01.01.2013 Views

trolley books spring 2009

trolley books spring 2009

trolley books spring 2009

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

TROLLEY BOOKS<br />

SPRING <strong>2009</strong><br />

THE NORTH KOREANS<br />

IrIna KalashnIKova Glyn Ford<br />

DAUGHTERS<br />

MarGaret M. de lanGe<br />

THE ONLY HOUSE LEFT STANDING -<br />

THE JOURNALS OF TOM HURNDALL<br />

toM hurndall<br />

THE BURDEN OF MEMORY<br />

John trotter<br />

OFF BROADWAY<br />

MaGnuM PhotoGraPhers<br />

GENTLEMEN OF BACONGO<br />

danIele taMaGnI<br />

STALKING PARIS<br />

Jarret schecter<br />

THE CHANDIGARH CATALOGUES<br />

Patsy craIG and Jonathan nIcholls<br />

THE LIMIT<br />

laureana toledo


TROLLEY BOOKS ARE DISTRIBUTED WORLDWIDE BY PRESTEL<br />

All prices and title details are subject to change without notice. Information correct as of November 2008<br />

To subscribe to the monthly Trolley Dispatches please email ‘subscribe’ to info@<strong>trolley</strong><strong>books</strong>.com<br />

www.<strong>trolley</strong><strong>books</strong>.com<br />

Trolley Books, 73a Redchurch<br />

Street, London E2 7DJ, UK<br />

T: +44 (0)20 7729 6591<br />

E: info@<strong>trolley</strong><strong>books</strong>.com<br />

CONTRIBUTORS<br />

Chris Anderson<br />

Scott Anderson<br />

Aldo Anselmino<br />

Antoine d’Agata<br />

Mirta d’Argenzio<br />

Jan Banning<br />

Nina Berman<br />

Marco Bischof<br />

Adam Broomberg<br />

Oliver Chanarin<br />

Chien-Chi Chang<br />

Patsy Craig<br />

Thomas Dworzak<br />

Alixandra Fazzina<br />

Natalya Frederick<br />

Paul Fryer<br />

John Pilger<br />

Carmine Galasso<br />

Jan Grarup<br />

Stanley Greene<br />

Philip Jones Griffiths<br />

Kyna Gourley<br />

Damien Hirst<br />

Tom Hurndall<br />

Carl De Keyzer<br />

Irina Kalashnikova<br />

Rem Koolhaas<br />

Jannis Kounellis<br />

Margaret M. de Lange<br />

Carrie Levy<br />

Joan Liftin<br />

Lucky Michaels<br />

Alex Majoli<br />

Brice Marden<br />

Robert Gordon McHarg III<br />

Pierpaolo Mittica<br />

Jonathan Nicholls<br />

Oscar Niemeyer<br />

Deirdre O’Callaghan<br />

George Osodi<br />

Femi Bankole Osunla<br />

Franco Pagetti<br />

Giorgio Palmera<br />

Paolo Pellegrin<br />

Nicolas Righetti<br />

Ruby Russell<br />

Mark Sanders<br />

Fumiya Sawa<br />

Jarret Schecter<br />

Satwinder Sehmi<br />

Patti Smith<br />

Francesca Sorrenti<br />

Chris Steele-Perkins<br />

Anna Stephens<br />

Tom Stoddart<br />

Daniele Tamagni<br />

Mario Tauchi<br />

Amanda Tetrault<br />

Laureana Toledo<br />

Larry Towell<br />

John Trotter<br />

Kyoichi Tsuzuki<br />

Ilkka Uimonen<br />

Hans Ulrich Obrist<br />

Vedovamazzei<br />

Nick Waplington<br />

Masayuki Yoshinaga<br />

Klaus Zwangsleitner


CONTENTS<br />

NEW BOOKS SPRING <strong>2009</strong><br />

THE NORTH KOREANS<br />

IrIna KalashnIKova Glyn Ford<br />

DAUGHTERS<br />

MarGaret M. de lanGe<br />

THE ONLY HOUSE LEFT STANDING -<br />

THE JOURNALS OF TOM HURNDALL<br />

toM hurndall<br />

THE BURDEN OF MEMORY<br />

John trotter<br />

OFF BROADWAY<br />

MaGnuM PhotoGraPhers<br />

GENTLEMEN OF BACONGO<br />

danIele taMaGnI<br />

STALKING PARIS<br />

Jarret schecter<br />

THE CHANDIGARH CATALOGUES<br />

Patsy craIG and Jonathan nIcholls<br />

THE LIMIT<br />

laureana toledo<br />

BACKLIST A-Z<br />

ARCHITECTURE<br />

Serpentine Gallery Pavilion 2003:<br />

by Oscar Niemeyer and Cecil Balmond<br />

Serpentine Gallery Pavilion 2005:<br />

by Alvaro Siza, Eduardo Souto de Moura<br />

and Cecil Balmond<br />

Serpentine Gallery 24 Hour Interview<br />

Marathon : London<br />

by Rem Koolhaas, Hans Ulrich Obrist<br />

and Julia Peyton-Jones<br />

CONTEMPORARY ART<br />

Him Book by Robert Gordon McHarg III<br />

Double Dactyl by Nick Waplington<br />

Mariomandala Colouring Book by Mario Tauchi<br />

Brice Marden: Works on Paper 1964-2001<br />

by Brice Marden<br />

Buffalo Ray Petri ed. Mitzi Lorenz<br />

Don’t Be So by Paul Fryer & Damien Hirst<br />

Echoes in the Darkness - Jannis Kounellis<br />

ed. by Mirta d’Argenzio and Mario Codognato<br />

Making Art Work : the Mike Smith studio.<br />

ed. by Patsy Craig<br />

The Natural History of Vedovamazzei<br />

ed. by Mirta d’Argenzio<br />

Learn How to Die the Easy Way by Nick Waplington<br />

Reflex by Mark Sanders, Kyochi Tsuzuki, Fumiya Sawa<br />

Sristi by Sharmila Desai<br />

You Love Life by Nick Waplington<br />

PHOTOJOURNALISM / CURRENT AFFAIRS<br />

M.A.S.H.I.R.A.Q by Thomas Dworzak<br />

Double Blind - War in Lebanon 2006 by Paolo Pellegrin<br />

and Scott Anderson<br />

Chernobyl - The Hidden Legacy by Pierpaolo Mittica<br />

Agent Orange: Collateral Damage in Viet Nam<br />

by Philip Jones Griffiths<br />

Cycles by Ilkka Uimonen<br />

iWitness by Tom Stoddart<br />

Kosovo 1999-2000: The Flight of Reason<br />

by Paolo Pellegrin<br />

Open Wound - Chechnya 1994-2003<br />

by Stanley Greene<br />

Purple Hearts - Back from Iraq<br />

by Nina Berman<br />

Traces of War by Jan Banning<br />

Viet Nam at Peace by Philip Jones Griffiths<br />

PREVIOUSLY ANNOUNCED<br />

DELTA NIGERIA - THE RAPE OF PARADISE<br />

GEORGE OSODI<br />

A MILLION SHILLINGS - ESCAPE FROM SOMALIA<br />

ALIxANDRA FAZZINA<br />

DARFUR - A SILENT GENOCIDE<br />

JAN GRARUP<br />

THE HOUSE OF WISDOM - SIx YEARS IN IRAQ<br />

FRANCO PAGETTI<br />

ONE JUMP!<br />

ALEx MAJOLI<br />

RECENTLY PUBLISHED<br />

RECOLLECTIONS<br />

PHILIP JONES GRIFFITHS<br />

HOMELAND<br />

NINA BERMAN<br />

KURDS - THROUGH THE PHOTOGRAPHERS’ LENS<br />

KURDISH HUMAN RIGHTS PROJECT AND THE DELFINA<br />

FOUNDATION<br />

LOVE ME TURKMENISTAN<br />

NICOLAS RIGHETTI<br />

NEW LONDONERS - REFLECTIONS ON HOME<br />

PHOTOVOICE<br />

AMERICA OFF TRACK<br />

JARRET SCHECTER<br />

THE CARDBOARD HOUSE - MSF PERU -<br />

ACTION ON AIDS<br />

LARRY TOWELL<br />

SHELTER<br />

LUCKY MICHAELS<br />

PHOTOGRAPHY / SOCIAL REPORTAGE<br />

Crosses - Portraits of Clergy Abuse<br />

by Carmine Galasso<br />

51 Months by Carrie Levy<br />

A Journey in Sight by Jarret Schecter<br />

Bosozoku by Masayuki Yoshinaga<br />

The Chain by Chien-Chi Chang<br />

Displaced in Denan by Jarret Schecter<br />

Drive-Ins by Joan Liftin<br />

Ghetto by Adam Broomberg & Oliver Chanarin<br />

Hermanovce by Jarret Schecter<br />

Hide That Can by Deirdre O’Callaghan<br />

Leros by Alex Majoli<br />

Made in Italy - CGIL 100 various<br />

Mr Mkhize’s Portrait and Other Stories from the<br />

New South Africa<br />

by Adam Broomberg & Oliver Chanarin<br />

Official Portraits<br />

ed. by Klaus Zwangsleitner / Berlin Press<br />

Phil and Me by Amanda Tetrault<br />

Questions to my Father by Werner Bischof<br />

Taliban by Thomas Dworzak/Magnum Archives<br />

Water Culture by Jean Michel Cousteau<br />

Zona by Carl de Keyzer


ISBN 978-1-904563-64-8<br />

Photography<br />

Softback, 58 pp<br />

237 x 340 mm / 9 3/8 x 13 3/8 in<br />

28 b/w tritone<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €34.95/ CAN$61.95<br />

Publication Date September <strong>2009</strong><br />

DAUGHTERS<br />

MARGARET M. DE LANGE<br />

• Twelve years ago Norwegian photographer Margaret de Lange<br />

was at home looking after her two young daughters. She soon<br />

picked up her camera and began to photograph what came as a<br />

natural subject matter to her – her daughters. Since then it has<br />

developed into a beautiful and highly regarded photographic series.<br />

• Capturing them in carefree imaginary days of play in the<br />

garden, to voyages of discovery in local rivers and streams, she<br />

also brings us moments of aggression and tension, dressing up<br />

as wild fantastic creatures in animal furs.<br />

• The photographs have only been exhibited since 2007, as<br />

Margaret explains, “I wanted to wait until the girls were old<br />

enough to decide for themselves whether to exhibit or not. In<br />

fact they have been the most eager.” Since then the pictures<br />

have received major critical recognition as the runner up in<br />

the prestigious Leica Oskar Barnack award in 2007: “For an<br />

excellent picture story expressing the relationship of man to his<br />

environment and positively reflecting the idea of humanity in<br />

society,” awarded at the Rencontres Arles festival, France.<br />

• This book brings together for the first time the complete<br />

collection of images, which have been also been exhibited<br />

internationally in Norway and Belgium.<br />

Margaret M. de Lange has received many prizes from the annual<br />

competition for Norwegian advertising photographers, Utsnitt.<br />

She works as a freelance photographer for advertising, interior<br />

design and fashion. ‘Daughters’ is her first book.<br />

≥ Cover feature of British Journal of Photography July <strong>2009</strong>


ISBN 978-1-904563-51-8<br />

Photography / Current Affairs<br />

Hardback, 224 pp<br />

190 x 260 mm, 7.48 x 10.24 in.<br />

100 colour and b/w<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €34.95 / CAN$61.95<br />

Publication Date April <strong>2009</strong><br />

THE ONLY HOUSE LEFT STANDING -<br />

THE JOURNALS OF TOM HURNDALL<br />

TOM HURNDALL<br />

• The unfolding events in the run up to the Iraq war had<br />

given Tom Hurndall, a 21-year-old British photojournalist, an<br />

increased curiosity and desire to journey to the Middle East. In<br />

February 2003, initially as an observer alongside the Human<br />

Shields, he left with a passion to make a difference, to record<br />

and photograph the truth for himself.<br />

• We follow his journey first from Baghdad, then to Amman and<br />

the Al-Rweished refugee camp in Jordan, and finally on to the<br />

town of Rafah in Gaza close to the Egyptian border, where US<br />

peaceworker Rachel Corrie had been killed just weeks previously.<br />

• On April 11th, unarmed and wearing an internationally<br />

recognizable orange peacekeeper jacket, he was severely<br />

wounded while carrying Palestinian children to safety. He died<br />

nine months later in a London hospital.<br />

• The book follows Tom’s life and thoughts in the final weeks<br />

leading up to the shooting. Motivated by a sense of injustice and<br />

striving to remain objective we are drawn into his increasingly<br />

serious photographs and words, through extracts from his diary,<br />

emails and poems.<br />

• It is realised through collaboration with the Hurndall family<br />

on the sixth anniversary of that fateful day, and follows the<br />

recent Channel 4 film-documentary ‘The Shooting of Thomas<br />

Hurndall’.


THE<br />

BURDEN<br />

OF<br />

MEMORY<br />

JOHN TROTTER<br />

ISBN 978-1-904563-26-6<br />

Photography<br />

Hardback, 196 pp<br />

180 x 230 mm, 7.07 x 9.06 in.<br />

100 colour<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €39.95 / CAN$61.95<br />

Publication Date May <strong>2009</strong><br />

THE BURDEN OF MEMORY<br />

JOHN TROTTER<br />

• In 1997, on assignment in Sacramento, California, John Trotter<br />

was beaten and left for dead by members of a drug-dealing street<br />

gang. He suffered a traumatic brain injury, and spent months<br />

recuperating in Sierra Gates, a rehabilitation facility, where<br />

among other things, he would have to re-learn how to remember.<br />

• Trotter hesitantly picked up a camera again after he had left<br />

the clinic, mostly as therapy, and began a vivid and vital record<br />

of his life there among the brain-injured. In so doing he had to<br />

teach himself from the start how to use a camera. The Burden of<br />

Memory is his testament to that time.<br />

• His photographs are intelligent, lucid and heartbreaking;<br />

an outstanding example of how the human body can overcome<br />

and regain.<br />

• They are also the cold realities and humbled hopes of the men<br />

and women he encountered, in the same situation as him, faced<br />

with uncertain futures, stripped of many of the vital qualities that<br />

once defined who they were. It is also a testament to those faced<br />

with caring for these once-independent adults.<br />

• Trotter has photographed his story in colour, producing images<br />

that invite the viewer to render the experiences before them as<br />

lives interrupted, yet looking forward. The Burden of Memory is an<br />

inspiring autobiography in pictures, a life that overcame all odds.<br />

Since 2000 John Trotter has been invited every year to the<br />

international photography festival Visa Pour l’Image in Perpignan,<br />

France. He has also won prestigious awards at the Santa Fe Center<br />

of Photography and Pictures of the Year International competition<br />

with photographs on the Colorado River Delta, the first post-braininjury<br />

work of his new life, published since in US News and World<br />

Report and Orion magazines.


