L.A. DANCE PROJECT - Music Center
L.A. DANCE PROJECT - Music Center
L.A. DANCE PROJECT - Music Center
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L.A. <strong>DANCE</strong> <strong>PROJECT</strong><br />
LEAD SPONSOR CENTER <strong>DANCE</strong> ARTS<br />
Curatorial Collective:<br />
Benjamin Millepied<br />
FOUNDING DIRECTOR<br />
Charles Fabius<br />
Dimitri Chamblas<br />
Matthieu Humery<br />
Nico Muhly<br />
Support for this engagement is provided, in part, by the Glorya Kaufman Dance<br />
Foundation, Dorothy Buffum Chandler Program Fund, Elisabeth Katte Harris<br />
and the Doolittle Fund.<br />
Please turn off all cell phones, PDAs, beepers and watch alarms. Latecomers will be seated at the discretion of the<br />
house management. Members of the audience who leave during the performance will not be shown back into the<br />
theater until the next intermission. The use of cameras and recording equipment is strictly prohibited. Your use of<br />
a ticket acknowledges your willingness to appear in photographs taken in public areas of The <strong>Music</strong> <strong>Center</strong> and<br />
releases The <strong>Music</strong> <strong>Center</strong> and its lessees and others from liability resulting from use of such photographs.
DIRECTOR’S NOTE PROGRAM<br />
Welcome to the first engagement marking the 10th anniversary season of<br />
Glorya Kaufman Presents Dance at The <strong>Music</strong> <strong>Center</strong>. While The <strong>Music</strong> <strong>Center</strong><br />
is nearing its 50th anniversary and acclaimed dance artists have been a<br />
significant part of that history, it was quite an ambitious decision when The<br />
<strong>Music</strong> <strong>Center</strong>’s Board of Directors decided to launch its first season of dance<br />
presentations ten years ago. A great deal of gratitude is owed to <strong>Center</strong> Dance<br />
Arts for its enduring commitment that helped to officially establish the series<br />
in 2003 and to Glorya Kaufman for her monumental gift in 2009 which allowed<br />
the dance series to flourish. Through their ongoing support, in addition to that<br />
of our many subscribers, individual donors, and sponsors, The <strong>Music</strong> <strong>Center</strong><br />
has been able to expand its educational and community-based programming<br />
as well as to solidify its role as a leader in the commissioning and presenting of new work by today’s<br />
internationally renowned choreographers.<br />
What better way to celebrate the trailblazing legacy of the series, its founders, and supporters, than<br />
with the commission and world premiere of a new venture already receiving international attention and<br />
support. For close to a decade, Benjamin Millepied has had a growing interest in Los Angeles. Like so<br />
many other dancemakers before him, including Ruth St. Denis, Ted Shawn, Adolf Bohm, Stanley Holden,<br />
and Lester Horton, just to name a few, Benjamin has also been inspired and beguiled by Los Angeles and<br />
drawn here to create and collaborate with other respected artists. What began as conversations between<br />
myself and Benjamin some time ago has organically grown into the L.A. Dance Project and The <strong>Music</strong><br />
<strong>Center</strong> is honored to play a substantial initiating role in this intriguing endeavor that is a most exciting<br />
and adventurous beginning to our celebratory season.<br />
The coming season will feature other new master works such as the U.S. debut of Christopher<br />
Wheeldon’s Alice’s Adventures in Wonderland with The National Ballet of Canada, and a compelling<br />
collaboration between Alonzo King LINES Ballet and Hubbard Street Dance Chicago resulting in a joint<br />
Southern California premiere later this season. The series will also highlight The <strong>Music</strong> <strong>Center</strong>’s dance<br />
legacy with masterpieces by the country’s leading ballet companies – The Joffrey Ballet’s The Rite of Spring<br />
(a reconstruction of the original work) and American Ballet Theatre’s Le Corsaire. Both companies<br />
have been a part of The <strong>Music</strong> <strong>Center</strong>’s history since the 1960s.<br />
It’s not too late to become a full subscriber to this year’s monumental season. You can also pick your own<br />
companies and dates through a flex subscription. Visit the information table in the lobby or musiccenter.org<br />
for more details. With recently sold out performances, subscribing is the best way to ensure great seats and<br />
to help ensure the growth of the series.<br />
Enjoy the performance!<br />
Renae Williams Niles<br />
Director of Programming<br />
2 PERFORMANCES MAGAZINE<br />
QUINTETT (1993)<br />
CHOREOGRAPHY<br />
William Forsythe<br />
in collaboration with<br />
Dana Caspersen,<br />
Stephen Galloway,<br />
Jacopo Godani,<br />
Thomas McManus<br />
and Jone San Martin<br />
MUSIC<br />
Gavin Bryars<br />
Jesus’ Blood Never<br />
Failed Me Yet<br />
(© Schott <strong>Music</strong><br />
GmbH & Co. KG, Mainz)<br />
COSTUME DESIGN<br />
Stephen Galloway<br />
WINTERBRANCH (1964)<br />
CHOREOGRAPHY<br />
Merce Cunningham<br />
MUSIC<br />
La Monte Young<br />
2 Sounds<br />
DÉCOR<br />
Robert Rauschenberg<br />
COSTUME<br />
Robert Rauschenberg<br />
MOVING PARTS (WORLD PREMIERE)<br />
CHOREOGRAPHY<br />
Benjamin Millepied<br />
MUSIC<br />
Nico Muhly<br />
VISUAL INSTALLATION<br />
Christopher Wool<br />
LIGHTING<br />
William Forsythe<br />
LIGHTING SUPERVISOR<br />
Tanja Rühl<br />
STAGING<br />
William Forsythe<br />
Stephen Galloway<br />
Thomas McManus<br />
Jone San Martin<br />
LENGTH<br />
26 minutes<br />
PREMIERE<br />
October 9, 1993,<br />
Opernhaus,<br />
Frankfurt am Main<br />
LIGHTING<br />
Robert Rauschenberg,<br />
reconstructed by<br />
Beverly Emmons<br />
STAGING<br />
Jennifer Goggans<br />
assisted by<br />
Robert Swinston<br />
LENGTH<br />
16 minutes<br />
PREMIERE<br />
March 21, 1964,<br />
Wadsworth Atheneum,<br />
Hartford, CT<br />
COSTUME<br />
Kate and Laura Mulleavy<br />
of Rodarte<br />
LIGHTING<br />
Roderick Murray<br />
LENGTH<br />
27 minutes<br />
