08.01.2013 Views

L.A. DANCE PROJECT - Music Center

L.A. DANCE PROJECT - Music Center

L.A. DANCE PROJECT - Music Center

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

L.A. <strong>DANCE</strong> <strong>PROJECT</strong><br />

LEAD SPONSOR CENTER <strong>DANCE</strong> ARTS<br />

Curatorial Collective:<br />

Benjamin Millepied<br />

FOUNDING DIRECTOR<br />

Charles Fabius<br />

Dimitri Chamblas<br />

Matthieu Humery<br />

Nico Muhly<br />

Support for this engagement is provided, in part, by the Glorya Kaufman Dance<br />

Foundation, Dorothy Buffum Chandler Program Fund, Elisabeth Katte Harris<br />

and the Doolittle Fund.<br />

Please turn off all cell phones, PDAs, beepers and watch alarms. Latecomers will be seated at the discretion of the<br />

house management. Members of the audience who leave during the performance will not be shown back into the<br />

theater until the next intermission. The use of cameras and recording equipment is strictly prohibited. Your use of<br />

a ticket acknowledges your willingness to appear in photographs taken in public areas of The <strong>Music</strong> <strong>Center</strong> and<br />

releases The <strong>Music</strong> <strong>Center</strong> and its lessees and others from liability resulting from use of such photographs.


DIRECTOR’S NOTE PROGRAM<br />

Welcome to the first engagement marking the 10th anniversary season of<br />

Glorya Kaufman Presents Dance at The <strong>Music</strong> <strong>Center</strong>. While The <strong>Music</strong> <strong>Center</strong><br />

is nearing its 50th anniversary and acclaimed dance artists have been a<br />

significant part of that history, it was quite an ambitious decision when The<br />

<strong>Music</strong> <strong>Center</strong>’s Board of Directors decided to launch its first season of dance<br />

presentations ten years ago. A great deal of gratitude is owed to <strong>Center</strong> Dance<br />

Arts for its enduring commitment that helped to officially establish the series<br />

in 2003 and to Glorya Kaufman for her monumental gift in 2009 which allowed<br />

the dance series to flourish. Through their ongoing support, in addition to that<br />

of our many subscribers, individual donors, and sponsors, The <strong>Music</strong> <strong>Center</strong><br />

has been able to expand its educational and community-based programming<br />

as well as to solidify its role as a leader in the commissioning and presenting of new work by today’s<br />

internationally renowned choreographers.<br />

What better way to celebrate the trailblazing legacy of the series, its founders, and supporters, than<br />

with the commission and world premiere of a new venture already receiving international attention and<br />

support. For close to a decade, Benjamin Millepied has had a growing interest in Los Angeles. Like so<br />

many other dancemakers before him, including Ruth St. Denis, Ted Shawn, Adolf Bohm, Stanley Holden,<br />

and Lester Horton, just to name a few, Benjamin has also been inspired and beguiled by Los Angeles and<br />

drawn here to create and collaborate with other respected artists. What began as conversations between<br />

myself and Benjamin some time ago has organically grown into the L.A. Dance Project and The <strong>Music</strong><br />

<strong>Center</strong> is honored to play a substantial initiating role in this intriguing endeavor that is a most exciting<br />

and adventurous beginning to our celebratory season.<br />

The coming season will feature other new master works such as the U.S. debut of Christopher<br />

Wheeldon’s Alice’s Adventures in Wonderland with The National Ballet of Canada, and a compelling<br />

collaboration between Alonzo King LINES Ballet and Hubbard Street Dance Chicago resulting in a joint<br />

Southern California premiere later this season. The series will also highlight The <strong>Music</strong> <strong>Center</strong>’s dance<br />

legacy with masterpieces by the country’s leading ballet companies – The Joffrey Ballet’s The Rite of Spring<br />

(a reconstruction of the original work) and American Ballet Theatre’s Le Corsaire. Both companies<br />

have been a part of The <strong>Music</strong> <strong>Center</strong>’s history since the 1960s.<br />

It’s not too late to become a full subscriber to this year’s monumental season. You can also pick your own<br />

companies and dates through a flex subscription. Visit the information table in the lobby or musiccenter.org<br />

for more details. With recently sold out performances, subscribing is the best way to ensure great seats and<br />

to help ensure the growth of the series.<br />

Enjoy the performance!<br />

Renae Williams Niles<br />

Director of Programming<br />

2 PERFORMANCES MAGAZINE<br />

QUINTETT (1993)<br />

CHOREOGRAPHY<br />

William Forsythe<br />

in collaboration with<br />

Dana Caspersen,<br />

Stephen Galloway,<br />

Jacopo Godani,<br />

Thomas McManus<br />

and Jone San Martin<br />

MUSIC<br />

Gavin Bryars<br />

Jesus’ Blood Never<br />

Failed Me Yet<br />

(© Schott <strong>Music</strong><br />

GmbH & Co. KG, Mainz)<br />

COSTUME DESIGN<br />

Stephen Galloway<br />

WINTERBRANCH (1964)<br />

CHOREOGRAPHY<br />

Merce Cunningham<br />

MUSIC<br />

La Monte Young<br />

2 Sounds<br />

DÉCOR<br />

Robert Rauschenberg<br />

COSTUME<br />

Robert Rauschenberg<br />

MOVING PARTS (WORLD PREMIERE)<br />

CHOREOGRAPHY<br />

Benjamin Millepied<br />

MUSIC<br />

Nico Muhly<br />

VISUAL INSTALLATION<br />

Christopher Wool<br />

LIGHTING<br />

William Forsythe<br />

LIGHTING SUPERVISOR<br />

Tanja Rühl<br />

STAGING<br />

William Forsythe<br />

Stephen Galloway<br />

Thomas McManus<br />

Jone San Martin<br />

LENGTH<br />

26 minutes<br />

PREMIERE<br />

October 9, 1993,<br />

Opernhaus,<br />

Frankfurt am Main<br />

LIGHTING<br />

Robert Rauschenberg,<br />

reconstructed by<br />

Beverly Emmons<br />

STAGING<br />

Jennifer Goggans<br />

assisted by<br />

Robert Swinston<br />

LENGTH<br />

16 minutes<br />

PREMIERE<br />

March 21, 1964,<br />

Wadsworth Atheneum,<br />

Hartford, CT<br />

COSTUME<br />

Kate and Laura Mulleavy<br />

of Rodarte<br />

LIGHTING<br />

Roderick Murray<br />

LENGTH<br />

27 minutes<br />

<strong>DANCE</strong>RS<br />

Frances Chiavernini, Julia Eichten, Charlie Hodges,<br />

Morgan Lugo, Nathan Makolandra, Amanda Wells<br />

Lyrical, committed and moving, Quintett is a quiet masterpiece set<br />

to Gavin Bryars’ Jesus’ Blood Never Failed Me Yet. On stage filled with<br />

bright, white light, Quintett brilliantly evokes and develops Bryars’<br />

themes of loss, hope, fear and joy.<br />

In Quintett the dancers set into motion a seamless flow of duets, solos<br />

and trios in counterpoint to the heartbeat of Gavin Bryars’ music. Weaving<br />

and tumbling, the dancers create an eddying force that grows in fluid,<br />

joyous complexity—a torrent containing, in its bright, vital vision,<br />

an awareness of its own eventual end.<br />

15 MINUTE INTERMISSION<br />

<strong>DANCE</strong>RS<br />

Frances Chiavernini, Julia Eichten Charlie Hodges,<br />

Morgan Lugo, Nathan Makolandra, Amanda Wells<br />

The concept for Winterbranch came from what Cunningham referred to as<br />

“facts in dancing.” Two such facts are the act of falling, and unless one stays<br />

on the ground, the subsequent act of rising. The dance began with Cunningham<br />

crawling slowly across the stage carrying a flashlight, followed by the dancers<br />

engaging in a series of falls, in both slow and fast motion, eventually clustering<br />

together to fall and rise as a cohesive group. Cunningham asked Rauschenberg<br />

to think of the lighting as if it were nighttime, with automobile lights flashing<br />

in faces, reminiscent of walking along a dark highway. Rauschenberg dressed<br />

the dancers in sweat suits and sneakers, with black paint under their eyes. La<br />

Monte Young’s music for the piece, entitled 2 Sounds, consisted of “the sound<br />

of ashtrays scraped against a mirror, and the other, that of pieces of wood<br />

