š Š Š t Š Š Š p dolce sempre<br />
t Š Š = Š t Š Š Š t Š Š Š t Š Š Š Š<br />
{ Bb ‰ ‰ ˆ ‰ ‰ ‰ ‰ you. The Lord bless you and keep you: The<br />
for online perusal only<br />
13<br />
<br />
mp<br />
Vb Š ŠŠŠŠŠ Š Š Š. Še<br />
Š Še Še Še Š Š Š Š<br />
f<br />
Š f<br />
Š Š Š. Š f f ŠŠŠŠ<br />
Lord make his face to shine up - on you, to shine up - on you and be<br />
Bb<br />
Š ŠŠŠ Š<br />
<br />
Š. Š f Š f<br />
Š Š f Š. Š f ŠŠŠŠ<br />
V b t<br />
Š Š Š t Š Š Š<br />
t<br />
Š Š Š<br />
t<br />
Š Š mp<br />
Š<br />
t Š Š<br />
Š t<br />
Š Š<br />
Š<br />
mp<br />
{ Bb<br />
‰<br />
Š Š ‰ r Š<br />
‰<br />
‰<br />
‰<br />
<br />
Š. Š f Š ŠŠ Š ‰ ŠŠ<br />
t<br />
#‰. Š f<br />
Bb #Š. Š Š Š Š Š ‰ Š f Š ‰.<br />
<br />
r<br />
V b t #Š e Š Š t<br />
Š Š t Š Š Š t Š Š Š Š<br />
t<br />
Š# Š t Š Š Š Š<br />
{ Bb # ‰ = ‰ = ‰ b ‰ ‰ Š Š<br />
16 gra - cious,<br />
Vb Š ‰ Š Š Š ‰ Š Š ‰. t Še<br />
gra - cious, and be gra - cious un - to you: The<br />
mp
mf<br />
19<br />
cresc.<br />
Vb Š Š =ŠŠ Š #‰. #Š ŠŠ =Š ##Š. ##Še Š Š #Š f #Š Š Š<br />
Lord lift up the light <strong>of</strong> his coun - te - nance up -<br />
Bb p p p<br />
V b t<br />
Š Š t Š =Š<br />
=Š t Š Š# Š Š<br />
t<br />
Š Š Š<br />
t #Š ##Š Š<br />
t #Š ##Š Š<br />
{<br />
cresc.<br />
mf<br />
Bb #‰ Š. Še =‰ #‰ #‰ =‰<br />
for online perusal only<br />
22<br />
*<br />
Vb # #Š ‰ r mp cresc.<br />
p mf p p<br />
Š =‰ t bŠf Š Š Š Š b‰. Š Š Š. Š f<br />
Š Š=Š<br />
Bb q r t Š f<br />
Š Š Š bŠ<br />
<br />
‰. ŠŠ Š. Š f<br />
Š Š<br />
- on you, The Lord lift up the light <strong>of</strong> his coun - te-nance up -<br />
mp cresc.<br />
V b t bŠ bŠ =<br />
t Š Š Š Š<br />
t bŠ bbŠ t Š =Š bŠ Š<br />
t bŠ<br />
bŠ Š t Š<br />
Š Š t Š<br />
Š Š<br />
t Š<br />
Š Š<br />
{ Bbb‰ Š b bŠ mp<br />
Š b ‰ b Š. Š e<br />
mf<br />
‰ =‰ =‰ b‰<br />
mf<br />
The Lord bless you and keep you 239<br />
and give you peace,<br />
26<br />
Vb p r<br />
mpŠ Š Š Š =‰. Š r q<br />
Š #‰. Š r q p p<br />
- on you and give you<br />
Bb Š ‰. Š r q p r<br />
Š<br />
<br />
Š Š<br />
V b t Š #Š Š t Š Š Š t Š<br />
Š Š<br />
t Š<br />
Š Š tr =Š Š Š Š Š p<br />
Š Š Š =ŠŠ Š Š Š<br />
t Š<br />
Š<br />
mp<br />
Š<br />
{<br />
p<br />
Bb ˆ‰ ‰<br />
# ‰ = ‰ ‰<br />
‰ ‰ b ‰ * If tenors are available, they may sing the alto part from here to bar 27, as well as, or instead <strong>of</strong>, altos.
240 The Lord bless you and keep you<br />
30<br />
Vb p<br />
pp<br />
p<br />
r Š Š Š<br />
Š ‰.<br />
Š Š Š Š<br />
peace,<br />
Bb<br />
Š ‰. Š Š Š Š Š ‰. Š<br />
<br />
Š Š Š<br />
and give you peace, and give you<br />
pp<br />
V b tr t Š<br />
Š r Š Z<br />
Š Š Š Š Š Š Š Š Š. t<br />
Š Š Š t Š Š Š Š Š Š Š ‰<br />
{<br />
pp<br />
Bbb‰<br />
b‰ ‰ b ‰ ‰ = ‰ p<br />
ˆˆ<br />
p<br />
for online perusal only<br />
S.<br />
A.<br />
MEN<br />
34<br />
poco rit.<br />
a tempo<br />
Vb ˆ Š. t q p<br />
mf<br />
‰. Š Š<br />
Vb<br />
peace. A -<br />
ˆ Š.<br />
t q<br />
Bb Š Š Š Š ‰. Š Š<br />
<br />
Š ‰. Š ‰ Š<br />
p<br />
‰. Š<br />
peace. A - men,<br />
mp<br />
peace. A - - men, a - men,<br />
V<br />
poco rit.<br />
a tempo<br />
b ‰. Š t Š<br />
Š t Š Š<br />
Š t Š Š<br />
Š t Š Š<br />
Š t Š Š<br />
Š Š<br />
t Š Š<br />
ˆ mp<br />
Š<br />
{ Bb ˆˆ ˆ‰ ‰ ‰ ‰ ˆ‰ ‰ mf<br />
mf
38<br />
Vb Š ‰. ‰. f Š Š Š ‰ mf<br />
Š Š Š Š ‰<br />
- men, a - - men, a - men, a -<br />
f<br />
Vb Š Š Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
f<br />
The Lord bless you and keep you 241<br />
a - men, a - men, a - men, a -<br />
Bb Š Š Š Š Š Š Š Š Š Š Š ‰ Š ‰. Š<br />
<br />
V b t Š Š Š<br />
t Š Š Š<br />
t Š<br />
Š Š<br />
t Š<br />
Š t Š Š<br />
Š Š<br />
t Š Š Š tr ‰<br />
Š Š Š Š Š<br />
{<br />
mf<br />
Bb ‰ ‰ f mf dim.<br />
ˆ ‰<br />
‰<br />
‰ ‰ Š‰ Š Š Š Š‰<br />
Š<br />
a - men, a - men, a - - men, a -<br />
mf<br />
mf<br />
for online perusal only<br />
<br />
rall.<br />
molto rall.<br />
42 mp<br />
Vb ‰ p dim.<br />
pp<br />
‰ Š ‰ Š ‰. Š Š ˆF<br />
- men, a - men, a - - men.<br />
mp p pp<br />
dim.<br />
Vb Š Š Š Š Š Š Š Š Š Š ‰ ˆF<br />
mp p dim. pp<br />
- men, a - - men, a - men.<br />
Bb<br />
Š Š Š Š Š Š Š Š Š Š Š Š<br />
<br />
ˆF<br />
V<br />
rall.<br />
molto rall.<br />
b ‰ Š Š ‰ Š Š Š Š ‰. Š Š Š ‰‰ ‰<br />
F<br />
ˆ<br />
mp<br />
{<br />
dim.<br />
Bb<br />
Š Š Š Š p dim. pp<br />
ˆ ˆ ‰<br />
‰ Eˆˆ<br />
- men, a - - men, a - - men.
242<br />
S(A)(Men)<br />
Keyboard<br />
to Neil and Kristen on the occasion <strong>of</strong> their marriage, 5 May 2007<br />
57. The Lord’s my Shepherd<br />
Psalm 23<br />
The Scottish Psalter, 1650<br />
BOB CHILCOTT<br />
(b. 1955)<br />
S.<br />
A.<br />
SOPRANO<br />
ALTO<br />
MEN<br />
Flowing and expressive i = 84<br />
<br />
unis.<br />
V 34 p p p r r t p dolce<br />
Š f Š Š Š Š<br />
B 34 p p p p p<br />
for online perusal only<br />
The Lord’s my Shep-herd,<br />
V<br />
Flowing and expressive i = 84<br />
34 ‰. ‰. ‰. rrŠ Š‰.<br />
Š ‰ ‰.<br />
{ B 34 ‰ Š<br />
KEYBOARD p ‰. ‰ Š ‰ Š ‰. ‰ Š ‰ Š<br />
(Man.)<br />
6<br />
<br />
mp<br />
S.<br />
V Š Š Š t Š f Š Š Š Š ‰ Š Š Š A.Š Š Š Š<br />
V<br />
I’ll not want. He makes me down to lie In pas-tures green: he<br />
‰. ‰. r r Š Š‰. Š Š Š Š. ‰. ŠeŠ Š<br />
{ B ‰. ‰ Š ‰ Š ‰‰. mp<br />
‰ Š ‰‰. ‰ Š<br />
10<br />
<br />
unis.<br />
V Š. Še Š Š Š Š ‰ t p<br />
Š Š<br />
Še Š Š Š Š ‰.<br />
lead-eth me The qui-et wa - ters by, the qui-et wa - ters by.<br />
V Š‰. Š Š Š Š. ŠeŠ Š Š Š f<br />
Š ‰ Š ‰‰‰ ‰<br />
. ‰.<br />
{ B ‰ . ‰‰ ‰. ‰. ‰ p<br />
‰ Š ‰ Š ‰ Š<br />
Š<br />
‰<br />
(Ped.)<br />
Š<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S.<br />
A.<br />
MEN<br />
15<br />
V p p r r t Še<br />
Š ŠŠŠŠ Š Š Š Še<br />
f<br />
Š Š Š<br />
t<br />
Š<br />
My soul he doth re - store a-gain; And<br />
f<br />
B p p r r t Š f ŠŠŠ Š Š Š Š t Š f<br />
V p<br />
‰‰ .<br />
r r Š Š Š Š Š Š ‰.<br />
‰. ‰.<br />
‰‰ .<br />
{ B ‰. ‰<br />
‰<br />
Š ‰‰. ‰.<br />
Š<br />
‰ Š ‰ Š<br />
‰<br />
Š<br />
for online perusal only<br />
20<br />
<br />
mp<br />
V ŠŠŠŠ Š Š Š Š ‰ ŠŠŠŠŠ Š Š Š Š Š Š Š Š. ŠeŠ me to walk doth make With - in the paths <strong>of</strong> right-eous-ness, E’en<br />
f<br />
B Š Š Š Š ‰ Š Š Š Š Š Š ŠŠŠ. Š<br />
mp<br />
f<br />
Vr r Š Š Š Š Š Š ‰. Š Š Š Š Š Š<br />
{ B ‰. Š ‰‰‰ ‰ . Š mp<br />
‰‰ ‰.‰ Š ‰‰ Š<br />
24<br />
V Š Š ŠŠ Š ‰<br />
t ŠeŠ Š f<br />
Š Š Š Š ‰. ‰.<br />
for his own name’s sake, e’en for his own name’s sake.<br />
B Š Š Š Š ‰ t Š Š f<br />
Š Š Š ‰. ‰.<br />
V‰ Š Š Š Š ‰ ‰‰‰ .<br />
‰<br />
‰ . ‰ ‰‰‰<br />
. .<br />
{<br />
cresc.<br />
B ‰<br />
Š ‰<br />
Š ‰<br />
Š ‰<br />
Š ‰<br />
p<br />
The Lord’s my Shepherd 243<br />
Š
244 The Lord’s my Shepherd<br />
MEN or TUTTI unis.<br />
29<br />
Vr r t mf<br />
bŠ e bbbb Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
Yea, though I walk through death’s dark vale, Yet will I fear no<br />
V Š‰ Š ŠŠ bbbb ‰<br />
Š Š Š Š Š<br />
Š<br />
Š ‰ Š Š Š<br />
Š Š Š<br />
‰ Š Še Š. Š Š<br />
{ B ‰<br />
mf<br />
Š bbbb Š Š Š Š Š Š<br />
‰. ‰ Š ‰ Š Š‰ Š Š Š<br />
for online perusal only<br />
33<br />
<br />
Vbbbb ‰ t Še Š Š Š Š Š Š Š Š Š Š Š Š<br />
([)<br />
ill: For thou art with me and thy rod And staff me com - fort<br />
V bbbb<br />