<strong>DANCE</strong>RS<br />
Frances Chiavernini, Julia Eichten, Charlie Hodges,<br />
Morgan Lugo, Nathan Makolandra, Amanda Wells<br />
Lyrical, committed and moving, Quintett is a quiet masterpiece set<br />
to Gavin Bryars’ Jesus’ Blood Never Failed Me Yet. On stage filled with<br />
bright, white light, Quintett brilliantly evokes and develops Bryars’<br />
themes of loss, hope, fear and joy.<br />
In Quintett the dancers set into motion a seamless flow of duets, solos<br />
and trios in counterpoint to the heartbeat of Gavin Bryars’ music. Weaving<br />
and tumbling, the dancers create an eddying force that grows in fluid,<br />
joyous complexity—a torrent containing, in its bright, vital vision,<br />
an awareness of its own eventual end.<br />
15 MINUTE INTERMISSION<br />
<strong>DANCE</strong>RS<br />
Frances Chiavernini, Julia Eichten Charlie Hodges,<br />
Morgan Lugo, Nathan Makolandra, Amanda Wells<br />
The concept for Winterbranch came from what Cunningham referred to as<br />
“facts in dancing.” Two such facts are the act of falling, and unless one stays<br />
on the ground, the subsequent act of rising. The dance began with Cunningham<br />
crawling slowly across the stage carrying a flashlight, followed by the dancers<br />
engaging in a series of falls, in both slow and fast motion, eventually clustering<br />
together to fall and rise as a cohesive group. Cunningham asked Rauschenberg<br />
to think of the lighting as if it were nighttime, with automobile lights flashing<br />
in faces, reminiscent of walking along a dark highway. Rauschenberg dressed<br />
the dancers in sweat suits and sneakers, with black paint under their eyes. La<br />
Monte Young’s music for the piece, entitled 2 Sounds, consisted of “the sound<br />
of ashtrays scraped against a mirror, and the other, that of pieces of wood<br />
rubbed against a Chinese gong.”<br />
Winterbranch is performed by LADP with the permission and<br />
cooperation of the Merce Cunningham Trust.<br />
15 MINUTE INTERMISSION<br />
<strong>DANCE</strong>RS<br />
Frances Chiavernini, Julia Eichten, Charlie Hodges,<br />
Morgan Lugo, Nathan Makolandra, Amanda Wells<br />
MUSICIANS<br />
Clarinet: Phil O’Connor, Violin: Lisa Liu<br />
Organ: Nico Muhly<br />
PERFORMANCES MAGAZINE 3
WHO’S WHO<br />
JULIA EICHTEN | <strong>DANCE</strong>R<br />
Growing up in Minnesota, Julia Eichten received her<br />
BFA from the Juilliard School. Upon graduation she<br />
received the Hector Zaraspe award for choreography.<br />
While at Juilliard she had the opportunity of<br />
performing works by; Stijn Celis, Benjamin<br />
Millepied, Ohad Naharin, Alexander Ekman and Mark Morris. She<br />
has worked professionally with Camille A. Brown & Dancers and<br />
Aszure Barton & Artists. Julia is thrilled to be a part of L.A. Dance<br />
project with such wonderful and diverse artists.<br />
NATHAN B. MAKOLANDRA | <strong>DANCE</strong>R<br />
Nathan Makolandra began dancing and choreographing<br />
in South Carolina. He is a recent graduate of The<br />
Juilliard School under the direction of Lawrence<br />
Rhodes. There, he performed the works of<br />
Alexander Ekman, Nacho Duato, Jerome Robbins,<br />
Bronsilava Nijinska, and Jose Limon. Nathan enjoys teaching and<br />
choreographing across the US, Canada, and beyond. In addition, he<br />
choreographed a dance/music video for UK artist Richard Walters.<br />
Upon graduation, Nathan received the Hector Zaraspe Prize for<br />
Choreography. He is very excited for this opportunity!<br />
CHARLIE HODGES | <strong>DANCE</strong>R<br />
A former member of Phi Beta Kappa and a Mary Gates<br />
Research Scholar, Charlie Hodges graduated summa<br />
cum laude from the University of Washington earning<br />
High Honors degrees in dance and architecture. He has<br />
performed extensively with the Sacramento Ballet, Imij-re,<br />
and Twyla Tharp. He was voted the Best Male Dancer of 2003<br />
by the European Critics Choice Awards, made his Broadway debut<br />
in 2006 in the Tharp musical Movin’ Out, and won the 2010 Fred<br />
Astaire Award for Best Male Dancer on Broadway for the creation<br />
of his role, Marty in the Tharp/Sinatra musical Come Fly Away. He<br />
thanks Twyla for the last decade of learning and exploration, and his<br />
husband Adam for his patience and support. He proudly celebrates<br />
his participation with LADP.<br />
AMANDA WELLS | <strong>DANCE</strong>R<br />
Amanda Wells began her formal dance training at the<br />
San Francisco Ballet School. She continued to train<br />
and perform with Boston Ballet and Richmond Ballet<br />
Company. Amanda then relocated to attend NYU’s Tisch<br />
School of the Arts, and upon graduation joined the<br />
Stephen Petronio Company where she had the pleasure of creating<br />
new works, touring and teaching master classes across the US,<br />
Europe, Asia and Australia. Amanda is thrilled to be a part of the<br />
inaugural season of LADP.<br />
4 PERFORMANCES MAGAZINE<br />
FRANCES CHIAVERINI | <strong>DANCE</strong>R<br />
Born in Pittsburgh, Frances Chiaverini received<br />
a BFA from Juilliard in 2003. She then joined the<br />
Netherlands Dance Theater where she performed<br />
works by Kylián, Van Manen, Naharin, Tekeuchi,<br />
Foofwa d’Imobilité and Lightfoot/Leon. Since her<br />
return to the US, she has collaborated with various artists such as<br />
Millepied, Aronofsky, Ratmansky, Adam Barruch, Pontus Lidberg,<br />
and Shannon Gillen. She has created choreographic works for The<br />
Netherlands Chamber of Commerce, The Children’s Museum of<br />
Amman, REVERB Festival, and was granted a prize by the National<br />
Society of Arts and Letters.<br />
MORGAN LUGO | <strong>DANCE</strong>R<br />
A native of Wilmington, North Carolina, Morgan Lugo<br />
trained at North Carolina School of the Arts and recently<br />
graduated from SUNY Purchase. At Purchase, he had the<br />
opportunity to work with such choreographers as Lar<br />
Lubovitch, Doug Varone, Stephen Patronio and Paul Taylor. In 2011,<br />
during his final year at Purchase, Morgan made his professional<br />
debut with Morphoses under the direction of Lourdes Lopez and<br />