rubbed against a Chinese gong.”<br />

Winterbranch is performed by LADP with the permission and<br />

cooperation of the Merce Cunningham Trust.<br />

15 MINUTE INTERMISSION<br />

<strong>DANCE</strong>RS<br />

Frances Chiavernini, Julia Eichten, Charlie Hodges,<br />

Morgan Lugo, Nathan Makolandra, Amanda Wells<br />

MUSICIANS<br />

Clarinet: Phil O’Connor, Violin: Lisa Liu<br />

Organ: Nico Muhly<br />

PERFORMANCES MAGAZINE 3


WHO’S WHO<br />

JULIA EICHTEN | <strong>DANCE</strong>R<br />

Growing up in Minnesota, Julia Eichten received her<br />

BFA from the Juilliard School. Upon graduation she<br />

received the Hector Zaraspe award for choreography.<br />

While at Juilliard she had the opportunity of<br />

performing works by; Stijn Celis, Benjamin<br />

Millepied, Ohad Naharin, Alexander Ekman and Mark Morris. She<br />

has worked professionally with Camille A. Brown & Dancers and<br />

Aszure Barton & Artists. Julia is thrilled to be a part of L.A. Dance<br />

project with such wonderful and diverse artists.<br />

NATHAN B. MAKOLANDRA | <strong>DANCE</strong>R<br />

Nathan Makolandra began dancing and choreographing<br />

in South Carolina. He is a recent graduate of The<br />

Juilliard School under the direction of Lawrence<br />

Rhodes. There, he performed the works of<br />

Alexander Ekman, Nacho Duato, Jerome Robbins,<br />

Bronsilava Nijinska, and Jose Limon. Nathan enjoys teaching and<br />

choreographing across the US, Canada, and beyond. In addition, he<br />

choreographed a dance/music video for UK artist Richard Walters.<br />

Upon graduation, Nathan received the Hector Zaraspe Prize for<br />

Choreography. He is very excited for this opportunity!<br />

CHARLIE HODGES | <strong>DANCE</strong>R<br />

A former member of Phi Beta Kappa and a Mary Gates<br />

Research Scholar, Charlie Hodges graduated summa<br />

cum laude from the University of Washington earning<br />

High Honors degrees in dance and architecture. He has<br />

performed extensively with the Sacramento Ballet, Imij-re,<br />

and Twyla Tharp. He was voted the Best Male Dancer of 2003<br />

by the European Critics Choice Awards, made his Broadway debut<br />

in 2006 in the Tharp musical Movin’ Out, and won the 2010 Fred<br />

Astaire Award for Best Male Dancer on Broadway for the creation<br />

of his role, Marty in the Tharp/Sinatra musical Come Fly Away. He<br />

thanks Twyla for the last decade of learning and exploration, and his<br />

husband Adam for his patience and support. He proudly celebrates<br />

his participation with LADP.<br />

AMANDA WELLS | <strong>DANCE</strong>R<br />

Amanda Wells began her formal dance training at the<br />

San Francisco Ballet School. She continued to train<br />

and perform with Boston Ballet and Richmond Ballet<br />

Company. Amanda then relocated to attend NYU’s Tisch<br />

School of the Arts, and upon graduation joined the<br />

Stephen Petronio Company where she had the pleasure of creating<br />

new works, touring and teaching master classes across the US,<br />

Europe, Asia and Australia. Amanda is thrilled to be a part of the<br />

inaugural season of LADP.<br />

4 PERFORMANCES MAGAZINE<br />

FRANCES CHIAVERINI | <strong>DANCE</strong>R<br />

Born in Pittsburgh, Frances Chiaverini received<br />

a BFA from Juilliard in 2003. She then joined the<br />

Netherlands Dance Theater where she performed<br />

works by Kylián, Van Manen, Naharin, Tekeuchi,<br />

Foofwa d’Imobilité and Lightfoot/Leon. Since her<br />

return to the US, she has collaborated with various artists such as<br />

Millepied, Aronofsky, Ratmansky, Adam Barruch, Pontus Lidberg,<br />

and Shannon Gillen. She has created choreographic works for The<br />

Netherlands Chamber of Commerce, The Children’s Museum of<br />

Amman, REVERB Festival, and was granted a prize by the National<br />

Society of Arts and Letters.<br />

MORGAN LUGO | <strong>DANCE</strong>R<br />

A native of Wilmington, North Carolina, Morgan Lugo<br />

trained at North Carolina School of the Arts and recently<br />

graduated from SUNY Purchase. At Purchase, he had the<br />

opportunity to work with such choreographers as Lar<br />

Lubovitch, Doug Varone, Stephen Patronio and Paul Taylor. In 2011,<br />

during his final year at Purchase, Morgan made his professional<br />

debut with Morphoses under the direction of Lourdes Lopez and<br />

Artistic Director Luca Veggetti. He is excited to be a part of L.A.<br />

Dance Project and looks forward to its future!<br />

BENJAMIN MILLEPIED | FOUNDING DIRECTOR<br />

Born in Bordeaux, France, Benjamin Millepied began<br />

his dance training at the age of eight with his mother<br />

Catherine, a former modern dancer. After studying<br />

classical ballet in France under Michel Rahn at the<br />

Conservatoire National de Lyon, Benjamin came to New York City<br />

to study at the School of American Ballet in 1992. While at SAB,<br />

Benjamin was the recipient of numerous prestigious awards, including<br />

the French Ministry of Culture’s “Bourse Lavoisier”, the “Prix de<br />

Lausanne”, and the Mae L. Wien “Award for Outstanding Promise”.<br />

In 1995, Mr. Millepied joined the New York City Ballet, where<br />

he quickly rose to the rank of Principal Dancer by 2001. During his<br />

career at NYCB, Mr. Millepied danced lead roles in ballets by notable<br />

choreographers including George Balanchine, Jerome Robbins, and Peter<br />

Martins. Mr. Millepied also originated roles in new works by Jerome<br />

Robbins, Peter Martins, Angelin Preljocaj, Mauro Bignozetti, Alexei<br />

Ratmanski and Christopher Wheeldon. In 1999 and 2002, he appeared in<br />

featured roles with the NYCB for the nationally televised Live From Lincoln<br />

<strong>Center</strong> broadcast. Mr. Millepied retired from NYCB in 2011.<br />

In addition to being a celebrated dancer, Mr. Millepied is also a<br />

renowned choreographer who has created works for some of the<br />

world’s most well-known dance companies and artists, including<br />

the New York City Ballet, the Paris Opera Ballet, American Ballet<br />

Theater, Mikhail Baryshnikov, the Mariinsky Ballet, Geneva<br />

Opera Ballet, the Lyon Opera Ballet, and Pennsylvania Ballet. Mr.<br />

Millepied’s works are regularly performed by dance companies<br />

around the world.<br />

In 2010, Benjamin became a Chevalier in France’s prestigious “Ordre<br />

des Arts et des Lettres” (Order of Arts and Letters).<br />

In 2010, Mr. Millepied also choreographed and starred in Darren<br />

Aronofsky’s award-winning feature film Black Swan. The same year,<br />

he directed his first short film. In 2011, Mr. Millepied directed five<br />

short films for a multi-media performance entitled Portals. Benjamin<br />

is now directing on a regular basis.<br />

In 2011, Mr. Millepied became the face of Yves Saint Laurent’s<br />

new fragrance L’Homme Libre.<br />

In 2012, Mr. Millepied directed the musical staging for the La<br />

Jolla Playhouse’s production of “Hands On a Hardbody,” which<br />

is scheduled to premiere on Broadway in New York City in the<br />

spring of 2013.<br />

In 2012, Mr. Millepied announced the creation of L.A. Dance Project,<br />

his new dance company. L.A. Dance Project’s inaugural performances,<br />

commissioned by The <strong>Music</strong> <strong>Center</strong>, feature a new work<br />

choreographed by Mr. Millepied with music by Nico Muhly, set design<br />

by artist Christopher Wool, and costumes by Rodarte. L.A. Dance<br />

Project will tour the United States and internationally into 2013.<br />

NICO MUHLY | COMPOSER<br />

Nico Muhly has composed a wide scope of work for<br />

ensembles, soloists and organizations, including<br />

the American Symphony Orchestra, Boston Pops,<br />

Carnegie Hall, Chicago Symphony, countertenor<br />

Lestyn Davies, violinist Hilary Hahn, choreographer<br />

Benjamin Millepied, New York City Ballet, New York<br />

Philharmonic, Paris Opéra Ballet, soprano Jessica Rivera and<br />

designer/illustrator Maira Kalman. Born in Vermont in 1981<br />

and raised in Providence, Rhode Island, Muhly graduated from<br />

Columbia University with a degree in English Literature. In<br />

2004, he received a Masters in <strong>Music</strong> from the Juilliard School,<br />

