Flamenco Cantata - Los Tarantos
Flamenco Cantata - Los Tarantos
Flamenco Cantata - Los Tarantos
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Laberinto<br />
<strong>Flamenco</strong> Festival<br />
presents<br />
<strong>Flamenco</strong><br />
<strong>Cantata</strong><br />
The power of <strong>Flamenco</strong> meets<br />
the beauty of the classical voice<br />
Artistic Direction: Antonio Vargas<br />
Chijmes Hall<br />
23rd/24th October 2010<br />
Programme
Spo<br />
nS<br />
orS<br />
2<br />
Festival and Venue Partner:<br />
Main Sponsor for <strong>Flamenco</strong> <strong>Cantata</strong><br />
Main Sponsor for Salvador Loreto and VIP Reception<br />
Sponsor for Artwork Logistics<br />
Studio Sponsor<br />
<strong>Los</strong><strong>Tarantos</strong><br />
Supporters<br />
Contribution<br />
DIr<br />
ECTo<br />
r’S<br />
MES<br />
SaGE<br />
3<br />
After 50 years of <strong>Flamenco</strong> Dance<br />
Theatre and having travelled<br />
around the world presenting<br />
<strong>Flamenco</strong> to worldwide audiences,<br />
it is my pleasure to present<br />
<strong>Flamenco</strong> <strong>Cantata</strong> in the Inaugural Laberinto<br />
<strong>Flamenco</strong> Festival in Chijmes this year.<br />
I have presented the Misa Flamenca in the<br />
Llangollen Festival in Wales in 1971, then the<br />
London Festival Hall in 1972, and later in 1995<br />
I was asked to revive this work to perform in<br />
major cathedrals in Germany and Europe, with<br />
the sold out tours in major cathedrals of Bavaria,<br />
including Marienmümster in Dießen.<br />
This year in 2010, upon being approached<br />
by Chijmes to present <strong>Flamenco</strong> and upon<br />
seeing the beautifully restored Chijmes Hall,<br />
I decided to revive this extraordinary work<br />
which combines the power of pure <strong>Flamenco</strong><br />
with the beauty of the classical voice, and<br />
renamed it <strong>Flamenco</strong> <strong>Cantata</strong>.<br />
I would like to thank the generous sponsorship<br />
of Encore for sponsoring 3 exceptional<br />
<strong>Flamenco</strong> artistes from Spain, Carmen La<br />
Talegona, Talegon de Córdoba and Jorge Padilla;<br />
and Serenity Spanish Bar and Restaurant for<br />
sponsoring the fine art painting of Salvador<br />
Loreto whose paintings will adorn the arches of<br />
Chijmes Hall and who will also sing under name<br />
El Titi de Algeciras. I am honored to collaborate<br />
for the first time with conductor and friend Dr<br />
Robert Casteels as well as the Singapore Youth<br />
Choir Ensemble Singers. I would also like to<br />
thank the wonderful partnership with Chijmes<br />
and the support of the Spanish Embassy and<br />
Spanish Tourism Board.<br />
The present festival aims to promote a meeting<br />
and exchange of cultures and nurture artistic<br />
collaborations of other art forms with <strong>Flamenco</strong><br />
and Spanish culture.<br />
Welcome to Laberinto <strong>Flamenco</strong> Festival 2010!<br />
Antonio Vargas
pro<br />
GraM<br />
ME<br />
1<br />
2<br />
4 3<br />
5<br />
CaS<br />
T/CrE<br />
DIT<br />
4 5<br />
KYRIE<br />
La Caña<br />
gloria<br />
Cantes de Malaga<br />
credo<br />
Cantes Jondo<br />
santus<br />
Cantes del Campo<br />
agnus dei<br />
Cantes de Cádiz<br />
finale<br />
Introduction: <strong>Flamenco</strong> Sin Fronteras<br />
Caña: Antonio Vargas<br />
