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<strong>PRESS</strong> <strong>DOSSIER</strong><br />

Barcelona, April 2007


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

MUSAC – Contemporary Art Museum of Castilla y León<br />

MUSAC - Museo de arte contemporáneo de Castilla y León<br />

León, Spain<br />

Luis M. Mansilla, Emilio Tuñón<br />

Mansilla + Tuñón<br />

Awarded Work<br />

On a vast urban plan, MUSAC draws the scenario for art with the same optimistic attitude used by the<br />

Roman surveyors to sketch their cities in the landscape. In contrast to other types of museums that<br />

focus on the exhibition of frozen historic collections, MUSAC is a living space that opens its doors to<br />

the wide-ranging manifestations of contemporary art. This is an art centre that constructs a set of<br />

chessboards on which the action is the protagonist of the space; a structure that develops from an<br />

open system, formed by a fabric of squares and rhombi, and permitting the construction of a secret<br />

geography of memory.<br />

MUSAC is a new space for culture, regarded as something that visualises the connections between<br />

man and nature.<br />

A cluster of chained but independent rooms permit exhibitions of differing sizes and types. Each of the<br />

jaggedly shaped rooms constructs a continuous yet spatially differentiated area that opens onto the<br />

other rooms and courtyards, providing longitudinal, transversal and diagonal views. Five hundred<br />

prefab beams enclose a series of spaces that feature systematic repetition and formal<br />

expressiveness.<br />

Outside, the public space takes on a concave shape to hold the activities and encounters, embraced<br />

by large coloured glass in homage to the city as the place for interpersonal relationships. Inside, a<br />

large area of continuous, different spaces, spattered with courtyards and large skylights, shapes an<br />

expressive system that speaks to us of the interest shared by architecture and art: the contemporary<br />

manifestation of the variable and the perennial, of equality and difference, of universality and<br />

transience, an echo of our own diversity and equality as people.<br />

In its size, as a single-storey building with white concrete walls and large coloured glazing seen from<br />

the outside, MUSAC strives to be a space where art is at ease and helps to erase the boundaries<br />

between private and public; between work and leisure; and between art and life.<br />

2


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

MUSAC - Contemporary Art Museum of Castilla y León Credits<br />

Client: Castilla y León Regional Goverment, Gesturcal SA<br />

Collaborators: Andres Regueiro, Ainoa Prats, Clara Moneo, Jaime Gimeno, Katrien Vertenten, Luis<br />

Diaz Mauriño, Matilde Peralta, Ricardo Lorenzana, Teresa Cruz<br />

Technical Architects: Arcadio Conde, Juan Carlos Corona, Santiago Hernán<br />

Consultants: JG Asociados<br />

Structural Engineering: Gogaite / Alfonso Gomez Gaite<br />

Construction Company: MUSAC UTE, FCC & TECONSA<br />

Luis M. Mansilla and Emilio Tuñón Curriculum Vitae<br />

1990 Office of Mansilla+Tuñón established in Madrid<br />

http://www.mansilla-tunon.com<br />

Luis M. Mansilla<br />

1959 Born in Madrid<br />

1982 Diploma in Architecture, Escuela Técnica Superior de Arquitectura de Madrid (ETSAM)<br />

1984 Prix de Rome, Academia Española de Bellas Artes, Roma<br />

Since 1989 Professor, ETSAM<br />

1998 Doctorate, ETSAM<br />

1998 Visiting Professor, Städelschule, Frankfurt<br />

2005 Visiting Professor, Ecole Polytechnique Fédérale de Lausanne (EPFL)<br />

2006 Elliott Noyes Professor, Graduate School of Design (GSD), Harvard University, Cambridge,<br />

Massachusetts<br />

Emilio Tuñón<br />

1959 Born in Madrid<br />

1981 Diploma in Architecture, ETSAM<br />

Since 1986 Professor, ETSAM<br />

1998 Visiting Professor, Städelschule, Frankfurt<br />

2000 Visiting Professor, Universidad Politécnica de Puerto Rico<br />

2005 Visiting Professor, EPFL<br />

2006 Elliott Noyes Professor, GSD<br />

Major Competitions<br />

2002 1 st Prize: Cantabria Museum, Vaguada de las Llamas, Spain<br />

2002 1 st Prize: Royal Collection Museum, Madrid<br />

2003 1 st Prize: Masterplan of Valbuena Area, Logroño, Spain<br />

2004 1 st Prize: Lalín City Council, Spain<br />

2005 1 st Prize: Helga de Alvear Visual Arts Centre, Cáceres, Spain<br />

Awards and Distinctions<br />

2001 Premi FAD: Castellón Fine Arts Museum, Spain<br />

2002 III Bienal Iberoamericana de Arquitectura: Prize for Publications - CIRCO<br />

2003 Premio Nacional de Arquitectura Española: León Auditorium<br />

2005 Premio ENOR: MUSAC<br />

2006 Premio VIA<br />

Major Works<br />

1996 Zamora Museum, Spain<br />

1998 Indoor Swimming Pool, San Fernando de Henares, Spain<br />

2000 Castellón Fine Arts Museum, Spain<br />

2002 León Auditorium<br />

2002 Regional Documentary Centre, Madrid<br />

3


Faculty of Mathematics<br />

Fakulteta za matematiko<br />

Ljubljana, Slovenia<br />

Matija Bevk, Vasa J. Perović<br />

Bevk Perović arhitekti<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Emerging Architect Special Mention<br />

The new building for the Faculty of Mathematics, built in the University area of the city of Ljubljana, is<br />

not a building in a standard sense of the word. It is, in fact, an addition, a three-storey slab built on top<br />

of the existing two-storey building. The design concept is based on the development of the idea of<br />

public spaces as a series of transparent 'rooms', carved out of the building mass and hovering above<br />

the city.<br />

At first glance a formally simple architecture is precisely formulated, whether one looks at the<br />

programmatic organisation or at the tactile treatment of surfaces. The elegant glass skin,<br />

screenprinted with different densities of the same pattern, articulates the programmatic structure<br />

behind (different densities of the pattern correspond to different lighting conditions).<br />

Simultaneously, seemingly random prints appear as if they are forming together an independent<br />

overall surface of the building. Only the public and communal spaces of the school have a glass skin<br />

without a printed pattern, thus establishing a dialogue between the interior and the city beyond.<br />