ISBN 978-1-904563-80-8<br />

Photography<br />

Softback + Box, 80 pp<br />

120 x 120 mm, 4.72 x 4.72 in.<br />

100 b/w<br />

Design Fruitmachine<br />

£14.99 / $29.95 / €24.95 / CAN$36.95<br />

Publication Date March <strong>2009</strong><br />

Features accompanying CD of music by Fabio Barovero<br />

OFF BROADWAY<br />

MAGNUM PHOTOGRAPHERS:<br />

CHRISTOPHER ANDERSON, ANTOINE D’AGATA, THOMAS DWORZAK,<br />

ALEX MAJOLI, PAOLO PELLEGRIN, ILKKA UIMONEN<br />

• Off Broadway is an area of New York where traditionally<br />

alternative theatre was born and established itself. A new,<br />

different and more anti-conventional way of describing reality<br />

was born in its cellars in recent decades.<br />

• Off Broadway is also a place where the six young<br />

photographers of Magnum got together - Christopher Anderson,<br />

Antoine D’Agata, Thomas Dworzak, Alex Majoli, Paolo Pellegrin,<br />

Ilkka Uimonen - each of them seeking to tell the story of their<br />

reality in a different way.<br />

• Off Broadway is the first moment the six photographers<br />

decided to gather their efforts, to mix their views together and to<br />

organise an exhibition which, for the first time, reflected this new<br />

photographic vision. It was a different exhibition in its approach<br />

and content, with war reportage photos from Iraq, Palestine and<br />

Afghanistan to Chechnya, Ethiopia and Kosovo, seen alongside<br />

other images and fragments collected from around the world.<br />

• The exhibition was first shown in New York in the 60 Mercer<br />

Gallery, and since at Rencontres d’ Arles festival, France, the<br />

Leica and Rheinland-pfalz, Berlin, and the Padiglione d’Arte<br />

Contemporanea, Milan.<br />

• With over 100 photos gathered from the inaugural New<br />

York exhibition, this new compilation features a CD musical<br />

accompaniment by the renowned Italian musician Fabio Barovero.


ISBN 978-1-904563-83-9<br />

Photography<br />

Hardback, 224 pp<br />

190 x 260 mm, 7.48 x 10.24 in.<br />

80 colour<br />

Design Fruitmachine<br />

£19.99 / $39.95 / €29.95 / CAN$49.95<br />

Publication Date October <strong>2009</strong><br />

What a privilege it is to write a few<br />

words for this great book. For me the<br />

look of the Sapeurs is just amazing.<br />

Paul Smith<br />

GENTLEMEN OF BACONGO<br />

DANIELE TAMAGNI<br />

• This book provides a fascinating insight to the vibrant street<br />

style of the ‘Sapeurs’, the elegant and immaculately dressed<br />

dandies from the heart of the Congo.<br />

• The Sapeurs today belong to “Le SAPE” (Société des<br />

Ambianceurs et des Personnes Élégantes) - one of the world’s<br />

most exclusive clubs. Members have their own code of honour,<br />

codes of professional conduct and strict notions of morality. It is<br />

a world within a world within a city.<br />

• Designer brands of suits and accessories are of the utmost<br />

importance to sapeurs - they work hard to save as much money<br />

as they can to dedicate to the most beautiful suits and<br />

accessories they can find. They then create their amazing style<br />

based on rules of elegance, beauty and harmony of colours.<br />

• The result is a unique and inspiring style, that has captured<br />

the imagination of people all over the world - the sapeurs are<br />

now truly the kings of elegance.<br />

Daniele Tamagni is an Italian photographer and art historian,<br />

with a particular fascination and focus on African culture and<br />

society.<br />

≥ Introduction written by Paul Smith, one of the world’s most<br />

renowned and influential menswear designers.<br />

≥ Preface written by Paul Goodwin - Cross Cultural Curator,<br />

Tate Gallery, London<br />

≥ Cover image chosen for Paul Smith London Fashion Week<br />

S/S 10 invitation<br />

≥ Exhibition as part of Photomonth Thursday 26th November at<br />

Londonewcastle Project Space, Redchurch Street, London E2.


ISBN 978-1-904563-92-1<br />

Photography / Current Affairs<br />

Hardback, clothbound<br />

84 pp, 330 x 228 mm, 12.99 x 8.98 in.<br />

32 colour<br />

Design Francesca Sorrenti<br />

£24.99 / $49.95 / €34.95 / CAN$61.95<br />

Publication Date January <strong>2009</strong><br />

STALKING PARIS<br />

JARRET SCHECTER EDITED BY<br />

FRANCESCA SORRENTI<br />

• “If Paris were a person, her face would be that of an older<br />

woman with conflicting lines etched upon it of hope and despair.”<br />

Until recent years, Paris was the vanguard city of the world.<br />

Today the hybrid of Paris/Modernity is fading, with competition<br />

from cities of the east like Dubai and Shanghai, architectural<br />

grandeur and innovation is outplayed in scale and ambition.<br />

• In these photographs, Jarret Schecter attempts to understand<br />

the future by glancing at the past. He stalks time, depicting the<br />

fractured pieces that Paris has left behind. Progress, melancholy<br />

and the past are most visibly profound in Paris, yet also a<br />

profound elegance and understanding of the history of its streets.<br />

• Schecter examines the city’s changing, diverse population and<br />

its architecture, both young and old, the book functioning as a<br />

dialogue between past and present.<br />

• He photographs people and places that have undergone<br />

massive change, or places that are still the same after decades;<br />

as such feeling he was really ‘stalking’ Paris, discovering the<br />

grandeur, however faded, and mystery of the city that outlives its<br />

younger counterparts.<br />

Jarret Schecter is an independent documentary photographer.<br />

He is the author of several <strong>books</strong> that address socio-political<br />

subjects. He lives in New York. Francesca Sorrenti is a creative<br />

director, curator and photographer. She is also a co-founder of<br />

SkeGroup (See, Know & Evolve). She lives in New York.


ISBN 978-1-904563-95-2<br />

Art / Architecture<br />

Hardback, 240 pp<br />

200 x 180 mm, 7.9 x 7.1 in.<br />

260 colour<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €34.95 / CAN$61.95<br />

Publication Date April <strong>2009</strong><br />

THE CHANDIGARH CATALOGUES<br />

PATSY CRAIG AND JONATHAN NICHOLLS<br />

• The partition of British India in 1947 brought about the creation<br />

of a city which has since become an icon of Modernist architecture<br />

and planned urbanism - the only one of numerous city schemes<br />

designed by Le Corbusier to have actually been built.<br />

• The city of Chandigarh was described as ‘unfettered by the<br />

traditions of the past, a symbol of the nation’s faith in the future,’<br />

and was commissioned to reflect the newly independent India’s<br />

modern and progressive outlook<br />

• But what has become of the Indian city built from scratch in<br />

the 1950’s and 60’s by architects from France and Britain? How<br />

have the Modernist principles of Le Corbusier, Pierre Jeanneret,<br />

Maxwell Fry, and Jane Drew stood up to the test of time?<br />

• The Chandigarh Catalogues is a project documenting the Indian<br />

city master planned by Le Corbusier in the 1950’s. The project<br />

collates studies, undertaken by architect Jonathan Nicholls and<br />

editor/artist Patsy Craig, into how the city’s modernist architecture<br />

is occupied today.<br />

• Through photographs, interviews, building-studies and archival<br />

material, the project uses the compartmental form of the city<br />

plan, to examine the effects of Western Modernist design on<br />

Indian society and culture.


ISBN 978-1-904563-96-9<br />

Contemporary Art<br />

Softback, 160 pp<br />

310 x 240 mm, 12.2 x 9.5 in<br />

260 colour<br />

£24.99 / $49.95 / €34.95 / CAN$61.95<br />

Publication Date October <strong>2009</strong><br />

Bi-lingual in English and Spanish<br />

LIMITED EDITION OF 1000<br />

PATRONES MIGRATORIOS<br />

MIGRATION PATTERNS<br />

AL REMOVER INTEGRANTES DE ESTAS PARVADAS DE P¡ JAROS HACEMOS UN DISE—O QUE EST¡ BASADO EN LOS PATRONES QUE<br />

TIENEN LAS AVES AL MIGRAR DE UN LADO A OTRO. TRATAR DE TRAZAR LA PROPIA MIGRACI” N A TRAV… S DE ESTAS AVES TOMA<br />

DOS HORAS DE TRABAJO Y UN PULSO NADA VOL¡ TIL.<br />

BY REMOVING INDIVIDUAL MEMBERS FROM FLOCKS OF BIRDS WE COME UP WITH A DESIGN BASED ON THE FLIGHT PATTERNS OF<br />

MIGRATING FOWL. THE ATTEMPT AT MAPPING ONEí S OWN MIGRATION THROUGH THESE BIRDS REQUIRES TWO HOURS OF WORK<br />

AND A STEADYóAS OPPOSED TO FLIGHTYó HAND.<br />

COMPOSICIÓN CON ROJO,<br />

AZUL, AMARILLO Y NEGRO<br />

COMPOSITION WITH RED,<br />

BLUE, YELLOW AND BLACK<br />

ø POR QU… VER UN CUADRO SIMPLEMENTE COMO LO QUE ES CUANDO PODEMOS CONSTRUIR UNA VIDA, UNA HISTORIA, UN MUNDO<br />

DENTRO DE …L? TRATEMOS DE COMPLICAR LO SIMPLEÖ<br />

WHY SEE A PAINTING SIMPLY AS WHAT IT IS WHEN YOU CAN CREATE A WHOLE LIFE, HISTORY OR WORLD INSIDE IT? LETí S MAKE<br />

SIMPLE THINGS COMPLICATEDÖ<br />

THE LIMIT<br />

LAUREANA TOLEDO<br />

• “The Name of the Band is The Limit, From Mexico to<br />

Sheffield” was Laureana Toledo’s addition to Art Sheffield 05.<br />

• The context of the event was “Spectator T,” a fictitious art<br />

goer without exposure to contemporary aesthetics, and the idea<br />

was to present artworks that would challenge this person’s<br />

preconceived ideas about art.<br />

• Thus, Toledo created a cover band that sang songs by<br />

local Sheffield groups, and named it after the cult Sheffield<br />

nightclub, The Limit, which closed in 1992. The band was<br />

created in Mexico - with musicians from four of the best known<br />

bands in the Mexican rock scene - where it played one local<br />

concert, then came to Sheffield, where it played two shows<br />

before disbanding.<br />

• Like most of Toledo’s work, “The Limit” appropriates and<br />

reinterprets a pre-existing entity. With this volume, Toledo<br />

continues to play with the idea of authorship by pirating an<br />

already iconic magazine format -The Face- and turning it into a<br />

labyrinth of information that leaves the reader unsure if he or<br />

she is reading about music, a band’s story, an artist, Mexico or<br />

even just pop culture.<br />

• Contributors to this volume include Eduardo Abaroa,<br />

Frances Richard, Mónica de la Torre, Gavin Wade, David Byrne,<br />

Catherine Lampert, Cuauhtémoc Medina, Pablo Vargas Lugo<br />

and Dr. Lakra.<br />

Presentations of accompanying documentary and book launch:<br />

≥Eastside Projects, Birmingham, 22nd October<br />

≥Chelsea College of Art, London October 27th<br />

≥Site Gallery, Sheffield, 30th October<br />

≥Serpentine Gallery, London December 09


PREVIOUSLY ANNOUNCED<br />

ISBN 978-1-904563-84-6<br />

Photography / Current Affairs<br />

Hardback, 248 pp, 170 x 230 mm,<br />

6.69 x 9.05 in.<br />

100 colour<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €39.95 / CAN$54.95<br />

Publication Date February <strong>2009</strong><br />

ISBN 978-1-904563-85-3<br />

Photography<br />

Hardback, 248 pp, 190 x 260 mm,<br />

7.48 x 10.23 in.<br />

200 colour<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €39.95 / CAN$54.95<br />

Publication Date February <strong>2009</strong><br />

A MILLION SHILLINGS - ESCAPE FROM SOMALIA<br />

ALIXANDRA FAZZINA<br />

• Alixandra Fazzina followed the desperate exodus of Somalis fleeing<br />

violence in their country, plagued by a ferocious civil war now in its<br />

seventeenth year. In a country with the longest coast line in Africa and<br />

hemmed in by conflict, one of the only means of escape is by sea.<br />

• Capturing their voyage from both sides of the water, she has<br />

followed the established smuggling routes from southern Somalia to<br />

the migrants’ subsequent fate as they arrive in Yemen and continue<br />

their onward journey in search of a better life.<br />

• Life in this volatile region is so cheap that people are willing to risk<br />

everything for just $50- or one million Somali Shillings.<br />

• Risking rape, robbery, murder or drowning at the hands of the<br />

militia and people traffickers, the refugees have just a one in twenty<br />

chance of arriving on the shores of Yemen alive.<br />

• Despite the risks, tens of thousands of Somalis take their chances,<br />

rather than stare death in the face at home.<br />

Alixandra first studied Fine Art at Bristol University, then became a<br />

war artist with the Ministry of Defence. As a freelance photographer<br />

she has been working for the past seven years in Africa and the<br />

Middle East, working closely with the UNHCR. She won the 2008 Vic<br />

Odden award from the Royal Photographic Society, and was a finalist<br />

at the 2008 CARE award for humanitarian photography.<br />

DELTA NIGERIA - THE RAPE OF PARADISE<br />

GEORGE OSODI<br />

• Oil was first discovered in the Niger Delta in the 1950s, soon after<br />

a powerful international oil industry developed. Nigeria today is the<br />

world’s 5th largest exporter of oil to the US.<br />

• However the people are poor that live in this oil-rich land, and<br />

the environment that surrounds them is deadly - oil leaks and<br />

explosions abound, whilst the water supply is heavily contaminated.<br />

• In recent years, local guerillas in balaclavas and speed boats,<br />

armed with enormous rounds of ammunition, have taken on the oil<br />

companies. They demand the right to live in their own clean and<br />

unpolluted land, and that the delta is restored.<br />

• These dramatic images document for the first time the extent<br />

of the enviromental damage and the daily conditions people there<br />

are forced to live under, revealing not only to the world, but also<br />

to Nigeria itself, what exactly is happening to their country, where<br />

everything is being taken from this land - and nothing is being<br />

given back to the people.<br />

George Osodi is a Nigerian photographer from Lagos. His<br />

photographs range between photojournalism and artistic<br />

documentary, closely observing social, economic and ecological<br />

processes of exploitation. George Osodi was chosen to be part of<br />

the prestigious Documenta art fair in 2007.


