Of Ether and Colloidal Gold - Esoterica - Michigan State University

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Figure 9: Female skeleton Barclay distorted his drawing to emphasize what he wanted to see, namely the relatively large size of the female pelvis, her narrow shoulders, and small head. This emphasis on the pelvic areas is underlined by his association of the female skeleton with an ostrich—a small headed “bird” if there ever was one. Now look at Barclay’s illustration of a male skeleton. 30
Figure 10: male skeleton Note the much bigger head, smaller pelvis, and the proud and powerful horse that stands beside him. And also note the house in the background. Not only were males kings of their respective castles but they were the source of the culture that produced their castles. As we have seen, women were compared to sparrows and the small-brained ostrich, but the most common comparison was to silly geese, even turkeys, and we all know what it means to be called a “turkey.” In an article published in 1889 describing an animal show at the Palace of Industry in Paris an illustration appeared of a fashionably dressed young lady standing before a two-tiered cage containing turkey and geese. The caption reads, 31
Page 1: ESOTERICA Volume IX (2007) Contents
Page 4 and 5: ESOTERICA IX (2007) Articles Introd
Page 6: greater proximity with a world and
Page 9 and 10: of the world, lack of scholarship,
Page 11 and 12: from individual experience or direc
Page 13 and 14: particularly interesting is that du
Page 15 and 16: and a member of the militant Women
Page 17 and 18: same from the earliest ages until 1
Page 19 and 20: Figure 1: Thomas Cooper Gotch, “T
Page 21 and 22: Figure 3: Arthur Hacker, “The Dro
Page 23 and 24: Figure 5: Maximillain Lenz, “A Da
Page 25 and 26: some women are observed by the atte
Page 27 and 28: Figure 8: Emmanuel Frémiet, “Gor
Page 29: y the same rules as men, like Eliot
Page 33 and 34: As the material evolution of Nature
Page 35 and 36: Figure 12: Frederick Sandys, Morgan
Page 37 and 38: Figure 13: Fernard Khnopff, “The
Page 39 and 40: Figure 17: Edouard Toudouze, “Sal
Page 41 and 42: Figure 19: Franz von Stuck, “Sens
Page 43 and 44: Figure 21: Charles Dana Gibson, “
Page 45 and 46: Deliver Her People: Joanna Southcot
Page 47 and 48: York: Columbia University Press, 19
Page 51 and 52: Of Ether and Colloidal Gold: The Ma
Page 53 and 54: to different things and different w
Page 55 and 56: was censured by the Parisian theolo
Page 57 and 58: The great and the lesser stones In
Page 59 and 60: signifies the action upon the sourc
Page 61 and 62: Figure 3: Rosenburg castle near Kru
Page 63 and 64: e made from common gold with the he
Page 65 and 66: a prominent position in that critic
Page 67 and 68: gives them life and drives their gr
Page 69 and 70: and elixirs in the early modern per
Page 71 and 72: compact ‘skin’ of a metal, gold
Page 73 and 74: further use in this particular work
Page 75 and 76: Figure 6: The distillation of aqua
Page 77 and 78: Figure 7: The purification of gold
Page 79 and 80: eveals more in his manuscript than
Page 81 and 82:
copper which would presumably inter
Page 83 and 84:
Figure 10: Iron (II) oxide. A perpl
Page 85 and 86:
Khunrath mentions that they involve
Page 87 and 88:
for example, by pillagers during th
Page 89 and 90:
which the metallic solution gives t
Page 91 and 92:
and Becher recipes for ‘mercurify
Page 93 and 94:
is thus “the very Ens, or Being m
Page 95 and 96:
The Twelve Keys of Basil Valentine
Page 97 and 98:
Figure 14: A portrayal of the cosmo
Page 99 and 100:
necessary to delineate a central fe
Page 101 and 102:
the lower world in the form of fier
Page 103 and 104:
etween the Heaven and the Earth, wh
Page 105 and 106:
in the hands of such societies, “
Page 107 and 108:
ideology in the face of lost fortun
Page 109 and 110:
anders/ als Abscheidung der Seele v
Page 111 and 112:
car c’est inutilement qu’ils em
Page 113 and 114:
Mercurium/ und wird genennt Spiritu
Page 115 and 116:
p. 293). 78 Cassius, De Auro, pp. 9
Page 117 and 118:
y the same hand (including a recipe
Page 119 and 120:
und guten wercken der Liebe gegen d
Page 121 and 122:
Schneider, Lexikon alchemistisch-ph
Page 123 and 124:
(though there were often variable p
Page 125 and 126:
Alchim. 674) speaks of the Stone as
Page 127 and 128:
Apian’s Inscriptiones as proof of
Page 129 and 130:
perpetuum, Catholicon.” 203 Cf. e
Page 131 and 132:
“The Teutonicks Writings’: Tran
Page 133 and 134:
Among Hartlib’s international net
Page 135 and 136:
“True Repentance” and “True R
Page 137 and 138:
a complete if unreliable edition of
Page 139 and 140:
had made this impression on him, a
Page 141 and 142:
appointed a treasurer and collector
Page 143 and 144:
Wonders, wherein wee live or come,
Page 145 and 146:
Charles I had supplied the funds fo
Page 147 and 148:
Mysterious Art” was indeed widesp
Page 149 and 150:
Christi College, Cambridge. On 22 A
Page 151 and 152:
this achievement the poet and futur
Page 153 and 154:
singularities” Hotham “made the
Page 155 and 156:
to Fox. 91 About this time Durand b
Page 157 and 158:
156
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Llwyd as Yr ymroddiad neu Bapuryn a
Page 161 and 162:
Bibliographic Note Unlike the compl
Page 163 and 164:
21 F.A. Janssen, “Böhme’s Werc
Page 165 and 166:
5-12 February 1649 p. 21. Thomason
Page 167 and 168:
‚The Flood’ of 1524 - The First
Page 169 and 170:
Pamphlets But before I get to this
Page 171 and 172:
to the faculty of astrology at the
Page 173 and 174:
Illustration II: Carion A year late
Page 175 and 176:
days itself. Johannes Carion commen
Page 177 and 178:
Illustration: Dürer And the artist
Page 179 and 180:
6 Zambelli: 249f. 7 Fischer: 195. 8
Page 181 and 182:
Book Reviews 180
Page 183 and 184:
Lima, Robert, Stages of Evil: Occul
Page 185 and 186:
as a blanket epithet that functions
Page 187 and 188:
of historical detective work tracin
Page 189 and 190:
Terror in Eugene O’Neill’s The
Page 191 and 192:
the historical chapters (chapters o
Page 193 and 194:
Brutus Jones). As in the previous c
Page 195 and 196:
194
Page 197 and 198:
critical of Jungian depth psycholog
Page 199 and 200:
Ultimately, Heller is seeking a way
Page 201 and 202:
Urban, Hugh B., Magia Sexualis: Sex
Page 203 and 204:
im with exotic works and figures an
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