Soleá: Carmen La Talegona<br />
Singers: Talegon de Córdoba<br />
and El Titi de Algeciras<br />
Tonás: Antonio Vargas<br />
Segiriyas: <strong>Flamenco</strong> Sin Fronteras<br />
Segiriyas: Antonio Vargas<br />
Soleá por Buleria: Toshi<br />
Mirabrás: <strong>Flamenco</strong> Sin Fronteras<br />
alegrías: Carmen La Talegona<br />
Bulerias: All<br />
artistic Direction:<br />
<strong>Flamenco</strong> Dancers<br />
<strong>Flamenco</strong> Singers:<br />
<strong>Flamenco</strong> Guitarist:<br />
<strong>Flamenco</strong> Sin Fronteras:<br />
Conductor:<br />
Choir:<br />
percussionist:<br />
Sound and Lighting:<br />
Illustrator:<br />
Graphic Designer:<br />
Videographer:<br />
Stage Manager:<br />
Antonio Vargas<br />
Carmen La Talegona<br />
Antonio Vargas<br />
Talegon de Córdoba<br />
El Titi de Algeciras<br />
Jorge Padilla<br />
Chen Kunyi<br />
Daphne Huang<br />
Tilly Ng<br />
Toshiaki Konno<br />
Dr Robert Casteels<br />
Singapore Youth Choir Ensemble Singers<br />
Michael Tan<br />
Production Chijmes<br />
Chen Kunyi<br />
Melanie Tu<br />
Ronald Wigman/Chijmes<br />
Melanie Tu
anT<br />
onI<br />
oVar<br />
GaS<br />
6+7<br />
Antonio Vargas is recognised as one<br />
of the world’s leading <strong>Flamenco</strong><br />
dancers and choreographers. He<br />
won accolades for his performance<br />
as the gypsy father, Rico in<br />
the Australian box-office hit movie Strictly<br />
Ballroom, directed by Baz Luhrmann. He also<br />
choreographed and staged a <strong>Flamenco</strong> segment<br />
for Tom Cruise’s Mission Impossible II directed<br />
by John Woo and played a cameo in this film.<br />
Another important facet of his career is the work<br />
he has done in collaboration with orchestras and<br />
opera productions, such as Harvey Goldsmith’s<br />
Carmen (Sydney, Melbourne, Zurich and<br />
Munch), Bolero, Zapateado, and Three Spanish<br />
Dances with the Munich Philharmoniker, Blood<br />
Wedding for the London Operatic Society and<br />
La Vida Breve, a Basil Lochart production for the<br />
BBC, and has produced for the Sydney Festival.<br />
Antonio Vargas trained initially in <strong>Flamenco</strong><br />
with Spain’s foremost teacher, Antonio Marin.<br />
He went on to perform as a leading dancer in<br />
the Pilar Lopez Spanish Dance Company. After<br />
two years he was invited to dance in the Rafael<br />
de Cordova Dance Company as a lead dancer.<br />
Later he formed his own company, The Antonio<br />
Vargas <strong>Flamenco</strong> Dance Theatre. Throughout<br />
his illustrious career he has always found the<br />
inspiration to present pieces, which, although<br />
they never deviate from the roots and authenticity<br />
of <strong>Flamenco</strong>, are exceptionally contemporary.<br />
Antonio Vargas has called Singapore home<br />
in the last five years, and has directed local<br />
company <strong>Flamenco</strong> Sin Fronteras in their debut<br />
experimental dance theatre production Cinco<br />
Sueños in 2009. He is currently adjunct faculty<br />
teacher for <strong>Flamenco</strong> at the prestigious School<br />
of the Arts (Singapore) and teaches in his own<br />
studio <strong>Los</strong> <strong>Tarantos</strong>.<br />
Although his company is based in Spain, and it<br />
is part of his mission to tour his dance theatre<br />
productions, he is always open to work with and<br />
encourage resident artists, not only <strong>Flamenco</strong><br />
