hospitality prem ier 06 - Premier Construction Magazine, UK
hospitality prem ier 06 - Premier Construction Magazine, UK
hospitality prem ier 06 - Premier Construction Magazine, UK
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PremIer<br />
Tramshed<br />
Fine dining<br />
meets fine art<br />
OCT2012<br />
hOsPITaLITY<br />
The <strong>prem</strong><strong>ier</strong> information tool for the construction industry<br />
44<br />
<strong>06</strong><br />
Cover Feature<br />
Restaurant and Bar<br />
Design Awards 2012<br />
ausTraLasIa<br />
one of Manchester’s<br />
most stylish and<br />
popular restaurants<br />
Issue One<br />
Roma Publications Ltd<br />
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
76<br />
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Tapas Revolution<br />
<strong>06</strong><br />
10<br />
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25<br />
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Restaurant and Bar Design Awards 2012<br />
Award-winning projects across the globe<br />
Coach House<br />
A modern eatery in historic surroundings<br />
Pizza Express Plymouth<br />
Award-winning restaurant in Plymouth<br />
Dirty Martini<br />
Shaking up a second luxurious bar<br />
Les Grandes Tables de Lîle Seguin<br />
New dining concept pops up in Paris<br />
Chewton Glen<br />
Chewton Glen Hotel branches out<br />
The Dukebox<br />
Playtime commences at new London nightclub<br />
Manchester City Football Club<br />
Re-defining <strong>prem</strong><strong>ier</strong> football <strong>hospitality</strong><br />
Managing Director: Marcus Howarth<br />
Editor: Alex Wiggan<br />
Assistant Editor: Siân Davies<br />
Production Manager: Kelsie Howarth<br />
Advert Co-ordinator: Nicola Owen and Sarah Goater<br />
Published by: Roma Publications Ltd.<br />
t: 017<strong>06</strong> 719 972 f: 0845 458 4446<br />
e: admin@romauk.net<br />
w: www.romauk.net<br />
Graphic Design by: Marcus Macaulay www.studio86.co.uk<br />
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk<br />
Dear readers,<br />
Welcome to the very first edition of Prem<strong>ier</strong><br />
Hospitality.<br />
Prem<strong>ier</strong> Hospitality is a brand new magazine<br />
focusing on the latest developments in the<br />
leisure and <strong>hospitality</strong> industry. Each issue of Prem<strong>ier</strong><br />
Hospitality will highlight projects currently taking shape<br />
throughout the <strong>UK</strong> and overseas, covering everything from<br />
restaurants and bars through to hotels and spas.<br />
Our first edition of Prem<strong>ier</strong> Hospitality includes coverage of<br />
the recent Restaurant and Bar Design Awards 2012, including<br />
features on award-winning projects such as Coach House<br />
(Best <strong>UK</strong> Café of Fast Food Restaurant), Les Grandes Tables<br />
de L’ile Seguin (Best <strong>UK</strong> & International Pop Up Restaurant)<br />
and The Drift (Best Standalone Bar or Club).<br />
In addition, in this <strong>prem</strong><strong>ier</strong> issue of Prem<strong>ier</strong> Hospitality we<br />
take a look at The Cube; we mix art and cuisine with the<br />
Tramshed; and we look at the most recent restaurants in the<br />
Ping Pong portfolio.<br />
Designed to offer a memorable eating experience via a<br />
selection of different European locations, the Cube – Dining<br />
with a View – is a unique concept in continental dining. The<br />
main aim of the Cube is to provide an exquisite eatery that<br />
can travel from one location to the next, and to date the<br />
semi-transparent structure has taken in such destinations as<br />
Belgium, Italy, Russia, Switzerland and Sweden. The Cube<br />
was conceived by Belgian event agency, Absolute Blue<br />
and commissioned by Electrolux, before it was launched in<br />
Brussels in April 2011.<br />
Meanwhile, housed within a Grade II Listed building<br />
in Shoreditch, London, Tramshed is the latest site from<br />
restaurateur Mark Hix and presents a unique dining<br />
experience which mixes fine cuisine with fine art. The £1.5<br />
million site opened in June 2012 and features stunning<br />
artwork by leading artist Damien Hirst, including a striking<br />
central sculpture featuring a cow and a chicken encased in<br />
glass.<br />
And finally, with a delicious offering of freshly prepared dim<br />
sum, Ping Pong provides a mouth watering dining experience<br />
at an affordable price. The brand has nine sites in London –<br />
including Soho, St Christopher’s Place and Southbank – and<br />
a number of international sites in Brazil, the Middle East and<br />
the USA.<br />
The two most recent sites to open in the Ping Pong portfolio<br />
are Ping Pong Brazil 2 and Ping Pong Washington 2.<br />
Enjoy! Alex<br />
© Roma Publications Ltd. All contents are copyright. All rights are<br />
reserved. No part may be stored in any retrieval system or transmitted<br />
in any form without prior written permission from the publishers.<br />
Whilst every effort is made to ensure accuracy, no responsibility can be<br />
accepted for inaccuracies however caused. Contributed material does not<br />
necessarily reflect the opinion of the publisher. The editorial policy and<br />
general layout of this publication are at the discretion of the publisher<br />
and no debate will be entered into. No responsibility can be accepted<br />
for illustrations, artwork or photographs whilst in transmission with the<br />
publishers or their agents unless a commitment is made in writing prior<br />
to the receipt of such terms.<br />
Prem<strong>ier</strong>Hospitality<br />
3
43<br />
44<br />
50<br />
58<br />
43<br />
71<br />
77<br />
80<br />
4<br />
The Jam Tree<br />
New site for The Jam Tree<br />
Tramshed<br />
Fine dining meets fine art<br />
Browns Bar & Brasserie<br />
Contemporary cuisine in Newcastle<br />
Ping Pong<br />
Traditional Chinese concept meets<br />
contemporary design<br />
MASH<br />
A Danish take on American<br />
food arrives in London<br />
Wahaca<br />
Two new additions in Mexican<br />
dining<br />
Australasia<br />
Manchester’s stylish underground<br />
restaurant<br />
CitizenM<br />
Overnight accommodation for the<br />
modern traveller<br />
Prem<strong>ier</strong>Hospitality<br />
contents<br />
The Cube<br />
27 Jamie’s Italian 30<br />
72 Hawksmoor<br />
21 The Drift 60 Busaba<br />
October2012
INDUSTRY NEWS<br />
Knauf<br />
Marmorit’s<br />
Noblo marble<br />
based<br />
textured<br />
render finish<br />
was selected<br />
in colours of<br />
red, white<br />
and cream<br />
Sophisticated SureSet<br />
Flooring for Suave Wine Bar<br />
SureSet InBound flooring has been used to create a striking<br />
surface for the new Suave Wine Bar in Westbury, Wiltshire.<br />
59m² of InBound resin bound flooring was installed,<br />
delivering a blend of warm shades of brown and bronze to<br />
perfectly complement the wine bar’s design theme. InBound<br />
provides a durable, elegant surface that is virtually maintenance<br />
free; for this project, a colourless sealant was also applied for a<br />
completely waterproof finish.<br />
Developed specifically for interior work and for areas that may<br />
be heavily used, InBound offers a wide range of colour options,<br />
providing the perfect solution for a host of applications, including<br />
bars, cafes, hotels, restaurants and offices.<br />
For more information please visit: www.surest.co.uk,<br />
call 0800 612 2083, or email: mail@sureset.co.uk.<br />
Noblo render system<br />
for new Prem<strong>ier</strong> Inn<br />
Knauf Marmorit, one of the leaders in render<br />
InBound<br />
provides<br />
a durable,<br />
elegant<br />
surface that<br />
is virtually<br />
maintenance<br />
free<br />
systems, has been specified by Speymills<br />
Contracts to provide their Noblo system<br />
for the new Prem<strong>ier</strong> Inn Hotel and Brewers Fayre<br />
Restaurant in Widnes, Cheshire.<br />
Knauf Marmorit’s Noblo marble based textured<br />
render finish was selected in colours of red,<br />
white and cream and was chosen due to its low<br />
maintenance, high performance and its ability to be installed in colder<br />
damper winter months where a silicon option would not be advisable.<br />
Due to a tight timescale, Noblo was the ideal solution so that the opening<br />
of the hotel could be achieved on time.<br />
The render was applied to a mixture of both timber frame and blockwork<br />
as Noblo is easily worked to a variety of textured finishes. It is a <strong>prem</strong>ixed<br />
dry mortar with a lime/cementitious binder, and is water repellent, vapourpermeable<br />
and weather-resistant.<br />
Whitbread, the brand behind Prem<strong>ier</strong> Inn, has retained Speymill Contracts for many years<br />
now as one of their approved contractors for their ongoing-roll out programme of Prem<strong>ier</strong><br />
Inn and Brewers Fayre Restaurants.<br />
Knauf Marmorit also supplies externally insulated render systems and manufactures its<br />
own base coats, finishes, render and scratch render for a variety of building types. The<br />
company also offers render systems for framed system solutions, façade paints, primers<br />
and insulation products.<br />
Further information on Noblo is available from Knauf Marmorit<br />
on 0117 982 1042, by emailing steve@marmorit.co.uk or by<br />
visiting the company’s website www.marmorit.co.uk.<br />
Prem<strong>ier</strong>Hospitality<br />
5
COVER FEATURE<br />
Restaurant and Bar<br />
Design Awards 2012<br />
Alberto Alessi Alex Bradley Alex McGowan Hai Jun Haldane Martin Ingo Wuggetzer<br />
Jay Hunt Jochem Leegstra Joe Ferry John Lau Julius Wiedemann Lee Hallman<br />
Matt Turner Matthew Clark Michel Rojkind Pramiti Madhavji Richard Seymour Roy Westwood<br />
Stephen Booy Taissa Buescu Tiffanie Darke William Russell<br />
6<br />
Dedicated exclusively to <strong>hospitality</strong> design, The <strong>UK</strong><br />
and International Restaurant & Bar Design Awards is<br />
a unique concept. The Awards receive entries from<br />
the world’s top architects, designers and <strong>hospitality</strong><br />
operators in order to compile a shortlist of the year’s best<br />
<strong>hospitality</strong> design projects. Entries come from a broad range<br />
of sectors, including hotels, transport, business, industry, fine<br />
dining, education, sports and leisure, healthcare, government,<br />
aviation, cruise and retail.<br />
As a totally independent process, the judging panel is made up<br />
of a host of world renowned and well respected figures, drawn<br />
from various design and lifestyle industries. It is the judge’s role<br />
to recognise and reward entrants for design excellence, using<br />
their skills from within the industry to assess and judge each of<br />
the categories.<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
The<br />
Judges<br />
<strong>UK</strong> specific categories include Best Standalone<br />
Restaurant, Best Standalone Bar or Club, Pub,<br />
Best Multiple Restaurant and Best Fine Dining.<br />
There are also international categories such as<br />
Best Lighting, Best Pop-Up and Best Identity.<br />
The winners of the various categories<br />
including the Best Designed Restaurant and<br />
the Best Designed Bar were announced at the<br />
RIBA, 66 Portland Place, London on the 6th<br />
September 2012. Featured within our coverage<br />
of the Restaurant and Bar Design Awards 2012<br />
are The Coach House, Pizza Express Plymouth,<br />
Dirty Martini, Les Grandes Tables de L’ile Seguin<br />
and The Drift.
OVERALL<br />
WINNER<br />
Best Restaurant<br />
A Cantina (Spain)<br />
Lead designer<br />
Estudio Nomada<br />
Restaurant and Bar<br />
Design Awards 2012<br />
Prem<strong>ier</strong>Hospitality<br />
7
8<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
OVERALL<br />
WINNER<br />
Best Bar<br />
Graffiti (Bulgaria)<br />
Lead designer<br />
Mode<br />
Restaurant and Bar<br />
Design Awards 2012
Restaurant & Bar<br />
Design Awards<br />
Ceremony 2012<br />
Photography by<br />
Magnus Arrevad<br />
Prem<strong>ier</strong>Hospitality<br />
9
Transforming<br />
Coach House<br />
“Seeing Coach House win the<br />
award was very satisfying. In terms<br />
of design work the restaurant sector<br />
is a very competitive sector to be<br />
in so just being shortlisted for an<br />
award is quite an achievement.”<br />
10<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
WINNER<br />
Restaurant or bar<br />
Coach House<br />
Lead designer<br />
SHH<br />
Category<br />
Café or fast food<br />
Lighting<br />
Delta Light<br />
Tiling<br />
Olde English Tiles<br />
Staircases<br />
Albion Design Limited<br />
Coach House in Hertfordshire is a two-storey<br />
restaurant, situated in historic Hatfield House – the<br />
childhood home of Queen Elizabeth I. During 2011,<br />
work was undertaken on the restaurant to transform<br />
the former tea-room into a brand new diner with improved<br />
services. The transformation of Coach House was so successful<br />
the site recently scooped the Best <strong>UK</strong> Café of Fast Food Award<br />
at the Restaurant & Bar Design Awards 2012.<br />
SHH was the lead designer on the Coach House project and<br />
was responsible for all interior design work and the architectural<br />
services on the site.<br />
Speaking about achieving the important accolade, SHH<br />
Associate and Project Leader, Brendan Heath, said:<br />
“Seeing Coach House win the award was very satisfying. In<br />
terms of design work the restaurant sector is a very competitive<br />
sector to be in so just being shortlisted for an award is quite an<br />
achievement.<br />
“The list of projects that were nominated for awards at the<br />
Restaurant & Bar Design Awards 2012 included some very high<br />
quality designs, so to go on and win was very important to us.”<br />
Work began on the Coach House project in January 2011 and<br />
was completed in April 2011, just in time for the Easter season.<br />
Prior to work taking place on the site the building housed a<br />
tearoom which was operated by the Hatfield House estate as an<br />
additional source of revenue, however as the tearoom had limited<br />
space the site was unable to meet its potential.<br />
The project brief was to create a facility which could service both<br />
visitors and tenants, by creating a facility which would offer allyear<br />
appeal. Once work was complete on the project, Compass<br />
Group <strong>UK</strong> & Ireland took over the operation of the facility.<br />
Brendan commented:<br />
“Before we started on the project the former restaurant was<br />
situated purely on the ground floor of the Hatfield House, so
12<br />
we developed the first floor and incorporated<br />
an interconnecting staircase. To increase the<br />
space the upper level extends onto an external<br />
flat roof terrace whilst the overall layout of the<br />
restaurant has been reconfigured to meet the<br />
style of food that is being served.<br />
“Historically most of the food preparation<br />
was hidden in the back of house areas and<br />
consisted mostly of pre-prepared food and<br />
boxed sandwiches. The work we undertook<br />
allowed us to open up the area to create a<br />
dining experience where food preparation could<br />
be displayed.<br />
“We divided the site into three sections, which<br />
included a bakery counter, a deli counter and a<br />
hot food counter. The reconfiguration of space<br />
was very important as it allowed the site to cater<br />
for the high volume of people who regularly visit<br />
Hatfield House.”<br />
Additional work on the project included the<br />
installation of new air source heat pumps, new<br />
electrical services and hot water boilers.<br />
SHH Creative Director, Neil Hogan, said:<br />
“SHH specialises in architecture and interior<br />
design works with two distinct sides to the<br />
company – residential and <strong>hospitality</strong>.<br />
“We’ve never had a house style, so we have<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Coach House:<br />
A modern eatery in the<br />
historic Hatfield House<br />
never imposed our own design styling on a project; instead, we<br />
listen, we conduct research and we treat each individual project<br />
on an individual basis. Every project is a fresh sheet of paper<br />
and a fresh sheet of ideas and this has kept our portfolio very<br />
interesting.<br />
“Coach House was very important for us as it transformed a<br />
small cafeteria into a destination eatery and winning an award at<br />
the Restaurant & Bar Design Awards 2012 was fantastic. It’s great<br />
for us and our clients, but it also provided recognition for everyone<br />
who has worked on this site throughout its transformation.”<br />
Neil added:<br />
“Marco Rebora – the organiser of the Restaurant & Bar Design<br />
Awards – did a great job with the event. He created an annual<br />
global awards ceremony in such a short space of time that was<br />
not only a powerful vehicle for the industry but also an event<br />
which perfectly highlighted the interesting design work that we<br />
and others do.”<br />
Albion Design Ltd<br />
For over 25 years, Albion Design Ltd has specialised in<br />
the manufacture of internal and external spiral staircases<br />
– including fire escapes – for use in both domestic and<br />
commercial properties, including offices, retail units and<br />
restaurants, amongst others. The company’s portfolio of<br />
past projects includes St Michael’s Church in Cambridge,<br />
KP MG head office in London, a community centre in Port<br />
Stanley on the Falkland Islands and Mail Rail – the ‘secret<br />
railway’ located under Liverpool Street Station.<br />
On The Coach House, Albion Design Ltd supplied and<br />
installed a Victorian style cast iron spiral staircase and<br />
associated balustrades to serve an upper level restaurant area.<br />
Albion Design Managing Director, Alan Hughes, said:<br />
“Working on The Coach House was a very important project<br />
for us. The Coach House is a high-profile, award-winning site<br />
and as the economic climate is unpredictable at the moment<br />
to be involved with a project like this is a privilege.”<br />
Alan added:<br />
“At Albion Design, the flexibility of our product range allows<br />
us to deliver our projects on time and within budget.”