4


Faculty of Mathematics Credits<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Client: University of Ljubljana<br />

Collaborators: Maja Valič, Nika Prešeren, Robert Loher<br />

Structure: Elea iC / Angelo Žigon, Marko Pavlinek, Jana Pribaković<br />

Mechanical: Celarc / Tomi Celarc<br />

Electrical: Eldata / Borut Glavnik<br />

Management: Loka Invest<br />

Construction Companies: GPG (General Contractor), Reflex (Elevation)<br />

Matija Bevk and Vasa J. Perović Curriculum Vitae<br />

1997 Office of Bevk Perović Arhitekti established in Ljubljana<br />

http://www.bevkperovic.com<br />

Matija Bevk<br />

1972 Born in Ljubljana<br />

1999 Diploma in Architecture, Fakulteta za Arhitekturo, Univerza v Ljubljani<br />

Vasa J. Perović<br />

1965 Born in Belgrade, Yugoslavia<br />

1992 Diploma in Architecture, Arhitektonski Fakultet, Belgrade<br />

1994 Master of Architecture, Berlage Institute, Amsterdam<br />

Major Competitions<br />

1998 2 nd Prize: National Opera and Ballet, Ljubljana<br />

1998 2 nd Prize: City Museum, Ljubljana<br />

2002 1 st Prize: Social Housing, Maribor, Slovenia<br />

2005 1 st Prize: Nonprofit Housing Brdo, Ljubljana<br />

2006 2 nd Prize: Social Housing Polje II, Ljubljana<br />

Awards and Distinctions<br />

2005 Prešeren Award – National Prize for Culture: Works 2002-05<br />

2005 Plečnik Prize for Architecture: Social Housing Polje, Ljubljana<br />

2005 Piranesi Award: Social Housing Polje<br />

2006 Golden Pencil, Slovenian Chamber of Architects: Student Housing Poljane, Ljubljana<br />

2006 Kunstpreis Berlin För<strong>der</strong>ungspreis 2006, Akademie <strong>der</strong> Künste, Germany<br />

Major Works<br />

2003 Royal Dutch Embassy Residence, Ljubljana<br />

2004 House SB, Ljubljana<br />

2005 Social Housing Polje, Ljubljana<br />

2006 House H, Ljubljana<br />

2006 Student Housing Poljane, Ljubljana<br />

5


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Information: Other six finalists for the 2007 Award<br />

In addition to the MUSAC, the jury of the European Union Prize for Contemporary Architecture –<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007, chaired by architect Ricky Burdett and formed by Peter Cachola<br />

Schmal, Beth Galí, Bettina Götz, Luis Fernández Galiano, Ellen <strong>van</strong> Loon, Mohsen Mostafavi, Francis<br />

Rambert, Dietmar Steiner and Lluís Hortet as secretary, selected six other finalists as candidates for<br />

the Award, one of the most important and prestigious on the international architecture scene. This<br />

selection is a faithful reflection of the principal objective un<strong>der</strong>lying the Award, namely to acknowledge<br />

excellent and innovative projects characterised by high-quality construction.<br />

Sines Arts Centre, Sines, Portugal<br />

Centro de Artes de Sines<br />

Francisco Aires Mateus, Manuel Aires Mateus / Aires Mateus e Associados<br />

Mercedes-Benz Museum, Stuttgart, Germany<br />

Ben <strong>van</strong> Berkel / UNStudio<br />

America’s Cup Building, Valencia, Spain<br />

Edifici Veles e Vents<br />

David Chipperfield / David Chipperfield Architects<br />

Fermín Vázquez / b720 Arquitectos<br />

Phæno Science Centre, Wolfsburg, Germany<br />

Phæno – Die Experimentierlandschaff<br />

Zaha Hadid / Zaha Hadid Architects<br />

School for Management, Bordeaux, France<br />

Pôle universitaire de sciences de gestion<br />

Anne Lacaton, Jean Philippe Vassal / Lacaton & Vassal Architectes<br />

National Choreographic Centre, Aix-en-Provence, France<br />

Centre chorégraphique nationale<br />

Rudy Ricciotti / Rudy Ricciotti architecte<br />

6


Sines Arts Centre<br />

Centro de Artes de Sines<br />

Sines, Portugal<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Francisco Aires Mateus, Manuel Aires Mateus<br />

Aires Mateus e Associados<br />

The Art Centre is situated at the start of the main street linking the town of Sines to the sea and<br />

marking the traditional entrance to the historic nucleus. The wide-raging programme - including<br />

exhibition rooms, a library, theatre and a documentation centre - calls for the whole site to be<br />

occupied, enveloping the street below ground level and adapting its exterior volume to the<br />

monumental scale of the castle walls. The four modules are set out on the upper floors in parallel<br />

bands interspersed with patios. The decks were hung from a bridge-like structure supported on the<br />

perimetral walls alone. This system allows a spatial configuration on the basement level that is<br />

adapted to the dimensions of the common areas and at street level it guarantees an unbroken view<br />

across the inside of the building, thereby including its activities in the daily life of the town.<br />

1988 Office of Aires Mateus & Associados established in Lisbon<br />

http://www.airesmateus.com<br />

Manuel Aires Mateus<br />

1963 Born in Lisbon<br />

1986 Diploma in Architecture, Faculdade de Arquitectura da Universidade Técnica de Lisboa (FAUTL)<br />

1986-98 Professor, FAUTL<br />

Since 1997 Professor, Universidade Lusíada de Lisboa<br />

Since 1998 Professor, Universidade Autónoma de Lisboa (UAL)<br />

2001-06 Visiting Professor, Accademia di Architettura di Mendrisio (AAM)<br />

2002-06 Visiting Professor, Graduate School of Design (GSD), Harvard University, Cambridge<br />