Š Š Š Š Š Š Š ‰ tŠŠ Š ‰. Š. Š. Še Š Š<br />
{<br />
f<br />
Š Š f<br />
Š<br />
Bbbbb Š‰ Š ‰<br />
Š Š Š Š Š Š ‰ Š Š ‰<br />
‰ Š ‰<br />
Š ‰ Š<br />
S./A.<br />
MEN<br />
37<br />
<br />
(unis.)<br />
Vbbbb ‰ t Še Š Š Š Š Š Š Š Š Š Š Š Š<br />
Bbbbb ‰<br />
r r r t Š Š Š f Š Š Š Š Š Š Š<br />
still. My ta - ble thou has fur-nish-ed In pres-ence <strong>of</strong> my<br />
still. My ta - ble thou has fur - ni -<br />
V bbbb<br />
Š Š Š Š Š Š Š. Še Š Š Š Š Š Š Š ‰ Š. Š Š Š<br />
{ Bbbbb f<br />
‰. Š Š ‰<br />
Š Š Š<br />
‰ Š ‰ Š Š‰ Š Š Š
my cup o - ver -<br />
41<br />
S.<br />
Vbbbb ‰ t Še Š Š Š Š Š Š Š Š Š Š Š ====<br />
A.Š ŠŠ Š<br />
foes; My head thou dost with oil an-oint, And my cup o - ver -<br />
Bbbbb Š Š Š ‰ Š Š Š Š Š Š Š ====<br />
- shed, My head thou dost an - oint, And my<br />
bbbb ‰ Š Š ŠŠ. ŠeŠ Š Š . ŠeŠ Š ‰<br />
Š. Š ====<br />
{<br />
f f<br />
Š Š Š Š Š<br />
‰. Š Š Š Š ‰. Š ‰ Š ‰ Š Š Š Š Š ‰ Š Š Š Š Š ====<br />
- flows, o - ver - flows.<br />
45<br />
V ‰. f<br />
Š Š Š Š‰ Š Š ‰‰.. ‰.<br />
- flows, my cup o - ver - flows.<br />
B Š f =( )Š Š ‰ Š ‰. ‰.<br />
V<br />
cup o - ver - flows.<br />
=( ‰.))Š . Še Š Š ‰.<br />
Š ‰‰ . ‰‰‰ .<br />
{ B Š ‰. =( )Š‰ ‰‰‰ .<br />
r t Še Š Š Š Š Š<br />
(Man.)<br />
49<br />
opt. SOPRANO DESCANT<br />
V p p p p r t mf<br />
Še Š Š Š Š Š Š Š<br />
Good-ness and mer-cy all my<br />
ALTOS & MEN unis. or TUTTI<br />
V p p p r r t mf Š<br />
([)<br />
f Š Š Š Š Š Š Š t Š<br />
Good-ness and mer - cy all my life Shall<br />
f<br />
‰. ‰‰‰ rrŠ Š .<br />
Š Š Š Š ‰.<br />
‰. ‰. Š Š ‰ ‰‰‰ ‰ {<br />
mp<br />
mf<br />
B ‰ Š ‰<br />
Š ‰<br />
Š ‰. ‰ Š ‰.‰ Š<br />
‰<br />
Š<br />
for online perusal only<br />
(Ped.)<br />
The Lord’s my Shepherd 245
S.<br />
A.<br />
MEN<br />
246 The Lord’s my Shepherd<br />
55<br />
V Še Š Še Š Š Š. Š f Š Š t f<br />
ŠeŠŠ Š . Š f Š Š ‰ t Š<br />
life Shall sure-ly fol - low me: And in my Fa - ther’s heart al - way My<br />
f<br />
V Š Š Š Š ‰ t f<br />
Še Š Š Š Š Š Š Š. Še Š Š Š Š<br />
([)<br />
sure-ly fol - low me: And in my Fa - ther’s heart al-way My dwell-ing-place shall<br />
V ŠŠ Š Š Š ŠŠŠ ŠŠ ‰. Š Š ‰ Š Š<br />
Š ‰‰ .<br />
{ B f<br />
‰. Š ‰‰‰ ‰ . Š ‰‰ ‰.‰ Š ‰‰ Š ‰<br />
Š<br />
60<br />
<br />
mp<br />
V Š Š Š Š ‰. ‰ Š Š ‰. ‰.<br />
dwell-ing-place shall be, shall be,<br />
V‰ t Š e Š Š ‰ ‰ Š ‰. ‰.<br />
([)<br />
for online perusal only<br />
be, my dwell-ing-place shall be,<br />
V Š‰ Š Š Š Š ŠŠ . Š eŠ Š Š‰.<br />
Š ‰ Š Š Š Š Š Š Š Š Š Š Š Š<br />
{<br />
mp<br />
B ‰<br />
Š ‰<br />
Š Š Š Š Š Š Š Š<br />
‰. ‰. ‰. Š<br />
65<br />
rit.<br />
<br />
p<br />
Vrrt<br />
Š e Š p p Fp<br />
f<br />
Š Š Š Š ‰. ‰.<br />
my dwell-ing-place shall be.<br />
B rrt Š Š f<br />
Š Š Š ‰. ‰. p p p<br />
V p<br />
E<br />
rit.<br />
. ‰‰ . ‰. ‰. rrŠ Š F<br />
‰ Š ‰. Š ‰<br />
Š<br />
‰ .<br />
{<br />
p<br />
B ‰. ‰ Š ‰. ‰ Š ‰<br />
‰.<br />
‰ Š ‰ r ‰.<br />
(Man.)<br />
E<br />
‰.<br />
mp<br />
(Ped.)
247<br />
S(A)(T)(B)<br />
(Keyboard)*<br />
58. The peace <strong>of</strong> God<br />
Trad. Hebridean<br />
ALAN BULLARD<br />
(b. 1947)<br />
SOPRANO<br />
ALTO<br />
TENOR<br />
BASS<br />
KEYBOARD*<br />
Gently flowing i = 100<br />
Vbbb 34 r p p p<br />
p<br />
rrŠ<br />
Bbbb 34 r p p p rr<br />
Š<br />
V<br />
Gently flowing i = 100<br />
bbb 34 Š Š‰ Š Š Š Š‰ Š Š Š Š. ŠeŠ Š Š‰.<br />
Š Š<br />
{ Bbbb 34 p Š espress. Š Š e legato<br />
Š Š Š Š Š Š Š Š Š Š Š ŠŠŠŠ ‰ Š Š‰.<br />
Š Š<br />
(Man.)<br />
The<br />
p<br />
for online perusal only<br />
<br />
5<br />
with you,<br />
Vbbb ‰ Š ‰ Š Š Š ‰ ‰ Š ‰ Š<br />
Bbbb<br />
‰ Š ‰ Š ‰ Š ‰<br />
Š ‰ Š<br />
‰‰ Š ‰ Š ‰ Š ‰ Š ‰ ‰<br />
Š ‰ Š<br />
peace <strong>of</strong> God be with you, The peace <strong>of</strong><br />
V bbb ‰ Š ‰ Š Š‰. Š ‰ ‰<br />
Š ‰ Š<br />
{<br />
gently<br />
Bbbb<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š. Š ‰ ŠeŠ Š Š Š ‰ Š Š Š Š<br />
‰.<br />
Š Š<br />
* Sing bass rather than tenor if few men are available. The keyboard part may be omitted in SATB and SAB performances.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
248 The peace <strong>of</strong> God<br />
10<br />
with you,<br />
<br />
mp<br />
Vbbb ‰ Š Š Š ‰ ‰ Š ‰ Š Š Š Š<br />
‰ Š ‰ Š ‰ Š ‰ Š Š Š Š<br />
Christ be with you, The peace <strong>of</strong> Spi - rit be<br />
Bbbb ‰ Š Š ‰ ‰ Š ‰‰ Š Š Š Š<br />
<br />
V mp<br />
bbb ‰ Š Š‰. Š ‰ ‰ Š Š ‰ Š ‰ Š Š Š Š<br />
{ Bbbb Š Š Š Š Š Š Š Š Š Š Š ‰. mp<br />
Š Š Š Š Š Š Š Š Š Š Š Š<br />
15<br />
Vbbb Š Š ‰ Š Š Š ‰. Š Š Š Š‰ Š Š ‰ Š Š<br />
Bbbb<br />
Š Š Š ‰. Š Š Š ‰. Š <br />
Š Š<br />
Un - til the day, un - til the day at the<br />
with you, Un - til the day, un - til the day at the<br />
with you, Un - til the day at the<br />
V bbb Š Š ‰ Š Š Š ‰. Š Š Š Š‰ Š Š ‰ Š Š<br />
{ Bbbb<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
<br />
20 end <strong>of</strong> our lives.<br />
VbbbŠ. Še Š ‰. ‰. ‰ Š Š Š Š Š<br />
Bbbb<br />
for online perusal only<br />
‰. Š. Š f<br />
Š ‰. ‰ Š Š Š Š Š<br />
end <strong>of</strong> our lives. The grace <strong>of</strong><br />
Š. Š Še Š ‰‰. Š ‰. ‰ Š Š ŠŠŠŠ Š<br />
end <strong>of</strong> our lives.<br />
V bbbŠ Š Š ‰ Š Š Š Š Š Š Š. Š Š Š Š f<br />
ŠŠ<br />
Š. Š Š f<br />
‰. ‰ Š ‰ Š<br />
p<br />
{ Bbbb ‰. ‰.<br />
t Š e‰ t Še‰ ‰. ‰ Š Š Š Š Š Š Š Š<br />
,<br />
,<br />
p<br />
, p
mp<br />
Š Š Š Š ‰ Š Š ‰<br />
Š Š Š Š Š Š Š Š Š<br />
God be with you, The grace <strong>of</strong> Christ be<br />
Bbbb Š‰ Š Š Š ‰ Š Š Š Š<br />
‰ ‰<br />
Š Š ŠŠ Š ‰ Š Š Š <br />
Š<br />
V bbb Š Š Š Š. ŠeŠ Š Š mp<br />
Š<br />
‰ Š ‰ Š Š Š Š Š Š Š Š<br />
mp<br />
{ Bbbb Š Š Š Š Š Š ŠŠŠŠ ‰ Š Š<br />
‰<br />
Š Š Š Š Š Š Š ‰ Š Š Š Š Š Š<br />
30 with you,<br />
<br />
mf<br />
Vbbb Š‰ Š ‰ Š Š ‰ Š Š Š Š Š Š Š Š Š Š ‰<br />
The peace <strong>of</strong> God 249<br />
25<br />
with you,<br />
Vbbb ‰ Š Š Š ‰ ‰ Š Š Š Š Š ‰ Š<br />
Bbbb<br />
for online perusal only<br />
with you,<br />
with you, The grace <strong>of</strong> Spi - rit be<br />
with<br />
Š ‰ ‰ Š ‰ Š ‰ Š Š Š Š Š‰ Š Š ‰.‰ Š<br />
mf<br />
Spi - rit be with<br />
V bbb Š. Še Š Š Š<br />
Š<br />
Š Š<br />
‰ Š<br />
ŠŠŠ Š Š<br />
Š ‰ Š ‰ Š Š ŠŠŠŠŠŠ Š<br />
mf<br />
{ Bbbb ‰ Š Š ‰ Š ‰ Š Š‰. Š Š Š Š Š Š‰ Š Š Š Š Š Š Š Š Š Š<br />
r ‰.<br />
(Ped.)<br />
35<br />
ev - er, and for e -<br />
p cresc.<br />
Vbbb ‰ Š Š ‰ =Š Š Š<br />
Š Š Š Š Š Š Š Š Š ‰ Š ‰.<br />
p cresc.<br />
For ev - er and ev - er and ev - er,<br />
you,<br />
Bbbb<br />
Š Š Š ‰. ‰ Š<br />
‰ Š Š Š Š =Š Š =ŠŠ<br />
<br />
you, For ev - er, and ev - er, and for e -<br />
V bbb ‰ Š Š ŠŠŠ Š Š Š Š Š Š Š Š Š<br />
Š<br />
ŠŠŠŠŠ<br />
Š Š Š Š Š Š Š Š Š Š =Š Š Š<br />
{ Bbbb Š Š Š Š Š p ‰ Š ‰ Š ‰ Š Š<br />
‰ cresc.<br />
r<br />
‰. ‰. Š Š Š Š =Š =Š
250 The peace <strong>of</strong> God<br />
tenuto<br />
poco meno mosso<br />
- ter - - - ni - ty.<br />
40<br />
f<br />
Vbbb Š ‰. =Š bŠ ‰.‰ Š =‰ Š Š<br />
p<br />
Š =Š ‰ Š Š ‰ Š. Š f Š Š<br />
and for e - ter - ni - ty. The peace <strong>of</strong><br />
f<br />
Š Š p<br />
‰ Bbbb<br />
bŠ =Š Š Š ‰ Š ‰ ,<br />
<br />
Š ‰ Š<br />
- ter - - - ni - ty. The peace <strong>of</strong><br />
tenuto<br />
V bbb Š Š=Š Š Š Š Š<br />
poco meno mosso<br />