Award for<br />
Pizza Express<br />
in Plymouth<br />
Designer and Architect Adrian Baynes has won an award for<br />
his work on the new Pizza Express in Plymouth.<br />
Adrian Baynes:<br />
Award-winner and<br />
Director of Baynes & Co.<br />
WINNER<br />
Restaurant or bar<br />
Pizza Express<br />
Lead designer<br />
Baynes & Co<br />
Category<br />
Multiple restaurant<br />
Wood Flooring<br />
Havwoods<br />
Fitout & construction<br />
Leech Group<br />
Services Limited<br />
Furniture<br />
UHS Group<br />
Adrian scooped the award for Best Multiple Restaurant<br />
at the Restaurant and Bar Design Awards 2012.<br />
Director of Baynes & Co., Adrian said:<br />
“At Pizza Express there is a requirement that every<br />
restaurant should be different and that each restaurant should<br />
relate to the town or city it is in. For the Plymouth restaurant we<br />
took a naval theme for the design and created the wavy wall and<br />
the naval tattoo.”<br />
The £500,000 project began in April 2011 and was completed<br />
in June 2011.<br />
Adrian said:<br />
“There is always a project management architectural company,<br />
Butler Associates, who create the overall layout for the kitchen<br />
and general positioning of everything. I then come in and design<br />
the restaurant and modify the layout as necessary, create the<br />
furniture layout, kitchen counters, toilet layouts and generally<br />
create the look and feel of the whole restaurant.<br />
“Pizza Express like their restaurants to have original features<br />
that relate to the locality. Plymouth could be said to be the<br />
home of the Royal Navy, so it was a logical starting point to use<br />
maritime references for the interior.<br />
“A huge wavy wall constructed of timber laths forms one side of<br />
the restaurant, with infill pieces describing an abstracted wave of<br />
water. The timber can also be seen as the hull of a boat. A white<br />
painted plimsol line adds an extra layer of complexity to the wall.<br />
The plimsol line paintwork was applied to the panels, which also<br />
gives a “horizon line” effect to the interior.<br />
Built in the Barbican Leisure Park, this is the second Pizza<br />
Express in Plymouth. Adrian was keen to add imaginative<br />
features into the design to create a practical space that reflected<br />
Plymouth’s history.<br />
Adrian said:<br />
“Baynes & Co. commissioned legendary Plymouth tattoo artist<br />
Doc Price to create a typical sailors tattoo design. He came up<br />
with a rose, which we had “tattooed” onto oak faced paneling in<br />
12mm diameter holes opposite the wavy wall.<br />
“We also wanted to provide good acoustics to encourage<br />
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
13
Pizza Express<br />
in Plymouth: Winner<br />
of Best Multiple<br />
Restaurant 2012<br />
14<br />
conversation- we designed a custom acoustic baffle system<br />
in suspended foam, with a central feature to contain the air<br />
conditioning system.<br />
Bamboo flooring, marble tables and warm golden upholstery<br />
completed the scene.”<br />
Established in 1981, Baynes & Co. is a <strong>UK</strong> based interior<br />
and architectural design practice which specialises in bars,<br />
restaurants & nightclubs for interior design and new houses for<br />
architecture.<br />
Adrian also creates bespoke artwork for restaurants, bars and<br />
public areas and is a great believer in enjoying work and using a<br />
sense of humour. He hopes that his pleasure is transmitted to the<br />
customers who use his designs.<br />
Baynes & Co. have won awards for both interior design and<br />
architecture and received the award for Best Multiple Restaurant<br />
at the Bar and Restaurant Awards 2012 for their work on Pizza<br />
Express.<br />
Adrian said:<br />
“I have worked for Pizza Express for around six years. Every<br />
restaurant that I have created has a different theme – Lakeside<br />
was quite an interesting one, using inspiration of lakes, water and<br />
fish. Working on the restaurant in Headingly in Leeds was also<br />
really enjoyable. In Coventry we based the design around the<br />
bicycle and in Eastbourne we used Lewis Carroll as inspiration.<br />
“It’s been an enjoyable project and similar to the other new<br />
builds I have worked on. The art work also incorporates acoustics<br />
so it enables the restaurant to be quiet which encourages<br />
conversation.<br />
“Pizza Express was a good client to work for in so far that<br />
they encouraged every restaurant to be different. Unfortunately<br />
they’ve now changed the system and all the restaurants are now<br />
built to a manual.”<br />
On his award-winning business, Adrian said:<br />
“I also won best bar award in 2010 and last year was shortlisted<br />
for best new building under £ 250,000 by the Architects Journal.<br />
“You always hope it’s going to raise your profile and as a result<br />
you might get invited to do some interesting work.”<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
“Pizza Express like their<br />
restaurants to have original<br />
features that relate to the<br />
locality. Plymouth could be<br />
said to be the home of the<br />
Royal Navy, so it was a logical<br />
starting point to use maritime<br />
references for the interior.”<br />
Oast Technical<br />
Services Ltd<br />
Oast Technical Services work on all of the<br />
pizza express new builds, supplying their<br />
stainless steel kitchen equipment both front<br />
and back of house including staff lockers,<br />
fridges, bottle chillers, washer wear, ice<br />
machines, walk in cold rooms and freezers.<br />
Director Peter Jordan said:<br />
“The equipment we supply is a well trodden<br />
footprint for Pizza Express, we just have to<br />
make it fit within the constraints that the<br />
main architects and designers come up with.<br />
The design that David Baines came up with<br />
at the Plymouth restaurant was particularly<br />
striking. It was brilliant.<br />
“All our equipment is bespoke- we don’t<br />
have a one size fits all policy. We can supply<br />
anything to fit anywhere and it is installed by<br />
our own fitters, we don’t use sub contractors.<br />
We also have our own in house CAD design<br />
team, providing detailed site and as built<br />
drawings.”
The Drift<br />
Located within Heron Tower at 110 Bishopsgate, London,<br />
16<br />
WINNER<br />
Restaurant or bar<br />
The Drift<br />
Lead designer<br />
Fusion Design and<br />
Architecture<br />
Category<br />
Standalone bar or club<br />
Tiling<br />
Solus Ceramics<br />
The Drift is a ground and first floor bar and restaurant<br />
from London-based bar group Drake & Morgan. The<br />
250-cover restaurant incorporates two bars, an open<br />
plan kitchen, a chef’s table, alfresco dining area and includes a<br />
mouth watering menu with an extensive wine list.<br />
The Drift opened in June 2011 and recently received recognition<br />
in the Restaurant & Bar Design Awards in the category of Best<br />
Stand Alone Bar or Club. The Drift is Drake & Morgan’s fifth bar<br />
and follows the success of the Refinery – Drake & Morgan’s first<br />
bar – which opened in Southwark in September 2008, as well as<br />
The Parlour, The Anthologist, and the Folly.<br />
Throughout each of its sites, Drake & Morgan’s aim is to provide<br />
guests with a unique all-day experience that combines a bar<br />
and restaurant against breathtaking interiors. The company was<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
“The restaurant’s striking<br />
contemporary interior, set<br />
over two levels, sits behind<br />
a fully glazed facade<br />
and provides abundant<br />
natural light to the interior<br />
whilst giving fantastic<br />
visibility from the street.”
established in 2008 and to date all of its sites<br />
have been nominated at the Restaurant & Bar<br />
Design Awards.<br />
Work began on The Drift in January 2011 and<br />
reached completion in summer 2011 ahead<br />
of the restaurant’s opening in June. The £1.6<br />
million project was funded by Drake & Morgan,<br />
with Fileturn Ltd as the main contractor.<br />
London-based interior and architecture<br />
agency Fusion Design & Architecture provided<br />
all architectural services on The Drift.<br />
Fusion Design and Architecture Company<br />
Partner, Sophie Douglas, said:<br />
“The Drift is an all day destination venue for<br />
the surrounding offices and residents. The<br />
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
17
The Drift:<br />
inside<br />
London’s<br />
new Heron<br />
Tower<br />
18<br />
restaurant is a 5700 sq ft restaurant and bar that is situated<br />
within a double-height space at the foot of the new Heron Tower<br />
on Bishopsgate.<br />
“The restaurant’s striking contemporary interior, set over two<br />
levels, sits behind a fully glazed facade and provides abundant<br />
natural light to the interior whilst giving fantastic visibility from<br />
the street.<br />
“The challenge of the project was working within such an<br />
unusual double height fully glazed space whilst maintaining the<br />
character and personality typical of Drake & Morgan. We also<br />
had to link the small ground floor bar and alfresco area with the<br />
restaurant and the bar above with a staircase that climbed over<br />
5 meters in height.<br />
“Drake & Morgan are a valued client with whom we love working<br />
and developing innovative, design-led concepts on which we<br />
pride ourselves on our attention to detail.”<br />
Upon entry into The Drift, guests will instantly notice its striking<br />
contemporary interior, which includes a number of dynamic<br />
features, such as a mezzanine lounge, gold walls and a fully<br />
glazed feature staircase.<br />
The bar is located at ground level, with decorative features<br />
including a warm-toned walnut counter top, green-beige profiled<br />
tiles, bevelled edge mirror tiles and a steel back bar. Meanwhile,<br />
the first floor includes black, white and grey mosaic tiling, fibre<br />
optic lights and a marble slab bar.<br />
The first floor also includes an open-plan kitchen and is<br />
surrounded by a mix of furniture, including high tables, sunken<br />
loungers and multi-coloured blown glass shades. The furniture<br />
on the first floor was specifically arranged to create distinct<br />
dining areas, whilst a chef’s table was included to provide a<br />
semi-private dining area with a view of the kitchen and seafood<br />
bar.<br />
Additional features of The Drift include full height mirror-clad<br />
food hoists and a warm grey resin floor.<br />
Crown Joinery was responsible for the bespoke joinery and<br />
metalwork on the site, whilst Into Lighting provided the lighting.<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Nagle Fire Ltd<br />
Since 2005, Nagle Fire Ltd has specialised<br />
in the provision of fire protection systems<br />
for use in the commercial sector. Nagle Fire<br />
Ltd supplies and installs fire alarms, fire<br />
extinguishers and emergency lighting and<br />
conducts fire risk assessments across a range<br />
of developments, from schools and retail<br />
units through to industrial complexes and<br />
<strong>hospitality</strong> projects.<br />
Nagle Fire Ltd has supplied fire protection<br />
systems for many high-profile projects<br />
including the College of Richard Collyer<br />
and many public houses for Enterprise Inns.<br />
Working on the Drift, Nagle Fire Ltd designed,<br />
installed and commissioned the fire alarm<br />
system that is in operation at the site.<br />
Nagle Fire Ltd Managing Director, Andy<br />
Nagle, said:<br />
“Working on the Drift was very important<br />
to us. It is great to be involved with new and<br />
outstanding projects.”<br />
Andy added:<br />
“At Nagle Fire Ltd we are most proud of<br />
the service that we provide and we are very<br />
customer orientated. We always listen to our<br />
customers and always work to provide them<br />
with the system that they want, whilst working<br />
within the confines of set safety regulations.<br />
We deliver our projects on time and always<br />
within budget.”
20<br />
Solus Ceramics was responsible for bespoke<br />
decorative tiles and Design Resources provided<br />
the site’s dining furniture. Kudos Interiors<br />
provided counter stools and the gold wallpaper<br />
was supplied by Brian Yates.<br />
Since The Drift’s grand opening the site<br />
has continued to prove popular with diners,<br />
something noted by the restaurant’s recent<br />
success at the Restaurant & Bar Design Awards.<br />
Discussing the site’s recent recognition, Sophie<br />
commented:<br />
“Whether it is a nomination or an actual award,<br />
it is great to achieve recognition for a project in<br />
the design industry.<br />
“Our success is based upon the success of<br />
the restaurants that we work on, so knowing<br />
that The Drift has been so successful is very<br />
rewarding for us and is important for our<br />
continued success.<br />
“A number of projects that we have worked on<br />
have been nominated at the Restaurant & Bar<br />
Design Awards before, but this is the first time<br />
that we have won an award.”<br />
Sophie added:<br />
“Our work is predominately in the leisure<br />
sector and moving forward, we are working on<br />
projects for Everyman Cinema in Leeds and<br />
Maida Vale, as well as two projects for Drayton<br />
Morgan.”<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Kudos Interiors<br />
Kudos Interiors specialise in independently sourcing furniture<br />
that meets the requirements of designers, whilst also meeting<br />
the budget and deadlines set by clients. The company has<br />
been in operation for 17 years and constantly strives to keep<br />
its designers up to date with new ranges of furniture.<br />
Over the years, Kudos Interiors has been involved with many<br />
well-known clients including Las Iguanas, Pizza Express, BP<br />
and Drake & Morgan. In addition, Kudos Interiors works with<br />
many schools, colleges and universities as well as a number<br />
of blue-chip clients.<br />
On The Drift, Kudos worked closely with Fusion Design &<br />
Architects to follow their brief and source various furniture<br />
options of indoor and outdoor furniture. Once the furniture<br />
was chosen Fusion DNA specified special fabrics for the<br />
project and Kudos Interiors purchased and arranged the<br />
upholstering of the furniture.<br />
Once the furniture was ready, Kudos Interiors collated all the<br />
furniture into its warehouse and coordinated the delivery and<br />
installation to meet the tight deadline required.<br />
Kim Dicker, Kudos Interiors, said:<br />
“This project allowed us to work with a well-respected<br />
design practice and client on a high profile location and<br />
demonstrated our abilities.<br />
“Service to our clients is foremost but we also pride ourselves<br />
in our independence and our wide varied relationships with<br />
manufacturers enabling us to source most products.”<br />
“Our success is based upon<br />
the success of the restaurants<br />
that we work on, so knowing<br />
that The Drift has been so<br />
successful is very rewarding<br />
for us and is important for<br />
our continued success.<br />
Heron Tower<br />
Heron Tower is a 46-storey building, comprising commercial<br />
office space, retail units and restaurant and bars. The tower is<br />
owned by Heron International and is currently one of the tallest<br />
buildings in London.<br />
Heron Tower was designed by architects Kohn Pedersen Fox<br />
and was completed in 2011. The Drift occupies two levels of the<br />
building however an additional restaurant – Sushi Samba – and<br />
sky bar is also situated within the structure at levels 38 to 40.<br />
Current residents of Heron Tower included McDermott Will &<br />
Emery and Landmark, Partners Group, City Capital, Chicago<br />
Trading Company and Snoras.<br />
In addition to its many impressive features, Heron Tower also<br />
includes Europe’s largest privately owned aquarium. Located<br />
in the main lobby of the building, the aquarium is home to an<br />
impressive 67 species of tropical fish, including six sharks.
The Drift:<br />
Diners enjoy the<br />
award-winning<br />
restaurant<br />
Chefs cook<br />
up a storm<br />
at The Drift<br />
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
21
Shaking up another<br />
Dirty Martini<br />
“The £500,000 bar has already<br />
proved very successful with<br />
punters – building upon the<br />
success of the first Dirty<br />
Martini in Covent Garden”<br />
22<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
WINNER<br />
Restaurant or bar<br />
Coach House<br />
Lead designer<br />
SHH<br />
Category<br />
Café or fast food<br />
Lighting<br />
Delta Light<br />
Tiling<br />
Olde English Tiles<br />
Staircases<br />
Albion Design Limited<br />
Situated in the heart of Mayfair, Dirty Martini II is the<br />
latest site in the ever expanding Dirty Martini portfolio<br />
from CG Restaurants. The site opened in October 2011<br />
and comprises a stunning subterranean cocktail bar,<br />
nestled within a corner of Hanover Square.<br />
The £500,000 bar has already proved very successful with<br />
punters – building upon the success of the first Dirty Martini<br />
in Covent Garden – and recently achieved an award for best<br />
Multiple Bar or Club at the prestigious Restaurant & Bar Design<br />
Awards 2012.<br />
Livesley Projects Limited was the main contractor on Dirty<br />
Martini II, whilst Grapes Design was the interior design architect.<br />
Heathfield provided the bespoke lighting; Butler Signs provided<br />
the signage; Concept was responsible for the bar equipment;<br />
and Mission provided the site’s tills.<br />
Before work took place on the project the site housed a 2,500 sq<br />
ft branch of Davy’s Wine Bar, with office space situated above. In<br />
order to transform the site into a luxurious cocktail bar a number<br />
of reconfiguration works had to be conducted, as explained by<br />
Grapes Design Managing Director, Darren Grapes:<br />
“Before we started on the project we conducted a feasibility<br />
study to ensure the site could become a viable and operational<br />
cocktail bar. Once we were confident that this site was suitable,<br />
work was undertaken to improve the general circulation of the<br />
site. This work involved a few structural alterations to public areas,<br />
including the re-working of the kitchen area. A former function<br />
area was also transformed into a private hire VIP champagne bar.<br />
“The champagne bar is a significant feature of the site and<br />
attracts a great deal of attention from some big name guests.
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23
24<br />
“We also installed a few new vaulted areas, to increase the<br />
private hire sections of the site so guests can reserve their own<br />
spaces.”<br />
Darren continued:<br />
“One of the biggest strengths of the CG Restaurants brand is<br />
that they have a terrific sales and marketing team, who drive a<br />
great deal of traffic through their website. The group has a lot of<br />
members and followers and these guests like to pre-book their<br />
evening’s entertainment, which is beneficial to the company as it<br />
creates revenue.”<br />
Another significant feature of Dirty Martini II is the main bar<br />
which is located within the centre of the site. The bar includes a<br />
number of individual bottle cabinets which gives it the impression<br />
of being a high-end private members bar.<br />
The bespoke furniture and lighting used within Dirty Martini<br />
II was designed exclusively for the site and was integral to the<br />
overall design scheme. Features include gold lined silk ceiling<br />
shades, decadent crystal chandel<strong>ier</strong>s, quirky club chairs and<br />
luxurious banquette seating.<br />
Dirty Martini II also features the impressive and visually arresting<br />
artwork of Russ Mills.<br />
Commenting on Russ Mills’ work, Darren said:<br />
“We stumbled across Russ Mills work and knew immediately<br />
that it was perfect for Dirty Martini. His jaw-droppingly beautiful<br />
artworks combine a clash of styles from classical to pop<br />
surrealism adding a slightly sinister yet irresistibly seductive<br />
edge to the interior.”<br />
Such is the popularity of Dirty Martini II that the bar has already<br />
garnered rave reviews from critics, with View London describing<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
the site as “a cool luxurious setting” and TNT<br />
<strong>Magazine</strong> proclaiming that Dirty Martini II is ‘a<br />
stylish spot that also manages to feel relaxed”.<br />
With reviews such as these it is not surprising<br />
that Dirty Martini II won an award at the recent<br />
Restaurant & Bar Design Awards 2012 in the<br />
category for Multiple Bar or Club.<br />
Darren said:<br />
“Grapes Design has been involved with bars,<br />
clubs, pubs and restaurants since 1996 so an<br />
award like this gives us recognition for all the<br />
hard work that we have conducted in the past.<br />
We are only a small company, but our team<br />
is extremely talented and an award like this<br />
puts us on par with some of the much larger<br />
companies in the industry.”<br />
Darren added:<br />
“With Dirty Martini II our goal was to give<br />
the site a vintage feel, whilst at the same time<br />
provide it with its own unique look. We are<br />
constantly developing the new design scheme<br />
for Dirty Martini because CG Restaurants want<br />
their bars to be individual, so that they can stand<br />
out from the crowd. That’s exactly what Dirty<br />
Martini II does. The bar is evocative, secretive,<br />
intriguing, edgy and seductive.”
