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<strong>Kerry</strong> <strong>Andrew</strong><br />
Choral Sampler
<strong>Kerry</strong> <strong>Andrew</strong> Choral Sampler<br />
<strong>Kerry</strong> <strong>Andrew</strong> is the winner of four British Composer Awards and the author of two novels, Swansong and<br />
SKIN. They specialise in experimental vocal and <strong>choral</strong> music, music-theatre and community music, create altfolk<br />
as You Are Wolf and co-founded the award-winning Juice Vocal Ensemble.<br />
<strong>Kerry</strong> has written for BBC Ten Pieces, the London Sinfonietta, Art on the Underground, the National Theatre,<br />
the National Youth Choirs of Great Britain, Mahogany Opera and Tete a Tete Opera; their work has been<br />
premiered at Wigmore Hall, Sydney Opera House, the Southbank Centre and the BBC Proms at the Royal<br />
Albert Hall. Their <strong>choral</strong> work has been recorded on Naxos, Presto Classics, Delphian, Harmonia Mundi,<br />
Signum and Nonclassical.<br />
contents forces page<br />
Sacred<br />
Drop, drop, slow tears<br />
Voice 1 & 2, Bar & piano/organ More info 3<br />
- from Oxford Book of Flexible<br />
Anthems<br />
Hevene Quene SATB unaccompanied More info 7<br />
O lux beata Trinitas SATB unaccompanied More info 14<br />
Christmas<br />
Adam and the Mother SSATB unaccompanied More info 27<br />
The Contest of the Ivy and the<br />
SATB unaccompanied More info 35<br />
Holly †<br />
Out of the orient crystal skies<br />
SATB unaccompanied More info 48<br />
- from Carols for Choirs 5<br />
Secular<br />
Charm* SSAA unaccompanied More info 51<br />
The earth hath voice SATB, piano and opt. percussion More info 58<br />
* available in print and digital formats<br />
† available in digital format only
from The Oxford Book of Flexible Anthems<br />
3<br />
Voices 1 2<br />
(Men)*<br />
Keyboard<br />
Drop, drop, slow tears<br />
Phineas Fletcher<br />
(1582–1650)<br />
VOICE 1<br />
VOICE 2<br />
MEN<br />
KEYBOARDb<br />
Mournfully i = 100<br />
unis.<br />
V 4 p p p p<br />
mp<br />
Š rŠr r ‰ Š<br />
([)<br />
Drop, drop, slow<br />
stagger breathing<br />
B p<br />
4 ˆ ˆ ˆ ˆ ˆ ˆ<br />
mm<br />
V<br />
Mournfully i = 100<br />
4 p p ˆ-<br />
ˆˆ<br />
ˆ ˆ ‰‰<br />
q<br />
p<br />
{ B 4 ˆ ˆ ˆ ˆ ˆ ˆ<br />
(Ped.)<br />
KERRY ANDREW<br />
(b. 1978)<br />
for online perusal only<br />
7<br />
V Š Š#‰. ‰ r Š bŠ ŠŠ‰ Š ‰ ‰ bŠ ‰. ‰ rŠ<br />
([)<br />
B ˆ ˆ ˆ ˆ ˆ ˆ<br />
V ˆ - ˆ ˆ ˆ ˆ ‰‰<br />
q ˆ-<br />
ˆˆ<br />
{ B<br />
ˆ ˆ ˆ ˆ ˆ ˆ<br />
-<br />
tears and bathe those beau - teous feet, Which<br />
* Voices 1 and 2 may be sung by upper voices or men, but the optional third part must be sung by men only.<br />
b If playing the accompaniment on piano, use the sustaining pedal ad lib. to create a wash of sound throughout.<br />
© Oxford University Press 2007. Photocopying this copyright material is ILLEGAL.
1<br />
2<br />
MEN<br />
58 Drop, drop, slow tears<br />
13<br />
V Š Š#Š Š ‰ Š Š ‰ Š b‰<br />
(„)<br />
Š ‰. Š Š Š#‰ Š<br />
([)<br />
brought from hea - ven the news and Prince of<br />
B ˆ ˆ ˆ ˆ ‰. r<br />
(mm)<br />
V ˆ ˆ ‰‰<br />
q ˆ-<br />
ˆˆ<br />
ˆˆ<br />
{ B<br />
ˆ ˆ ˆ ˆ ˆ<br />
‰ ‰<br />
for online perusal only<br />
18<br />
V ˆ<br />
p p p ‰ ‰ r ‰ Š<br />
([)<br />
Peace: Cease not, wet<br />
B ˆ ˆ ˆ ˆ ˆ ˆ<br />
Drop, drop, slow tears,<br />
V ‰ ‰ -<br />
ˆ ‰ ‰ -<br />
ˆ ‰ ‰ ˆ ˆ ‰ ‰ ‰ ˆ ‰ -<br />
ˆ<br />
- -<br />
‰ ‰<br />
mp<br />
-<br />
{ B<br />
ˆ ˆ‰ b‰ ˆ ˆ‰ ‰ ˆ ˆ‰ b‰<br />
24<br />
V ˆ Š Š #‰. ‰ r Š bŠŠ Š Š ‰ Š ‰ ‰<br />
([)<br />
B ˆ ˆ ˆ ˆ<br />
drop, drop, slow<br />
V ‰ ‰ -<br />
ˆ ‰ ‰ -<br />
ˆ ‰ ‰ ˆ ˆ<br />
-<br />
‰ ‰ -<br />
{ B<br />
ˆ ˆ‰ ‰ ˆ ˆ‰ b‰<br />
4<br />
eyes, his mer - cies to en -
To cry, cry<br />
28<br />
V bŠ ‰. ‰ r Š ‰ Š Š #Š Š<br />
([)<br />
Š #Š Š ‰. ‰ r Š Š Š #Š Š ‰<br />
- treat; To cry<br />
B ˆ ˆ ˆ<br />
tears,<br />
drop,<br />
V ‰ ‰ -<br />
ˆ ˆ ‰ ‰<br />
-<br />
‰ ˆ ‰ -<br />
{ B<br />
ˆ ˆ‰ ‰ ˆ<br />
31<br />
V Š #ŠŠ Š Š Š Š b‰. ‰ Š Š Š Š #ŠŠ Š ‰<br />
([)<br />
for online perusal only<br />
for ven - geance sin doth ne - ver<br />
B ˆ ˆ ˆ ˆ<br />
drop, slow tears.<br />
V ˆ ‰ ‰ ‰ ˆ ‰ -<br />
-<br />
ˆ‰ ‰ -<br />
ˆ<br />
{ B<br />
ˆ‰ b‰ ˆ ˆ ‰ ‰ ˆ<br />
‰ ‰<br />
35<br />
<br />
mf<br />
V ˆ<br />
p ‰ ‰‰ Š Š ‰‰ Š<br />
([)<br />
cease. In your deep<br />
B mp<br />
‰ ‰ ‰ ‰ ˆ ‰ ‰<br />
Drop, drop, slow tears, in your<br />
Vr<br />
(Organ: Solo)<br />
‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />
mf<br />
{ B<br />
ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š<br />
(Organ: sustain ped. D until the end)<br />
5<br />
Drop, drop, slow tears 59
39<br />
V -<br />
Š Š Š#‰. ‰. r bŠŠ Š Š ‰ Š Š ‰ ‰<br />
([) -<br />
floods drown all my faults and<br />
B ˆ ‰ Š Š ˆ ‰ ‰<br />
floods, drop, slow tears, drown my<br />
V Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />
{ B<br />
ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š<br />
43<br />
V bŠ ˆ Š ‰. ‰ r Š ŠbŠŠ Š#ŠŠ Š Š Š Š‰. Š bŠ ŠŠ<br />
60 Drop, drop, slow tears<br />
([)<br />
for online perusal only<br />
fears; Nor let his eye see<br />
B ˆ ‰ Š Š ˆ ‰ ‰<br />
fears; drop, slow tears, cease not,<br />
V Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š Š ‰ Š Š<br />
{ B<br />
ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š<br />
rit.<br />
47<br />
V ˆf div. senza dim.<br />
Šb‰. ŠŠ r b‰ ‰ Š bŠŠ #ŠŠ Š ˆ ˆ<br />
([)<br />
ˆ #ˆ<br />
sin, but through my tears.<br />
senza dim.<br />
B ‰ Š Š ˆ ‰ ‰ ˆ ˆ<br />
drop, slow tears, slow tears.<br />
V Š<br />
rit.<br />
‰. -<br />
r<br />
‰. -<br />
r<br />
‰. -<br />
q ‰-<br />
ˆ<br />
{<br />
senza dim.<br />
B<br />
ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆ<br />
Š Š Š Š Š Š Š Š ˆˆ<br />
6
7<br />
NEW<br />
HORIZONS<br />
2<br />
Sacred<br />
SATB a cappella<br />
for online perusal only<br />
KERRY ANDREW<br />
Hevene Quene
Anon. English,<br />
late 13th cent.<br />
SOPRANO<br />
ALTO<br />
TENOR<br />
BASS<br />
for<br />
rehearsal<br />
only<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Simply, purely<br />
p (freely, as conducted)<br />
*<br />
<br />
<br />
<br />
O vir -go<br />
splen<br />
Simply, purely<br />
Commissioned by ‘Choir & Organ’<br />
Hevene Quene<br />
<br />
O vir -go<br />
splen<br />
p (freely, as conducted)<br />
*<br />
<br />
O vir -go<br />
splen<br />
p (freely, as conducted)<br />
*<br />
<br />
<br />
<br />
<br />
O vir -go<br />
splen<br />
p (freely, as conducted)<br />
*<br />
<br />
<br />
p<br />
<br />
<br />
<br />
8<br />
<br />
<br />
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- dens; O<br />
<br />
<br />
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- dens; O<br />
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<br />
- dens; O<br />
<br />
<br />
- dens; O<br />
<br />
<br />
<br />
<br />
<br />
vir<br />
<br />
vir<br />
<br />
<br />
- go splen<br />
<br />
- go splen<br />
<br />
vir - go splen<br />
<br />
<br />
KERRY ANDREW<br />
<br />
<br />
<br />
vir - go splen<br />
<br />
<br />
-<br />
- -<br />
- -<br />
- -<br />
<br />
<br />
<br />
<br />
dens;<br />
<br />
<br />
dens;<br />
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dens;<br />
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dens;<br />
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<br />
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<br />
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for online perusal only<br />
5<br />
<br />
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<br />
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<br />
<br />
<br />
q = 80<br />
<br />
<br />
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q = 80<br />
<br />
<br />
<br />
<br />
splen<br />
<br />
ed<br />
<br />
ed<br />
<br />
ed<br />
<br />
- i<br />
-<br />
cresc.<br />
<br />
- i<br />
<br />
beo<br />
cresc.<br />
<br />
<br />
- i<br />
<br />
<br />
beo<br />
<br />
cresc.<br />
cresc.<br />
beo<br />
<br />
cresc.<br />
<br />
<br />
dens,<br />
<br />
thu,<br />
<br />
thu,<br />
<br />
thu,<br />
<br />
<br />
<br />
© Oxford University Press 2006 Printed in Great Britain<br />
q = q.<br />
mf<br />
Brightly, moving on<br />
<br />
<br />
<br />
<br />
splen - dens.<br />
mf<br />
<br />
<br />
<br />
<br />
- que - ne.<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
- que - ne. Thou as - teye<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
- que - ne.<br />
so<br />
<br />
q = q. Brightly, moving on<br />
<br />
<br />
<br />
<br />
<br />
<br />
mf<br />
<br />
<br />
<br />
<br />
<br />
he-ve<br />
ne<br />
<br />
<br />
he-ve<br />
ne<br />
<br />
<br />
he-ve<br />
ne<br />
<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.<br />
<br />
<br />
<br />
the daiy<br />
the daiy<br />
*In bars 1 and 3, the conductor should signal each beat, but only indicate the first and final beats in bars 2 and 4. It is<br />
intended that the sopranos are not completely synchronized in bars 2 and 4.
