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Of Ether and Colloidal Gold - Esoterica - Michigan State University

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As a late nineteenth century writer said, “As long as a<br />

woman refrains from unsexing herself, let her dabble in anything.<br />

The woman of genius does not exist; when she does she is a<br />

man.” 34 This was precisely the diagnosis given to explain the work<br />

of George Eliot. Her old friend Herbert Spencer was puzzled by<br />

her brilliance <strong>and</strong> could only conclude it was pathological. As he<br />

says,<br />

I can tell you of no woman save George Eliot in whom there has been<br />

this union of high philosophical capacity with extensive acquisition. . .<br />

. While I say this, however, I cannot let pass the occasion for remarking<br />

that, in her case as in other cases, mental powers so highly developed in<br />

women are in some measure abnormal <strong>and</strong> involve a physiological cost<br />

which feminine organization will not bear without injury more or less<br />

profound. 35<br />

In other words, for Spencer, Eliot lived her life on the verge of<br />

hysteria because her brilliance <strong>and</strong> talent were totally beyond<br />

the norm for women <strong>and</strong> overtaxed her physique. Henry James<br />

had no such problem underst<strong>and</strong>ing Eliot. He could not be<br />

fooled. Although Eliot might assume a masculine pseudonym,<br />

she remained for him a supremely <strong>and</strong> “a delightfully feminine<br />

writer.” Why? because she was unable to attain that state of<br />

transcendent objectivity that marked the best male thinking.<br />

As James condescendingly says: “[Her books were filled with]<br />

microscopic observation, not a myriad of whose keen notations are<br />

worth a single one of those great synthetic guesses with which a<br />

real master attacks the truth.” 36 Let me add here that James’ novel<br />

The Bostonians took on the issue of female trance speakers <strong>and</strong><br />

concluded that what they really needed was a strong, resolute man<br />

<strong>and</strong> marriage.<br />

There was virtually nothing a woman could do to enter the<br />

brotherhood of artists, writers, <strong>and</strong> intellectuals. If she painted,<br />

wrote, or thought differently, her work was by definition inferior<br />

because it reflected supposedly feminine characteristics <strong>and</strong><br />

consequently did not fit the parameters of excellence set up by<br />

males. If, on the other h<strong>and</strong>, she had even modest success, playing<br />

28

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