Pop-up in Paris<br />
“When designing this restaurant<br />
we really wanted to create a<br />
site which could appear and<br />
then disappear without leaving<br />
any trace of its existence.”<br />
WINNER<br />
Restaurant or bar<br />
Les Grandes Tables<br />
de L’ile Seguin<br />
Lead designer<br />
1024 architecture<br />
Category<br />
Pop up<br />
Situted on Île Seguin, Paris, the award-winning Les<br />
Grandes Tables de L île is a very unique concept<br />
in dining. Comprising of a strand board box and<br />
surrounded by scaffolding, the restaurant offers<br />
exquisite dining and can be erected and deconstructed to create<br />
the ultimate pop-up dining experience.<br />
Work began on the project in September 2010 and was<br />
completed just ahead of its grand opening in September 2011.<br />
Les Grandes Tables was the main contractor on the project, whilst<br />
1024 Architecture was responsible for the site’s unusual design.<br />
The 120-cover restaurant covers an area of 300 metres² and<br />
comprises scaffolding, wood fibre panels and containers.<br />
During the evenings and for special events the site can also be<br />
illuminated via the use of specially installed lighting effects.<br />
Discussing the site with Prem<strong>ier</strong> <strong>Construction</strong>, 1024 Architecture<br />
Architect, P<strong>ier</strong>re Schneider, said:<br />
“When designing this restaurant we really wanted to create a site<br />
which could appear and then disappear without leaving any trace<br />
of its existence. The site can be unplugged and deconstructed<br />
very quickly and once the site is taken down the scaffolding can<br />
be broken apart and resold. Up to 80% of the restaurant can be<br />
recycled, so the real beauty of a project like this is that it is very<br />
cost effective.<br />
“The materials we used on this project were very unusual as<br />
they are the type of materials that would be used during the<br />
construction process and certainly not the type of materials we<br />
would use on more traditional projects. However this was our<br />
goal; to make the restaurant appear as if it wasn’t quite complete,<br />
as if it was nearing the final stages of construction.”<br />
P<strong>ier</strong>re added:<br />
“There were many contradictions in terms of the construction<br />
process on this project, but this was an essential element in<br />
making this project work.<br />
“We also had to ensure that the site could cope with different<br />
weather conditions, so although it is light in its construction it<br />
includes concrete foundations to keep it in place. Ordinarily we<br />
wouldn’t design a building to fall apart, but on this occasion this<br />
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25
26<br />
The<br />
construction<br />
of Les<br />
Grandes<br />
Tables de L’île<br />
“To win an award was really<br />
great. We won a national prize in<br />
France but to get international<br />
acknowledgement for our<br />
work was really fantastic.”<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
is exactly what we wanted, only with solutions to ensure that it<br />
could come apart when we needed it to and not before.<br />
“Even though this building is temporary it had to be designed in<br />
the same way as a permanent structure.”<br />
Prior to work taking place on the restaurant the site was formerly<br />
the home of car manufacturer Renault, who housed a factory<br />
on Île Seguin, however the site remained empty for some time<br />
before the new restaurant was constructed.<br />
Once work on the site was complete not only did the restaurant’s<br />
unique design catch the attention of its guests, but it also caught<br />
the attention of the judges of the Restaurant & Bar Design<br />
Awards 2012 who awarded the site Best <strong>UK</strong> and International<br />
Pop-Up Restaurant.<br />
P<strong>ier</strong>re commented:<br />
“The project was the only restaurant in its category which was<br />
truly able to disappear without a trace and the recyclable element<br />
of the site really stood out.<br />
“To win an award was really great. We won a national prize in<br />
France but to get international acknowledgement for our work<br />
was really fantastic. Everyone who was involved with the project<br />
and everyone on the island is very proud of the restaurant’s<br />
achievement.”
Another<br />
successful<br />
serving for<br />
Jamie’s<br />
Italian<br />
NOMINATED<br />
Restaurant or bar<br />
Jamie’s Italian<br />
Lead designer<br />
Stiff + Trevillion<br />
Category<br />
Restaurant or bar<br />
in another space<br />
Furniture<br />
Conran Contracts<br />
Retrouvius<br />
Housed within the former Magistrates<br />
Court in central Cheltenham, Jamie’s<br />
Italian is a 170-cover restaurant from<br />
celebrity chef Jamie Oliver. Since its<br />
launch in July 2011 the restaurant has proved<br />
popular with diners and recently received a<br />
nomination at the Restaurant & Bar Design<br />
Awards 2012. Although the restaurant didn’t win<br />
an award, its nomination was certainly a sign of<br />
the restaurant’s popularity within the town.<br />
In discussing the Cheltenham site, Jamie<br />
Oliver, said:<br />
“I wanted to create a local restaurant that was<br />
classy, reliable and inspired by what people<br />
want – good tasty food.<br />
“I was so excited to bring Jamie’s Italian to<br />
Cheltenham. The restaurant is one of the most<br />
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
27
“It is always great to be<br />
recognised for the work that<br />
you do, so being part of a site<br />
that received a nomination at<br />
the Restaurant & Bar Design<br />
Awards 2012 was fantastic.”<br />
28<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
historic in the Jamie’s Italian collection and the restaurant’s<br />
designers were careful to maintain some of the Grade II Listed<br />
building’s original features while adding some new additions<br />
including a Hollywood-style spiral staircase.”<br />
Jamie added:<br />
“We’ve got a beautiful building in a great town in a gorgeous<br />
country and I know the team at Jamie’s Italian have quickly made<br />
it a favourite amongst local people.”<br />
Work began on transforming the Magistrates Court into a new<br />
Jamie’s Italian in April 2011, with work reaching completion on<br />
the 11th July, just in time for the restaurant’s grand opening.<br />
du Boulay Contracts Ltd was the main contractor on Jamie’s<br />
Italian Cheltenham and Stiff+Trevillion Architects was the interior<br />
design architect on the site.<br />
A very noticeable element of Jamie’s Italian Cheltenham is<br />
the large amount of existing features which were retained from<br />
the building’s former life, including ceilings, doors and a small<br />
amount of ceramic flooring. Meanwhile, new features include<br />
bespoke light fittings, an antipasti counter and a bar which is<br />
housed in one of the old judge’s rooms.<br />
Jamie’s Italian Cheltenham is spread across three storeys and<br />
upon entry into the building diners are brought into the lobby,<br />
where a staircase to the left leads to the first floor and a door to<br />
the right leads into the ground level dining area.<br />
Stiff+Trevillion Architects Company Director, Richard Blandy,<br />
said:<br />
“The local authority in Cheltenham was delighted to bring a<br />
Jamie’s Italian to the Magistrates Court as it is a major building in<br />
the town which has now gained a new lease of life.<br />
“Before work started on the project, the plan was to keep the<br />
original fabric of the building and then fit-out the interior.<br />
“All of the original rooms and spaces remained intact from when
the building existed as a court house but we<br />
introduced a new colour scheme into the site<br />
that complimented the brand and the existing<br />
features.<br />
“The main courts room is a magnificent tall<br />
space, with vaulted roof lights located above<br />
the original jury area and diners can now sit and<br />
eat in areas that were once used by the jury, the<br />
press and even the clerks.<br />
“Retaining existing elements of the site created<br />
a challenge as we had to install services and new<br />
features without affecting the historic elements<br />
of the building, but we kept an ongoing dialogue<br />
with the project’s conservation office during the<br />
works and the conversion ran smoothly.”<br />
To date Stiff+Trevillion Architects has completed<br />
eight restaurants for the Jamie’s Italian brand,<br />
including sites in Bath, Portsmouth, Reading,<br />
Liverpool, Leads, Guildford and Bristol.<br />
Discussing the site’s nomination at the<br />
Restaurant & Bar Design Awards, Richard<br />
commented:<br />
“It is always great to be recognised for the<br />
work that you do, so being part of a site that<br />
received a nomination at the Restaurant &<br />
Bar Design Awards 2012 was fantastic. The<br />
feedback from Jamie’s has been good and they<br />
are equally pleased to know that their sites are<br />
getting nominated for awards such as these.”<br />
APS Plumbing, Heating<br />
& Gas Engineers Ltd<br />
APS Ltd specialise in the design build installation of mechanical<br />
services for use in new restaurant projects. The company has<br />
been in operation since 2004 and have completed works for<br />
many leading brands, including Hawksmoor, Wahaca, Union<br />
Jacks, Brasserie Blanc, The White Brasserie and Lochfyne,<br />
amongst others.<br />
Whilst working on the restaurant projects, APS Ltd has<br />
worked with many leading contractors including Brasserie Co<br />
Ltd, PNW Design Ltd, Tekne and DuBoulay.<br />
To date APS Ltd has completed works on three Jamie’s<br />
Italian restaurants, including Jamie’s Italian Cheltenham,<br />
Jamie’s Italian Bluewater and Union Jacks in Winchester. In<br />
addition, APS Ltd has also worked on Jamie’s Deli in Bath.<br />
Working on Jamie’s Italian Cheltenham, APS Ltd was<br />
responsible for the design build installations of all plumbing,<br />
heating, gas and drainage services, as well as the sanitary<br />
ware on the site.<br />
APS Ltd Managing Director, Lee Anstey, said:<br />
“The company prides itself on delivering projects on time<br />
and the quality of workmanship is always to the highest level<br />
throughout, providing the best possible service.”<br />
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
29
he Cube: Dest<br />
30<br />
Prem<strong>ier</strong>Hospitality<br />
Designed to offer a memorable eating experience<br />
via a selection of different locations in Europe, the<br />
Cube – Dining with a View – is a unique concept in<br />
continental dining. The main aim of the Cube is to<br />
provide an exquisite eatery that can travel from one location<br />
to the next, appearing in some of Europe’s most prestigious<br />
places.<br />
The semi-transparent structure has so far been positioned<br />
on top of buildings, monuments and even a float on water,<br />
and has taken in such destinations as Belgium, Italy, Russia,<br />
Switzerland and Sweden.<br />
Conceived by Belgian event agency, Absolute Blue and<br />
commissioned by Electrolux, the Cube was launched<br />
in Brussels in April 2011 where it sat atop the Parc du<br />
Cinquantenaire for three months before it<br />
was relocated to its next<br />
destination.<br />
Work began on<br />
the Cube in<br />
June 2010.<br />
Nüssli AG was the main contractor on the Cube,<br />
whilst Park Associati was the architect and Studio FM<br />
Milano provided the site’s logo and texture design.<br />
Park Associati Architect Partner, Michele Rossi, said:<br />
“The Cube is a very unique concept in dining. The<br />
restaurant is a small pavilion measuring 90 sq metres<br />
and was conceived to be a site that could be mounted in<br />
various locations throughout Europe.<br />
“Before we started working on the project we decided<br />
to place the Cube in specific locations, so that we could<br />
have a temporary restaurant, featuring Michelin star<br />
chefs, which could appear in some very famous places.<br />
“The concept came from event agency, Absolute<br />
Blue, who allowed us to develop this idea into a great<br />
marketing strategy. The building is easy to install and<br />
relocate, and unlike some temporary structures which<br />
are not constructed to last, the Cube maintains the high<br />
October2012
ination dining<br />
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
31
32<br />
Prem<strong>ier</strong>Hospitality<br />
“The building is easy to install<br />
and relocate, and unlike some<br />
temporary structures which<br />
are not constructed to last, the<br />
Cube maintains the high quality<br />
of a permanent structure.”<br />
quality of a permanent structure.<br />
“The Cube has been designed to<br />
accommodate very different climates, so<br />
whether it is a hot summer in Italy or a cold<br />
winter in Sweden the building is perfectly<br />
suited to its new home and the food<br />
preparation area was designed so the chef<br />
always remains on display. Diners can see<br />
what food the chef is preparing, which not<br />
only creates an interesting environment it<br />
allows the restaurant to become a destination<br />
for diners who are really passionate about<br />
their food.”<br />
The building comprises a large openplanned<br />
space, with a visible kitchen and a<br />
large dining table able to accommodate up<br />
to 18 guests. The table can be raised and<br />
made to disappear into the ceiling in order to<br />
create an after-dinner lounge area.<br />
The interior of the Cube was designed to<br />
suit different arrangements, making it easily<br />
adaptable to each location and the fullyfitted<br />
kitchen houses many top of the range,<br />
high-tech Electrolux appliances. The Cube<br />
was constructed from a mix of eco-friendly<br />
and energy saving materials and wherever it<br />
is located the restaurant always offers diners<br />
October2012<br />
maximum comfort and a fantastic dining experience.<br />
Michele Rossi added:<br />
“Being a part of the Cube was very important for us at Park<br />
Associati. Our practice is now over ten years old and we work<br />
across a range of projects, from large buildings to interior<br />
work, but the Cube is one of those projects that has certainly<br />
helped us to raise our profile in the industry.<br />
“The Cube was a very challenging project, but this was<br />
something that we particularly enjoyed as we were given the<br />
opportunity to uncover solutions which create a very different<br />
form of dining.<br />
“The Cube has been very successful since it launched, which<br />
is something Electrolux have been very happy about and<br />
when placed in these magnificent and historical locations, the<br />
Cube instantly becomes a part of the landscape.”
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High amongst the tree tops, in a<br />
picturesque, yet secluded area of<br />
Hampshire’s New Forest, Chewton<br />
Glen’s treehouse suites are a brand<br />
new addition to Chewton Glen Hotel. The suites<br />
include a range of impressive features and are<br />
just a short stroll away from the main hotel.<br />
Each treehouse comprises a steel and timber<br />
pod sat comfortably on top a set of steel and<br />
concrete stilts.<br />
The pods include luxurious bathrooms,<br />
spacious bedrooms and a stunning range of<br />
fixtures and finishes. A compact kitchenette is<br />
included in each pod, presenting guests with<br />
the opportunity to whip up their own delicious<br />
roof-top dishes and a breakfast hamper is<br />
delivered to each suite on a daily basis.<br />
Additional features of the treehouse suites<br />
include floor-to-ceiling glazing – providing<br />
panoramic forest views – and external decking<br />
areas which provide brave guests with<br />
sunbathing opportunities.<br />
The cost to stay in a treehouse suite at<br />
Chewton Glen ranges from £600 to £1000.<br />
Chewton Glen Managing Director, Andrew<br />
Stembridge, said:<br />
“The inevitable restrictions of building in such<br />
a picturesque and secluded valley actually<br />
helped shape the design, positioning and vista<br />
of each pod and the end result is one that has<br />
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October2012<br />
Chewton<br />
Glen<br />
branches<br />
out
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk<br />
Forgeability Ltd<br />
For over five years, Forgeability Ltd has<br />
specialised in manufacturing bespoke<br />
metalwork for use on a vast selection of<br />
projects across a broad range of sectors.<br />
The company predominately manufactures<br />
furniture and has provided unique products<br />
for retail units, hotels and even yachts.<br />
On the Chewton Glen Hotel project,<br />
Forgeability Ltd was responsible for the<br />
headboard and wall artwork, the log and<br />
console tables, the wall lights and a number<br />
of decorative items that appear within each<br />
treehouse suite.<br />
Forgeability Ltd Company Director, Adam<br />
Phillips, said:<br />
“Forgeability Ltd has been in operation for<br />
the past five years however I have been in<br />
the business for almost nine years and in<br />
this time I’ve been involved with many highprofile<br />
projects.<br />
“We enjoy being involved in projects that<br />
are different, interesting and out of the<br />
ordinary, so working on the treehouse suites<br />
was perfect.<br />
“At Forgeability Ltd we have a ‘can do’<br />
attitude, and we deliver high-quality work on<br />
time and within budget.”<br />
evolved organically over the course of time.<br />
“Our strategy was to work hand in hand with the local council,<br />
the ecologists and arboriculturists and this ensured that everyone<br />
and everything was considered from the outset.<br />
“Even the badgers were provided with a brand new five-star<br />
home – built out of oak – and other wildlife was politely asked<br />
to ‘stand aside’ for a few months whilst we undertook the<br />
construction in the most considerate manner. Not a tree was<br />
felled, nor a tree-root disturbed.<br />
“The design and project team also worked in harmony to create<br />
these completely unique buildings which would blend into the<br />
natural habitat and create the absolute minimum footprint in<br />
every conceivable way.<br />
“The valley itself is being allowed to recover naturally and in<br />
a very short space of time this haven of wildlife will once again<br />
provide the most magical outlook and backdrop for couples and<br />
families all looking to escape from the real world and be close to<br />
nature in the most luxurious manner.”<br />
Work began on the five-star treehouse suites in late 2011 and<br />
was completed in July 2012. Galliford Try Plc was the main<br />
contractor on the project, whilst Martin Hulbert Design was<br />
responsible for the interior design work on the site.<br />
Martin Hulbert Design Managing Director, Martin Hulbert, said:<br />
“Chewton Glen is a highly respected five-star country house<br />
hotel which caters for the London market. The hotel has a<br />
longstanding client base, which returns each year, and in some<br />
respects the site is very much like a club rather than a hotel.<br />
“As the hotel is in a greenbelt area it can be quite difficult to get<br />
planning permission to expand the hotel so constructing these<br />
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semi-temporary structures proved to be the<br />
best option.<br />
“The new suites have allowed the hotel to<br />
expand without disturbing the environment and<br />
they are a very distinct and green addition to<br />
the site.<br />
“There are 6 treehouse suites at Chewton Glen,<br />
very much like floating pavilions and each of the<br />
six pods are split into two units. In addition, two<br />
of the tree houses include glass bridges which<br />
link to an additional bedroom.<br />
“When working through the design process for<br />
this site we looked at how the treehouses would<br />
fit into the environment and how they would sit<br />
alongside the existing hotel. The pods contain<br />
little design nods towards the surrounding<br />
countryside, which give them a natural country<br />
feel, but they are certainly not your typical type<br />
of treehouse.”<br />
Martin added:<br />
“Working on the new suites at Chewton Glen<br />
was a challenge, but it was a very exciting project<br />
to be a part of. Chewton Glen understood what<br />
we wanted to do and gave us the freedom to<br />
do it. This helped us to create something very<br />
unique.<br />
atlantic<br />
Contract Interiors Ltd<br />
Tel : 01489 780070<br />
Fax : 01489 780077<br />
Email: sales@atlanticcontractinteriors.com<br />
www.atlanticcontractinteriors.com<br />
Atlantic Contract Interiors Ltd<br />
Unit 14, Solent Industrial Estate, Shamblehurst Lane,<br />
Hedge End, Southampton, SO30 2FQ<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Atlantic Contract Interiors Ltd<br />
Since 2004, Atlantic Contract Interiors has specialised in the<br />
manufacture and installation of domestic and commercial<br />
interiors. Atlantic Contract Interiors works closely with<br />
Designers to create exclusive interiors. Products range from<br />
soft furnishings, upholstery and flooring, fabric walling to<br />
cushions and curtains.<br />
Recently, Atlantic Contract Interiors provided bespoke<br />
furniture, to designer’s specification, for Coworth Park in<br />
Ascot – a part of the Dorchester Collection of 5 star hotels –<br />
and is currently involved in a project to refit Saga Ruby, along<br />
with other top London hotels and super yachts abroad.<br />
Whilst working on the treehouse suites at Chewton Glen<br />
Hotel, Atlantic Contract Interiors provided bespoke furniture,<br />
curtains, bed valances, scatter cushions and rugs.<br />
Atlantic Contract Interiors, Tony Brooks said:<br />
“Working on a project such as the treehouse suites at<br />
Chewton Glen is very important for us. We take great pride in<br />
watching the designer’s ideas come to life in our hands.<br />
“At Atlantic Contract Interiors, we pay great attention to detail<br />
and are proud of our alliance with several of the top designers<br />
and hotels in London.”