9<br />
4<br />
9<br />
<br />
<br />
<br />
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re - we<br />
<br />
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the del eth<br />
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- from the<br />
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2<br />
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2<br />
deor - ke nicht.<br />
<br />
deor<br />
<br />
deor<br />
<br />
deor<br />
<br />
<br />
<br />
- ke nicht.<br />
<br />
<br />
- ke nicht.<br />
<br />
<br />
<br />
- ke nicht.<br />
2<br />
2<br />
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q. = q<br />
q. = q<br />
<br />
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<br />
<br />
<br />
mf awed<br />
<br />
Splen-<br />
dens<br />
mf awed<br />
<br />
Splen- dens<br />
mf awed<br />
<br />
Splen- dens<br />
mf awed<br />
<br />
Splen- dens<br />
<br />
<br />
mf awed<br />
<br />
<br />
<br />
for online perusal only<br />
S.<br />
SOLO<br />
S.<br />
A.<br />
T.<br />
B.<br />
13<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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ed - i beo thu, he-ve<br />
-ne<br />
que - ne.<br />
p<br />
<br />
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<br />
p<br />
<br />
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p<br />
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mf<br />
<br />
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<br />
<br />
-<br />
<br />
<br />
he ve-ne<br />
que<br />
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he-ve<br />
-ne<br />
que<br />
-<br />
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<br />
he-ve-ne<br />
que - ne,<br />
p<br />
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he-ve-ne<br />
que - ne,<br />
<br />
p<br />
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-<br />
<br />
<br />
ne,<br />
<br />
ne,
S.<br />
A.<br />
T.<br />
B.<br />
17<br />
<br />
<br />
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q = q. Brightly, moving on<br />
mf<br />
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<br />
q = q.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
of<br />
mf<br />
of<br />
the<br />
<br />
<br />
<br />
the<br />
sprong<br />
<br />
sprong an leo<br />
Brightly, moving on<br />
<br />
<br />
<br />
<br />
<br />
<br />
- mme ne<br />
mf<br />
<br />
<br />
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an leo-<br />
mme<br />
mf<br />
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an leo-mme<br />
ne<br />
-<br />
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we<br />
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we<br />
cresc.<br />
<br />
thatall<br />
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mf<br />
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10<br />
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this<br />
(no breath)<br />
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this<br />
(no breath)<br />
<br />
<br />
this<br />
(no breath)<br />
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this<br />
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5<br />
20<br />
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world<br />
cresc.<br />
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world<br />
cresc.<br />
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for online perusal only<br />
<br />
<br />
<br />
<br />
hav -eth<br />
i<br />
<br />
<br />
hav -eth<br />
i<br />
<br />
<br />
<br />
<br />
<br />
2 2<br />
- -<br />
<br />
<br />
- -<br />
<br />
<br />
f<br />
liyt,<br />
f<br />
<br />
liyt,<br />
f<br />
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<br />
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p awed<br />
<br />
i - liyt,<br />
p awed<br />
<br />
i - liyt,<br />
p awed<br />
<br />
<br />
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<br />
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world<br />
cresc.<br />
<br />
world<br />
hav<br />
<br />
hav<br />
-eth<br />
i<br />
<br />
<br />
-eth<br />
i<br />
<br />
- -<br />
liyt,<br />
f<br />
<br />
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2<br />
- -<br />
liyt,<br />
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i - liyt,<br />
p awed<br />
<br />
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i - liyt,<br />
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2 2<br />
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cresc.<br />
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<br />
2<br />
f<br />
<br />
p awed
11<br />
6<br />
T.<br />
SOLO<br />
23<br />
q. = q<br />
mp <br />
<br />
O splen -<br />
<br />
<br />
dens.<br />
B.<br />
SOLO<br />
<br />
mp<br />
<br />
<br />
<br />
<br />
he-ve-ne<br />
que<br />
-<br />
ne<br />
S.<br />
<br />
<br />
<br />
<br />
<br />
O splen<br />
mfp<br />
<br />
- dens.<br />
<br />
A.<br />
<br />
<br />
<br />
<br />
<br />
mfp<br />
<br />
O splen - dens.<br />
<br />
T.<br />
<br />
<br />
<br />
<br />
<br />
mfp<br />
<br />
<br />
O<br />
splen - dens.<br />
B.<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
<br />
<br />
mfp<br />
<br />
<br />
O splen - dens.<br />
<br />
<br />
<br />
q. = q<br />
<br />
<br />
<br />
<br />
mfp
12<br />
7<br />
S.<br />
27<br />
<br />
<br />
mp pleading<br />
<br />
<br />
ne<br />
<br />
<br />
<br />
<br />
<br />
of mi<br />
<br />
<br />
cresc.<br />
A.<br />
T.<br />
B.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
mp pleading<br />
<br />
<br />
<br />
<br />
3<br />
Mi swe-te<br />
le-ve<br />
- di<br />
mp pleading<br />
<br />
3<br />
<br />
<br />
<br />
Mi swe-te<br />
le-ve<br />
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<br />
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her mi be -<br />
mp pleading<br />
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her mi be<br />
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and reu<br />
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reu<br />
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reu<br />
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reu<br />
cresc.<br />
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of mi<br />
cresc.<br />
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of mi<br />
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cresc.<br />
of mi<br />
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mp pleading<br />
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3<br />
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mp<br />
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cresc.<br />
31<br />
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cresc.<br />
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if thy wille<br />
is;<br />
her<br />
mi,<br />
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mi,<br />
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if thy<br />
<br />
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wille<br />
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for online perusal only<br />
<br />
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mf<br />
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cresc.<br />
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cresc.<br />
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mi,<br />
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if thy wille<br />
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wille<br />
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is;<br />
mf<br />
her<br />
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is;<br />
her<br />
mi,<br />
cresc.<br />
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mi,<br />
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her<br />
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her<br />
mi,<br />
f<br />
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mi,<br />
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cresc. <br />
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f
8<br />
13<br />
38<br />
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mi.<br />
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her<br />
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Simply, purely<br />
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vir<br />
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vir<br />
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vir<br />
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vir<br />
Simply, purely<br />
p<br />
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- go splen<br />
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- -<br />
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dens;<br />
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dens;<br />
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- -<br />
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- -<br />
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- -<br />
<br />
dens;<br />
<br />
dens;<br />
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<br />
<br />
NH28 Hevene Quene ANDREW<br />
for online perusal only<br />
43<br />
<br />
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O<br />
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O<br />
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O<br />
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vir<br />
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vir<br />
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- go splen<br />
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- go splen<br />
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vir - go splen<br />
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<br />
- dens; splen<br />
mf<br />
Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed by Halstan & Co. Ltd., Amersham, Bucks.<br />
mf<br />
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vir - go splen<br />
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mf<br />
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- dens; splen<br />
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mf<br />
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f<br />
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f<br />
- - -<br />
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- - -<br />
f<br />
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mp<br />
dens.<br />
- - - -<br />
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mp<br />
dens.<br />
f <br />
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- - - -<br />
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mp<br />
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mp<br />
dens.<br />
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mp<br />
dens.<br />
*Bars 41–4 to be conducted in similar fashion to the opening bars. In bar 45, each singer should sing the phrase in their<br />
own time, sustaining each note for as long as they wish so that the phrase overlaps. The final note should be sustained<br />
until all singers have reached it, with the conductor then bringing everyone off together.