where he studied under Christopher Rouse and John Corigliano.<br />

His writings and full schedule can be found at<br />

www.nicomuhly.com.<br />

RODARTE | COSTUME DESIGNERS<br />

Rodarte was founded in Los Angeles by Kate and Laura Mulleavy.<br />

Kate and Laura have won numerous awards and accolades and<br />

were nominated for best costume design at the 16th Annual<br />

Critics’ Choice Movie Awards for their work in Black Swan. In<br />

March 2011, Rodarte: States of Matter, was on view at the MOCA,<br />

followed by Rodarte: Fra Angelico Collection exhibition at the<br />

LACMA. In May 2012, Kate and Laura designed costumes for<br />

the LA Philharmonic’s Don Giovanni production with set design<br />

by Frank Gehry.<br />

RODERICK MURRAY | LIGHTING DESIGNER<br />

Roderick Murray has been designing lighting and installations<br />

for performance both nationally and internationally since 1989.<br />

Tonight marks Mr. Murray’s latest collaboration with Benjamin<br />

Millepied, for whom he has designed the lighting on various<br />

projects since 2006. His designs for Millepied include four world<br />

premieres at venues in Europe and the U.S., including New York<br />

City Ballet, Lyon Opèra Ballet, ABT, Ballet du Grand Théâtre<br />

de Genève and the Lyon Festival de la Danse. Murray has also<br />

designed the lighting and environments for many important<br />

innovators in dance and choreography including Ralph Lemon,<br />

Kimberly Bartosik, Wally Cardona and Yanira Castro, as well<br />

as many other important artists, including Paul Simon, Sekou<br />

Sundiata, and Susan Marshall.<br />

CHRISTOPHER WOOL | PAINTER AND PHOTOGRAPHER<br />

Born in Chicago in 1955, Christopher Wool moved to New York<br />

in the 1970’s. Since the mid-1980s, Wool’s work has been the<br />

subject of numerous international gallery and museum exhibitions,<br />

including a survey of his work at MOCA in Los Angeles in 1998.<br />

In 2013, the Solomon R. Guggenheim Museum in New York will<br />

present a major retrospective of the artist’s work.<br />

MERCE CUNNINGHAM (1919 – 2009) | CHOREOGRAPHER<br />

Merce Cunningham was a leader of the American avant-garde<br />

throughout his seventy-year career and is considered one of the<br />

most important choreographers of our time. With an artistic career<br />

distinguished by constant experimentation and collaboration<br />

with groundbreaking artists from every discipline, Cunningham<br />

expanded the frontiers of dance and contemporary visual and<br />

performing arts. Cunningham’s lifelong passion for innovation also<br />

made him a pioneer in applying new technologies to the arts.<br />

Born in Centralia, Washington on April 16, 1919, Cunningham<br />

began his professional dance career at 20 with a six-year<br />

tenure as a soloist in the Martha Graham Dance Company. In<br />

1944, he presented his first solo show and in 1953 formed the<br />

Merce Cunningham Dance Company as a forum to explore his<br />

groundbreaking ideas. Together with John Cage, his partner in life<br />

and work, Cunningham proposed a number of radical innovations,<br />

chief among them that dance and music may occur in the same<br />

time and space but should be created independently of one<br />

another. They also made extensive use of chance procedures,<br />

abandoning musical forms, narrative, and other conventional<br />

elements of dance composition. For Cunningham, the subject of his<br />

dances was always dance itself.<br />

An active choreographer and mentor to the arts world throughout<br />

his life, Cunningham earned some of the highest honors bestowed<br />

in the arts, including the National Medal of Arts (1990), the<br />

MacArthur Fellowship (1985), Japan’s Praemium Imperiale (2005),<br />

and the British Laurence Olivier Award (1985). Always forwardthinking,<br />

Cunningham established the Merce Cunningham Trust in<br />

2000 and developed the precedent-setting Legacy Plan prior to his<br />

death, to ensure the preservation of his artistic legacy.<br />

JENNIFER GOGGANS | BALLET MASTER, WINTERBRANCH<br />

Jennifer Goggans began dancing in her hometown of Owensboro,<br />

KY, continued her studies at the Nutmeg Ballet and received<br />

her BFA in dance from SUNY Purchase. She has performed with<br />

the Louisville Ballet, MOMIX, Chantal Yzermans, Christopher<br />

Williams and was a member of the Merce Cunningham Dance<br />

Company from 2000 until its closure in 2011. Jennifer became<br />

a faculty member of the Merce Cunningham Studio in 2005 and<br />

was named Assistant to the Director of Choreography in 2011.<br />

She has staged Cunningham works for the Augusta Ballet, Verb<br />

Ballet, Yale Dance Theater, Los Angeles Dance Project and the<br />

Paris Opera Ballet. Jennifer has also studied fashion design at<br />

the Fashion Institute of Technology and has created costumes for<br />

various New York choreographers.<br />

PERFORMANCES MAGAZINE 5


WHO’S WHO<br />

WILLIAM FORSYTHE | CHOREOGRAPHER<br />

Raised in New York and initially trained in Florida with Nolan<br />

Dingman and Christa Long, Forsythe danced with the Joffrey Ballet<br />

and later the Stuttgart Ballet, where he was appointed Resident<br />

Choreographer in 1976. Over the next seven years, he created<br />

new works for the Stuttgart ensemble and ballet companies in<br />

Munich, The Hague, London, Basel, Berlin, Frankfurt am Main,<br />

Paris, New York, and San Francisco. In 1984, he began a 20-year<br />

tenure as director of the Ballet Frankfurt, where he created works<br />

such as Artifact (1984), Impressing the Czar (1988) and Limb’s<br />

Theorem (1990), among many others. After the closure of the Ballet<br />

Frankfurt in 2004, Forsythe established a new, more independent<br />

ensemble whose works include Three Atmospheric Studies (2005),<br />

You made me a monster (2005), Human Writes (2005), Heterotopia<br />

(2006), The Defenders (2007), Yes we can’t (2008), and I Don’t<br />

Believe in Outer Space (2008). Forsythe’s most recent works are<br />

developed and performed exclusively by The Forsythe Company,<br />

while his earlier pieces are prominently featured in the repertoire<br />

of virtually every major ballet company in the world, including The<br />

Kirov Ballet, The New York City Ballet, The San Francisco Ballet,<br />

The National Ballet of Canada, England’s Royal Ballet, and The<br />

Paris Opera Ballet.<br />

Awards received by Forsythe and his ensembles include the New<br />

York Dance and Performance “Bessie” Award (1988, 1998, 2004,<br />

2007) and London’s Laurence Olivier Award (1992, 1999, 2009).<br />

Forsythe has been conveyed the title of Commandeur des Arts et<br />

Lettres (1999) by the government of France and has received the<br />

German Distinguished Service Cross (1997), the Wexner Prize (2002)<br />

and the Golden Lion (2010).<br />

Forsythe has been commissioned to produce architectural and<br />

performance installations by architect-artist Daniel Libeskind,<br />

ARTANGEL (London), Creative Time (New York), and the City of<br />

Paris. His performance, installation and film works have been<br />

presented in numerous museums and exhibitions. In collaboration<br />

with media specialists and educators, Forsythe has developed new<br />

approaches to dance documentation, research, and education such<br />

as his 1994 computer application Improvisation Technologies: A<br />

Tool for the Analytical Dance Eye, developed with the Zentrum für<br />

Kunst und Medientechnologie. As an educator, Forsythe is regularly<br />

invited to lecture and give workshops at universities and cultural<br />

institutions. He is an Honorary Fellow at the Laban Centre for<br />

Movement and Dance in London and holds an Honorary Doctorate<br />

from The Juilliard School in New York. Forsythe is also a current<br />

A.D. White Professor-at-Large at Cornell University (2009-2015).<br />

THOMAS MCMANUS | BALLET MASTER, QUINTETT<br />

Thomas McManus was born in 1963 U.S.A. Coming from a<br />

farm on the great plains of Illinois, Thomas is a graduate<br />

of the North Carolina School of the Arts. His early work<br />

and experience in New York included improvisational<br />

performances at Westbeth Studios, dancing with a Chamber<br />

Ballet repertory company, a season with American Ballet<br />

Theater II and the Broadway musical Cats. A desire to live<br />

and work in Europe led him to Germany where he danced from<br />

6 PERFORMANCES MAGAZINE<br />

1986-99 with William Forsythe and the Ballett Frankfurt, taking<br />

part in most of the newly created ballets during that time.<br />

Since 1999, he has been a member of the performance group<br />

“commerce,” which he founded together with Nik Haffner. He<br />

is currently choreographing for many different venues, teaches<br />

Forsythe repertory to major ballet companies and teaches<br />

improvisation workshops all over Europe and America.<br />

STEPHEN GALLOWAY | BALLET MASTER, QUINTETT<br />

An accomplished dancer and designer, Stephen Galloway was a<br />

principal dancer with choreographer William Forsythe’s Frankfurt<br />

Ballet from 1986-2004 and in 1990 was appointed head costume<br />

designer/style coordinator. Mr. Galloway has been the Art<br />

Director for fashion houses such as Issey Miyake and has staged<br />

fashion shows for Yves Saint Laurent, Costume National, Versace<br />

and Miyake. He has been a creative consultant and choreographer<br />

for the Rolling Stones’ world tours and music videos since 1997.<br />

His costume work has been seen internationally in productions by<br />

American Ballet Theatre, The Paris Opera, La Scala Opera and many<br />

film opera and television projects across Europe and the Far East.<br />

Mr. Galloway often collaborates with artists and photographers Inez<br />

van Lamsweerde and Vinoodh Matadin on editorial and fashion<br />

campaigns for Haper’s Bazaar, French, American and German Vogue,<br />

V and W Magazines, Calvin Klein and Gucci. He has been awarded a<br />

Bessie, a Sir Laurence Olivier and a Nijinsky Award for his work as a<br />

dancer and costume designer with the Frankfurt Ballet. He released<br />

his first music CD From This Day On, in 2002. The follow-up, THE<br />

RETURN OF LUBRIOUS is set to drop in late fall 2009. He is also the<br />

editor of BRAVE!, an innovative quarterly published in Germany<br />

since spring 2009.<br />

JONE SAN MARTIN | BALLET MASTER, QUINTETT<br />

Jone San Martin is a dancer/choreographer, born in Donostia,<br />

San Sebastian, Spain. She studied with Mentxu Medel in San<br />

Sebastian, then at the Institut del Teatre in Barcelona and<br />

at Mudra International in Bruxelles. After working at several<br />

companies, including the Compañía Nacional de Danza in Madrid,<br />

Ulmer Theater in Germany and with Jacopo Godani in Bruxelles,<br />

she joined the Ballett Frankfurt in 1992 under the direction<br />

of William Forsythe. She has been a member of The Forsythe<br />

Company since 2004.<br />

GAVIN BRYARS | COMPOSER<br />

Gavin Bryars is one of Britain’s leading composers. He was<br />

born in Yorkshire in 1943. His first musical reputation was as a<br />

jazz bassist working in the mid-sixties with improvisers Derek<br />

Bailey and Tony Oxley. His first major work as a composer was<br />

The Sinking of the Titanic (1969) which was originally released<br />

along with Jesus’ Blood Never Failed Me Yet on Brian Eno’s<br />

Obscure Label, and re-recorded for release in 1996 on Crepuscule<br />

Records. Over the last decade his compositions have ranged<br />

widely. Bryars’ works have been used by such choreographers as<br />

Lucinda Childs, Maguy Marin and in 1989 by William Forsythe in<br />

Act I (and later Act III) of Slingerland. In 1993, Forsythe used the<br />

composition Jesus’ Blood Never Failed Me Yet for Quintett. Gavin<br />

Bryars is Professor of <strong>Music</strong> at Leicester Polytechnic, and <strong>Music</strong>al<br />

Associate at the Leicester Haymarket Theatre.<br />

CHARLES FABIUS | LA <strong>DANCE</strong> <strong>PROJECT</strong> CURATORIAL COLLECTIVE<br />

A graduate of the Royal Academy Utrecht (The Netherlands)<br />

in <strong>Music</strong>ology and Theatre History, Charles Fabius started<br />

his career as music editor in his native country. He moved<br />

to Paris, where he co-founded the Paris Opera school for<br />

young singers Ecole d’Art Lyrique in 1979. He became artistic<br />

program director at the Paris Grand Opera in 1983. Through<br />

the nineties, he ran a prominent artist management agency<br />

from Paris, managing the worldwide career of Robert Wilson.<br />

He has been decorated by the French government with the<br />

Chevalier des Arts et des Lettres. In 2001, he moved to NYC as<br />

artistic and executive director of the Byrd Hoffman Water Mill<br />

Foundation, leading a major building and capital campaign.<br />

The newly-redesigned Watermill <strong>Center</strong> for the Arts and the<br />