Artistic Director Luca Veggetti. He is excited to be a part of L.A.<br />
Dance Project and looks forward to its future!<br />
BENJAMIN MILLEPIED | FOUNDING DIRECTOR<br />
Born in Bordeaux, France, Benjamin Millepied began<br />
his dance training at the age of eight with his mother<br />
Catherine, a former modern dancer. After studying<br />
classical ballet in France under Michel Rahn at the<br />
Conservatoire National de Lyon, Benjamin came to New York City<br />
to study at the School of American Ballet in 1992. While at SAB,<br />
Benjamin was the recipient of numerous prestigious awards, including<br />
the French Ministry of Culture’s “Bourse Lavoisier”, the “Prix de<br />
Lausanne”, and the Mae L. Wien “Award for Outstanding Promise”.<br />
In 1995, Mr. Millepied joined the New York City Ballet, where<br />
he quickly rose to the rank of Principal Dancer by 2001. During his<br />
career at NYCB, Mr. Millepied danced lead roles in ballets by notable<br />
choreographers including George Balanchine, Jerome Robbins, and Peter<br />
Martins. Mr. Millepied also originated roles in new works by Jerome<br />
Robbins, Peter Martins, Angelin Preljocaj, Mauro Bignozetti, Alexei<br />
Ratmanski and Christopher Wheeldon. In 1999 and 2002, he appeared in<br />
featured roles with the NYCB for the nationally televised Live From Lincoln<br />
<strong>Center</strong> broadcast. Mr. Millepied retired from NYCB in 2011.<br />
In addition to being a celebrated dancer, Mr. Millepied is also a<br />
renowned choreographer who has created works for some of the<br />
world’s most well-known dance companies and artists, including<br />
the New York City Ballet, the Paris Opera Ballet, American Ballet<br />
Theater, Mikhail Baryshnikov, the Mariinsky Ballet, Geneva<br />
Opera Ballet, the Lyon Opera Ballet, and Pennsylvania Ballet. Mr.<br />
Millepied’s works are regularly performed by dance companies<br />
around the world.<br />
In 2010, Benjamin became a Chevalier in France’s prestigious “Ordre<br />
des Arts et des Lettres” (Order of Arts and Letters).<br />
In 2010, Mr. Millepied also choreographed and starred in Darren<br />
Aronofsky’s award-winning feature film Black Swan. The same year,<br />
he directed his first short film. In 2011, Mr. Millepied directed five<br />
short films for a multi-media performance entitled Portals. Benjamin<br />
is now directing on a regular basis.<br />
In 2011, Mr. Millepied became the face of Yves Saint Laurent’s<br />
new fragrance L’Homme Libre.<br />
In 2012, Mr. Millepied directed the musical staging for the La<br />
Jolla Playhouse’s production of “Hands On a Hardbody,” which<br />
is scheduled to premiere on Broadway in New York City in the<br />
spring of 2013.<br />
In 2012, Mr. Millepied announced the creation of L.A. Dance Project,<br />
his new dance company. L.A. Dance Project’s inaugural performances,<br />
commissioned by The <strong>Music</strong> <strong>Center</strong>, feature a new work<br />
choreographed by Mr. Millepied with music by Nico Muhly, set design<br />
by artist Christopher Wool, and costumes by Rodarte. L.A. Dance<br />
Project will tour the United States and internationally into 2013.<br />
NICO MUHLY | COMPOSER<br />
Nico Muhly has composed a wide scope of work for<br />
ensembles, soloists and organizations, including<br />
the American Symphony Orchestra, Boston Pops,<br />
Carnegie Hall, Chicago Symphony, countertenor<br />
Lestyn Davies, violinist Hilary Hahn, choreographer<br />
Benjamin Millepied, New York City Ballet, New York<br />
Philharmonic, Paris Opéra Ballet, soprano Jessica Rivera and<br />
designer/illustrator Maira Kalman. Born in Vermont in 1981<br />
and raised in Providence, Rhode Island, Muhly graduated from<br />
Columbia University with a degree in English Literature. In<br />
2004, he received a Masters in <strong>Music</strong> from the Juilliard School,<br />
where he studied under Christopher Rouse and John Corigliano.<br />
His writings and full schedule can be found at<br />
www.nicomuhly.com.<br />
RODARTE | COSTUME DESIGNERS<br />
Rodarte was founded in Los Angeles by Kate and Laura Mulleavy.<br />
Kate and Laura have won numerous awards and accolades and<br />
were nominated for best costume design at the 16th Annual<br />
Critics’ Choice Movie Awards for their work in Black Swan. In<br />
March 2011, Rodarte: States of Matter, was on view at the MOCA,<br />
followed by Rodarte: Fra Angelico Collection exhibition at the<br />
LACMA. In May 2012, Kate and Laura designed costumes for<br />
the LA Philharmonic’s Don Giovanni production with set design<br />
by Frank Gehry.<br />
RODERICK MURRAY | LIGHTING DESIGNER<br />
Roderick Murray has been designing lighting and installations<br />
for performance both nationally and internationally since 1989.<br />
Tonight marks Mr. Murray’s latest collaboration with Benjamin<br />
Millepied, for whom he has designed the lighting on various<br />
projects since 2006. His designs for Millepied include four world<br />
premieres at venues in Europe and the U.S., including New York<br />
City Ballet, Lyon Opèra Ballet, ABT, Ballet du Grand Théâtre<br />
de Genève and the Lyon Festival de la Danse. Murray has also<br />
designed the lighting and environments for many important<br />
innovators in dance and choreography including Ralph Lemon,<br />
Kimberly Bartosik, Wally Cardona and Yanira Castro, as well<br />
as many other important artists, including Paul Simon, Sekou<br />
Sundiata, and Susan Marshall.<br />
CHRISTOPHER WOOL | PAINTER AND PHOTOGRAPHER<br />
Born in Chicago in 1955, Christopher Wool moved to New York<br />
in the 1970’s. Since the mid-1980s, Wool’s work has been the<br />
subject of numerous international gallery and museum exhibitions,<br />
including a survey of his work at MOCA in Los Angeles in 1998.<br />
In 2013, the Solomon R. Guggenheim Museum in New York will<br />
present a major retrospective of the artist’s work.<br />
MERCE CUNNINGHAM (1919 – 2009) | CHOREOGRAPHER<br />
Merce Cunningham was a leader of the American avant-garde<br />
throughout his seventy-year career and is considered one of the<br />