ISBN 978-1-904563-66-2<br />

Photography / Current Affairs<br />

Hardback, 84 pp,<br />

330 x 228 mm, 12.99 x 8.98 in.<br />

150 b/w tritone<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €34.95 / CAN$54.95<br />

Publication Date March <strong>2009</strong><br />

ISBN 978-1-904563-73-0<br />

Photography / Current Affairs<br />

Hardback, 196 pp,<br />

200 x 250 mm, 7.87 x 9.84 in.<br />

120 colours and b/w<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €34.95 / CAN$54.95<br />

Publication Date March <strong>2009</strong><br />

ONE<br />

JUMP!<br />

ISBN 978-1-904563-77-8<br />

Photography<br />

Hardback, 148 pp,<br />

200 x 280 mm, 7 7/8 x11 in<br />

70 b/w<br />

Design Christophe Renard<br />

£24.99 / $49.95 / €39.95 / CAN$54.95<br />

Publication Date May <strong>2009</strong><br />

DARFUR - A SILENT GENOCIDE<br />

JAN GRARUP<br />

• For over four years a bloody conflict has raged in the Darfur<br />

region in the western part of Sudan. Initially a reaction by the Arabdominated<br />

Sudanese government to a rebellion attack by black non-<br />

Arab tribes, today it has escalated to a complex and tangled conflict.<br />

• Janjaweed warriors on horseback were directed to seek out rebel<br />

members in the villages, indiscriminately wreaking terror and<br />

destruction, before burning whatever was left behind.<br />

• The result - a gradual mass killing of African black civilians, with an<br />

estimate suggesting that more than 300,000 have been killed so far.<br />

Over 2 million are now living as displaced people in refugee camps.<br />

• Jan Grarup has travelled to the region repeatedly over the four<br />

years, his determination to capture images highlighting the ongoing<br />

conflict forming the evidence of this long-awaited and important book.<br />

Jan Grarup (Danish, b.1968) has photographed many of recent<br />

history’s defining human rights and conflict issues. He was a winner<br />

at World Press Photo 2007 and won the VISA D’OR for his coverage of<br />

Darfur’s refugee crisis. Grarup published his first book Shadowlands<br />

with the Danish newspaper Politiken.<br />

THE HOUSE OF WISDOM: SIX YEARS IN IRAQ<br />

FRANCO PAGETTI<br />

• In January 2003 Franco Pagetti went to Baghdad. Three months<br />

later he was photographing the city through the fall of Saddam,<br />

capturing a population in the throws of released dictatorship,<br />

more interested in the Iraqi destiny than that of the US war<br />

machine churning its way through the city.<br />

• <strong>2009</strong> heralds the sixth year of a further evolving and complex<br />

situation. Pagetti continues there, his images showing a unique<br />

presence and a steadfast dedication to follow the unfolding, and<br />

uncertain, future of a country torn.<br />

• A unique view of a war and a country - Pagetti is one of the only<br />

photographers to bring us an unflinching view of the past six years.<br />

Franco Pagetti is a member of the VII agency. He has emerged as<br />

one of the principal chroniclers of the Iraq war, his photographs<br />

appearing most notably in TIME Magazine, are the definitive images<br />

of the most important news story of our time.<br />

ONE JUMP!<br />

ALEX MAJOLI<br />

• One Jump! is so-called after Al Gore agreed to jump at the 60th<br />

anniversary of the Cannes Film Festival - but only on the condition it<br />

was indeed, ‘One jump!’<br />

• Nearly 120 high profile artists have jumped for Magnum<br />

photographer Alex Majoli – from politicians to starlets, Al Gore to<br />

Monica Bellucci, Samuel L. Jackson and Marianne Faithfull, all willing<br />

to abandon the self-preserve usually performed and required of their<br />

lives in the spotlight.<br />

• This series is in homage to the early Magnum photographer<br />

Philippe Halsman, who also famously made politicians and movie<br />

stars jump in abandon, including Marilyn Monroe and Salvador Dali.


RECENTLY PUBLISHED<br />

ISBN 978-1-904563-91-4<br />

Photography<br />

Hardback with padded cover, 72 pp<br />

200 x 200 mm, 7.87 x 7.87 in.<br />

41 colour<br />

Design Fruitmachine<br />

£14.99 / $29.95 / €24.95 / CAN$32.95<br />

Publication Date September 2008<br />

ISBN 978-1-904563-39-6<br />

Photography<br />

Hardback, 160 pp<br />

240 x 300 mm, 9.45 x 11.81 in.<br />

90 colour<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €34.95 / CAN$54.95<br />

Publication Date October 2008<br />

LOVE ME TURKMENISTAN<br />

NICOLAS RIGHETTI<br />

• Saparmurat Niyazov, President of the Turkmen Soviet Socialist<br />

Republic of Turkmenistan, died early on 21st December 2006 in a<br />

strange new world of his own creation.<br />

• His official title, bestowed on himself, was ‘Turkmenbashi’,<br />

or ‘leader of Turkmen’.<br />

• The surreal reality that preceded was a twenty-year long<br />

dictatorship, considered one of the hardest in the world, where he<br />

gave his people free salt, electricity and gas - but also the lowest<br />

minimum wage possible.<br />

• Even the months of the year were renamed to pay homage to<br />

Niyazov and his family.<br />

• By 2001 all internet cafes were closed and ballet and opera<br />

were banned, and in 2004, the state even forbade young men<br />

from growing long hair or beards and it was prohibited for news<br />

readers to wear make-up.<br />

• Each vivid image is accompanied by an actual quote from<br />

Niyazov, forming a strong and often outrageous commentary.<br />

Nicolas Righetti studied at the Beaux-Arts de Genève. His travels,<br />

especially in Asia, awakened an interest in their political figures,<br />

which he captured with his camera. He won World Press Photo’s<br />

2007 Portrait category for this work. Righetti currently works as<br />

press photographer with the Rezo.ch agency in Geneva. This is his<br />

second book, his first being on North Korea.<br />

HOMELAND<br />

NINA BERMAN<br />

• Nina Berman was one of the first photographers in the US to<br />

turn her lens towards her own country, whilst all eyes were on<br />

Iraq. She was awarded international prizes in photojournalism<br />

from World Press Photo (2005, 2007) and DAYS Japan (2005) for<br />

her work on young American veterans coming back from war,<br />

widely exhibited and published in the book ’Purple Hearts -<br />

Back from Iraq.’<br />

• In ‘Homeland’ Berman is an American again looking at America.<br />

A product of seven years work, with images from across the<br />

country, Berman gives us a peek into the bizarre manifestations of<br />

the homeland security state and the ideologies that have reshaped<br />

post 9-11 America.<br />

• She has witnessed the rise of the ‘super’ churches, and<br />

photographed military demos, recruitment centres and air fairs<br />

where you are never too young to have your own gun. Happy<br />

families step through suburbs clutching anti-nuke pills. Small<br />

town police train to hunt Al-Qaeda. Military goats perform in war<br />

on terror scripts. And beneath it all stands the image of a warrior<br />

Jesus inspiring megachurch millions toward the end times.


ISBN 978-1-904563-70-9<br />

Photography<br />

Hardback, 240 pp<br />

210 x 297 mm, 8.27 x 11.69 in.<br />

130 b/w<br />

Design Fruitmachine<br />

£39.95 / $79.95 / €59.95 / CAN$89.95<br />

Publication Date October 2008<br />

ISBN 978-1-904563-87-7<br />

Photography<br />

Flexibound, 148 pp<br />

205 x 205 mm, 8 x 8 in.<br />

80 colour<br />

Design Fruitmachine<br />

£19.99 / $39.95 / €29.95 / CAN$43.95<br />

Publication Date October 2008<br />

RECOLLECTIONS<br />

PHILIP JONES GRIFFITHS<br />

• Philip Jones Griffiths is renowned as the foremost photographer of<br />

the war in Viet Nam. President of Magnum for a record five years, his<br />

1971 publication ‘Viet Nam Inc ‘ was a crucial influence in changing<br />

public opinion in the US at the time of the conflict.<br />

• His new book presents a period much closer to home, with many<br />

previously unseen images taken of Britain in the 1950s, 60s and 70s.<br />

• Griffiths’s pictures depict social and political affairs, and landmark<br />

events over three decades of change and upheaval in Great Britain.<br />

• From the Beatles in Liverpool and coalminers in Wales, to CND<br />

marches on the streets of London and funeral processions in<br />

Northern Ireland, the images are acute, human, and full of his<br />

trademark perceptive commentary.<br />

• Recollections presents a domestic revolution from one of the world’s<br />

greatest photographers, whose international fame covering a country<br />

on the other side of the world, is now put in the context of his equally<br />

incisive work at home.<br />

Born in Rhuddlan, Wales, 1936, Philip Jones Griffiths studied pharmacy<br />

in Liverpool and worked in London while photographing part-time for the<br />

Manchester Guardian. In 1961 he became a full-time freelancer for the<br />

London-based Observer, when many of these images were taken.<br />

He became a full member of Magnum Photos in 1971. Philip Jones<br />

Griffiths was honored in 2007 for Achievement in Photojournalism, at the<br />

5th Annual Lucie Awards in New York. He died on the 19th March 2008.<br />

Also by Philip Jones Griffiths: Agent Orange - Collateral Damage in<br />

Viet Nam (Trolley, 2003) Viet Nam at Peace (Trolley, 2005)<br />

NEW LONDONERS - REFLECTIONS ON HOME<br />

PHOTOVOICE<br />

• These are the photographs and writings by 12 young refugees,<br />

living in London, who have been mentored by established<br />

photographers as part of the work by the charity PhotoVoice.<br />

• Their stories personalise the lives behind the labels – through their<br />

images and words, we understand something more of London through<br />

their eyes, and of their lives as young people finding their place in a<br />

new city, far from home.<br />

• With introductions by the broadcaster George Alagiah, writer Hari<br />

Kunzru and critic Charlotte Cotton, the book shows a side of London<br />

from the point of view of some of the city’s newest arrivals.<br />

• The young people, aged 16-23, come from around the world, all with<br />

their own diverse experiences and backgrounds.<br />

• Photographer mentors on the project include: Adam Broomberg and<br />

Oliver Chanarin, Gayle Chong Kwan, Suki Dhanda, Jillian Edelstein,<br />

Jenny Matthews, Sarah Moon, and Othello de Souza Hartley.<br />

Since 1999 PhotoVoice has initiated over 21 projects working in over 12<br />

different countries with over 1000 beneficiaries, pioneering the use of<br />

photography with refugee groups, street children, the homeless and<br />

HIV/ AIDS sufferers.


ISBN 978-1-904563-86-0<br />

Photography / Current Affairs<br />

Hardback, 192 pp<br />

216 x 216 mm , 8.5 x 8.5 in.<br />

120 colour, 33 b/w<br />

Design Fruitmachine<br />

£24.99 / $49.95 / €39.95 / CAN$54.95<br />

Publication Date November 2008<br />

ISBN 978-1-904563-76-1<br />

Photography / Current Affairs<br />

Softback, 48 pp<br />

178 x 216 mm, 7 x 8.5 in.<br />

50 Colour<br />

Design Francesca Sorrenti<br />

£12.99 / $24.95 / €19.95 / CAN$27.50<br />

Publication Date September 2008<br />

USA and Canada only<br />

KURDS - THROUGH THE PHOTOGRAPHER’S LENS<br />

KURDISH HUMAN RIGHTS PROJECT AND THE<br />

DELFINA FOUNDATION<br />

• The region known to many as Kurdistan presently comprises parts<br />

of Turkey, Iraq, Iran, Syria, and Armenia. It is a land of stark beauty<br />

but also one engulfed in conflict; for centuries, empires, states and<br />

warring tribes have fought for control of this most inaccessible<br />

mountainous region with varying degrees of success.<br />

• Since the first Gulf War a myriad of unsettling images, together with<br />

the alienating effect of the language of the so-called “war on terror”,<br />

have created a deep divide between nations and cultures of the Middle<br />

East and West.<br />

• This year the Kurdish Human Rights Project (KHRP) celebrates<br />

its 15th anniversary - commissioned by the Delfina Foundation, this<br />

book brings together images by world-famous photographers to<br />

celebrate the life and times of the Kurdish people over the last two<br />

decades.<br />

• Susan Meiseles (Magnum Photos) and Jan Grarup (Noor Images)<br />

are just two of the photographers whose images have touched on<br />

the beauty and vibrant heritage of the Kurds whilst traveling there<br />

to document the harsh realities of existence, as the Kurds are<br />

continuously denied the right of land, from every direction.<br />

KATRINA PERSONAL OBJECTS<br />

JARRET SCHECTER<br />

• Three years ago on August 29th 2005, Katrina, a natural<br />

hurricane, struck the city of New Orleans.<br />

• Nobody envisaged the damage and destruction it would wreak<br />

on the southern US city, and it became on a much greater scale a<br />

manmade disaster of civil engineering and social discrimination.<br />

• Because of government failure, millions viewed political<br />

ineptitude, social inequity and an unpaved America where the<br />

streets were lined with anything but gold.<br />

• The images in this book show the abandoned and hardest-hit<br />

district of the Lower Ninth Ward over two years later, and still<br />

counting today.<br />

• Vacant and dilapidated, the city is a shadow of its former self.<br />

However, in these seemingly lifeless shadows, and through the<br />

broken windows of empty houses, one can eerily see the ghostly<br />

reflections of life and death in the form of PERSONAL OBJECTS.<br />

• This small format book touches on the ephemeral, and<br />

surprisingly often beautiful, remnants of belongings that once<br />

made up the memories and precious moments of people’s lives.