2005 Visiting Professor, Fakulteta za Arhitekturo, Univerza v Ljubljani, Ljubljana<br />

Francisco Aires Mateus<br />

1964 Born in Lisbon<br />

1987 Diploma in Architecture, FAUTL<br />

1998-06 Professor, UAL<br />

2001-06 Visiting Professor, AAM<br />

2002-04 Visiting Professor, GSD<br />

Major Works<br />

2002 Commercial Centre Carmen Frova, Venice<br />

2003 New Lisbon Central Library<br />

2003 Hotel and Apartment Buildings, Dublin<br />

2005 Hotel and Housing Facilities, Óbidos, Portugal<br />

2006 Aquapura Touristic Resort, Otsevo, Former Yugoslavian Republic of Macedonia (FYROM)<br />

7


Mercedes-Benz Museum<br />

Stuttgart, Germany<br />

Ben <strong>van</strong> Berkel<br />

UNStudio<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

The Mercedes-Benz Museum intricately combines structure and content. The Museum is specifically<br />

devised to showcase a collection in which technology, adventure, attractiveness and distinction are<br />

merged. It is also a Museum for people to freely move through. Lastly, it is a Museum for the city, a<br />

new landmark to celebrate the enduring passion of Stuttgart’s most famous inventor and<br />

manufacturer. The structure of the 25,000 m² museum is based on a trefoil; both in its internal<br />

organisation and in its outward expression this geometry responds to the car-driven context of the<br />

Museum. In its materialisation the museum reproduces the values that we associate with Mercedes-<br />

Benz: technological ad<strong>van</strong>cement, intelligence, and stylishness.<br />

1988 Office of UNStudio established in Amsterdam<br />

http://www.unstudio.com<br />

Ben <strong>van</strong> Berkel<br />

1957 Born in Utrecht<br />

1987 Diploma in Architecture, Architectural Association (AA), London<br />

1991-93 Visiting Professor, Columbia University, New York<br />

1997-99 Master of Architecture, AA<br />

2000 Visiting Professor, Graduate School of Design (GSD), Harvard University, Cambridge,<br />

Massachusetts<br />

2000-02 Visiting Professor, Princeton University, Princeton<br />

2001 Professor of Conceptual Design, Staedelschule, Frankfurt am Main<br />

Major Works<br />

1996 Erasmus Bridge, Rotterdam<br />

1998 Mobius House, Het Gooi, The Netherlands<br />

1999 Het Valkhof Museum, Nijmegen, The Netherlands<br />

2002 Electrical Substation, Innsbruck, Austria<br />

2004 Galleria Department Store, Seoul, South Korea<br />

8


America’s Cup Building<br />

Edifici Veles e Vents<br />

Valencia, Spain<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

David Chipperfield / David Chipperfield Architects<br />

Fermín Vázquez / b720 Arquitectos<br />

The centrepiece of the reorganisation of Valencia's industrial port, the Veles e Vents building provides<br />

a central base for all America's Cup teams and sponsors, as well as being a venue for the public to<br />

view the races. The 10,000 m² four-floor building is composed of a series of stacked and shifting<br />

horizontal planes that provide shade and uninterrupted views extending out to sea. The ground floor<br />

acts as the reception area for the VIP facilities and has a canal-facing restaurant open to the public.<br />

The first floor is public with retail facilities and a generous viewing deck that connects to the park. The<br />

second and third floors house the VIP facilities: including the restaurant 'Foredeck Club'. The building<br />

is a concrete structure with deep cantilevered floor slabs creating the unobstructed and shaded<br />

viewing decks that surround all the floors which are connected with large external staircases and<br />

ramps.<br />

1984 Office of David Chipperfield Architects established in London<br />

http://www.davidchipperfield.co.uk<br />

David Chipperfield<br />

1953 Born in London<br />

1977 Diploma in Architecture, Architectural Association, London<br />

1987-88 Visiting Professor, Graduate School of Design (GSD), Harvard University, Cambridge,<br />

Massachusetts<br />

1992 Visiting Professor, Karl-Franzens-Universität Graz, Austria<br />

1993-94 Visiting Professor, École Polytechnique Fédérale de Lausanne<br />

1995-2001 Professor, Staatliche Akademie <strong>der</strong> Bildenden Kunst, Stuttgart<br />

2001 <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Chair, Escola Tècnica Superior d’Arquitectura de Barcelona<br />

Major Works<br />

1997 River and Rowing Museum, Henley-on-Thames, UK<br />

2002 Ernsting Service Centre, Coesfeld-Lette, Germany<br />

2005 Villaverde Social Housing, Madrid<br />

2006 Des Moines Public Library, Iowa<br />

2006 Museum of Mo<strong>der</strong>n Literature, Marbach am Neckar, Germany<br />

1997 Office of b720 Arquitectos established in Barcelona<br />

http://www.b720.com<br />

Fermín Vázquez<br />

1961 Born in Madrid<br />

1987 Diploma in Architecture, Escuela Técnica Superior de Arquitectura de Madrid<br />

2001 <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Chair, Escola Tècnica Superior d’Arquitectura de Barcelona<br />

2003 Workshop Tutor, École d’Architecture et Paisage de Bordeaux (with Xaveer de Geyter and Tania<br />

Concho)<br />

Major Works<br />

2001 MN19 Office Building, Barcelona<br />

2004 Corporative Office Building for Indra’s Headquarters, Barcelona<br />

2004 Fira Towers, Barcelona (with Toyo Ito)<br />

2005 Agbar Tower, Barcelona (with J. Nouvel)<br />

2005 Museo Nacional de Arte Reina Sofia Extension, Madrid (with J. Nouvel)<br />

9


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Phæno Science Centre<br />

Phæno – Die Experimentierlandschaff<br />

Wolfsburg, Germany<br />

Zaha Hadid<br />

Zaha Hadid Architects<br />

Located on a special site in the city of Wolfsburg the Phæno Science Centre is both the endpoint of a<br />

chain of important cultural buildings and a connecting link to the north bank of Volkswagen’s<br />

Autostadt. Volumetrically, the building is structured so that it maintains a large degree of transparency<br />

and porosity on the ground since the main volume of the exhibition space is raised, thus covering an<br />

outdoor public plaza with commercial and cultural functions residing in the structural concrete cones.<br />