most important choreographers of our time. With an artistic career<br />
distinguished by constant experimentation and collaboration<br />
with groundbreaking artists from every discipline, Cunningham<br />
expanded the frontiers of dance and contemporary visual and<br />
performing arts. Cunningham’s lifelong passion for innovation also<br />
made him a pioneer in applying new technologies to the arts.<br />
Born in Centralia, Washington on April 16, 1919, Cunningham<br />
began his professional dance career at 20 with a six-year<br />
tenure as a soloist in the Martha Graham Dance Company. In<br />
1944, he presented his first solo show and in 1953 formed the<br />
Merce Cunningham Dance Company as a forum to explore his<br />
groundbreaking ideas. Together with John Cage, his partner in life<br />
and work, Cunningham proposed a number of radical innovations,<br />
chief among them that dance and music may occur in the same<br />
time and space but should be created independently of one<br />
another. They also made extensive use of chance procedures,<br />
abandoning musical forms, narrative, and other conventional<br />
elements of dance composition. For Cunningham, the subject of his<br />
dances was always dance itself.<br />
An active choreographer and mentor to the arts world throughout<br />
his life, Cunningham earned some of the highest honors bestowed<br />
in the arts, including the National Medal of Arts (1990), the<br />
MacArthur Fellowship (1985), Japan’s Praemium Imperiale (2005),<br />
and the British Laurence Olivier Award (1985). Always forwardthinking,<br />
Cunningham established the Merce Cunningham Trust in<br />
2000 and developed the precedent-setting Legacy Plan prior to his<br />
death, to ensure the preservation of his artistic legacy.<br />
JENNIFER GOGGANS | BALLET MASTER, WINTERBRANCH<br />
Jennifer Goggans began dancing in her hometown of Owensboro,<br />
KY, continued her studies at the Nutmeg Ballet and received<br />
her BFA in dance from SUNY Purchase. She has performed with<br />
the Louisville Ballet, MOMIX, Chantal Yzermans, Christopher<br />
Williams and was a member of the Merce Cunningham Dance<br />
Company from 2000 until its closure in 2011. Jennifer became<br />
a faculty member of the Merce Cunningham Studio in 2005 and<br />
was named Assistant to the Director of Choreography in 2011.<br />
She has staged Cunningham works for the Augusta Ballet, Verb<br />
Ballet, Yale Dance Theater, Los Angeles Dance Project and the<br />
Paris Opera Ballet. Jennifer has also studied fashion design at<br />
the Fashion Institute of Technology and has created costumes for<br />
various New York choreographers.<br />
PERFORMANCES MAGAZINE 5
WHO’S WHO<br />
WILLIAM FORSYTHE | CHOREOGRAPHER<br />
Raised in New York and initially trained in Florida with Nolan<br />
Dingman and Christa Long, Forsythe danced with the Joffrey Ballet<br />
and later the Stuttgart Ballet, where he was appointed Resident<br />
Choreographer in 1976. Over the next seven years, he created<br />
new works for the Stuttgart ensemble and ballet companies in<br />
Munich, The Hague, London, Basel, Berlin, Frankfurt am Main,<br />
Paris, New York, and San Francisco. In 1984, he began a 20-year<br />
tenure as director of the Ballet Frankfurt, where he created works<br />
such as Artifact (1984), Impressing the Czar (1988) and Limb’s<br />
Theorem (1990), among many others. After the closure of the Ballet<br />
Frankfurt in 2004, Forsythe established a new, more independent<br />
ensemble whose works include Three Atmospheric Studies (2005),<br />
You made me a monster (2005), Human Writes (2005), Heterotopia<br />
(2006), The Defenders (2007), Yes we can’t (2008), and I Don’t<br />
Believe in Outer Space (2008). Forsythe’s most recent works are<br />
developed and performed exclusively by The Forsythe Company,<br />
while his earlier pieces are prominently featured in the repertoire<br />
of virtually every major ballet company in the world, including The<br />
Kirov Ballet, The New York City Ballet, The San Francisco Ballet,<br />
The National Ballet of Canada, England’s Royal Ballet, and The<br />
Paris Opera Ballet.<br />
Awards received by Forsythe and his ensembles include the New<br />
York Dance and Performance “Bessie” Award (1988, 1998, 2004,<br />
2007) and London’s Laurence Olivier Award (1992, 1999, 2009).<br />
Forsythe has been conveyed the title of Commandeur des Arts et<br />
Lettres (1999) by the government of France and has received the<br />
German Distinguished Service Cross (1997), the Wexner Prize (2002)<br />
and the Golden Lion (2010).<br />
Forsythe has been commissioned to produce architectural and<br />
performance installations by architect-artist Daniel Libeskind,<br />
ARTANGEL (London), Creative Time (New York), and the City of<br />
Paris. His performance, installation and film works have been<br />
presented in numerous museums and exhibitions. In collaboration<br />
with media specialists and educators, Forsythe has developed new<br />
approaches to dance documentation, research, and education such<br />
as his 1994 computer application Improvisation Technologies: A<br />
Tool for the Analytical Dance Eye, developed with the Zentrum für<br />
Kunst und Medientechnologie. As an educator, Forsythe is regularly<br />
invited to lecture and give workshops at universities and cultural<br />
institutions. He is an Honorary Fellow at the Laban Centre for<br />
Movement and Dance in London and holds an Honorary Doctorate<br />
from The Juilliard School in New York. Forsythe is also a current<br />
A.D. White Professor-at-Large at Cornell University (2009-2015).<br />
THOMAS MCMANUS | BALLET MASTER, QUINTETT<br />
Thomas McManus was born in 1963 U.S.A. Coming from a<br />
farm on the great plains of Illinois, Thomas is a graduate<br />
of the North Carolina School of the Arts. His early work<br />
and experience in New York included improvisational<br />
performances at Westbeth Studios, dancing with a Chamber<br />
Ballet repertory company, a season with American Ballet<br />
Theater II and the Broadway musical Cats. A desire to live<br />
