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Aschenbrenner, Joyce. 1980. Katherine Dunham. Reflections on the Social and Political<br />
Contexts of Afro-American <strong>Dance</strong>. New York: Cord Inc.<br />
Astaire, Fred. 1959. Steps in Time. New York: Harper & Brothers. (Donated by Joysanne<br />
Sidimus.)<br />
Atkinson, Margaret F. and Nancy Draper. 1951. Ballet for Beginners. New York: Alfred<br />
A. Knopf. (Donated by Gail Grant.)<br />
Aubel, Hermann and Marianne. 1928. Der Kunstlerische Tanz Unserer Zeit.<br />
Verlag/Konigstein im Taunus & Leipzig: Karl Robert Langewiesche. (Donated by Alison<br />
Sutcliffe.)<br />
Augustyn, Frank and Barbara Sears. 2000. Dancing From the Heart: A Memoir. Frank<br />
Augustyn. Toronto: McClelland & Stewart.<br />
Ayrton, Michael, E. J. Dent and Constant Lambert. 1948. Purcell’s The Fairy Queen.<br />
London: John Leeman. (Donated by Gail Grant.)<br />
Balcar, J. Alexander and Vowort von Professor Pavel Ludikar. 1957. Knaurs Ballett<br />
Lexikon. Zurich: Groemersche Verlagsanstalt. (Donated by Eva Goldman.)<br />
Balkind, Alvin and R.A. Gledhill. 1979. Living Art. Vancouver: Western Front, Pumps,<br />
Video Inn.<br />
Banes, Sally. 1994. Writing <strong>Dance</strong> in the Age of Postmodernism. Hanover: Wesleyan<br />
University. (Donated by Joysanne Sidimus.)<br />
Barnes, Clive. 1977. Inside American Ballet Theatre. New York: Hawthorn.<br />
Barrett, W.A. and J. Stainer, eds. A Dictionary of Musical Terms. London: Novello, Ewer<br />
and Co. (Donated by Eva Goldman.)<br />
Baryshnikov, Mikhail with Charles Engell France . 1980. Baryshnikov at Work: Mikhail<br />
Baryshnikov Discusses His Roles. New York: Alfred A. Knopf. (Donated by Alison<br />
Sutcliffe.)<br />
Baum, Vicki. 1958. Theme for Ballet. New York: Dell. (Donated by Gail Grant.)<br />
Beatty, Patricia. 1985. Form Without Formula. Toronto: Underwhich Editions.<br />
Beatty, Patricia. 1994. Form Without Formula. Toronto: <strong>Dance</strong> <strong>Collection</strong> <strong>Danse</strong>.<br />
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