PRESS DOSSIER - Fundació Mies van der Rohe
PRESS DOSSIER - Fundació Mies van der Rohe
PRESS DOSSIER - Fundació Mies van der Rohe
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<strong>PRESS</strong> <strong>DOSSIER</strong><br />
Barcelona, April 2007
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
MUSAC – Contemporary Art Museum of Castilla y León<br />
MUSAC - Museo de arte contemporáneo de Castilla y León<br />
León, Spain<br />
Luis M. Mansilla, Emilio Tuñón<br />
Mansilla + Tuñón<br />
Awarded Work<br />
On a vast urban plan, MUSAC draws the scenario for art with the same optimistic attitude used by the<br />
Roman surveyors to sketch their cities in the landscape. In contrast to other types of museums that<br />
focus on the exhibition of frozen historic collections, MUSAC is a living space that opens its doors to<br />
the wide-ranging manifestations of contemporary art. This is an art centre that constructs a set of<br />
chessboards on which the action is the protagonist of the space; a structure that develops from an<br />
open system, formed by a fabric of squares and rhombi, and permitting the construction of a secret<br />
geography of memory.<br />
MUSAC is a new space for culture, regarded as something that visualises the connections between<br />
man and nature.<br />
A cluster of chained but independent rooms permit exhibitions of differing sizes and types. Each of the<br />
jaggedly shaped rooms constructs a continuous yet spatially differentiated area that opens onto the<br />
other rooms and courtyards, providing longitudinal, transversal and diagonal views. Five hundred<br />
prefab beams enclose a series of spaces that feature systematic repetition and formal<br />
expressiveness.<br />
Outside, the public space takes on a concave shape to hold the activities and encounters, embraced<br />
by large coloured glass in homage to the city as the place for interpersonal relationships. Inside, a<br />
large area of continuous, different spaces, spattered with courtyards and large skylights, shapes an<br />
expressive system that speaks to us of the interest shared by architecture and art: the contemporary<br />
manifestation of the variable and the perennial, of equality and difference, of universality and<br />
transience, an echo of our own diversity and equality as people.<br />
In its size, as a single-storey building with white concrete walls and large coloured glazing seen from<br />
the outside, MUSAC strives to be a space where art is at ease and helps to erase the boundaries<br />
between private and public; between work and leisure; and between art and life.<br />
2
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
MUSAC - Contemporary Art Museum of Castilla y León Credits<br />
Client: Castilla y León Regional Goverment, Gesturcal SA<br />
Collaborators: Andres Regueiro, Ainoa Prats, Clara Moneo, Jaime Gimeno, Katrien Vertenten, Luis<br />
Diaz Mauriño, Matilde Peralta, Ricardo Lorenzana, Teresa Cruz<br />
Technical Architects: Arcadio Conde, Juan Carlos Corona, Santiago Hernán<br />
Consultants: JG Asociados<br />
Structural Engineering: Gogaite / Alfonso Gomez Gaite<br />
Construction Company: MUSAC UTE, FCC & TECONSA<br />
Luis M. Mansilla and Emilio Tuñón Curriculum Vitae<br />
1990 Office of Mansilla+Tuñón established in Madrid<br />
http://www.mansilla-tunon.com<br />
Luis M. Mansilla<br />
1959 Born in Madrid<br />
1982 Diploma in Architecture, Escuela Técnica Superior de Arquitectura de Madrid (ETSAM)<br />
1984 Prix de Rome, Academia Española de Bellas Artes, Roma<br />
Since 1989 Professor, ETSAM<br />
1998 Doctorate, ETSAM<br />
1998 Visiting Professor, Städelschule, Frankfurt<br />
2005 Visiting Professor, Ecole Polytechnique Fédérale de Lausanne (EPFL)<br />
2006 Elliott Noyes Professor, Graduate School of Design (GSD), Harvard University, Cambridge,<br />
Massachusetts<br />
Emilio Tuñón<br />
1959 Born in Madrid<br />
1981 Diploma in Architecture, ETSAM<br />
Since 1986 Professor, ETSAM<br />
1998 Visiting Professor, Städelschule, Frankfurt<br />
2000 Visiting Professor, Universidad Politécnica de Puerto Rico<br />
2005 Visiting Professor, EPFL<br />
2006 Elliott Noyes Professor, GSD<br />
Major Competitions<br />
2002 1 st Prize: Cantabria Museum, Vaguada de las Llamas, Spain<br />
2002 1 st Prize: Royal Collection Museum, Madrid<br />
2003 1 st Prize: Masterplan of Valbuena Area, Logroño, Spain<br />
2004 1 st Prize: Lalín City Council, Spain<br />
2005 1 st Prize: Helga de Alvear Visual Arts Centre, Cáceres, Spain<br />
Awards and Distinctions<br />
2001 Premi FAD: Castellón Fine Arts Museum, Spain<br />
2002 III Bienal Iberoamericana de Arquitectura: Prize for Publications - CIRCO<br />
2003 Premio Nacional de Arquitectura Española: León Auditorium<br />
2005 Premio ENOR: MUSAC<br />
2006 Premio VIA<br />
Major Works<br />
1996 Zamora Museum, Spain<br />
1998 Indoor Swimming Pool, San Fernando de Henares, Spain<br />
2000 Castellón Fine Arts Museum, Spain<br />
2002 León Auditorium<br />
2002 Regional Documentary Centre, Madrid<br />
3
Faculty of Mathematics<br />
Fakulteta za matematiko<br />
Ljubljana, Slovenia<br />
Matija Bevk, Vasa J. Perović<br />
Bevk Perović arhitekti<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Emerging Architect Special Mention<br />
The new building for the Faculty of Mathematics, built in the University area of the city of Ljubljana, is<br />
not a building in a standard sense of the word. It is, in fact, an addition, a three-storey slab built on top<br />
of the existing two-storey building. The design concept is based on the development of the idea of<br />
public spaces as a series of transparent 'rooms', carved out of the building mass and hovering above<br />
the city.<br />
At first glance a formally simple architecture is precisely formulated, whether one looks at the<br />
programmatic organisation or at the tactile treatment of surfaces. The elegant glass skin,<br />
screenprinted with different densities of the same pattern, articulates the programmatic structure<br />
behind (different densities of the pattern correspond to different lighting conditions).<br />
Simultaneously, seemingly random prints appear as if they are forming together an independent<br />
overall surface of the building. Only the public and communal spaces of the school have a glass skin<br />