and work in Europe led him to Germany where he danced from<br />
6 PERFORMANCES MAGAZINE<br />
1986-99 with William Forsythe and the Ballett Frankfurt, taking<br />
part in most of the newly created ballets during that time.<br />
Since 1999, he has been a member of the performance group<br />
“commerce,” which he founded together with Nik Haffner. He<br />
is currently choreographing for many different venues, teaches<br />
Forsythe repertory to major ballet companies and teaches<br />
improvisation workshops all over Europe and America.<br />
STEPHEN GALLOWAY | BALLET MASTER, QUINTETT<br />
An accomplished dancer and designer, Stephen Galloway was a<br />
principal dancer with choreographer William Forsythe’s Frankfurt<br />
Ballet from 1986-2004 and in 1990 was appointed head costume<br />
designer/style coordinator. Mr. Galloway has been the Art<br />
Director for fashion houses such as Issey Miyake and has staged<br />
fashion shows for Yves Saint Laurent, Costume National, Versace<br />
and Miyake. He has been a creative consultant and choreographer<br />
for the Rolling Stones’ world tours and music videos since 1997.<br />
His costume work has been seen internationally in productions by<br />
American Ballet Theatre, The Paris Opera, La Scala Opera and many<br />
film opera and television projects across Europe and the Far East.<br />
Mr. Galloway often collaborates with artists and photographers Inez<br />
van Lamsweerde and Vinoodh Matadin on editorial and fashion<br />
campaigns for Haper’s Bazaar, French, American and German Vogue,<br />
V and W Magazines, Calvin Klein and Gucci. He has been awarded a<br />
Bessie, a Sir Laurence Olivier and a Nijinsky Award for his work as a<br />
dancer and costume designer with the Frankfurt Ballet. He released<br />
his first music CD From This Day On, in 2002. The follow-up, THE<br />
RETURN OF LUBRIOUS is set to drop in late fall 2009. He is also the<br />
editor of BRAVE!, an innovative quarterly published in Germany<br />
since spring 2009.<br />
JONE SAN MARTIN | BALLET MASTER, QUINTETT<br />
Jone San Martin is a dancer/choreographer, born in Donostia,<br />
San Sebastian, Spain. She studied with Mentxu Medel in San<br />
Sebastian, then at the Institut del Teatre in Barcelona and<br />
at Mudra International in Bruxelles. After working at several<br />
companies, including the Compañía Nacional de Danza in Madrid,<br />
Ulmer Theater in Germany and with Jacopo Godani in Bruxelles,<br />
she joined the Ballett Frankfurt in 1992 under the direction<br />
of William Forsythe. She has been a member of The Forsythe<br />
Company since 2004.<br />
GAVIN BRYARS | COMPOSER<br />
Gavin Bryars is one of Britain’s leading composers. He was<br />
born in Yorkshire in 1943. His first musical reputation was as a<br />
jazz bassist working in the mid-sixties with improvisers Derek<br />
Bailey and Tony Oxley. His first major work as a composer was<br />
The Sinking of the Titanic (1969) which was originally released<br />
along with Jesus’ Blood Never Failed Me Yet on Brian Eno’s<br />
Obscure Label, and re-recorded for release in 1996 on Crepuscule<br />
Records. Over the last decade his compositions have ranged<br />
widely. Bryars’ works have been used by such choreographers as<br />
Lucinda Childs, Maguy Marin and in 1989 by William Forsythe in<br />
Act I (and later Act III) of Slingerland. In 1993, Forsythe used the<br />
composition Jesus’ Blood Never Failed Me Yet for Quintett. Gavin<br />
Bryars is Professor of <strong>Music</strong> at Leicester Polytechnic, and <strong>Music</strong>al<br />
Associate at the Leicester Haymarket Theatre.<br />
CHARLES FABIUS | LA <strong>DANCE</strong> <strong>PROJECT</strong> CURATORIAL COLLECTIVE<br />
A graduate of the Royal Academy Utrecht (The Netherlands)<br />
in <strong>Music</strong>ology and Theatre History, Charles Fabius started<br />
his career as music editor in his native country. He moved<br />
to Paris, where he co-founded the Paris Opera school for<br />
young singers Ecole d’Art Lyrique in 1979. He became artistic<br />
program director at the Paris Grand Opera in 1983. Through<br />
the nineties, he ran a prominent artist management agency<br />
from Paris, managing the worldwide career of Robert Wilson.<br />
He has been decorated by the French government with the<br />
Chevalier des Arts et des Lettres. In 2001, he moved to NYC as<br />
artistic and executive director of the Byrd Hoffman Water Mill<br />
Foundation, leading a major building and capital campaign.<br />
The newly-redesigned Watermill <strong>Center</strong> for the Arts and the<br />
Humanities opened in 2006 as a year-round facility. Since<br />
2007, Charles is Consulting Producer for performing arts<br />
projects at the Solomon R. Guggenheim Museum, NY.<br />
DIMITRI CHAMBLAS |<br />
LA <strong>DANCE</strong> <strong>PROJECT</strong> CURATORIAL COLLECTIVE<br />
Dimitri Chamblas grew up in the Franco-Swiss Alps. Captivated<br />
by dance, he joined The Paris Opera’s celebrated dance<br />
school at age ten. He studied contemporary dance at the<br />
Conservatoire National de Lyon where he learned the methods<br />
of such artists such as Merce Cunningham, Martha Graham and<br />
Alwin Nikolais. In 1994, he choreographed Soli-Bach, working<br />
with Jean-Paul Gaultier, Andy Goldsworthy, Jean le Gac, and<br />
composer Heiner Goebbels. In 1996, Dimitri met Mathilde<br />
Monnier, the current director of the Centre Chorégraphique<br />
National de Montpellier. They collaborated on several shows,<br />
including Stop Stop Stop with writer Christine Angot. Together<br />
with Mathilde Monnier, Dimitri created the “research<br />
and writing residence,” an occasion for artists to create<br />
personal creative space outside of the traditional production<br />
process. Dimitri Chamblas is the co-founder of EDNA with the<br />
choreographer Boris Charmatz. Together they have organized<br />
events, performances and exhibitions all over the world.<br />
Their duet “A bras le Corps” has been performed on every<br />
continent in world-renowned theaters and festivals. In 2002,<br />