artists, but also contemporary dancers, jazz<br />
musicians, percussionists, painters. To have<br />
him present, even if only in a rehearsal is an<br />
unforgettable experience, a true inspiration.<br />
Some of the events in which he was involved as artistic director were:<br />
La Vida Breve<br />
Opera, Basil Coleman Production for the BBC<br />
– Dance Director<br />
Llangollen Festival<br />
Wales<br />
– Coordinator, Dance Director<br />
The <strong>Flamenco</strong> High Mass<br />
Royal Festival Hall, London<br />
– Dance Director, Musical Director<br />
Blood Wedding<br />
The London Operatic Society<br />
– Dance Director, Musical Director<br />
Medieval Festival of ITa<br />
Guadalajara, Spain<br />
– Co-ordinator, Artistic Director<br />
Festivales de España<br />
Cuervas de Nerjas, Málaga, Spain<br />
– <strong>Flamenco</strong> Program Director<br />
aFI Fashion parade<br />
Najee Men’s Fashion<br />
– Choreographer and Meteur en scène<br />
Fiesta, Spanish Festival<br />
Schloss Kaltenberg, Prince Luitpold of Bavaria<br />
– Designer of complete event, Coordinator,<br />
Choreographer and Artistic Director of<br />
<strong>Flamenco</strong> segment<br />
Carmen, opera<br />
Harvey Goldsmith Production, Melbourne,<br />
Sydney, Zurich, Munich<br />
– Artistic Director and Choreographer of<br />
Spanish segment<br />
Strictly Ballroom, Film<br />
– Choreographic assistance and background on<br />
dance from Spain; Role of Rico<br />
Mission Impossible II, Film<br />
– Material assistance to John Woo,<br />
choreography of dance segment
Drro<br />
BEr<br />
TCaS<br />
TEELS<br />
Dr Robert Casteels has conducted<br />
more than 50 professional<br />
orchestras in 20 countries in a<br />
repertoire of 600 works ranging<br />
from the early classics to contemporary music,<br />
from symphonic to vocal and dance repertoire. He<br />
has conducted first performances of symphonic<br />
works, ballets and operas in festivals such as<br />
Spoleto Festival (Charleston, US/ Spoleto, Italy/<br />
Melbourne, Australia), Ars Musica (Brussels),<br />
Brisbane Biennale (Australia), Focus (New<br />
York), Wien Modern (Vienna), Donaueschingen<br />
and Berlin Biennale (Germany).<br />
Casteels studied composition with Fernand<br />
Quinet in Brussels and Peter Maxwell Davies<br />
in Dartington, England. He graduated from the<br />
CarM<br />
EnLa<br />
TaLEG<br />
ona<br />
8 9<br />
French and Flemish Royal Conservatories in<br />
Brussels in piano and orchestral conducting, as<br />
well as from the Eötvös Institute in Hungary, the<br />
Guildhall School of Music in London and the<br />
Juilliard School in New York. His conducting<br />
mentors included Leonard Bernstein, John<br />
Carewe, Peter Eötvös, Sixten Ehrling, Pierre<br />
Fournet, Zubin Mehta, Jorge Mester, Michel<br />
Tabachnik, Vilem Tausky and Ronald Zollman.<br />
Following his graduation from Juilliard, he<br />
was appointed staff conductor at the Brussels<br />
Royal Opera House and Head of Conducting<br />
Studies at the Brussels (Flemish) Royal Music<br />
Conservatory. Whilst continuing his conducting<br />
engagements on the international stage, Casteels<br />
shifted the focus of his activities from Europe<br />
to Australasia, choosing Singapore as his home<br />
base in 1995,and taking up permanent residency<br />
in 1996. Since then, he has contributed tirelessly<br />