without a printed pattern, thus establishing a dialogue between the interior and the city beyond.<br />
4
Faculty of Mathematics Credits<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Client: University of Ljubljana<br />
Collaborators: Maja Valič, Nika Prešeren, Robert Loher<br />
Structure: Elea iC / Angelo Žigon, Marko Pavlinek, Jana Pribaković<br />
Mechanical: Celarc / Tomi Celarc<br />
Electrical: Eldata / Borut Glavnik<br />
Management: Loka Invest<br />
Construction Companies: GPG (General Contractor), Reflex (Elevation)<br />
Matija Bevk and Vasa J. Perović Curriculum Vitae<br />
1997 Office of Bevk Perović Arhitekti established in Ljubljana<br />
http://www.bevkperovic.com<br />
Matija Bevk<br />
1972 Born in Ljubljana<br />
1999 Diploma in Architecture, Fakulteta za Arhitekturo, Univerza v Ljubljani<br />
Vasa J. Perović<br />
1965 Born in Belgrade, Yugoslavia<br />
1992 Diploma in Architecture, Arhitektonski Fakultet, Belgrade<br />
1994 Master of Architecture, Berlage Institute, Amsterdam<br />
Major Competitions<br />
1998 2 nd Prize: National Opera and Ballet, Ljubljana<br />
1998 2 nd Prize: City Museum, Ljubljana<br />
2002 1 st Prize: Social Housing, Maribor, Slovenia<br />
2005 1 st Prize: Nonprofit Housing Brdo, Ljubljana<br />
2006 2 nd Prize: Social Housing Polje II, Ljubljana<br />
Awards and Distinctions<br />
2005 Prešeren Award – National Prize for Culture: Works 2002-05<br />
2005 Plečnik Prize for Architecture: Social Housing Polje, Ljubljana<br />
2005 Piranesi Award: Social Housing Polje<br />
2006 Golden Pencil, Slovenian Chamber of Architects: Student Housing Poljane, Ljubljana<br />
2006 Kunstpreis Berlin För<strong>der</strong>ungspreis 2006, Akademie <strong>der</strong> Künste, Germany<br />
Major Works<br />
2003 Royal Dutch Embassy Residence, Ljubljana<br />
2004 House SB, Ljubljana<br />
2005 Social Housing Polje, Ljubljana<br />
2006 House H, Ljubljana<br />
2006 Student Housing Poljane, Ljubljana<br />
5
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Information: Other six finalists for the 2007 Award<br />
In addition to the MUSAC, the jury of the European Union Prize for Contemporary Architecture –<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007, chaired by architect Ricky Burdett and formed by Peter Cachola<br />
Schmal, Beth Galí, Bettina Götz, Luis Fernández Galiano, Ellen <strong>van</strong> Loon, Mohsen Mostafavi, Francis<br />
Rambert, Dietmar Steiner and Lluís Hortet as secretary, selected six other finalists as candidates for<br />
the Award, one of the most important and prestigious on the international architecture scene. This<br />
selection is a faithful reflection of the principal objective un<strong>der</strong>lying the Award, namely to acknowledge<br />
excellent and innovative projects characterised by high-quality construction.<br />
Sines Arts Centre, Sines, Portugal<br />
Centro de Artes de Sines<br />
Francisco Aires Mateus, Manuel Aires Mateus / Aires Mateus e Associados<br />
Mercedes-Benz Museum, Stuttgart, Germany<br />
Ben <strong>van</strong> Berkel / UNStudio<br />
America’s Cup Building, Valencia, Spain<br />
Edifici Veles e Vents<br />
David Chipperfield / David Chipperfield Architects<br />
Fermín Vázquez / b720 Arquitectos<br />
Phæno Science Centre, Wolfsburg, Germany<br />
Phæno – Die Experimentierlandschaff<br />
Zaha Hadid / Zaha Hadid Architects<br />
School for Management, Bordeaux, France<br />
Pôle universitaire de sciences de gestion<br />
Anne Lacaton, Jean Philippe Vassal / Lacaton & Vassal Architectes<br />
National Choreographic Centre, Aix-en-Provence, France<br />
Centre chorégraphique nationale<br />
Rudy Ricciotti / Rudy Ricciotti architecte<br />
6
Sines Arts Centre<br />
Centro de Artes de Sines<br />
Sines, Portugal<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Francisco Aires Mateus, Manuel Aires Mateus<br />
Aires Mateus e Associados<br />
The Art Centre is situated at the start of the main street linking the town of Sines to the sea and<br />
marking the traditional entrance to the historic nucleus. The wide-raging programme - including<br />
exhibition rooms, a library, theatre and a documentation centre - calls for the whole site to be<br />
occupied, enveloping the street below ground level and adapting its exterior volume to the<br />
monumental scale of the castle walls. The four modules are set out on the upper floors in parallel<br />
bands interspersed with patios. The decks were hung from a bridge-like structure supported on the<br />
perimetral walls alone. This system allows a spatial configuration on the basement level that is<br />
adapted to the dimensions of the common areas and at street level it guarantees an unbroken view<br />
across the inside of the building, thereby including its activities in the daily life of the town.<br />
1988 Office of Aires Mateus & Associados established in Lisbon<br />
http://www.airesmateus.com<br />
Manuel Aires Mateus<br />
1963 Born in Lisbon<br />
1986 Diploma in Architecture, Faculdade de Arquitectura da Universidade Técnica de Lisboa (FAUTL)<br />
1986-98 Professor, FAUTL<br />
Since 1997 Professor, Universidade Lusíada de Lisboa<br />
Since 1998 Professor, Universidade Autónoma de Lisboa (UAL)<br />
2001-06 Visiting Professor, Accademia di Architettura di Mendrisio (AAM)<br />
2002-06 Visiting Professor, Graduate School of Design (GSD), Harvard University, Cambridge<br />
2005 Visiting Professor, Fakulteta za Arhitekturo, Univerza v Ljubljani, Ljubljana<br />
Francisco Aires Mateus<br />
1964 Born in Lisbon<br />
1987 Diploma in Architecture, FAUTL<br />
1998-06 Professor, UAL<br />
2001-06 Visiting Professor, AAM<br />
2002-04 Visiting Professor, GSD<br />
Major Works<br />
2002 Commercial Centre Carmen Frova, Venice<br />
2003 New Lisbon Central Library<br />
2003 Hotel and Apartment Buildings, Dublin<br />
2005 Hotel and Housing Facilities, Óbidos, Portugal<br />
2006 Aquapura Touristic Resort, Otsevo, Former Yugoslavian Republic of Macedonia (FYROM)<br />
7
Mercedes-Benz Museum<br />
Stuttgart, Germany<br />
Ben <strong>van</strong> Berkel<br />
UNStudio<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
The Mercedes-Benz Museum intricately combines structure and content. The Museum is specifically<br />