ISBN 978-1-904563-65-5<br />

Photography<br />

Hardback, 128 pp<br />

380 x 250 mm, 15 x 10 in.<br />

70 colour<br />

Design Francesca Sorrenti<br />

£29.99 / $60 / €41.95 / CAN$65<br />

Published 2008<br />

ISBN 978-1-904563-71-6<br />

Photography / Current Affairs<br />

Softcover, 128 pp<br />

170 x 220 mm, 6 7/10 x 8 2/3 in.<br />

58 b/w illustrations<br />

Design &&&<br />

£14.99 / $29.95 / €20.95 / CAN$32.95<br />

Published 2008<br />

AMERICA OFF TRACK<br />

JARRET SCHECTER,<br />

EDITED BY FRANCESCA SORRENTI<br />

• Travelling continuously from one American train station to<br />

another, Jarret Schecter photographed every image in this book<br />

from the views of his cabin window.<br />

• People, places, towns, emptiness – all aboard Amtrak, the national<br />

but surprisingly dilapidated rail service of the US.<br />

• In a country where the majority of people travel by plane or bus,<br />

travelling by train is an underused phenomonen which is cheaper<br />

and often more efficent than is realised.<br />

• In beautiful large-format images, America Off Track captures the<br />

variety of the landscape, from desert to cities, and the rewards to be<br />

had travelling by train.<br />

• America Off Track presents a unique landscape and perspective<br />

of the country, on an amazing photographic journey from the Wild<br />

West, through the eery and empty, to the bustling cities of the East.<br />

Every picture through the window of a train.<br />

In 1990 Jarret Schecter purchased a Pentax camera. Committed to<br />

socio-political issues, Schecter believes that photography can bring<br />

awareness to social injustices the world faces today. Schecter, born<br />

in 1963, lives in New York City.<br />

THE CARDBOARD HOUSE -<br />

MSF PERU - ACTION ON AIDS<br />

LARRY TOWELL<br />

• At the end of 2007 MSF handed over all Peruvian projects to local<br />

authorities, leaving the country after almost 25 years.<br />

• Since the mid 1990s they have been targeting the marginalised<br />

areas of society where there are high incidences of HIV and AIDS,<br />

namely prisons, transvestite street workers and brothels.<br />

• Larry Towell (Magnum Photos) was commissioned by MSF to<br />

travel to the prison and the slums in Lima to photograph the result<br />

of MSF’s 25-year presence, and show that the area is now ready to<br />

continue its fight against HIV and AIDS on its own.<br />

• This book is a celebration of their work and the people whose<br />

existence they have salvaged.<br />

Larry Towell was born in Canada in 1953. He joined Magnum Photos<br />

in 1988 and became a full member in 1993.<br />

Médecins Sans Frontières (MSF) is an international humanitarian<br />

organization, committed to providing medical assistance to<br />

populations in danger and to raising awareness of the plight of the<br />

people they help. Today MSF is active in more than 60 countries in<br />

the world.


ISBN 978-1-904563-79-2 for Europe and USA<br />

ISBN 978-1-904563-67-9 for rest of world<br />

Photography / Contemporary Art<br />

Hardback, 128 pp,<br />

200 x 280 mm, 7.87 x 1 in.<br />

54 colour and 2 b/w<br />

Design Fruitmachine<br />

£29.99 / $60 / €41.95 / CAN$65<br />

Published 2008<br />

ISBN 978-1-904563-58-7<br />

Photography / Current Affairs<br />

Flexibound, 24 pp,<br />

180 x 200 mm, 7.1 x 7.87 in.<br />

81 black tritone<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2007<br />

DOUBLE DACTYL<br />

NICK WAPLINGTON<br />

• Double Dactyl accompanied Nick Waplington’s solo exhibition of the same name<br />

at the Whitechapel Gallery, London, in December 2007.<br />

• One of Britain’s leading contemporary photographers, he is known for<br />

photographing British social scenery and his close circle of friends and family in<br />

east London, where he lives and works.<br />

• In Double Dactyl he expands on this previous work, bringing in references to the<br />

grand traditions of history painting, classical mythology and landscape photography.<br />

• This new work also explores notions of photographic “reality,” by working with<br />

constructed and manipulated images taken from his own large format photographs.<br />

• Double Dactyl features 56 colour reproductions of this new body of work, its<br />

surreal and often subtle use of manipulation confirming Waplington’s idiosynchratic<br />

approach to contemporary photographic practice.<br />

Nick Waplington has exhibited internationally including at Deitch Projects, New York,<br />

The Philadelphia Museum of Modern Art and the Venice Biennale in 2001.<br />

Also published by Trolley:<br />

You Love Life (2005), Learn How To Die The Easy Way (2001)<br />

CHERNOBYL - THE HIDDEN LEGACY<br />

PIERPAOLO MITTICA<br />

Introduction by dr naomi rosenblum, text by dr rosalie Bertell<br />

• On April 26, 1986, at 1:24 a.m, the world’s worst ever man-made disaster took<br />

place. Reactor 4 at Chernobyl Nuclear Power Station, was beset by a series of<br />

explosions that rose deep from its radioactive depths and blasted itself high into the<br />

atmosphere, eventually seeping its way into the far corners of the globe.<br />

• Chernobyl in 2008, 22 years later, has become a half-global legend and half-forgotten<br />

horror story. Many people have returned to the contaminated areas they still call home.<br />

• Since then birth defects and various other pathologies, especially thyroid cancer,<br />

have afflicted the population.<br />

• Chernobyl – The Hidden Legacy shows the region over a period of four years by<br />

Pierpaolo Mittica, who returned several times to document the people and the<br />

contaminated landscape they still inhabit. It shows that the horrors of Chernobyl, and<br />

its legacy, are still anything but forgotten.<br />

• Chernobyl is not the past, Cherobyl is not history, Chernobyl is the beginning<br />

Pierpaolo Mittica, a dentist by profession, completed his first project of social<br />

reportage in Sarajevo in 1997, and since then went on to produce his first published<br />

work on Kosovo in 1999. Dr Rosalie Bertell, was recently selected to be one of the<br />

1000 Peace Women nominated for the Nobel Peace Prize, 2005. Biometrician and<br />

environmental epidemiologist, she works for the victims or potential victims of<br />

industrial, technological and military pollution. Dr. Naomi Rosenblum is an eminent<br />

historian, author and pioneer in the field of photography. In 1998, Naomi and her<br />

husband Walter were awarded the Infinity Award for Lifetime Achievement at the<br />

International Center of Photography.


ISBN 978-1-904563-60-0<br />

Photography / Current Affairs<br />

Hardback, 144 pp,<br />

302 x 217 mm, 11 7/8 x 8 1/2 in.<br />

87 colour, with b/w stills from the M.A.S.H. tv series<br />

Design Fruitmachine<br />

£19.99 / $35 / €29.95 / CAN$38.95<br />

Published 2007<br />

Nominated as one of The Times newspaper (UK)<br />

‘50 Best Books of 2007’<br />

Selected as one of 100 Best Books of 2008<br />

at Photoespana<br />

ISBN 978-1-904563-57-0<br />

Photography / Current Affairs<br />

Softcover, 144 pp,<br />

241 x 286 mm, 9.5 x 11.25 in.<br />

51 b/w tritone<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2007<br />

WINNER OF Pictures of the Year International<br />

Award 2008 for BEST USE BOOK<br />

M.A.S.H. I.R.A.Q.<br />

THOMAS DWORZAK<br />

• First seen in the early 1970’s at the height of anti-Viet Nam feeling in America, the<br />

original series M*A*S*H followed a hapless US medical corps stationed out in the<br />

preceding Korean war, a dark commentary underlying its comedy.<br />

• Back in 2005, the US Military continued to fight onwards in Iraq, doctors, nurses<br />

and medics working on the front lines to keep their casualties down. Magnum<br />

Photographer Thomas Dworzak was with them, embedded with the 44th and 50th<br />

Medical Command in Iraq.<br />

• Taking the lead from the satirical commentary first provided by the film and<br />

subsequent series of M*A*S*H, this book juxtaposes images from the series with<br />

Dworzak’s own from his time with the medical companies he was stationed with<br />

out in Iraq. The result - a modern-day commentary linking three major wars of our<br />

time, Korea, Viet Nam and Iraq. The parallels observed unchanged from war to war,<br />

ringing with the same melancholy and bittersweet soundtrack.<br />

Thomas Dworzak was born in 1972 in Koetzting, Germany, and grew up in the small<br />

town of Cham in Bavaria. In 2002 he became a Magnum nominee, in 2004 a member. He<br />

is based in Paris and New York and contributes to Time Magazine, Newsweek, The New<br />

Yorker, US News, Paris Match and The New York Times Magazine.<br />

“Thomas Dworzak’s new book draws provocative parallels between M*A*S*H and his<br />

time with a medical corps in Iraq. ‘Without the black humour you’d go nuts’<br />

he tells Nigel Farndale - The Sunday Telegraph<br />

DOUBLE BLIND - WAR IN LEBANON 2006<br />

PAOLO PELLEGRIN<br />

Text by Scott Anderson, featuring a contribution by Patti Smith<br />

• The onslaught in Lebanon during the months of July and August, 2006, saw one of<br />

the most indiscriminate and relentless attacks on a civilian population of recent times.<br />

• Paolo Pellegrin (Magnum Photos) and journalist Scott Anderson were in Lebanon<br />

during the conflict, on assignment for The New York Times and Newsweek. In<br />

particular Pellegrin also documented the aftermath of the attack on the village of<br />

Qana in southern Lebanon, where many of the victims were children.<br />

• The attack at Qana, also the second one to strike the village in living memory,<br />

soon after prompted the singer Patti Smith to respond in the form of a song, entitled<br />

‘Qana’, the words of which are illustrated in the book.<br />

Paolo Pellegrin was born in Rome, Italy in 1964. He became a full member of Magnum<br />

Photos in 2005 and has been a Newsweek contract photographer since 2000.<br />

Scott Anderson is a veteran war reporter and novelist. He lives and works in New York.<br />

Patti Smith is an acclaimed poet, singer and artist. An exhibition was held of her Polaroids<br />

at Trolley Gallery, London in November 2006 in support of the publication.<br />

“I was thinking about this as I pawed through the pages of Double Blind...Its terrible,<br />

rage-filled, blood-spattered pages are an awful memory to me of last year’s war in<br />

Lebanon...But sitting on my balcony, looking at these dreadful, brilliant pictures...”<br />

Robert Fisk, The Independent Magazine, on the 1st anniversary of the conflict.


ISBN 978-1-904563-59-4<br />

Photography / Current Affairs<br />

Hardback, 199 pp, 170 x 230 mm, 6 7/0 x 9 in.<br />

35 b/w tritone<br />

Design Fruitmachine<br />

£24.99 / $40.95 / €39.95 / CAN$44.95<br />

Published 2007<br />

SELECTED IN PDN’s Photography Annual 2008<br />

ISBN 978-1-904563-63-1<br />

Photography / Current Affairs<br />

Hardback, 184 pp, 216 x 216 mm, 8.5 x 8.5 in.<br />

121 colour<br />

Design Fruitmachine<br />

£29.99 / $60 / €41.95 / CAN$65<br />

Published 2008<br />

CROSSES - PORTRAITS OF CLERGY ABUSE<br />

CARMINE GALASSO<br />

• Taken over a two to three year period, here are the accounts of children, now as<br />

adults themselves and in their own words, of a childhood blighted by the violation<br />

and horror of sexual abuse at the hands of a member of the Catholic clergy.<br />

• From countless interviews, emails and phone conversations they recall their<br />

experiences of an abuse of power – be they priest, monk or nun - which has<br />

followed them into their adult lives.<br />

• Accompanying their words are black and white portraits of the survivors today,<br />

in places that for them echo where they are now, or where they were then.<br />

• Crosses features 30 portraits of clergy abuse, through the stories of children<br />

now managing to finally find their voice as adults.<br />

• A stark and revealing collection of accounts, Father Robert M. Hoatson, seen on<br />

the book’s cover, was accordingly stripped of his collar on revealing his story.<br />

• Crosses was recently featured in La Repubblica’s magazine in Italy, and is currently<br />

beginning a series of exhibitions in the US, starting in Boston and New York.<br />

SHELTER<br />

LUCKY MICHAELS<br />

• Of the roughly 15,000 to 20,000 homeless youths in New York, up to 40 percent of<br />

them are LGBTQ (Lesbian Gay Bisexual Transgender Queer).<br />

• Sylvia’s Place originated as the vision of Sylvia Rivera, a transgendered woman, who<br />

was an advocate for LGBTQ rights during her life and worked tirelessly, even while<br />

stricken with cancer, for the food pantry at the Metropolitan Community Church of<br />

New York. On her deathbed, she made the Reverend Pat Bumgardner promise to find<br />

a way to start a shelter in the space. One year after her death Rev Pat saw to it that<br />

this vision was seen through to fruition.<br />

• Their first client arrived on April 3rd of 2003, and within a week from Ron’s arrival,<br />

Lucky Michaels was hired. As a participant observer, Lucky began photographing the<br />

environment and the teenagers who walked through their doors.<br />

• Each young person in Shelter has had something to say, even if only in silence. With<br />

music flooding the air inside, voices vying for attention, pots clanging in the sink,<br />

silence has a story of its own.<br />

• The one thing they all have in common is that they have nowhere else to sleep, but<br />

even sleep is never a guarantee at Sylvia’s. Many of them lie plagued with insomnia,<br />

others lie awake with the hope of a new day.<br />

Lucky Michaels is a young photographer, living in New York, who began working at<br />

the shelter ‘Sylvia’s Place’ at its beginning in 2003, whilst studying photography at<br />

Parsons School of Design. He continues to work at the shelter today.