Humanities opened in 2006 as a year-round facility. Since<br />

2007, Charles is Consulting Producer for performing arts<br />

projects at the Solomon R. Guggenheim Museum, NY.<br />

DIMITRI CHAMBLAS |<br />

LA <strong>DANCE</strong> <strong>PROJECT</strong> CURATORIAL COLLECTIVE<br />

Dimitri Chamblas grew up in the Franco-Swiss Alps. Captivated<br />

by dance, he joined The Paris Opera’s celebrated dance<br />

school at age ten. He studied contemporary dance at the<br />

Conservatoire National de Lyon where he learned the methods<br />

of such artists such as Merce Cunningham, Martha Graham and<br />

Alwin Nikolais. In 1994, he choreographed Soli-Bach, working<br />

with Jean-Paul Gaultier, Andy Goldsworthy, Jean le Gac, and<br />

composer Heiner Goebbels. In 1996, Dimitri met Mathilde<br />

Monnier, the current director of the Centre Chorégraphique<br />

National de Montpellier. They collaborated on several shows,<br />

including Stop Stop Stop with writer Christine Angot. Together<br />

with Mathilde Monnier, Dimitri created the “research<br />

and writing residence,” an occasion for artists to create<br />

personal creative space outside of the traditional production<br />

process. Dimitri Chamblas is the co-founder of EDNA with the<br />

choreographer Boris Charmatz. Together they have organized<br />

events, performances and exhibitions all over the world.<br />

Their duet “A bras le Corps” has been performed on every<br />

continent in world-renowned theaters and festivals. In 2002,<br />

Chamblas partnered with producer Jean-Jacques Cabuy and<br />

Karen Barel to found SAME, a company that produces video<br />

music, commercials, web content and other audiovisual works.<br />

SAME has offices in Paris, Brussels and Los Angeles. In 2011,<br />

Chamblas and Millepied began a film producing partnership,<br />

which remains active and ongoing.<br />

MATTHIEU HUMERY |<br />

LA <strong>DANCE</strong> <strong>PROJECT</strong> CURATORIAL COLLECTIVE<br />

Matthieu Humery was appointed Vice President and<br />

Specialist Head of Sale of the Photographs Department<br />

for Christie’s New York in 2007. During his tenure at<br />

Christie’s, Mr. Humery has overseen the sales of the Fremont<br />

Collection, the Elfering Collection and the Collection of<br />

Bruce and Nancy Berman’s Photographs by Diane Arbus<br />

(part I) and William Eggleston (part II). In the Spring of<br />

2008, the photographs Department achieved the most<br />

successful season of sales for any Photographs auction<br />

week, establishing world records for works by Irving Penn<br />

and Henri Cartier-Bresson. In the Fall of 2008, Mr. Humery<br />

orchestrated Christie’s first-ever sale of contemporary<br />

photography, which set world records for artists Alec Soth<br />

and Louise Lawler.<br />

Prior to Christie’s Mr. Humery worked from 2001 until<br />

2005 in Paris and New York as a Specialist in Photographs,<br />

Contemporary Art & 20th Century Design and has since been<br />

consultant to numerous organizations, notably the Magnum<br />

Agency, the Luma Foundation and the Watermill Foundation/<br />

Robert Wilson Art Collection.<br />

Mr. Humery holds Masters Degrees in Art History from both<br />

the Free University in Berlin as well as the Sorbonne, where<br />

he is currently working towards his PhD.<br />

L.A. Dance Project<br />

MANAGING DIRECTOR<br />

Julia Diamond<br />

PRODUCTION DIRECTOR<br />

Will Knapp<br />

LIGHTING DIRECTOR<br />

Roderick Murray<br />

COMPANY MANAGER<br />

Kathryn Luckstone<br />

STAGE MANAGER<br />

Danielle Korman<br />

514 South Spring Street<br />

213.622.5900<br />

www.ladanceproject.com<br />

LEGAL COUNSEL<br />

Christopher D<br />

Macdougall PLLC<br />

FISCAL SPONSOR<br />

Pentacle (DanceWorks, Inc.)<br />

TOUR MANAGEMENT<br />

IMG Artists, Julia Glawe,<br />

Johanna Rajamaki<br />

DLB Performing Arts,<br />

Didier Le besque<br />

L.A. <strong>DANCE</strong> <strong>PROJECT</strong><br />

PRESENTING PARTNERS<br />

Paris, Chatelet<br />

London, Sadler’s Wells<br />

Lyon, Maison de la Danse<br />

Special Thanks<br />

Los Angeles Theatre <strong>Center</strong>, Latino Theatre Company,<br />

Studio Sereno, Megan and Ashley Fenton, Matthew<br />

Brown, Loreen Domijan, Huong Hoang, Danielle<br />

Oexmann and Amoveo Productions<br />

PERFORMANCES MAGAZINE 7


CENTER <strong>DANCE</strong><br />

ARTS (CDA)<br />

Lead Sponsor of L.A. Dance Project<br />

<strong>Center</strong> Dance Arts (CDA) is proud to be<br />

the Lead Sponsor of L.A. Dance Project.<br />

It has been an honor working with<br />

Benjamin Millepied, one of the world’s<br />

most-commissioned choreographers,<br />

on his first Los Angeles-based venture.<br />

It is with the generous support of our<br />

CDA members and all Glorya Kaufman<br />

Presents Dance at The <strong>Music</strong> <strong>Center</strong><br />

supporters that we can build our dance<br />

program as a leading presenting and<br />

commissioning force.<br />

The <strong>Music</strong> <strong>Center</strong> and <strong>Center</strong> Dance Art<br />

gratefully acknowledge<br />

for their support of L.A. Dance Project’s<br />

Opening Night Celebration at The <strong>Music</strong><br />

<strong>Center</strong>’s Walt Disney Concert Hall.<br />

8 PERFORMANCES MAGAZINE<br />

We would like to recognize<br />

our <strong>Center</strong> Dance Arts lead<br />

donors of L.A. Dance Project:<br />

Susan Baumgarten<br />

Lenore and Bernard Greenberg<br />

Joan Herman and Richard Rasiej<br />

Jane Jelenko and Bill Norris<br />

Pacific Foundation, Inc.<br />

Carol and Patrick Kinsella<br />

Mattie and Michael Lawson<br />

Elizabeth Levitt-Hirsch<br />

Valeria Rico-Nikolov and Nick Nikolov<br />

Catharine and Jeffrey Soros<br />

Sutton Stracke<br />

Bradley Tabach-Bank<br />

Sue Tsao<br />

Alyce and Warren Williamson<br />

ABOUT CENTER<br />

<strong>DANCE</strong> ARTS (CDA)<br />

Be inspired, enriched and fascinated through one-of-a-kind<br />

dance experiences. CDA is proud to celebrate ten years as the<br />

founding supporter of Glorya Kaufman Presents Dance at the<br />

<strong>Music</strong> <strong>Center</strong> (KDMC). As the premier West Coast presenter of<br />

dance, KDMC brings the world’s most prestigious and innovative<br />

dance companies to the stages of The <strong>Music</strong> <strong>Center</strong>.<br />

<strong>Center</strong> Dance Arts offers members opportunities to:<br />

• SUPPORT world-class dance engagements<br />

• INSPIRE thousands of children through our<br />

education outreach—school lectures/<br />

demonstrations, community classes with<br />

artists, open rehearsals, and free or low-cost<br />

ticket offers.<br />

• ACCESS exclusive events that enrich your<br />

passion for dance<br />

• INTERACT with celebrated dancers and<br />

distinguished dance luminaries<br />

For more information, call (213) 972-3359<br />

or visit musiccenter.org/centerdancearts.<br />

CENTER <strong>DANCE</strong> ARTS MEMBERS<br />

Thank you to all CDA Members who have contributed $1,000 or more from July 1, 2011 to August 30, 2012.<br />