Playtime commences at Dukebox<br />
A<br />
project to refurbish and rebrand an<br />
existing nightclub has been completed<br />
in one of the most prestigious areas<br />
of London. The work has taken the<br />
site from a traditional mainstream venue to one<br />
that emphasises good times and partying.<br />
Dukebox is a brand new basement nightclub,<br />
Situated at 266 Fulham Road in Chelsea. The<br />
3,000 sq ft site has a capacity for 230 people<br />
and features a warehouse-style interior with<br />
nostalgic detailing and eccentric touches.<br />
Work began on the project in July 2012 and<br />
was completed ahead of its opening on the 12th<br />
of September. WFC was the main contractor on<br />
the refurbishment project, whilst leading interior<br />
design consultancy Tibbatts Abel provided the<br />
concept, interior and architectural services on<br />
the site.<br />
The project comprised the internal<br />
refurbishment and rebranding of the existing<br />
nightclub to transform it into a new, high-end,<br />
late night venue. The site is owned by Howard<br />
Spooner and Dipak Panchal and is the first<br />
Dukebox nightclub in the <strong>UK</strong>.<br />
The theme of Dukebox is good old fashioned<br />
‘British fun’, so to make Dukebox a memorable<br />
night out for guests carousel horses, jackin-the-boxes,<br />
private dance floors and even<br />
Waltzer-style booths have been installed at the<br />
site. Additional features of Dukebox include a<br />
copper drinks bar, padded seats, a roundabout<br />
podium and a series of shelves lined with<br />
traditional sweet shop jars.<br />
The makeover of the site has not just been<br />
restricted to the fabric of the building as staff<br />
attire has also been included as part of the<br />
rebranding scheme. Kitted out in drummer boy-style outfits,<br />
staff dispense delicious cocktails whilst dressed in fantastical<br />
clothing, which combines to create an atmosphere that is part<br />
nursery rhyme, part Wonderland.<br />
Tibbatts Abel Director, Adrian Abel, said:<br />
“Work on Dukebox involved the complete strip-out of an<br />
existing nightclub to return the site back to its structure. We<br />
then redressed all of the internal service areas and completed<br />
some new finishes. We also created a few structural openings to<br />
reconfigure the building and this allowed us to link together some<br />
of the internal areas of the club.<br />
“The exterior work on the site was kept to a minimum and mostly<br />
comprised the reformation of the existing entrance way and the<br />
implementation of associated signage.<br />
“There was an accelerated programme of works on this project<br />
as the <strong>prem</strong>ises were trading before the refurbishment took<br />
place, so the owners wanted the site to continue to trade as<br />
quickly as possible. The idea was to prepare the site for the work<br />
and then turn everything around as fast as possible to get the<br />
nightclub up and running again.<br />
“We have completed work for many commercial businesses so<br />
we are used to working to tight deadlines.”<br />
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Adrian added:<br />
“Since Dukebox opened, the nightclub has<br />
been trading extremely well and our client,<br />
Howard Spooner, is very pleased. Dukebox has<br />
exceeded its targets and now I believe Howard<br />
is looking to create some new ventures.<br />
“We are looking at new sites with him and we<br />
hope to continue this great working relationship<br />
on future projects.<br />
“Dukebox has taken a run-of-the-mill venue<br />
and transformed it into a destination point<br />
with lots of dramatic and memorable features,<br />
making it a major draw for guests. The work that<br />
we have achieved with this nightclub is a perfect<br />
demonstration of how someone can take a site<br />
and transform it quickly, economically and<br />
imaginatively.”<br />
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October2012<br />
“Dukebox has taken a run-ofthe-mill<br />
venue and transformed<br />
it into a destination point<br />
with lots of dramatic and<br />
memorable features, making<br />
it a major draw for guests.”<br />
P A Schofield Ltd<br />
For over 20 years, P A Schofield Ltd has provided specialist<br />
decorating services to the leisure industry. P A Schofield Ltd<br />
has completed works for bars, restaurants, nightclubs and<br />
casinos and high profile clients including Gala Bingo, Aspers<br />
Casino, Zizzi, Prezzo, Byron Restaurants, KFC and Pizza Hut.<br />
PA Schofield Ltd has an excellent working relationship with<br />
WFC and has provided the company with specialist decorating<br />
services for almost 18 years.<br />
Working on Dukebox, P A Schofield Ltd completed general<br />
decorating works & also did specialist works such as UV sign<br />
writing, sign writing, UV graffiti and specialist aging effects –<br />
to make the club look as if it had existed for years.<br />
P A Schofield Ltd Managing Director, Paul Schofield said:<br />
“It’s always very important for P A Schofield Ltd to be involved<br />
with WFC on all of their projects. We have a fantastic working<br />
relationship with them and we have never let them down.”
Manchester City Football Club<br />
top of the table in <strong>hospitality</strong><br />
Manchester City Football Club has refurbished three<br />
of the Etihad Stadium’s <strong>hospitality</strong> areas, wowing<br />
football fans and guests alike.<br />
The club’s most prestigious <strong>hospitality</strong> space,<br />
now named The Connell Club, has been entirely redesigned<br />
along with The Mancunian, a restaurant celebrating the city of<br />
Manchester and its cultural heritage.<br />
A number of <strong>hospitality</strong> boxes have also been customised,<br />
including the EA Sports Games Box where customers can enjoy<br />
an all-out gaming experience.<br />
Manchester City’s Marketing Manager, Justice Ellis, told<br />
Prem<strong>ier</strong> <strong>Construction</strong> about the project.<br />
He said: “As a club – whether in the stadium, <strong>hospitality</strong> or social<br />
media – we like innovation.<br />
“Originally the new stadium was quite grey – it didn’t have much<br />
of City about it. But as the stadium has been developed, colour<br />
has been added and that is what we are continuing to do through<br />
these spaces.<br />
“We wanted to match what we have achieved<br />
on the pitch with our <strong>hospitality</strong> offer, and we’re<br />
thrilled with the look and feel of these plans in<br />
anticipation of what is to come at the Etihad<br />
Stadium this season.”<br />
The work began in June 2012 and was<br />
completed in time for the start of the 2012/13<br />
season at the end of August 2012. The main<br />
contractor for the work was the Manchester<br />
based fit-out company Styles and Wood.<br />
The overall design consultants were 2020 and<br />
the creative agency was Design By Music.<br />
Justice said: “The Connell Club is the most<br />
prestigious <strong>hospitality</strong> venue- we chose the<br />
name because the word ‘club’ suggests a<br />
coming together of people and a sense of<br />
ownership.<br />
“Both The Connell Club and The Mancunian<br />
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have been meticulously planned to represent<br />
the aspects on which the club is formed, from<br />
a proud history, unique culture and loyal fanbase.<br />
“Manchester City is a global brand, proud of its<br />
roots. We are taking these spaces onto another<br />
level, expressing the character of the club and<br />
creating an experience unrivalled anywhere in<br />
world football.”<br />
The Connell family were instrumental in setting<br />
the foundations for Manchester City Football<br />
Club in the 1890’s. They saw a need to bring the<br />
community together and the outcome of their<br />
actions was the creation of St Marks Football<br />
Club, which became Gorton AFC in 1884 and<br />
eventually, Manchester City Football Club.<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
This history of the club is reflected in the many original design<br />
features which give The Connell Club its unique, traditional feel.<br />
Justice explained:<br />
“We wanted to introduce brands within the main brand identity of<br />
Manchester City, in The Connell Club we have used two C’s facing<br />
each other, which is a reference to the initial crest of the club<br />
“You come through big oak doors featuring the emblem to meet<br />
a large conc<strong>ier</strong>ge desk with the emblem imprinted in leather, it’s<br />
this attention to detail which makes it a really special place to be.<br />
“Also everything was procured locally – the art is from Central<br />
Station in Ancoats and the work was carried out by the Altrincham<br />
based fit-out firm Styles and Wood.”<br />
The Connell Club seats 220 people and features many special<br />
details to reflect the exclusivity of the restaurant.<br />
Each slate place matt is imprinted with the Connell Club logo and<br />
there are numerous design features which refer to the club’s roots.
“Manchester City is a<br />
global brand, proud of its<br />
roots. We are taking these<br />
spaces onto another level,<br />
expressing the character<br />
of the club and creating<br />
an experience unrivalled<br />
anywhere in world football.”<br />
A 1900’s map of East Manchester is subtly placed on a wood<br />
panel on the ceiling at the entrance to the restaurant, marked on<br />
it is the location of the original stadium and St Mark’s Church,<br />
both important places in the clubs history.<br />
Within The Connell Club, the five Ambassador booths are the<br />
most exclusive seating in the restaurant and each is themed with<br />
a story referring to one of the positive attributes alluded to in the<br />
team’s original crest.<br />
These are bravery, honour, generosity, glory and loyalty –<br />
and each booth has its own commissioned panel above it to<br />
illustrate that attribute. The stories are also engraved on the<br />
edge of each table.<br />
Even the leather on the booth seating has been given extra<br />
attention to detail- and is stitched using the same hexagonal<br />
pattern used to make footballs.<br />
Directly above the Connell Club is The Mancunian, a place<br />
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where ‘City meets the City’ as it is the one location in the stadium<br />
with superb views of both the pitch and the Manchester skyline.<br />
In the newly designed restaurant, the bar has been moved<br />
towards the back of the space and is surrounded by glass to<br />
prevent the obstruction of the room’s amazing views.<br />
Manchester City Football Club chose to base the modern<br />
restaurant on one of the things that Manchester is most famous<br />
for; music.<br />
This theme is reflected in a variety of design features within the<br />
restaurant, one of the most striking being a large vinyl record<br />
above the bar as you enter the space.<br />
The record has 11 grooves to show the 11 players on the<br />
pitch, and each groove is marked with lyrics from bands with<br />
connections to Manchester such as Oasis, the Ting Tings, the<br />
Chemical Brothers, 10CC and I Am Kloot.<br />
As you enter the restaurant, the lyrics meet to spell out ‘The place<br />
where rock and roll meets give and go. This is the Mancunian.’<br />
This design feature was created by ‘Design by Music’ a local<br />
creative agency based in Manchester’s Northern Quarter.<br />
The music theme is shown throughout, including in the chains<br />
which separate the bar from the main restaurant, which differ in<br />
colour to show the sound waves of much loved city songs.<br />
The leather place mats are imprinted with quotes from different<br />
Mancunians, such as Johnny Marr, Noel Gallagher and Mark<br />
Radcliffe.<br />
There is also locally commissioned art displayed on the walls<br />
which pays homage to city players such as Joe Hart, Alan Ball,<br />
Paul Lake and Mario Balotelli.<br />
Manchester City Football Club has also begun to come up with<br />
imaginative new schemes for the way fans experience the club’s<br />
boxes, which makes up the final element to the clubs <strong>hospitality</strong><br />
refurbishment work.<br />
The club has teamed up with EA Sports to create a gaming box<br />
in place of what was a traditional 8ft x 11ft entertaining space.<br />
The fully interactive Gaming Box accommodates up to 10<br />
people, offering EA SPORTS’ latest gaming releases, luxury<br />
gaming chairs, a 42” screen and PS3 gaming console. The box<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
“There is also locally<br />
commissioned art<br />
displayed on the walls<br />
which pays homage to<br />
city players such as Joe<br />
Hart, Alan Ball, Paul Lake<br />
and Mario Balotelli.”<br />
also benefits from an awe-inspiring panoramic<br />
view of the pitch.<br />
Justice said:<br />
“The new EA SPORTS Gaming Box thrills<br />
the senses, and offers an unrivalled combined<br />
experience for football and gaming fans.<br />
“From the moment you walk in, every detail<br />
has been thought of so that guests enjoy a<br />
fully customised experience – even boasting<br />
its own more informal catering – but with<br />
same usual high standard for a Platinum Box<br />
guest, including your own balcony seating and<br />
dedicated waiter or waitress.<br />
“This is a great thing for City to have as it<br />
means we are getting custom from businesses<br />
who previously might not have booked a box.”<br />
The EA Sports box joins specially customised<br />
boxes from Etihad Airlines and luxury<br />
watchmaker Richard Mille.<br />
The Harvey Nichols Experience Box is another<br />
example of Manchester City choosing to<br />
customise their available <strong>hospitality</strong> space.<br />
This box includes a mixologist to run cocktail<br />
or spirit master classes, food and drink from the<br />
award-winning Harvey Nichols Second Floor<br />
Restaurant, a gift bag for all guests and the<br />
room is dressed with the latest fashions from<br />
Harvey Nichols.<br />
The Connell Club, The Mancunian, the EA<br />
Sports Box and The Harvey Nichols Experience<br />
Box are now open and available for booking.