ISBN 978-1-904563-56-3<br />

Contemporary Art<br />

Softcover, 224 pp<br />

240 x 300 mm, 9.45 x 11.8 in.<br />

108 b/w illustrations to colour in<br />

Design Fruitmachine<br />

£19.99 / $35 / €29.95 / CAN$38.95<br />

Published 2007<br />

ISBN 978-1-904563-62-4<br />

Contemporary Art<br />

Softback, 107 pp<br />

105 x 145 mm, 4.13 x 5.71 in.<br />

101 colour<br />

Design SMASH<br />

£14.99 / $29.95 / €24.95 / CAN$32.95<br />

Published 2007<br />

MARIOMANDALA COLOURING BOOK<br />

MARIO TAUCHI<br />

Japanese artist Mario Tauchi invites you to join a transcendental<br />

trip through the deepest and magical parts of the artist’s brain<br />

with his incredible MarioMandalas, 108 free-floating cosmic<br />

forms in white space.<br />

The reader brings the final dimension to each unique and<br />

intriguing black and white drawing, by being able to colour in<br />

their weird and wonderful shapes and forms.<br />

HIM BOOK<br />

ROBERT GORDON MCHARG III<br />

HIM BOOK contains 101 portraits of HIM, a life-size statue of worldfamous<br />

contemporary art collector Charles Saatchi. As McHarg says<br />

“It’s all about the artist collecting the collector, a David and Goliath<br />

battle over power and punch lines.” This is a humorous subversion<br />

of the art world, where the artist takes matters into their own hands<br />

– and collects the collector.


BACKLIST ARCHITECTURE<br />

SERPENTINE GALLERY PAVILION 2003<br />

OSCAR NIEMEYER AND CECIL BALMOND<br />

Brazilian architect Oscar Niemeyer<br />

is one of the founding father’s<br />

of modern architecture, and<br />

in 2003 was commissioned to<br />

design the The Serpentine Gallery<br />

Pavilion. This is an account of his<br />

sketches, architectural plans and<br />

a photographic documentary of the<br />

Pavilion’s construction, and is an<br />

important critical account of this<br />

renowned artist.<br />

“A lifelong communist and friend of<br />

Fidel Castro, Niemeyer has always<br />

been a man of decisive and determined<br />

principles as well as drawings.”<br />

Jonathan Glancey, The Guardian<br />

SERPENTINE GALLERY PAVILION 2005<br />

ALVARO SIZA, EDUARDO SOUTO DE MOURA AND CECIL BALMOND<br />

Alvaro Siza, with Eduardo Souto<br />

de Moura and Cecil Balmond, in<br />

2005 created a giant and febrile<br />

carapace as The Serpentine Gallery<br />

Pavilion. Its design, inspiration and<br />

photographic representation are<br />

all collected together here in this<br />

survey of their latest contribution to<br />

this annual installation.<br />

SERPENTINE GALLERY 24 HOUR INTERVIEW MARATHON : LONDON<br />

REM KOOLHAAS, HANS ULRICH OBRIST AND JULIA PEYTON-JONES<br />

In 2006, a 24-Hour Interview<br />

Marathon event took place in<br />

The Serpentine Gallery Pavilion<br />

designed by architect Rem<br />

Koolhaas. It featured over 60<br />

world-renowned artists, architects,<br />

writers, designers and theorists,<br />

among them David Adjaye, Damien<br />

Hirst, Gilbert and George, Hussein<br />

Chalayan and Doris Lessing. A<br />

highly visual and energetic book<br />

for its small size, it features over<br />

150 colour and black and white<br />

illustrations and photographs<br />

interspersed with text extracts from<br />

the interviews, and moves along in<br />

chronological order of the 24 hours.<br />

ISBN 978-1-904563-13-6<br />

Architecture<br />

Photography Rene Burri, Ludwig<br />

Abache, Michel Moch<br />

Texts Lauro Cavalcanti,<br />

Julia Peyton-Jones<br />

Hardback, 128 pp<br />

245 x 155 mm, 9 3/5 x 6 1/10 in.<br />

49 colour, 27 b/w: sketches and<br />

architectual plans<br />

Design 515<br />

£19.99 / $35 / €29.95 / CAN$38.95<br />

Published 2003<br />

ISBN 978-1-904563-48-8<br />

Architecture<br />

Hardback, 144pp<br />

206 x 206 mm, 8 1/10 x 8 1/10 in.<br />

57 colour, 8 b/w: sketches and<br />

architectural plans<br />

Design Fruitmachine<br />

£19.99 / $ 35 / €29.95 / CAN$38.95<br />

Published 2005<br />

ISBN 978-1-904563-69-3<br />

Architecture<br />

Softcover, 256 pp<br />

146 x 105 mm, 5 3/4 x 4 1/8 in.<br />

167 colour and b/w<br />

Design &&&<br />

£9.99 / $19.95 / €14.95 / CAN$21.95<br />

Published 2007


BACKLIST CONTEMPORARY ART<br />

LEARN HOW TO DIE THE EASY WAY<br />

NICK WAPLINGTON<br />

The limitless boundaries of<br />

the internet, and the endless<br />

possibilities that exist in cyberspace<br />

for communication and information,<br />

are what drives Nick Waplington’s<br />

survey of what this then relatively<br />

new media held for the artist and<br />

society in general. Not bound<br />

by social, moral or ethical<br />

considerations, the internet and its<br />

implications were elaborated on for<br />

Waplington’s presence at the Venice<br />

Biennale in 2001 - a collection of<br />

fantasy websites.<br />

YOU LOVE LIFE<br />

NICK WAPLINGTON<br />

“You love life and we love death.”<br />

These words after the Madrid train<br />

bombing prompted British artist<br />

and photographer Nick Waplington<br />

to examine his own love of life.<br />

Starting with photographs taken<br />

when a teenager and ending 20<br />

years later with the birth of his<br />

first child, You Love Life charts<br />

inconsequential moments that<br />

make up his art and inspiration.<br />

Edition of 1000, numbered and<br />

signed. 1-100 come with limited<br />

edition signed print.<br />

“Although a departure from his<br />

photographic projects, Waplington’s<br />

work remains that of a shrewd<br />

commentator on contemporary<br />

society, evident right up to the<br />

layout of each page. Humorously<br />

crude, the message, undeniably, is<br />

the medium.” Matt Hirst, Dazed &<br />

Confused<br />

‘The Three Shells, Southend’ from Double Dactyl by Nick Waplington (Trolley, 2008)<br />

“Photographer Nick Waplington<br />

takes pictures nobody else could...”<br />

xerxes Cook, Tank Magazine<br />

ISBN 978-0-9542079-7-7<br />

Contemporary Art<br />

Text Carlo McCormick<br />

Hardback with clear jacket,128 pp<br />

255 x 215 mm, 10 x 8 1/2 in.<br />

64 colour<br />

Design Simon Parkinson<br />

£14.99 / $29.95 / €24.95 / CAN$32.95<br />

Published 2004<br />

ISBN 978-1-904563-42-6<br />

Photography / Contemporary Art<br />

Hardback, 128 pp<br />

290 x 220 mm, 11.2 x 8.6 in.<br />

78 colour<br />

Design Fruitmachine<br />

£40 / $75 / €65 / CAN$85<br />

Published 2005


BACKLIST CONTEMPORARY ART<br />

SRISTI SHARMILA DESAI<br />

Sharmila Desai and the art of her<br />

unique performance are the source<br />

of inspiration of ‘Sristi.’ Here she<br />

presents through photographs<br />

and illustration, how her art is<br />

derived from the practice of ancient<br />

Indian worship, and fused with<br />

contemporary art and spirituality.<br />

THE NATURAL HISTORY OF VEDOVAMAZZEI EDITED BY MIRTA D’ARGENZIO<br />

The evolution of ideas from artists<br />

Stella Scala and Simeone Crispino<br />

who make up Vedovamazzei, have<br />

been tracked and analysed in an<br />

almost scientific classification by<br />

curator Mirta d’Argenzio. It is a rare<br />

insight into the creative process<br />

of this artist duo, with notes,<br />

watercolour sketches and doodles<br />

presented in a dazzling display.<br />

BRICE MARDEN: WORKS ON PAPER 1964-2001 EDITED BY MARIO CODOGNATO<br />

As a famously reclusive artist,<br />

this is a rare insight into artist<br />

Brice Marden’s collected<br />

oeuvre. Resolutely a painter, he<br />

is considered one of the most<br />

important artists alive today, and<br />

this catalogue collates the over 70<br />

works on paper selected by Marden<br />

for exhibition in Rome in 2001.<br />

REFLEx: CONTEMPORARY JAPANESE SELF-PORTRAITURE<br />

Bringing together the work of<br />

forty young artists, Reflex seeks to<br />

present the voice of young Japan<br />

through their own unique brand of<br />

self-portraiture. From a gay sumo<br />

wrestling couple, subverting the<br />

usual masculinity of the Manga<br />

culture, to amateur photography<br />

of Geishas, there are bewildering<br />

and fantastic concepts at play here,<br />

highlighting the pressures at work in<br />

Japanese teenage minds.<br />

“When I become especially excited<br />

about someone who is creating a new<br />

type of form, I ask them to present<br />

a project at our gallery. I asked<br />

Sharmila to develop a project for us<br />

without specifying whether or not it<br />

should be dance, music or sculpture.<br />

It turned out to be a remarkable<br />

mixture of all three. Jeffrey Deitch<br />

“Drawings of interiors and<br />

landscapes, George Michael coming<br />

out of a toilet and a man pissing on a<br />

fire accrue into a swarm of material<br />

that has exquisite, insect-like<br />

delicacy.” Sally O’Reilly, Time Out<br />

“People are drawn to artist Brice<br />

Marden’s paintings. Marden’s<br />

aesthetic magic is potent enough to<br />

conceal significant formal tensions<br />

and contradictions that would<br />

otherwise attract a more analytic<br />

engagement than his work usually<br />

receives.” R. Schiff, Artforum<br />

International<br />

“...Reflex is thoughtful, measured and<br />

challenging too….Reflex makes us<br />

re-evaluate our reactions to Japanese<br />

culture and turns them upside down.”<br />

Tom Calvocoressi, The Face<br />

ISBN 978-1-904563-50-1<br />

Contemporary Art<br />

Essays Karole Armitage, Olivier<br />

Berggruen and Jeffrey Deitch.<br />

Foreword Sting and Trudie Styler<br />

Hardback with jacket, 108 pp<br />

305 x 230mm, 12 x 9 in.<br />

64 colour and 11 b/w<br />

Design Michael Ian Weinfeld<br />

£19.99 / $35 / €29.95 / CAN$38.95<br />

Published 2006<br />

ISBN 978-1-904563-12-9<br />

Contemporary Art<br />

Hardback, 264 pp<br />

150 x 218mm, 59/10 x 83/5 in.<br />

289 colour<br />

Design Ben Weaver<br />

£14.99 / $29.95 / €24.95 /<br />

CAN$32.95<br />

Published 2003<br />

ISBN 978-0-9542079-0-8<br />

Contemporary Art<br />

Hardback, 168 pp<br />

210 x 270mm, 8 1/4 x 10 3/5 in.<br />

72 colour , 6 duetone b/w<br />

Design BManuel Orio<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2003<br />

ISBN 978-0-9542648-6-4<br />

Contemporary Art<br />

Edited by Mark Sanders, Fumiya Sawa<br />

Kyoichi Tsuzuki<br />

Flexibound, 272 pp<br />

210 x 245mm, 8 1/4 x 9 2/3 in.<br />

300 colour , 30 b/w<br />

Design Matt Roach<br />

£29.99 / $50 / €45/ CAN$55<br />

Published 2003


BACKLIST CONTEMPORARY ART<br />

DON’T BE SO... PAUL FRYER AND DAMIEN HIRST<br />

Damien Hirst provides the<br />

illustrations for Paul Fryer’s first<br />

collection of poems. With a meeting<br />

of minds they survey their lives, and<br />

those of their fellow men and women,<br />

with an acute distillation of manners,<br />

cultures and prejudices. Drinking,<br />

fooling with toxic substances, loving<br />

and losing and loving again - the<br />

components of life in its fullness and<br />

beguiling ordinariness.<br />

ECHOES IN THE DARKNESS - WRITINGS AND INTERVIEWS 1966 - 2002 JANNIS KOUNELLIS<br />

EDITED BY MIRTA D’ARGENZIO AND MARIO CODOGNATO<br />

Jannis Kounellis has been<br />

an intriguing major figure in<br />

contemporary art for over forty<br />

years, his work in the 1960’s<br />

exploring form and material<br />

contributing to the start of the Arte<br />

Povera movement. Echoes in the<br />

Darkness reveals his vision of art<br />

and life, and expresses the ideals<br />

and questions that drive him.<br />

BUFFALO RAY PETRI<br />

“… Fryer’s poetry… combined with<br />

Hirst’s visuals makes this volume an<br />

absorbing proposition.” GQ<br />

“A major figure in contemporary art<br />

for over forty years.” Museum of<br />

Modern Art, Oxford<br />

MAKING ART WORK: THE MIKE SMITH STUDIO<br />

Even in Renaissance times,<br />

construction of works of art was<br />

often by the hand of someone<br />

other than the artist. Mike Smith’s<br />

studio on the Old Kent Road has<br />

been witness to the making of<br />

many important works of the Young<br />

British Artists, including Damien<br />

Hirst, Keith Tyson and Rachel<br />

Whiteread. Here the processes and<br />

practices of his studio are revealed.<br />

Before there were stylists, there<br />

was style, and where there was<br />

style there was Ray Petri. A unique<br />

figure in the world of fashion, he<br />

helped create and define a role<br />

for stylists that did not exist even<br />

two decades ago. His legacy has<br />

infiltrated pretty much everything,<br />

from ad campaigns to style<br />

magazines, all the way from the<br />

high street to high fashion.<br />

“Provides an invaluable insight into an<br />

aspect of artistic production that very<br />

rarely allows itself to be opened up<br />

to such close scrutiny.” Louisa Buck,<br />

The Art Newspaper<br />

“An intriguing book comprising<br />

photographs taken and sketches and<br />

plans made during the past decade.”<br />

Louise Carpenter, The Telegraph<br />

magazine<br />

“Ray put the word Buffalo into the<br />

dictionary of style and remained<br />

inspirational for future generations”<br />

Terry Jones, i-D magazine<br />

‘The Harder They Come, The Better’<br />

Ray Petri, The Face March 1985<br />

ISBN 978-0-9542079-1-5<br />

Poetry / Contemporary Art<br />

Poems Paul Fryer<br />

Illustrations Damien Hirst<br />

Hardback with jacket, 168 pp<br />

180 x 200 mm, 7 1/10 x 7 9/10 in.<br />

25 colour, 1 thermoreactive<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2002<br />