Fred Abdelnour<br />

Libbie Agran<br />

David Axelrad and Liza Bercorici<br />

Shirley Rae Ashkenas<br />

Karen and Bruce Ballenger<br />

Rise and Alan Z. Barbakow<br />

Tonia and Jeremy Barber<br />

Susan Baumgarten<br />

Shelley and Richard A. Bayer<br />

Maria and William Bell, Jr.<br />

Helen and Peter S. Bing<br />

Jamie Bishton and Christian Kraus<br />

Robert N. Braun and Joan Friedman<br />

Anne Brilliant<br />

Robin and Elliott Broidy<br />

Linda Brown<br />

Rina Carmel<br />

Leslie Castanuela Barnes<br />

Karla and Richard Chernick<br />

Gloria and Lionel Chetwynd<br />

Christine and Gabriel Chiu<br />

Michelle and Steven Clark<br />

Theodore F. Cordes<br />

Nancy Cotton<br />

Sharon Darnov<br />

Samantha Davies<br />

Tama and Paul Deitch<br />

Bert Deixler<br />

Jennifer and Royce Diener<br />

Milena M. Dostanich<br />

Barbara Elliott<br />

Lisa Field<br />

Martin S. Freedman<br />

Susan Friedman<br />

Leslie and Frederick J. Gaylord<br />

Genevieve and Lewis Geyser<br />

Marcy and Edgar F. Gross<br />

Hany Haddad<br />

Dorothea, Seaf<br />

and Clabe Hartley<br />

Mary Harward<br />

Joan E. Herman<br />

and Richard M. Rasiej<br />

Elizabeth Levitt Hirsch<br />

Katinka and Eugene J. Holt<br />

Ruby M. Hori<br />

Teena Hostavich<br />

Jaycie Ingersoll<br />

Tatiana and Todd James<br />

Jane Jelenko and Bill Norris<br />

Lisa Kessler<br />

Carol and Patrick Kinsella<br />

Suzanne and Franklin Konigsberg<br />

Rosalie and Bernard Kornblau<br />

Mattie and Michael A. Lawson<br />

Ellen Levitt<br />

Raquel and Bert Lewitt<br />

Anika Lorber<br />

Reynaldo Lozano<br />

Thomas and Marie Maclennan<br />

Carla Malden<br />

Ginny and Henry Mancini<br />

Dale and Gordon S. McWilliams<br />

Cynthia Molnar<br />

Kathy and Michael Moray<br />

2012-2013 CDA<br />

BOARD OF DIRECTORS<br />

Jane Jelenko<br />

PRESIDENT<br />

Mattie McFadden-Lawson<br />

CHAIRMAN<br />

Sue Baumgarten<br />

Maria Bell<br />

Samantha Davies<br />

Hany Haddad<br />

Joan Herman<br />

Elizabeth Levitt Hirsch<br />

Patrick Kinsella<br />

Valeria Rico-Nikolov<br />

Catharine Soros<br />

Bradley Tabach-Bank<br />

Alyce Williamson<br />

Liane Weintraub<br />

FOUNDING CHAIRMAN<br />

Olivia and Anthony Neece<br />

Janis Nelson<br />

Nan Norwood<br />

Ellen A. Pansky<br />

David Pullman<br />

Michael Raedeke<br />

Valeria Rico- Nikolov<br />

and Nicholas Nikolov<br />

Hadley Davis Rierson<br />

Ricki and Marvin Ring<br />

Lois Rosen<br />

Jerry F. Rosenstock<br />

Helene Rosenzweig<br />

Thomas Safran<br />

Maxine Savitz<br />

Sherie and Alan Schneider<br />

Dominique R. Shelton<br />

Eleanor and Lawrence Sloan<br />

Catharine and Jeffrey Soros<br />

Phillip K. Sotel<br />

Gayle Elkins Spitz<br />

James Sterling<br />

I.H. Sutnick<br />

Allan Swartz<br />

and Roslyn Holt Swartz<br />

Bradley Tabach- Bank<br />

Sue Tsao<br />

Hope Warner<br />

Ron Watson<br />

Betty Weiner<br />

Liane and Richard Weintraub<br />

Leslie Weisberg<br />

and Jim Hyman<br />

Alyce and Warren B. Williamson<br />

January and Edward Woods<br />

Pablo Woodward<br />

Pam and Leo Wyler<br />

PERFORMANCES MAGAZINE 9


10 PERFORMANCES MAGAZINE<br />

THE MUSIC CENTER<br />

LEADERSHIP COUNCIL<br />

The <strong>Music</strong> <strong>Center</strong> Leadership Council is a social and networking group of Southern<br />

California’s professional, business, and community leaders who share a passion for<br />

the performing arts. The Leadership Council’s annual membership gift supports arts<br />

education programs at The <strong>Music</strong> <strong>Center</strong> with a special interest in the Spotlight program.<br />

Members and their guests enjoy thrilling performances and a variety of exclusive events<br />

that take place all over Los Angeles. Individual memberships are available by invitation.<br />

Information about corporate sponsorship opportunities will be provided on request.<br />

TRAVEL WITH CENTER <strong>DANCE</strong> ARTS The <strong>Music</strong> <strong>Center</strong> Leadership Council was founded by leading<br />

philanthropists in 1978 as Fraternity of Friends of The <strong>Music</strong><br />

<strong>Center</strong>, and over the years has raised millions for the<br />

arts in Los Angeles.<br />

<strong>Center</strong> Dance Arts’ (CDA) trip to St. Petersburg and Moscow! An<br />

extraordinary 12-day immersion into Russian ballet and culture.<br />

Unforgettable backstage visits with Bolshoi and Mariinsky<br />

principal dancers, front-row access to Mikhailovsky and Eifman<br />

Ballet rehearsals, and guided tours to some of Russia’s treasured<br />

landmarks were just some of the highlights of our journey.<br />

Equally wonderful was sharing this experience with fellow<br />

CDA ballet enthusiasts and Renae Williams Niles, Director<br />

of Programming at The <strong>Music</strong> <strong>Center</strong>.<br />

On our first day, we made our way through the Bolshoi Theatre’s<br />

passage ways to attend a rehearsal of Pharaoh’s Daughter.<br />

It was my first time watching choreographers, professional<br />

dancers, and coaches in “work mode.” After the rehearsal,<br />

we had a private tour of the theatre that was capped off by a<br />

special meeting with a Bolshoi principal dancer who described<br />

his career and rise through the company.<br />

The first ballet performance we saw was the Mariinsky’s Swan<br />

Lake, which allowed us to make an interesting comparison to the<br />

Bolshoi version presented at The <strong>Music</strong> <strong>Center</strong> this past June.<br />

As if watching the Mariinsky’s performance in its historic theater<br />

was not enough, we were led back stage to meet the principals<br />

after the performance. We also saw the Mariinsky’s La Bayadere,<br />

the Mikhailovsky’s Le Corsair, and Diana Vishneva’s gorgeous<br />

Romeo and Juliet, each capped off with a backstage visit with<br />

the artistic director and principal cast. Equally exciting were<br />

two private rehearsals of Nacho Duato’s Multiplicity/Forms of<br />

Silence and Emptiness and Boris Eifman’s Red Giselle.<br />

Above: CDA group at Bolshoi Theatre with Bolshoi soloist<br />

For me, the proximity of the dancers, moving across the<br />

studio at what seemed 60 miles per hour, was one of my<br />

greatest ballet experiences. When we met with Nacho,<br />

he talked about his plans as the new artistic director<br />

of the Mikhailovsky Ballet. Boris described his new theater<br />

and ballet school currently under construction.<br />

Our ballet experience was made complete by our private<br />

visit to the Vaganova Academy of Russian Ballet. This school<br />

has graduated world-renowned dancers, including Nijinsky,<br />

Balanchine, Nureyev, Makarova, and Baryshnikov.<br />

Peppered throughout our trip were visits to Russia’s<br />

premier palaces and art museums, including the Hermitage,<br />

Tretyakov, and Pushkin. Then there was Red Square, which<br />

seemed surreal when one thinks about the Cold War period.<br />

However, the vivid colors of Saint Basil Cathedral’s domes,<br />

that came into view as we walked through Red Square, are<br />

one of the landmarks I most enjoyed on our trip.<br />

As you can tell, we were constantly on-the-go—exposed to a<br />

life-time of ballet and other cultural experiences in less than<br />

two weeks. Special thanks to Susan Friedman, CDA Board<br />

Member, who worked closely with Marat Daukayev to plan such<br />

a wonderful tour. – Sharon Darnov, CDA Leadership Council<br />

Be on the lookout for CDA’s next trip abroad!<br />

For more information about The <strong>Music</strong> <strong>Center</strong> Leadership<br />

Council, call Laura Recchi at (213) 972-3346 or email<br />

MCLC@musiccenter.org.<br />

Left: Tim Callobre, 2010 classical<br />

instrumental Spotlight winner,<br />

performs at a MCLC event<br />

Right: Steve Rountree, President<br />

& CEO of The <strong>Music</strong> <strong>Center</strong>, Tracy<br />

Albert, MCLC Vice President, and<br />

Bennett Pozil, MCLC President,<br />

at the MCLC Annual Dinner<br />

PERFORMANCES MAGAZINE 11


MEET THE BOARD OF<br />

AMBASSADORS PRESIDENT<br />

Two years ago, when The <strong>Music</strong> <strong>Center</strong> was looking for a leader for its<br />

new support group, David Adishian stepped up to meet the challenge.<br />

As the founding and current president of the Board of Ambassadors<br />

(BOA), a distinguished cadre of supporters who make gifts of $10,000<br />

or more annually, David takes the name of the group to heart by being<br />

an outstanding ambassador for The <strong>Music</strong> <strong>Center</strong>.<br />

“I’ve been active with The <strong>Music</strong> <strong>Center</strong> for well over a decade, early<br />

in my career as a young professional, later with my wife Lena, and now<br />

as parents with two young daughters,” David says. “Our investment,<br />

of both time and a little treasure, has added so much to my life and<br />

our family’s over the years.” Indeed, David has invested both time and<br />

treasure. In addition to leading BOA, he is also a member of The <strong>Music</strong><br />

<strong>Center</strong> Development Committee and a longtime member of The <strong>Music</strong><br />

<strong>Center</strong> Leadership Council (formerly Fraternity of Friends) where he<br />

has supported the Spotlight program.<br />

David manages The Adishian Group within Merrill Lynch Wealth<br />

Management, where his team provides planning and asset management<br />

for families, charities and family foundations. Clients rely on David’s<br />

strategic advice on such issues as asset allocation, lending and estate<br />

planning. Sought after for his financial counsel, David has been featured<br />

in the Los Angeles Times and the Los Angeles Business Journal, and has<br />

provided investment commentary on radio and television.<br />

David’s approach to philanthropy is much the same as his approach<br />

to his business ventures. “I’m always looking for ways to be relevant<br />

to the community, whether in work or in my personal life, and I believe<br />

that’s a good philosophy for the Board of Ambassadors,” David says.<br />

“As we grow the program, we become more relevant and more people<br />

will see the benefits, especially students in our education programs.<br />

It’s incredibly gratifying to be a part of The <strong>Music</strong> <strong>Center</strong> community.”<br />

For more information about the Board of Ambassadors,<br />

call 213-972-3360 or email tprepsky@musiccenter.org.<br />

Board of Ambassadors Members<br />

David G. Adishian*<br />

Founder & President<br />

George Affolter<br />

The Estate of Maria V. Altmann<br />

Beverly and Frank Arnstein*<br />

Eloise C. Goodhew Barnett*<br />

Mrs. Fred A. Bartman, Jr.*<br />

Pamela and Dennis Beck<br />

Adele and Gordon Binder*<br />

Helen and Peter Bing*<br />

12 PERFORMANCES MAGAZINE<br />

Margaret M. Bloomfield*<br />

David C. Bohnett*<br />

Geri Brawerman*<br />

Marcy Carsey*<br />

Laurie and Mark Cohen<br />

Felice and Richard Cutler*<br />

Gina DiBona<br />

Louise and Brad Edgerton*<br />

Helen Funai Erickson<br />

Maude and Richard Ferry*<br />

Ann and Gordon Getty*<br />

Ruth and Charles Gold*<br />

Joyce and Fred Hameetman*<br />

Liz Levitt Hirsch<br />

Randi and Richard Jones<br />

Glorya Kaufman*<br />

Martin Massman<br />

Barbara and Buzz McCoy<br />

Ann and Jerry Moss*<br />

Phyllis Parvin<br />

Board of Ambassadors President David Adishian<br />

with wife Lena Adishian.<br />

THE BOARD OF AMBASSADORS plays<br />

a leading role in supporting The <strong>Music</strong><br />

<strong>Center</strong>’s Active Arts, education and dance<br />

programming. These leaders play an<br />

important role in ensuring that the arts<br />

thrive in Los Angeles and that young people<br />

have access to quality arts education.<br />

Dudley Rauch<br />

Allison and Richard Roeder<br />

Lois Rosen and Family*<br />

Kip Sturgeon<br />

Sue Tsao*<br />

Janis and William Wetsman*<br />

Misty Widelitz*<br />

Jennifer and Craig Zobelein<br />

*Founding Member<br />

Do you remember your first live performance?<br />

Being swept away when the house lights went down<br />

and your imagination took over?<br />

We do. It happens at every <strong>Music</strong> <strong>Center</strong> performance.<br />