Multiple threads of pedestrian and vehicular movement are pulled through the site both on an artificial<br />

ground landscape and inside the building, effectively composing an interface of movement paths. The<br />

predominant use of individually fabricated formwork elements and cast-in-situ concrete have made<br />

possible the jagged angles, looming curves, fractured planes and daring protrusions that characterise<br />

the building.<br />

1979 Office of Zaha Hadid Architects established in London<br />

http://www.zaha-hadid.com<br />

Zaha Hadid<br />

1950 Born in Baghdad, Iraq<br />

1971 Diploma in Mathematics, American University, Beirut, Lebanon<br />

1977 Diploma in Architecture, Architectural Association (AA), London<br />

1977-86 Unit Master, AA<br />

1987-93 Visiting Professor, Columbia University, New York<br />

1988-93 Kenzo Tange Chair, Graduate School of Design (GSD), Harvard University, Cambridge,<br />

Massachusetts<br />

Since 2004 Professor, Universität für angewandte Kunst, Vienna<br />

2000, 02, 04, 07 Eero Saarinen Visiting Professor, Yale University, New Haven, Connecticut<br />

Major Works<br />

1993 Vitra Fire Station, Weil am Rhein, Germany<br />

2001 Car Park and Terminus Hoenheim North, Strasbourg<br />

2002 Bergisel Ski Jump, Innsbruck, Austria<br />

2003 Rosenthal Centre for Contemporary Art, Cincinnati, Ohio<br />

2005 Ordrupgaard Museum Extension, Copenhagen<br />

10


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

School for Management<br />

Pôle universitaire de sciences de gestion<br />

Bordeaux, France<br />

Anne Lacaton, Jean Philippe Vassal<br />

Lacaton & Vassal Architectes<br />

The spatial programme for the School of Management extends over four floors with the ground floor<br />

functioning as an initial level for the individual faculties. The main entrance leads directly to a large<br />

courtyard in the centre of the buiding from where independent vertical connections lead to the upper<br />

floors. On the first floor there are three lecture rooms which are glazed on the side facing the yards, as<br />

well as an information facility, a multimedia centre and classrooms for the basic courses. The floors<br />

above are divided into separate sections which house the various faculties, thus creating open spaces<br />

that allow additional natural light to reach the lower floors. The natural light is generous, controlled by<br />

the position of the louvres (open, closed, semi-closed), and all the rooms have a large view to the city<br />

or to the surrounding hill, or to the courtyards or patios. Continuous surrounding balconies with large<br />

containers of climbing roses, metal frames and screen railings enhance the facade on all floors.<br />

1987 Office of Lacaton & Vassal Architectes established in Bordeaux<br />

2000 Office moved to Paris<br />

Anne Lacaton<br />

1955 Born in Saint-Pardoux la Rivière, France<br />

1980 Diploma in Architecture, École Nationale Supérieure d'Architecture et de Paysage de Bordeaux<br />

(ENSAP)<br />

1984 Diploma in Town Planning, Université de Bordeaux<br />

2003, 06 Visiting Professor, Ecole Polytechnique Fédérale de Lausanne<br />

Jean Philippe Vassal<br />

1954 Born in Casablanca, Morocco<br />

1980 Diploma in Architecture, ENSAP, Bordeaux<br />

1992-99 Professor, ENSAP, Bordeaux<br />

2002-06 Visiting Professor, École Nationale Supérieure d’Architecture de Versailles<br />

2005 Visiting Professor, Peter Behrens School of Architecture, Düsseldorf<br />

Major Works<br />

2001 University of Arts and Human Sciences, Grenoble<br />

2002 Palais de Tokyo, Paris<br />

2002 Office Building, Nantes<br />

2005 Social Housing, Mulhouse, France<br />

2006 Hall for Trade Fairs and Exhibition Centre, Paris<br />

11


National Choreographic Centre,<br />

Centre chorégraphique nationale<br />

Aix-en-Provence, France<br />

Rudy Ricciotti<br />

Rudy Ricciotti architecte<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

The new National Choreagraphic Centre is located on a sloping and rather constricted site outside of<br />

Aix-en-Provence’s historical centre in an area un<strong>der</strong>going urban regeneration. The 3000 m² building<br />

accomodates the dance company of Angelin Preljocaj and consists of office areas and four dance<br />

studios along with a theatre with capacity for some 400 persons. Designed in accordance with seismic<br />

regulations, the programmatic need for open floors completely free of columns required the shift of the<br />

structural load to the facade. Known as the ‘Black Pavilion’ for the predominant use of this colour on<br />

both the interior and the exterior, the facade is characterised by massive structural members in black<br />

concrete that criss cross asymmetrically over the surface allowing natural light into the glazed volume<br />

un<strong>der</strong>neath.<br />

1980 Office of Rudy Ricciotti Architecte established in Bandol, France<br />

http://www.rudyricciotti.com<br />

Rudy Ricciotti<br />

1952 Born in Algiers, Algeria<br />

1975 Diploma in Architecture, École d’Ingeneurs de Genève<br />

1980 Diploma in Architecture, École Superieure d’Architecture, Marseille<br />

1995 Professor, École des Beaux Arts de Marseille<br />

1997-98 Visiting Professor, École Spéciale d’Architecture de Paris<br />

Major Works<br />

1994 Concert and Sports Stadium, Vitrolles, France<br />

1996 Secondary School, Saint Quen, France<br />

2000 Nickolaïsal Philharmonic Hall, Potsdam, Germany<br />

2003 Footbridge of Peace, Seoul, South Korea<br />

2006 University Paris VII : Rehabilitation of ‘Les Grands Moulins’<br />

12


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

The jury has also singled out a further 33 works that, by virtue of their exceptional quality, will be<br />

included in the exhibition and catalogue about the 2007 Award. The jury has selected works from<br />

Austria, Belgium, Croatia, Denmark, France, Germany, Ireland, Italy, Netherlands, Norway, Portugal,<br />

Slovenia, Spain, Turkey and the United Kingdom. A total of 272 projects from thirty two European<br />

countries finished between January 1, 2005 and December 31, 2006 were proposed by a sizable<br />

group of independent international experts and the national associations of architects.<br />