‰. ‰ Š Š Š Š Š =ŠŠ ŠŠŠŠŠŠ =Š =ŠŠ Š Š Š Š ‰ Š Š Š Š Š Š<br />
{<br />
f<br />
‰ Bbbb<br />
Š =Š Š Š Š Š Š p<br />
‰. ‰. ‰. ‰ Š ‰.‰ Š<br />
for online perusal only<br />
poco rit.<br />
with you for e - ter - ni - ty.<br />
45<br />
Vbbb Š Š ‰ Š<br />
pp<br />
‰ Š<br />
Š<br />
Š. Š Š Š ‰ Š ‰ Š Š Š Š ‰.<br />
f<br />
God be with you for e - ter - ni - ty.<br />
with you for e - ter - ni - ty.<br />
Bbbb b‰ Š ‰. Š. Š Š Š Š f<br />
‰ Š ‰<br />
<br />
Š ‰.<br />
God be with you for e - ter - ni - ty.<br />
V<br />
poco rit.<br />
bbb ‰ Š. ŠeŠ Š ‰ Š ‰. Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š<br />
{<br />
poco pp<br />
Bbbb ‰. ‰<br />
‰ Š ‰. Š Š‰ Š Š ‰. ‰ r<br />
50<br />
V bbb Š‰ Š Š Š Š Š‰ Š Š Š Š Š. ‰ Še Š<br />
Š ‰. ‰<br />
{<br />
ppp<br />
Bbbb<br />
‰. ‰. Š<br />
Š Š ‰. ‰<br />
(Man.)<br />
,<br />
,<br />
pp
251<br />
Voices 1 (2)<br />
Keyboard<br />
59. There is no rose<br />
Anon. Medieval<br />
VOICE 1<br />
VOICE 2<br />
ANDREW SMITH<br />
(b. 1970)<br />
V # Grazioso i = 85<br />
## 3 434 r p p r<br />
F<br />
r Š<br />
([)<br />
V # ## 3 4 r p p r<br />
F ,<br />
r Š<br />
([)<br />
V# Grazioso i = 85<br />
## 3 4 Š ‰ Š Š Š Š<br />
F<br />
‰<br />
,<br />
Š<br />
{ B### 34 r p p r Er Š<br />
,<br />
mp<br />
1. There<br />
KEYBOARD mp p<br />
mp<br />
(Man.)<br />
for online perusal only<br />
V #<br />
4<br />
## . ‰ Š Š Š Š Š. Š f Š Š. ‰ Š<br />
([)<br />
is no rose <strong>of</strong> such vir - tue As<br />
(2.) in this rose con - tain - ed was Heav’n<br />
V # ## . ‰ Š ‰ Š ‰ Š Š Š Š<br />
([)<br />
V# ## . ‰ Š ŠŠ ‰ ŠŠ Š<br />
Š.<br />
‰<br />
Še<br />
Š Š. ‰ Š Š Š<br />
{ B### .‰ ŠŠ ‰ Š ‰ ŠŠ Š r Š r r Š r r Š r r Š Š<br />
(Ped.)<br />
Performance suggestion: v. 1: sopranos and altos; v. 2: tenors and basses, with sopranos singing ‘Res miranda’ in bars 15–17;<br />
v. 3: sopranos sing the top line while altos, tenors, and basses sing the melody; v. 4: sopranos and altos, with tenors and basses<br />
joining the altos from ‘Transeamus’ (bar 39 to the end).<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
252 There is no rose<br />
V #<br />
8<br />
## mf ‰ Š Š Š Š ‰ Š ‰<br />
Šf<br />
([)<br />
V # ##<br />
‰ Š Š Š Š Š. Še Š Š. ‰ Š<br />
([)<br />
V# mf<br />
f<br />
## ‰ Š ŠŠ ‰. ŠŠ ŠŠ ‰‰ Š ‰ Š Š‰ Š Š<br />
{<br />
mp<br />
B### Š‰ Š Š ‰. Š Š Š ‰. Š Š‰.<br />
Š ŠŠ<br />
V # rit. a tempo<br />
12 1.<br />
## ‰ Š Š Š Š<br />
, mp 2.<br />
Š . ‰ Š Š<br />
mp<br />
Š Š Š<br />
([)<br />
([)<br />
is the rose that bare Je - su; Al -<br />
and earth in lit - tle space; Res<br />
for online perusal only<br />
,<br />
V # ## ‰ Š Š Š Š . ‰ Š Š Š Š<br />
- le - lu - ia. 2. For mi - ran - da, Res<br />
, mp mp<br />
rit. a tempo<br />
V#<br />
1.<br />
2.<br />
## ‰ Š Š Š Š Š ŠŠ Š Š . ‰ Š Š Š Š Š ŠŠŠ ŠŠŠ Š<br />
mf r<br />
{<br />
p mf p<br />
B### ‰. ‰. ‰ Š . ‰. r<br />
‰. ‰ r<br />
V # rit.<br />
14<br />
## Š Š =Š Š Š Š Š Š<br />
p<br />
‰ Š<br />
, f<br />
#( ) Š Š Š Š<br />
([)<br />
V # ## Š Š =Š Š Š Š Š r p ,<br />
r r Š<br />
([)<br />
V# ##<br />
‰ =Š Š Š Š ‰ f<br />
rit.<br />
Š ‰‰‰<br />
‰. ‰<br />
Š # ŠŠ<br />
Š ,<br />
r<br />
Š<br />
{<br />
pp<br />
mf<br />
B###<br />
=‰. ‰ r V ‰‰ Š ‰ BŠ<br />
* If performing in unison, sing the lower part in bars 17–30.<br />
Poco più<br />
mosso<br />
mi - ran - da, Res mi - ran - da. 3. *The<br />
(Man.)<br />
Poco più<br />
mosso
V #<br />
18<br />
## ‰ Š Š Š<br />
Š<br />
‰ Š Š. ‰ Š<br />
([)<br />
an - gels sung - en the shep - herds to:<br />
V # ##=‰ Š Š =Š Š =Š. Š<br />
([)<br />
f Š Š. ‰ Š<br />
V# ##=‰ Š =‰ ŠŠ =ŠŠ Š<br />
=Š. ‰<br />
Še Š Š. =Š ‰ Š = Š<br />
{ B###=‰ ŠŠ =‰ =Š =‰ ŠŠ =Š Š<br />
r =‰ r =‰ =Š<br />
> > r =‰<br />
> r =Š Š<br />
for online perusal only<br />
(Ped.)<br />
There is no rose 253<br />
V #<br />
22<br />
## Š Š =Š ‰ Š ‰<br />
ff<br />
cresc.<br />
Š Š Š =Š<br />
([)<br />
- ria in ex - cel - sis De - o:<br />
V # cresc.<br />
##=‰ Š Š =Š Š =‰ Š ‰<br />
Š<br />
([)<br />
- ria in ex - cel - sis De - o:<br />
ff<br />
V# ##=‰ Š =‰ ŠŠ =ŠŠ ŠŠ Š =‰‰ Š =‰ Š Š ‰. =ŠŠ Š<br />
{<br />
cresc.<br />
B###=Š‰ =Š ‰. Š Š =‰ Š Š =Š ŠŠ<br />
r Š r r Š r r ‰ ‰. ‰.<br />
V # rit.<br />
26<br />
##‰ Š Š Š =Š ‰ Š ‰ Š ‰.<br />
([)<br />
V # ## ‰ =Š Š Š Š Š ‰ =Š Š ‰. ‰.<br />
([)<br />
V# ## ‰ Š =Š Š Š =Š Š ==‰‰ ‰<br />
Š<br />
‰ Š =Š Š Š =Š Š =Š rit.<br />
‰. Š Š ‰.<br />
f<br />
{ B###==‰<br />
‰. . =‰. ==‰<br />
‰. . ‰. ‰.<br />
‰.<br />
- de - a - mus, Gau - de - a - mus.<br />
Glo -<br />
Glo -<br />
Gau -
254 There is no rose<br />
we this joy - ful birth; Trans - e - a - mus, Trans-<br />
V #<br />
31<br />
Tempo I<br />
## p ‰ p Š Š Š Š Š. Š<br />
([)<br />
f ŠŠ. ‰ Š ‰ Š<br />
V # ## p ‰ Š ‰ Š ‰ Š Š Š Š ‰ Š<br />
([)<br />
V# ## p p<br />
Tempo I<br />
‰ Š Š ‰ Š Š Š. ‰ Še Š Š. ‰ Š Š Š ‰ *<br />
Š<br />
p<br />
{ B### ‰ . ‰ ‰. . ‰ ‰. . ‰ ‰. . ‰ ‰. . ‰ ‰. .<br />
V # (Piano: repeat tied notes as required)<br />
37<br />
##<br />
mf<br />
Š Š Š ‰ Š ‰<br />
Š Š Š Š<br />
mp<br />
Š Š Š Š Š<br />
([)<br />
V # ##<br />
‰ Š Š. ŠeŠŠ. ‰ Š Š Š Š Š Š Š Š Š<br />
([)<br />
mf<br />
mp<br />
V# ##<br />
Š‰ Š ‰ Š Š Š Š ‰. ‰<br />
Š Š. Š .<br />
{<br />
f ŠŠ. ‰.<br />
B### ‰<br />
‰ ŠŠ ‰. =‰.<br />
‰. . ‰ ‰. . mf<br />
‰. ‰. V # rit.<br />
## Š =Š Š Š =Š Š Š =Š p ‰ Š<br />
Fpp<br />
42<br />
Š =‰ Š ‰.<br />
([)<br />
Trans - e - a - mus.<br />
- e - a - mus,<br />
V # ## Š<br />
p<br />
=Š Š Š =Š Š Š =Š Š Š Š =Š<br />
Fpp<br />
Š ‰ Š ‰.<br />
([)<br />
Trans - e - a - mus.<br />
V#<br />
rit.<br />
## = =‰. ‰ F<br />
. =‰. ‰. Š ‰. Š<br />
E<br />
‰<br />
{<br />
mp p pp<br />
B### ‰. ‰. ‰. ‰. Š‰. ŠŠ =Š ‰.<br />
E<br />
‰.<br />
(Man.)<br />
4. Leave we all this world - ly mirth, And fol - low<br />
for online perusal only<br />
* The right-hand part may be omitted in bars 32–8.<br />
(Ped.)
SA(Men)<br />
Keyboard<br />
for the Music Group <strong>of</strong> St Thomas More’s, Kidlington<br />
60. The True<br />
and Living Bread<br />
255<br />
Timothy Dudley-Smith<br />
(b. 1926)<br />
DAVID BLACKWELL<br />
(b. 1961)<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
Flowing i = 66<br />
Vbbb 4 q p<br />
mp<br />
S./A. unis. or SOLO<br />
q t Še Š Š<br />
Bbbb 4 q p p<br />
I bow be -<br />
V<br />
Flowing<br />
bbb 4 t i = 66<br />
Š f Š Š Še Š Še Š Š Š Š Š Š Š Š Š Š<br />
{<br />
mp legato<br />
Bbbb 4 q<br />
Še ‰. Š Še Š<br />
r ‰. Š<br />
(Man.)<br />
for online perusal only<br />
3<br />
<br />
VbbbŠe Š. Š ŠŠŠ ‰<br />
t Še Š Š Š. Še Š Š Š Š<br />
- fore you, all my sin con-fessed, to hear a - gain the words <strong>of</strong> love you<br />
V bbb Še Š . Š‰ ŠŠŠ t<br />
‰<br />
Še Š Š ‰ Š. Še Š Š Š Š<br />
{ Bbbb ‰ ‰ Š Š Š ‰ r Š<br />
Š‰.<br />
Š ‰ Š<br />
Music: © <strong>Oxford</strong> University Press 2007; Words: ‘As in that upper room you left your seat’ from A House <strong>of</strong> Praise © Timothy<br />
Dudley-Smith in Europe and Africa, © 1993 Hope Publishing Company in the United States <strong>of</strong> America and the rest <strong>of</strong> the<br />
world. Reproduced by permission <strong>of</strong> <strong>Oxford</strong> University Press and Hope Publishing Company. All rights reserved. Photocopying<br />
this copyright material is ILLEGAL.