to Singapore’s music scene – Casteels has served<br />
as Dean of the Faculty of Performing Arts at the<br />
LASALLE-SIA College of the Arts (LASALLE),<br />
as a member of various competition jurypanels<br />
and government-appointed arts and education<br />
committees, as Music Director of the Singapore<br />
National Youth Orchestra (SNYO), as<br />
Artistic Director & Resident Conductor of the<br />
Philharmonic Winds, and as Music Director<br />
& Conductor of the National University of<br />
Singapore (NUS) Choir, NUS Wind Symphony<br />
and the NUS Guitar Ensemble (GENUS).<br />
Maria del Carmen Rivas Aranda,<br />
gypsy dancer, is known in the<br />
world of <strong>Flamenco</strong> dance as the<br />
artiste La Talegona. She was born<br />
in Córdoba in 1976, the niece of the famous singer<br />
of saetas Talegón de Córdoba. Her first activities<br />
and performances were directed by Javier de<br />
la Torre in the production Suite Española. At<br />
he age of 11 she studied flamenco dance in the<br />
conservatory in the centre of performing arts<br />
in Córdoba. In 1992, she received the first prize<br />
in the National flamenco dance competition,<br />
La Carlota. From the age of 14, she started<br />
travelling throughout Spain sharing the stage<br />
with star figures of the flamenco world, like José<br />
Mercé, La Macanita, Chano Lobato, El Pele and<br />
Enrique Morente.<br />
She participated in the book Retrataturas de<br />
Mercedes Martín Luengo y Javier Cano, and<br />
worked in Spain’s famous tablaos. She was<br />
featured as a soloist in Pura Pasión with Cristobal<br />
Reyes, Maya’s La Pasión de Cristo, Remembranzas<br />
with La Truco, Destreza and Tiempo Muerto<br />
and recently in Princesas del <strong>Flamenco</strong> with<br />
Rafael Amargo. Recently, she has launched<br />
the company A4 <strong>Flamenco</strong>s and is presently<br />
preparing a production with Inmaculada Ortega<br />
called Maneras de Sentir, which will open in<br />
Albuquerque (Nuevo México). She is currently<br />
one of the faculty teachers in the Casa Patas<br />
<strong>Flamenco</strong> Conservatory Foundation.
TaLEG<br />
onDE<br />
Cor<br />
DoBa<br />
10+11<br />
Manuel Aranda Zamorano known<br />
as the famous singer Talegón de<br />
Córdoba, was born in Córdoba,<br />
in the neighbourhood of<br />
Costanilla (Santa Marina) in 1944. One of 14<br />
brothers, Talegón began singing in the taverns of<br />
Córdoba at the age of eight, joining the lineup at<br />
the flamenco tavern <strong>Los</strong> Califas at 10, along with<br />
Blanca del Rey, Cristobillas and Faiquillo. He<br />
came to Madrid at the age of 12 with La Paquera<br />
de Jerez, working in the Villarrosa and Ventas<br />
along the road to Barcelona.<br />
At the age of 18 Gitanillo de Triana and Pastora<br />
Imperio called on him to work at the Tablao El<br />
Duende and was called to work by famous dancers<br />
such as Antonio, Antonio Gades and Manuela<br />
Vargas. He joined the Canasteros, passing through<br />
every major tablao in Madrid and inaugurated the<br />
Arcos de Cuchilleros. At the age of 28 he worked<br />
with La Singla, La Chana, La Tolea. During the<br />
years 1972-1973 he inaugurated Lola Flores’ venue<br />
El Carien, along with Felipe Campuzano and Las<br />
Grecas at the start of their career.<br />
He returned to Canasteros after a few years<br />