ISBN 978-0-9542079-4-6<br />

Contemporary Art<br />

Edited by Mirta d’Argenzio,<br />

Mario Codognato<br />

Hardback with jacket, 328 pp<br />

160 x 220 mm, 6 3/10 x 8 2/3 in.<br />

20 duotone b/w<br />

Design Fruitmachine<br />

£24.99/ $45 / €39.95 / CAN$48.95<br />

Published 2002<br />

ISBN 978-1-904563-06-8<br />

Contemporary Art<br />

Edited by Patsy Craig<br />

Text Germano Celant<br />

Flexibound, 528 pp<br />

185 x 236 mm, 7 1/4 x 9 1/4 in.<br />

850 colour<br />

Design Donald Mak<br />

£40 / $75 / €65 / CAN$85<br />

Published 2003<br />

ISBN 978-0-9537438-4-1<br />

Photography<br />

Edited by Mitzi Lorenz<br />

Hardback with jacket, 184 pp<br />

260 x 330mm, 10.25 x 13 in.<br />

67 colour, 68 b/w<br />

Design Phil Bicker and Barry Kamen<br />

£30/ $54.95 / €44.95 / CAN$60<br />

Published 2000


BACKLIST PHOTOJOURNALISM / CURRENT AFFAIRS<br />

CYCLES ILKKA UIMONEN<br />

When Ariel Sharon visited the Temple<br />

Mount and the Al-Aqsa mosque in<br />

September 2000, there began at once<br />

a complex cycle of violence that has<br />

yet to be resolved. Ilkka Uimonen was<br />

there to witness the events.<br />

No one has charted the misfortunes<br />

of the innocent civilians caught up<br />

in the Viet Nam war as Philip Jones<br />

Griffiths. With Viet Nam at Peace<br />

he shows us the country in the<br />

following 25 years after the conflict.<br />

He returned again and again, with a<br />

profound respect for the people and<br />

country, to photograph the changes<br />

and legacy reaped on a country<br />

reeling from war.<br />

AGENT ORANGE PHILIP JONES GRIFFITHS<br />

Philip Jones Griffiths created Viet<br />

Nam, Inc., the foremost document of<br />

the horrors of war in Viet Nam. With<br />

Agent Orange he brings attention to<br />

the ‘collateral damage’ from the US<br />

military’s spraying of herbicide over<br />

Viet Nam, containing one of the world’s<br />

most deadliest poisons, dioxin. Here<br />

are the children and grandchildren of<br />

the farmers who lifted their faces to<br />

this contaminated rain.<br />

TRACES OF WAR JAN BANNING<br />

During the Second World War,<br />

thousands of Dutch, British,<br />

Australian and American POWs were<br />

forced by the Japanese to work on<br />

the railways in Burma and Sumatra.<br />

50-80 per cent died under such<br />

terrible conditions. Photographer<br />

Jan Banning photographed 24 Dutch<br />

and Indonesian survivors, naked<br />

from the wasist up, bravely revisiting<br />

this horrendous ordeal.<br />

“The book owes its filmic<br />

quality to the brilliant editing.”<br />

Darius Himes, Photo-Eye<br />

VIET NAM AT PEACE PHILIP JONES GRIFFITHS<br />

“For any young photojournalist, not<br />

only his work but also his life should<br />

be an inspiration.” Peter Howe, The<br />

Digital Journalist<br />

“Philip Jones Griffiths is the one who<br />

showed us Viet Nam as a country,<br />

not a war.” John Pilger.<br />

“...marvellous work. I can only hope<br />

it reaches people...at least some will<br />

know, and not forget, and maybe even<br />

prevent the next one.” Noam Chomsky<br />

“Three things raise this work out of<br />

the realm of the macabre...the...talent<br />

as a photographer and journalist...<br />

his intellectual honesty...and most<br />

compelling...his compassion.”<br />

The Economist<br />

“[Traces of War] is in all respects,<br />

an exemplary book…it was a risky<br />

undertaking that turned out very well<br />

indeed. It could have been embarassing<br />

or pathetic but instead succeeds<br />

beautifully.” NRC Handelsblad<br />

ISBN 978-1-904563-36-5<br />

Photography / Current Affairs<br />

Softback cover, white wrapper 126 pp<br />

190 x 250 mm, 7 1/2 x 9 4/5 in.<br />

51 tritone, 9 colour<br />

Design Ilkka Uimonen<br />

£40 / $75 / €65 / CAN$85<br />

Published 2005<br />

ISBN 978-1-904563-38-9<br />

Photography / Current Affairs<br />

Texts John Pilger<br />

Hardback with jacket, 312 pp<br />

248 x 335 mm, 9 3/4 x 13 1/5 in.<br />

550 tritone b/w<br />

Design Steve Coleman<br />

£40 / $75 / €65 / CAN$85<br />

Published 2005<br />

ISBN 978-1-904563-05-1<br />

Photography / Current Affairs<br />

Hardback with jacket, 178 pp<br />

227 x 295 mm, 8 9/10 x 11 3/5 in.<br />

101 duotone b/w<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2003<br />

ISBN 978-1-904563-46-4<br />

Photography / Current Affairs<br />

Hardback, 144 pp<br />

225 x 245 mm, 8 7/8 x 9 2/3 in.<br />

24 duotone<br />

£19.99 / $35 / €29.95 / CAN$38.95<br />

Published 2005


BACKLIST PHOTOJOURNALISM / CURRENT AFFAIRS<br />

OPEN WOUND - CHECHNYA 1994-2003 STANLEY GREENE<br />

Grozny, the capital of Chechnya,<br />

is a city scarred by the bloody<br />

resistance to the Russian’s rape<br />

and murder of its people, after<br />

the collapse of communism there<br />

in 1991. The Chechen rebellion<br />

that followed this onslaught was<br />

recorded by Stanley Greene for a<br />

period of nine years.<br />

It is a vision of hell in the eyes of<br />

the survivors.<br />

IWITNESS TOM STODDART<br />

As one of the world’s most respected<br />

photojournalists, Tom Stoddart has<br />

documented nearly every major event<br />

of the past 20 years that has afflicted<br />

human kind. His unique ability is to<br />

see the world in peril whilst refusing<br />

to believe that human beings can only<br />

exist in conflict with each other and<br />

their surroundings.<br />

“A powerful testimony of the death<br />

and destruction that Mr. Greene has<br />

witnessed during some 20 trips to<br />

Chechnya.” Alan Riding, New York Times<br />

In 2004 Stanley Greene was awarded<br />

the W. Eugene Smith Award, the World<br />

Press Photo Daily Life category and<br />

American Photography Awards - Top Ten<br />

Photography Books<br />

“...deeply moving images tell us<br />

more than thousands of words or<br />

television reports do about the world<br />

we live in today.” John Mortimer,<br />

Sunday Times<br />

“Such images stay with us, not only<br />

for their unspeakable sadness but<br />

also because Stoddart so strikingly<br />

captures their unyielding dignity...”<br />

Ginny Power, Newsweek<br />

PURPLE HEARTS - BACK FROM IRAQ NINA BERMAN<br />

A Purple Heart is the honour given to<br />

a US soldier for their wounds as they<br />

return from war. Accompanying the<br />

images are first person interviews<br />

with the soldiers as they discuss why<br />

they enlisted and their experiences<br />

in Iraq, as well as their lives now and<br />

the prospect of living as disabled<br />

veterans.<br />

“No matter what the viewer’s political<br />

position, the images add up to a<br />

complex and desolating anti-war<br />

statement. “ Holland Cotter,<br />

The New York Times<br />

A JOURNEY IN SIGHT JARRET SCHECTER<br />

According to the World Health<br />

Organization, 37 million people<br />

worldwide are blind — yet 28 million of<br />

them don’t have to be. In fact, 80 % of<br />

the world’s blind population are blind<br />

because they were born in the wrong<br />

place. You are less likely to go blind<br />

in Japan, the second richest nation<br />

in the world, than in Burkina Faso in<br />

Africa, one of the three poorest. Jarret<br />

Schecter followed the work of Orbis, an<br />

international organisation who provide<br />

World Press Photo 2005, 2nd prize for<br />

Purple Hearts work. In 2007 she won<br />

the Portraits category. DAYS Japan 2nd<br />

prize Photojournalism category 2004<br />

free and inexpensive eye treatment in<br />

impoverished nations.<br />

ORBIS International, a nonprofit<br />

humanitarian organization, strives<br />

to eliminate avoidable blindness and<br />

restore sight in developing countries.<br />

www.orbis.org<br />

ISBN 978-1-904563-01-3<br />

Photography / Current Affairs<br />

Texts Andre Glucksmann<br />

Hardback with jacket, 220 pp<br />

270 x 240 mm, 10 3/5 x 9 2/5 in.<br />

72 b/w, 20 colour<br />

Design Sandrine de Gea<br />

£35 / $60 / €50 / CAN$65<br />

Published 2003<br />

Golden Light award - honourable<br />

mention Best Book Category 2004<br />

ISBN 978-1-904563-29-7<br />

Photography / Current affairs<br />

Hardback, 356 pp<br />

274 x 245 mm, 10 4/5 x 9 2/3 in.<br />

200 tritone<br />

Design Steve Coleman<br />

£39.99 / $65 / €55 / CAN$72<br />

Published 2004<br />

ISBN 978-1-904563-34-1<br />

Photography / Current Affairs<br />

Hardback, 96 pp<br />

205 x 205 mm, 8 1/8 x 8 1/8 in.<br />

40 colour<br />

Design Damien Poulain<br />

£14.99 / $ 29.95 / € 24.95 /<br />

CAN$32.95<br />

Published 2004<br />

ISBN 978-1-904563-41-9<br />

Photography / Current Affairs<br />

Hardback with padded cover, colour<br />

band wrap, 144 pp<br />

200 x 200 mm, 7 9/10 x 7 9/10 in.<br />

80 colour<br />

Design Fruitmachine<br />

£24.99 / $45 / € 39.95 / CAN$48.95<br />

Published 2005


BACKLIST PHOTOGRAPHY / SOCIAL REPORTAGE<br />

LEROS ALEx MAJOLI<br />

Hidden behind the walls of an old<br />

political prison on the Greek island<br />

of Leros, was the world’s most<br />

notorious and brutal asylum for the<br />

insane, unknown until the walls<br />

were broken down in 1990 by Italian<br />

psychiatrist Franco Basaglia. Now<br />

back in the sane world, this follows<br />

their rehabilitated lives.<br />

THE CHAIN CHIEN-CHI CHANG<br />

The Chain is by Taiwanese and<br />

Magnum photographer Chien-Chi<br />

Chang. It shows images of the<br />

Long Fa Tang Temple in Taiwan, an<br />

incredible psychiatric clinic where<br />

the 700 mental patients are chained<br />

together two by two 24 hours a<br />

day and made to farm one million<br />

chickens.<br />

PHIL AND ME AMANDA TETRAULT<br />

Phil and Me is a personal document<br />

of a daughter’s use of photography to<br />

try and control her relationship with<br />

her father and the disease that has<br />

crippled him, as well as an attempt to<br />

focus public understanding upon the<br />

essential humanity and worth of all<br />

victims of schizophrenia.<br />

MADE IN ITALY - CGIL100:<br />

MASSIMO BERRUTI, GIANCARLO CERAUDO, EMILIANO MANCUSO, RICCARDO SCIBETTA, MARIO SPADA<br />

Five young Italian photographers<br />

document the changes in their<br />

country, as around them economic<br />

shifts in production systems have<br />

affected their society and its<br />

workers. Published in two editions,<br />

English and Italian, the photographs<br />

are accompanied with texts by<br />

renowned Italian philosophers<br />

and writers.<br />

“A moving portrait of the redemption<br />

of people thought once beyond hope.”<br />

Gavin MacDonald, Flux<br />

Leros...is strong compositionally,<br />

lashed together with both hope and<br />

despair.” Julian Rodriguez, PDN<br />

Magazine<br />

Alex Majoli was awarded the Photo District News Annual 2003 - Best Books catelgory, the Photojournalism category<br />

at ICP Infinity awards and Magazine Photographer of the year at National Press Photographer Association 2003.<br />