Award-Winning Project<br />

MUSAC - Contemporary Art Museum of Castilla y León<br />

MUSAC - Museo de arte contemporáneo de Castilla y León<br />

León, Spain<br />

Mansilla + Tuñón<br />

Luis M. Mansilla, Emilio Tuñón<br />

Photo: Luis Asín Photo: Luis Asín<br />

Emerging Architect Special Mention<br />

Faculty of Mathematics<br />

Fakulteta za matematiko<br />

Ljubljana, Slovenia<br />

Matija Bevk, Vasa J. Perović<br />

Bevk Perović arhitekti<br />

Photo: Miran Kambic Photo: Miran Kambic<br />

13


Finalists works<br />

Sines Arts Centre<br />

Centro de artes de Sines<br />

Sines, Portugal<br />

Francisco Aires Mateus, Manuel Aires Mateus<br />

Aires Mateus e Associados<br />

Mercedes-Benz Museum<br />

Stuttgart, Germany<br />

Ben <strong>van</strong> Berkel<br />

UNStudio<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

America’s Cup Building<br />

Edifici Veles e Vents<br />

Valencia, Spain<br />

David Chipperfield / David Chipperfield Architects<br />

Fermín Vázquez / b720 Arquitectos /<br />

Phæno Science Centre<br />

Phæno – Die Experimentierlandschaff<br />

Wolfsburg, Germany<br />

Zaha Hadid<br />

Zaha Hadid Architects<br />

School for Management<br />

Pôle universitaire de sciences de gestion<br />

Bordeaux, France<br />

Anne Lacaton, Jean Philippe Vassal<br />

Lacaton & Vassal Architectes<br />

National Choreographic Centre<br />

Centre chorégraphique nationale<br />

Aix-en-Provence, France<br />

Rudy Ricciotti<br />

Rudy Ricciotti architecte<br />

14


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Works selected for exhibition and catalogue<br />

Woermann Tower<br />

Torre Woermann<br />

Las Palmas de Gran Canaria, Spain<br />

Iñaki Ábalos, Juan Herreros<br />

Ábalos&Herreros arquitectos<br />

Sea Organ<br />

Morske orgulje<br />

Zadar, Croatia<br />

Nikola Bašić<br />

Marinaprojekt<br />

Poustinia<br />

Clonmel, Co.Tipperary, Ireland<br />

Kevin Bates, Tom Maher<br />

Architects Bates Maher<br />

Svartlamoen Housing<br />

Trondheim, Norway<br />

Geir Brendeland, Olav Kristoffersen<br />

Brendeland & Kristoffersen Arkitekter<br />

Brick House<br />

London, United Kingdom<br />

Adam Caruso, Peter St John<br />

Caruso St John Architects<br />

GlaxoSmithKline Day Nursery<br />

Asilo per il Campus GlaxoSmithKline<br />

Verona, Italy<br />

Antonio Citterio, Patricia Viel<br />

Antonio Citterio and Partners<br />

Illa de la Llum Housing at Diagonal Mar<br />

Habitatges Illa de la Llum a Diagonal Mar<br />

Barcelona, Spain<br />

Lluís Clotet, Ignacio Paricio<br />

Clotet, Paricio i Assoc., SL<br />

15


Economics Building, University of Ghent<br />

Faculteit Economie, Universiteit Gent<br />

Ghent, Belgium<br />

Xaveer De Geyter/Xaveer De Geyter<br />

Architects<br />

Stéphane Beel /Stéphane Beel Architecten<br />

The Bridge<br />

De Brug<br />

Rotterdam, Netherlands<br />

Chris de Jonge<br />

JHK Architecten<br />

Pedestrian Bridge Simone de Beauvoir<br />

Passerelle Simone de Beauvoir<br />

Paris, France<br />

Dietmar Feichtinger<br />

Feichtinger Architectes<br />

Free University of Berlin<br />

Freie Universität Berlin<br />

Berlin, Germany<br />

Norman Foster<br />

Foster + Partners<br />

New Trade Fair Milan<br />

Nuova Fiera Milano<br />

Milan, Italy<br />

Massimiliano Fuksas<br />

Lakeside Bath<br />

Lido di Caldaro<br />

Caldaro-Kaltern, Italy<br />

Marie-Therese Harnoncourt, Ernst J. Fuchs<br />

the next ENTERprise<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

16


Ecker Abu Zahra House<br />

Ecker Abu Zahra Haus<br />

Luftenberg, Austria<br />

Gernot Hertl<br />

Hertl.Architekten<br />

VM Housing Complex<br />

VM Husene<br />

Ørestad, Denmark<br />

Bjarke Ingels, Julien De Smedt<br />

PLOT = BIG + JDS<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

New Monastery for Cistercian Or<strong>der</strong> on Tautra<br />

Tautra Mariakloster<br />

Tautra, Norway<br />

Jan Olav Jensen, Børre Skodvin<br />

Jensen & Skodvin Arkitektkontor<br />

Intervention on Nasrid Wall and Surrounding Area<br />

Intervención en la muralla nazarí y su entorno<br />

Granada, Spain<br />

Antonio Jiménez Torrecillas<br />

Hotel Sotelia<br />

Podćetrtek, Slovenia<br />

Dean Lah, Milan Tomac<br />

Enota<br />

West School Complex<br />

Groupe scolaire ouest<br />

Obernai, France<br />

Duncan Lewis / scape architecture<br />

Klein & Baumann Architectes (associated architects)<br />

Jaume Fuster Library<br />

Biblioteca Jaume Fuster<br />

Barcelona, Spain<br />

Josep Llinàs<br />

17


Santa Caterina Market<br />

Mercat de Santa Caterina<br />

Barcelona, Spain<br />

Enric Miralles, Benedetta Tagliabue<br />

Miralles Tagliabue EMBT<br />

Shipping and Transport College<br />

Scheepvaart en Transport College<br />

Rotterdam, Netherlands<br />

Willem-Jan Neutelings, Michiel Riedijk<br />

Neutelings Riedijk Architects<br />

Agbar Tower<br />

Torre Agbar<br />

Barcelona, Spain<br />

Jean Nouvel / Ateliers Jean Nouvel<br />

Fermín Vázquez / b720 Arquitectos<br />

Kastrup Sea Bath<br />

Kastrup Søbad<br />

Kastrup, Copenhagen, Denmark<br />

Fredrik Pettersson<br />

hs white arkitekter a/s<br />

Fran Krsto Frankopan Elementary School<br />

Osnovna Skola Fran Krsto Frankopan<br />

Krk, Croatia<br />

Saša Randić, Idis Turato<br />

randić-turato architects<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

New Area Terminal Madrid-Barajas (NAT)<br />

Nueva area terminal del aeropuerto de Madrid-Barajas (NAT)<br />

Madrid, Spain<br />

Richard Rogers / Richard Rogers Partnership<br />

Carlos Lamela / Estudio Lamela<br />

18


Fe<strong>der</strong>al Environmental Agency<br />

Umweltbundesamt<br />

Dessau, Germany<br />

Matthias Sauerbruch, Louisa Hutton<br />

sauerbruch hutton architekten<br />

European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Fluc 2, Music and Art Club, Transformation of a Pedestrian Un<strong>der</strong>pass<br />