and inaugurated the El Café de Chinitas and<br />
the Venta del Gato. He joined the lineup of the<br />
Cumbre Flamenca for eight years, alongside<br />
Manolete, Antonio Canales, Manuela Carrasco,<br />
and continued working for many years at the<br />
best Madrid tablaos. He has produced several<br />
CDs and DVDs, including Un algo de Mi with<br />
Antonio Vargas. Currently he teaches cante at<br />
the Amor de Dios Academy and the Casa Patas<br />
<strong>Flamenco</strong> Conservatory Foundation, alternating<br />
with solo appearances in Córdoba, Parla and<br />
Madrid as well as the rest of Spain.<br />
jorG<br />
EpaD<br />
ILLa<br />
Jorge Padilla was born in Barcelona,<br />
Spain. He started his career at the age<br />
of 16 with flamenco dancers like La<br />
China, Paloma MarÌn, and others. He<br />
performed in the National Theatre of Taipei,<br />
the Berkley theatre in <strong>Los</strong> Angeles (EEUU), the<br />
theatre of Manuel de Falla in Granada, Teatro<br />
de las Cortes in San Fernando in Cádiz (Spain),<br />
SalÛn de Congresos in Vilnus Lithuania, Plaza<br />
de Toros in Jerez de la Frontera (Spain), Teatro<br />
Central (Sevilla, Spain) and Teatro Teresa<br />
Carreño. He has travelled and performed in<br />
numerous countries worldwide.<br />
In his career, he has accompanied important<br />
stars such as virtuoso guitarist, Víctor Monje<br />
Serranito , singers like Pedro Genil, José Meneses,<br />
Talegon de Córdoba, Elena Andujar; dancers like<br />
Domingo Ortega, Rafael Campallo, Joaquín<br />
Cortes, Carmen La Talegona, Belén Fernandez,<br />
Hiniesta Cortes, Angela Españadero,Alfonso<br />
<strong>Los</strong>a, Isabel Lopez, Andrés Peña, Angel Muñoz,<br />
el Junco, Raul Ortega, Monica Fernandez and<br />
Shoji Kojima and an important singer Franco<br />
de Vita. He has composed music for various<br />
companies, such as Ahora Me Voy Con Mi Mare<br />
and Ofeo for Domingo Ortega, Lorca for Shoji<br />
Koijma, and Quijote The Dreamer for José Moro.<br />
EL T<br />
ITI<br />
Salvador Ramon Flores Loreto known<br />
as El Titi de Algeciras was born<br />
in Algeciras (Spain) into a gypsy<br />
family whose tradition is flamenco.<br />
Singing at a very early age under the name of<br />
Montoyita and later with his cousins in a group<br />
called <strong>Los</strong> Montoyas, the young singer learned his<br />
art at the side of famous singers such as Antonio<br />
Mairena. Related to the famous gypsy families<br />
of <strong>Los</strong> Montoyas, <strong>Los</strong> Chiquitetes, the Utrera<br />
Sisters, the late Cameron de la Isla and growing<br />
up with Paco de Lucia as a neighbour, the young<br />
Montoyita was offered work in the tablaos such<br />
as La Corral del la Morreria in Madrid working<br />
with such artists as dancer la Tati, Antonio el<br />
Pelau, and guitarist el Habichuela and winning<br />
awards for his singing.<br />
He arrived in Australia in 1966 with the flamenco<br />
dance company el Sali and stayed working with<br />
the gypsy dancer La Tani. Since then he has been<br />
the only authentic flamenco gypsy singer in<br />
Australia and in high demand by flamenco artists<br />
of the calibre of Antonio Vargas, Diana Reyes<br />
and Gabriel Heredia in Sydney and Melbourne.<br />
With performances too numerous to list over his<br />
many years of performing. This talented artist is<br />
also known as painter Salvador Loreto.