Nurturing The Jam Tree<br />
The Jam Tree opened its doors for the<br />
first time in April 2010, with its <strong>prem</strong><strong>ier</strong><br />
site in Milson Road, Kensington. The<br />
success of this initial offering led to the<br />
launch of a second site in May 2011, this time<br />
on the Kings Road in Chelsea, and was recently<br />
followed by a third site in September 2012 on<br />
Clapham Old Road.<br />
The Jam Tree Clapham is situated right in the<br />
heart of Clapham Old town and is a 150-cover<br />
restaurant and bar, covering approximately<br />
3,000 sq ft. The menu at The Jam Tree Clapham<br />
features modern British favourites, alongside<br />
dishes from a range of countries and combines<br />
exotic ingredients with local produce. With two<br />
airy rooms, a beautiful outdoor space and the<br />
capacity for approximately 400 guests, the site<br />
is the perfect place to eat, drink and relax.<br />
The Jam Tree Director, Yann Roberts, said:<br />
“To date The Jam Tree Clapham is the third<br />
site for The Jam Tree brand. All of our sites are<br />
based in London and are perfect examples of<br />
independently owned, contemporary pubs.<br />
“The food concept of The Jam Tree is Anglocolonial,<br />
which is basically British food, with<br />
additional dishes taken from countries which<br />
were former British colonies, such as Malaysia,<br />
America and India.<br />
“In addition to our distinctive menu, we also offer cocktails<br />
which have become quite well known in London as they use jam<br />
as one of the main ingredients.<br />
“The whole of the Jam Tree concept is that food comes first and<br />
everything else follows.”<br />
Work began on The Jam Tree Clapham in August 2012. Prior<br />
to work taking place on the project, the site was an existing<br />
bar/restaurant so the refurbishment programme was kept to a<br />
minimum and predominately concentrated on a few cosmetic<br />
enhancements.<br />
As part of the work on the site a new floor was installed, the<br />
internal layout was reconfigured and associated signage was<br />
installed. The building was also rewired, some redecoration<br />
works took place and the site was fully furnished.<br />
A significant new feature at The Jam Tree Clapham Road is<br />
its stylish tin ceiling. The ceiling is a very unique aspect to the<br />
building which not only reflects light throughout the bar but also<br />
adds a level of glitz and glamour to the site.<br />
Trabor was the main contractor on the project, whilst Yann<br />
Roberts was responsible for the interior design of The Jam Tree<br />
Clapham. Many of the restaurant’s unique interior elements<br />
were sourced from Andy Thornton, the <strong>UK</strong>’s largest suppl<strong>ier</strong> of<br />
architectural salvage.<br />
Yann said:<br />
“From my experience of working in the trade it is the way in<br />
which people respond to each site that really helps to shape the<br />
internal design work of the next restaurant.<br />
“At The Jam Tree we make use of many antique elements to add<br />
character and as I am not one for creating a uniform site, I always<br />
try and mix up the different types of furniture that we include.<br />
“I judge a site on how it makes me feel and then I talk to<br />
manufacturers and make my design decisions based on what I<br />
think will work well.”<br />
Yann added:<br />
“The feedback for Jam Tree Clapham has been excellent. The<br />
customers have all been very positive and although we are<br />
concentrating on continuing the success of this site, moving<br />
forward we would like to look at another site in around six<br />
months time.”<br />
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amshed:<br />
he art of dining<br />
44<br />
Housed within a Grade II Listed building in<br />
Shoreditch, London, Tramshed is the latest<br />
site from restaurateur Mark Hix and presents a<br />
unique dining experience which mixes fine cuisine<br />
with fine art. The £1.5 million site opened in June 2012 and<br />
features stunning artwork by leading artist Damien Hirst,<br />
including a striking central sculpture featuring a cow and a<br />
chicken encased in glass.<br />
Work began on Tramshed in January 2012 and reached<br />
completion in early June, just ahead of the restaurant’s grand<br />
opening. Tekne Shopfitting Ltd was the main contractor on<br />
Tramshed, whilst Waugh Thistleton provided all architectural<br />
services on the site.<br />
Technical Services was responsible for all of the mechanical<br />
and electrical services on the project, whilst Pure CF<br />
manufactured and installed the site’s banquette seating.<br />
Prem<strong>ier</strong>Hospitality<br />
October2012
Pictures:<br />
Jason Lowe.<br />
Copyright Damien Hirst 2012<br />
www. <strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
45
Tramshed:<br />
Copyright<br />
Damien<br />
Hirst 2012<br />
46<br />
Prior to work taking place on the project, the site was previously<br />
a disused industrial building so in order to transform the site into<br />
a fully functional diner the existing space had to be reworked<br />
to include a bar, lobby and kitchen, as well as dining space for<br />
guests.<br />
A mezzanine level was installed to provide an elevated dining<br />
space for up to 40 guests, whilst a small private gallery – Cock<br />
‘n’ Bull – was placed within the basement of the site. In addition,<br />
staff offices and a large plant area was also included in the<br />
basement level.<br />
Angela Hopcraft, Waugh Thistleton, said:<br />
“Waugh Thistleton was involved with Tramshed from the initial<br />
design stages through to construction and when designing the<br />
interior we wanted to ensure that the site would retain a very<br />
strong physical presence, without being too overpowering.<br />
“The whole building acts like a machine, with lots of fully<br />
functional elements, such as the plant equipment which has<br />
been hidden within the building. As the chefs at Tramshed cook<br />
on open coals this plant is vital for the continued operation of<br />
the site and ensures that air can circulate and all of the cooking<br />
odours can be passed safely out of the building.”<br />
Angela added:<br />
“The site certainly has a masculine edge, including leather<br />
banquette seating, solid furniture, long tables and heavy detailing<br />
but the design always follows back through to the menu and the<br />
surrounding artwork.”<br />
A very significant aspect of the Tramshed experience is its<br />
minimalist menu which comprises a selection of just a few dishes<br />
– sharing starters, a whole free-range chicken and a sirloin<br />
steak. To compliment this simple menu, the interior of restaurant<br />
includes very striking elements to stimulate conversation<br />
amongst diners.<br />
A particular talking point of Tramshed is the site’s central<br />
sculpture, which stands proudly in the middle of the site and is<br />
visible from every seat in the restaurant. The sculpture – which<br />
contains just chicken and beef – is very much in keeping with the<br />
menu and is an instantly recognisable example of artist Damien<br />
Hirst’s work.<br />
To compliment the sculpture, a painting – depicting cartoon<br />
characters Cow and Chicken – covers the wall on the mezzanine<br />
level.<br />
Angela said:<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Technical Services<br />
(Refrigeration & Air<br />
Conditioning Ltd)<br />
Technical Services (Refrigeration & Air<br />
Conditioning Ltd) are a specialist catering<br />
equipment, refrigeration, mechanical and<br />
electrical building services design and<br />
installation company working in a variety<br />
of sectors including; restaurants, private<br />
members clubs, casinos, leisure centres,<br />
commercial offices, retail, education, local<br />
authority and residential. The company has<br />
been in operation for over 25 years and prides<br />
itself on project commissions primarily from<br />
repeat works with existing clients as well as<br />
from recommendations to new clients.<br />
On the Grade II Listed Hix Tramshed<br />
Restaurant on Garden walk and Rivington<br />
Street, Technical Services were responsible<br />
for the ventilation systems that required<br />
careful acoustic design and installation,<br />
as well as a specialist kitchen extract air<br />
purification system, all to meet stringent<br />
local authority and planning requirements.<br />
Technical Services MD Andrew Parton said:<br />
“We have worked extremely hard building<br />
up a strong working relationship with all our<br />
clients, and have had the privilege to have<br />
been involved with some of the most iconic<br />
restaurants in London.<br />
“Working with Hix Restaurants on this<br />
project has been challenging, working<br />
closely with Mark and Ratnesh; we were<br />
brought in to assist their appointed Design<br />
and Contracting team as part of an intense<br />
programme to meet specific local authority<br />
design & operational requirements for the<br />
Hix kitchen working environment, having<br />
worked with Westminster and London City<br />
Councils on other very sensitive sites.<br />
“It has been a real pleasure to work with<br />
such an enthusiastic client who is constantly<br />
striving to create something very special,<br />
whilst being sympathetic to legislature and in<br />
keeping with the local surroundings.”
48<br />
Eximius Projects Ltd<br />
For over four years, Eximius Projects Ltd<br />
has specialised in the design, build and<br />
installation of restaurant kitchens in the leisure<br />
and <strong>hospitality</strong> industries. The company has<br />
worked on many high-end projects in the<br />
past, with clients including Selfridges, Soho<br />
House and Caprice Holdings.<br />
Working on Tramshed, Eximius Projects Ltd<br />
was responsible for the design, supply and<br />
installation of all kitchen and bar equipment<br />
on the site, including bespoke grills for<br />
cooking both the chicken and beef dishes.<br />
Eximius Projects Ltd Company Director,<br />
James Lee, said:<br />
“Tramshed is very unique in its concept as<br />
it has quite a limited menu. So we designed<br />
the kitchen accordingly, which allows the<br />
equipment to produce high quality dishes<br />
without the need to be kitted out for a large<br />
range of meals.”<br />
James added:<br />
“At Eximius Projects we work with many<br />
high-end restaurateurs and we always enjoy<br />
a challenge. The restricted menu gave us the<br />
opportunity to come up with a very functional<br />
and efficient working space.”<br />
“The central sculpture was created specifically for Tramshed<br />
and incorporates the chicken and beef theme perfectly.<br />
“As Mark Hix is also very interested in art it was very important<br />
for him to install a small gallery below the restaurant where diners<br />
can discuss other works of art after dinner.”<br />
Although work was conducted on the interior of the building,<br />
work to the exterior of the site was kept to a minimum and<br />
simply involved minor decoration works and the installation of<br />
associated signage.<br />
Now that Tramshed is open the restaurant serves guests from<br />
12pm daily, whilst a takeaway service is available Monday to<br />
Friday from 11am.<br />
Angela said:<br />
“When working on Tramshed it was important for us to make<br />
strong, bold moves, that could demonstrate to diners that the<br />
building had undergone a refurbishment, but at the same time<br />
create an understanding that we have not interfered with the<br />
existing structure.<br />
“As the building is listed we couldn’t make too many alterations,<br />
so we used these restrictions to enhance the work that we could<br />
conduct. In fact this proved very useful and allowed us to show off<br />
elements of the building that would have otherwise been hidden.”<br />
Angela added:<br />
“We have completed works on many restaurants in the past,<br />
but none quite as large as this and none in quite such a lovely<br />
building as this.<br />
“The feedback has been fantastic and the site is doing really<br />
well. I’ve been to the restaurant a couple of times since it opened<br />
and it is always very busy, so I know that our client is very happy.”<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Cock ‘n’ Bull<br />
Housed within the basement of Tramshed, Cock<br />
‘n’ Bull is a small private gallery showcasing a<br />
stunning array of exhibitions. The gallery is open<br />
daily between 11am and 6pm, with exhibitions<br />
appearing on a six week rotation basis and can<br />
accommodate up to 100 guests.<br />
In addition to gallery space, Cock ‘n’ Bull also<br />
includes a curated library. The library includes<br />
an ever-expanding collection of books, handpicked<br />
by leading experts and organised along<br />
topics of interest, making it a truly unique place<br />
of discovery.<br />
Mark Hix<br />
With over 17 years of experience, restaurateur<br />
Mark Hix has become well known in the industry<br />
for his take on British cuisine. In 2008, Hix<br />
opened his first restaurant in Smithfield – Hix<br />
Oyster & Chop House – and has since opened<br />
additional sites including Hix Oyster & Fish<br />
House, HIX Mayfair, the award-winning Mark’s<br />
Bar and of course Tramshed.<br />
As well as being one of London’s most highly<br />
regarded restaurateurs, Mark Hix is also an<br />
author of numerous British cuisine cookbooks<br />
as well as a columnist in The Independent and<br />
Esquire.
www.<strong>prem</strong><strong>ier</strong>-<strong>hospitality</strong>.co.uk Prem<strong>ier</strong>Hospitality<br />
49
Branching out with<br />
Browns Bar & Brasserie<br />
50<br />
Prem<strong>ier</strong>Hospitality<br />
Contemporary cuisine is being served up at the brand<br />
new Browns Bar & Brasserie in Newcastle.<br />
Located on Grey Street in the city’s central<br />
conservation zone, Browns Bar & Brasserie Newcastle<br />
is the latest in a long and successful chain of Browns restaurants<br />
to open in the <strong>UK</strong>. The 200-cover restaurant switched on its<br />
ovens for the first time in April and has already proved a hit with<br />
local diners.<br />
Owned by bar and restaurant management group Mitchells<br />
& Butlers, Browns Bar & Brasserie has been serving simple,<br />
classic and freshly prepared dishes since 1973. Although food<br />
is important to Browns, the location of each restaurant is also a<br />
key ingredient for the chain’s continued success and this latest<br />
site is no different. Browns Bar & Brasserie Newcastle is housed<br />
within a Grade II listed building and has retained many of the<br />
features of its former existence as a bank, offering a unique<br />
October2012
eating experience for the North East.<br />
Sandeson Ltd was the main contractor on the<br />
project and Harrison was the interior fit-out<br />
designer.<br />
Harrison Senior Designer, Andrew Kirk, said:<br />
“Located on a Georgian street in Newcastle,<br />
Browns Bar & Brasserie is perfectly situated in<br />
an area of the city that is known for its history.<br />
Typically Mitchells & Butlers invest in period<br />
buildings and so the location of this latest<br />
restaurant is very much in keeping with what<br />
the Browns Bar & Brasserie brand is all about.”<br />
Work began on Browns Bar & Brasserie<br />
Newcastle in February 2012 and the project was<br />
completed in just 12 weeks.<br />
The restaurant is located on the ground floor of<br />
Pictures:<br />
Courtesy of Paul Chilton<br />
www.primephotography.co.uk<br />
a five-storey building and notable features include a solid wooden<br />
bar with a polished brass counter top, along with limestone and<br />
reclaimed oak block flooring. All of the lighting in the restaurant<br />
is provided via bespoke LED lights, whilst large sash windows<br />
provide additional illumination.<br />
Exterior work on the building included the restoration of<br />
stonework and the installation of a freestanding menu and<br />
associated signage. Tables and chairs – providing an additional<br />
20 covers –were also added to the entrance of the building in<br />
order to allow diners to eat alfresco.<br />
Andrew Kirk said:<br />
“Traditionally Browns Bar & Brasserie are fitted into buildings<br />
that already have their own unique style. We then borrow elements<br />
of these existing features and enhance them with Browns’ own<br />
scheme to create the perfect dining experience.<br />
“We begin with the back of house areas to ensure that we<br />
provide a workable restaurant that offers impeccable service<br />
and then we move on to the remainder of the site to complete<br />
the internal layout.<br />
“Browns retain a traditional style regardless of where they’re<br />
located and this creates very strong brand recognition. We may<br />
tweak the colour scheme a little and the furniture may become<br />
a touch more relaxed from time to time, but each restaurant will<br />
always retain its own unique classic style.<br />
“The feedback for Browns Bar & Brasserie Newcastle has been<br />
great and clients Mitchells & Butler are extremely pleased with<br />
the opening of the site. This is another great restaurant and<br />
another great investment in their already successful portfolio.”<br />
Browns Bar &<br />
Brasserie Nottingham<br />
Browns Bar & Brasserie Nottingham opened its doors in February<br />
2012 with a champagne and cocktail party to welcome diners to<br />
the latest site in the East Midlands. The restaurant is situated on<br />
the corner of Park Row and East Circus Street in Nottingham<br />
city centre and is just one minute’s walk from the Nottingham<br />
Playhouse and five minutes from the city’s Cathedral Quarter.<br />
Before being transformed into an exquisite eatery, the<br />
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51
52<br />
Nottingham branch of Browns was formerly a<br />
Victorian house that existed in a semi-derelict<br />
state. As part of the work to transform the site,<br />
a great deal of conservation work took place<br />
to return the building to its former glory. Work<br />
included the reinstatement of many existing<br />
features including door frames, floors and<br />
ceilings.<br />
The interior design of the restaurant features<br />
a cream and black colour scheme, whilst the<br />
drinks bar runs along one of the main walls and<br />
leather booth seating provides a comfortable<br />
dining experience for guests.<br />
Additional features of the restaurant include<br />
spacious dining rooms, a large open fireplace<br />
and a feature clock. A conservatory is also<br />
located towards the rear of the building.<br />
As part of the refurbishment and conversion of<br />
the building, an extension was built along one<br />
side of the restaurant to connect an external<br />
courtyard with the site.<br />
All of the new elements of the building –<br />
including the extension – were designed and<br />
built to match the existing features of the site.<br />
Harrison Senior Designer, Andrew Kirk, said:<br />
“There is a positive buzz about Browns Bar<br />
& Brasserie Nottingham and since it opened<br />
it has been a very successful site. The new<br />
build elements and the existing features create<br />
an interesting contrast of styles – creating a<br />
selection of different dining spaces – and it has<br />
really transformed this building.”<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
“From a design point of<br />
view we got a great deal<br />
of enjoyment out of trying<br />
to fit the Browns style<br />
into this site and it made<br />
this a very interesting<br />
project to be a part of.”<br />
Browns Bar &<br />
Brasserie Birmingham<br />
Located next to Selfridges just outside Birmingham’s prestigious<br />
Bullring shopping centre, the 2-storey Browns Bar & Brasserie<br />
Birmingham opened in November 2011. As well as offering up a<br />
selection of fine foods and real ales, the restaurant has a range<br />
of signature cocktails to tantalise the taste buds.<br />
The restaurant is situated within the Bullring’s Dining Quarter,<br />
which includes Nando’s, Pizza Hut, Jamie’s Italian and ChaoBaby.<br />
As the Dining Quarter opens late into the night, this site is the<br />
perfect location for Browns and provides shoppers with a place<br />
to dine once the shops have closed for the day.<br />
Harrison Senior Designer, Andrew Kirk, said:<br />
“Recently Browns Bar & Brasseries has started opening sites<br />
within new builds, usually within retail districts or shopping<br />
centres. These sites allow us to add a new facet to the Browns<br />
Bar & Brasserie brand by modernising some of the traditional
elements of the brand so that we can create restaurants that are<br />
relevant to a different target market.<br />
“With this site being located next to Selfridges, a somewhat<br />
outrageous yet iconic landmark building, this new restaurant had<br />
to be as equally dynamic in its design so that it didn’t get over<br />
shadowed.<br />
“From a design point of view we got a great deal of enjoyment<br />
out of trying to fit the Browns style into this site and it made this<br />
a very interesting project to be a part of.<br />
“We had to design the interior to look very organic in its shape<br />
and then we introduced a fully reclaimed bar feature on the<br />
ground floor to create a focal point for the restaurant. Although<br />
the building was new, we didn’t eliminate the sense of history<br />
that Mitchells & Butlers like to maintain within the brand and we<br />
made sure to include reclaimed materials where possible within<br />
the site.<br />
“Along with the Bullring, we’ve also completed work at Bluewater<br />
shopping centre in Kent and there are more restaurants in retail<br />
areas in the pipeline.”<br />
Browns Bar &<br />
Brasserie Manchester<br />
Browns Bar & Brasserie Manchester opened in January 2011<br />
on the corner of York Street and Spring Gardens. When the site<br />
opened, it marked the first time in eight years that a Browns Bar<br />
& Brasserie had opened outside of London.<br />
The building is a Grade II Listed structure that was built in<br />
1902 by architect Charles Heathcote and it was chosen to<br />
house Manchester’s Browns Bar & Brasserie due to its historic<br />
significance.<br />
Spread out over a ground floor and basement level, the<br />
Manchester site is a 265-cover restaurant that serves breakfast,<br />
lunch, afternoon tea and evening meals. Browns Bar & Brasserie<br />
Manchester is also surrounded by a number of high-profile<br />
eateries including Rio Ferdinand’s restaurant Rosso and Jamie<br />
Oliver’s diner, Jamie’s Italian.<br />
Prior to housing the restaurant, the site was a former bank<br />
and many of the site’s existing features were therefore retained,<br />
restored and incorporated into the finished design. A wood<br />
panelled manager’s office was retained and transformed into an<br />
intimate private dining room, whilst ornate ceilings and marble<br />
pillars were cleaned and given a new lease of life.<br />
Additional features include an island drinks bar located within<br />
the centre of the restaurant and a grand piano, which in turn<br />
provides diners with sophisticated sounds as they dine.<br />
Harrison Senior Designer, Andrew Kirk, said:<br />
“As Browns Bar & Brasserie Manchester was installed into a<br />
Grade II listed building, a large amount of the existing features<br />
– including a great deal of the original light fixtures – couldn’t be<br />
altered.<br />
“These features became necessary design considerations that<br />
we had to incorporate into the overall style of the restaurant,<br />
however instead of creating problems we saw this as a way to<br />
add character to the site.”<br />
“I’ve worked on a number of Browns Bar & Brasseries alongside<br />
my design partner Joanne Tedstone and one of the most interesting<br />
aspects of our job is watching the brand continue to evolve.<br />
“All of the sites have their own unique character and present<br />
their own individual challenges, but one of the most enjoyable<br />
elements for us is that we get to take an existing design and give<br />
it a new twist to suit each site.”<br />
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53
Revolutionary<br />
cuisine<br />
54<br />
Prem<strong>ier</strong>Hospitality<br />
October2012
evised by top Spanish Chef Omar Allibhoy, Tapas<br />
Revolution is a brand new concept in eating which<br />
brings traditional tapas dining to high-profile<br />
destinations. To date, Tapas Revolution has two sites –<br />
Westfield and Bluewater – both situated conveniently in shopping<br />
centres and both are proving very popular with customers.<br />
DG Professional was the main contractor on both sites, whilst<br />
Brighton-based design company Design LSM provided all of the<br />
design work for the restaurants.<br />
DG Professional Interiors Company Director, Alan Masters, said:<br />
“Tapas Revolution is a new concept in dining from Omar Allibhoy<br />
and launched in 2010 with Tapas Revolution Westfield. The first<br />
site opened to great success so the concept was then quickly<br />
replicated a year later with Tapas Revolution Bluewater.<br />
“With both sites proving very popular Tapas Revolution is now<br />
looking at additional sites in other shopping centres to expand<br />
upon this success.”<br />
Omar Allbhoy added:<br />
“The idea for a ‘neighbourhood Spanish tapas restaurant and<br />
bar was born out of my dream to bring a taste of the casual,<br />
convivial style of a Spanish all day bar to London; in other words,<br />
to share the everyday, authentic eating habits of my life in Madrid.<br />
“Our tapas, vino and cervezas are typical of those you will find<br />
in any barrio in my hometown. From the aged Jamon de bellota<br />
with a glass of Rioja, to a simple bocadillo; our fayre is meant to<br />
be shared, at any time of the day and any occasion.”<br />
The £500,000 Tapas Revolution Westfield site opened in<br />
December 2010. The site comprises a central kiosk and seating<br />
for 48 customers. The main materials of the bar include an oak<br />
facia with a polished pewter top, and steel lighting gantries and<br />
Tapas Revolution signage situated on top of the bar.<br />
DG Professional Interiors produced CAD drawings for the<br />
site and constructed the bar off-site at their factory based in<br />
Nottingham. The bar was then transported in sections which<br />
were reassembled in-situ, with the pewter top seamlessly joined<br />
together before signage and lighting was installed.<br />
The kitchen area is situated behind the scenes and was fitted<br />
with full amenities including gas, water, drainage and associated<br />
mechanical works.<br />
Alan Masters said:<br />
“As we were working within the confines of a shopping centre all<br />
of the deliveries were made out of hours and we worked behind
56<br />
hoardings to shield the work from the public.<br />
“Although the time allocation was extremely<br />
tight with design decisions being adapted and<br />
changed as the need arose, DG Professional<br />
Interiors met the challenge and the project was<br />
implemented within the designated timescales.”<br />
Following the success of the Tapas Revolution<br />
Westfield, DG Professional Interiors was once<br />
again appointed main contractor on Tapas<br />
Revolution Bluewater.<br />
The 48-cover Tapas Revolution Bluewater<br />
site opened in December 2011 and comprises<br />
a large kiosk with seating located around the<br />
outside. Tapas Revolution Bluewater includes a<br />
remote kitchen – where all of the food is freshly<br />
prepared – and includes a stunning display<br />
case highlighting the brand’s impressive array<br />
of hams.<br />
Whilst the Bluewater site is very similar to the<br />
site in Westfield, Tapas Revolution Bluewater<br />
also includes booth seating which was a new<br />
idea incorporated into the site’s design.<br />
Alan Masters said:<br />
“We have worked with Design LSM for quite<br />
some time and due to this long running working<br />
relationship it was Design LSM who put us<br />
forward for Tapas Revolution Westfield. This<br />
allowed us to be involved from the early stages<br />
of the restaurant’s development.<br />
“We were very pleased to be involved with<br />
Tapas Revolution as they are an exciting brand<br />
and we look forward to being a part of their<br />
future success.”<br />
Tapas Revolution co-creator Omar Allibhoy is<br />
a 27-year old Spanish chef, trained by Ferran<br />
Adria of El Bulli. Upon arrival in the <strong>UK</strong> Omar<br />
transformed the El Pirata Detapas into one of<br />
London’s best tapas restaurants before being<br />
shortlisted in 2010 for the OFM Young Chef of<br />
the Year Awards.<br />
Omar has appeared on Chef Gordon<br />
Ramsay’s television programme Ramsay’s<br />
Best Restaurant and is also a familiar face on<br />
Spanish TV.<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
MDB Plumbing (Nottm) Ltd<br />
MDB Plumbing (Nottm) Ltd is a nationwide company<br />
specialising in commercial plumbing and heating systems and<br />
gas works. The company has a wealth of experience garnered<br />
over many years from working on projects including various<br />
outlets at the Westfield Shopping Centre in Stratford, Harrods<br />
Food Court, Costa Coffee shops, Lacoste Flagship store,<br />
KFC and we provide both responsive and contract works for<br />
various local authorities.<br />
For Tapas Revolution, MDB Plumbing (Nottm) Ltd successfully<br />
installed the commercial gas -complete with cook safe system<br />
in the kitchen, making it fit for catering purposes including<br />
pressure testing and purging of all pipe work, hot and cold<br />
water systems and hot water cylinder.<br />
The water systems were cleaned and chlorinated before<br />
practical completion, giving the client confidence of a healthy<br />
water system.<br />
Nick Belshaw, MDB Plumbing (Nottm), said:<br />
“I am extremely proud of the level of growth we have achieved<br />
over the last few years, which is due to the outstanding service<br />
we provide. This, coupled with competitive rates and our<br />
dedicated work force, ensures our reputation as an efficient<br />
and reliable company will continue to grow.<br />
“At MDB Plumbing (Nottm) Ltd, we endeavour to provide<br />
every client, large or small, with an outstanding service at a<br />
very competitive rate.”