14<br />
NEW<br />
HORIZONS<br />
2<br />
Sacred<br />
SATB a cappella<br />
for online perusal only<br />
KERRY ANDREW<br />
O lux beata Trinitas
ascribed to St Ambrose (340–97)<br />
SOPRANO 1<br />
SOPRANO 2<br />
ALTO<br />
TENOR<br />
BASS<br />
for<br />
rehearsal<br />
only<br />
q = 66<br />
<br />
<br />
<br />
<br />
p<br />
<br />
15<br />
O lux beata Trinitas<br />
<br />
mp <br />
lux<br />
be<br />
mp<br />
<br />
<br />
<br />
<br />
<br />
O lux, O lux, O lux<br />
be<br />
<br />
<br />
<br />
p<br />
mp <br />
O lux, O lux<br />
be<br />
<br />
<br />
<br />
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<br />
<br />
<br />
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<br />
<br />
q = 66<br />
<br />
<br />
p<br />
mp<br />
<br />
<br />
<br />
p<br />
<br />
O<br />
KERRY ANDREW<br />
<br />
<br />
- a - ta<br />
<br />
<br />
<br />
- a - ta<br />
<br />
<br />
- a - ta<br />
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<br />
<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
5<br />
<br />
<br />
<br />
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<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Tri<br />
<br />
Tri<br />
<br />
Tri<br />
<br />
<br />
mf<br />
<br />
- ni - tas,<br />
mf<br />
- - ni - tas,<br />
mf<br />
<br />
-<br />
ni<br />
<br />
-<br />
<br />
tas,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
p<br />
<br />
O<br />
p<br />
<br />
O<br />
p<br />
<br />
O<br />
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lux,<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
O<br />
<br />
O<br />
<br />
O<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
O<br />
<br />
O<br />
<br />
O<br />
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<br />
<br />
<br />
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mf<br />
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<br />
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p<br />
Offprinted from Cantica Nova: 18 New Motets for Choirs (978-0-19-335536-1)<br />
© Oxford University Press 2004 and 2007<br />
Printed in Great Britain<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.
16<br />
4<br />
10<br />
<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
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mp<br />
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et<br />
<br />
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<br />
<br />
O<br />
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O<br />
<br />
O<br />
<br />
prin - ci - pa - lis,<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
<br />
<br />
<br />
O<br />
<br />
O<br />
<br />
O<br />
<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
prin - ci - pa - lis<br />
<br />
mp<br />
<br />
O<br />
mp<br />
<br />
O<br />
mp<br />
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O<br />
mf<br />
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lux,<br />
<br />
lux,<br />
<br />
lux,<br />
<br />
u - ni - tas,<br />
p<br />
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u<br />
p<br />
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p<br />
-<br />
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dim.<br />
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<br />
<br />
<br />
for online perusal only<br />
<br />
<br />
<br />
<br />
<br />
<br />
mp<br />
<br />
<br />
<br />
<br />
<br />
p<br />
<br />
<br />
<br />
<br />
14<br />
<br />
<br />
<br />
S.<br />
<br />
moving on slightly q = c.76<br />
<br />
<br />
- ni - tas, u<br />
<br />
<br />
<br />
A.<br />
<br />
- ni - tas, u - ni tas,<br />
p<br />
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<br />
<br />
<br />
T.<br />
<br />
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u - ni - tas,<br />
<br />
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<br />
<br />
B. <br />
<br />
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<br />
- ni - tas, u<br />
<br />
- u<br />
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u<br />
mp<br />
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i - am sol<br />
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-<br />
-<br />
-<br />
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moving on slightly q = c.76<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
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<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
mp
17<br />
5<br />
20<br />
<br />
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<br />
- ni - tas, u<br />
<br />
- ni - tas, u<br />
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re<br />
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<br />
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- ni - tas, u<br />
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- ni - tas, u<br />
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pp<br />
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mp<br />
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- ni - tas, re<br />
mp p<br />
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<br />
26<br />
<br />
cresc.<br />
<br />
-<br />
cresc.<br />
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-<br />
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cresc.<br />
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ce<br />
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ce<br />
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- -<br />
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mp<br />
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dit,<br />
mp<br />
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dit,<br />
mp<br />
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in<br />
p<br />
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for online perusal only<br />
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<br />
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men<br />
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men<br />
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re<br />
- - ce - dit,<br />
cresc.<br />
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in<br />
p <br />
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cresc.<br />
mp<br />
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p<br />
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mp<br />
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p
18<br />
6<br />
31<br />
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cor<br />
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cor<br />
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cor<br />
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cor<br />
<br />
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<br />
- di - bus.<br />
<br />
<br />
<br />
- di - bus.<br />
<br />
<br />
- di - bus.<br />
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<br />
<br />
- di - bus.<br />
q = 104<br />
<br />
<br />
<br />
<br />
mf brightly<br />
<br />
<br />
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<br />
lu<br />
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- - men, lu<br />
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- -<br />
mf brightly<br />
<br />
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lu -<br />
for online perusal only<br />
<br />
<br />
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q = 104<br />
<br />
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<br />
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mf brightly<br />
<br />
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<br />
35<br />
<br />
<br />
<br />
<br />
<br />
-men,<br />
lu<br />
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<br />
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- - men,<br />
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cresc.<br />
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- - men,<br />
lu<br />
cresc.<br />
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lu<br />
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mf brightly<br />
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men,<br />
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mf brightly<br />
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- -<br />
men,<br />
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lu -
19<br />
7<br />
39<br />
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- -<br />
cresc.<br />
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men,<br />
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lu<br />
lu<br />
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lu - - men,<br />
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lu<br />
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lu -<br />
dim.<br />
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- -<br />
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for online perusal only<br />
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f<br />
cresc.<br />
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43<br />
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men,<br />
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lu<br />
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men,<br />
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lu<br />
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mp lu - men,<br />
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lu<br />
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dim.<br />
<br />
<br />
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mp
20<br />
8<br />
47<br />
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<br />
mp<br />
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ma ne<br />
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Te<br />
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(n)<br />
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for online perusal only<br />
<br />
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Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed in England by Caligraving Ltd, Thetford, Norfolk.
CHRISTMAS CAROLS<br />
SSATB a cappella<br />
27<br />
2<br />
for online perusal only<br />
Adam and the<br />
Mother<br />
<strong>Kerry</strong> <strong>Andrew</strong><br />
A
28<br />
Composer’s note<br />
An earlier version of this piece was commissioned in 2004 by The Cavendish Singers to be<br />
performed after the First Lesson in the Service of Nine Lessons and Carols at Westminster<br />
Cathedral. I chose to create a lullaby from the perspectives of two individuals—Mary, mother of<br />
Christ, and Adam, representing the sins of Man—and sourced three separate early English texts<br />
set at the cradle of the baby Jesus. The first lullaby is the earliest known example of the ‘lullay’<br />
song, which appears in several versions in the 14th and 15th centuries and is exceptional in that<br />
it is the song of a human mother; the second lullaby is addressed to Christ by a penitent; and in<br />
the third I envisage Adam, or Man, as the observer.<br />
Texts and translations<br />
These texts and translations may be reproduced as required for programme notes.<br />
for online perusal only<br />
Lullay, lullow, little child,<br />
Into uncowth world icommen so ertow! 1<br />
Against my fadris will I ches<br />
An apple with a rueful res;<br />
Wherefore mine heritage I les,<br />
And now thou weepest therefore. 2<br />
Lullay, lullow, little child,<br />
This woe Adam thee wracht<br />
When he of the apple ate,<br />
And Eve it him betacht. 1<br />
An apple I took of a tree,<br />
God, it had forboden me;<br />
Wherefore I should dampened be,<br />
If thy weeping nay wore. 2<br />
This endris night I saw a sight,<br />
A maid a cradle keep,<br />
And ever she song and said among:<br />
‘Lullay, my child, and sleep’. 3<br />
Lullay, lullow, little child,<br />
You have come unknown into the world!<br />
Against my father’s will I chose<br />
An apple with a rueful rush;<br />
Wherefore I lost my heritage,<br />
And now therefore you weep.<br />
Lullay, lullow, little child,<br />
Adam wrought this woe on you<br />
When he ate the apple<br />
That Eve brought to him.<br />
An apple I took from a tree;<br />
God had forbidden me to do it.<br />
Wherefore I should be damned,<br />
If you did not weep.<br />
On a recent night I saw a sight,<br />
A maid keeping a cradle,<br />
And ever she sang and said:<br />
‘Lullay, my child, and sleep’.<br />
1 Adapted from Carleton Brown (ed.), ‘Miscellaneous lyrics before 1350’, Religious Lyrics of the 15th Century<br />
(Oxford: Clarendon Press, 1957).<br />
2 Adapted from Carleton Brown (ed.), ‘Lyrics from the Commonplace Book of John Grimestone, 1372’,<br />
Religious Lyrics of the 15th Century (Oxford: Clarendon Press, 1957).<br />
3 Adapted from Clement A. Miles, Christmas in Ritual and Tradition (New York: Frederick A. Stokes Company,<br />
1912).<br />
Translations by <strong>Kerry</strong> <strong>Andrew</strong>
29<br />
Adam and the Mother<br />
Anon. 14th/15th cent.<br />
adap. <strong>Kerry</strong> <strong>Andrew</strong><br />
(see p. 2 for details)<br />
KERRY ANDREW<br />
SOPRANO 1<br />
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Lilting q. = 50<br />
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© Oxford University Press 2009<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.<br />
Printed in Great Britain
30<br />
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1>uncowth = unknown, foreign, strange; 2>ertow = have you; 3>fadris = father’s
31<br />
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Processed in England by Enigma Music Production Services, Amersham, Bucks.<br />
Printed in England by Halstan & Co. Ltd., Amersham, Bucks.
from The Ivy and the Holly<br />
35<br />
The Contest of the Ivy and the Holly<br />
Trad. English, adap.<br />
SOPRANO<br />
ALTO<br />
<br />
<br />
<br />
q = 100 ( e pulse constant throughout)<br />
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p<br />
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KERRY ANDREW<br />
(b. 1978)<br />
TENOR<br />
oo<br />
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<br />
<br />
for online perusal only<br />
BASS<br />
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for<br />
rehearsal<br />
only<br />
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<br />
q = 100 ( e pulse constant throughout)<br />
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p<br />
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5<br />
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(stagger breathing)<br />
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mp<br />
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mp<br />
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mm<br />
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to be - hold,<br />
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<br />
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<br />
© Oxford University Press 2008. Photocopying this copyright material is ILLEGAL.