Chamblas partnered with producer Jean-Jacques Cabuy and<br />
Karen Barel to found SAME, a company that produces video<br />
music, commercials, web content and other audiovisual works.<br />
SAME has offices in Paris, Brussels and Los Angeles. In 2011,<br />
Chamblas and Millepied began a film producing partnership,<br />
which remains active and ongoing.<br />
MATTHIEU HUMERY |<br />
LA <strong>DANCE</strong> <strong>PROJECT</strong> CURATORIAL COLLECTIVE<br />
Matthieu Humery was appointed Vice President and<br />
Specialist Head of Sale of the Photographs Department<br />
for Christie’s New York in 2007. During his tenure at<br />
Christie’s, Mr. Humery has overseen the sales of the Fremont<br />
Collection, the Elfering Collection and the Collection of<br />
Bruce and Nancy Berman’s Photographs by Diane Arbus<br />
(part I) and William Eggleston (part II). In the Spring of<br />
2008, the photographs Department achieved the most<br />
successful season of sales for any Photographs auction<br />
week, establishing world records for works by Irving Penn<br />
and Henri Cartier-Bresson. In the Fall of 2008, Mr. Humery<br />
orchestrated Christie’s first-ever sale of contemporary<br />
photography, which set world records for artists Alec Soth<br />
and Louise Lawler.<br />
Prior to Christie’s Mr. Humery worked from 2001 until<br />
2005 in Paris and New York as a Specialist in Photographs,<br />
Contemporary Art & 20th Century Design and has since been<br />
consultant to numerous organizations, notably the Magnum<br />
Agency, the Luma Foundation and the Watermill Foundation/<br />
Robert Wilson Art Collection.<br />
Mr. Humery holds Masters Degrees in Art History from both<br />
the Free University in Berlin as well as the Sorbonne, where<br />
he is currently working towards his PhD.<br />
L.A. Dance Project<br />
MANAGING DIRECTOR<br />
Julia Diamond<br />
PRODUCTION DIRECTOR<br />
Will Knapp<br />
LIGHTING DIRECTOR<br />
Roderick Murray<br />
COMPANY MANAGER<br />
Kathryn Luckstone<br />
STAGE MANAGER<br />
Danielle Korman<br />
514 South Spring Street<br />
213.622.5900<br />
www.ladanceproject.com<br />
LEGAL COUNSEL<br />
Christopher D<br />
Macdougall PLLC<br />
FISCAL SPONSOR<br />
Pentacle (DanceWorks, Inc.)<br />
TOUR MANAGEMENT<br />
IMG Artists, Julia Glawe,<br />
Johanna Rajamaki<br />
DLB Performing Arts,<br />
Didier Le besque<br />
L.A. <strong>DANCE</strong> <strong>PROJECT</strong><br />
PRESENTING PARTNERS<br />
Paris, Chatelet<br />
London, Sadler’s Wells<br />
Lyon, Maison de la Danse<br />
Special Thanks<br />
Los Angeles Theatre <strong>Center</strong>, Latino Theatre Company,<br />
Studio Sereno, Megan and Ashley Fenton, Matthew<br />
Brown, Loreen Domijan, Huong Hoang, Danielle<br />
Oexmann and Amoveo Productions<br />
PERFORMANCES MAGAZINE 7
CENTER <strong>DANCE</strong><br />
ARTS (CDA)<br />
Lead Sponsor of L.A. Dance Project<br />
<strong>Center</strong> Dance Arts (CDA) is proud to be<br />
the Lead Sponsor of L.A. Dance Project.<br />
It has been an honor working with<br />
Benjamin Millepied, one of the world’s<br />
most-commissioned choreographers,<br />
on his first Los Angeles-based venture.<br />
It is with the generous support of our<br />
CDA members and all Glorya Kaufman<br />
Presents Dance at The <strong>Music</strong> <strong>Center</strong><br />
supporters that we can build our dance<br />
program as a leading presenting and<br />
commissioning force.<br />
The <strong>Music</strong> <strong>Center</strong> and <strong>Center</strong> Dance Art<br />
gratefully acknowledge<br />
for their support of L.A. Dance Project’s<br />
Opening Night Celebration at The <strong>Music</strong><br />
<strong>Center</strong>’s Walt Disney Concert Hall.<br />
8 PERFORMANCES MAGAZINE<br />
We would like to recognize<br />
our <strong>Center</strong> Dance Arts lead<br />
donors of L.A. Dance Project:<br />
Susan Baumgarten<br />
Lenore and Bernard Greenberg<br />
Joan Herman and Richard Rasiej<br />
Jane Jelenko and Bill Norris<br />
Pacific Foundation, Inc.<br />
Carol and Patrick Kinsella<br />
Mattie and Michael Lawson<br />
Elizabeth Levitt-Hirsch<br />
Valeria Rico-Nikolov and Nick Nikolov<br />
Catharine and Jeffrey Soros<br />
Sutton Stracke<br />
Bradley Tabach-Bank<br />
Sue Tsao<br />
Alyce and Warren Williamson<br />
ABOUT CENTER<br />
<strong>DANCE</strong> ARTS (CDA)<br />
Be inspired, enriched and fascinated through one-of-a-kind<br />
dance experiences. CDA is proud to celebrate ten years as the<br />
founding supporter of Glorya Kaufman Presents Dance at the<br />
<strong>Music</strong> <strong>Center</strong> (KDMC). As the premier West Coast presenter of<br />
dance, KDMC brings the world’s most prestigious and innovative<br />
dance companies to the stages of The <strong>Music</strong> <strong>Center</strong>.<br />
<strong>Center</strong> Dance Arts offers members opportunities to:<br />
• SUPPORT world-class dance engagements<br />
• INSPIRE thousands of children through our<br />
education outreach—school lectures/<br />
demonstrations, community classes with<br />
artists, open rehearsals, and free or low-cost<br />
ticket offers.<br />
• ACCESS exclusive events that enrich your<br />
passion for dance<br />
• INTERACT with celebrated dancers and<br />
distinguished dance luminaries<br />
For more information, call (213) 972-3359<br />
or visit musiccenter.org/centerdancearts.<br />
CENTER <strong>DANCE</strong> ARTS MEMBERS<br />
Thank you to all CDA Members who have contributed $1,000 or more from July 1, 2011 to August 30, 2012.<br />
Fred Abdelnour<br />
Libbie Agran<br />
David Axelrad and Liza Bercorici<br />
Shirley Rae Ashkenas<br />
Karen and Bruce Ballenger<br />
Rise and Alan Z. Barbakow<br />
Tonia and Jeremy Barber<br />
Susan Baumgarten<br />
Shelley and Richard A. Bayer<br />
Maria and William Bell, Jr.<br />
Helen and Peter S. Bing<br />
Jamie Bishton and Christian Kraus<br />
Robert N. Braun and Joan Friedman<br />
Anne Brilliant<br />
Robin and Elliott Broidy<br />
Linda Brown<br />
Rina Carmel<br />
Leslie Castanuela Barnes<br />
Karla and Richard Chernick<br />
Gloria and Lionel Chetwynd<br />
Christine and Gabriel Chiu<br />