Ella Windsor’s Wishlist: ‘A<br />

beautifully compiled photography<br />

or contemporary art book by Trolley<br />

Books. These provide compelling,<br />

informative studies with subjects<br />

ranging from warfare to art.’<br />

The Chain by Chien-Chi Chang, ES<br />

magazine, 23 November 2007<br />

“…in these images it becomes<br />

painfully understandable what it<br />

must mean to see your own father<br />

in this way.” FOAM Magazine,<br />

Fotografiemuseum, Amsterdam<br />

“Made in Italy tries to capture what<br />

is critically important to a society<br />

that appears to be imploding...”<br />

Open Democracy<br />

ISBN 978-0-9542079-2-2<br />

Photography<br />

Texts Laura Facchi,<br />

Maurizio Costantino, Franco Rotelli<br />

Hardback with jacket, 112pp<br />

245 x 175 mm, 9 2/3 x 6 9/10 in.<br />

68 duotone<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2003<br />

ISBN 978-0-9542079-5-3<br />

Photography / Social Reportage<br />

Concertina bound with removable<br />

hardback cover and<br />

aluminum box, 106 pp<br />

145 x 210 mm, 5 7/10 x 8 1/4 in.<br />

48 duotone<br />

Design Fruitmachine<br />

£70 / $125 / €100 / CAN$137.50<br />

Published 2002<br />

ISBN 978-1-904563-04-4<br />

Photography<br />

Hardback,140 pp<br />

285 x 215 mm, 11 1/5 x 8 1/2 in.<br />

140 duotone<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2004<br />

ISBN 978-1-904563-49-5<br />

Photography / Current Affairs<br />

Texts Umberto Galimberti, Curzio<br />

Maltese, Enrico Ghezzi, Said Fathi Said<br />

Hardback with jacket, 242 pp<br />

215 x 255 mm, 8 1/2 x 10 in.<br />

123 colour, 42 b/w<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2006


BACKLIST PHOTOGRAPHY / SOCIAL REPORTAGE<br />

GHETTO ADAM BROOMBERG AND OLIVER CHANARIN<br />

In a journey through twelve modern<br />

ghettos, Adam Broomberg and Oliver<br />

Chanarin document the lives of<br />

their inhabitants by asking each the<br />

same questions whilst taking their<br />

photograph. From a refugee camp in<br />

Tanzania to a mental asylum in Cuba<br />

and an old people’s holiday camp in<br />

the USA.<br />

QUESTIONS TO MY FATHER WERNER BISCHOF<br />

Werner Bischof was a singular<br />

post-war photographer and early<br />

member of Magnum Photos, his focus<br />

on showing the poverty and despair<br />

around him in Europe was tempered<br />

with a desire to travel the world,<br />

and convey the beauty and humanity<br />

waiting to be discovered through his<br />

lens. Here his son Marco presents<br />

70 of his father’s photographs, never<br />

before published .<br />

TALIBAN THOMAS DWORZAK / MAGNUM ARCHIVES<br />

Days after the Taliban had fled the city<br />

of Kandahar, Magnum photographer<br />

Thomas Dworzak discovered in an<br />

abandoned studio, portraits of men<br />

with sultry poses in front of often<br />

garish backdrops, in high-heeled<br />

sandals with make-up. A tradition<br />

of the native Pashtuns, long-noted<br />

for their flamboyancy, this is an<br />

unexpectedly illicit side of the Taliban.<br />

HIDE THAT CAN DEIRDRE O’CALLAGHAN<br />

Hide That Can brings together<br />

images taken over four years at<br />

Arlington House, Camden, a hostel<br />

which primarily accommodates male<br />

Irish emigrants. Most of them are<br />

alcoholic. Often sad, interspersed<br />

with lighter touches of humour, the<br />

book is a record of lives that function<br />

without families, jobs or prospects,<br />

yet are still portrayed with a sense of<br />

dignity amid the depression.<br />

“...the pictures suggest a complex<br />

emotional life that transcends<br />

glib images of them as refugees,<br />

prisoners or psychiatric patients.”<br />

Geraldine Bedell, Observer Magazine<br />

Photo District News Annual 2004<br />

Best Books category<br />

“....here is a man with a deep<br />

investment in traditional ideals<br />

of beauty, fruitfully mated with<br />

a restless, prickly conscience<br />

that drives him to seek out the<br />

wretched of the earth...his work<br />

is unmodishly well formed, not<br />

to say ravishing, and unmodishly<br />

idealistic.” Kevin Jackson, The<br />

Independent<br />

“...the coffee table book to end all<br />

coffee table <strong>books</strong>...” Sleazenation<br />

“[Taliban] serves as a salutary<br />

reminder of contradictions in religion<br />

and society the world over…This is a<br />

truly great book.” Julian Rodriguez,<br />

PDN<br />

“...stories of heartbreak, humour and<br />

heroism... a book about survival and<br />

defiance, and the hidden cost - the<br />

human cost - of the construction<br />

of England’s motorways and tower<br />

blocks and railways... Her pictures<br />

are unerringly faithful to the spirit of<br />

the men and the house that inspired<br />

them, testaments to lives lived<br />

against the odds.” Sean O’Hagan,<br />

The Observer<br />

ISBN 978-1-904563-00-6<br />

Photography / Social Reportage<br />

Hardback, 516pp<br />

185 x 230 mm, 7 3/10 x 9 in.<br />

317 colour<br />

Design Fernando Gutierrez @<br />

Pentagram<br />

£29.99 / $50 / €45 / CAN$55<br />

Published 2003<br />

ISBN 978-1-904563-25-9<br />

Photography<br />

Hardback with jacket, 160pp<br />

290 x 210 mm, 11 2/5 x 8 1/4 in.<br />

70 tritone b/w<br />

Design Fruitmachine<br />

£29.99 / $50 / €45 / CAN$55<br />

Published 2004<br />

ISBN 978-0-9542648-5-7<br />

Photography<br />

Texts Jon Lee Anderson<br />

Hardback, 128pp<br />

155 x 210 mm, 6 1/10 x 8 1/5 in.<br />

50 colour, 6 b/w<br />

Design Fruitmachine<br />

£14.99 / $29.95 / €24.95 / CAN$32.95<br />

Published 2003<br />

Winner of the 2003 Infinity Award at ICP and<br />

Best Book of the Year, Rencontres d’Arles<br />

ISBN 978-0-9542079-8-4<br />

Photography / Social Reportage<br />

Text Bono, Joe McGarry<br />

Hardback, 192 pp<br />

195 x 256 mm, 7 2/3 x 10 in.<br />

138 colour<br />

Design Gerard Saint @ Big Active<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2002