36<br />
The Contest of the Ivy and the Holly<br />
2<br />
10<br />
<br />
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mp<br />
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<br />
<br />
mm<br />
<br />
mm<br />
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<br />
(stagger breathing)<br />
<br />
mm<br />
for online perusal only<br />
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<br />
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15<br />
<br />
S. <br />
(mm)<br />
A. <br />
(mm)<br />
T. 1<br />
<br />
<br />
Nay,<br />
<br />
<br />
SOLO or TENOR 1<br />
mf<br />
<br />
TUTTI or TENOR 2<br />
T. 2<br />
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B.<br />
<br />
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mm<br />
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I<br />
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mf<br />
1>wis think
3<br />
20<br />
<br />
<br />
The Contest of the Ivy and the Holly<br />
<br />
<br />
(mm)<br />
(mm)<br />
<br />
<br />
mast<br />
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<br />
<br />
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37<br />
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for online perusal only<br />
24<br />
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<br />
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oo<br />
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A. <br />
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TUTTI<br />
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The Contest of the Ivy and the Holly 4<br />
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sing;<br />
they weep - en and they wring.<br />
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I - vy and her maid - ens they weep - en and they wring.<br />
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dance,<br />
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5 The Contest of the Ivy and the Holly<br />
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113<br />
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<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
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<br />
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<br />
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<br />
<br />
<br />
<br />
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<br />
<br />
<br />
I<br />
<br />
<br />
<br />
- vy, nay,<br />
mp<br />
<br />
Nay,<br />
<br />
<br />
nay,<br />
<br />
nay,<br />
<br />
<br />
I<br />
<br />
<br />
Hol - ly,<br />
<br />
<br />
<br />
mp<br />
<br />
Nay,<br />
- vy, nay,<br />
cresc.<br />
<br />
nay,<br />
<br />
<br />
nay,<br />
crescṅay,<br />
<br />
<br />
nay,<br />
<br />
cresc.<br />
<br />
I<br />
<br />
I<br />
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<br />
Hol - ly,<br />
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-<br />
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vy,<br />
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vy,<br />
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<br />
<br />
<br />
<br />
<br />
<br />
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<br />
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cresc.
47<br />
13<br />
The Contest of the Ivy and the Holly<br />
118<br />
<br />
<br />
mf<br />
<br />
Nay,<br />
<br />
<br />
nay,<br />
<br />
<br />
<br />
<br />
Hol<br />
-<br />
<br />
ly,<br />
<br />
cresc.<br />
<br />
nay,<br />
<br />
<br />
nay,<br />
<br />
<br />
Hol<br />
-<br />
<br />
ly,<br />
<br />
mf<br />
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nay,<br />
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nay,<br />
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<br />
<br />
<br />
Hol<br />
-<br />
<br />
ly,<br />
<br />
cresc.<br />
<br />
nay,<br />
<br />
<br />
nay,<br />
<br />
<br />
Hol<br />
-<br />
<br />
ly,<br />
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mf<br />
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cresc.<br />
<br />
<br />
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nay,<br />
nay,<br />
I<br />
- vy, nay,<br />
nay,<br />
I<br />
-<br />
vy,<br />
<br />
<br />
<br />
<br />
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mf<br />
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nay,<br />
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nay,<br />
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I<br />
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- vy, nay,<br />
<br />
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cresc.<br />
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nay,<br />
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I<br />
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-<br />
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vy,<br />
<br />
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<br />
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mf<br />
<br />
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cresc.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
122<br />
<br />
<br />
f<br />
<br />
nay,<br />
<br />
<br />
<br />
<br />
<br />
cresc.<br />
<br />
for online perusal only<br />
rit.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ff<br />
<br />
<br />
<br />
<br />
f<br />
<br />
nay,<br />
f<br />
<br />
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nay,<br />
<br />
nay,<br />
<br />
<br />
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Hol - ly,<br />
<br />
cresc.<br />
<br />
Hol - ly,<br />
<br />
cresc.<br />
<br />
<br />
<br />
nay,<br />
<br />
nay,<br />
<br />
<br />
nay,<br />
<br />
nay,<br />
<br />
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Hol<br />
<br />
Hol<br />
<br />
- ly, nay.<br />
ff<br />
<br />
<br />
<br />
- ly, nay.<br />
ff<br />
<br />
<br />
nay,<br />
nay,<br />
I<br />
- vy, nay,<br />
nay,<br />
I<br />
- vy, nay.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
f<br />
<br />
nay,<br />
<br />
nay,<br />
<br />
<br />
<br />
I<br />
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cresc.<br />
<br />
<br />
- vy, nay,<br />
<br />
nay,<br />
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I<br />
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ff<br />
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<br />
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f<br />
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cresc.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
rit.<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
ff
from Carols for Choirs 5<br />
48<br />
Out of the orient crystal skies<br />
Anon. 17th cent.<br />
With quiet energy i = 72<br />
cresc.<br />
mp<br />
SOPRANO<br />
Vb 24 Š Š bŠ Š Š ŠŠbŠ f<br />
Š. Š Š Š<br />
ALTO<br />
Š Š<br />
Bb 24 Š Š bŠ Š Š Š Š Š Š Š Š Š f<br />
Š. Š Š Š Š Š<br />
TENOR<br />
BASS<br />
mp<br />
cresc.<br />
i = i.<br />
Vb Š Š Še 68 4<br />
V f<br />
Š Š Š Še Še F<br />
f<br />
Š Š f Š Š f ‰.<br />
- di - do, fa - lan - ti - ding - di - do.<br />
Bb<br />
Š V<br />
Š Š Š ŠeŠ 68 Še Še f Š Š Š Š V f f E<br />
‰.<br />
f<br />
v. 1: SOPRANOS & ALTOS unis.<br />
v. 3: TENORS & BASSES<br />
7<br />
unis.<br />
Vb . mf<br />
Š #Š Š Š Še Š Š f Š Še Š Še Š Š #Š ‰.<br />
([)<br />
Fa - lan - ti - ding - di - do,* fa - lan - ti - ding -<br />
for online perusal only<br />
1. Out of the o - rient crys - tal skies A blaz - ing star did shine,<br />
3. This shi -ning star three kings did guide, E’en from the fur - thest East,<br />
Vb ŠŠŠ Š #Še Š Š Š Š #Še Še Š Š #Še ‰.<br />
KERRY ANDREW<br />
(b. 1978)<br />
11 ([)<br />
Show -ing the place where poor - ly lies A bless - ed babe di - vine.<br />
To Beth - le - hem where it be - tide 2 This bless - ed babe did rest.<br />
2. Born of a maid of roy - al blood Who Ma - ry hight 1 by<br />
mf<br />
Vb Š #Š Š Š Še Š Še Š Še Š Še Š Š<br />
mp Š . #Š. Š. #Š. Š. #Š. #Š<br />
ah<br />
ah<br />
Bb<br />
Š. Š. Š. Š. Š. Š.<br />
4. Laid in a sta - ble man - ger poor, Be - twixt an ox and<br />
15<br />
S.<br />
A.<br />
T.<br />
B.<br />
mp<br />
* The ‘-ti-’ and ‘-di-’ in falantidingdido should be pronounced as ‘tie’ and ‘dye’.<br />
1 hight = was called<br />
2 betide = happened (that)<br />
© Oxford University Press 2011. Photocopying this copyright material is ILLEGAL.