Fluc 2. Musik und Kunstklub – Transformation einer<br />

Fußgängerun<strong>der</strong>pass<br />

Vienna, Austria<br />

Klaus Stattmann<br />

Büro für Architektur und Forschung<br />

SM House<br />

Canakkale, Turkey<br />

Han Tumertekin, Eylem Erdinc<br />

Mimarlar Tasarim<br />

Ecoboulevard of Vallecas<br />

Ecobulevar de Vallecas<br />

Madrid, Spain<br />

Belinda Tato, José Luis Vallejo, Diego García-Setien<br />

Ecosistema Urbano Arquitectos<br />

Garden Pavilion for the Boxy Catering Company<br />

Deurle, Belgium<br />

Maarten Van Severen<br />

Documentation Centre Hinzert<br />

Dokumentationshaus Hinzert<br />

Hinzert, Germany<br />

Andrea Wandel, Wolfgang Lorch, Nikolaus Hirsch<br />

Wandel Hoefer Lorch + Hirsch architekten<br />

19


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Background information 9 jury members<br />

RICHARD BURDETT (United Kingdom) President of the jury<br />

Architect. Centennial Professor in Architecture and Urbanism at the London School of Economics<br />

(LSE) and founding director of the LSE Cities Programme, a centre that explores links between<br />

architecture, urban design and urban society. Since 2007, Burdett is Principal Design Adviser to the<br />

Olympic Delivery Authority for the London 2012 Olympics, as well architectural adviser to the Mayor of<br />

London, member of the Greater London Authority's Architecture + Urbanism Unit and sits on the City<br />

of Barcelona's Quality Committee. He was the Director of the 2006 Venice Architecture Biennale and<br />

has been a member of the Urban Task Force which has shaped current national policy on cities in<br />

Britain. He is architectural adviser to Tate Mo<strong>der</strong>n Gallery, the sole architectural adviser to the BBC<br />

and is a contributor to architectural publications writing regularly for the magazines Domus and Topos.<br />

PETER CACHOLA SCHMAL (Germany)<br />

Architect. Director of Deutsches Architektur Museum (DAM) in Frankfurt. His most important<br />

exhibitions have been UNStudio: Evolution of Space (2006); Frankfurt Airport: Terminal 3 Competition<br />

Proposals; Kisho Kurokawa: Metabolism & Symbiosis; European Central Bank: Competition<br />

Proposals. Architectural critic and editor since 1994, he has produced 12 books, and written numerous<br />

articles in magazines and other publications. He has been Adjunct Professor for Design II at<br />

Fachhochschule Frankfurt-am-Main and Assistant Professor of building construction at Technische<br />

Universität Darmstadt.<br />

LUIS FERNÁNDEZ GALIANO (Spain)<br />

Architect. Professor at the Escuela Técnica Superior de Arquitectura de Madrid. Editor of the journals<br />

AV/Arquitectura Viva, he has written on architecture for Spain’s leading newspaper, El País. A<br />

member of the Royal Academy of Doctors, he has been Cullinan Professor at Rice University; a<br />

Visiting Scholar at the Getty Center of Los Angeles; and Visiting Critic at Princeton, Harvard, and the<br />

Berlage Institute. He has taught courses at the Universidad Internacional Menéndez Pelayo and<br />

Universidad Complutense de Madrid. President of the jury for the 9th Venice Architecture Biennial and<br />

for the XV Chile Architecture Biennial, he has curated the exhibitions El espacio privado in Madrid and<br />

Extreme Eurasia in Tokyo, and has been on the jury of several international competitions. Among his<br />

books are La Quimera mo<strong>der</strong>na, El Fuego y la memoria and Spain Builds, the latter in collaboration<br />

with New York’s Museum of Mo<strong>der</strong>n Art.<br />

BETH GALÍ (Spain)<br />

Architect. President of FAD (Association for the Promotion of the Decorative Arts). Since 1994, she<br />

has lectured in City Planning at the Escola Tècnica Superior d’Arquitectura de Barcelona. She is also<br />

Visiting Lecturer at several European universities, such as Delft, Lausanne and Zurich. During the<br />

2000-2001 academic year she was a guest lecturer at the Graduate School of Design, Harvard<br />

University. She has been awarded first prize in the following competitions: the development of public<br />

areas in Hafencity (Hamburg, Germany, 2006); for the remodelling of Cornmarket Street, Cork<br />

(Ireland, 2006); and for the urban development project of the Vía Augusta between Diagonal and<br />

Plaça Molina (Barcelona, 2006). She has 25 years experience in building, city planning and urban<br />

design projects, as well as in directing both building projects and civil works. She has curated several<br />

exhibitions and often collaborates with books and other publications.<br />

BETTINA GÖTZ (Austria)<br />

Architect. Since 2006, she is Professor for Design and Building Construction at the Universität <strong>der</strong><br />

Künste Berlin. She is partner with Richard Manahl in the architectural firm ARTEC established in<br />

Vienna in 1988. Principal works by ARTEC are the Pharmacy in Aspern, Vienna and the Zehdengasse<br />

School, Vienna. Their urban projects include Terraced Building Typology, Vienna and Apartment<br />

Buildings on Laxenburgerstrasse, Vienna. ARTEC has been awarded the City of Vienna Architecture<br />

Prize and the Aluminium Architecture Prize for Raum Zita Kern. The EFAFLEX office and industrial<br />

building in Baden, Austria was among the exemplary works chosen by the jury of the European Union<br />

Prize for Contemporary Architecture - <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2005.<br />

20


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

ELLEN VAN LOON (The Netherlands)<br />

Architect. Joined the Office for Metropolitan Architecture (OMA) in 1998 and became partner in OMA<br />

in 2002. She was Project Manager of the Casa da Musica in Porto, as well as the Dutch Embassy in<br />