S./A.<br />
MEN<br />
256 The True and Living Bread<br />
6<br />
<br />
Vbbb ‰ t Še Š Š Š Š Š ŠŠŠ ‰ t Še Š Š<br />
V bbb ‰<br />
t<br />
Še Š Š Š Š Š ŠŠŠ ‰<br />
t<br />
Š Š Š Še Š<br />
r bŠ Š ‰. Š<br />
{ Bbbb ‰. Š Š Š Š Š Š Š<br />
‰ ‰. Š Š Š Š<br />
said; and at your ta - ble, as your hon-oured guest, I take and<br />
<br />
mp<br />
Vbbb Š. Še Š Š Š Š ‰ t (TUTTI)<br />
9<br />
Še Še f Š Š Š f Š. Š ŠŠŠŠ Š Š<br />
Bbbb p q t Š f<br />
ŠŠ Š f Š. ŠŠŠŠ<br />
mp<br />
V bbb Š . Š e Š Š Š Š ‰ t<br />
Š.<br />
Še Š Š Še Š. Š‰<br />
ŠŠŠ<br />
{ Bbbb ˆ r Š ‰ Š Š Š Š<br />
Š<br />
Še<br />
‰ Š. ‰<br />
for online perusal only<br />
eat the true and liv - ing bread. I bow be - fore you, all my sin con -<br />
(Ped.)<br />
12<br />
Vbbb t Še Še Š Š ‰<br />
t<br />
‰ Š Še Š Š<br />
f Š Š Š. Š f Š Š Š Š Š Š r<br />
- fessed, to hear a - gain the words <strong>of</strong> love you said;<br />
Bbbb ‰ t Š f<br />
ŠŠ Š. Š f Š Š Š ‰<br />
r<br />
to hear a - gain the words you said;<br />
V bbb t<br />
‰<br />
Še Š Š ‰ Š. Še Š Š Š Š ‰ Š Š Š<br />
t Še Š Š<br />
{ Bbbb Š Š Š Š<br />
Š<br />
Š Š ‰ Š Š Š<br />
‰ ‰ ‰. Š ‰. Šr<br />
to hear a - gain the words <strong>of</strong> love you said; and at your
15<br />
ta - ble, as your hon-oured guest,<br />
Vbbb Št Š ŠŠŠ Š ŠŠbŠ Š ‰<br />
t Še Š Še f f<br />
Š Š Š.<br />
f<br />
Š Š Š Š<br />
your ta -ble, as your guest, I take and eat the true and liv-ing<br />
Bbbb t Š ŠŠŠ Š Š Š Š ‰ f r Š ŠŠŠŠ<br />
your ta -ble, as your hon - oured guest, the true and liv -ing<br />
V bbb Š Š Š ŠŠŠ ‰<br />
t<br />
bŠ Š Š ‰. Še Š Š Š . Š e Š ŠŠ.<br />
Š Š<br />
{ Bbbb Š Š Š Š<br />
‰ Š Š ‰. ‰. Š Š Š Š ˆr Š ‰<br />
18<br />
Vbbb ‰ q p p p<br />
bread.<br />
Bbbb ‰ q p p p<br />
bread.<br />
for online perusal only<br />
V bbb ‰ t Š eŠ Š Š Š Š Š Š Š Š Š Š ŠetŠ ‰ f Š Š Š. Š { f<br />
Š Š Š Š<br />
mf<br />
Bbbb Š‰ q t Š Š ŠbŠ f<br />
Š Š Š Š f t Š r Š<br />
Š ‰ ‰<br />
(Man.)<br />
22<br />
<br />
DESCANT<br />
Vbbb p mf<br />
r Š Š Š Š Š Š ‰<br />
OTHER VOICES Re - mem - brance, life laid down,<br />
mf<br />
Vbbb q t Še Š Š Še Š. Š ŠŠŠ t<br />
‰<br />
Še Š Š<br />
([)<br />
So in re - mem-brance <strong>of</strong> your life laid down I come to<br />
V bbb ‰ t Še Š Š Šr Š Š Š Š ‰<br />
f Š. Š Š Š ‰ Š f Š. Š Š Š<br />
{ Bbbb Š Š Š ‰ Še<br />
‰ Š.<br />
Š‰ Š Š Š‰ Š Š Š‰<br />
Š Š Š<br />
(Ped.)<br />
The True and Living Bread 257
258 The True and Living Bread<br />
25<br />
Vbbb r Š Š Š Š Š Š ‰ r Š bŠ Š Š Š<br />
to praise you, grace di - vine; and sub-ject to your<br />
VbbbŠ. Še Š Š Š Š ‰ t Še Š Š Š Š Š ŠŠŠ<br />
([)<br />
praise you for your grace di - vine; saved by your cross, and sub-ject to your<br />
V bbb Š Š Š Š Š Š. Š Š ‰ Š Š bŠ Š<br />
f Š Š Š Š Š Š<br />
{ BbbbŠŠ ‰.<br />
‰ Š Š ‰ r Š Š Š Š ‰. Š ‰ Š Š<br />
rall.<br />
28<br />
Vbbb Š Š r Š Š Š ŠŠ Š Š ˆ<br />
crown, for ser - vice by this bread and wine,<br />
Vbbb ‰ t Še Š Š Š Š Š Š Š Š ˆ<br />
([)<br />
crown, strength-ened for ser - vice by this bread and wine,<br />
V<br />
rall.<br />
bbb ‰. Š Š Š Š Š ‰<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
{ Bbbb ‰. Š ˆr Š ‰<br />
ŠˆŠ ‰.<br />
slower<br />
31<br />
Vbbb ‰ t mp<br />
p<br />
Še Š Š Š Š Š Š Š Š ˆ<br />
strength-ened for ser - vice by this bread and wine.<br />
Vbbb ‰ t mp<br />
p<br />
Še Š Š Š Š Š Š Š Š ˆ<br />
([)<br />
strength-ened for ser - vice by this bread and wine.<br />
V<br />
slower<br />
bbb ‰ t Še Š Š Š Š Š Š Š Š<br />
t<br />
Š. ‰ Še Š Š Še Š.<br />
{<br />
mp<br />
p<br />
Bbbb q r Š ‰ t Še Š Š Še<br />
‰ ˆ<br />
Š. ˆˆ<br />
for online perusal only
259<br />
S(A)(Men)<br />
Keyboard<br />
61. Thou visitest the earth<br />
Psalm 65: 9, 12<br />
MAURICE GREENE<br />
(1696–1755)<br />
SOPRANO<br />
ALTO<br />
MEN<br />
V # 34 r p p p p<br />
rr. Š Š.ŠŠ<br />
r r pŠ<br />
MEN: sing 2nd time only<br />
B#34 r p p p rr. r r r Šp<br />
Moderato i = 116 1st time: SOPRANO SOLO or unis. Ṭhou vi-sit-est the<br />
2nd time: SOPRANOS & ALTOS<br />
34<br />
Thou<br />
V#<br />
Moderato i = 116<br />
34 Š Š.ŠŠ Š ‰ Š Š.ŠŠ.ŠŠŠ Š Š.ŠŠ . Š Š.ŠŠ Š<br />
{ B#34 r rrŠ Š.ŠŠ Š Š ‰<br />
Š.ŠŠ ‰ . r r r Š<br />
KEYBOARD p p<br />
(Man.)<br />
Thou<br />
(Man.)<br />
for online perusal only<br />
V #<br />
6<br />
ŠŠ.Š Šr Š Š. Š Š Š. ŠŠ<br />
Š Š. Š Š Š Š‰.<br />
Š. ŠŠ. Š ‰ Š. Š Š<br />
f<br />
earth, and bless-est it, and bless-est it: and crown - est the year, the<br />
B# Š. Š Š Š Š ‰ Š. Š Š Š Š Š Š Š Š #Š<br />
vi - sit-est the earth, and bless-est it: and crown - - est the<br />
vi - sit-est the earth, and bless-est it: and crown-est the year with thy<br />
V# Š.ŠŠ Š ‰ Š. Š Š. ŠŠ Š Š. ŠŠ Š Š‰<br />
Š. ŠŠ. Š ‰ Š<br />
{ B# Š. Š Š Š Š ‰<br />
Š. ‰ Š Š Š ‰ Š Š Š #Š<br />
The repeat is optional. If omitting, sing tutti throughout.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
260 Thou visitest the earth<br />
V #<br />
11<br />
ŠŠ Š Š. ŠŠ Š Š. Š Š Š.. #ŠŠ. Š<br />
#Š Š Š ‰ ‰ Š. Š Še#Š f Š Š. Š f Š<br />
year with thy good - ness, Thou crown - - est the year with thy<br />
cresc.<br />
B# Š Š Š Š Š Š Š.. Š “<br />
Š. Š #Š Š Š Š Š Š<br />
good-ness, thy good - ness, Thou crown - - est the year with thy<br />
V# ŠŠ Š Š. Š Š. Š#Š Š Š.. Š ‰ #ŠŠ. Š ‰ Š. Š Š . Š #Š f Š f<br />
{<br />
cresc.<br />
B# Š Š Š ‰ Š Š.. Š “<br />
Š. Š #Š Š Š Š Š Š<br />
V #<br />
16<br />
Š mf<br />
Š. Š Š r r r Š. ŠŠ Š r Š.Š Š Š Š. Š Š Š Š r Š Š.Š Š Š Š Š. Š Š<br />
B# Š Š<br />
mf Š Š. Š Š Š Š r Š Š. Š Š Š Š ‰<br />
good - ness. Thou vi - sit-est the earth, Thou vi - sit-est the earth, and<br />
V# Š . Š Š r r r Š Š. ŠŠ Š Š. ŠŠ ‰<br />
‰ Š Š Š. Š mf<br />
{ B# ‰ Š Š. Š Š Š Š r Š. Š Š Š r r Š<br />
Š Š ‰<br />
year with thy good- ness, Thou crown - est the year, the year with thy<br />
cresc.<br />
for online perusal only<br />
good - ness. Thou vi - sit-est the earth, and bless-est it, and<br />
mf<br />
good-ness. Thou vi - sit-est the earth, Thou vi - sit-est the earth, and<br />
V #<br />
21<br />
f<br />
Š. Š ‰<br />
Š<br />
Š. Š ‰ Š ‰ Š.<br />
Š<br />
Š<br />
r Š ‰ Š Š. ŠŠ Š. Š Š. Š f<br />
f Š Š Š Š<br />
B# Š. Š Š Š f ‰ Š. Š ‰ Š Š Š Š Š Š Š<br />
V# Š.ŠŠ ‰ Š ‰ Š. Š ‰ Š Š. ŠŠ ‰ Š. Š Š. Š Š Š. Š f<br />
Š f<br />
{ B# ‰ Š. Š Š Š ‰ Š. Š ‰ Š ‰ Š Š Š Š. Š Š Š Š<br />
(Ped.)<br />
bless-est it: Thou crown - est the year, the year with thy good-ness, Thou<br />
bless-est it: Thou crown - est the year with thy good - ness, Thou<br />
bless-est it: Thou crown - est the year, the year with thy good - ness, Thou
V #<br />
26<br />
Š.. ŠŠ. Š‰ Š. Še Š .<br />
p<br />
Š<br />
Š ‰<br />
‰<br />
Š.<br />
Š. Š<br />
Š<br />
f Š Š Š Š Š. Š Š r Š ‰<br />
p<br />
crown - - est the year with thy good-ness. Thou crown -<br />
B# Š.. Š “<br />
Š. Š Š Š Š Š Š Š Š Š . Š p ‰ Š. Š<br />
crown - - est the year with thy good - ness. Thou crown - est the<br />
V# Š Š.. ‰ Š Š. Še Š . Š Š . ‰ Š. Š<br />
“<br />
Š. Š ‰ Š Š Š Š Š Š ‰<br />
{ B# ‰ Š.. Š Š Š Š Š Š Š Š . Š<br />
p ‰<br />
“<br />
Š.ŠŠ Š Š<br />
Š. Š<br />
(optional repeat)<br />
crown - est the year, the year with thy good - ness. Thou crown - est the<br />
.<br />
for online perusal only<br />
(Man.)<br />
year, the year with thy good-ness, Thou crown - est the year, the<br />
V #<br />
31<br />
‰ Š ‰ Š. Š<br />
mf<br />
Š Š. ŠŠ Š. Š Š Š. Š f Š Š Š Š.. Š ‰ ŠŠ. Š‰ Š. Š f Š<br />
- est the year with thy good - ness, Thou crown - est the<br />
B# ‰ Š Š Š Š Š Š Š Š.. Š “<br />
Š. mf<br />
Š Š Š Š<br />
year, the year with thy good - ness, Thou crown - - est the<br />
V# ‰ Š Š. ŠŠŠ ‰ Š. Š Š. Š Š Š. Š Š Š Š ‰ f Š.. Š “<br />
Š. Š ‰ Š<br />
{ B# ‰ Š ‰ Š Š Š Š. Š Š Š Š ‰ Š.. Š Š “<br />
Š.ŠŠ Š mf<br />
Š<br />
year with thy good - ness.<br />
V #<br />
36<br />
Š. ŠŠe Š Š. Š r p p p<br />
Š<br />
r r<br />
year with thy good-ness.<br />
B# Š Š Š Š Š r p p p r r<br />
year with thy good - ness.<br />
V# Š. Še Š . Š Š Š Š.ŠŠ. ŠŠ. Š ‰ Š ŠeŠ Š<br />
Š Š Š<br />
Š.ŠŠ Š Š.ŠŠŠ<br />
p<br />
pp<br />
{ B# Š Š Š Š<br />
Š r r r Š Š.ŠŠ.ŠŠ.Š Š Š Š Š<br />
Š<br />
(Man.)<br />
Thou visitest the earth 261<br />
(Ped.)