devised to showcase a collection in which technology, adventure, attractiveness and distinction are<br />
merged. It is also a Museum for people to freely move through. Lastly, it is a Museum for the city, a<br />
new landmark to celebrate the enduring passion of Stuttgart’s most famous inventor and<br />
manufacturer. The structure of the 25,000 m² museum is based on a trefoil; both in its internal<br />
organisation and in its outward expression this geometry responds to the car-driven context of the<br />
Museum. In its materialisation the museum reproduces the values that we associate with Mercedes-<br />
Benz: technological ad<strong>van</strong>cement, intelligence, and stylishness.<br />
1988 Office of UNStudio established in Amsterdam<br />
http://www.unstudio.com<br />
Ben <strong>van</strong> Berkel<br />
1957 Born in Utrecht<br />
1987 Diploma in Architecture, Architectural Association (AA), London<br />
1991-93 Visiting Professor, Columbia University, New York<br />
1997-99 Master of Architecture, AA<br />
2000 Visiting Professor, Graduate School of Design (GSD), Harvard University, Cambridge,<br />
Massachusetts<br />
2000-02 Visiting Professor, Princeton University, Princeton<br />
2001 Professor of Conceptual Design, Staedelschule, Frankfurt am Main<br />
Major Works<br />
1996 Erasmus Bridge, Rotterdam<br />
1998 Mobius House, Het Gooi, The Netherlands<br />
1999 Het Valkhof Museum, Nijmegen, The Netherlands<br />
2002 Electrical Substation, Innsbruck, Austria<br />
2004 Galleria Department Store, Seoul, South Korea<br />
8
America’s Cup Building<br />
Edifici Veles e Vents<br />
Valencia, Spain<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
David Chipperfield / David Chipperfield Architects<br />
Fermín Vázquez / b720 Arquitectos<br />
The centrepiece of the reorganisation of Valencia's industrial port, the Veles e Vents building provides<br />
a central base for all America's Cup teams and sponsors, as well as being a venue for the public to<br />
view the races. The 10,000 m² four-floor building is composed of a series of stacked and shifting<br />
horizontal planes that provide shade and uninterrupted views extending out to sea. The ground floor<br />
acts as the reception area for the VIP facilities and has a canal-facing restaurant open to the public.<br />
The first floor is public with retail facilities and a generous viewing deck that connects to the park. The<br />
second and third floors house the VIP facilities: including the restaurant 'Foredeck Club'. The building<br />
is a concrete structure with deep cantilevered floor slabs creating the unobstructed and shaded<br />
viewing decks that surround all the floors which are connected with large external staircases and<br />
ramps.<br />
1984 Office of David Chipperfield Architects established in London<br />
http://www.davidchipperfield.co.uk<br />
David Chipperfield<br />
1953 Born in London<br />
1977 Diploma in Architecture, Architectural Association, London<br />
1987-88 Visiting Professor, Graduate School of Design (GSD), Harvard University, Cambridge,<br />
Massachusetts<br />
1992 Visiting Professor, Karl-Franzens-Universität Graz, Austria<br />
1993-94 Visiting Professor, École Polytechnique Fédérale de Lausanne<br />
1995-2001 Professor, Staatliche Akademie <strong>der</strong> Bildenden Kunst, Stuttgart<br />
2001 <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Chair, Escola Tècnica Superior d’Arquitectura de Barcelona<br />
Major Works<br />
1997 River and Rowing Museum, Henley-on-Thames, UK<br />
2002 Ernsting Service Centre, Coesfeld-Lette, Germany<br />
2005 Villaverde Social Housing, Madrid<br />
2006 Des Moines Public Library, Iowa<br />
2006 Museum of Mo<strong>der</strong>n Literature, Marbach am Neckar, Germany<br />
1997 Office of b720 Arquitectos established in Barcelona<br />
http://www.b720.com<br />
Fermín Vázquez<br />
1961 Born in Madrid<br />
1987 Diploma in Architecture, Escuela Técnica Superior de Arquitectura de Madrid<br />
2001 <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Chair, Escola Tècnica Superior d’Arquitectura de Barcelona<br />
2003 Workshop Tutor, École d’Architecture et Paisage de Bordeaux (with Xaveer de Geyter and Tania<br />
Concho)<br />
Major Works<br />
2001 MN19 Office Building, Barcelona<br />
2004 Corporative Office Building for Indra’s Headquarters, Barcelona<br />
2004 Fira Towers, Barcelona (with Toyo Ito)<br />
2005 Agbar Tower, Barcelona (with J. Nouvel)<br />
2005 Museo Nacional de Arte Reina Sofia Extension, Madrid (with J. Nouvel)<br />
9
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Phæno Science Centre<br />
Phæno – Die Experimentierlandschaff<br />
Wolfsburg, Germany<br />
Zaha Hadid<br />
Zaha Hadid Architects<br />
Located on a special site in the city of Wolfsburg the Phæno Science Centre is both the endpoint of a<br />
chain of important cultural buildings and a connecting link to the north bank of Volkswagen’s<br />
Autostadt. Volumetrically, the building is structured so that it maintains a large degree of transparency<br />
and porosity on the ground since the main volume of the exhibition space is raised, thus covering an<br />
outdoor public plaza with commercial and cultural functions residing in the structural concrete cones.<br />
Multiple threads of pedestrian and vehicular movement are pulled through the site both on an artificial<br />
ground landscape and inside the building, effectively composing an interface of movement paths. The<br />
predominant use of individually fabricated formwork elements and cast-in-situ concrete have made<br />
possible the jagged angles, looming curves, fractured planes and daring protrusions that characterise<br />
the building.<br />
1979 Office of Zaha Hadid Architects established in London<br />
http://www.zaha-hadid.com<br />
Zaha Hadid<br />
1950 Born in Baghdad, Iraq<br />
1971 Diploma in Mathematics, American University, Beirut, Lebanon<br />
1977 Diploma in Architecture, Architectural Association (AA), London<br />
1977-86 Unit Master, AA<br />
1987-93 Visiting Professor, Columbia University, New York<br />
1988-93 Kenzo Tange Chair, Graduate School of Design (GSD), Harvard University, Cambridge,<br />
Massachusetts<br />
Since 2004 Professor, Universität für angewandte Kunst, Vienna<br />