ping pong<br />
With a delicious offering of freshly<br />
prepared dim sum, Ping Pong<br />
provides a mouth watering dining<br />
experience at an affordable price.<br />
this way of thinking by creating an all-day dim sum restaurant<br />
where we could serve good healthy food at an affordable price<br />
and within a great environment.<br />
“We took the traditional Chinese concept and developed it into<br />
The brand has nine sites in London – including a modern and contemporary design. Our restaurants appeal<br />
Soho, St Christopher’s Place and Southbank – to the 25 – 35 year old urbanite and we launched in London as<br />
and a number of international sites in Brazil, the it allowed us to develop our brand in one location before we<br />
Middle East and the USA.<br />
decided to branch out further afield.”<br />
All of the food on the Ping Pong menu is The two most recent sites to open in the Ping Pong portfolio are<br />
freshly prepared and in keeping with traditional Ping Pong Brazil 2 and Ping Pong Washington 2.<br />
methods of cooking the dim sum is served in a Ping Pong Brazil 2 opened in 2011 and is situated in a shopping<br />
steam basket. The brand launched in 2005 to mall. The 100-cover restaurant includes a number of stunning<br />
great success and most recently opened two features which mix a traditional Chinese flavour with a very<br />
new sites in Brazil and Washington.<br />
Brazilian spirit.<br />
Ping Pong Marketing Manager, Artem Artem said:<br />
Sagiryan, said:<br />
“We had not set up a Ping Pong restaurant in a shopping mall<br />
“When we first launched the Ping Pong brand before so Ping Pong Brazil 2 provided us with a very interesting<br />
in London no one outside of China Town was new experience.<br />
serving dim sum and even those that were had “We played around with the space that we had available – to<br />
chosen to cater more towards the Chinese make it seem as if it was an outdoor restaurant rather than an<br />
customer. At Ping Pong we wanted to change indoor site – and it worked perfectly.”<br />
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Prem<strong>ier</strong>Hospitality<br />
October2012
Following the launch of the new site in Brazil a second restaurant<br />
opened in 2011 in Washington.<br />
Ping Pong Washington 2 is a 250-cover restaurant situated<br />
across a single floor of a six-storey building. The site was<br />
launched following the success of Ping Pong Washington 1 in<br />
2010 – the first Ping Pong restaurant in North America – and is<br />
proving as equally popular as its neighbouring restaurant.<br />
Features of Ping Pong Washington 2 include oak tables, a soft<br />
amber lighting scheme and outside seating.<br />
Leading interior design practice MACH was the interior design<br />
architect on Ping Pong Washington 2.<br />
Discussing the company’s involvement with the site MACH<br />
Company Founder David Marquardt, said:<br />
“Ping Pong Washington 2 proved to be a little challenging as the<br />
site was located within a triangular building. However instead of<br />
worrying about the space that we had we decided to work with<br />
the existing shape to create a very unique and interesting design<br />
layout. We placed the kitchen at the back, where the triangular<br />
shape is at its largest, and then we created a round bar towards<br />
the front of the building to present a very striking feature.<br />
“We look at the core of the brand when we are creating our<br />
design. The core of Ping Pong’s theme is old bay dining and a key<br />
factor is the dumplings, the idea of steamed food and of course<br />
traditional Chinese heritage.<br />
“Traditionally dim sum is served on round tables so it was also<br />
important for us to incorporate this idea into the restaurant. A lot<br />
of design ideas we sourced were from watching how customers<br />
interact with each other within Ping Pong restaurants. There is a<br />
very social element to this brand, where diners share their food<br />
amongst each other, which makes eating out at Ping Pong an<br />
event.<br />
“We don’t design a restaurant for someone who goes once; we<br />
create designs for frequent diners. Ping Pong is an affordable<br />
way to dine so we want diners to be surprised that they are<br />
getting more out of their restaurant than they pay for.<br />
“The market has already been developed for this brand and now<br />
Ping Pong has room to grow.”<br />
MACH<br />
MACH is an international architectural<br />
practice based in Zurich. The company was<br />
founded in 2000 by David Marquardt and<br />
Jan Fischer and has worked with a range<br />
of clients including TOTO, The Blackstone<br />
Group, IWC and Ping Pong.<br />
MACH believes in three simple principles:<br />
that form should add lasting value to a<br />
project; that practical elements should<br />
ensure efficiency; and that designs should<br />
create timeless spaces. The practice also<br />
works closely with leading craftspeople –<br />
from carpenters to lighting engineers – to<br />
create buildings that incorporate traditional<br />
design aesthetics with modern concepts.<br />
MACH was involved with the original design<br />
concept for the very first Ping Pong site in<br />
2005 – Ping Pong Soho – where the practice<br />
devised a design which incorporated a<br />
clean, open layout that allowed 60% of the<br />
restaurant to be used as a dining area. The<br />
practice then installed traditional handcarved<br />
furniture, large Swiss oak tables and<br />
onyx glass centrepieces all of which helped<br />
to create a hugely successful restaurant.<br />
Following the success of Ping Pong Soho,<br />
MACH worked on a number of sites, including<br />
Dubai, Brazil 1 and 2 and Washington 1 and 2.<br />
For more information on MACH,<br />
please visit: www.macharch.ch.<br />
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October2012
Thai restaurant chain Busaba Eathai, conceived by Alan<br />
Yau, now boasts ten restaurants across London and the<br />
South East.<br />
Since the first restaurant opened in 1998, the brand<br />
has expanded throughout London and there is now a restaurant<br />
outside the capital, in Bicester Village shopping outlet in<br />
Oxfordshire.<br />
The diverse but simple menu offers a fresh and authentic<br />
selection of delicious Thai salads, noodles, curries and stir-fries.<br />
Over ten years since its inception, Busaba Eathai is renowned<br />
for its core cult following of loyal customers. The combination of<br />
its stylish interior, relaxed atmosphere and delicious food provide<br />
London with a youthful yet sophisticated dining venue which is<br />
increasing in popularity.<br />
The architect on all the Busaba Eathai restaurants is David<br />
Archer Architects, a London based firm established in 2002.<br />
The firm work on projects for the commercial, leisure and private<br />
residential sectors including the Sans Souci Hotel in Vienna and<br />
Arouba restaurant in Bournemouth.<br />
David Archer Architects have worked with various contractors<br />
on the ten restaurants, including Tekne and File Turn.<br />
Director David Archer said:<br />
“The interior has authentic design detailing, drawn directly<br />
from Thailand. The designs are drawn from traditional Thai<br />
buildings such as longhouses, using tropical architecture, Thai<br />
joinery details and rattan panels. The restaurants also often have<br />
operable facades onto the street.”<br />
Busaba<br />
Eathai<br />
expands<br />
“The restaurant revolves around square<br />
sharing tables that seat 10, with surrounding<br />
benches and pendant lampshades giving a<br />
warm, ambient light. The interior is lined with<br />
timber and rattan. We have also used renewable<br />
hard woods and teak table tops – we rely on a<br />
large joinery element in creating the character<br />
and ambience of each restaurant.<br />
“I think everybody working in the sector is alive<br />
to sustainability issues, as are we. In Bicester,<br />
we did heat reclaim from the hood in order to<br />
provide underfloor heating which perhaps went<br />
further than most.”<br />
Given the number of sites and variety of<br />
buildings, the design of each restaurant is<br />
different but retains some of the same features<br />
to reflect the Busaba Eathai brand.<br />
“According to the location, we adapt the<br />
design each time however we always use core<br />
spatial and seating concepts.<br />
“The restaurant on Panton Street was a Grade<br />
II listed neo-Georgian building by Sir Albert<br />
Richard which was an interesting building to<br />
work with. We retained the existing facade of<br />
the building and used the large sash windows<br />
to open onto the street. Bicester Village gave us<br />
a nine metre high steel shed to work with, which<br />
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was a complete contrast. We adapted the space to provide a<br />
characteristic tall, open longhouse.<br />
“The budget has varied for each restaurant as they seat between<br />
110 and 160 and are in a variety of buildings and locations.<br />
Although all the restaurants have gone into existing structures so<br />
we haven’t had any new build projects, but two of the restaurants<br />
are in the shopping centres at Westfield Stratford and Westfield<br />
Shepherds Bush which were new buildings. Increasingly we have<br />
looked at putting Busaba Eathai into new buildings.”<br />
The different areas of London in which David Archer has worked<br />
on Busaba Eathai have provided variety in terms of community,<br />
location and clientele.<br />
David said:<br />
“The outside terrace and summer dining at Bicester were<br />
always considered and introduced where possible in the other<br />
restaurants. Going into Westfield we have moved into new<br />
structures, whereas Hoxton and Soho are already incredibly<br />
vibrant for eating and drinking – they are operating in areas that<br />
already have really high footfall.<br />
“One of the difficulties of working in an intense retail environment<br />
is the speed with which the projects need to move and sometimes<br />
challenging access to the sites. In the Panton Street Grade II<br />
listed building, from an administrative and design point of view it<br />
meant more work, but from a practicality point of view it wasn’t<br />
more onerous than the other restaurants in newer buildings.<br />
Speaking about the project generally, David Archer recognises<br />
that it is a long held and trusting relationship with the client which<br />
has made the project a success.<br />
David said:<br />
“The design has developed over the last ten years and the<br />
constraints on our time have changed – we spent a long time on<br />
the development of the initial site, but on some of the Busaba<br />
Eathai restaurants we have times when we have had two or three<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Bridge Electrical<br />
Contractors Ltd<br />
Established in 1972, Bridge Electrical<br />
Contractors ltd is a family run business<br />
which has expanded steadily over the last 40<br />
years. With 14 employees they do varying<br />
amounts of refurbishment work for all the big<br />
name companies including refurbishments<br />
and new builds<br />
Clifford Bancroft has been Managing<br />
Director at Bridge Electrical Contractors Ltd<br />
for seven years. He said:<br />
“On Busaba Eathai we did all of the electrical<br />
installation. The units are a core shell fit out<br />
so it’s a blank canvas. Basically we carried<br />
out a full fit out to the clients design drawings,<br />
including the lighting system.<br />
“We have done previous projects with<br />
Busaba namely the restaurants in Leicester<br />
Square and Bicester. We are now working<br />
on our fifth restaurant with Busaba Eathai<br />
and we have been nominated by them as the<br />
preferred contractor to do this work on their<br />
restaurants.<br />
“We believe this repeat custom is down<br />
to our good honest work, good standard<br />
of finish and our ability to achieve client<br />
satisfaction.”
Proud Members of:<br />
Winners of the FCSI Special Award for Outstanding Project<br />
Management 2012 for Manchester Metropolitan University<br />
Combining tradition and innovation : Busaba Eathai<br />
Here at C&C Catering Equipment Ltd we’re immensely proud to<br />
have played a continued role in the success of the Busaba Eathai<br />
group of restaurants.<br />
‘Chok-dee-na’, as they say in Thailand. We wish you great success.<br />
1 Smithy Farm, Chapel Lane, Saighton, Chester, CH3 6EW Tel: 01244 625170 www.wemakeithappen.co.uk<br />
‘Bridge Electrical Contractors<br />
are proud to have worked on the<br />
Busaba Restaurant’.<br />
Bridge Electrical has been established since 1972 and are members of the<br />
NICEIC and ECA.<br />
We carry out a large range of electrical works, including:<br />
Domestic, Commercial, Industrial, Testing & Inspection, PAT testing<br />
Contract distances range from working in Newquay, Cornwall to Lake<br />
Windermere, Cumbria.<br />
Previous projects include working for hospitals, hotels, local government,<br />
schools, retail and leisure, office refurbishments with contracts ranging from<br />
£1,000 to £225,000.<br />
Tel : 0118 9797 138<br />
E Mail : info@bridgeelectricals.co.uk<br />
www. bridgeelectricals.co.uk<br />
Bridge Electrical Contractors<br />
Unit 5 Forest Court, Oaklands Park, Wokingham, Berkshire, RG41 2FO<br />
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other projects on. Luckily as the main concept is adaptable we<br />
have been able to work successfully on these restaurants.<br />
“We are currently working on a sister restaurant named Naamyaa<br />
which will expand the brand outside London. It is important to<br />
us to have been involved in the development and creation of a<br />
vibrant, attractive, imaginative business that’s active across<br />
London.<br />
“Really what’s been good is that it’s been an ongoing relationship<br />
with the client for 10 years and it has been great to sustain.”<br />
C&C Catering Equipment have worked alongside David Archer<br />
Architects in the installation of all of Busaba’s restaurant kitchens.<br />
Completed to very tight project timescales, with a very clear view<br />
of the quality demanded by the client, C&C have been able to<br />
adapt the kitchen installations to each of the restaurant’s unique<br />
architectural requirements.<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
“Really what’s been good<br />
is that it’s been an ongoing<br />
relationship with the client<br />
for 10 years and it has<br />
been great to sustain.”<br />
Pure CF<br />
Pure CF specialise in the design,<br />
manufacture and installation of high quality<br />
contract tables, chairs, banquette seating,<br />
wall panels, cabinets, bars, headboards and<br />
mirrors for top leisure brands, restaurants,<br />
hotels, bars and clubs.<br />
The business has grown over 29 years, from<br />
a single factory to having five operational<br />
sites for production, offices, meeting suites<br />
& showrooms.<br />
Paul Gill, Managing Director at Pure CF said:<br />
“As well as Busaba, we have worked with<br />
Gaucho, Bill’s, Jamie’s Italian, Google,<br />
Strada, Cafe Rouge, Bella Italia, Cote<br />
Restaurants, Wagamama, Nando’s, Marks<br />
& Spencer, Villandry, Hix Restaurant,<br />
Tramshed and many more.<br />
“At Busaba we manufactured the bespoke<br />
tables and benches as well as all of the<br />
cabinets. We are always very proud to work<br />
with top restaurant groups & customers such<br />
as Busaba. We have worked hard to build a<br />
strong working relationship with them in<br />
order to understand their needs and to be<br />
able to provide the products, services and<br />
quality they expect.<br />
“We pride ourselves on working closely<br />
with our customers and understanding their<br />
needs for support on a project. Our highly<br />
skilled cabinet makers and upholsterers<br />
work to deliver projects on time and to the<br />
design specification required. This approach<br />
has led to the continued growth of the<br />
company and successful partnerships with<br />
top leisure brands.”