262<br />
S(A)(T)(B)<br />
Keyboard<br />
62. To be a Pilgrim<br />
John Bunyan<br />
(1628–88)<br />
VOICES<br />
KEYBOARD<br />
Maestoso, poco allegro i = 148<br />
<br />
V 4 p 34 p p 24 p 34 p p<br />
([)<br />
V 4 ‰ Š Š 34 ŠŠŠŠŠ r bŠ Š 24Š ŠŠŠ 34ŠbbŠbŠ bŠŠŠŠŠ<br />
mf { B 4 ‰ #Š Š 34 Š ŠŠŠŠ r bŠ 24 Š bŠŠŠ 3 4 con brio<br />
‰. ‰ Š ‰ Š b Š<br />
- Š-<br />
bb‰ =Š<br />
(Man.)<br />
NICHOLAS BURT<br />
(b. 1962)<br />
v. 1: TUTTI unis.<br />
v. 2: TENORS & BASSES unis. or TUTTI<br />
7<br />
V p . mf<br />
<br />
([)<br />
4 ‰ Š Š Š Š Š Š Š Š Š t Še Š Š 34Š Š Š r 4<br />
1. Who would true va - lour see, let him come hi - ther;<br />
2. Who - so be - set him round with dis - mal sto - ries,<br />
V ‰ . . 4 Š Š ‰ Š Š ŠetŠ ‰ -<br />
34 -<br />
Š Š =Š ‰ Š Š ‰ Š<br />
-<br />
Š 4<br />
{ B ‰. . 4 ‰ ‰‰ ‰ ‰ Šet r ‰ 34Š Š<br />
Š 4<br />
ˆ ‰ ‰ Š f<br />
12<br />
<br />
V 4 ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š 34Š Š r 4<br />
([)<br />
(Ped. (small notes) 2nd time only)<br />
one here will con - stant be, come wind, come weath - er.<br />
do but them - selves con - found; his strength the more is.<br />
V 4 ‰ ‰‰ ‰ Š Š Š #ŠŠ Š Š#ŠŠŠ Š Š Š 34Š#ŠŠ r 4<br />
{ B 4 ‰ ‰ ‰ Š Š Š Š Š Š Š 34Š Š<br />
Š 4<br />
(Man. 1st time; Ped. 2nd time)<br />
for online perusal only<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
S./T.<br />
A./B.<br />
S.<br />
A.<br />
T./B.<br />
16unis. (mf )<br />
V 4 b‰ Š Š 34Š Š Š Š Š 4 r bŠbŠ Š 24 Š ŠbŠŠ 34Š. Še Š Š 24<br />
([)<br />
There’s no dis - cou - rage-ment shall make him once re - lent his first a -<br />
No li - on can him fright, he’ll with a gi - ant fight; but he will<br />
V 4 r Š Š Š 34Š Š Š 4‰ Š Š 24 bŠ Š Š 34Š. Še=Š Š 2<br />
unis.<br />
4<br />
([)<br />
(mf )<br />
V 4 b‰ = Š Š 34Š Š Š Š Š 4Š bbŠ bŠ Š 24 bŠ Š Š Š 34ŠŠ. Še Š. Š Š 24<br />
{ B 4 Š Š Š Š 34 Š ‰. bŠŠ Š Š<br />
4Š Š bŠ Š 24 b bŠbŠ ‰ Š Š 34 Š ‰. =ŠŠ =Š Š 24<br />
for online perusal only<br />
To be a Pilgrim 263<br />
V 24 Š<br />
21<br />
1.<br />
2.<br />
Š 34Š t ([)<br />
Š e Š Š 4Š Š Š Š Š<br />
p . p<br />
- vowed in - tent to be a pil-grim.<br />
have a right to be a pil-grim.<br />
V 24 Š Š Š Š 34Š t<br />
([)<br />
Š e Š Š 4Š Š Š Š Š<br />
p . p<br />
V 24 Š Š Š Š 34Š t<br />
Š e Š Š 4Š Š ˆ<br />
. ‰ #‰‰<br />
{<br />
f<br />
Š Š Š Š Š ‰ ‰<br />
B 24 34 4 mp<br />
‰ ‰ Š Š Š Š Š r . r ‰ Š<br />
r q<br />
.<br />
‰. .<br />
Š<br />
25<br />
p<br />
V‰ ‰ marcato<br />
Š Š ><br />
#Š Š ><br />
Š ><br />
Š Š Š Š ><br />
34 ‰ Š. Še#Š Š 4#Š Š Še Š t q<br />
> ><br />
f<br />
3. Hob - gob - lin nor foul fiend can daunt his spi - rit;<br />
B ‰ Š Š Š Š Š Š 34 #Š . Š Š f 4 Š unis. > > > > Š f t q<br />
V p ‰ marcato<br />
Š Š #‰‰ ŠŠ ŠŠ 34 ‰ #ŠŠ 4#ŠŠ Š.<br />
q<br />
- . . - . .<br />
{<br />
p marcato<br />
B r ‰ r r ‰ r 34 r ‰ 4 q Š.<br />
(Man.)<br />
Š.
S./T.<br />
A./B.<br />
29<br />
<br />
-<br />
V‰ #Š . Še Š Š 34 Š.<br />
><br />
‰ Š Š Š. Še#Š 4#Š Še t q<br />
f<br />
Š Š ‰ Š ><br />
Š Š<br />
he knows he at the end shall life in - he - rit.<br />
f<br />
B ‰ Š Š Š. Š f<br />
Š Š 34 #Š -. Š Š > f 4 Š Š f t q<br />
V ‰ ‰ #‰‰. ŠŠ 34 Š. Še#Š 4#Š Še t<br />
‰ Š Š. q<br />
{ B ‰ ‰ #‰. Š 34=‰ Š 4 Š. t Š Š<br />
264 To be a Pilgrim<br />
for online perusal only<br />
Vr Š#Š Š Š 34 Š<br />
33<br />
unis. cresc.<br />
. Š<br />
mf<br />
([) f Š 4 rŠŠbŠ Š Š bŠ Š. Š f<br />
Then fan - cies fly a-way, he’ll fear not what men say; he’ll<br />
unis.<br />
Vr Š Š Š#Š 34 Š. ŠeŠ 4 rŠ Š Š Š bŠ Š Š. Še<br />
([) cresc.<br />
V ‰ ‰ 34 mf<br />
Š . #ŠŠeŠ<br />
4 rŠŠbŠ Š Š bŠ b Š Š . Še<br />
{<br />
cresc.<br />
B ‰ ‰ 34 mf<br />
Š 4 b‰ b‰ ‰<br />
Š Š Š ‰<br />
‰ r tŠbŠ Š f<br />
V b Š<br />
37 f<br />
Š Š =Š #Š. Še Š Š#Š #Š Š q 34 p<br />
([)<br />
la - bour night and day to be a pil- grim.<br />
VŠbŠ Š Š Š. Še Š#Š Š Š Š q 34 p<br />
([) f<br />
V b‰ ‰ #‰‰ ‰ Š‰<br />
Š Š Š # ‰ Š 34 Š Š Š Š Š<br />
f<br />
mf<br />
{ B b‰ ‰ =( ‰) ‰ ‰ Š ‰ #Š Š ‰ =Š Š Š Š#Š 34 Š Š Š Š Š<br />
q ‰.<br />
(Man.)<br />
(Ped.)
To be a Pilgrim 265<br />
41<br />
Vr bŠŠ Š Š Š 24Š > Š Š Š 34Š bbŠ-<br />
bŠ-<br />
bŠ Š Š Š Š<br />
{ B ‰ r bŠ Š 24 Š ‰ bŠ Š Š 34 Š b Š<br />
-<br />
bb‰ =Š<br />
S./T.<br />
A./B.<br />
45<br />
V p 4 q<br />
f<br />
‰ Š Š Š Š Š Š Š t Še Š Š 34<br />
([)<br />
for online perusal only<br />
f<br />
*4. Who would true va - lour see, let him come<br />
V p 4 ‰ Š Š Š Š Š Š Š Š Š t Še Š Š 34<br />
([)<br />
*4. Who would true va - lour see, let him come<br />
V Š Š Š 4 ‰ Š Š ‰ Š Š Šet Š ‰ 34<br />
{ B Š Š =Š<br />
4 ‰ f<br />
‰. ‰‰ ‰ Še ‰<br />
ˆ ‰ ‰ Š<br />
t r q 34 f<br />
(Ped.)<br />
V 34 Š<br />
49<br />
Š Š r 4 q ‰ Š Š Š Š Š Š Š Š#Š Š 34<br />
([)<br />
hi - ther; one here will con-stant be, come wind, come<br />
V 34 Š Š Š r 4 ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š 34<br />
([)<br />
hi - ther; one here will con - stant be, come wind, come<br />
V 34 Š -<br />
Š<br />
-<br />
Š<br />
-<br />
4 ‰ Š‰ Š Š Š Š Š Š #Š<br />
Š Š #Š Š Š Š Š 34<br />
{ B 34 Š Š<br />
Š 4 ‰ ‰ ‰ Š Š Š<br />
Š Š Š Š 34<br />
* If performing in unison, sing the lower part in bars 46–58.
266 To be a Pilgrim<br />
V 34 Š #Š Š r 4 r Š Š Š 34 Š Š Š 4 ‰<br />
53<br />
Š bŠ 24<br />
([)<br />
([)<br />
weath - er. There’s no dis - cou - rage - ment shall make him<br />
V 34 Š Š r 4 b‰ Š Š 34Š Š Š Š Š 4 r bŠ bŠ Š 24<br />
weath - er.<br />
V 34 r 4 r Š 34 4 ‰ Š Š#Š Š<br />
b = ‰ Š Š Š Š Š Š Š Š bb Š b Š Š 24<br />
{ B 34 Š Š<br />
Š 4 Š Š Š Š 34 Š ‰. bŠ Š Š Š<br />
4Š Š bŠ Š 24<br />
for online perusal only<br />
V 24 Š Š 34Š. Še Š =Š 24 Š<br />
57<br />
b b<br />
Š Š Š 34Š t Š ([)<br />
f Š Š 4<br />
once re - lent his first a - vowed in - tent to<br />
V 24 Š Š bŠ Š 34Š. Še=Š Š 24Š Š 34Š t<br />
Še Š Š 4<br />
([)<br />
V 24 bŠ Š Š bbŠŠ Š 34ŠŠ. Še Š. Š Š 24 Š Š Š Š 34Š t<br />
Še Š Š 4<br />
{<br />
f<br />
Š<br />
B 24 b bŠ ‰ bŠ Š Š 34 Š ‰. =Š Š =Š Š 24 ‰ Š Š 34 ‰ Š 4<br />
senza rall.<br />
61<br />
V 4 Š Š Š Š Š Š.<br />
p t p pp<br />
Š Š.<br />
Š.<br />
Š Š Š Š.<br />
Š q<br />
([)<br />
. .<br />
be a pil - grim, to be a pil- grim.<br />
V 4 Š Š Š Š Š<br />
p t<br />
. Š Š.<br />
Š.<br />
Š Š Š Š.<br />
Š q<br />
([) . p.<br />
.<br />
V 4 Š Š Š ‰‰ Š Še t pp<br />
senza rall.<br />
Š Š ŠŠ Š r q ŠŠ Š q<br />
. .<br />
{<br />
mp<br />
pp<br />
B 4 Š Š Š Š Š Š ‰ Š<br />
Še<br />
Š<br />
t r q . .<br />
Š q f . .<br />
Š
267<br />
Voices 1 (2) (3)<br />
Keyboard<br />
63. Were you there?<br />
VOICE 1<br />
VOICE 2<br />
VOICE 3<br />
V # With calm intensity h = 54<br />
v. 1: SOLO or VOICE 1<br />
v. 5: VOICE 1 or TUTTI<br />
2 q p p p mp<br />
q Š Š<br />
([)<br />
V # 2 q p p p p<br />
([)<br />
V# S With calm intensity h = 54<br />
2 Š Š ‰ Š Š ‰ Š Š ‰ Š Š ‰ ‰ Š Š<br />
{ B# 2 Š Š ‰ ‰ ˆ ˆ ˆ ˆˆˆ<br />
1. Were you<br />
5. Were you<br />
KEYBOARD mf p legato e espress.<br />
(Man.)<br />
American spiritual<br />
arr. PETER HUNT (b. 1955)<br />
S<br />
for online perusal only<br />
V #<br />
5<br />
‰ Š Š Š Š Š. Še ˆ q Š Š ‰ Š Š<br />
([)<br />
-<br />
there when they cru - ci - fied my Lord? Were you there when they<br />
there when they laid him in the tomb? Were you there when they<br />
unis. p<br />
V # ˆ ‰ ‰ ‰. Š Š ‰ r Š Š Š Š<br />
([)<br />
*Swing low, sweet cha - ri - ot, com - in’ for to<br />
V# ‰<br />
Š Š ‰ Š Š ‰ Š Š ‰. Š ‰ Š Š<br />
{ B# r‰. Š ‰. Š ‰ Š Š Š ‰ Š Š Š<br />
ˆ ˆ ˆ<br />
Š<br />
‰. Š ˆ<br />
(Ped.)<br />
* The spiritual ‘Swing low, sweet chariot’ may be sung as an optional counter-melody in verse 5.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
268 Were you there?<br />
V #<br />
10<br />
Š-<br />
Š Š Š ‰. r Š ‰ Š Š. Š f Š. Še<br />
([)<br />
cru - ci - fied my Lord? Some-times it cau - ses me to<br />
laid him in the tomb? Some-times it cau - ses me to<br />
V # Š Š ‰ ‰. r ‰<br />
<br />