2000, 02, 04, 07 Eero Saarinen Visiting Professor, Yale University, New Haven, Connecticut<br />
Major Works<br />
1993 Vitra Fire Station, Weil am Rhein, Germany<br />
2001 Car Park and Terminus Hoenheim North, Strasbourg<br />
2002 Bergisel Ski Jump, Innsbruck, Austria<br />
2003 Rosenthal Centre for Contemporary Art, Cincinnati, Ohio<br />
2005 Ordrupgaard Museum Extension, Copenhagen<br />
10
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
School for Management<br />
Pôle universitaire de sciences de gestion<br />
Bordeaux, France<br />
Anne Lacaton, Jean Philippe Vassal<br />
Lacaton & Vassal Architectes<br />
The spatial programme for the School of Management extends over four floors with the ground floor<br />
functioning as an initial level for the individual faculties. The main entrance leads directly to a large<br />
courtyard in the centre of the buiding from where independent vertical connections lead to the upper<br />
floors. On the first floor there are three lecture rooms which are glazed on the side facing the yards, as<br />
well as an information facility, a multimedia centre and classrooms for the basic courses. The floors<br />
above are divided into separate sections which house the various faculties, thus creating open spaces<br />
that allow additional natural light to reach the lower floors. The natural light is generous, controlled by<br />
the position of the louvres (open, closed, semi-closed), and all the rooms have a large view to the city<br />
or to the surrounding hill, or to the courtyards or patios. Continuous surrounding balconies with large<br />
containers of climbing roses, metal frames and screen railings enhance the facade on all floors.<br />
1987 Office of Lacaton & Vassal Architectes established in Bordeaux<br />
2000 Office moved to Paris<br />
Anne Lacaton<br />
1955 Born in Saint-Pardoux la Rivière, France<br />
1980 Diploma in Architecture, École Nationale Supérieure d'Architecture et de Paysage de Bordeaux<br />
(ENSAP)<br />
1984 Diploma in Town Planning, Université de Bordeaux<br />
2003, 06 Visiting Professor, Ecole Polytechnique Fédérale de Lausanne<br />
Jean Philippe Vassal<br />
1954 Born in Casablanca, Morocco<br />
1980 Diploma in Architecture, ENSAP, Bordeaux<br />
1992-99 Professor, ENSAP, Bordeaux<br />
2002-06 Visiting Professor, École Nationale Supérieure d’Architecture de Versailles<br />
2005 Visiting Professor, Peter Behrens School of Architecture, Düsseldorf<br />
Major Works<br />
2001 University of Arts and Human Sciences, Grenoble<br />
2002 Palais de Tokyo, Paris<br />
2002 Office Building, Nantes<br />
2005 Social Housing, Mulhouse, France<br />
2006 Hall for Trade Fairs and Exhibition Centre, Paris<br />
11
National Choreographic Centre,<br />
Centre chorégraphique nationale<br />
Aix-en-Provence, France<br />
Rudy Ricciotti<br />
Rudy Ricciotti architecte<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
The new National Choreagraphic Centre is located on a sloping and rather constricted site outside of<br />
Aix-en-Provence’s historical centre in an area un<strong>der</strong>going urban regeneration. The 3000 m² building<br />
accomodates the dance company of Angelin Preljocaj and consists of office areas and four dance<br />
studios along with a theatre with capacity for some 400 persons. Designed in accordance with seismic<br />
regulations, the programmatic need for open floors completely free of columns required the shift of the<br />
structural load to the facade. Known as the ‘Black Pavilion’ for the predominant use of this colour on<br />
both the interior and the exterior, the facade is characterised by massive structural members in black<br />
concrete that criss cross asymmetrically over the surface allowing natural light into the glazed volume<br />
un<strong>der</strong>neath.<br />
1980 Office of Rudy Ricciotti Architecte established in Bandol, France<br />
http://www.rudyricciotti.com<br />
Rudy Ricciotti<br />
1952 Born in Algiers, Algeria<br />
1975 Diploma in Architecture, École d’Ingeneurs de Genève<br />
1980 Diploma in Architecture, École Superieure d’Architecture, Marseille<br />
1995 Professor, École des Beaux Arts de Marseille<br />
1997-98 Visiting Professor, École Spéciale d’Architecture de Paris<br />
Major Works<br />
1994 Concert and Sports Stadium, Vitrolles, France<br />
1996 Secondary School, Saint Quen, France<br />
2000 Nickolaïsal Philharmonic Hall, Potsdam, Germany<br />
2003 Footbridge of Peace, Seoul, South Korea<br />
2006 University Paris VII : Rehabilitation of ‘Les Grands Moulins’<br />
12
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
The jury has also singled out a further 33 works that, by virtue of their exceptional quality, will be<br />
included in the exhibition and catalogue about the 2007 Award. The jury has selected works from<br />
Austria, Belgium, Croatia, Denmark, France, Germany, Ireland, Italy, Netherlands, Norway, Portugal,<br />
Slovenia, Spain, Turkey and the United Kingdom. A total of 272 projects from thirty two European<br />
countries finished between January 1, 2005 and December 31, 2006 were proposed by a sizable<br />
group of independent international experts and the national associations of architects.<br />
Award-Winning Project<br />
MUSAC - Contemporary Art Museum of Castilla y León<br />
MUSAC - Museo de arte contemporáneo de Castilla y León<br />
León, Spain<br />
Mansilla + Tuñón<br />
Luis M. Mansilla, Emilio Tuñón<br />
Photo: Luis Asín Photo: Luis Asín<br />
Emerging Architect Special Mention<br />
Faculty of Mathematics<br />
Fakulteta za matematiko<br />
Ljubljana, Slovenia<br />
Matija Bevk, Vasa J. Perović<br />
Bevk Perović arhitekti<br />
Photo: Miran Kambic Photo: Miran Kambic<br />
13
Finalists works<br />
Sines Arts Centre<br />
Centro de artes de Sines<br />
Sines, Portugal<br />
Francisco Aires Mateus, Manuel Aires Mateus<br />
Aires Mateus e Associados<br />
Mercedes-Benz Museum<br />
Stuttgart, Germany<br />
Ben <strong>van</strong> Berkel<br />
UNStudio<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
America’s Cup Building<br />
Edifici Veles e Vents<br />
Valencia, Spain<br />
David Chipperfield / David Chipperfield Architects<br />
Fermín Vázquez / b720 Arquitectos /<br />
Phæno Science Centre<br />
Phæno – Die Experimentierlandschaff<br />