name,<br />
18 ass,<br />
mf<br />
Vb Š. #Š Š Še Še Š Še Še Š f Š Š =Š f Š Š Š Š f f Š<br />
A sa - cred rose which once did bud By<br />
f<br />
Whom these three kings did all a - dore As<br />
Bb<br />
Š. Š ŠeŠ Še Še Še Še<br />
f Š Š Š f<br />
Š f Š Š Š f<br />
Š<br />
mf<br />
f<br />
21<br />
i. =i<br />
Vb Š Š mp<br />
Š Š 24Š bŠ Š bŠ f Š Š ‰. f Š Š Š Š Š f<br />
Š.<br />
grace of heav’n - ly flame.<br />
49<br />
for online perusal only<br />
Out of the orient crystal skies 137<br />
Fa - lan - ti - ding - di - do,<br />
God’s high plea - sure was.<br />
Bb<br />
Š ŠeŠ Š ŠeŠ Š. Š. 24 ŠŠ Š Š Š f f ‰. Š Š bŠ Š Š Š f<br />
Š.<br />
mp<br />
i = i.<br />
Vb Š Š Še 68 25 cresc.<br />
Š Š Š<br />
V f<br />
Š Š Š Š Š Še Še F<br />
.<br />
f<br />
Š Š f Š Š f ‰.<br />
fa - lan - ti - ding - di - do, fa - lan - ti - ding - di - do.<br />
Bb Š Š Š Š V<br />
Š Š Š Š Š Š Š Š ŠeŠ 68 Še Še f Š Š Š Š V<br />
. f f E<br />
‰.<br />
cresc.<br />
f<br />
29<br />
f<br />
Vb Š #Š Š Š Še Š Še f f Š Še Še f<br />
Š Š f<br />
Š #Š ‰.<br />
5. And for the joy of his great birth A thou - sand an - gels sing:<br />
Bb Š #Š Š Š Še Š Še f f Š Še Še f<br />
Š Š f<br />
Š #Š ‰.<br />
f<br />
33<br />
Vb Š Š Š Š Š Š Š<br />
Š ŠŠ=( )Š Š Š t<br />
f Š Š f<br />
Š Š Š Š Š Š f f f Š. Š<br />
‘Glo-ry and peace un - to the earth Where born is this new King!’<br />
Bb Š =( e)Š<br />
Š Še Še Še t<br />
ŠŠŠ=( )Š Š f Š Š f<br />
Š Š Š Š f f Š Š Š. Š f Š f<br />
f<br />
6. The
138 Out of the orient crystal skies<br />
mf<br />
37<br />
Vb Š. - -<br />
#Š. - -<br />
Š. #Š. - -<br />
Š. #Š. - -<br />
Š. #Š.<br />
-<br />
Glo - ry, glo - ry, glo - ry, glo - ry,<br />
Bb<br />
Š. Š #Š Š Š.<br />
-<br />
Š Š Š. -<br />
Š Š.<br />
-<br />
Š. Š.<br />
-<br />
-<br />
Š.<br />
-<br />
mf -<br />
-<br />
f f Š Š f<br />
Š Š Š f<br />
Š #Š Š. Š Š f<br />
shep - herds dwell - ing there a - bout, Where they this news did know, Came<br />
41<br />
Vb -<br />
-<br />
-<br />
-<br />
-<br />
Š. Š. Š. Š. Š. Š. Š<br />
-<br />
- - - ‰. Še<br />
- -<br />
-<br />
Š. 24<br />
sing - ing, sing - ing, glo - ry.<br />
Š. -<br />
Bb<br />
Š. -<br />
Š. -<br />
Š Š Š.<br />
-<br />
=( )Š ‰. -<br />
f Š Š f<br />
Š Š Š Š Š Š Š Š Š Š ‰.<br />
-<br />
f 24<br />
sing - ing all e’en in a rout 3 , ‘Fa - lan - ti - ding - di - do!’<br />
50<br />
for online perusal only<br />
i. =i<br />
più<br />
> f ><br />
Vb24 Š ŠbŠ Š Š Š ŠbŠ Š Š.<br />
Š Š Š Š Š Š Š Š Š<br />
V ><br />
Še 68 f<br />
45<br />
Š Še Še f > f Š > > V f<br />
fa<br />
Fa - lan - ti - ding - di - do, fa - lan - ti - ding - di - do,<br />
più<br />
> ><br />
Bb24 Š ŠbŠ Š Š Š ŠbŠ Š Š.<br />
Š Š Š Š Š Š Š Š Š V ><br />
Še 6 8 f<br />
Š Še f f Š Še<br />
> > V > f<br />
f<br />
i = i.<br />
- lan - ti - ding - di -<br />
fa - lan - ti -ding, fa -<br />
molto rit.<br />
><br />
Vb Š. Š Še > > ><br />
Še Še Še F<br />
Še Fff<br />
50<br />
f Š Š#=Š.<br />
><br />
> ><br />
f Š f Š. Š Š<br />
> f ><br />
Š Š f Š Š Š. ><br />
‰.<br />
- do, fa - lan - ti - ding - di - do,<br />
fa - lan - ti - ding - di - do!<br />
> ><br />
Bb<br />
Š Še Še Še f Š Še Še f Š. Š ><br />
f Š f Š<br />
><br />
><br />
f Š Še<br />
Š Še ><br />
> > > > f<br />
Š Š<br />
> E f ><br />
‰.<br />
E<br />
- lan - ti - ding - di - do, fa - lan - ti-ding,<br />
ff<br />
3 rout = a chaotic crowd
SONGBIRD<br />
51<br />
Charm<br />
for online perusal only<br />
<strong>Kerry</strong> <strong>Andrew</strong><br />
SSAA unaccompanied<br />
Difficulty level<br />
2
52<br />
Anglo-Saxon metrical charms were sets of instructions that were meant to cure sickness<br />
or resolve troubles. They tended to include ingredients for potions, and were intended<br />
to be spoken aloud, with certain phrases to be repeated several times. Twelve such<br />
charms survive in Old English, including this one for water-elf disease, which involves<br />
watery eyes and pale, ill-looking nails.<br />
Here, the composer has adapted the Old English into her own modern text, with<br />
two exceptions:<br />
1) ‘sing þis gealdor ofer þriwa’ (sing this charm three times) is retained, shown as it is<br />
to be pronounced: ‘sing this gal-dor of-er thrir-wah’<br />
for online perusal only<br />
2) the ingredients for the ‘herb box whispers’ sections at the beginning and end. At<br />
the conductor’s discretion, each singer should choose 1–3 herbs from the list below<br />
and whisper them clearly, in their own time, with pauses in between. This may also<br />
be accompanied by optional movements, such as dropping a herb into a bowl each<br />
time a word is spoken.<br />
eoforþrote (thistle) = a-yo-for-thro-the<br />
cassuc (cassock) = cass-uk<br />
fone nioþoweard (the lower part of an iris) = fon-eh nyo-thoh-wahrd<br />
eowberge (yew berry) = a-yo-ber-geh<br />
elehtre (lupine) = ay-lay(ch)¹-treh<br />
eolone (elecampane) = a-yo-lö²-neh<br />
merscmealwan crop (marshmallow tops) = mehr-sh-mahl-wun-crop<br />
fenminte (fen mint) = fayn-mint-eh<br />
dile (dill) = dill-eh<br />
lilie (lily) = li-ly<br />
attorlaþe (betony) = ut-tor-luh-theh<br />
polleie (pennyroyal) = poll-eh-y<br />
marubie (horehound) = muh-roo-bee<br />
docce (dock) = dock-eh<br />
ellen (elder) = el-layn<br />
felterre (centaury) = fel-ter-reh<br />
wermod (wormwood) = wer-mod<br />
streawbergean leaf (strawberry leaf) = strah-ber-gahn lahf<br />
consolde (comfrey) = con-sol-deh<br />
¹ (ch) = hard German ‘ch’ (as in loch)<br />
² ö = German ‘ö’ (similar to the ‘er’ sound in English)
53<br />
Charm<br />
Anon., adap. <strong>Kerry</strong> <strong>Andrew</strong><br />
KERRY ANDREW<br />
SOPRANO 1<br />
SOPRANO 2<br />
ALTO 1<br />
ALTO 2<br />
°<br />
a.<br />
Seconds: 0 - - - - - - - - - - - - - - - - - - - - - 10–15<br />
= 108<br />
freely, individually<br />
mf brightly<br />
Herb box whispers*<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¥<br />
V # #<br />
V # #<br />
12 8<br />
12 8<br />
12<br />
¢ V # # 8 ∑ ∑<br />
∑<br />
Round the wound I wrap my words,<br />
freely, individually<br />
Herb box whispers*<br />
œ œ œ œ<br />
J J œ œ œ J # œ œ<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
freely, individually<br />
Herb box whispers*<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
.<br />
∑<br />
5<br />
°<br />
¢<br />
8<br />
°<br />
¢<br />
V # #<br />
œ œ œ œ<br />
J J œ œ J œ œ œ œ.<br />
j t t Œ Œ œ œ œ œ œ<br />
- J J œ œ J<br />
œ œ<br />
Round the wound I wrap my words,<br />
Round<br />
the wound I wrap my words,<br />
.<br />
V # # ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
V # # ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
V # #<br />
∑<br />
for online perusal only<br />
œ œ œ œ<br />
J J œ œ œ J<br />
œ œ œ œ.<br />
j t t Œ Œ<br />
Round the wound I wrap my words,<br />
V # # ¥<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
V # # ¥<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
∑<br />
# œ<br />
Duration: 2.5 mins<br />
* = See notes.<br />
© Oxford University Press 2018. Originally published in As you sing (ISBN 978 – 0 –19 –352421–7 ). This edition offprinted 2021.<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.<br />
Printed in Great Britain
4<br />
°<br />
¢<br />
°<br />
¢<br />
11<br />
13<br />
°<br />
¢<br />
V # #<br />
V # #<br />
V # #<br />
V # #<br />
V # #<br />
V # #<br />
18<br />
3rd time only<br />
f bouncy<br />
Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
J J J J<br />
Do not burn, do not burst, do not quick -en,<br />
do not hurt,<br />
2nd time onwards<br />
mf bouncy<br />
Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
mf bouncy<br />
Do<br />
not burn, do not burst, do not quick-en,<br />
do not hurt,<br />
œ œ œ œ œ œ œ œ œ œ œ œ<br />
Do<br />
not burn, do not burst, do not quick-en,<br />
do not hurt,<br />
1. 2.<br />
œ œ œ œ œ œ j œ œ œ ∑ <br />
‰ œ Œ<br />
do not deep-en,<br />
do not<br />
œ œ œ œ œ œ œ œ œ j œ ‰ Œ œ j œ œ ‰ <br />
2<br />
<br />
œ œ œ œ œ œ œ œ ‰ œ Œ ‰ œ t u r œ<br />
15<br />
°<br />
V # #<br />
mf smoothly<br />
><br />
œ # œ<br />
4 œ œ # œ<br />
j œ œ œ œ w<br />
Do not pain me more than earth hurts earth,<br />
V # # 4 ‰ Œ<br />
∑ ∑<br />
¢ V # #<br />
mf earthy, funky<br />
4<br />
œ r<br />
V # #<br />
V # #<br />
V # #<br />
3.<br />
curse.<br />
do not deep-en,<br />