‰ ‰ ‰<br />
([)<br />
car - ry me home. Swing low, sweet<br />
V# Š ‰ Š Š Š Š Š Š Š Š Š =Š ‰ Š Š Š<br />
{ B# ˆŠ Š Š Š ˆŠ Š Š Š ˆr ‰ Š q ˆ =Š Š<br />
mp<br />
for online perusal only<br />
V #<br />
14<br />
Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š. Še<br />
2nd time to Coda<br />
mp<br />
O<br />
-<br />
([)<br />
trem - ble, trem - ble, trem - ble; were you there when they cru - ci - fied my<br />
trem - ble, trem - ble, trem - ble; were you there when they laid him in the<br />
V # ‰. Š Š ‰ r Š Š Š Š Š Š Š Š<br />
([)<br />
cha - ri - ot, com - in’ for to car - ry me<br />
V# =Š ‰ Š Š Š Š Š Š Š ‰. Š ‰ Š Š Š ‰. ‰ Š Š<br />
{ B# ‰. Š ‰ Š Š Š Š Š ‰ Š Š ˆ ‰ ‰<br />
p<br />
2nd time to Coda O<br />
1<br />
V #<br />
18<br />
<br />
ˆ p p p<br />
([)<br />
Lord?<br />
V# ˆ‰ Š Š Š , Š Š Š Š Š Š Š Š Š Š Š Š Š<br />
mf f<br />
{ B# r Š ‰ r Š ‰<br />
ˆ ‰<br />
‰ ˆ ˆ
V # v. 2: TUTTI<br />
22<br />
<br />
v. 3: VOICE 1<br />
p mf<br />
q Š Š . ‰ Š Š Š-<br />
Š Š. Še<br />
([)<br />
2. Were you there when they nailed him to the<br />
(3.) there when they pierced him in the<br />
V # v. 3 only: VOICES 2 & 3<br />
p p . r<br />
div.‰<br />
‰ Š ˆ<br />
([)<br />
V# Were you there?<br />
Š Š Š Š Š Š ‰‰‰ . Š Š Š Š Š Š Š Š Š=Š Š Š Š Š Š<br />
{ B# t Š Š Š Š Š ŠŠŠ Š Š Š<br />
mf (p)<br />
ˆ ˆ Š . ˆŠ Š ‰<br />
ˆr bŠ ‰<br />
(Piano: con Ped.)<br />
V #<br />
26<br />
<br />
cresc.<br />
ˆ q Š Š ‰ Š Š Š-<br />
Š Š Š 32<br />
([)<br />
tree? Were you there when they nailed him to the<br />
side? Were you there when they pierced him in the<br />
V # cresc.<br />
r ‰ Š r Š<br />
-<br />
=Š ˆ ‰ #( ) Š Š Š Š Š 32<br />
([)<br />
-<br />
Were you there? When they pierced him in the<br />
V# Š Š Š=Š ŠeŠ Š f Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š. Š ŠŠ Š Š Š Š f ‰ 32<br />
{ B# r bŠ ‰ r Š Š<br />
ˆ ‰. Š ˆr ‰.<br />
ˆ<br />
r ‰. 32<br />
V # 32 ‰. r Š Š 2 Š<br />
30<br />
<br />
f ‰ Š Š. Š f Š. Še<br />
([)<br />
for online perusal only<br />
tree? Oh some-times it cau - ses me to<br />
side? Oh some-times it cau - ses me to<br />
f<br />
V # 32 ‰. r Š‰ Š 2 ‰ Š =ŠŠ Š Š Š bŠŠ<br />
([)<br />
side? Oh some - times it cau - ses me to<br />
V# 32 ‰‰‰ ‰ ‰‰‰<br />
2 = ‰‰ ‰ ‰ ‰‰<br />
ŠŠŠ Š bŠ Š<br />
{ B#32 r ‰ Š Š Š<br />
2 Š f<br />
Š Š =Š Š Š Š bŠ<br />
ˆ<br />
‰ ‰<br />
‰ ‰. Š<br />
p<br />
Were you there? 269
270 Were you there?<br />
1<br />
2<br />
3<br />
V #<br />
33<br />
<br />
f<br />
Š Š Š Š Š Š Š Š ‰ Š Š<br />
([)<br />
trem - ble, trem - ble, trem - ble; were you there when they<br />
trem - ble, trem - ble, trem - ble; were you there when they<br />
V # #(‰ ) ‰ Š Š Š Š Š Š ‰ #‰‰<br />
([)<br />
V# trem - ble, to trem - ble; were you there to<br />
#( ) Š Š Š Š Š Š Š ‰‰ Š ŠŠŠ<br />
‰<br />
-<br />
Š Š #‰<br />
-<br />
f ><br />
{ B# Š #( ) Š Š Š Š =( .) ‰ Š ‰ Š r ‰ ><br />
Š Š ˆ<br />
V #<br />
36<br />
1.<br />
p 2.<br />
Š Š Š. Še ˆ q Š Š . ˆ<br />
([)<br />
for online perusal only<br />
nailed him to the tree? 3. Were you<br />
pierced him in the side?<br />
V # =‰ ‰ ‰ p p . ˆ<br />
([)<br />
see my Lord?<br />
V# = ‰‰‰<br />
- ‰<br />
- Š ‰ Š ‰‰‰<br />
Š Š . Š Š Š Š<br />
> ><br />
{ B# r ‰ Š ‰<br />
dim.<br />
‰ Š Š Š Š Š Š Š .<br />
t Še ‰.<br />
ˆ ˆ ˆ ˆ<br />
V # p p 42 p<br />
38b<br />
<br />
VOICES 1 & 2 pp<br />
q Š Š = ([)<br />
2<br />
4. Were you<br />
V # p p 42 p VOICE 3<br />
q<br />
([)<br />
Š =<br />
<br />
Š 2<br />
V# Š Š Š Š Š = Š p<br />
Š Š Š Š 42=ˆˆˆ<br />
ŠŠŠ rŠŠ = 2<br />
{ B# t Še‰.<br />
=Š Š ‰.<br />
42 rŠ‰ ‰ ŠŠ pp<br />
ˆ ‰ ‰ ˆ Š r Š Š<br />
q = 2<br />
f<br />
In this verse Voices 1 and 2 are optional; Voice 3 must be sung
shine?<br />
V 2 41<br />
‰ Š Š bŠŠ Š Š. ŠeŠ bbˆ ‰ ([)<br />
f ‰ Š Š =‰ Š Š<br />
there when the sun re - fused to shine? Were you there? Were you<br />
V 2 ‰ Š Š Š Š Š. Še ˆ ‰ Š Š<br />
([)<br />
shine?<br />
V 2 ‰ ‰ b‰ ‰ bb‰ b Š Š = ‰ Š Š<br />
{ B ˆˆ<br />
gently<br />
2 ˆ<br />
ˆ<br />
‰<br />
‰<br />
(Man.)<br />
Were you there? 271<br />
<br />
for online perusal only<br />
shine?<br />
V 45<br />
poco<br />
‰ Š Š Š Š Š Š ˆ ‰ Š Š ‰ Š Š ‰ Š Š<br />
([)<br />
there when the sun re - fused to shine? Were you there? Oh some - times it<br />
V‰ Š Š Š Š Š Š ˆ ‰ ‰ Š ‰ Š<br />
([)<br />
poco<br />
shine?<br />
mp<br />
V ‰ ‰ Š Š ‰ Š‰ Š ˆ ‰ Š Š ‰ Š‰<br />
Š ‰ ‰<br />
{<br />
poco<br />
B ‰ Š Š ‰ ‰ p<br />
ˆ<br />
‰ ‰ ‰<br />
‰ Š Š ˆŠ ‰.<br />
50<br />
V bŠ bŠ pp<br />
Š Š Š Š Š Š Š Š Š Š Š Š ‰ Š Š<br />
([)<br />
cau - ses me to trem - ble, trem - ble, trem - ble; were you there when the<br />
V Š. Še Š. Še Š Š Š Š<br />
([)<br />
Š Š Š Š ‰ Š Š<br />
V p<br />
bˆ bŠ ‰. ‰<br />
Š Š Š Š Š ‰ ‰<br />
{ B ‰ Š Š Š<br />
pp<br />
‰ Š Š ‰. Š ‰ Š Š ˆ‰ ‰<br />
p
272 Were you there?<br />
54<br />
mf<br />
V bŠŠ Š Š. ŠeŠ ([)<br />
b b‰ bŠ bŠ. Še =( )ˆ q<br />
f ‰ Š Š Š Š bŠ f ˆ ‰<br />
sun re- fused to shine? When the sun re-fused to shine?<br />
mf<br />
V Š Š Š. Še ˆ ‰ ‰ ˆ ‰ q<br />
([)<br />
sun re- fused to shine, to shine?<br />
V b‰‰ ‰‰ bb‰ ‰ bŠ‰ Š Š‰ Š bŠ. bŠe =( ‰)<br />
Š #Š ‰ Š Š f<br />
{ B Š ‰ Š b bˆ bbŠ Š Š Š<br />
‰ ˆ ‰ ‰ =( ˆ)ˆ ˆ<br />
59 D.S. al Coda<br />
V p # 60O V # CODA<br />
mf mp<br />
ˆ ‰ Š Š ‰ Š Š<br />
([)<br />
([)<br />
V p #<br />
V # mf mp<br />
ˆ ‰ Š Š Š Š Š Š<br />
([)<br />
([)<br />
home. Oh com - in’ for to<br />
V<br />
D.S. al Coda<br />
‰ Š Š # O<br />
{ B ˆˆˆ V# ‰ ‰ ‰ ‰ CODA<br />
Š Š Š Š Š Š Š Š<br />
Š r q # {<br />
mf<br />
B# mp<br />
‰ ‰ ‰ Š Š ˆ‰ ‰<br />
V #<br />
63<br />
poco rit. al fine<br />
Š Š Š Š ˆ ˆ p p pp<br />
‰ ‰ ˆF<br />
([)<br />
laid him in the tomb? Were you there?<br />
V # Š Š Š Š ˆ ˆ p p<br />
2‰ ([)<br />
3‰ ‰ F pp<br />
<br />
ˆ<br />
for online perusal only<br />
tomb? Were you there when they<br />
car - ry me home. Were you there?<br />
poco rit. al fine<br />
V# Š Š Š Š Š ‰ Š ‰. Š ‰ Š Š ˆˆ ‰ ‰<br />
{ B# Š Š Š Š ˆ Š Š Š Š Š<br />
p<br />
ˆ ‰ Š Š ˆ ˆ<br />
Š Š Š ˆŠ Š ‰<br />
Fˆ<br />
pp<br />
ˆ<br />
E
273<br />
Voices 1 2<br />
Keyboard<br />
11th-cent. Latin hymn for the<br />
Exposition <strong>of</strong> the Holy Sacrament<br />
VOICES<br />
Freely flowing and not too slow i = 80<br />
VOICE 1<br />
Vb 34 p 4 p p<br />
ŠŠŠ Š Š Š Š Š 34Š Š ŠeŠ t 4<br />
([)<br />
Where all cha-ri - ty and love are,<br />
U - bi ca - ri - tas et a - mor,<br />
V b 34 Š Š Š 4‰ ‰ Š‰ Š Š Š Š Š Š 34Š Š Š ŠeŠ t<br />
Š. 4<br />
{<br />
KEYBOARD<br />
Bb 34 Š p<br />
Š Š 4 ‰ sempre legato<br />
‰ ‰ Š Š ‰ Š Š 34 Š Š. Šet 4<br />
(Man.)<br />
VOICE 2<br />
5<br />
Vb4 4 ŠŠŠŠ Š. t p<br />
ŠŠŠ Š Š Š Š Š 34Š Š ŠeŠ t 4ŠŠŠŠ Š. t<br />
([)<br />
God is al-ways there. Where all cha-ri- ty and love are, God is al-ways there.<br />
De-us i - bi est. U - bi ca - ri - tas et a - mor, De-us i - bi est.<br />
V b4 Š. Š Š Še = Š t .<br />
Š Š Š Š Š Š Š 34Š Š Š ŠeŠ Š.<br />
t 4Š. ‰ Še Š. t<br />
{ Bb4 ‰ Š . t Š Š b( Š ) Š 34 Š Š Š. t 4‰ Š Š<br />
Š. t<br />
TUTTI<br />
9<br />
unis.<br />
Vb . mp<br />
ŠŠŠ Š Š Š Š Š 34Š Š Še Š t 4Š Š Š Š. t<br />
([)<br />
64. Where all charity<br />
and love are<br />
(Ubi caritas)<br />
for online perusal only<br />
Antiphon for Maundy Thursday<br />
arr. ALAN BULLARD (b. 1947)<br />
1. We are all gath - ered un - to one by the Christ’s love,<br />
1. Con - gre - ga - vit nos in u - num Chris-ti a - mor.<br />
2. There-fore wher - e’er we are gath - ered all to - ge - ther,<br />
2. Si - mul er - go cum in un - um con -gre - ga - mur:<br />
V b . Š Š Š Š Š Š Š 34 Š Š Š Š t f 4Š Š Š .<br />
t<br />
mp<br />
{ Bb . Š Š Š Š 34 Š Š. t 4Š Š Š. t<br />
The distribution <strong>of</strong> voices between parts 1 and 2 may be varied to achieve contrasts between the phrases. The repeat for verse 2<br />
is optional.<br />
© <strong>Oxford</strong> University Press 2007. Photocopying this copyright material is ILLEGAL.