If you’ve ever seen a child’s eyes light up as a company<br />

of vividly costumed dancers takes the stage, you know<br />

what it means to be swept away by the arts.<br />

And you also know that it’s you who makes this possible<br />

by making a gift to The <strong>Music</strong> <strong>Center</strong> Annual Fund.<br />

Your gift does much more than just bring world-class<br />

dance programs to our stages. It also brings arts education<br />

to thousands of children each year and gives Angelenos<br />

a place to express themselves creatively through dance<br />

and song.<br />

When you give to The <strong>Music</strong> <strong>Center</strong> Annual Fund, you not<br />

only bring the richness of the arts to the community, you<br />

also receive special member benefits and exclusive access<br />

to our diverse programs, artists and events.<br />

Please make a gift to The <strong>Music</strong> <strong>Center</strong> Annual Fund today.<br />

For more information and a complete list of benefits,<br />

please call (213) 972-4349 or visit us online at<br />

musiccenter.org/afmembership.<br />

To make your gift securely online, go to<br />

musiccenter.org/support.<br />

Photo by Eric Politzer<br />

Justin Lewis, Spotlight 2012 Finalist. Photo by Alex Pitt.<br />

Celebrating its 25th year, Spotlight is one of the<br />

nation’s premier arts education and scholarship<br />

programs for teens, providing arts training by<br />

professional artists and awarding more than<br />

$100,000 in scholarships each year.<br />

This free program requires strong support from<br />

people like you who understand the importance<br />

of encouraging our youth’s talent and creativity<br />

while promoting their future success—both<br />

academically and professionally.<br />

Reaching more than 2,300 students during<br />

auditions, workshops and master classes through<br />

the course of the school year, Spotlight culminates<br />

with a performance on May 4, 2013, at the Dorothy<br />

Chandler Pavilion. Sixteen finalists perform and<br />

are honored for their achievements, and, most<br />

significantly, receive scholarships to continue<br />

advancing their careers.<br />

Make an investment in Spotlight and help The<br />

<strong>Music</strong> <strong>Center</strong> provide invaluable experiences<br />

to students across Southern California. To learn<br />

more about the program, as well as sponsorship<br />

opportunities and benefits, please contact Laura<br />

Recchi at (213) 972-3315 or lrecchi@musiccenter.org.<br />

PERFORMANCES MAGAZINE 13


MUSIC CENTER SUPPORTERS<br />

The <strong>Music</strong> <strong>Center</strong> would like to thank donors who have contributed<br />