C & G Security Solutions<br />
C & G Security Solutions specialise in<br />
integrated systems covering all security<br />
requirements and partners Rob Garbutt and<br />
Martin Cole have over 50 years experience<br />
between them.<br />
Previous and current clients include The<br />
Royal family of Dubai, De La Rue, Canali, D &<br />
G and various London Hotels and restaurants<br />
including Hakkasan, Chrysan, Yauatcha, The<br />
Galvin Brothers (La Chappelle and Galvin<br />
bistro), KFG, Cha Cha Moon and Hix.<br />
Rob Garbutt from C & G Security said:<br />
“On Busaba Eathai we commissioned and<br />
installed the fire, intruder CCTV and access<br />
control systems.<br />
“All new Busaba projects are important to<br />
us as each site and restaurant is different<br />
and the security systems are personally<br />
designed closely with the client and their<br />
wishes.<br />
“We always provide the personal touch<br />
and work closely with architects, giving a<br />
reliable service to all our customers. We are<br />
firm believers that if the client is happy, then<br />
recommendation and new clients will follow.<br />
Much of our business is from repeat clients<br />
and through word of mouth, showing our<br />
excellent reputation in the industry.”<br />
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MASH comes<br />
to London<br />
MASH –Modern American Steakhouse – has<br />
found great success in its native Denmark,<br />
with four restaurants opening since 2009. Now<br />
the restaurant, which first opened its doors in<br />
Copenhagen in 2009, is coming to London.<br />
Using inspiration from traditional American Steakhouses, MASH<br />
serves large steaks cut from some of the best cattle in the world.<br />
The food is accompanied by an amazing wine list to match the<br />
high quality beef, and a design that enhances the experience.<br />
Through MASH’s expertise, ambition, enthusiasm and<br />
professionalism they are keen to be known as one of the world’s<br />
best steak houses and their expansion into London will help to<br />
bring the brand to a wider audience.<br />
The London restaurant is being opened within the building of<br />
the Regent Palace Hotel near Piccadilly. As a Crown Estate’s<br />
building, the whole site has been redeveloped and the art deco<br />
1930’s interior painstakingly restored.<br />
The main contractor on the project is Newman Scott Ltd and the<br />
architect is Herbert and Duncalf Design. The project manager is<br />
Push Design Ltd<br />
Michael Duncalf from Herbert and Duncalf design, who have<br />
worked on all five MASH restaurants, told Prem<strong>ier</strong> <strong>Construction</strong><br />
about the project. He said:<br />
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Prem<strong>ier</strong>Hospitality<br />
October2012
“We are proud to be a part<br />
of the whole MASH concept<br />
in Denmark and now in the<br />
centre of London.”<br />
Nijboer Interieur Design began when Rene Nijboer started<br />
making kitchens and cabinets in an old chicken shed. 20 years<br />
later, Nijboer have a beautiful of� ce, factory and employ more<br />
than 40 staff.<br />
They specialise in almost every aspect of interior building,<br />
from of� ce buildings, theaters and restaurants to living rooms<br />
and kitchens. Nijboer Interieur Design have worked with some<br />
internationally known � rms like the Amsterdam Arena and<br />
Ajax, Van der Valk Hotels and Centre Parcs. They also make<br />
furniture for a number of television shows in the Netherlands.<br />
Nijboer Interior & Design<br />
Het Fiester 26, 81<strong>06</strong> PP Marienheem,<br />
Postbus 178, 8100 AD Raalte, The Netherlands<br />
Tel : 0031 572363419<br />
Fax : 0031 572363418<br />
www.nijboer.nl<br />
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“We first looked at the Brewer St location for Copenhagen<br />
Concepts at the end of December 2011. At that point The Crown<br />
Estate were searching for the for a suitable occupant for such a<br />
high profile location. Early in 2012 we undertook a preliminary<br />
design scheme for MASH to see how the concept would fit within<br />
the space from both a master planning and brand perspective.<br />
Following MASH securing the lease in early spring 2012, they<br />
commenced full scheme design and put in place a project team.<br />
“ We commenced on site in June and the project is due for<br />
completion by middle of October, following handover to the client<br />
there will be a two weeks of set up and staff training and MASH<br />
London will open at the beginning of November 2012”<br />
Due to the listed status of the building, everyone involved on the<br />
project has worked hard to create a space which is sympathetic<br />
to the listed interior.<br />
Michael said:<br />
“There were two listed interiors within the Regents Palace<br />
Hotel, one of which was the carvery restaurant ‘Titanic’ designed<br />
in mid 1930’s in the Art Deco style by Oliver Bernard. This interior<br />
is the main dining room within MASH.<br />
“As a part of the redevelopment of the site by The Crown Estate<br />
and Dixon Jones, the listed interiors were carefully removed,<br />
renovated and reinstated under the auspices of Donald Insall<br />
Associates. We’ve been working closely with both The Crown<br />
Estate and Donald Insall to ensure that our design proposal<br />
is sympathetic and in keeping with the listed elements of the<br />
building.”<br />
The restaurant is spread over three floors – with customers<br />
entering on Brewer St before being transported down to the<br />
dining room and bar below. In total the restaurant covers 2000<br />
square meters- the main dining room is 800 square meters.<br />
Michael said:<br />
“In the dining room itself, because we’ve have this amazing listed<br />
interior, the challenge was to communicate the MASH brand<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Florspec Ltd<br />
Florspec Ltd is a commercial flooring<br />
specialist working in the retail, shopfitting,<br />
commercial and new build sectors. With<br />
over 40 years of combined experience<br />
Florspec’s directors have worked for many<br />
blue chip companies and major high street<br />
brands including Next, Zara, Starbucks<br />
and restaurants such as Prezzo and<br />
Chimichanga’s.<br />
Director Mike Horner said:<br />
“On Mash we installed all the ceramic tiling,<br />
carpeting, timber and vinyl flooring. This was<br />
a big project, comprising over 450 square<br />
metres of timber flooring, over 500 square<br />
metres of carpet, 80 square metres of vinyl<br />
safety flooring and 600 square metres of<br />
ceramic tiling.<br />
“It was certainly a pleasure to work on a<br />
project with as much character to it. The<br />
timber floor areas incorporate some nice<br />
architectural features with sweeping curved<br />
steps and chevron designs which reflects the<br />
existing art deco features within the building.<br />
“As always, we used CSCS trained fitters<br />
on this project as we do with our other work<br />
all over the country. We’re a very solution<br />
orientated, proactive company with a high<br />
proportion of repeat order clients. I like to<br />
think that’s due to our emphasis on service<br />
and our directors being personally involved<br />
with every project.”
Newman Scott Ltd<br />
Newman Scott Ltd is one of the <strong>UK</strong>’s<br />
leading bespoke and specialist interior fit<br />
out companies. Established in 1993, quality<br />
shopfitting makes up the core of their<br />
business but they also work for a range of<br />
other clients such as restaurants and hotels.<br />
Managing Director Dave Smiddy said:<br />
“On MASH we basically managed the<br />
project. There is a lot of our own joinery<br />
involved because we have a large joiners<br />
shop up in the North East and we employed<br />
and managed every trade and therefore<br />
dozens of subcontractors.<br />
“It was a different project to work on<br />
because it is three floors below ground level,<br />
with all the inherent problems of getting<br />
people and materials down there. Also it is in<br />
a grade 2 listed building which has all been<br />
taken apart and re-built so there was lots<br />
of governing factors in that it was a limited<br />
building.<br />
“The restaurant had all sorts of issues to it<br />
as all jobs do but we see our ethos as taking<br />
all that worry away from the client, taking it<br />
on our own sold<strong>ier</strong>s and getting it sorted.”<br />
Ormesby<br />
Ltd<br />
Ceiling & Drywall Specialist<br />
Ormesby Ltd are proud to<br />
be associated with Newman<br />
Scott on the MASH Restaurant<br />
Project and wish them every<br />
success for the future<br />
Tel : 07960 355262<br />
Email : ormesby.ltd@sky.com<br />
Ormesby Ltd<br />
44 Muncastergate<br />
York, YO31 9JZ<br />
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language through the design of the furniture. We already had a<br />
wide palette of furniture, which we designed for the other MASH<br />
restaurants, but for this location we extended the palette and<br />
developed the design language to sit within the 1930’s interior.<br />
“In addition to the listed elements we have designed a number<br />
of dramatic new features; the helical stair, a elegant sweeping<br />
form which occupies the two storey entrance atrium and is offset<br />
by the MASH ‘brand totem’ and wine wall, the entire entrance<br />
experience reflects a more American style of 1930’s glamour.<br />
“On entering the main space the dramatic chrome and<br />
marble clad island bar defines the space and is flanked by two<br />
impressive meat vitrines. Within the dining room we have several<br />
wine display rooms, a mixture of table and booth seating, and<br />
two private dining rooms”<br />
Michael added:<br />
“Every project is important but it’s great to work on such a<br />
high profile restaurant in London. We have been working with<br />
the MASH client for about 10 years and we know them very well<br />
and are delighted to be working with them on there first venture<br />
outside Denmark”<br />
Prem<strong>ier</strong>Hospitality<br />
October2012<br />
Nijboer Interieur Design<br />
Nijboer Interieur Design began when<br />
Rene Nijboer started making kitchens and<br />
cabinets in an old chicken shed. 20 years<br />
later, Nijboer have a beautiful office, factory<br />
and employ more than 40 staff.<br />
They specialise in almost every aspect<br />
of interior building, from office buildings,<br />
theaters and restaurants to living rooms<br />
and kitchens. Nijboer Interieur Design have<br />
worked with some internationally known<br />
firms like the Amsterdam Arena and Ajax,<br />
Van der Valk Hotels and Centre Parcs.<br />
They also make furniture for a number of<br />
television shows in the Netherlands.<br />
Michiel Flapper said:<br />
“For the MASH restaurant in London we’re<br />
making all the custom furniture like bars,<br />
banquettes and waiter stations.<br />
“When we received the order to make the<br />
first MASH at Bredgade in Copenhagen<br />
we were enthusiastic and couldn’t wait to<br />
start on such a beautiful project. Since then<br />
we´ve worked on several MASH restaurants<br />
and have a good relationship with Herbert<br />
and Duncalf to make every mash restaurant<br />
in to something beautiful.<br />
“We are proud to be a part of the whole<br />
MASH concept in Denmark and now in the<br />
centre of London.”<br />
For more information on Nijboer Interieur<br />
Design and the services they provide, go to<br />
www.nijboer.nl.
Developing Mexican<br />
dining with Wahaca<br />
Mexican dining has undergone a radical<br />
transformation with the opening of two<br />
new Wahaca restaurants in London.<br />
Wahaca Southbank and Wahaca<br />
Charlotte Street are the latest editions in the Wahaca<br />
portfolio and serve the delicious traditional Mexican<br />
market food that has become synonymous with the<br />
brand.<br />
In a break from traditional construction methods,<br />
Wahaca Southbank has been constructed using a<br />
collection of shipping containers that are intertwined<br />
to form a fully operational diner. Meanwhile, Charlotte<br />
Street is the largest Wahaca restaurant in the <strong>UK</strong> and<br />
opened in the autumn of 2012.<br />
Main contractor for both projects is du Boulay<br />
Contracts Ltd, whilst Softroom is the architect.<br />
Softroom Director, Chris Bagot, commented:<br />
“Our involvement with the Wahaca brand dates back<br />
to 20<strong>06</strong>, before the restaurant chain had even launched.<br />
We were asked to create a Mexican restaurant that<br />
wouldn’t fall into the trap of employing typical Mexican<br />
clichés – and that’s exactly what we did.<br />
“Our task was to come up with contemporary design that was both<br />
interesting and stimulating whilst capturing the spirit and energy of<br />
Mexico.”<br />
Work began on Wahaca Southbank in November 2011 and was completed<br />
in June 2012. The overlying concept was to design a contemporary<br />
restaurant for London’s Southbank that could fit into the confines of the<br />
tight, yet very prestigious site. As a result, the restaurant was constructed<br />
using two rows of shipping containers each measuring 2.4 metres in height.<br />
Chris Bagot commented:<br />
“The Southbank is a fantastic location for Wahaca, however as we didn’t<br />
have the space to create a full-sized Wahaca restaurant we had to rethink<br />
the concept - which is when the shipping container idea was conceived.”<br />
The back row of containers houses many of the practical elements of the<br />
restaurant, including the kitchens, bar and wash rooms. Seating areas,<br />
dining rooms and the lounge bar are housed in the front containers. The<br />
restaurant is fully fitted with bespoke furniture and all of the finishes are in<br />
keeping with the Wahaca style.<br />
An external area at the site houses an alfresco dining space complete<br />
with timber decking and seating.<br />
Chris Bagot said:<br />
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“We don’t know how long the restaurant will be here, but we<br />
have plans in place for when the site is officially closed.<br />
“By making the restaurant out of shipping containers, we hope<br />
to be able to deconstruct the site and reconfigure it at a new<br />
location. It is impossible to say how we will reuse the components<br />
but it certainly has potential and this is what has made Wahaca<br />
Southbank financially viable.”<br />
To continue the impressive expansion of Wahaca, work was<br />
recently completed on Wahaca Charlotte Street. Work began in<br />
March 2012 and reached completion in August.<br />
The restaurant is spread over three floors and as well as offering<br />
diners a place to relax and enjoy the delicious food, a separate<br />
takeaway service was also installed on the site. The basement<br />
level comprises the kitchen and back of house services, whilst<br />
the ground floor is reserved for dining and the takeaway counter.<br />
The first floor of the Charlotte Street site houses a stunning<br />
cocktail bar.<br />
Chris Bagot said:<br />
“Wahaca Charlotte Street was formerly three houses that have<br />
been reconfigured into one site, and it is completely different to<br />
Wahaca Southbank in almost every way.<br />
“In conceiving the design of any restaurant, we always try to<br />
emphasis what the building was originally and then use our<br />
imagination to release the potential. Charlotte Street could<br />
become the most important Wahaca that we have been involved<br />
with, and it is certainly the largest.”<br />
“Working with Wahaca enables us to employ our broad range<br />
of skills and experiences. The finished result really is a big<br />
achievement for us and makes all of the hard work worthwhile.”<br />
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T R Mechanical<br />
Services Ltd<br />
T R Mechanical Services Ltd has been a part<br />
of the Wahaca team since 2009, when they<br />
worked together on Wahaca Canary Wharf.<br />
Southbank is the company’s 6th Wahaca<br />
restaurant and is without a doubt the most<br />
unusual design that T R Mechanical Services<br />
Ltd has ever been involved with.<br />
Each Wahaca is different and provides<br />
T R Mechanical Services Ltd with a new<br />
challenge in getting the correct and most<br />
energy efficient performance from the<br />
ventilation and air conditioning systems.<br />
When designing the mechanical systems<br />
T R Mechanical Services Ltd are very<br />
sensitive to Wahaca’s environmental policy<br />
and they ensure the kitchen extract passes<br />
through various stages of filtration to<br />
eliminate odours, smoke and grease before<br />
discharging to the atmosphere.<br />
Whenever possible T R Mechanical<br />
Services Ltd also recover the lost heat from<br />
the kitchen extract and transfer it to the fresh<br />
air intake during the colder months. This<br />
helps to reduce Wahaca’s carbon footprint<br />
and save money.