274 Where all charity and love are<br />
1<br />
2<br />
Vb 34 12<br />
mf<br />
Š Š Š Š Š Š Š Š Š Š ŠeŠ t f Š<br />
4<br />
([)<br />
Let us all re - joice, and be glad in him:<br />
Ex - ul - te - mus, et in ip - so<br />
Let our thoughts not be di - vi - ded,<br />
Ne nos men - te di - vi - da - mur<br />
V b Š Š Š Š Š Š Š 34 Š Š Š f Š t 4<br />
{<br />
mf<br />
Bb Š Š Š Š. Še<br />
‰. Š 34 Š Š Še<br />
Š. Š t 4<br />
Vb44 VOICE 2<br />
14<br />
f<br />
Š t p p<br />
ŠŠŠ Š.<br />
34Š Š Še Š Še<br />
([)<br />
let us praise God. Let us re - vere and<br />
ju - cun - de - mur. Ti - me - a - mus<br />
let us be one. Let us cease to<br />
ca - ve - a - mus. Ces - sent jur - gi -<br />
V b4 Š Š =Š. t -<br />
ŠŠŠŠ Š Š.<br />
t 34‰ Š Š Š<br />
{ Bb4 Š f p<br />
‰ =Š Š. t b ‰ Š. t 34Š Š Š<br />
VOICE 1<br />
17<br />
Vb Š Š Š Š Š Š 4 Š Š Š Š. t p<br />
<br />
34Š Š Še Š Še<br />
([)<br />
for online perusal only<br />
let us love the liv - ing God, Let us love each<br />
et a - me - mus De - um vi - vum. Et ex cor - de<br />
quar-rel, let us live in peace, Let us cen -<br />
- a ma - lig - na, ces - sent li - tes. Et in me - di -<br />
V b Š Š Š 4 Š Š Š ‰ ‰ Š Š<br />
34‰ Š Š Š<br />
{ Bb Š Š Š 4 bŠ ‰ Š 34Š Š Š
20<br />
<br />
mf (ie = ie<br />
Vb Š Š Š Š Š Š 4 Š Š Š<br />
)<br />
<br />
Š Š Š Š ‰<br />
([)<br />
o - ther from the depths <strong>of</strong> our heart.<br />
di - li - ga - mus nos sin - ce - ro.<br />
- tre our thoughts with Christ in our midst.<br />
- o nos - tri sit Christ - us De - us.<br />
(ie = ie )<br />
Where all charity and love are 275<br />
Še t r<br />
V b Š Š Š 4 Š Š Š Š Š. ‰ Še t r<br />
{ Bb Š Š Š 4 bŠ mf<br />
Š. p<br />
Š. ‰ Še tŠ=Š<br />
1<br />
2<br />
Vb 34 23<br />
<br />
ŠŠŠ Š Š Š Š Š Š Š ŠeŠ t 4Š t<br />
f Š ŠŠŠŠ Š.<br />
([)<br />
p<br />
Where all cha - ri - ty and love are, God is al-ways there.<br />
U - bi ca - ri - tas et a - mor, De - us i - bi est.<br />
V b Š Š Š Š Š Š Š 34 Š Š Š Š t f 4Š Š Š Š. t<br />
{<br />
ˆ Bb ‰ ‰ 34 Š Š. t 4 Š ‰ Š Š. t<br />
26<br />
<br />
Vb ŠŠŠ Š Š Š Š Š 34 Š Š ŠeŠ t 4Š t .<br />
f Š ŠŠŠŠ Š.<br />
([)<br />
for online perusal only<br />
Where all cha - ri - ty and love are, God is al-ways there.<br />
U - bi ca - ri - tas et a - mor, De - us i - bi est.<br />
(repeat optional)<br />
V b Š Š Š Š Š Š Š 34 Š Š Še Š t 4Š Š Š Š. t .<br />
{ Bb ˆ ‰ ‰ 34 Š Š Š. . t 4Š Š Š. t .
276 Where all charity and love are<br />
TUTTI<br />
29<br />
unis.<br />
mf<br />
Vb ŠŠŠ Š Š Š Š Š 34Š Š Še Š t 4Š ŠŠ Š.<br />
([)<br />
3. And with all the bless-ed com-pa - ny <strong>of</strong> saints let us see God.<br />
3. Si - mul quo - que cum be - a - tis vi - de - a - mus.<br />
V b Š Š Š Š Š Š Š Š 34Š Š Še t 4Š ŠŠ Š. t<br />
‰ Š Š f Š Š ‰ Š Š<br />
{<br />
mf<br />
Bb 34 t 4 Š Š. t<br />
‰ ‰ Š Š. Š ‰ Š Š<br />
(Ped.)<br />
t<br />
1<br />
2<br />
Vb 34 ŠeŠ t 4 32<br />
f<br />
ŠŠŠ Š Š Š Š Š Š Š Š Š t f Š ŠŠŠ Š.<br />
34<br />
([)<br />
Let us see your glo-rious and most ho-ly face: Christ the one God.<br />
Glo-ri - an - ter vul - tum tu - um. Chri - ste De - us:<br />
V b Š Š Š Š Š Š Š 34 Š Š ŠeŠ t 4 Š Š Š Š .<br />
t 34 Š Š Š Š {<br />
f<br />
Bb 34 Š Š Šet 4 Š. t 34Š<br />
-<br />
‰ ‰ Š Š. Š Š Š. Š Š -<br />
Š<br />
- -<br />
Vb Še Še 4 36<br />
<br />
Š Š Š Š t f f<br />
Š Š Š Š Š Š Š Š Š Š.<br />
34<br />
([)<br />
ff<br />
for online perusal only<br />
Pure and un-bound - ed joy be ours, Je - sus Christ,<br />
Gau - di - um, quod est im - men - sum, at - que pro - bum.<br />
V b Š Š Še Š Še Š Š Š Š Š Š 4 Š Š Š Š . t 34<br />
{<br />
ff<br />
Bb ‰ Š 4 t<br />
‰. Š Š Š Š Š Š. 34<br />
p
Vb34 ŠeŠ Še 4 39<br />
<br />
Š Š Š Š 54ˆ f f<br />
Š Š Š Š Š Š Š Š Š Š Š Š Š r 34<br />
([)<br />
ff<br />
Where all charity and love are 277<br />
Our Lord for ev - er, and ev - er, Je - sus Christ.<br />
Sae-cu - la per in - fi - ni - ta sae - cu - lo - rum.<br />
V b34 Š Š ŠeŠ Še Š Š Š Š Š Š 4 Š Š Š Š Š Š Š 54ˆ r B 34<br />
{<br />
ff<br />
Bb34 ‰ Š Š Š Š 4 Š Š Š. .<br />
Š.<br />
Š. 54ˆ r 34<br />
43<br />
poco meno mosso<br />
p<br />
Vb 34 Š Š Š 4 ‰ Š. t mp<br />
<br />
34Š Š Š Š<br />
54<br />
{<br />
([)<br />
for online perusal only<br />
A - men, A -<br />
Bb 34 ŠŠ Š ŠŠŠ<br />
4 Š Š Š Š Š. t V 34Š ŠŠ ŠŠŠŠ<br />
54<br />
p clearly<br />
mp<br />
Bb 34 4 Š. t<br />
‰. ‰ Š.<br />
34‰. 54<br />
rit.<br />
pp<br />
Vb54 ‰ ‰ r Š Š Š ‰ 4 ˆF ˆ<br />
46<br />
<br />
<br />
([)<br />
- men, A - men.<br />
V b54 Š Š Š Š ‰ r ŠŠŠ Š Š Š Š Š Š<br />
F<br />
‰ Š Š Š ‰ 4 ˆ<br />
pp<br />
{ Bb54 ‰ ‰ r ‰ Š ˆ ‰. ‰ 4Ê<br />
ˆ
278<br />
SA(Men)<br />
Keyboard<br />
for Wendy<br />
65. Wondrous Cross<br />
Isaac Watts<br />
(1674–1748)<br />
SOPRANO<br />
ALTO<br />
MEN<br />
KEYBOARD<br />
V # SOLO or SMALL GROUP<br />
Teneramente i = 60<br />
# 34 p p t p espress.<br />
Še Š Š Š Š Š Š ‰<br />
B## 34 p p p p<br />
V#<br />
Teneramente i = 60<br />
# 34 ŠŠŠ ŠŠŠ ‰‰‰ =ŠŠŠ Š Š<br />
‰‰<br />
ŠŠŠ ŠŠŠ ‰‰‰ =ŠŠŠ ŠŠŠ ‰‰<br />
pp<br />
{<br />
(Organ: Flute/Celeste)<br />
B## 34 Š Š ‰ =Š Š ‰ Š Š ‰ =Š Š ‰<br />
for online perusal only<br />
(Man.)<br />
PHILIP WILBY<br />
(b. 1949)<br />
When I sur-vey the won-drous cross<br />
V #<br />
5<br />
<br />
# ‰ r t<br />
Še Š Š Š Š =Š Š ‰ ‰ r<br />
On which the Prince <strong>of</strong> Glo - ry died,<br />
V# # ŠŠ ŠŠ ‰‰ Š Š ‰ =ŠŠ ŠŠ ‰‰ = ŠŠ ŠŠ ‰‰<br />
{ B## Š Š ‰ Š Š ‰ =Š Š ‰ Š Š ‰<br />
V #<br />
9<br />
<br />
# tŠ f<br />
ŠŠ=Š bŠ =Š Š ‰ ‰ r r t Še Š =Š<br />
V# # Š Š ‰<br />
= =Š Š ‰<br />
=Š Š ‰ bŠŠ ŠŠ ‰‰<br />
{ B##b=Š Š ‰ Š Š ‰ Š Š ‰ b=Š Š ‰<br />
My rich-est gain I count but loss, And pour con -<br />
Music: © 2005 Salvationist Publishing & Supplies. Administered by Copycare, PO Box 77, Hailsham, BN27 3EF, UK,<br />
music@copycare.com. Used by permission. Photocopying this copyright material is ILLEGAL.
S./A.<br />
MEN<br />
V #<br />
13<br />
poco cresc.<br />
# Š. =Še Š Š ‰ Š ‰ Š mp<br />
<br />
‰.<br />
- tempt on all my pride.<br />
V# # b ŠŠ ŠŠ ‰‰ #Š‰ Š ‰<br />
Š ‰ ŠŠ‰ Š ‰. ŠŠŠ<br />
ŠŠ Š ‰‰‰<br />
{<br />
poco cresc.<br />
B## =Š Š ‰ #Š Š ‰ =Š Š ‰ Š Š r ‰<br />
for online perusal only<br />
mp espress.<br />
Wondrous Cross 279<br />
(Ped.)<br />
V # TUTTI<br />
17<br />
unis.<br />
# p t<br />
Še Š Š Š Š Š Š ‰ ‰ r<br />
For - bid it, Lord, that I should boast,<br />
B## p t Š f<br />
Š Š Š Š Š Š ‰ ‰ r<br />
V# mp espress.<br />
# = ŠŠŠ ŠŠŠ ‰‰‰ ŠŠŠ ŠŠŠ ‰‰‰ =ŠŠŠ ŠŠŠ ‰‰‰ ŠŠ ŠŠ ‰‰<br />
{<br />
mp<br />
B##=Š Š Š Š =Š Š r ‰<br />
Š Š r<br />
‰<br />
r<br />
‰<br />
r<br />
‰<br />
V #<br />
21<br />
# t<br />
ŠeŠ Š Š Š =Š Š ‰ ‰ r tŠ f<br />
ŠŠ=Š bŠ<br />
Save in the cross <strong>of</strong> Christ my God; All the vain things that<br />
B## t Š Š Š Š Š =Š Š ‰ ‰ f r t Š f<br />
Š Š =Š bŠ<br />
V# # Š Š ‰ =ŠŠ ŠŠ ‰‰ = ŠŠ ŠŠ ‰‰ Š Š ‰<br />
{ B## Š Š =Š Š‰ ŠŠ‰ b=Š Š‰<br />
r<br />
‰ r<br />
‰<br />
r<br />
‰<br />
r<br />
b‰
280 Wondrous Cross<br />
V #<br />
25<br />
#=Š Š ‰ ‰ r r t Še Š =Š Š. =Še Š Š<br />
charm me most, I sa - cri - fice them<br />
B## =Š Š ‰ ‰ r r t Š f<br />
Š =Š Š. =Š f Š Š<br />
V# # =<br />
=Š Š ‰<br />
=Š Š ‰ bŠŠ ŠŠ ‰‰ b Š Š ‰<br />
{ B## ŠŠ‰ ŠŠ‰ b=Š Š‰ =Š Š‰<br />
r<br />
‰<br />
r<br />
‰<br />
r<br />
b‰<br />
r<br />
‰<br />
poco più mosso<br />
to his blood.<br />
V # poco dim.<br />
29<br />
S.<br />
##‰.‰ Š ‰. Š p<br />
‰.<br />
p<br />
A.<br />
to his blood.<br />
<br />
for online perusal only<br />
B## ‰. ‰. ‰. p<br />
poco dim.<br />
p<br />
V# poco più mosso<br />
##Š ‰ Š ‰<br />
Š ‰ ŠŠ‰ Š<br />
Š‰‰. Š Š Š Š Š<br />
‰. Š Š Š Š Š Š<br />
{<br />
poco dim.<br />
p<br />
B###Š Š‰ =Š Š ŠŠ‰ Š Š ‰<br />
r<br />
‰<br />
r<br />
‰ ‰. ‰.<br />
V # # r Š ‰ Š Š b =‰.<br />
33 mp<br />
=Š ŠŠ=Š Š Š =‰ Š See from his head, his hands, his feet,<br />
B## r Š ŠŠ ‰ Š ‰ Š =‰.<br />
mp<br />
V# # =Š =Š ŠŠ Š ŠŠ ŠŠ =Š =Š ŠŠŠŠŠŠ Š Š =Š =Š ŠŠŠ Š ŠŠ Š Š b =ŠŠ bŠ ŠŠ Š ŠŠ Š<br />
{<br />
mp<br />
B## ‰. ‰. ‰. =‰.