Wolfsburg, Germany<br />
Zaha Hadid<br />
Zaha Hadid Architects<br />
School for Management<br />
Pôle universitaire de sciences de gestion<br />
Bordeaux, France<br />
Anne Lacaton, Jean Philippe Vassal<br />
Lacaton & Vassal Architectes<br />
National Choreographic Centre<br />
Centre chorégraphique nationale<br />
Aix-en-Provence, France<br />
Rudy Ricciotti<br />
Rudy Ricciotti architecte<br />
14
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Works selected for exhibition and catalogue<br />
Woermann Tower<br />
Torre Woermann<br />
Las Palmas de Gran Canaria, Spain<br />
Iñaki Ábalos, Juan Herreros<br />
Ábalos&Herreros arquitectos<br />
Sea Organ<br />
Morske orgulje<br />
Zadar, Croatia<br />
Nikola Bašić<br />
Marinaprojekt<br />
Poustinia<br />
Clonmel, Co.Tipperary, Ireland<br />
Kevin Bates, Tom Maher<br />
Architects Bates Maher<br />
Svartlamoen Housing<br />
Trondheim, Norway<br />
Geir Brendeland, Olav Kristoffersen<br />
Brendeland & Kristoffersen Arkitekter<br />
Brick House<br />
London, United Kingdom<br />
Adam Caruso, Peter St John<br />
Caruso St John Architects<br />
GlaxoSmithKline Day Nursery<br />
Asilo per il Campus GlaxoSmithKline<br />
Verona, Italy<br />
Antonio Citterio, Patricia Viel<br />
Antonio Citterio and Partners<br />
Illa de la Llum Housing at Diagonal Mar<br />
Habitatges Illa de la Llum a Diagonal Mar<br />
Barcelona, Spain<br />
Lluís Clotet, Ignacio Paricio<br />
Clotet, Paricio i Assoc., SL<br />
15
Economics Building, University of Ghent<br />
Faculteit Economie, Universiteit Gent<br />
Ghent, Belgium<br />
Xaveer De Geyter/Xaveer De Geyter<br />
Architects<br />
Stéphane Beel /Stéphane Beel Architecten<br />
The Bridge<br />
De Brug<br />
Rotterdam, Netherlands<br />
Chris de Jonge<br />
JHK Architecten<br />
Pedestrian Bridge Simone de Beauvoir<br />
Passerelle Simone de Beauvoir<br />
Paris, France<br />
Dietmar Feichtinger<br />
Feichtinger Architectes<br />
Free University of Berlin<br />
Freie Universität Berlin<br />
Berlin, Germany<br />
Norman Foster<br />
Foster + Partners<br />
New Trade Fair Milan<br />
Nuova Fiera Milano<br />
Milan, Italy<br />
Massimiliano Fuksas<br />
Lakeside Bath<br />
Lido di Caldaro<br />
Caldaro-Kaltern, Italy<br />
Marie-Therese Harnoncourt, Ernst J. Fuchs<br />
the next ENTERprise<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
16
Ecker Abu Zahra House<br />
Ecker Abu Zahra Haus<br />
Luftenberg, Austria<br />
Gernot Hertl<br />
Hertl.Architekten<br />
VM Housing Complex<br />
VM Husene<br />
Ørestad, Denmark<br />
Bjarke Ingels, Julien De Smedt<br />
PLOT = BIG + JDS<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
New Monastery for Cistercian Or<strong>der</strong> on Tautra<br />
Tautra Mariakloster<br />
Tautra, Norway<br />
Jan Olav Jensen, Børre Skodvin<br />
Jensen & Skodvin Arkitektkontor<br />
Intervention on Nasrid Wall and Surrounding Area<br />
Intervención en la muralla nazarí y su entorno<br />
Granada, Spain<br />
Antonio Jiménez Torrecillas<br />
Hotel Sotelia<br />
Podćetrtek, Slovenia<br />
Dean Lah, Milan Tomac<br />
Enota<br />
West School Complex<br />
Groupe scolaire ouest<br />
Obernai, France<br />
Duncan Lewis / scape architecture<br />
Klein & Baumann Architectes (associated architects)<br />
Jaume Fuster Library<br />
Biblioteca Jaume Fuster<br />
Barcelona, Spain<br />
Josep Llinàs<br />
17
Santa Caterina Market<br />
Mercat de Santa Caterina<br />
Barcelona, Spain<br />
Enric Miralles, Benedetta Tagliabue<br />
Miralles Tagliabue EMBT<br />
Shipping and Transport College<br />
Scheepvaart en Transport College<br />
Rotterdam, Netherlands<br />
Willem-Jan Neutelings, Michiel Riedijk<br />
Neutelings Riedijk Architects<br />
Agbar Tower<br />
Torre Agbar<br />
Barcelona, Spain<br />
Jean Nouvel / Ateliers Jean Nouvel<br />
Fermín Vázquez / b720 Arquitectos<br />
Kastrup Sea Bath<br />
Kastrup Søbad<br />
Kastrup, Copenhagen, Denmark<br />
Fredrik Pettersson<br />
hs white arkitekter a/s<br />
Fran Krsto Frankopan Elementary School<br />
Osnovna Skola Fran Krsto Frankopan<br />
Krk, Croatia<br />
Saša Randić, Idis Turato<br />
randić-turato architects<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
New Area Terminal Madrid-Barajas (NAT)<br />
Nueva area terminal del aeropuerto de Madrid-Barajas (NAT)<br />
Madrid, Spain<br />
Richard Rogers / Richard Rogers Partnership<br />
Carlos Lamela / Estudio Lamela<br />
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Fe<strong>der</strong>al Environmental Agency<br />
Umweltbundesamt<br />
Dessau, Germany<br />
Matthias Sauerbruch, Louisa Hutton<br />
sauerbruch hutton architekten<br />
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Fluc 2, Music and Art Club, Transformation of a Pedestrian Un<strong>der</strong>pass<br />
Fluc 2. Musik und Kunstklub – Transformation einer<br />
Fußgängerun<strong>der</strong>pass<br />
Vienna, Austria<br />
Klaus Stattmann<br />
Büro für Architektur und Forschung<br />
SM House<br />
Canakkale, Turkey<br />
Han Tumertekin, Eylem Erdinc<br />
Mimarlar Tasarim<br />
Ecoboulevard of Vallecas<br />
Ecobulevar de Vallecas<br />
Madrid, Spain<br />
Belinda Tato, José Luis Vallejo, Diego García-Setien<br />
Ecosistema Urbano Arquitectos<br />
Garden Pavilion for the Boxy Catering Company<br />
Deurle, Belgium<br />
Maarten Van Severen<br />
Documentation Centre Hinzert<br />
Dokumentationshaus Hinzert<br />
Hinzert, Germany<br />
Andrea Wandel, Wolfgang Lorch, Nikolaus Hirsch<br />
Wandel Hoefer Lorch + Hirsch architekten<br />
19
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Background information 9 jury members<br />
RICHARD BURDETT (United Kingdom) President of the jury<br />
Architect. Centennial Professor in Architecture and Urbanism at the London School of Economics<br />
(LSE) and founding director of the LSE Cities Programme, a centre that explores links between<br />
architecture, urban design and urban society. Since 2007, Burdett is Principal Design Adviser to the<br />
Olympic Delivery Authority for the London 2012 Olympics, as well architectural adviser to the Mayor of<br />
London, member of the Greater London Authority's Architecture + Urbanism Unit and sits on the City<br />
of Barcelona's Quality Committee. He was the Director of the 2006 Venice Architecture Biennale and<br />
