Of Ether and Colloidal Gold - Esoterica - Michigan State University
Of Ether and Colloidal Gold - Esoterica - Michigan State University
Of Ether and Colloidal Gold - Esoterica - Michigan State University
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As a late nineteenth century writer said, “As long as a<br />
woman refrains from unsexing herself, let her dabble in anything.<br />
The woman of genius does not exist; when she does she is a<br />
man.” 34 This was precisely the diagnosis given to explain the work<br />
of George Eliot. Her old friend Herbert Spencer was puzzled by<br />
her brilliance <strong>and</strong> could only conclude it was pathological. As he<br />
says,<br />
I can tell you of no woman save George Eliot in whom there has been<br />
this union of high philosophical capacity with extensive acquisition. . .<br />
. While I say this, however, I cannot let pass the occasion for remarking<br />
that, in her case as in other cases, mental powers so highly developed in<br />
women are in some measure abnormal <strong>and</strong> involve a physiological cost<br />
which feminine organization will not bear without injury more or less<br />
profound. 35<br />
In other words, for Spencer, Eliot lived her life on the verge of<br />
hysteria because her brilliance <strong>and</strong> talent were totally beyond<br />
the norm for women <strong>and</strong> overtaxed her physique. Henry James<br />
had no such problem underst<strong>and</strong>ing Eliot. He could not be<br />
fooled. Although Eliot might assume a masculine pseudonym,<br />
she remained for him a supremely <strong>and</strong> “a delightfully feminine<br />
writer.” Why? because she was unable to attain that state of<br />
transcendent objectivity that marked the best male thinking.<br />
As James condescendingly says: “[Her books were filled with]<br />
microscopic observation, not a myriad of whose keen notations are<br />
worth a single one of those great synthetic guesses with which a<br />
real master attacks the truth.” 36 Let me add here that James’ novel<br />
The Bostonians took on the issue of female trance speakers <strong>and</strong><br />
concluded that what they really needed was a strong, resolute man<br />
<strong>and</strong> marriage.<br />
There was virtually nothing a woman could do to enter the<br />
brotherhood of artists, writers, <strong>and</strong> intellectuals. If she painted,<br />
wrote, or thought differently, her work was by definition inferior<br />
because it reflected supposedly feminine characteristics <strong>and</strong><br />
consequently did not fit the parameters of excellence set up by<br />
males. If, on the other h<strong>and</strong>, she had even modest success, playing<br />
28