S.<br />
A.<br />
MEN<br />
Wondrous Cross 281<br />
Sor - row and love flow min-gled down;<br />
V #<br />
37<br />
# r mfŠ ŠŠ ‰ =Š<br />
Š Š. Š =‰. Š ‰ =Š ‰ Š r<br />
mf f =Š ‰<br />
Sor - row and love flow min-gled down;<br />
B## bŠ Š. Še b‰. b‰ Š Š =‰ r<br />
V# mf<br />
# Š Š<br />
Š Š<br />
Š<br />
Š<br />
=Š =Š Š Š Š Š =Š<br />
Š Š Š Š Š Š Š =Š Š Š Š<br />
mf<br />
{ B## b=‰. b=‰. b=‰. =‰.<br />
Did e’er such<br />
V # # r t<br />
Še Š Š bb‰ b =‰ bŠ b‰<br />
41<br />
tbŠ = bŠ<br />
f<br />
Š. =Š f ‰ Š ‰ Š Š bŠ Š<br />
Did e’er such love and sor - row meet, Or<br />
B##=Š Š. Še =‰ Š ‰ Š b‰ Š<br />
V# # bŠ=Š ‰ Š Š Š =ŠŠ b‰. Š bŠ Š Š Š Š =‰ Š ŠbŠ ŠbŠŠ Š bb‰ Š =ŠbŠ ŠbŠŠ Š<br />
{ B## =‰. b‰. b‰. = b=‰.<br />
V #<br />
45<br />
# b‰<br />
fp<br />
rit.<br />
> ŠŠ =Š. Š f bŠbŠ ‰. ‰ r<br />
thorns com - pose so rich a crown?<br />
V # #<br />
fp<br />
> ‰. =‰. ‰ Š ‰ r<br />
thorns com - pose a crown?<br />
B##<br />
=‰. fp > b‰. ‰ Š =( ) ‰ r<br />
V#<br />
thorns com - pose a crown?<br />
#=b‰. b =‰ rit.<br />
ŠbŠ Š Š Š Š Š =Š Š ŠbŠbŠ Š =Š Š ‰. =( Š) ŠŠ<br />
ŠŠŠ<br />
Š ‰ Š Š Š Š Šr<br />
Š<br />
{<br />
p<br />
B## bbŠ‰. Š ‰ bŠ‰. Š ‰ ==Š. ‰. ŠeŠ Š<br />
‰. Š ‰<br />
for online perusal only
282 Wondrous Cross<br />
V #<br />
49<br />
Tempo I<br />
# p t p<br />
Še Š Š Š Š Š. ŠeŠ ‰ r<br />
Were the whole ream <strong>of</strong> na - ture mine,<br />
V # # t p<br />
cresc.<br />
Š e Š Š Š Š Š Š ‰ ‰ r t Š eŠŠ Š Š<br />
Were the whole realm <strong>of</strong> na-ture mine, That were an <strong>of</strong>f’r-ing<br />
B## t Šp<br />
f<br />
Š Š Š Š<br />
cresc.<br />
Š Š ‰ ‰ r t Š Š Š Š Š<br />
f<br />
Were the whole realm <strong>of</strong> na-ture mine, That were an <strong>of</strong>f’r-ing<br />
V#<br />
Tempo I<br />
# ŠŠŠ ŠŠŠ ‰‰‰ ŠŠŠ ŠŠŠ ‰‰‰ ŠŠŠ ŠŠŠ ‰‰‰ Š Š ‰<br />
{<br />
pp<br />
B## Š Š ‰ =Š Š ‰ Š Š ‰ Š Š ‰<br />
(Man.)<br />
cresc.<br />
for online perusal only<br />
V #<br />
53<br />
cresc.<br />
# t<br />
Še ŠŠ Š Š =Š. Š<br />
mf<br />
f Š ‰. r r =Š Š<br />
That were an <strong>of</strong>f’r-ing far too small; So div -<br />
V # #=Š Š ‰ ‰ r tŠf<br />
ŠŠ=Š bŠ =Š Š Š. Še<br />
far too small; Love so a-maz-ing, so div-ine, div -<br />
B## =Š Š ‰ ‰ r t Šf<br />
Š Š =Š bŠ =‰ Š<br />
far too small; Love so a-maz-ing, so div -<br />
V# # ŠŠ ŠŠ ‰‰ = ŠŠ ŠŠ ‰‰ Š Š ‰<br />
= =Š Š ‰<br />
{<br />
mf<br />
B##=Š Š ‰ Š Š ‰ b=Š Š ‰ Š Š ‰
V #<br />
57<br />
# ‰ r r t p mf<br />
Še Š =Š Š. =Še Š Š ‰ Š<br />
- ine, De-mands my soul, my soul, my<br />
V # # =‰ . ‰ r r r Š ‰ Š<br />
B## ‰. =‰ r r<br />
mf<br />
r Š ‰ Š<br />
- ine, My soul, my<br />
- ine, My soul, my<br />
V# # = Š Š ‰ bŠŠ ŠŠ ‰‰ ‰. ‰ Š<br />
bŠ Š ‰ #Š Š ‰<br />
{ B## Š Š ‰ b=Š p<br />
Š ‰ =Š Š ‰ #Š Š ‰<br />
mf<br />
Wondrous Cross 283<br />
for online perusal only<br />
V # SOLO or SMALL GROUP<br />
61<br />
# ‰ Š ‰ Š p<br />
‰ Š ‰. ‰. pF<br />
life, my all, my life, my all.<br />
V # # ‰ Š ‰ r p p p pF<br />
life, my all.<br />
B## ‰ Š ‰ r p p p pF<br />
life, my all.<br />
V# # ‰ Š r r Š ‰ Š F<br />
ŠŠ‰ ‰‰‰<br />
. ‰. ‰ ‰.<br />
‰. ‰‰<br />
Š ‰.<br />
‰ .<br />
{<br />
pp<br />
B##=Š Š ‰ Š Š =Š Š Š Š Š Š r ‰ r ‰ r ‰ r ‰<br />
‰.<br />
E<br />
‰.<br />
(Ped.)
Appendix: Original Versions<br />
The practical nature <strong>of</strong> this collection means that many small editorial changes have been<br />
made without comment. This appendix lists the original (and occasionally the alternative)<br />
versions available for those anthems where more substantial alterations, additions, or<br />
arrangements have been made for the purposes <strong>of</strong> this book.<br />
NO. TITLE COMPOSER ORIGINAL VERSION(S) AVAILABILITY<br />
1 Alleluia Boyce 3-part round, unaccompanied in Voiceworks 2,<br />
OUP 2003<br />
for online perusal only<br />
6 Christians, shout for joy J. S. Bach ‘Jesus, unser Trost und<br />
and gladness<br />
Leben’, from 69 Chorale<br />
Melodies with Figured Bass<br />
7 Christ is the world’s Stanton unison with descant, organ OUP 1943, OEAB<br />
true Light<br />
9 A Clare Benediction Rutter • SATB unaccompanied OUP 1998<br />
• SATB, organ<br />
• SSA, organ<br />
• unison/2-part, organ<br />
13 Magnificat and Shera • Magnificat: SATB, organ OUP 1923<br />
Nunc dimittis • Nunc dimittis: unison, organ OUP 1925<br />
17 God be in my head Armstrong SATB unaccompanied or SA, organ OUP 1958, 1959<br />
Gibbs<br />
24 He is risen Cope 2-part, organ OUP 1937, OEAB<br />
25 Hide not thou thy face Farrant The SATB version is the original Also in NCAB<br />
26 Holy, holy, holy, Holy Schubert From German Mass;<br />
is the Lord<br />
voice parts unaltered<br />
29 Irish Blessing Chilcott SATB, piano or SA, piano OUP 1997<br />
30 Jesu, Lamb <strong>of</strong> God, Elgar SATB, organ NCAB<br />
Redeemer<br />
32 Jubilate Mozart 4-part round, unaccompanied in Voiceworks 2,<br />
OUP 2003<br />
36 Lord, in thy mercy Mendelssohn Verleih uns Frieden, SATB, organ ESM<br />
(originally orchestra)<br />
37 Never weather-beaten sail Campion From First <strong>Book</strong> <strong>of</strong> Ayres, solo voice<br />
and lute<br />
40 O for a closer walk Stanford SATB, organ in A Stanford Anthology,<br />
with God ed. Dibble, OUP 2004
285<br />
42 O God, your goodness Beethoven ‘Bitten’, No. 1 from Gellert-Lieder,<br />
solo voice and piano;<br />
original key: E major<br />
43 O praise God in his Weldon The SATB version is the original<br />
holiness<br />
44 Panis angelicus Franck Tenor solo, cello, harp, organ; SATB, org. version<br />
original key: A major<br />
in ESM<br />
46 Pie Jesu Fauré From Requiem; treble solo Requiem, ed. Rutter,<br />
and strings; OUP 1989<br />
original key: B major<br />
48 A Prayer <strong>of</strong> St Richard White unison with descant, organ; OUP 1947, OEAB<br />
<strong>of</strong> Chichester<br />
original key: E major<br />
for online perusal only<br />
53 The eternal gifts <strong>of</strong> Christ Guidetti, SATB, organ; includes one OUP 1951<br />
the King arr. Ley extra verse<br />
54 The heav’ns sing praises Beethoven ‘Die Ehre Gottes’, No. 4<br />
to God<br />
from Gellert-Lieder, solo voice<br />
and piano;<br />
original key: C major<br />
55 The Lord ascendeth up Praetorius The SATB version is the original in Epiphany to All Saints<br />
on high for Choirs, OUP 2004<br />
56 The Lord bless you and Rutter SATB, organ or SA, organ; OUP 1981<br />
keep you<br />
original key: G major<br />
61 Thou visitest the earth Greene SATB, organ NCAB<br />
Abbreviations are used for the following, published by <strong>Oxford</strong> University Press.<br />
ESM European Sacred Music<br />
NCAB New Church Anthem <strong>Book</strong><br />
OEAB <strong>Oxford</strong> Easy Anthem <strong>Book</strong><br />
Titles available as separate leaflets are listed as ‘OUP’, followed by the date <strong>of</strong> publication.
‘A great resource that will surely bring the best out <strong>of</strong> choirs at all levels.<br />
The book has a practical and winning formula that will undoubtedly<br />
be <strong>of</strong> benefit to choir directors and singers everywhere.’<br />
The <strong>Oxford</strong> <strong>Book</strong> <strong>of</strong> <strong>Flexible</strong> <strong>Anthems</strong> is the perfect resource for church choirs <strong>of</strong> all<br />
types and sizes. Each piece is presented with flexible scoring options, clearly explained<br />
throughout, enabling performance by various combinations <strong>of</strong> singers. With complete<br />
coverage <strong>of</strong> the Church’s year and a fabulous range <strong>of</strong> accessible, quality material, this<br />
is a must-have collection for all church choirs.<br />
• 65 flexibly scored anthems<br />
• Suitable for mixed choirs, upper-voice choirs, choirs with few men, unison choirs,<br />
small choirs, and all other groups<br />
• New flexible arrangements <strong>of</strong> modern classics and traditional favourites<br />
• Brand new pieces by composers such as Alan Bullard, Bob Chilcott, Simon Lole,<br />
Cecilia McDowall, John Scott, Richard Shephard, and Philip Wilby<br />
• Wide range <strong>of</strong> material, from Hildegard <strong>of</strong> Bingen to the present day and including<br />
plainsong, folk tunes, spirituals, and African songs<br />
• Accessible keyboard accompaniments suitable for organ (with or without pedals) or piano<br />
• Comprehensive coverage <strong>of</strong> the Church’s year, with a table printed for reference<br />
• Available in both standard and spiral-bound editions<br />
Alan Bullard is a composer and pianist, whose choral, instrumental, and educational<br />
compositions are widely performed. He has published a number <strong>of</strong> choral pieces with<br />
OUP and is co-author, with his wife Janet, <strong>of</strong> Pianoworks: A tutor for the older beginner.<br />
Also published by <strong>Oxford</strong> University Press<br />
• The New <strong>Oxford</strong> Easy Anthem <strong>Book</strong><br />
• The New Church Anthem <strong>Book</strong><br />
• Ash Wednesday to Easter for Choirs<br />
• Epiphany to All Saints for Choirs<br />
• Advent for Choirs<br />
• Weddings for Choirs<br />
• The <strong>Oxford</strong> <strong>Book</strong> <strong>of</strong> Tudor <strong>Anthems</strong><br />
• <strong>Oxford</strong> Choral Classics: European Sacred Music<br />
• <strong>Anthems</strong> for Choirs 1–4<br />
Cover image: © iStockphoto.com/estherhavensphotography<br />
1<br />
ISBN 978-0-19-335895-9<br />
9 780193 358959