SYC<br />
EnSEM<br />
BLE<br />
12<br />
The SYC Ensemble Singers began<br />
life in 1964 as the Singapore Youth<br />
Choir (SYC), a national choir<br />
for young singers transcending<br />
school colours and loyalties. To<br />
celebrate our 40th anniversary in 2004, the choir<br />
was renamed the SYC Ensemble Singers.<br />
The SYC Ensemble Singers today is an auditioned<br />
adult contemporary music chamber ensemble<br />
whose vision is to redefine the relevance of<br />
ensemble singing, and whose aim is to enlarge the<br />
musical space for the musicians of tomorrow.<br />
Our passion and focus is contemporary<br />
repertoire. We promote and perform the work of<br />
living composers, and premiere either entirely<br />
new works, or works new to our audience, in<br />
every concert. We actively commission music.<br />
Since our first commission in 1988 (Nostalgia by<br />
pioneer Singapore composer Leong Yoon Pin),<br />
we have commissioned over thirty works. We<br />
are also honoured to have received several works<br />
as gifts and dedications from the composer<br />
community, validating us as a choir of choice for<br />
the interpretation of contemporary music. The<br />
SYC Ensemble Singers is led by Jennifer Tham.<br />
FLaME<br />
nCoSI<br />
nFron<br />
TEraS<br />
13<br />
<strong>Flamenco</strong> Sin Fronteras or <strong>Flamenco</strong><br />
Without Borders consists of a diverse<br />
group of <strong>Flamenco</strong> dancers and<br />
musicians based in Singapore,<br />
sharing a common passion for <strong>Flamenco</strong> and<br />
experimental theatre. Under the guidance<br />
of Maestro Antonio Vargas, <strong>Flamenco</strong> Sin<br />
Fronteras promotes <strong>Flamenco</strong> by returning to its<br />
roots with its eclectic mix of Indian, Arabic and<br />
Jewish origins while pushing artistic borders and<br />
exploring new frontiers. The results are diverse<br />
collaborations of dance theatre adaptions with<br />
famous poets and playwrights, fusion with<br />
other musical and dance genres, and exploring<br />
contemporary and cutting edge presentations<br />
with new theatre techniques and visual arts.<br />
The company has performed in numerous<br />
public and private events in Singapore. Past<br />
highlights include Dover Park Hospice Charity<br />
Gala in presence of President Nathan and<br />
Friends of Encore gala dinner. In 2009 <strong>Flamenco</strong><br />
Sin Fronteras produced Camino <strong>Flamenco</strong>,<br />
incorporating Indian and Arabic influences in<br />
<strong>Flamenco</strong>, as well as its first original experimental<br />
dance theatre production Cinco Sueños.<br />
Joining <strong>Flamenco</strong> Sin Fronteras is Michael<br />
Tan, a freelance percussionist with Singapore<br />
Symphony Orchestra and Principal Timpanist of<br />
Singapore Festival Orchestra.
<strong>Los</strong><strong>Tarantos</strong><br />
The space for all <strong>Flamenco</strong><br />
lovers in Singapore to<br />
experience the beauty<br />
and power of a unique and<br />
esoteric art form<br />
<strong>Los</strong> <strong>Tarantos</strong> Singapore <strong>Flamenco</strong> Club was born as a result<br />
of a labour of love, to be a haven for all <strong>Flamenco</strong> lovers in<br />
Singapore. Housed in a beautiful Peranakan shophouse just<br />
off city centre, east of Singapore, we are equipped with fulllength<br />
mirrors and quality timber sprung floor for dance<br />
classes and studio performances. We offer <strong>Flamenco</strong> classes<br />
and workshops with professional <strong>Flamenco</strong> artistes in<br />
dance, guitar, singing and percussion for all levels.<br />
<strong>Los</strong> <strong>Tarantos</strong> is the place to study <strong>Flamenco</strong> basics<br />
by returning to its roots and pure art form, meanwhile<br />
pursuing novel and cutting edge ideas of presentation and<br />
collaborations with other art forms. For those who love to<br />
watch, it is the space to experience <strong>Flamenco</strong> in an intimate<br />
and personal setting – whether by professional <strong>Flamenco</strong><br />
artistes or novice students just beginning their journey. In<br />
addition, we also offer a variety of dance and fitness classes<br />
such as Belly dance, Argentine Tango, Salsa and Pilates.<br />
We house a flamenco shop that sells flamenco goods and<br />
accessories, as well as a cosy private lounge area, Café de <strong>Los</strong><br />
Artistes where fellow flamenco lovers can sit and relax over a<br />
coffee or drink while watching dance videos or simply catch<br />
up with friends. On weekends, our place can be transformed<br />
into a flexible performance space for various music and<br />
dance performances or host private theme parties.
