X2's “Audio As Data” Approach Addresses Wireless ... - FOH Online
X2's “Audio As Data” Approach Addresses Wireless ... - FOH Online
X2's “Audio As Data” Approach Addresses Wireless ... - FOH Online
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Soundco<br />
Hyperson SA<br />
ST<br />
ST<br />
Showtime<br />
CREW<br />
Sound Co/Provider: Sound Image<br />
Band Engineer: Lars Brogaard<br />
House Engineer: Ali Viles<br />
Monitor Engineer: Sven<br />
Jorgensen, Toshi Kumagai<br />
Crew Chief: Ali Viles<br />
System Engineer: David Vinnicombe<br />
<strong>As</strong>sistant Engineer: Martin Walker<br />
Systems Tech: Brian Thorene<br />
Crew<br />
Sound Co/Provider: Maryland Sound International<br />
<strong>FOH</strong> Engineer: Mickey Beck<br />
Monitor Engineer: Will Miller<br />
Crew Chief: Chris Leonard<br />
System Techs: Fumi Okazaki, Lonny Wayne<br />
Gear<br />
<strong>FOH</strong><br />
Console: Yamaha PM1D and PM5D<br />
Speakers: VerTec 4889, 4880A, 4888, 4887A<br />
Amps: Crown I-Tech<br />
Mics: AKG, DPA, Sennheiser, Shure,<br />
Soundco<br />
Sound Image<br />
16<br />
JANUARY 2008<br />
Rod Stewart<br />
GEAR<br />
<strong>FOH</strong><br />
Console: Digico D5 Live 112EX<br />
Speakers: Meyer Milo, Meyer 700 HP<br />
subs, Meyer Melodie<br />
Equipment: TC M 6000, Smart Research<br />
C2<br />
Hardwired Mics: AKG D112, C451, C414,<br />
C419; Avalon; BSS DI; Neuman 184; Shure<br />
SM 57, SM 91,<br />
<strong>Wireless</strong> Mics: AKG PT 4000<br />
CREW<br />
Sound Co/Provider: Hyperson SA Switzerland<br />
Monitor: Alain Schneebeli<br />
<strong>As</strong>sistant: Jerome Burri<br />
<strong>FOH</strong> Engineer: Michel Colin<br />
System Engineer: Manu Gares<br />
System Techs: Vince Villard, Bernard Natier, Chris Hauri I<br />
Josh Groban<br />
MON<br />
Console: 2 Digico D5 Live 112EX<br />
Equipment: Lexicon PCM 91, Smart<br />
Research C2, Summit DCL 200, Yamaha<br />
SPX 990<br />
Personal Monitor Systems: AKG SST 1,<br />
Shure<br />
Genesis Turn It on Again tour ST<br />
MON<br />
Console: Yamaha PM1D and PM5d<br />
Processing: ATI, Dolby DLP, Lake Mesa, Lexicon 960<br />
<strong>Wireless</strong>: Sennheiser, Shure, Professional <strong>Wireless</strong><br />
Power Distro: MSI<br />
Packaging: MSI<br />
CREW<br />
Sound Co/Provider: Sound Image<br />
<strong>FOH</strong> Engineer: Jon Garber<br />
Monitor Engineer: Stu Delk<br />
Crew Chief: Landon Storey<br />
SystemsEngineer: Pete McDonough<br />
Systems Techs: Jermery Moore, Jason<br />
Blackburn<br />
GEAR<br />
<strong>FOH</strong><br />
PA: Avalon 737, Digidesign Venue, Lab.gruppen LA 48<br />
amps, L-ACOUSTICS V-DOSC, DV-DOSC ARCS, SB 218, Lake<br />
and BSS FDS-366 processing, TC 6000<br />
Mics: Beyer and Shure <strong>Wireless</strong><br />
Wedge: L-ACOUSTICS 115 HI-Q + L-ACOUSTICS DV sub;<br />
Lab.gruppen LA 48 amps<br />
MON<br />
Avalon 737, Sennheiser personal monitors, Yamaha PM1D<br />
Soundco<br />
Sound Image<br />
Soundco<br />
Maryland Sound<br />
International<br />
Rascal Flatts Me and My Gang Tour ST<br />
GEAR<br />
<strong>FOH</strong><br />
ADK plug-in and record rack<br />
Crown IT8000<br />
DBX 4800<br />
DBX System Architect<br />
Digico D5 112ex<br />
12 QSC Wideline<br />
Tascam CDR<br />
TC M5000<br />
TC D-Two<br />
90 4889 VerTec<br />
32 4880 VerTec<br />
MON<br />
Crown IT8000<br />
14 dbx 160<br />
Professional <strong>Wireless</strong><br />
Sennheiser G2<br />
Shure UR4D<br />
Shure PSM 700<br />
3 Sound Image Single 18”<br />
8 Sound Image G2<br />
6 4889 VerTec<br />
2 Yamaha PM5000<br />
6 Yamaha SPX 990
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