BACKLIST PHOTOGRAPHY / SOCIAL REPORTAGE<br />

ZONA CARL DE KEYZER<br />

The prison camps of Siberia still<br />

have customers, in fact over a<br />

million of them. Sent there for<br />

minor offensives such as stealing<br />

cabbages or even a hamster from a<br />

Moscow pet shop, the prisoners and<br />

their prisons are captured here by<br />

Carl de Keyser in brilliant colour,<br />

as if seen through some disturbing<br />

hallucinatory dream.<br />

51 MONTHS CARRIE LEVY<br />

On her 15th birthday Carrie Levy was<br />

waiting at home in hope of her father’s<br />

return. He didn’t. At the time he was<br />

being sentenced to over four years, or<br />

51 months, in prison. Here she charts<br />

the years of his absence through her<br />

camera, as the void left was filled with<br />

memories and reminders of him, from<br />

the empty garden, to the road trip to<br />

the prison five hours away.<br />

BOSOZOKU MASAYUKI YOSHINAGA<br />

Bosozoku is the secret world of<br />

Japanese biker gangs, who gather<br />

every week in their thousands for<br />

rallies in the major urban areas of the<br />

country. Shot by a leading fashion and<br />

reportage photographer, himself a<br />

member of one of the gangs, this is a<br />

colourful look at the strange and often<br />

violent subculture that takes its lead<br />

from the Hell’s Angels.<br />

“Magnum photographer Carl<br />

de Keyzer captures the wintry<br />

landscape, harsh realities and<br />

surreal elements of prison life.”<br />

Guardian Review<br />

Photo District News Annual 2003 -<br />

Kraszna Krausz Award, Best Books<br />

category 2003<br />

“Fewer things are harder to capture<br />

than absence. But that is just<br />

what Carrie Levy has done in her<br />

first collection of photographs...<br />

the resulting photographs show a<br />

young photographer whose artistry<br />

is already as unflinching and<br />

acute as her subject matter is raw<br />

and unsettling.” Malcolm Jones,<br />

Newsweek<br />

“These extravagant and boisterous<br />

biker youths are a fascinatig and<br />

colourful phenomenon...Masayuki<br />

Yoshinaga, a former member of<br />

the gang, gives us a fascinating<br />

insight into this strange and violent<br />

subculture in this beautifully<br />

documented book full of stunning<br />

images.” Kultureflash<br />

OFFICIAL PORTRAITS EDITED BY KLAUS ZWANGSLEITNER<br />

Each member of the United Nations<br />

was asked to submit the official<br />

portrait of their head of state. The<br />

result is a surprisingly diverse and<br />

revealing collection of every leader<br />

and how they present themselves<br />

to the rest of the world. With little<br />

editorial influence, objectively the<br />

portraits seem to possess a similar<br />

aim: to convey the desired attributes<br />

of their sitter.<br />

“All the portraits are about power,<br />

every one of them tells us a story,<br />

the character of each person, each<br />

country. A small and educational<br />

goldmine.” Ferdinando Scianna,<br />

il Sole 24 Ore<br />

ISBN 978-0-9542648-4-0<br />

Photography<br />

Hardback with jacket, 160 pp<br />

310 x 247 mm, 12 1/5x 9 7/10 in.<br />

90 colour<br />

Design Fruitmachine<br />

£29.99 / $50 / €45 / CAN$55<br />

Published 2003<br />

ISBN 978-1-904563-21-1<br />

Photography / Reportage<br />

Hardback, 160 pp<br />

285 x 215 mm, 11 1/5 x 8 1/2 in.<br />

115 colour<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2005<br />

ISBN 978-0-9542648-3-3<br />

Photography / Reportage<br />

Hardback, Concertina in box, 90 pp<br />

275 x 199mm, 10 8/10 x 7 4/5 in.<br />

120 colour<br />

Design Gareth Hague @ Alias<br />

£29.99 / $ 50/ €45 / CAN$55<br />

Published 2002<br />

ISBN 978-1-904563-33-4<br />

Photography<br />

Hardback with padded cover, 208 pp<br />

155 x 209mm, 8 1/5 x 6 1/10 in.<br />

191 colour<br />

Design Iconic, London<br />

£14.99 / $ 29.95/ 24.95 / CAN$32.95<br />

Published 2004


BACKLIST PHOTOGRAPHY/ SOCIAL REPORTAGE<br />

WATER CULTURE JEAN MICHEL COUSTEAU<br />

Water is the source of all life on this<br />

planet, yet more than one billion<br />

people have it in insufficient supply.<br />

Representing this vital element in all<br />

our lives are a kaleidoscopic selection<br />

of photographs from among others,<br />

Nan Goldin, Mario Sorrenti and Nick<br />

Waplington, demonstrating both our<br />

dependence and our carelessness<br />

towards this precious natural supply.<br />

MR. MKHIZE’S PORTRAIT AND OTHER STORIES FROM THE NEW SOUTH AFRICA<br />

ADAM BROOMBERG AND OLIVER CHANARIN<br />

A decade after the fall of apartheid and<br />

how has life in South Africa changed<br />

today? The authors spent three months<br />

traversing their homeland examining the<br />

way people live, how they work, how they<br />

love and how they die. Commissioned<br />

for the new Constitutional Courts in<br />

Johannesburg, these are the stories<br />

from the New South Africa.<br />

DISPLACED IN DENAN JARRET SCHECTER<br />

The camp of Denan in southeastern<br />

Ethiopia holds 10,000 people, officially<br />

Ethiopian but ethnically Somali. They<br />

are not classified as refugees. They<br />

are instead Internally Displaced<br />

People, IDP’s, and they live in<br />

squalor with virtually no aid, food or<br />

medicines, not even eligible to benefit<br />

from the UN’s refugee programs.<br />

DRIVE INS JOAN LIFTIN<br />

The drive-in was born in 1933 in<br />

Camden, NJ, when an enterprising<br />

gas station owner projected a movie<br />

on his wall to entertain impatient<br />

customers. These photographs,<br />

taken over a period of twenty years,<br />

document the drive-in’s place in<br />

people’s lives and what it meant to<br />

a generation. Although numbers<br />

dwindle, a certain zeitgeist will not<br />

die in the face of shopping malls and<br />

development.<br />

“...a fascinating combination of<br />

inspiring images and frightening<br />

statistics...Water Culture effortlessly<br />

combines the aesthetic and<br />

metaphoric with the cold, clinical,<br />

chillingly factual.” Rohit Sharma, i-D<br />

“Threaded through these portraits and<br />

glimpses of everyday life we gain an<br />

understanding of the wider issues facing<br />

South Africa today...the work explores the<br />

complex nature of life in South Africa at such<br />

a critical and important time in the country’s<br />

history.” The Photographers’ Gallery<br />

Royal Photographic Society 2004 -<br />

Vic Odden award winners.<br />

Jarret Schecter emphasises<br />

the plight of Africa through his<br />

photography and has taken direct<br />

action by also founding an NGO to<br />

support health facilities in the camp.<br />

“...the romance of the drive-in is but<br />

a dim memory, the stuff of nostalgia<br />

fabricated by baby boomers thinking<br />

back fondly to the furtive moments of<br />

their adolescence...those memories<br />

will be stirred by drive-ins.”<br />

Andrew Gumbel, The Independent<br />

ISBN 978-1-904563-09-9<br />

Photography /Environment<br />

Text Michael Gorbachev, Jimmy<br />

Carter, John Kennedy Jr.<br />

Hardback with jacket, 216 pp<br />

285 x 260 mm, 11 1/5 x 10 1/4 in.<br />

92 colour, 29 duotone b/w<br />

Design Fruitmachine<br />

£29.99 / $50 / €45 / CAN$55<br />

Published 2003<br />

ISBN 978-1-904563-31-0<br />

Photography<br />

Softback, 152 pp<br />

160 x 200 mm, 6 3/10 x 7 9/10 in.<br />

82 colour<br />

Design Stephen Male<br />

£14.99 / $29.95 / €24.95 / CAN$32.95<br />

Published 2004<br />

ISBN 978-1-904563-47-1<br />

Photography / Reportage<br />

Hardback, 80 pp<br />

210 x 210 mm, 8 1/4 x 8 1/4 in.<br />

48 colour<br />

Design Fruitmachine<br />

£24.99 / $45 / €39.95 / CAN$48.95<br />

Published 2005<br />

ISBN 978-1-904563-19-8<br />

Photography<br />

Hardback with padded cover, 128 pp<br />

205 x 230 mm, 8 x 9 in.<br />

66 colour<br />

Design Fruitmachine<br />

£19.99 / $35 / €29.95 / CAN$38.95<br />

Published 2004


DISTRIBUTION<br />

DISTRIBUTION HEAD OFFICE<br />

Prestel Verlag GmbH & Co KG<br />

Königinstrasse 9<br />

80539 Munich, Germany<br />

Tel: +49 (0)89 242908-300<br />

Fax: +49 (0)89 335175<br />

e-mail: sales@prestel.de<br />

www.prestel.com<br />

SALES AND MARKETING DIRECTOR<br />

Renate Ullersperger<br />

Tel: +49 (0)89 242908-349<br />

DISTRIBUTION MANAGER<br />

Katrin Grawe<br />

Tel: +49 (0)89 242908-338<br />

DISTRIBUTION<br />

Verlegerdienst München<br />

Gutenbergstrasse 1<br />

82205 Gilching, Germany<br />

Tel: +49 (0)8105 388-123<br />

Fax: +49 (0)8105 388-259<br />

e-mail: prestel@verlegerdienst.de<br />

EUROPE<br />

FRANCE<br />

INTERART S.A.R.L.<br />

1, Rue de l’Est, F-75020 Paris<br />

Tel: +33 (0)1 434 93 660<br />

Fax: +33 (0)1 434 9 41 22<br />

e-mail: commercial@interart.fr<br />

NETHERLANDS AND BELGIUM<br />

Nilsson and Lamm bv<br />

Pampuslaan 212 NL-1380 AD Weesp<br />

Tel: +31 (0)294 49 49 49,<br />

Fax: +31 (0)294 49 44 55<br />

e-mail: info@nilsson-lamm.nl<br />

ITALY, GREECE, PORTUGAL, SPAIN<br />

Books for Europe<br />

Sandro Salucci<br />

Via Guelfa 91<br />

I-50129 Firenze<br />

Tel + Fax: +39 055 284612<br />

e-mail: sandro.salucci@libero.it<br />

EAST EUROPE<br />

Josef Kolar<br />

25 Evelyn Road<br />

Lewes<br />

East Sussex BN7 2SS<br />

Tel: +44 (0)1273 475090<br />

Mobile: +44 (0)7956 231232<br />

e-mail: pepilynne@tiscali.co.uk<br />

SCANDINAVIA<br />

Elisabeth Harder-Kreimann<br />

Joachim-Mahl-Strasse 28<br />

22459 Hamburg<br />

Tel: +49 (0) 40 55 54 04 46<br />

Fax: ++49 (0) 40 55 54 04 44<br />

e-mail: elisabeth@harder-kreimann.de<br />

SWITZERLAND<br />

Buchzentrum AG<br />

Industriestr. Ost 10<br />

CH-4614 Hägendorf<br />

Tel: +41 (0)62 2092626<br />

Fax: +41 (0)62 2092627<br />

e-mail: Kundendienst@buchzentrum.ch<br />

MALTA CYPRUS TURKEY<br />

Peter Ward Book Exports<br />

Peter and Richard Ward<br />

Unit 3 , Taylors Yard<br />

67 Alderbrook Road<br />

London SW12 8AD<br />

Tel +44 (0)20 86759364<br />

Fax +44 (0)20 8772 3309<br />

e-mail: richard@pwbookex.com<br />

NORTH AMERICA<br />

SALES AND MARKETING OFFICE<br />

Prestel Publishing<br />

900 Broadway, Suite 603<br />

New York, NY 10003<br />

Tel: (212) 995-2720<br />

Fax: (212) 995-2733<br />

e-mail: sales@prestel-usa.com<br />

VICE PRESIDENT<br />

Stephen Hulburt<br />

MARKETING AND SPECIAL SALES MANAGER<br />

Raya Raitcheva<br />

PUBLICIST<br />

Ali Gitlow<br />

CUSTOMER SERVICE, WAREHOUSE<br />

AND FULFILLMENT<br />

Prestel Publishing<br />

Innovative Logistics<br />

575 Prospect Street<br />

Lakewood, NJ 08701<br />

Tel: (732) 363-5679<br />

Fax: (732) 363-0338<br />

toll-free for orders: (888) 463-6110<br />

toll-free fax for orders:<br />

(877) 227-6564<br />

SALES REPRESENTATIVES MID-ATLANTIC STATES<br />

Proe and Proe Associates, Inc.<br />

3522 James Street, Suite 212 B.<br />

Syracuse, N.Y. 13206<br />

Tel: (315) 432-0474<br />

Fax: (315) 432-1562<br />

MIDWEST STATES<br />

McGarr Associates Inc.<br />

5692 Heathwood Court<br />

Taylor Mill, KY 41015<br />

Tel: (859) 356-9295<br />

Fax: (859) 356-7804<br />

SOUTHEAST STATES AND SOUTH CENTRAL STATES<br />

Bill McClung & Associates<br />

30584 Onion Creek<br />

Bulverde, Tx 78163<br />

Tel: (830) 438-8482<br />

Fax: (830) 438-8483<br />

WESTERN STATES & NEW ENGLAND STATES<br />

Hand Associates<br />

16 Nelson Avenue,<br />

Mill Valley, CA 94941<br />

Tel: (415) 383-3883<br />

Fax: (415) 383-1914<br />

Nanci McCrackin<br />

138 Windy Row,<br />

Peterborough, NH 03458<br />

Tel: (603) 924 8766<br />

Fax: (603) 924 0096<br />

CANADA<br />

Canadian Manda Group<br />

165 Dufferin Street<br />

Toronto, Ontario<br />

Canada M6K 3H6<br />

Tel: 416 516 0911<br />

Fax: 416 516 0917<br />

e-mail: general@mandagroup.com<br />

RETURNS IN CANADA<br />

Fraser Direct<br />

100 Armstrong Avenue<br />

Georgetown, Ontario<br />

L7G 5S4, Canada<br />

Tel: 905 877-4411<br />

Fax: 905 877-4410<br />

UNITED KINGDOM<br />

UK OFFICE Prestel Publishing Ltd.<br />

4 Bloomsbury Place<br />

London WC1A 2QA<br />

Tel: +44 (0)20 7323 5004<br />

Fax: +44 (0)20 7636 8004<br />

e-mail: sales@prestel-uk.co.uk<br />

MANAGING DIRECTOR UK<br />

Andrew Hansen<br />

e-mail: ahansen@prestel-uk.co.uk


SALES, MARKETING AND PUBLICITY ExECUTIVE<br />

Anna Kenning<br />

e-mail: akenning@prestel-uk.co.uk<br />

UK CUSTOMER SERVICES<br />

Tel: 08450 705656<br />

Tel: +44 (0)1256 329242<br />

Fax: +44 (0)1256 812558<br />

e-mail: orders@macmillan.co.uk<br />

SALES REPRESENTATIVES:<br />

GREATER LONDON<br />

Henry Thompson<br />

43 New River Crescent<br />

London N13 5RD<br />

Tel: +44 (0)20 8882-7389<br />

Mobile: +44 (0)7770 796088<br />

e-mail: henry@henrythompson<strong>books</strong>.co.uk<br />

SOUTH EAST (TRADE)<br />

Felicity Knight<br />

10 Buckingham Mews<br />

Shoreham-by-Sea<br />

Sussex BN43 6HA<br />

Tel: +44 (0)1273 453270<br />

e-mail: felicityknight@hotmail.com<br />

SOUTH EAST (NON-TRADITIONAL)<br />

James Denton-JMD Agencies<br />

18 South Street<br />

Lewes, East Sussex BN7 2BP<br />

Tel: +44 (0)1273 479558<br />

Mobile: +44 (0)7765 403182<br />

e-mail: jamesdenton778@btinternet.com<br />

SOUTH WEST, SOUTH WALES, EAST ANGLIA<br />

AND HOME COUNTIES<br />

University Presses Marketing<br />

The Tobacco Factory<br />

Raleigh Road, Southville<br />

Bristol BS3 1TF<br />

Tel: +44 (0)117 9020275<br />

Fax: +44 (0)117 9020294<br />

e-mail: upm01bristol@compuserve.com<br />

MIDLANDS, NORTH, NORTH WALES, SCOTLAND<br />

Wilson Marketing<br />

Plas Berw<br />

Pentre Berw<br />

Anglesey, Gwynedd LL60 6LL<br />

Tel: +44 (0)1248 421952<br />

Fax: +44 (0)1248 421952<br />

Mike Wilson, e-mail:<br />

mike@wilsonmarketing.fsnet.co.uk<br />

Mobile: +44 (0)777 550 1986<br />

Charlotte Wilson, e-mail:<br />

mikewilsonmarketing@yahoo.co.uk<br />

Mobile: +44 (0)7816 820 296<br />

IRELAND<br />

Gabrielle Redmond<br />

93 Longwood Park, Rathfarnham,<br />

Dublin 14, Republic of Ireland<br />

Tel: +353 (0)1 493 6043<br />

Fax: +353 (0)1 493 7833<br />

Mobile: +353 (0) 876 738922<br />

e-mail: gabriell@indigo.ie<br />

AUSTRALIA AND NEW ZEALAND<br />

Peribo<br />

58 Beaumont Road<br />

Mount Kuring-gai<br />

NSW 2080, Australia<br />

Tel: +61 (0)2 9457 0011<br />

Fax: +61 (0)2 9457 0022<br />

e-mail: info@peribo.com.au<br />

LATIN AMERICA AND THE CARIBBEAN<br />

IMA. InterMediaAmericana Ltd.<br />

David Williams<br />

PO Box 8734, London SE21 7ZF<br />

Tel: +44 (0)20 7274 7113<br />

Fax: +44 (0)20 7274 7103<br />

e-mail: david@intermediaamericana.com<br />

JAPAN<br />

Andrew Hansen<br />

e-mail: ahansen@prestel-uk.co.uk<br />

INDIA, NEPAL, SRI LANKA, BHUTAN<br />

Raavi Sabharwal<br />

Timeless – The Art Book Studio<br />

46, Housing Society<br />

South Extension Part I<br />

New Delhi 110049 / India<br />

Tel: +91 11 2469 3257<br />

Fax: +91 11 2461 0576<br />

e-mail: sales@tbidelhi.com<br />

SOUTHEAST ASIA<br />

THAILAND, CAMBODIA, MALAYSIA, LAOS,<br />

VIETNAM, SINGAPORE, INDONESIA, BRUNEI<br />

Peter Couzens<br />

Sales East<br />

43 Soi Pichit, Sukhumvit Road 18,<br />

Klong Toei, Bangkok 10110, Thailand<br />

Tel/Fax: +66 2258 1305<br />

Mobile: +66-85058-6265<br />

e-mail: peter.couzens@gmail.com<br />

CHINA, HONG KONG,KOREA,<br />

PHILIPPINES, & TAIWAN<br />

Edward Summerson<br />

Asia Publishers Services Ltd<br />

Units B&D, 17th Floor Gee Chang Hong Centre<br />

65 Wong Chuk Hang Road<br />

Aberdeen, Hong Kong<br />

Tel: +852 2553 9289<br />

Fax: +852 2554 2912<br />

e-mail: edward_summerson@asiapubs.co.hk<br />

PAKISTAN<br />

Anwer Iqbal<br />

Book Bird Publishers Representatives<br />

Mian Chambers, 3, Temple Road, GPO Box 518<br />

Lahore, Pakistan<br />

Tel.: +92 (0)42 636 7275<br />

Fax: +92 (0)42 636 1370<br />

e-mail: bookbird@brain.net.pk<br />

ISRAEL<br />

Aviva Karlinsky<br />

Lonnie Kahn Ltd<br />

20, Eliyahu Eitan Street,<br />

Rishon-Lezion 75703, Israel<br />

Tel: +972 (0)3 9 51 84 18<br />

Fax: +972 (0)3 9 51 84 15/6<br />

e-mail: aviva@loni<strong>books</strong>.co.il<br />

AFRICA<br />

(ALL COUNTRIES ExCEPT SOUTH AFRICA) IMA<br />

Tony Moggach<br />

InterMediaAmericana Ltd.<br />

14 York Rise, London NW5 1ST<br />

Tel: +44 (0)20 7267 8054<br />

Fax: +44 (0)20 7485 8462<br />

e-mail: ima@moggach.demon.co.uk<br />

website: www.africanbooktrader.com<br />

SOUTH AFRICA<br />

Zytek Publishing (Pty) Ltd<br />

10 Bedfordview Office Park<br />

3 Riley Road<br />

Bedfordview 2007<br />

+27 11 450 1255<br />

+27 11 458 4707-fax<br />

www.zytekpublishing.co.za<br />

MIDDLE EAST AND NORTH AFRICA<br />

Richard Ward<br />

Peter Ward Book Exports<br />

(excluding Iran and Israel)<br />

Unit 3 , Taylors Yard<br />

67 Alderbrook RoadLondon SW12 8AD<br />

Tel: +44 (0)20 8772 3300<br />

Fax: +44 (0)20 8772 3309<br />

e-mail: richard@pwbookex.com

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!