Berlin, for which OMA and partner Rem Koolhaas was given the European Union Prize for<br />

Contemporary Architecture - <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award Award 2005. She was Project Architect for the<br />

development of the Universal Headquarters Building in Los Angeles, as well as for the MAB towers in<br />

Rotterdam. Prior to working with OMA, she spent several years working with Foster and Partners on<br />

the design of the Reichstag in Berlin.<br />

MOHSEN MOSTAFAVI (United Kingdom)<br />

Architect. Dean of the College of Architecture, Art, and Planning at Cornell University and the Arthur L.<br />

and Isabel B. Wiesenberger Professor of Architecture. Formerly Chairman of the Architectural<br />

Association in London, he has served on the design committee of the London Development Agency<br />

with Richard Rogers and Norman Foster among others and is currently involved as a consultant on a<br />

number of architectural and urban projects of international significance. He has been member of the<br />

RIBA Gold Medal Selection Committee and the Steering Committee of the Aga Khan Award for<br />

Architecture. His architectural projects and research have been published in many journals including<br />

Architectural Review, AA Files, Arquitectura, Bauwelt, Casabella, Centre and Daidalos. Co-author of<br />

Architecture and Continuity (1983), Delayed Space (with Homa Farjadi, 1994) and On Weathering<br />

(with David Leatherbarrow, 1993), which received the American Institute of Architects’ commendation<br />

prize for architectural theory.<br />

FRANCIS RAMBERT (France)<br />

Journalist and critic. Director of Institut français d’architecture (Ifa), department of the Cité de<br />

l’architecture et du patrimoine in Paris. From 1990 to 2004, he wrote for the culture section of Le<br />

Figaro. Co-foun<strong>der</strong> and editor-in-chief of d’Architectures magazine. He has published numerous<br />

articles on architecture and design in the specialised media including: Beaux Arts, Le Journal des Arts,<br />

and above all in Connaissance des Arts, where he is a regular contributor. Author of various books<br />

such as a monograph about Massimiliano Fuksas for Editions du Regard (1997), he has also curated<br />

exhibitions such as Bouge l’Architecture, Cities on the Move (Paris, 2002), and the architectural<br />

biennials in Buenos Aires (1998 and 2001) and in Rotterdam (2003).<br />

DIETMAR STEINER (Austria)<br />

Architect. Director of the Architekturzentrum, in Vienna (AZW). Professor in Architecture History and<br />

Theory at the Universität für angewandte Kunst in Vienna up to 1989. From 1995-99 he was editor-inchief<br />

for architecture for Domus magazine and is author of numerous books and articles. Curator of<br />

the Austria Pavilion at the 2002 Architecture Biennal in Venice, he is currently President of the<br />

International Confe<strong>der</strong>ation of Architectural Museums (ICAM) and serves as a member of numerous<br />

juries and as a consultant on a variety of projects related with architecture and urban development.<br />

LLUÍS HORTET (Barcelona), Secretary of the jury.<br />

Director of the <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong><br />

DIANE GRAY (Barcelona), Coordinator of the Award<br />

<strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong><br />

21


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

European Union Prize for Contemporary Architecture –<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award<br />

Background Information<br />

In 1987, the European Commission, together with the European Parliament and the <strong>Fundació</strong> <strong>Mies</strong><br />

<strong>van</strong> <strong>der</strong> <strong>Rohe</strong>, created the <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award for European Architecture. In 2001, as part of the<br />

Culture 2000 programme, this Award led to the creation of the European Union Prize for<br />

Contemporary Architecture awarded every two years. The Award is awarded to recent works, less<br />

than two years old, produced in countries covered by the Culture 2000 programme 1 .<br />

The purpose of the European Union Prize for Contemporary Architecture – <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award<br />

is to acknowledge excellence and conceptual, technical and constructional innovation. The European<br />

Commission created the Award with the aim of fostering greater un<strong>der</strong>standing, on the part of the<br />

public in general as well as institutions and the private sector, of architecture’s cultural role in the<br />

construction of European cities. Additional aims are to create professional opportunities for architects<br />

throughout the Union, as well as to provide support for young architects who have just embarked on<br />

their careers. To further this latter objective, the Award includes an Emerging Architect Special<br />

Mention.<br />

The European Union Prize for Contemporary Architecture – <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award consists of a<br />

cash prize of €50,000, while the Emerging Architect Special Mention is endowed with €10,000. Along<br />

with the cash prizes, the winners will also be awarded with a sculpture by the Catalan artist Xavier<br />

Corberó inspired by the <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Pavilion, one of the 20 th century’s major architectural<br />

works.<br />

The works awarded the Award and the special mention along with all the works selected by the jury for<br />

their outstanding qualities are presented in an exhibition and published in the Award catalogue.<br />

1 Member states of the European Union: Austria, Belgium, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary,<br />

Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Poland, Portugal, Slovak Republic, Slovenia, Spain, Sweden, The Netherlands, United Kingdom; in<br />

addition the EEA/EFTA countries: Iceland, Liechtenstein, Norway; the acceding countries: Romania, Bulgaria,Turkey; and the candidate countries: Croatia<br />

and the Former Yugoslavian Republic of Macedonia (FYROM).<br />

22


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Winner of the European Union Prize for Contemporary Architecture –<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award<br />

2005 Netherlands Embassy Berlin, Germany<br />

Office for Metropolitan Architecture / Rem Koolhaas, Ellen <strong>van</strong> Loon<br />

2003 Car Park and Terminus Hoenheim North, Strasbourg, France<br />

Zaha Hadid<br />

2001 Kursaal Centre, San Sebastián, Spain<br />

Rafael Moneo<br />

Emerging Architect Special Mention<br />

Previous Winners<br />

2005 BasketBar, Utrecht, The Netherlands<br />

NL Architects / Pieter Bannenberg, Walter <strong>van</strong> Dijk, Kamiel Klaasse, Mark Linnemann<br />

2003 Scharnhauser Park Town Hall, Ostfil<strong>der</strong>n, Germany<br />

Jürgen Mayer H.<br />

2001 Kaufmann Holz Distribution Centre, Bobingen, Germany<br />

Florian Nagler<br />

Winners of the <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Pavilion Award for European Architecture:<br />