Michelle and Steven Clark<br />
Theodore F. Cordes<br />
Nancy Cotton<br />
Sharon Darnov<br />
Samantha Davies<br />
Tama and Paul Deitch<br />
Bert Deixler<br />
Jennifer and Royce Diener<br />
Milena M. Dostanich<br />
Barbara Elliott<br />
Lisa Field<br />
Martin S. Freedman<br />
Susan Friedman<br />
Leslie and Frederick J. Gaylord<br />
Genevieve and Lewis Geyser<br />
Marcy and Edgar F. Gross<br />
Hany Haddad<br />
Dorothea, Seaf<br />
and Clabe Hartley<br />
Mary Harward<br />
Joan E. Herman<br />
and Richard M. Rasiej<br />
Elizabeth Levitt Hirsch<br />
Katinka and Eugene J. Holt<br />
Ruby M. Hori<br />
Teena Hostavich<br />
Jaycie Ingersoll<br />
Tatiana and Todd James<br />
Jane Jelenko and Bill Norris<br />
Lisa Kessler<br />
Carol and Patrick Kinsella<br />
Suzanne and Franklin Konigsberg<br />
Rosalie and Bernard Kornblau<br />
Mattie and Michael A. Lawson<br />
Ellen Levitt<br />
Raquel and Bert Lewitt<br />
Anika Lorber<br />
Reynaldo Lozano<br />
Thomas and Marie Maclennan<br />
Carla Malden<br />
Ginny and Henry Mancini<br />
Dale and Gordon S. McWilliams<br />
Cynthia Molnar<br />
Kathy and Michael Moray<br />
2012-2013 CDA<br />
BOARD OF DIRECTORS<br />
Jane Jelenko<br />
PRESIDENT<br />
Mattie McFadden-Lawson<br />
CHAIRMAN<br />
Sue Baumgarten<br />
Maria Bell<br />
Samantha Davies<br />
Hany Haddad<br />
Joan Herman<br />
Elizabeth Levitt Hirsch<br />
Patrick Kinsella<br />
Valeria Rico-Nikolov<br />
Catharine Soros<br />
Bradley Tabach-Bank<br />
Alyce Williamson<br />
Liane Weintraub<br />
FOUNDING CHAIRMAN<br />
Olivia and Anthony Neece<br />
Janis Nelson<br />
Nan Norwood<br />
Ellen A. Pansky<br />
David Pullman<br />
Michael Raedeke<br />
Valeria Rico- Nikolov<br />
and Nicholas Nikolov<br />
Hadley Davis Rierson<br />
Ricki and Marvin Ring<br />
Lois Rosen<br />
Jerry F. Rosenstock<br />
Helene Rosenzweig<br />
Thomas Safran<br />
Maxine Savitz<br />
Sherie and Alan Schneider<br />
Dominique R. Shelton<br />
Eleanor and Lawrence Sloan<br />
Catharine and Jeffrey Soros<br />
Phillip K. Sotel<br />
Gayle Elkins Spitz<br />
James Sterling<br />
I.H. Sutnick<br />
Allan Swartz<br />
and Roslyn Holt Swartz<br />
Bradley Tabach- Bank<br />
Sue Tsao<br />
Hope Warner<br />
Ron Watson<br />
Betty Weiner<br />
Liane and Richard Weintraub<br />
Leslie Weisberg<br />
and Jim Hyman<br />
Alyce and Warren B. Williamson<br />
January and Edward Woods<br />
Pablo Woodward<br />
Pam and Leo Wyler<br />
PERFORMANCES MAGAZINE 9
10 PERFORMANCES MAGAZINE<br />
THE MUSIC CENTER<br />
LEADERSHIP COUNCIL<br />
The <strong>Music</strong> <strong>Center</strong> Leadership Council is a social and networking group of Southern<br />
California’s professional, business, and community leaders who share a passion for<br />
the performing arts. The Leadership Council’s annual membership gift supports arts<br />
education programs at The <strong>Music</strong> <strong>Center</strong> with a special interest in the Spotlight program.<br />
Members and their guests enjoy thrilling performances and a variety of exclusive events<br />
that take place all over Los Angeles. Individual memberships are available by invitation.<br />
Information about corporate sponsorship opportunities will be provided on request.<br />
TRAVEL WITH CENTER <strong>DANCE</strong> ARTS The <strong>Music</strong> <strong>Center</strong> Leadership Council was founded by leading<br />
philanthropists in 1978 as Fraternity of Friends of The <strong>Music</strong><br />
<strong>Center</strong>, and over the years has raised millions for the<br />
arts in Los Angeles.<br />
<strong>Center</strong> Dance Arts’ (CDA) trip to St. Petersburg and Moscow! An<br />
extraordinary 12-day immersion into Russian ballet and culture.<br />
Unforgettable backstage visits with Bolshoi and Mariinsky<br />
principal dancers, front-row access to Mikhailovsky and Eifman<br />
Ballet rehearsals, and guided tours to some of Russia’s treasured<br />
landmarks were just some of the highlights of our journey.<br />
Equally wonderful was sharing this experience with fellow<br />
CDA ballet enthusiasts and Renae Williams Niles, Director<br />
of Programming at The <strong>Music</strong> <strong>Center</strong>.<br />
On our first day, we made our way through the Bolshoi Theatre’s<br />
passage ways to attend a rehearsal of Pharaoh’s Daughter.<br />
It was my first time watching choreographers, professional<br />
dancers, and coaches in “work mode.” After the rehearsal,<br />
we had a private tour of the theatre that was capped off by a<br />
special meeting with a Bolshoi principal dancer who described<br />
his career and rise through the company.<br />
The first ballet performance we saw was the Mariinsky’s Swan<br />
Lake, which allowed us to make an interesting comparison to the<br />
Bolshoi version presented at The <strong>Music</strong> <strong>Center</strong> this past June.<br />
As if watching the Mariinsky’s performance in its historic theater<br />
was not enough, we were led back stage to meet the principals<br />
after the performance. We also saw the Mariinsky’s La Bayadere,<br />
the Mikhailovsky’s Le Corsair, and Diana Vishneva’s gorgeous<br />
Romeo and Juliet, each capped off with a backstage visit with<br />
the artistic director and principal cast. Equally exciting were<br />
two private rehearsals of Nacho Duato’s Multiplicity/Forms of<br />
Silence and Emptiness and Boris Eifman’s Red Giselle.<br />
Above: CDA group at Bolshoi Theatre with Bolshoi soloist<br />
For me, the proximity of the dancers, moving across the<br />
studio at what seemed 60 miles per hour, was one of my<br />
greatest ballet experiences. When we met with Nacho,<br />
he talked about his plans as the new artistic director<br />
of the Mikhailovsky Ballet. Boris described his new theater<br />
and ballet school currently under construction.<br />
Our ballet experience was made complete by our private<br />
visit to the Vaganova Academy of Russian Ballet. This school<br />
has graduated world-renowned dancers, including Nijinsky,<br />
Balanchine, Nureyev, Makarova, and Baryshnikov.<br />
Peppered throughout our trip were visits to Russia’s<br />
