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138<br />

Torbjørn Rødland<br />

White Planet, Black Heart<br />

Torbjørn Rødland is to photography what the Pet Shop Boys are to pop music: a master of the delicately orchestrated<br />

cliché overload, a surcharge of the too obvious, too cute or too inane, played to the point where the images are drained<br />

of all trace of common sense and suggest a new sense of silence or mystery.<br />

Rødland has a knack for producing images that make you ask what are, in fact, appropriate motives for art photography:<br />

images of single audio or video cassettes? Bleak black and white renditions of countryside churches? George W.<br />

Bush’s favourite ice cream? A black banana? Girls and pets, pets and girls? He creates a complex of readings that<br />

inveigles the viewer into spending time with each single image, to reconsider its meaning and relevance. White Planet,<br />

Black Heart makes no excuses as it reinvents the romantic impulses of popular culture.<br />

Torbjørn Rødland was born in 1970 in Hafrsfjord, Norway. Since the mid-90s his photographs — and, for a few years<br />

now, also experimental video works — have been exhibited widely. White Planet, Black Heart is his first book.<br />

Exhibition: Haugar Art Museum, Tønsberg, Norway, from June 10 through September 3, 20<strong>06</strong>.<br />

Previously Announced<br />

Torbjørn Rødland<br />

White Planet, Black Heart<br />

Texts by Gil Blank, Ina Blom and Hillary Raphael<br />

Edited by Torbjørn Rødland and Michael Mack<br />

Book design by Torbjørn Rødland and Catherine Lutman<br />

112 pages, four-color throughout<br />

7.5 x 12 in. / 19.5 x 30.5 cm<br />

Clothbound hardcover with dustjacket<br />

US $ 35.00 / £ 20.00 / E 30.00<br />

ISBN 3–86521–222–0<br />

ISBN-13 978-3-86521-222-1<br />

139

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