Hawksmoor<br />
spreads its wings<br />
Hawksmoor is a British steakhouse and cocktail bar<br />
that combines high-end dining with a distinctly British<br />
flavour. The chain currently has three restaurants in<br />
the <strong>UK</strong>, all of which are located in London, and with<br />
ambitious expansion plans to take restaurants across Europe<br />
and further afield, Hawksmoor is a name that is flying high.<br />
Located next to the Bank of England in the heart of the capital,<br />
the £2 million Hawksmoor Guildhall is the chain s latest offering<br />
and celebrates a unique eating experience for diners.<br />
The restaurant opened its doors in October 2011 after a 12week<br />
redevelopment operation that saw the former basement<br />
transformed into a luxurious eating establishment. Visually the<br />
site takes references from many iconic and nostalgic buildings of<br />
the past, which is reflected throughout the lavish layout.<br />
Main contractor for the Hawksmoor Guildhall project was du<br />
Boulay Contracts Ltd, whilst Macaulay Sinclair was the interior<br />
architect. Chapman Ventilation was the mechanical engineer and<br />
the structural engineer was Hemsley Orrell Partnership (HOP).<br />
A key element of the Guildhall redevelopment was the extensive<br />
use of reclaimed materials, which has given the building a unique<br />
sense of character. When diners sit down to eat, they will instantly<br />
feel a certain sense of familiarity within their surroundings and<br />
this is a key theme that Hawksmoor’s owners are keen to push.<br />
Hawksmoor Company Owner, Will Beckett, said:<br />
“Working on the interior was a really detailed process. We<br />
trawled salvage yards to pick up the right lights and fittings – the<br />
specimen cabinet doors are from the Natural History museum,<br />
whilst the glass doors are from a university arts building.<br />
Authenticity was so important.”<br />
Hawksmoor Company Owner, Huw Gott, added:<br />
“It’s always important to us to stay relevant to the building. We<br />
definitely shared an aesthetic of how we wanted the design to<br />
reflect the heritage of the space and I love our private room at<br />
Guildhall – it’s like an old bank boardroom.”<br />
Macaulay Sinclair Company Director, Mike Sinclair, said:<br />
“From a design point of view, the interior work certainly offers<br />
many challenges. Essentially what we are doing is picking up<br />
something that is already hugely successful<br />
and then tweaking it in just the right way so that<br />
it remains equally as successful whilst at the<br />
same time being visually different.<br />
“We want the customer to have a completely<br />
new experience at every location and we<br />
want to create a real sense of authenticity to<br />
the building. Although it’s a fairly new site, we<br />
wanted Guildhall to look as if it has always been<br />
a restaurant.”<br />
Work began on transforming Hawksmoor<br />
Guildhall in September 2011. The site boasts<br />
257 covers and comprises a restaurant, a<br />
private dining room and a bar.<br />
Prior to the redevelopment taking place<br />
the 6,000 sq ft site was an empty shell that<br />
comprised concrete floors and breeze block<br />
walls. However, after just twelve weeks the site<br />
was radically transformed in order to create a<br />
true melting pot of styles.<br />
The once dull and lifeless shell was given<br />
a new lease of life with glazed brick tiles and<br />
teak parquet flooring, whilst timber panelling –<br />
sourced from reclaimed cabinet doors – covers<br />
the walls to create a style reminiscent of the<br />
Victorian era.<br />
A brand new ceiling was installed using ornate<br />
plaster, whilst Portland stone and cast iron<br />
banisters have transformed the staircase.<br />
All of the doors in the building were fitted<br />
using reclaimed mahogany, whilst the bar<br />
was sourced from a bank in the Netherlands.<br />
Additional features include a walk-in wine room,<br />
art deco light fittings and leather upholstery.<br />
The external facade of the building has<br />
also undergone a fabulous makeover with<br />
the installation of a brand new entrance that<br />
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“Moving forward, we have<br />
another <strong>UK</strong> site in the pipeline.<br />
Every Hawksmoor restaurant<br />
will also retain its individuality,<br />
so the next site that we are<br />
involved with will be nothing<br />
like Guildhall, in the same way<br />
that Guildhall was nothing<br />
like the previous site.”<br />
features solid timber doors and glazed panels.<br />
Copper signage and menu displays were also<br />
fitted to the front of the building.<br />
Mike Sinclair said:<br />
“It is fantastic to be involved with Hawksmoor<br />
as every project we undertake is different. Will<br />
Beckett and Huw Gott are very passionate<br />
about what they do and they employ likeminded<br />
people, which allows us to be hugely<br />
creative when it comes to the design of the<br />
restaurant.<br />
“We’re very hands on with each restaurant and<br />
there isn’t much that we don’t get involved with.<br />
We provide bespoke designs for the light fittings<br />
and furniture, we procure items and we bring all<br />
of the right people together to make sure that<br />
we have a strong team on site. We also make<br />
sure that we use traditional building methods<br />
that incorporate a very British sensibility to the<br />
finished design.<br />
“Moving forward, we have another <strong>UK</strong> site<br />
in the pipeline. Every Hawksmoor restaurant<br />
will also retain its individuality, so the next site<br />
that we are involved with will be nothing like<br />
Guildhall, in the same way that Guildhall was<br />
nothing like the previous site.”<br />
Will Beckett & Huw Gott, said:<br />
“When we started out we had a simple plan<br />
– to open the best steak restaurant in London.<br />
“We travelled the world, from steakhouse<br />
to steakhouse, searching for the perfect<br />
steak. However, we discovered that beef from<br />
traditional breeds reared the old fashioned way<br />
right here in Britain and cooked simply over real<br />
charcoal packed more flavour than anything we<br />
tried on our travels.<br />
“Although we’ve had plenty of ‘best steak<br />
in London’ plaudits, we’re not resting on our<br />
laurels. We want diners to have a fantastic meal<br />
and most of all to enjoy themselves whilst they<br />
are with us.”<br />
Hawksmoor Seven Dials<br />
Seven Dials is Hawksmoor’s second site and is located within the<br />
former Watney-Combe brewery. The restaurant is conveniently<br />
located just a three minute walk from Covent Garden station<br />
and just like Guildhall, the eatery offers high-end dining in a very<br />
unique setting.<br />
The £1.5 million restaurant opened in November 2010 and<br />
merges many of the building’s original features with the stunning<br />
glitz and glamour of London’s West End. Seven Dials caters for<br />
128 diners in the main restaurant with an additional 50 covers in<br />
the cocktail bar.<br />
Interior details include reclaimed parquet flooring, oak panelling,<br />
exposed brick work, Victorian cast iron columns and a brick<br />
barrel-vaulted ceiling. The tiles are sourced from the London<br />
Underground and the tables are built from reclaimed timber.<br />
Mike Sinclair said:<br />
“Seven Dials is very different from Guildhall and the first<br />
Hawksmoor site, Spitalfields. When we worked on the site we<br />
had quite a lot of existing features to work with and this allowed<br />
us to introduce new elements that could really make the old<br />
building shine.<br />
“Seven Dials is very reflective of its location and incorporates<br />
many elements that diners would expect to find in the West End,<br />
including lots of crystal glass and pewter. Just like with every<br />
other site, we incorporated an element of its surroundings to<br />
effectively hang its coat on.”<br />
Hawksmoor Spitalfields<br />
Located on Commercial Street, just a short walk from Liverpool<br />
Station, Spitalfields opened in 20<strong>06</strong> to become the first<br />
Hawksmoor restaurant.<br />
The menu offers belly-rumbling British meat cooked on a real<br />
charcoal grill, alongside a varied selection of wines, locally<br />
brewed beers and enticing cocktails.<br />
Hawksmoor Spitalfields is where the brand first made a name<br />
for itself and the site has recently undergone a number of<br />
improvements.<br />
The refurbishment works included expanding the site<br />
downwards to introduce an exclusive cocktail bar in the basement<br />
of the building. The bar incorporates copper and brass to give it<br />
a 1920s edge, whilst one wall makes use of a set of lift doors that<br />
were formerly used in the Unilever House in Embankment.<br />
Hawksmoor Company Owners, Will Beckett & Huw Gott, said:<br />
“The bar has a little more old-school glamour than anything<br />
we’ve done before. No chi-chi cocktail bar food though, instead<br />
we’ve put together a menu of things we like to eat with a few<br />
drinks when we’re not in a big steak kind of mood.”<br />
Macaulay Sinclair Company Director, Mike Sinclair, added:<br />
“Spitalfields traded for four years before Seven Dials opened<br />
in 2010 and in that time the restaurant gained a great reputation<br />
for its great food and unique design, however more recently<br />
there has been a number of incremental refurbishment works to<br />
update the site.<br />
“We’re slowly introducing some of the design elements that<br />
were used in Guildhall and Seven Dials to infuse the site with a<br />
slightly new vibe and it’s proving just as successful as ever.”<br />
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As one of Manchester’s most stylish<br />
and popular restaurants, Australasia,<br />
in the city’s trendy Spinningfields<br />
district, has wowed customers with<br />
its delicious food and unique surroundings.<br />
The tag line ‘A stylish but laid back slice<br />
of modern Australian life, down-under in<br />
Manchester’ provides a clue to what makes<br />
Australasia unique – the fact that it is entirely<br />
underground.<br />
Michelle Derbyshire, who worked as lead<br />
Interior Designer on Australasia, said:<br />
“The restaurant location is underground so<br />
there is no natural light; I had to think how I<br />
was going to transform the space to feel like<br />
Australia and South East Asia. Normally when<br />
you think of an Australian space you think of it<br />
being light and airy with lots of natural light, so<br />
the initial space was the exact opposite.”<br />
The design process began in August 2010,<br />
with the building work beginning in February<br />
2011. The restaurant opened at the end of May<br />
2011. The total value of the project was around £1.3 million.<br />
The main contractor was ABM Pro. Michelle Derbyshire and<br />
Living Ventures in-house designer Edwin Pickett worked on the<br />
architecture and design.<br />
Michelle Derbyshire said:<br />
“I was engaged to do the concept design and came up with the<br />
overall look and feel of the space. Working with Tim Bacon, the<br />
Managing Director of Living Ventures was great as we are both<br />
Australian, so there were no issues with my points of reference.<br />
“It’s quite difficult to work out what is Australian without being naff<br />
and having obvious references – we didn’t want to have koala’s<br />
hanging from trees. I approached the project wanting to give<br />
the feeling of being in Australia rather than an ‘Australian’ look. I<br />
wanted to convey a warm, relaxed, chilled feeling –like you were<br />
in on holiday in Sydney.<br />
“I was keen to have a lot of texture in the space so I used<br />
ghost wood trees with Slimbrick cladding on the walls. We also<br />
used a special Slimbrick lime wash on the project, which is what<br />
made the space come to life along with the faux white washed<br />
beams. I used a lot of relaxed and natural looking products,<br />
such as Dinesen Douglas Fir on the floor which gave it a glowing,<br />
vanilla look.<br />
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“I also used concrete and aged zinc for contrast cooler<br />
elements. For the back bar, Atel<strong>ier</strong> Joinery Ltd did a wonderful<br />
job. I used Singapore – with its British Colonial history – as the<br />
basis of my inspiration, as well as the Raffles Hotel which opened<br />
in Singapore in 1887. This inspiration is reflected in the bookcase<br />
bar and the paneling within the restaurant.<br />
Given the restaurant is underground Michelle also had to<br />
consider how to attract people into the space, given the lack of a<br />
shop-front presence on the street.<br />
“We decided to go with the concept of less is more, installing<br />
an understated glass pyramid on the street. The concrete stairs<br />
flanked in back lit Amberlite leading down to the restaurant give<br />
a feeling of almost walking through the core of the earth – quite<br />
literally walking down under.<br />
“Australasia was a great project which I was passionate about<br />
from the start. Working on a new restaurant concept with such<br />
a wonderful client as Living Ventures was both interesting and<br />
enjoyable. It’s been well received and as a result of that I’ve had<br />
a lot of enquiries. I’m currently working for another project for<br />
Living Ventures nearby in Spinningfields.”<br />
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October2012<br />
“It’s quite difficult<br />
to work out what is<br />
Australian without being<br />
naff and having obvious<br />
references – we didn’t<br />
want to have koala’s<br />
hanging from trees.”
Atel<strong>ier</strong> Joinery Ltd<br />
Atel<strong>ier</strong> Joinery Ltd is a bespoke joinery<br />
manufacturer that offers a full design,<br />
manufacture and installation service. The<br />
company has worked on other projects<br />
with Living Ventures, such as The Alchemist<br />
in Spinningfields and the newly opened<br />
Alchemist on New York Street, Manchester.<br />
They have also worked on other high-profile<br />
projects such as the Rolex Boutique in<br />
Wilmslow, Manchester.<br />
On Australasia, Atel<strong>ier</strong> Joinery Ltd mainly<br />
worked on the bar area of the stylish<br />
restaurant.<br />
Richard Albiston, Director of Atel<strong>ier</strong> Joinery<br />
Ltd, said:<br />
“We were contracted to do the joinery and<br />
furniture elements within the restaurant. The<br />
main focus of this was the bar and back bar,<br />
incorporating large amount of antique mirror<br />
glass and a distinctive crackle glazed finish.<br />
In addition, we provided the amber glass<br />
screen that separates the kitchen from the<br />
restaurant and the host and DJ station. We<br />
are delighted to have been involved in such<br />
a prestigious project and are pleased to see<br />
the restaurant thriving the way it is.”<br />
“We have a long working relationship with<br />
Living Ventures that we value enormously. We<br />
have recently worked on both Alchemist bars<br />
that have opened, in Spinningfields and New<br />
York Street - Manchester. We always enjoy<br />
working on their new concepts and working<br />
with Michelle and Edwin on Australasia was<br />
a pleasure.”<br />
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“Our partners come from a mix<br />
of backgrounds, including the<br />
<strong>hospitality</strong> and fashion industries.<br />
The sticking point for us was that the<br />
hotel industry had never reinvented<br />
itself; there was no Apple of hotels.”
the <strong>UK</strong> – London and Glasgow –and two sites<br />
in Amsterdam. CitizenM Bankside London is<br />
the latest of the four sites to open and made its<br />
debut on 4th July 2012.<br />
The 192-bedroom hotel is located in Bankside<br />
–London’s new business and cultural district – and is just a few<br />
minutes from the Tate Modern Museum, Millennium Bridge and<br />
the Globe Theatre.<br />
Derbyshire based contractor Bowmer and Kirkland was the main<br />
contractor on CitizenM Bankside London, whilst AXIS architects<br />
was the architect. Ramboll’s was the structural engineer and<br />
Battle McCarthy was the mechanical and electrical engineer.<br />
Polcom provided bespoke furniture for all of the guest rooms.<br />
CitizenM Co-founder & Chief Marketing Officer, Robin Chadha,<br />
said:<br />
“CitizenM is a Dutch hotel group. We invest in a site, transform<br />
it into a brand new hotel and then we take ownership as the<br />
operator.<br />
“CitizenM is an entirely new hotel that is very different to any of<br />
the existing hotels on the market. We have reinvented the<br />
CitizenM:<br />
Affordable luxury<br />
for the modern<br />
traveller<br />
Since opening its doors in 2008, CitizenM has<br />
transformed overnight accommodation for the modern<br />
traveller.<br />
The brand’s target demographic is the midweek<br />
business person who seeks luxurious yet affordable<br />
accommodation, and this is precisely what has encouraged<br />
CitizenM to open up new hotels in some of the world’s most<br />
vibrant cities.<br />
To date, CitizenM has opened four hotels, including two sites in<br />
CitizenM A new<br />
hotel concept arrives<br />
in Bankside, London<br />
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traditional model in every possible way, yet we have maintained<br />
the best level of quality for our guests.<br />
“Our partners come from a mix of backgrounds, including<br />
the <strong>hospitality</strong> and fashion industries. All of us have travelled<br />
extensively, so we know what we like from good hotels and what<br />
we dislike from bad hotels. The sticking point for us was that the<br />
hotel industry had never reinvented itself; there was no Apple of<br />
hotels.<br />
“So we began with a blank piece of paper and then over a<br />
two-year period, we worked out what our challenges would be<br />
and how to best design the hotel. From there we came up with a<br />
design which we have kept as the DNA for each site, and this has<br />
in turn helped us create each new CitizenM hotel.”<br />
Upon entering any CitizenM hotel in the world, guests are<br />
greeted by an ambassador – a member of the hotel personnel<br />
trained in all aspects of the hotel’s daily requirements. Each<br />
ambassador will attend to guests’ requirements, from dealing<br />
with any queries to mixing cocktails in the bar.<br />
Guests then check in, using state-of-the-art automated kiosks<br />
that allow guests to register their stay swiftly and smoothly. The<br />
entire check in process takes approximately one minute and<br />
check out is even quicker, with just a 30-second departure time.<br />
Another very unique aspect of the CitizenM brand is that there<br />
is only one type of room available to guests. There are no double<br />
rooms or suites: everyone who stays in a CitizenM hotel is an<br />
equal.<br />
Each luxurious room covers an area of 15 sq metres and<br />
includes wall-to-wall windows, en-suite facilities – including a<br />
power shower – and a 2x2 metre bed. An ambient server is also<br />
housed within each room and is connected to a touch screen<br />
tablet that controls window blinds and lighting and even allows<br />
guests to stream movies.<br />
A morning alarm system is also programmed into each room,<br />
offering guests the option of a gentle audio message or a rather<br />
loud and abrupt wake-up call.<br />
Despite the attractive features of the guest bedrooms, the<br />
CitizenM philosophy is that guests do not spend a great deal of<br />
time in their rooms, so break-out areas are therefore conveniently<br />
placed around the hotel to offer alternative rest spots.<br />
On the ground floor, a large lobby is divided into several<br />
small areas dubbed living rooms. The rooms are designed in<br />
cooperation with the Vitra furniture collection and offer a place<br />
for guests to eat, watch television or just relax.<br />
Also located on the ground floor is CanteenM, a 24/7<br />
refreshment zone providing a selection of hot meals and cold<br />
snacks. Designed as a mixture between a coffee bar and a walkin<br />
kitchen, CanteenM provides guests with a place where they<br />
can eat and drink at any time throughout the day.<br />
With the ground floor offering a relaxation zone for guests,<br />
the first floor is reserved for the more businesses-minded.<br />
Comprising seven creative suites and SocietyM – a private<br />
meeting room – the dedicated business zone includes audio and<br />
visual equipment, white boards and climate control. Corridors on<br />
the first floor are fully glazed and each room includes a bespoke<br />
cabinet filled with inspirational items and books.<br />
To complete the hotel, an atrium runs through the centre of the<br />
building to draw in natural daylight.<br />
Robin Chadha said:<br />
“All CitizenM hotels are similar and although we make slight<br />
changes to fit in line with technological advances, our key drives<br />
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Prem<strong>ier</strong>Hospitality<br />
October2012<br />
remain the same; a great bed, great service,<br />
great technology and great design.<br />
“Our tagline is ‘affordable luxury’, which seems<br />
like a cliché, but this is exactly what CitizenM<br />
offers. We have removed the hidden costs, so<br />
for example all Wi-Fi and on-demand movies<br />
are included as part of a guests - booking and<br />
we have automated check-in processes to<br />
speed up arrivals.”<br />
“At CitizenM we always put ourselves in the<br />
shoes of the consumer and we focus on the key<br />
metropolises of the world. Our aim is to have<br />
multiple hotels in locations where business<br />
travel will always be present. We now have<br />
seven new sites in the pipeline, including three<br />
additional hotels in London, two in New York<br />
– including one in Times Square – one in Paris<br />
and one in Rotterdam.<br />
“Our target audience is travelling to these<br />
locations, so we want to ensure that we have a<br />
presence when they arrive. The opening of our<br />
latest hotel in London was a great achievement<br />
and we are now ready to get started on our site<br />
in New York.”
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