do not curse. curse.<br />
do not deep- en, do not curse. uh -<br />
.<br />
-. t t<br />
œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
.<br />
-. t t<br />
œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
∑<br />
∑<br />
uh<br />
œ<br />
mf<br />
Do<br />
54<br />
for online perusal only<br />
.<br />
-. t t<br />
œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
# œ œ œ<br />
# œ œ œ<br />
not pain me more<br />
.<br />
uh -. t t<br />
œ r œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
uh<br />
.<br />
uh -. t t<br />
œ r œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
><br />
><br />
œ œ œ<br />
œ<br />
# œ<br />
j œ œ œ œ<br />
Do not pain me more than earth hurts<br />
œ<br />
# œ<br />
j œ œ œ œ<br />
œ r<br />
than earth hurts<br />
.<br />
-. t t<br />
œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
a. = a<br />
œ r<br />
4<br />
4<br />
4<br />
uh-<br />
œ r<br />
uh-<br />
â<br />
ä
°<br />
¢<br />
V # #<br />
21<br />
S. 1 ∑<br />
V # #<br />
earth,<br />
S. 2 ∑<br />
A. 1<br />
A. 2<br />
V # #<br />
V # #<br />
- huh uhw<br />
w<br />
earth,<br />
.<br />
-. t t<br />
œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
. .<br />
t t<br />
œ œ œ.<br />
j œ.<br />
j t<br />
- huh<br />
uh<br />
-<br />
huh<br />
55<br />
<br />
œ<br />
Do not pain me<br />
œ<br />
<br />
# œ œ œ<br />
# œ œ œ<br />
Do not pain me<br />
3<br />
3<br />
<br />
.<br />
uh -. t t<br />
œ r œ œ œ.<br />
j œ.<br />
j Œ œ œ œ œ œ œ œ œ<br />
huh uh - huh<br />
Do not burn, do not burst,<br />
<br />
.<br />
uh -. t t<br />
œ r œ œ œ.<br />
j œ.<br />
j t<br />
.<br />
t t<br />
œ r œ<br />
œ œ<br />
huh uh - huh uh -. .<br />
j œ.<br />
j t<br />
huh uh - huh<br />
œ r<br />
5<br />
°<br />
24 1.<br />
œ<br />
¢<br />
V # #<br />
V # #<br />
V # #<br />
V # #<br />
><br />
# j œ œ œ œ w<br />
><br />
more than earth hurts earth,<br />
# œ<br />
j œ œ œ œ w<br />
more<br />
3<br />
œ œ œ œ<br />
than earth hurts earth,<br />
div.<br />
throaty, Bulgarian-style<br />
3<br />
3 3<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ ‰‰ <br />
do not quick- en, do not hurt, do not deep-en,<br />
do not curse.<br />
œ. .<br />
-<br />
œ<br />
huh<br />
t<br />
for online perusal only<br />
.<br />
œ j t<br />
œ j<br />
uh<br />
-<br />
.<br />
huh<br />
t<br />
œ r œ<br />
uh<br />
. .<br />
-<br />
œ<br />
huh<br />
t<br />
.<br />
œ j t<br />
œ j t<br />
uh<br />
-<br />
.<br />
huh<br />
∑<br />
∑<br />
‰ Œ<br />
.<br />
uh -. t t<br />
œ r œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
<br />
<br />
<br />
œ r <br />
uh -<br />
26b<br />
V # #<br />
V # #<br />
V # #<br />
°<br />
¢<br />
V # #<br />
2.<br />
∑<br />
f smoothly, brightly, sweetly<br />
Ó Œ œ œ œ<br />
‰‰ <br />
Sing<br />
Do not pain me more than earth hurts<br />
3<br />
3<br />
3<br />
3<br />
‰ Œ œ œ œ œ œ œ œ œ œ œ œ œ<br />
. .<br />
t t<br />
œ œ œ.<br />
j œ.<br />
j t<br />
- huh<br />
uh<br />
-<br />
huh<br />
œ r<br />
uh<br />
œ<br />
Do not burn, do not burst, do not quick-en,<br />
do not hurt,<br />
.<br />
-. t t<br />
œ<br />
œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
œ j œ œ ‰ œ œ œ<br />
# œ œ œ<br />
uh<br />
><br />
this gal - dor<br />
of - er thrir -<br />
# œ<br />
j œ œ œ œ<br />
œ r<br />
œ<br />
œ .<br />
-.<br />
huh<br />
t<br />
.<br />
uh<br />
œ œ œ œ<br />
œ j t<br />
œ j t<br />
.<br />
œ r<br />
uh-
6<br />
°<br />
¢<br />
°<br />
¢<br />
V # #<br />
V # #<br />
V # #<br />
29<br />
V # #<br />
V # #<br />
V # #<br />
V # #<br />
32<br />
V # #<br />
SMALL<br />
GROUP<br />
(opt.)<br />
S. 1<br />
S. 2<br />
A. 1<br />
A. 2<br />
°<br />
¢<br />
35<br />
- wah, sing this gal -<br />
earth,<br />
Do not pain me<br />
3<br />
3<br />
3<br />
3<br />
œ œ œ œ œ œ œ œ œ ‰‰ <br />
do not deep- en, do not curse. Do not burn, do not burst,<br />
œ. .<br />
><br />
uhœ<br />
œ ‰ Ó œ œ œ œ œ œ<br />
w<br />
more<br />
- huh<br />
.<br />
uh<br />
-<br />
.<br />
huh<br />
than earth hurts earth,<br />
.<br />
uh -. t t<br />
œ r œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
∑<br />
uh<br />
-. .<br />
3<br />
3<br />
3 3<br />
œ œ œ œ<br />
œ œ œ œ œ œ œ œ œ œ œ œ œ ‰‰ <br />
do not quick-en,<br />
do not hurt, do not deep-en,<br />
do not curse.<br />
œ. .<br />
- huh<br />
V # #<br />
V # #<br />
V # #<br />
V # #<br />
V # #<br />
œ<br />
t<br />
œ j t<br />
œ j t<br />
t t<br />
œ.<br />
j œ.<br />
j t<br />
. .<br />
t t<br />
œ r œ<br />
œ œ.<br />
j œ.<br />
j .<br />
uh - huh uh - huh uh - huh uh -. t t t<br />
œ r œ œ œ.<br />
j œ.<br />
j t<br />
huh uh - huh<br />
f whistled<br />
3<br />
. . . 3 3<br />
. . . . .<br />
. . . 3<br />
t t œ J œ œ œ œ œ œ œ œ<br />
. . . .<br />
.<br />
t t t œ J œ œ œ œ œ œ œ. œ .<br />
t<br />
3 3<br />
3 3<br />
‰ œ œ œ œ ‰ <br />
- - wah,<br />
Do not pain me more than earth hurts<br />
3<br />
3<br />
3<br />
3<br />
œ œ œ œ œ œ œ œ œ œ œ œ<br />
Do not burn, do not burst, do not quick- en, do not hurt,<br />
. .<br />
t<br />
œ<br />
œ œ. j œ.<br />
j t<br />
œ r<br />
œ . œ.<br />
. .<br />
- huh uh - huh<br />
uh - huh uh - huh<br />
><br />
œ<br />
huh<br />
.<br />
uh<br />
-<br />
.<br />
huh<br />
œ j œ<br />
# œ œ œ<br />
‰ Œ œ œ œ œ œ œ œ œ<br />
œ r œ<br />
œ<br />
t<br />
œ j t<br />
œ j t<br />
œ œ œ œ œ œ ‰ œ Œ œ œ œ<br />
- - dor of - er thrir - wah,<br />
of - er thrir -<br />
# œ<br />
j œ œ œ œ w<br />
∑<br />
œ<br />
œ<br />
# œ œ œ<br />
t<br />
56<br />
for online perusal only<br />
‰ Œ<br />
# œ<br />
j œ œ œ œ<br />
t<br />
œ œ œ œ<br />
œ j t<br />
œ j t<br />
œ r<br />
uh -<br />
œ r<br />
uh -<br />
œ r
°<br />
¢<br />
°<br />
¢<br />
°<br />
¢<br />
V # 3<br />
# . . .<br />
3<br />
t t œ . . . . . .<br />
3 3<br />
V # J œ œ œ œ œ œ œ œ<br />
t t t œ J<br />
t t œ J<br />
t t œ J Œ<br />
# ‰ œ œ œ œ œ ‰ <br />
of - er thrir - wah,<br />
V # #<br />
œ<br />
w<br />
# œ œ œ<br />
earth, Do not pain me<br />
V # 3<br />
# 3<br />
do not deep -en,<br />
do not curse.<br />
V # œ œ œ œ œ œ œ œ œ ‰‰‰ Œ<br />
#<br />
. .<br />
t t<br />
œ<br />
œ œ.<br />
j œ.<br />
j t<br />
. .<br />
t t<br />
œ r<br />
œ<br />
œ œ.<br />
j œ.<br />
j Œ<br />
- huh<br />
uh - huh<br />
uh - huh<br />
uh - huh<br />
V # 3<br />
# . . . 3 3<br />
. . . . .<br />
. . . 3<br />
t t œ . . . .<br />
.<br />
. .<br />
3 3<br />
3 3<br />
V # J œ œ œ œ œ œ œ œ<br />
t t t œ J œ œ œ œ œ œ œ œ<br />
t<br />
#<br />
V # w<br />
><br />
# # œ<br />
j œ œ œ œ w<br />
more than earth hurts earth,<br />
V # #<br />
∑<br />
hur<br />
V # Ó Œ œ œ<br />
Herb box whispers<br />
#<br />
37<br />
39<br />
57<br />
3 3<br />
.<br />
3<br />
. .<br />
for online perusal only<br />
Herb box whispers<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
3 3<br />
. .<br />
Seconds: 0 - - - - - - - - - - 10 (approx.)<br />
41<br />
V # Herb box whispers<br />
3<br />
# . . .<br />
3 3<br />
t t œ . . . . .<br />
.<br />
.<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¥<br />
3 3<br />
V # J œ œ œ œ œ œ œ œ<br />
t t t œ J<br />
t t œ J<br />
t t œ J Œ<br />
# ¥<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
V # Herb box whispers<br />
# ¥<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
V # # ‰‰‰ Œ<br />
Herb box whispers<br />
¥<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
V # # ¥<br />
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯<br />
7
58<br />
NEW<br />
HORIZONS<br />
<br />
Secular<br />
SATB (with soprano semi-chorus),<br />
piano, and optional percussion<br />
for online perusal only<br />
KERRY ANDREW<br />
The earth hath voice
59<br />
S.<br />
A.<br />
T.<br />
B.<br />
Algernon Charles Swinburne (1837–1909)<br />
adap. <strong>Kerry</strong> <strong>Andrew</strong><br />
Quietly animated = 76<br />
*SOPRANO<br />
SEMI-CHORUS<br />
<br />
<br />
<br />
<br />
SOPRANO<br />
ALTO<br />
TENOR<br />
BASS<br />
†PERCUSSION<br />
(optional)<br />
7<br />
<br />
<br />
<br />
PIANO<br />
voice,<br />
voice,<br />
voice,<br />
voice,<br />
<br />
<br />
<br />
<br />
<br />
Commissioned by the Association of British Choral Directors to mark their 25th anniversary,<br />
with support from the RVW Trust and the PRS for Music Foundation<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Quietly animated = 76<br />
bell-like<br />