has been a member of the Urban Task Force which has shaped current national policy on cities in<br />
Britain. He is architectural adviser to Tate Mo<strong>der</strong>n Gallery, the sole architectural adviser to the BBC<br />
and is a contributor to architectural publications writing regularly for the magazines Domus and Topos.<br />
PETER CACHOLA SCHMAL (Germany)<br />
Architect. Director of Deutsches Architektur Museum (DAM) in Frankfurt. His most important<br />
exhibitions have been UNStudio: Evolution of Space (2006); Frankfurt Airport: Terminal 3 Competition<br />
Proposals; Kisho Kurokawa: Metabolism & Symbiosis; European Central Bank: Competition<br />
Proposals. Architectural critic and editor since 1994, he has produced 12 books, and written numerous<br />
articles in magazines and other publications. He has been Adjunct Professor for Design II at<br />
Fachhochschule Frankfurt-am-Main and Assistant Professor of building construction at Technische<br />
Universität Darmstadt.<br />
LUIS FERNÁNDEZ GALIANO (Spain)<br />
Architect. Professor at the Escuela Técnica Superior de Arquitectura de Madrid. Editor of the journals<br />
AV/Arquitectura Viva, he has written on architecture for Spain’s leading newspaper, El País. A<br />
member of the Royal Academy of Doctors, he has been Cullinan Professor at Rice University; a<br />
Visiting Scholar at the Getty Center of Los Angeles; and Visiting Critic at Princeton, Harvard, and the<br />
Berlage Institute. He has taught courses at the Universidad Internacional Menéndez Pelayo and<br />
Universidad Complutense de Madrid. President of the jury for the 9th Venice Architecture Biennial and<br />
for the XV Chile Architecture Biennial, he has curated the exhibitions El espacio privado in Madrid and<br />
Extreme Eurasia in Tokyo, and has been on the jury of several international competitions. Among his<br />
books are La Quimera mo<strong>der</strong>na, El Fuego y la memoria and Spain Builds, the latter in collaboration<br />
with New York’s Museum of Mo<strong>der</strong>n Art.<br />
BETH GALÍ (Spain)<br />
Architect. President of FAD (Association for the Promotion of the Decorative Arts). Since 1994, she<br />
has lectured in City Planning at the Escola Tècnica Superior d’Arquitectura de Barcelona. She is also<br />
Visiting Lecturer at several European universities, such as Delft, Lausanne and Zurich. During the<br />
2000-2001 academic year she was a guest lecturer at the Graduate School of Design, Harvard<br />
University. She has been awarded first prize in the following competitions: the development of public<br />
areas in Hafencity (Hamburg, Germany, 2006); for the remodelling of Cornmarket Street, Cork<br />
(Ireland, 2006); and for the urban development project of the Vía Augusta between Diagonal and<br />
Plaça Molina (Barcelona, 2006). She has 25 years experience in building, city planning and urban<br />
design projects, as well as in directing both building projects and civil works. She has curated several<br />
exhibitions and often collaborates with books and other publications.<br />
BETTINA GÖTZ (Austria)<br />
Architect. Since 2006, she is Professor for Design and Building Construction at the Universität <strong>der</strong><br />
Künste Berlin. She is partner with Richard Manahl in the architectural firm ARTEC established in<br />
Vienna in 1988. Principal works by ARTEC are the Pharmacy in Aspern, Vienna and the Zehdengasse<br />
School, Vienna. Their urban projects include Terraced Building Typology, Vienna and Apartment<br />
Buildings on Laxenburgerstrasse, Vienna. ARTEC has been awarded the City of Vienna Architecture<br />
Prize and the Aluminium Architecture Prize for Raum Zita Kern. The EFAFLEX office and industrial<br />
building in Baden, Austria was among the exemplary works chosen by the jury of the European Union<br />
Prize for Contemporary Architecture - <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2005.<br />
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European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
ELLEN VAN LOON (The Netherlands)<br />
Architect. Joined the Office for Metropolitan Architecture (OMA) in 1998 and became partner in OMA<br />
in 2002. She was Project Manager of the Casa da Musica in Porto, as well as the Dutch Embassy in<br />
Berlin, for which OMA and partner Rem Koolhaas was given the European Union Prize for<br />
Contemporary Architecture - <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award Award 2005. She was Project Architect for the<br />
development of the Universal Headquarters Building in Los Angeles, as well as for the MAB towers in<br />
Rotterdam. Prior to working with OMA, she spent several years working with Foster and Partners on<br />
the design of the Reichstag in Berlin.<br />
MOHSEN MOSTAFAVI (United Kingdom)<br />
Architect. Dean of the College of Architecture, Art, and Planning at Cornell University and the Arthur L.<br />
and Isabel B. Wiesenberger Professor of Architecture. Formerly Chairman of the Architectural<br />
Association in London, he has served on the design committee of the London Development Agency<br />
with Richard Rogers and Norman Foster among others and is currently involved as a consultant on a<br />
number of architectural and urban projects of international significance. He has been member of the<br />
RIBA Gold Medal Selection Committee and the Steering Committee of the Aga Khan Award for<br />
Architecture. His architectural projects and research have been published in many journals including<br />
Architectural Review, AA Files, Arquitectura, Bauwelt, Casabella, Centre and Daidalos. Co-author of<br />
Architecture and Continuity (1983), Delayed Space (with Homa Farjadi, 1994) and On Weathering<br />
(with David Leatherbarrow, 1993), which received the American Institute of Architects’ commendation<br />
prize for architectural theory.<br />
FRANCIS RAMBERT (France)<br />
Journalist and critic. Director of Institut français d’architecture (Ifa), department of the Cité de<br />
l’architecture et du patrimoine in Paris. From 1990 to 2004, he wrote for the culture section of Le<br />
Figaro. Co-foun<strong>der</strong> and editor-in-chief of d’Architectures magazine. He has published numerous<br />