$1,000 or more from October 1, 2010, to February 1, 2012.<br />

INDIVIDUALS<br />

Robert Abernethy<br />

Gay and Harry Abrams<br />

Christine Adams and James Asperger<br />

Marisela C. and James R. Adams III<br />

David Adishian*<br />

George Affolter*<br />

Mary Agran<br />

Ann Albert<br />

Dean Ambrose<br />

Margot and Mark Armbruster<br />

Ronald Arnault<br />

Beverly and Frank Arnstein<br />

Shirley Ashkenas<br />

Ricki and Zane Averbach<br />

Barry Baker<br />

Bridget Baker and Robert Cerny<br />

Karen and Bruce Ballenger<br />

Jackie and Howard Banchik<br />

Rise and Alan Barbakow<br />

Tonia and James Barber<br />

Robin and Peter Barker<br />

Eloise C. Goodhew Barnett*<br />

Avery and Andrew Barth<br />

Suzy and Robert Barth<br />

Susan Baumgarten<br />

Lucie and Gordon Bava<br />

Shelley and Richard Bayer<br />

Maralee Beck and Andrew Safir<br />

Pamela and Dennis Beck*<br />

Amy and Joey Behrstock<br />

Paul Beigelman<br />

Maria and William Bell Jr.<br />

David Bender<br />

Lanie Bernhard<br />

Marlene and Brian Billington<br />

Adele and Gordon Binder*<br />

Helen and Peter Bing*<br />

Jamie Bishton and Christian Kraus<br />

Charles Black, Jr.<br />

Carolyn and Martin Bloom<br />

Margaret Bloomfield*<br />

The Blue Ribbon<br />

Rosanna Hirshon Bogart<br />

David C. Bohnett*<br />

Jean Bonini<br />

Stacey and Jeryl Bowers<br />

Selina and Brian Boxer Wachler<br />

Geri Brawerman*<br />

Deborah and Gabriel Brener<br />

Claire and Brad Brian<br />

Anne Brilliant<br />

Robin and Elliott Broidy<br />

Linda Brown<br />

Louise and John Bryson<br />

Joan and Allan Burns<br />

Andrea and Henry Burroughs<br />

Debbie and Jim Burrows<br />

14 PERFORMANCES MAGAZINE<br />

Adrienne and Robert Butler<br />

Judy Carroll<br />

Leslie Castanuela Barnes<br />

Karla and Richard Chernick<br />

Christine and Gabriel Chiu<br />

Larry Chrysler<br />

Michelle and Steven Clark<br />

Helen and Steven Clarke<br />

Lynne Coakley-Steele and Pierre Steele<br />

Jane and Lawrence Cohen<br />

Laurie and Mark Cohen*<br />

Ann and Philip Colburn<br />

David M. Conlon<br />

David Conney<br />

Ana and Robert Cook<br />

Barry Cooper<br />

Theodore Cordes<br />

Nancy Cotton<br />

Leah Coulter<br />

Felice and Richard Cutler*<br />

Sharon Darnov<br />

Suzanne and Robert Davidow<br />

Nadine and Harold Davidson<br />

Nancy and Donald de Brier<br />

Mr. and Mrs. R. Thomas Decker<br />

Tama and Paul Deitch<br />

Leslie and Bert Deixler<br />

Patricia Devin<br />

Gina DiBona<br />

William Dickey<br />

Jennifer and Royce Diener<br />

Milena Dostanich<br />

Lois Douglass◊<br />

Robin and Michael Dreyer<br />

Carla and Gerald Du Manoir<br />

Maxine Dunitz<br />

Margaret and Jerrold Eberhardt<br />

Louise and Bradford Edgerton*<br />

MegAnn and Craig Ellis<br />

Kimberly and John Emerson<br />

Lois and Robert Erburu<br />

Helen Funai Erickson*<br />

Liane Weintraub<br />

Steven Feig<br />

Joy and Jerome Fein<br />

Joan and William Feldman<br />

Maude and Richard Ferry*<br />

Helgard and Irwin S. Field<br />

Lawrence N. Field<br />

Bobbi and Henry Fields<br />

Marianna and David Fisher<br />

Judy and Arnold Fishman<br />

Polly Fleming<br />

Nanette and Burton Forester<br />

Claudia and Mark Foster<br />

Floran and Richard Fowkes<br />

James Franke<br />

Martin Freedman<br />

Joan A. Friedman, Ph.D. and<br />

Robert N. Braun, M.D.<br />

Susan Friedman<br />

Diane Futterman<br />

Donna and Jay Gallagher<br />

Nancy and Eric Garen<br />

Susan and Franklin Garfield<br />

Frederick and Leslie Gaylord<br />

Ann and Gordon Getty*<br />

Genevieve and Lewis Geyser<br />

Leslie and Clifford Gilbert-Lurie<br />

Elaine and David Gill<br />

Kiki and David Gindler<br />

Doris Gold<br />

Ruth and Charles I. Gold*<br />

Nicholas Goldsborough<br />

Elaine and Bram Goldsmith<br />

Roslyn and Abner Goldstine<br />

Louis Goren<br />

Brindell Gottlieb<br />

Lenore and Bernard Greenberg<br />

Roberta and Robert Greenfield<br />

Tricia and Richard Grey<br />

Nancy Griffin and Steven Ehrlich<br />

Marcy and Edgar Gross<br />

Margaret and Donald Gumpertz◊<br />

Renee and Paul Haas<br />

Cynthia and William Hagelstein<br />

Mary Beth and Russ Hagey<br />

Joyce and Fred Hameetman*<br />

Roberta and Bruce Hammer<br />

Elisabeth Katte Harris◊<br />

Jennifer Harris and Joe Sliskovich<br />

Thea, Seaf and Clabe Hartley<br />

Mary Harward<br />

Betty and Fred Hayman<br />

Dennis Haysbert<br />

William F. Heffernan Jr.<br />

Mary Ann and John Heidt<br />

Drs. Vikki and Sidney Helperin<br />

Joan Herman and Richard Rasiej<br />

Ann and Stephen Hinchliffe Jr.<br />

Liz Levitt Hirsch*<br />

Gloria and Glen Holden<br />

Katinka and Eugene Holt<br />

Katie and Philip Holthouse<br />

Ruby Hori<br />

Teena Hostavich and Doug Martinet<br />

Joan and John F. Hotchkis<br />

Anne Howell<br />

Mary Ann Hunt-Jacobsen<br />

Jaycie Ingersoll<br />

Tatiana and Todd James<br />

Linda and Jerome Janger<br />

Susan and Michael Jeffries<br />

Jane Jelenko and Bill Norris<br />

Randi and Richard Jones*<br />

Sydney and Peter Julien<br />

Julie and Richard Kagan<br />

Cheryl and David Karton<br />

Gerald Katell<br />

Leslie and Jack Kavanaugh<br />

Cari and Marty Kavinoky<br />

Morton Kay<br />

Suzanne and Richard Kayne<br />

Anita and Fred Kemmerling<br />

Lisa Kessler<br />

Carol and Patrick Kinsella<br />

Gai Klass and Michael Stern<br />

Jo Ann and Raymond Klauer<br />

Lisa and Victor Kohn<br />

Susanne and Franklin Konigsberg<br />

Carolbeth and Ambassador Lester Korn<br />

Rosalie Kornblau<br />

Judith Krantz<br />

Rini and Arthur Kraus<br />

Suzanne and Michael Kraus<br />

Joyce and Kent Kresa<br />

Rosalyn Laudati and James Pick<br />

Mattie McFadden-Lawson<br />

and Michael Lawson<br />

Jo Ellen and Stephen Lee<br />

CC Pulitzer-Lemann<br />

and Monte Lemann II<br />

Betty and Maury Leonard<br />

Ellen and Harry Levitt<br />

Janell and Randall Lewis<br />

Raquel and Bert Lewitt<br />

John Liebes<br />

Anita Lorber<br />

Cathy and Mark Louchheim<br />

Marlene and Sandy Louchheim<br />

Bryan Lourd<br />

Barbara Luzzatto<br />

Nigel Lythgoe<br />

Dr. Thomas and Marie Maclennan<br />

Padma and Rao Makineni<br />

Carla Malden<br />

Gary Malouf<br />

Ginny Mancini<br />

Carol and Douglas Mancino<br />

Connie and Martinn Mandles<br />

Claude Girault Mann<br />

and Alfred Mann<br />

Claudia and Michael Margolis<br />

Pauline Marks<br />

Ilene and J. Howard Marshall III<br />

Martin Massman*<br />

Pauline and Roger Mayer<br />

Nancy and Patrick McCabe<br />

Barbara and Buzz McCoy*<br />

Irene Mecchi<br />

Linda and Sheldon Mehr<br />

Beth and Leslie Michelson<br />

Barbara and Fred Miller<br />

Cindy Miscikowski<br />

Haydee and Carlos Mollura<br />

Cynthia Molnar<br />

Bob and Val Montgomery<br />

Nicole and Michael Montgomery<br />

Kathy and Michael Moray<br />

Diane Morton<br />

Sandra Moss<br />

Merle and Peter Mullin<br />

Ann and Greg Myer<br />

Abby and Alan Myerson<br />

Olivia and Anthony Neece<br />

Janis Nelson<br />

Steven Neu<br />

Betty and George Nicholaw<br />

Valeria Rico-Nikolov<br />

and Nicholas Nikolov<br />

Gladys Niver<br />

Nan Norwood<br />

Darcie Denkert Notkin<br />

and Shelby Notkin<br />

Robert Olsen◊<br />

Ronald Olson<br />

Annette and Peter O’Malley<br />

Alan Oppenheimer<br />

Marti and H. Tony Oppenheimer<br />

Nancy Rahnasto and Alfred Osborne<br />

Rose and Michael Pagano<br />

Ellen Pansky<br />

Phyllis Parvin*<br />

Kurt Peterson<br />

Nina and Leo Pircher<br />

Karen Kay Platt and Lawrence B. Platt<br />

Anne and Arnold Porath<br />

Marni and Bennett Pozil<br />

Phyllis and Henry Present<br />

Cecille and Michael Pulitzer<br />

David Pullman<br />

Michael Raedeke<br />

Max Ramberg<br />

Lee and Lawrence Ramer<br />

Simon Ramo<br />

Lauren and Jon Rashap<br />

Dudley Rauch<br />

Timothy Regler<br />

Vicki Reynolds and Murray Pepper<br />

Ricki and Marvin Ring<br />

Sharon and Nelson Rising<br />

Jill and Dennis Roach<br />

Fredric Roberts<br />

Allison and Richard Roeder*<br />

Penelope Roeder<br />

Lois Rosen and Family*<br />

Jaclyn Rosenberg<br />

Nancy and Brad Rosenberg<br />

Nancy and Arthur Rosenbloom<br />

Felicia Rosenfeld and David Linde<br />

Esther and Richard Rosenfield<br />

Jerry Rosenstock<br />

Alison and Larry Rosenthal<br />

Helene Rosenzweig, M.D.<br />

Gayle and Edward Roski<br />

Georgina and Alan Rothenberg<br />

Susan and Marvin Rothenberg<br />

Carol and Steve Rountree<br />

Kerstin and George Royce<br />

Suzanne and Paul Rubenstein<br />

Peggy and Harvey Saferstein<br />

Thomas Safran<br />

Desiree and Joel Samuels<br />

Carla and Fred Sands<br />

Maxine Savitz<br />

Fred Schiffman<br />

Sherie and Alan Schneider<br />

Toni and John Schulman<br />

Alan Schwartz<br />

Janet and Michael Schwartz<br />

Lois Schwartz<br />

Larraine and Clive Segil<br />

Dominique Shelton<br />

Jeneane Shield<br />

Anita Silverstein<br />

Grazyna and William Simon<br />

Ruth and David Simon<br />

Eleanor and L. Lawrence Sloan<br />

Joni and W. Clark Smith<br />

Lucerne Snipes<br />

Ellen and Harry Sondheim<br />

Catharine and Jeffrey Soros<br />

Phillip Sotel<br />

Lisa Specht and Ron Rogers<br />

Christine and Don Steele<br />

Marilyn and Eugene Stein<br />

Carol Stein Sterling and James Sterling<br />

Amanda and Nicholas Stonnington<br />

Julia Strickland and Timothy Wahl<br />

I.H. Sutnick<br />

Victoria Swackenberg<br />

Allan and Roslyn Holt Swartz<br />

Virginia and David Sydorick<br />

Bradley Tabach-Bank<br />

Louise Taper<br />

Cynthia Telles<br />

Suzanne and Michael Tennenbaum<br />

Sally and James Thomas<br />

Reva and William Tooley<br />

Marilyn Trattner<br />

Sue Tsao*<br />

Elinor and Rubin Turner<br />

Catherine and Leonard Unger<br />

Addie and Mark Van Gessel<br />

Joanne and Johannes Van Tilburg<br />

Pat Walter<br />

Hope Landis Warner<br />

Hope Warschaw<br />

Gail and Paul Watson<br />

Ron Watson<br />

Dody Waugh<br />

Julie Waxman and Seth Freeman<br />

Dorothy and Robert Webb<br />

Rachel Weber<br />

Robert M. Weekley<br />

Thomas Weinberger and Leslie Vermut<br />