The earth hath voice<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
KERRY ANDREW<br />
The earth<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Ped. (keep pedal down to the end of bar 19)<br />
<br />
<br />
<br />
<br />
<br />
<br />
*The soprano semi-chorus part may alternatively be sung by a children’s choir, or by a soprano soloist.<br />
<br />
the<br />
<br />
the<br />
<br />
the<br />
<br />
<br />
for online perusal only<br />
<br />
<br />
<br />
the<br />
†Percussion (one player): bass drum, tam-tam, and 3 tom-toms. = soft beater; = hard beater; = medium mallet. Inverted symbols (e.g. ) indicate that the<br />
handle of the stick should be used to strike the instrument.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
The<br />
<br />
The<br />
<br />
The<br />
<br />
earth<br />
earth<br />
earth<br />
earth hath voice, the<br />
<br />
earth hath voice, the<br />
<br />
earth<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
hath voice, the<br />
<br />
earth hath voice, the<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
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<br />
<br />
<br />
<br />
<br />
hath<br />
<br />
hath<br />
<br />
hath<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
hath<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
© Oxford University Press 2011<br />
OXFORD UNIVERSITY PRESS, MUSIC DEPARTMENT, GREAT CLARENDON STREET, OXFORD OX2 6DP<br />
The Moral Rights of the Composer have been asserted. Photocopying this copyright material is ILLEGAL.<br />
Printed in Great Britain
60<br />
14<br />
<br />
<br />
<br />
S.<br />
A.<br />
T.<br />
B.<br />
<br />
<br />
<br />
<br />
<br />
20<br />
<br />
<br />
earth<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
earth<br />
hath<br />
hath<br />
Fervently = 84<br />
<br />
<br />
ss<br />
Bass Drum <br />
Fervently = 84<br />
<br />
<br />
<br />
<br />
<br />
voice,<br />
<br />
voice,<br />
<br />
<br />
<br />
<br />
earth<br />
hath<br />
voice,<br />
<br />
<br />
<br />
<br />
<br />
<br />
earth<br />
hath<br />
voice,<br />
<br />
<br />
<br />
sea,<br />
<br />
<br />
whispered, hissed<br />
<br />
<br />
<br />
sea,<br />
sh<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
and<br />
<br />
and<br />
<br />
and<br />
and<br />
speech is in the<br />
speech is in the<br />
speech is in the<br />
speech is in the<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
SEMI-CHORUS bright, penetrating<br />
Un-curled<br />
dreams<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sea,<br />
whispered, hissed<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
<br />
<br />
<br />
whispered, hissed<br />
sh<br />
- - -<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
whispered, hissed<br />
<br />
ss<br />
a (shadows)*<br />
<br />
<br />
<br />
Ped. sim.<br />
*A word in brackets after an open vowel indicates that the vowel should be pronounced as in that word.<br />
<br />
<br />
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3
61<br />
4<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sh<br />
th<br />
sh<br />
<br />
25<br />
30<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ss<br />
<br />
ser-pent<br />
shap - en<br />
down the wild wind,<br />
ss<br />
- - -<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ss<br />
<br />
- pee - - - ch<br />
ss -<br />
<br />
<br />
<br />
ch<br />
<br />
er-,<br />
<br />
<br />
<br />
<br />
sh<br />
- -<br />
a (shadows)<br />
<br />
<br />
<br />
<br />
(B.D.)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
caught<br />
and whirled, sha - dows<br />
<br />
stor-,<br />
of storm - - shaped<br />
<br />
<br />
<br />
<br />
- ea*<br />
sh<br />
-<br />
a (shapen)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ser-,<br />
sha - dow - ss The<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sh<br />
<br />
a (shapen)<br />
ss<br />
- - - -<br />
<br />
<br />
<br />
<br />
<br />
Tam-tam<br />
scrape<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
<br />
-<br />
<br />
<br />
B.D. <br />
<br />
<br />
<br />
<br />
<br />
<br />
*through the teeth<br />
B.D.<br />
<br />
dim.<br />
th<br />
<br />
ea*<br />
<br />
<br />
<br />
<br />
<br />
<br />
The
62<br />
35<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
things.<br />
mid-night<br />
on the moun-tains<br />
cry,<br />
mid-night<br />
on the moun-tains<br />
cry,<br />
<br />
<br />
cresc.<br />
cresc.<br />
<br />
<br />
<br />
<br />
<br />
with<br />
<br />
with<br />
ma-ny<br />
tongues of thun - ders<br />
<br />
<br />
<br />
<br />
<br />
<br />
ma-ny<br />
tongues of thun - ders<br />
5<br />
<br />
<br />
<br />
<br />
sub. <br />
for online perusal only<br />
loco<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Ped.<br />
<br />
<br />
<br />
<br />
sim.<br />
<br />
S.<br />
A.<br />
T.<br />
B.<br />
38<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sound<br />
re<br />
and re<br />
<br />
<br />
<br />
- sound,<br />
with<br />
<br />
<br />
<br />
<br />
<br />
<br />
sound, re - sound,<br />
<br />
<br />
- sound the hol - low shield of sky with<br />
<br />
<br />
<br />
<br />
<br />
sound<br />
and re<br />
<br />
<br />
<br />
- sound<br />
the hol - low shield of sky with<br />
with
63<br />
6<br />
41<br />
<br />
<br />
<br />
<br />
trum-pet<br />
- throat - ed winds that charge and cheer,*<br />
ah!<br />
<br />
<br />
yell<br />
<br />
<br />
<br />
the<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
trum-pet<br />
- throat - ed winds that charge and<br />
cheer,*<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
trum-pet<br />
- throat - ed winds that charge and<br />
cheer,*<br />
<br />
<br />
<br />
<br />
trum-pet<br />
- throat - ed winds that charge and cheer,*<br />
<br />
<br />
(B.D.)<br />
<br />
T.-tam<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Ped.<br />
<br />
<br />
<br />
<br />
yell<br />
ah!<br />
<br />
<br />
yell<br />
ah!<br />
<br />
yell<br />
ah!<br />
<br />
<br />
<br />
<br />
the<br />
for online perusal only<br />
44<br />
<br />
<br />
<br />
<br />
<br />
winds cheer, make mu - sic in the void<br />
<br />
<br />
<br />
<br />
winds that charge and cheer, make mu - sic in the void<br />
<br />
<br />
night’s<br />
night’s<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
*Gradually open out from the vowel sound in ‘cheer’ to an ‘ah’.
64<br />
<br />
7<br />
47<br />
<br />
<br />
<br />
<br />
<br />
<br />
ear, till the storm<br />
lose its track, till<br />
<br />
<br />
<br />
<br />
<br />
<br />
ear till the storm<br />
lose its track,<br />
darkly<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
from deep,<br />
darkly<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
to deep,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
50<br />
<br />
dim.<br />
<br />
<br />
<br />
all<br />
the night go, all the night go, night go back,<br />
<br />
dim.<br />
<br />
<br />
<br />
all the night go, all the night go back,<br />
<br />
<br />
<br />
from<br />
<br />
deep<br />
<br />
to<br />
<br />
deep,<br />
<br />
from<br />
<br />
deep<br />
<br />
to<br />
<br />
<br />
<br />
from deep to deep, from deep<br />
to<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only
65<br />
56<br />
<br />
<br />
SEMI-CHORUS<br />
sh - ake!<br />
whisper<br />
<br />
<br />
<br />
<br />
<br />
S. <br />
<br />
<br />
<br />
<br />
deep,<br />
<br />
shout<br />
<br />
<br />
sh - ake!<br />
whisper<br />
<br />
<br />
<br />
<br />
A. <br />
T.<br />
B.<br />
8<br />
sh - ake!<br />
<br />
<br />
deep,<br />
<br />
from deep to deep, from deep to deep, from<br />
from deep to deep, from deep to deep, from<br />
<br />
(T.-toms)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Ped.<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
61<br />
<br />
<br />
<br />
<br />
sh<br />
whisper<br />
<br />
<br />
<br />
<br />
stridently<br />
<br />
The winds and wa - ters come and go,<br />
the<br />
stridently<br />
<br />
<br />
The winds and wa - ters come and go, the<br />
<br />
<br />
<br />
<br />
<br />
deep to deep, from deep to deep, from<br />
-<br />
deep to deep, from deep to deep, from<br />
ake!<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sim.