articles on architecture and design in the specialised media including: Beaux Arts, Le Journal des Arts,<br />
and above all in Connaissance des Arts, where he is a regular contributor. Author of various books<br />
such as a monograph about Massimiliano Fuksas for Editions du Regard (1997), he has also curated<br />
exhibitions such as Bouge l’Architecture, Cities on the Move (Paris, 2002), and the architectural<br />
biennials in Buenos Aires (1998 and 2001) and in Rotterdam (2003).<br />
DIETMAR STEINER (Austria)<br />
Architect. Director of the Architekturzentrum, in Vienna (AZW). Professor in Architecture History and<br />
Theory at the Universität für angewandte Kunst in Vienna up to 1989. From 1995-99 he was editor-inchief<br />
for architecture for Domus magazine and is author of numerous books and articles. Curator of<br />
the Austria Pavilion at the 2002 Architecture Biennal in Venice, he is currently President of the<br />
International Confe<strong>der</strong>ation of Architectural Museums (ICAM) and serves as a member of numerous<br />
juries and as a consultant on a variety of projects related with architecture and urban development.<br />
LLUÍS HORTET (Barcelona), Secretary of the jury.<br />
Director of the <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong><br />
DIANE GRAY (Barcelona), Coordinator of the Award<br />
<strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong><br />
21
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
European Union Prize for Contemporary Architecture –<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award<br />
Background Information<br />
In 1987, the European Commission, together with the European Parliament and the <strong>Fundació</strong> <strong>Mies</strong><br />
<strong>van</strong> <strong>der</strong> <strong>Rohe</strong>, created the <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award for European Architecture. In 2001, as part of the<br />
Culture 2000 programme, this Award led to the creation of the European Union Prize for<br />
Contemporary Architecture awarded every two years. The Award is awarded to recent works, less<br />
than two years old, produced in countries covered by the Culture 2000 programme 1 .<br />
The purpose of the European Union Prize for Contemporary Architecture – <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award<br />
is to acknowledge excellence and conceptual, technical and constructional innovation. The European<br />
Commission created the Award with the aim of fostering greater un<strong>der</strong>standing, on the part of the<br />
public in general as well as institutions and the private sector, of architecture’s cultural role in the<br />
construction of European cities. Additional aims are to create professional opportunities for architects<br />
throughout the Union, as well as to provide support for young architects who have just embarked on<br />
their careers. To further this latter objective, the Award includes an Emerging Architect Special<br />
Mention.<br />
The European Union Prize for Contemporary Architecture – <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award consists of a<br />
cash prize of €50,000, while the Emerging Architect Special Mention is endowed with €10,000. Along<br />
with the cash prizes, the winners will also be awarded with a sculpture by the Catalan artist Xavier<br />
Corberó inspired by the <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Pavilion, one of the 20 th century’s major architectural<br />
works.<br />
The works awarded the Award and the special mention along with all the works selected by the jury for<br />
their outstanding qualities are presented in an exhibition and published in the Award catalogue.<br />
1 Member states of the European Union: Austria, Belgium, Cyprus, Czech Republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary,<br />
Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Poland, Portugal, Slovak Republic, Slovenia, Spain, Sweden, The Netherlands, United Kingdom; in<br />
addition the EEA/EFTA countries: Iceland, Liechtenstein, Norway; the acceding countries: Romania, Bulgaria,Turkey; and the candidate countries: Croatia<br />
and the Former Yugoslavian Republic of Macedonia (FYROM).<br />
22
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Winner of the European Union Prize for Contemporary Architecture –<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award<br />
2005 Netherlands Embassy Berlin, Germany<br />
Office for Metropolitan Architecture / Rem Koolhaas, Ellen <strong>van</strong> Loon<br />
2003 Car Park and Terminus Hoenheim North, Strasbourg, France<br />
Zaha Hadid<br />
2001 Kursaal Centre, San Sebastián, Spain<br />
Rafael Moneo<br />
Emerging Architect Special Mention<br />
Previous Winners<br />
2005 BasketBar, Utrecht, The Netherlands<br />
NL Architects / Pieter Bannenberg, Walter <strong>van</strong> Dijk, Kamiel Klaasse, Mark Linnemann<br />
2003 Scharnhauser Park Town Hall, Ostfil<strong>der</strong>n, Germany<br />
Jürgen Mayer H.<br />
2001 Kaufmann Holz Distribution Centre, Bobingen, Germany<br />
Florian Nagler<br />
Winners of the <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Pavilion Award for European Architecture:<br />
1999 Bregenz Art Museum, Bregenz, Austria<br />
Peter Zumthor<br />
1997 Bibliothèque Nationale de France, Paris, France<br />
Dominique Perrault<br />
1994 Waterloo Station, London, United Kingdom<br />
Nicholas Grimshaw / Nicholas Grimshaw & Associates<br />
1992 Municipal Sports Stadium, Badalona, Spain<br />
Esteve Bonell, Francesc Rius<br />
1990 Stansted Airport Terminal, London, United Kingdom<br />
Norman Foster / Norman Foster & Associates<br />
1988 Banco Borges e Irmão, Vila do Conde, Portugal<br />
Álvaro Siza Vieira<br />
23
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Exhibition and Catalogue<br />
The Foundation is organising a traveling exhibition that will be presented in diverse museums and<br />
institutions. The contents of this exhibition include texts that explain the Award and its objectives;<br />
drawings and photographs of each work presented (the works awarded the Award and the Special<br />
Mention as well as the selection of the jury); and models. The approach of this exhibition is that it be<br />