1999 Bregenz Art Museum, Bregenz, Austria<br />

Peter Zumthor<br />

1997 Bibliothèque Nationale de France, Paris, France<br />

Dominique Perrault<br />

1994 Waterloo Station, London, United Kingdom<br />

Nicholas Grimshaw / Nicholas Grimshaw & Associates<br />

1992 Municipal Sports Stadium, Badalona, Spain<br />

Esteve Bonell, Francesc Rius<br />

1990 Stansted Airport Terminal, London, United Kingdom<br />

Norman Foster / Norman Foster & Associates<br />

1988 Banco Borges e Irmão, Vila do Conde, Portugal<br />

Álvaro Siza Vieira<br />

23


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Exhibition and Catalogue<br />

The Foundation is organising a traveling exhibition that will be presented in diverse museums and<br />

institutions. The contents of this exhibition include texts that explain the Award and its objectives;<br />

drawings and photographs of each work presented (the works awarded the Award and the Special<br />

Mention as well as the selection of the jury); and models. The approach of this exhibition is that it be<br />

highly didactic and provide ample information for both architectural professionals and students as well<br />

as the general public. A catalogue will also be published that includes extensive documentation about<br />

all the works selected by the jury along with articles by the members of the jury and institutional<br />

presentations. This catalogue as well as the traveling exhibition represents an important and unique<br />

panorama of the development of contemporary European architecture by serving as an anthology of<br />

some of the best work produced during 2005 and 2006.<br />

Construmat<br />

Construmat (the International Construction Exhibition organised by the Fira (Trade Fair) of Barcelona)<br />

is the largest of its kind in Spain and one of the top three in Europe. The 2007 edition, which takes<br />

place May 14 – 19, is the largest ever, featuring 4.500 exhibitors from some 50 countries. In addition<br />

to being a showcase for the presentation of new construction products and techniques, the other<br />

major objective is to become an international forum for reflection and analysis on the future of building.<br />

24


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

The <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Pavilion and <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong><br />

The Pavilion was built for the 1929 Barcelona World Exposition and disassembled the following year.<br />

Half a century later, and in view of the importance of the pavilion in terms of contemporary<br />

architectural history, the Barcelona City Council, with architect Oriol Bohigas at the head of its Urban<br />

Planning Department, decided to faithfully reconstruct the building. The project was carried out after<br />

extensive research by Ignasi de Solà-Morales, Cristian Cirici and Fernando Ramos between 1983 and<br />

1986 on the Pavilion’s original Montjuïc site.<br />

The <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> was set up in 1983 with the aim of working towards the<br />

reconstruction of the pavilion. Since the completion of the project, the <strong>Fundació</strong>, member of the<br />

International Confe<strong>der</strong>ation of Architectural Museums (ICAM), has been entrusted with the task of<br />

preserving and managing the pavilion building.<br />

The <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> serves also to foster debate on contemporary architecture and<br />

urbanism, to build up a documentary archive on Ludwig <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> and on mo<strong>der</strong>n and<br />

contemporary architecture, and to organise correlated awards, courses, lectures, exhibitions,<br />

publications and studies.<br />

In accordance with the rules for the Award itself, an Advisory Committee collaborates with the<br />

<strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> regarding all aspects of the organisational process. This committee<br />

comprises 16 of the most prestigious architectural institution throughout Europe: Architektur Zentrum<br />

Wien, Vienna; Architecture Foundation, London; arc en rêve centre d’architecture, Bordeaux; Berlage<br />

Institute, Rotterdam; Biennale di Venezia, Venice; Gammel Dok, Copenhagen; DESSA, Ljubljana;<br />

Deutsches Architektur Museum, Frankfurt; EUROPAN, Paris; <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong>,<br />

Barcelona; Institut français d’architecture, Paris; Museum of Finnish Architecture, Helsinki;<br />

Nasjonalmuseet for Kunst, Architektur og Design, Oslo; Ne<strong>der</strong>lands Architectuurinstituut, Rotterdam;<br />

Triennale di Milano, Milan and RIBA Foundation, London.<br />

25


European Union Prize for Contemporary Architecture<br />

<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />

Ludwig <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> (1886 – 1969)<br />

Ludwig <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> was born in Aachen, Germany in 1886. As a result of time spent working<br />

un<strong>der</strong> the influence of Peter Behrens, <strong>Mies</strong> developed a design approach based on ad<strong>van</strong>ced<br />

structural techniques and Prussian Classicism. Famous for the phrase “less is more,” he fostered a<br />

style of architecture based on material honesty and structural integrity. Over the last twenty years of<br />

his life, <strong>Mies</strong> achieved his vision of a monumental ‘skin and bone’ architecture, his later works<br />

embodying the idea of universal, simplified architecture.<br />

His major works include amongst others: Werkbund Exposition and Apartments: Weissenhofsiedlung,<br />

Stuttgart, Germany, 1927; H.Langer House, Krefeld, Germany, 1928; German Pavilion, Barcelona,<br />

Spain, built 1928-1929, demolished 1930; Tugendhat House, Brno, Czech Republic, 1930; Farnsworth<br />

House, Plano, Illinois, 1946-1950; Lake Shore Drive Apartments, Chicago, Illinois, 1948-1951; Crown<br />

Hall (IIT), Chicago, Illinois, 1950-1956; Seagram Building, New York, 1954-1958; New National<br />

Gallery, Berlin, Germany, 1962-1968.<br />

European Commission information: Frédéric Vincent at +32-02/298.71.66<br />

<strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> information: Pilar Casanova +34-93.215.10.11 or e-mail miespress@miesbcn.com<br />

Complementary information available to the press: (http://www.miesbcn.com/en/press.html):<br />

- Information about the Award and photographs<br />

- Information about the proposed projects<br />

- Information about the nine jury members<br />

Note to the Editors: The European Union Prize for Contemporary Architecture is a joint initiative of the European Commission and the <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong><br />

<strong>der</strong> <strong>Rohe</strong>. The Award as well as a special mention for young architects are awarded every two years to recent works, less then two years old, produced in<br />

countries covered by the Culture 2000 programme. Their objective is to show mo<strong>der</strong>n creativity and to make people aware of the way that mo<strong>der</strong>n<br />

architecture is socially and culturally rooted in European cities.<br />

26

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