66<br />
65<br />
<br />
<br />
<br />
<br />
<br />
sh - ake!<br />
sh - ake!<br />
<br />
cresc.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
deep to deep,<br />
<br />
<br />
<br />
69<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
9<br />
<br />
<br />
winds and stars come and go, come and go<br />
<br />
cresc.<br />
<br />
winds and stars come and go, come and go<br />
cresc.<br />
<br />
<br />
deep to deep,<br />
from deep to deep,<br />
cresc.<br />
<br />
from deep to deep,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
cresc.<br />
<br />
<br />
<br />
shout<br />
<br />
<br />
<br />
sh - ake!<br />
<br />
shout<br />
dim.<br />
<br />
spoken<br />
<br />
<br />
<br />
<br />
<br />
sh - ake! The winds, the wa - ters, the stars, the wa - ters, the winds and<br />
<br />
whispered, very percussive and energetic<br />
<br />
ss - sha - ke,*<br />
sha - ke,<br />
<br />
shout<br />
<br />
spoken, becoming gradually whispered<br />
<br />
<br />
sh - ake! Come and go, come and go, come and go, come and go, come and go,<br />
shout<br />
<br />
spoken<br />
<br />
<br />
dim.<br />
<br />
<br />
<br />
<br />
sh - ake! The wa - ters,<br />
the winds,<br />
the stars come and<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
*click ‘k’ at back of throat<br />
for online perusal only
67<br />
S.<br />
A.<br />
T.<br />
B.<br />
10<br />
72<br />
becoming gradually whispered<br />
<br />
<br />
<br />
<br />
<br />
wa - ters and stars, the wa - ters and winds come and go, come and go,come and go, come and go, come and go,<br />
<br />
<br />
sha - ke,<br />
sha - ke,<br />
sha - ke,<br />
whispered, very percussive and energetic<br />
<br />
<br />
<br />
<br />
<br />
k*<br />
becoming gradually whispered<br />
brrr<br />
(roll tongue)<br />
-<br />
<br />
<br />
go,<br />
<br />
(T.-toms)<br />
eak,<br />
come and go, come and go, come and go, come and go,<br />
<br />
<br />
<br />
<br />
<br />
k<br />
brrr<br />
-<br />
eak,<br />
sim.<br />
<br />
<br />
k<br />
brrr<br />
very percussive and energetic<br />
whispered<br />
<br />
nn - igh - t,<br />
(back of the throat,<br />
bass drum-like)<br />
<br />
<br />
-<br />
<br />
for online perusal only<br />
<br />
<br />
<br />
<br />
<br />
75<br />
<br />
<br />
<br />
whispered, very percussive and energetic<br />
<br />
<br />
<br />
sim. <br />
<br />
<br />
ss<br />
- ky,<br />
ss - ky,<br />
ss<br />
<br />
cresc.<br />
<br />
sha - ke,<br />
sha - ke,<br />
sha - ke,<br />
sha - ke,<br />
cresc.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
- eak,<br />
<br />
<br />
<br />
nn<br />
k<br />
brrr<br />
-<br />
- igh - t,<br />
eak,<br />
<br />
<br />
<br />
nn<br />
k brrr<br />
-<br />
- igh - t,<br />
eak,<br />
<br />
<br />
cresc.<br />
<br />
nn<br />
k<br />
brrr<br />
<br />
- igh - t,<br />
- eak,<br />
<br />
-<br />
<br />
nn<br />
ky,<br />
k<br />
brrr<br />
<br />
- igh - t,<br />
-<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
*breathy (in contrast to the altos’ clicked ‘k’)
68<br />
S.<br />
A.<br />
T.<br />
B.<br />
79<br />
<br />
cresc. <br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sha - ke,<br />
sha - ke,<br />
sha - ke,<br />
sha - ke,<br />
sha - ke,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
84<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
night,<br />
<br />
<br />
<br />
11<br />
ss - ky,<br />
ss - ky,<br />
ss - ky,<br />
ss - ky,<br />
ss - ky,<br />
eak, k brrr - eak, k brrr - eak, k brrr - eak, k brrr - - eak, k brrr -<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
nn - igh- t, night, nn - igh - t, night, nn - igh - t, night, nn - igh - t, night, nn - igh - t,<br />
<br />
<br />
<br />
cresc.<br />
<br />
SEMI-CHORUS <br />
<br />
<br />
<br />
<br />
Stand up,<br />
shine,<br />
<br />
<br />
<br />
sim.<br />
<br />
<br />
<br />
<br />
<br />
<br />
ss - ky,<br />
ss - ky,<br />
ss - ky,<br />
ss - ky,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sha - ke,<br />
sha - ke,<br />
sha - ke,<br />
sha - ke,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
eak,<br />
k brrr - eak,<br />
k brrr - eak,<br />
k brrr - eak,<br />
k brrr -<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
nn - igh - t, night nn - igh - t, night, nn - igh - t, night, nn - igh - t,<br />
T.-toms<br />
<br />
<br />
<br />
B.D. <br />
(same sticks)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only
69<br />
12<br />
88<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
ss<br />
-<br />
ky,<br />
light<br />
- en,<br />
be - come flame.<br />
<br />
<br />
<br />
<br />
<br />
<br />
sha<br />
ss<br />
-<br />
ky,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
-<br />
ke,<br />
<br />
<br />
sha - ke,<br />
sha<br />
<br />
<br />
-<br />
ss<br />
ke,<br />
-<br />
ky.<br />
shake.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
- eak,<br />
<br />
<br />
<br />
night,<br />
<br />
nn<br />
k brrr<br />
<br />
- igh - t, night,<br />
- eak,<br />
k brrr<br />
<br />
<br />
nn<br />
<br />
- igh - t, night,<br />
- eak,<br />
k brrr<br />
<br />
<br />
nn<br />
<br />
-<br />
eak.<br />
<br />
- igh - t, night.<br />
<br />
<br />
<br />
(T.-toms)<br />
<br />
<br />
<br />
<br />
<br />
<br />
(B.D.)<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
92<br />
<br />
<br />
<br />
Light,<br />
<br />
<br />
<br />
<br />
<br />
<br />
light, and light! Thou whose light is fire, blood burns a - gain,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
bell-like<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Ped. sim.
70<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
98<br />
<br />
<br />
thou whose light is fire,<br />
<br />
<br />
<br />
<br />
<br />
<br />
B.D.<br />
<br />
<br />
<br />
<br />
<br />
Ped.<br />
<br />
105 rit.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Light, light, and light! Thou whose light is fire, blood burns a -<br />
<br />
Light, light, and light! Light is fire, blood burns a -<br />
<br />
<br />
Light!<br />
Thou whose light is fire, blood burns a -<br />
<br />
Light!<br />
Light is fire, blood burns a -<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
sim.<br />
thou<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
whose light<br />
is<br />
whisper<br />
<br />
<br />
<br />
<br />
- gain, thou whose light… The<br />
<br />
- gain, thou whose light… The<br />
whisper<br />
<br />
whisper<br />
<br />
<br />
-<br />
gain, thou whose light… The<br />
<br />
<br />
<br />
13<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
- gain, thou whose light… The<br />
<br />
<br />
<br />
<br />
<br />
rit.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Ped.<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
whisper
71<br />
14<br />
111<br />
<br />
<br />
<br />
<br />
<br />
Expansive = 76<br />
<br />
<br />
<br />
fire,<br />
<br />
<br />
earth hath voice<br />
earth hath voice<br />
and<br />
speech<br />
is<br />
in<br />
the<br />
<br />
<br />
and<br />
speech<br />
is<br />
in<br />
the<br />
sea.<br />
ss<br />
- - - - - ea.<br />
<br />
<br />
<br />
earth hath voice<br />
<br />
<br />
<br />
earth hath voice<br />
and<br />
T.-tam<br />
<br />
<br />
<br />
B.D.<br />
<br />
Expansive = 76<br />
<br />
<br />
speech<br />
is<br />
in<br />
the<br />
<br />
<br />
and<br />
speech<br />
<br />
<br />
<br />
<br />
is<br />
in<br />
the<br />
<br />
sea.<br />
ss<br />
scrape<br />
<br />
- - - - - - - - -<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
hit<br />
<br />
<br />
for online perusal only<br />
115<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
lulled<br />
with sea - sounds<br />
and<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
- ea.<br />
Soul in - to<br />
<br />
soul,<br />
<br />
<br />
<br />
<br />
<br />
<br />
Soul<br />
<br />
<br />
<br />
<br />
<br />
<br />
in<br />
- to soul,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
Soul<br />
<br />
Soul<br />
<br />
<br />
<br />
in<br />
in<br />
- to soul,<br />
- to soul,
72<br />
119<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
124<br />
<br />
<br />
lit with sea<br />
- shine,<br />
out - sing thy sing - ing sea,<br />
<br />
<br />
song in - to song,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
15<br />
<br />
song in - to song,<br />
<br />
song in - to song,<br />
<br />
<br />
song in - to song,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
(keep pedal down to the end )<br />
thy sing- ing sea, thy sing - ing<br />
<br />
<br />
<br />
soul in - to soul, song in -<br />
<br />
<br />
<br />
<br />
soul in - to soul, song in - to<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
soul in - to<br />
soul, song in - to song,<br />
<br />
<br />
soul in - to<br />
soul,<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only
73<br />
16<br />
129<br />
<br />
<br />
*<br />
<br />
<br />
<br />
<br />
soul<br />
sea.<br />
<br />
<br />
<br />
in<br />
- to<br />
soul.<br />
*<br />
<br />
<br />
<br />
- to<br />
song,<br />
<br />
<br />
soul<br />
<br />
*<br />
<br />
in - to<br />
song,<br />
song in<br />
<br />
<br />
<br />
<br />
song,<br />
<br />
(T.-tam)<br />
* <br />
<br />
song<br />
<br />
<br />
<br />
<br />
<br />
<br />
in - to song.<br />
in<br />
- to soul.<br />
<br />
<br />
- to song.<br />
<br />
<br />
<br />
<br />
<br />
NH83 The earth hath voice ANDREW<br />
<br />
<br />
<br />
<br />
<br />
for online perusal only<br />
<br />
<br />
<br />
<br />
<br />
S.<br />
A.<br />
T.<br />
B.<br />
135<br />
slower slower slower<br />
dim. al fine<br />
drop out one by one<br />
<br />
dim. al fine<br />
drop out one by one<br />
<br />
dim. al fine<br />
drop out one by one<br />
<br />
<br />
dim. al fine<br />
drop out one by one<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
slower<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
slower<br />
<br />
<br />
<br />
<br />
<br />
slower<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
*Repeat ad lib., independently of the conductor (and each other), gradually becoming more and more free.<br />
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Printed in England by Halstan & Co. Ltd, Amersham, Bucks.
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