Betty Weiner<br />

Leslie Weisberg and James Hyman<br />

Doris Weitz and Alexander Williams III<br />

Janis and William Wetsman*<br />

Misty Widelitz*<br />

Barbara and Edmund Wilkinson Jr.<br />

Alyce and Warren Williamson<br />

Patty and Richard Wilson<br />

Alison and Joseph Winter<br />

January and Edward Woods<br />

Pamela and Leo Wyler<br />

Rosalind Wyman<br />

Susan and Kenneth Yamada<br />

Courtney and David Zifkin<br />

Craig and Jennifer Zobelein*<br />

FOUNDATIONS AND GOVERNMENT<br />

The Ahmanson Foundation<br />

The Albert Parvin Foundation<br />

Alice and Julius Kantor<br />

Charitable Trust<br />

Alphonse Burnand & Charles Partridge<br />

Scholarship Trust<br />

Ann and Gordon Getty Foundation<br />

The Annenberg Foundation<br />

The Bartman Foundation*<br />

The California Endowment<br />

Capezio Ballet Makers<br />

Dance Foundation Inc.<br />

The Capital Group Companies<br />

Charitable Foundation<br />

Carsey Family Foundation*<br />

City of LA Department of<br />

Cultural Affairs<br />

The Claire and Theodore Morse<br />

Foundation<br />

Corday Family Foundation<br />

Danvera Foundation<br />

Dorothy B. Chandler New Program Fund<br />

Edward D. & Anna Mitchell<br />

Family Foundation<br />

The Eli and Edythe Broad Foundation<br />

Friars Charitable Foundation<br />

Gerald Oppenheimer Family Foundation<br />

Gladys Turk Foundation<br />

Glorya Kaufman Dance Foundation*<br />

The Green Foundation<br />

I. N. and Susanna H.<br />

Van Nuys Foundation<br />

J. Paul Getty Trust<br />

James A. Doolittle Foundation<br />

The James Irvine Foundation<br />

The John Randolph Haynes<br />

and Dora Haynes Foundation<br />

Julia Stearns Dockweiler<br />

Charitable Foundation<br />

The Kenneth T.<br />

and Eileen L. Norris Foundation<br />

Lee Graff Foundation<br />

Los Angeles County Arts Commission<br />

The Louis and Harold Price Foundation<br />

Lowitz Foundation<br />

The Lucille Ellis Simon Foundation<br />

Marcia Israel Foundation, Inc.<br />

Maria V. Altmann Foundation*<br />

Max H. Gluck Foundation<br />

The Morrison & Foerster Foundation<br />

Moss Foundation*<br />

NAMM Foundation<br />

National Endowment for the Arts<br />

New England Foundation for the Arts<br />

Pacific Foundation Inc.<br />

Prewoznik Foundation<br />

The Ralph M. Parsons Foundation<br />

The Rosalinde &<br />

Arthur Gilbert Foundation<br />

The Schlum Charitable Trust<br />

The Schow Foundation<br />

The Sidley Austin Foundation<br />

The Skirball Foundation<br />

Snyder Family Foundation<br />

Marc and Eva Stern Foundation<br />

Stratton-Petit Foundation<br />

Strauss Foundation<br />

Wallis Foundation<br />

Walter Lantz Foundation<br />

Weingart Foundation<br />

CORPORATIONS<br />

Aetna, Inc.<br />

Bank of America<br />

The Boeing Company<br />

Casey & Sayre Inc.<br />

Chevron Corporation<br />

Chubb & Son, Inc.<br />

Chubb Custom Market, Inc.<br />

City National Bank<br />

The Coca-Cola Company<br />

CVS Caremark<br />

Edison International<br />

Employees Community Fund<br />

of Boeing California<br />

Enterprise Rent-A-Car Foundation<br />

Entravision Communications<br />

Corporation<br />

Hammel, Green<br />

and Abrahamson, Inc.<br />

Hathaway Dinwiddie Construction Co.<br />

Houlihan Lokey Howard & Zukin<br />

Hub International/Kagan-Kozberg<br />

Hudson Group<br />

J.P. Morgan Chase<br />

KPMG LLP<br />

Macy’s<br />

Manatt Phelps & Phillips, LLP<br />

McMaster-Carr Supply Company<br />

Munger, Tolles & Olson LLP<br />

Northrop Grumman<br />

Occidental Petroleum Corporation<br />

Payden & Rygel<br />

Playboy Enterprises<br />

Probity International Corp.<br />

Reed Smith LLP<br />

Rodriguez, Horii, Choi<br />

& Cafferata LLP<br />

Sanford C. Bernstein & Co., LLC<br />

See’s Candy Shops, Inc.<br />

SNR Denton<br />

Sony Pictures Entertainment<br />

Sotheby’s International Realty<br />

Target<br />

Transamerica<br />

U.S. Bank<br />

Union Bank<br />

The Walt Disney Company<br />

Wells Fargo<br />

Whittier Trust Company of California<br />

* Board of Ambassadors<br />

◊ Deceased<br />

PERFORMANCES MAGAZINE 15


THE MUSIC CENTER STAFF<br />

EXECUTIVE STAFF<br />

PRESIDENT AND CHIEF EXECUTIVE OFFICER<br />

Stephen D. Rountree<br />

EXECUTIVE VICE PRESIDENT<br />

AND CHIEF OPERATING OFFICER<br />

Howard Sherman<br />

CHIEF FINANCIAL OFFICER<br />

William Meyerchak<br />

SENIOR VICE PRESIDENT, ADVANCEMENT<br />

Elizabeth Kennedy<br />

VICE PRESIDENT, EDUCATION<br />

Mark Slavkin<br />

VICE PRESIDENT, PROGRAMMING<br />

Thor Steingraber<br />

VICE PRESIDENT, GUEST RELATIONS<br />

Carolyn Van Brunt<br />

THE MUSIC CENTER<br />

ENGAGEMENT STAFF<br />

DIRECTOR, PROGRAMMING<br />

Renae Williams Niles<br />

PROGRAM MANAGER<br />

Rebecca Baillie<br />

COORDINATOR, ANNUAL PROGRAMS<br />

Debbie Afar<br />

COORDINATOR, MARKETING<br />

& COMMUNICATIONS<br />

Katharine Ballas<br />

BOX OFFICE TREASURER<br />

Jim Bell<br />

FIRST ASSISTANT, BOX OFFICE TREASURER<br />

Tom Bucher<br />

2012-2013<br />

MUSIC CENTER<br />

BOARD OF<br />

DIRECTORS<br />

OFFICERS<br />

CHAIR<br />

Kent Kresa<br />

PRESIDENT AND<br />

CHIEF EXECUTIVE OFFICER<br />

Stephen D. Rountree<br />

VICE CHAIRS<br />

Michael A. Lawson<br />

Michael J. Pagano<br />

Lisa Specht<br />

TREASURER<br />

Thomas R. Weinberger<br />

PROGRAMMING<br />

COMMITTEE<br />

16 PERFORMANCES MAGAZINE<br />

MAJOR GIFTS OFFICER<br />

Cheryl Brown<br />

DIRECTOR OF INSTITUTIONAL GIVING<br />

Ellen Cheney<br />

DIRECTOR OF PRODUCTION<br />

Chris Christel<br />

COORDINATOR, DONOR EVENTS<br />

& STEWARDSHIP<br />

Amanda Hallman<br />

SENIOR MAJOR GIFTS OFFICER<br />

Jeanie Kim<br />

DIRECTOR, SCHEDULING & EVENTS<br />

Steve Lanzarotta<br />

ASSISTANT MANAGER, MEMBERSHIP<br />

& ANNUAL PROGRAMS<br />

Veronica Meza<br />

DIRECTOR, MEMBERSHIP<br />

& ANNUAL PROGRAMS<br />

Todd Prepsky<br />

AUDIENCE SERVICES MANAGER<br />

Kimberly Price<br />

MANAGER, MEMBERSHIP<br />

& ANNUAL PROGRAMS<br />

Laura Recchi<br />

MAJOR GIFTS OFFICER<br />

Michael Ryan<br />

DEVELOPMENT WRITER<br />

Eveleen Samayoa<br />

ASSISTANT VICE PRESIDENT,<br />

DEVELOPMENT<br />

Jennifer Samsel<br />

MANAGER, DONOR EVENTS<br />

& STEWARDSHIP<br />

Rachel Scandling<br />

SECRETARY<br />

Karen Kay Platt<br />

MEMBERS<br />

Robert J. Abernethy<br />

Wallis Annenberg<br />

Colleen Bell<br />

David C. Bohnett<br />

Louise Henry Bryson<br />

Fung Der<br />

Craig A. Ellis<br />

Leslie K. Gilbert-Lurie<br />

David Gindler<br />

Brindell Gottlieb<br />

William C. Hagelstein<br />

Dennis Haysbert<br />

Stephen F. Hinchliffe, Jr.<br />

Amb. Glen A. Holden<br />

Jane Jelenko<br />

Carolbeth Korn<br />

Karen Kay Platt CHAIR<br />

Colleen Bell<br />

Elizabeth Khuri Chandler<br />

William C. Hagelstein<br />

ASSOCIATE VICE PRESIDENT,<br />

DEVELOPMENT<br />

Judy Rapp Smith<br />

MANAGING DIRECTOR, EDUCATION<br />

Michael Solomon<br />

MANAGER, MARKETING<br />

& COMMUNICATIONS<br />

Melissa Tan<br />

PRODUCTION MANAGER<br />

Pat Thomas<br />

ASSOCIATE VICE PRESIDENT,<br />

CONTROLLER<br />

Lisa Whitney<br />

CONSULTANTS TO<br />

<strong>DANCE</strong> PRESENTATIONS<br />

GRAPHIC DESIGN<br />

Studio Fuse<br />

Board of Supervisors<br />

Through the Board of Supervisors, the County of Los Angeles plays an invaluable role<br />

in the successful operation of The <strong>Music</strong> <strong>Center</strong>. We applaud the five Supervisors<br />

(pictured below) and William T Fujioka, CEO, Los Angeles County (not pictured).<br />

FIRST DISTRICT<br />

Gloria Molina<br />

Amb. Lester B. Korn<br />

Michael A. Lawson<br />

Nigel Lythgoe<br />

Ginny Mancini<br />

Martin Massman<br />

Patrick S. McCabe<br />

Bowen “Buzz” H. McCoy<br />

Mattie McFadden-Lawson<br />

Elizabeth Michelson<br />

Neal S. Millard<br />

Cindy Miscikowski<br />

Shelby Notkin<br />

Kurt C. Peterson<br />

Bennett C. Pozil<br />

Max Ramberg<br />

Joseph Rice<br />

Richard K. Roeder<br />

Thomas L. Safran<br />

Carla Herd Sands<br />

Dennis Haysbert<br />

Jane Jelenko<br />

Joyce Kresa<br />

Nigel Lythgoe<br />

PUBLICITY<br />

Davidson &<br />

Choy Publicity<br />

SECOND DISTRICT<br />

Mark<br />

Ridley-Thomas<br />

THIRD DISTRICT,<br />

CHAIRMAN<br />

Zev Yaroslavsky<br />

John A. Schulman<br />

Joni J. Smith<br />

Marc I. Stern<br />

Julia A. Stewart<br />

Cynthia A. Telles<br />

Franklin E. Ulf<br />

Walter F. Ulloa<br />

Bert Valdman<br />

Timothy S. Wahl<br />

Susan M. Wegleitner<br />

Alyce Williamson<br />

Rosalind W. Wyman<br />

GENERAL COUNSEL<br />

Stephen G. Contopulos<br />

DIRECTORS EMERITI<br />

Peter K. Barker<br />

Eli Broad<br />

Ronald W. Burkle<br />

Mattie McFadden-Lawson<br />

Shelby Notkin<br />

Joni J. Smith<br />

Alyce Williamson<br />

WALT DISNEY CONCERT<br />

HALL HOUSE STAFF<br />

AUDIO/VIDEO<br />

Kevin Wapner<br />

FLYMAN<br />

Andrew Arnold<br />

MASTER CARPENTER<br />

Ron Galbraith<br />

The stage crew, wardrobe crew and box office<br />

staff are represented by the International Alliance<br />

of Theatrical Stage Employees, Moving Picture<br />

Technicians, Artists and Allied Crafts of the United<br />

States of America and Canada, AFL-CIO, CKC,<br />

Local Numbers 33, 768, and 857, respectively.<br />

The House Managers employed by The <strong>Music</strong> <strong>Center</strong><br />

are represented by the Association of Theatrical<br />

Press Agents and Managers.<br />

FOURTH DISTRICT<br />

Don Knabe<br />

MASTER OF<br />

PROPERTIES<br />

John Phillips<br />

MASTER ELECTRICIAN<br />

Terry Klein<br />

MASTER WARDROBE<br />

Lee Smilek<br />

Lloyd E. Cotsen<br />

John B. Emerson*<br />

Lois Erburu<br />

Richard M. Ferry<br />

Bernard A. Greenberg<br />

Joanne D. Hale<br />

Stuart M. Ketchum<br />

Robert F. Maguire, III<br />

Edward J. McAniff<br />

Walter M. Mirisch<br />

Lawrence J. Ramer<br />

Fredric M. Roberts<br />

Claire L. Rothman<br />

James A. Thomas<br />

Andrea L. Van de Kamp*<br />

Paul M. Watson<br />

* Chairman Emeritus<br />

FIFTH DISTRICT<br />

Michael D.<br />

Antonovich<br />

Rosalind W. Wyman

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!