highly didactic and provide ample information for both architectural professionals and students as well<br />
as the general public. A catalogue will also be published that includes extensive documentation about<br />
all the works selected by the jury along with articles by the members of the jury and institutional<br />
presentations. This catalogue as well as the traveling exhibition represents an important and unique<br />
panorama of the development of contemporary European architecture by serving as an anthology of<br />
some of the best work produced during 2005 and 2006.<br />
Construmat<br />
Construmat (the International Construction Exhibition organised by the Fira (Trade Fair) of Barcelona)<br />
is the largest of its kind in Spain and one of the top three in Europe. The 2007 edition, which takes<br />
place May 14 – 19, is the largest ever, featuring 4.500 exhibitors from some 50 countries. In addition<br />
to being a showcase for the presentation of new construction products and techniques, the other<br />
major objective is to become an international forum for reflection and analysis on the future of building.<br />
24
European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
The <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Pavilion and <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong><br />
The Pavilion was built for the 1929 Barcelona World Exposition and disassembled the following year.<br />
Half a century later, and in view of the importance of the pavilion in terms of contemporary<br />
architectural history, the Barcelona City Council, with architect Oriol Bohigas at the head of its Urban<br />
Planning Department, decided to faithfully reconstruct the building. The project was carried out after<br />
extensive research by Ignasi de Solà-Morales, Cristian Cirici and Fernando Ramos between 1983 and<br />
1986 on the Pavilion’s original Montjuïc site.<br />
The <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> was set up in 1983 with the aim of working towards the<br />
reconstruction of the pavilion. Since the completion of the project, the <strong>Fundació</strong>, member of the<br />
International Confe<strong>der</strong>ation of Architectural Museums (ICAM), has been entrusted with the task of<br />
preserving and managing the pavilion building.<br />
The <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> serves also to foster debate on contemporary architecture and<br />
urbanism, to build up a documentary archive on Ludwig <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> and on mo<strong>der</strong>n and<br />
contemporary architecture, and to organise correlated awards, courses, lectures, exhibitions,<br />
publications and studies.<br />
In accordance with the rules for the Award itself, an Advisory Committee collaborates with the<br />
<strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> regarding all aspects of the organisational process. This committee<br />
comprises 16 of the most prestigious architectural institution throughout Europe: Architektur Zentrum<br />
Wien, Vienna; Architecture Foundation, London; arc en rêve centre d’architecture, Bordeaux; Berlage<br />
Institute, Rotterdam; Biennale di Venezia, Venice; Gammel Dok, Copenhagen; DESSA, Ljubljana;<br />
Deutsches Architektur Museum, Frankfurt; EUROPAN, Paris; <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong>,<br />
Barcelona; Institut français d’architecture, Paris; Museum of Finnish Architecture, Helsinki;<br />
Nasjonalmuseet for Kunst, Architektur og Design, Oslo; Ne<strong>der</strong>lands Architectuurinstituut, Rotterdam;<br />
Triennale di Milano, Milan and RIBA Foundation, London.<br />
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European Union Prize for Contemporary Architecture<br />
<strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> Award 2007<br />
Ludwig <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> (1886 – 1969)<br />
Ludwig <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> was born in Aachen, Germany in 1886. As a result of time spent working<br />
un<strong>der</strong> the influence of Peter Behrens, <strong>Mies</strong> developed a design approach based on ad<strong>van</strong>ced<br />
structural techniques and Prussian Classicism. Famous for the phrase “less is more,” he fostered a<br />
style of architecture based on material honesty and structural integrity. Over the last twenty years of<br />
his life, <strong>Mies</strong> achieved his vision of a monumental ‘skin and bone’ architecture, his later works<br />
embodying the idea of universal, simplified architecture.<br />
His major works include amongst others: Werkbund Exposition and Apartments: Weissenhofsiedlung,<br />
Stuttgart, Germany, 1927; H.Langer House, Krefeld, Germany, 1928; German Pavilion, Barcelona,<br />
Spain, built 1928-1929, demolished 1930; Tugendhat House, Brno, Czech Republic, 1930; Farnsworth<br />
House, Plano, Illinois, 1946-1950; Lake Shore Drive Apartments, Chicago, Illinois, 1948-1951; Crown<br />
Hall (IIT), Chicago, Illinois, 1950-1956; Seagram Building, New York, 1954-1958; New National<br />
Gallery, Berlin, Germany, 1962-1968.<br />
European Commission information: Frédéric Vincent at +32-02/298.71.66<br />
<strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong> <strong>der</strong> <strong>Rohe</strong> information: Pilar Casanova +34-93.215.10.11 or e-mail miespress@miesbcn.com<br />
Complementary information available to the press: (http://www.miesbcn.com/en/press.html):<br />
- Information about the Award and photographs<br />
- Information about the proposed projects<br />
- Information about the nine jury members<br />
Note to the Editors: The European Union Prize for Contemporary Architecture is a joint initiative of the European Commission and the <strong>Fundació</strong> <strong>Mies</strong> <strong>van</strong><br />
<strong>der</strong> <strong>Rohe</strong>. The Award as well as a special mention for young architects are awarded every two years to recent works, less then two years old, produced in<br />
countries covered by the Culture 2000 programme. Their objective is to show mo<strong>der</strong>n creativity and to make people aware of the way that mo<strong>der</strong>n<br />
architecture is socially and culturally rooted in European cities.<br />
26