Salvador Loreto Fine Art Exhibition<br />
Chijmes Hall<br />
23rd October: 6.30–10 pm<br />
24th October: 4.30–9.30 pm<br />
From 26th October: Serenity Spanish Bar and Restaurant<br />
In THe STudIo<br />
Matador turned painter<br />
Salvador Flores Loreto was born in algeciras,<br />
Spain on 28 June 1942, to a gitano (gypsy)<br />
family whose tradition is flamenco and<br />
bullfighting. after his bullfighting career<br />
came to and end, he turned to singing and<br />
painting. at a very early age, he had started<br />
drawing and painting which eventually<br />
became his greatest love and passion.<br />
Loreto studied at various Spanish art<br />
schools, and was afterwards commissioned<br />
to undertake several major public works.<br />
He later began to exhibit as a solo artist.<br />
arriving in australia in 1966 presented him<br />
a new landscape and people, and a freedom<br />
of expression which he gladly embraced.<br />
However, the Spanish gypsy cultural roots<br />
in particular, remained a reference point for<br />
his paintings, which have been exhibited in<br />
europe, Japan and australia.<br />
a new ForM oF SurrealiSM<br />
Inspired by the human spirit, Loreto does<br />
not conform to fads and sees himself as an<br />
honest artist who is not to be categorised.<br />
His works demonstrate his extraordinary<br />
talent for expressing himself in a different<br />
styles, always with that touch of surrealism<br />
which good Spanish artists are unable<br />
to resist. The pathos, tragedy and direct<br />
physical expressive force appear as elements<br />
throughout his work. also evident are the<br />
contrasts of light and shade, the reference<br />
to surrealist images and the flamenco depth.<br />
the three dimensional aspect of his paintings<br />
has been likened to sculptures.<br />
Homage To goya<br />
For enquiries, please call<br />
+65 6376 8185 or email to<br />
sales@serenity.com.sg
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Jugglers or Caricature artists?<br />
At Joan Walker, our mission motto is “Happy U, Happy Us!”<br />
JoAn WALker PTe LTd<br />
Joanna<br />
Mobile: +65 9093 6001<br />
email: joan@joanwalker.com.sg<br />
www.joanwalker.com.sg
Laberinto<br />
<strong>Flamenco</strong> Festival<br />
fringe<br />
Fine Art Exhibition<br />
“Duende de un Gitano” by Salvador Loreto<br />
Performance Highlights<br />
Marco Van Doornum: <strong>Flamenco</strong> and Jazz Guitarist from Australia<br />
Camino <strong>Flamenco</strong>: Featuring Tabla Master Nawaz Mirajkar<br />
Flambuco: Percussion Ensemble Intepreting Fiery <strong>Flamenco</strong> Rhythms<br />
<strong>Los</strong> Caballeros and Ireson: Afro-Cuban Latino Band<br />
Duende Andaluz: Traditional Andalusian Folk Singers<br />
<strong>Los</strong> <strong>Tarantos</strong> <strong>Flamenco</strong> Company, Singapore <strong>Flamenco</strong> Circle<br />
Alhambra Estudio de <strong>Flamenco</strong>, Le Grand School of Dance<br />
NUS Rondalla Ensemble, NUS Guitar Ensemble (GENUS)<br />
Joan Walker: Carnival Stiltwalkers and Artisans<br />
Laberinto Festival Marketplace<br />
Arts and Crafts, Spanish Guitars and Percussion Instruments<br />
Spanish Wines and Gastronomy, Interactive Forums<br />
Chijmes<br />
30 Victoria Street, Singapore 187996<br />
23rd October 2010: 5.30pm – 12.30am<br />
24th October 2010: 3.00pm – 10.00pm<br />
Admission is FREE!<br />
Log on to www.lostarantos.com.sg<br />
or www.chijmes.com.sg for details