premier palaces and art museums, including the Hermitage,<br />
Tretyakov, and Pushkin. Then there was Red Square, which<br />
seemed surreal when one thinks about the Cold War period.<br />
However, the vivid colors of Saint Basil Cathedral’s domes,<br />
that came into view as we walked through Red Square, are<br />
one of the landmarks I most enjoyed on our trip.<br />
As you can tell, we were constantly on-the-go—exposed to a<br />
life-time of ballet and other cultural experiences in less than<br />
two weeks. Special thanks to Susan Friedman, CDA Board<br />
Member, who worked closely with Marat Daukayev to plan such<br />
a wonderful tour. – Sharon Darnov, CDA Leadership Council<br />
Be on the lookout for CDA’s next trip abroad!<br />
For more information about The <strong>Music</strong> <strong>Center</strong> Leadership<br />
Council, call Laura Recchi at (213) 972-3346 or email<br />
MCLC@musiccenter.org.<br />
Left: Tim Callobre, 2010 classical<br />
instrumental Spotlight winner,<br />
performs at a MCLC event<br />
Right: Steve Rountree, President<br />
& CEO of The <strong>Music</strong> <strong>Center</strong>, Tracy<br />
Albert, MCLC Vice President, and<br />
Bennett Pozil, MCLC President,<br />
at the MCLC Annual Dinner<br />
PERFORMANCES MAGAZINE 11
MEET THE BOARD OF<br />
AMBASSADORS PRESIDENT<br />
Two years ago, when The <strong>Music</strong> <strong>Center</strong> was looking for a leader for its<br />
new support group, David Adishian stepped up to meet the challenge.<br />
As the founding and current president of the Board of Ambassadors<br />
(BOA), a distinguished cadre of supporters who make gifts of $10,000<br />
or more annually, David takes the name of the group to heart by being<br />
an outstanding ambassador for The <strong>Music</strong> <strong>Center</strong>.<br />
“I’ve been active with The <strong>Music</strong> <strong>Center</strong> for well over a decade, early<br />
in my career as a young professional, later with my wife Lena, and now<br />
as parents with two young daughters,” David says. “Our investment,<br />
of both time and a little treasure, has added so much to my life and<br />
our family’s over the years.” Indeed, David has invested both time and<br />
treasure. In addition to leading BOA, he is also a member of The <strong>Music</strong><br />
<strong>Center</strong> Development Committee and a longtime member of The <strong>Music</strong><br />
<strong>Center</strong> Leadership Council (formerly Fraternity of Friends) where he<br />
has supported the Spotlight program.<br />
David manages The Adishian Group within Merrill Lynch Wealth<br />
Management, where his team provides planning and asset management<br />
for families, charities and family foundations. Clients rely on David’s<br />
strategic advice on such issues as asset allocation, lending and estate<br />
planning. Sought after for his financial counsel, David has been featured<br />
in the Los Angeles Times and the Los Angeles Business Journal, and has<br />
provided investment commentary on radio and television.<br />
David’s approach to philanthropy is much the same as his approach<br />
to his business ventures. “I’m always looking for ways to be relevant<br />
to the community, whether in work or in my personal life, and I believe<br />
that’s a good philosophy for the Board of Ambassadors,” David says.<br />
“As we grow the program, we become more relevant and more people<br />
will see the benefits, especially students in our education programs.<br />
It’s incredibly gratifying to be a part of The <strong>Music</strong> <strong>Center</strong> community.”<br />
For more information about the Board of Ambassadors,<br />
call 213-972-3360 or email tprepsky@musiccenter.org.<br />
Board of Ambassadors Members<br />
David G. Adishian*<br />
Founder & President<br />
George Affolter<br />
The Estate of Maria V. Altmann<br />
Beverly and Frank Arnstein*<br />
Eloise C. Goodhew Barnett*<br />
Mrs. Fred A. Bartman, Jr.*<br />
Pamela and Dennis Beck<br />
Adele and Gordon Binder*<br />
Helen and Peter Bing*<br />
12 PERFORMANCES MAGAZINE<br />
Margaret M. Bloomfield*<br />
David C. Bohnett*<br />
Geri Brawerman*<br />
Marcy Carsey*<br />
Laurie and Mark Cohen<br />
Felice and Richard Cutler*<br />
Gina DiBona<br />
Louise and Brad Edgerton*<br />
Helen Funai Erickson<br />
Maude and Richard Ferry*<br />
Ann and Gordon Getty*<br />
Ruth and Charles Gold*<br />
Joyce and Fred Hameetman*<br />
Liz Levitt Hirsch<br />
Randi and Richard Jones<br />
Glorya Kaufman*<br />
Martin Massman<br />
Barbara and Buzz McCoy<br />
Ann and Jerry Moss*<br />
Phyllis Parvin<br />
Board of Ambassadors President David Adishian<br />
with wife Lena Adishian.<br />
THE BOARD OF AMBASSADORS plays<br />
a leading role in supporting The <strong>Music</strong><br />
<strong>Center</strong>’s Active Arts, education and dance<br />
programming. These leaders play an<br />
important role in ensuring that the arts<br />
thrive in Los Angeles and that young people<br />
have access to quality arts education.<br />
Dudley Rauch<br />
Allison and Richard Roeder<br />
Lois Rosen and Family*<br />
Kip Sturgeon<br />
Sue Tsao*<br />
Janis and William Wetsman*<br />
Misty Widelitz*<br />
Jennifer and Craig Zobelein<br />
*Founding Member<br />
Do you remember your first live performance?<br />
Being swept away when the house lights went down<br />
and your imagination took over?<br />
We do. It happens at every <strong>Music</strong> <strong>Center</strong> performance.<br />
If you’ve ever seen a child’s eyes light up as a company<br />
of vividly costumed dancers takes the stage, you know<br />
what it means to be swept away by the arts.<br />
And you also know that it’s you who makes this possible<br />
by making a gift to The <strong>Music</strong> <strong>Center</strong> Annual Fund.<br />
Your gift does much more than just bring world-class<br />
dance programs to our stages. It also brings arts education<br />
to thousands of children each year and gives Angelenos<br />
a place to express themselves creatively through dance<br />
and song.<br />
When you give to The <strong>Music</strong> <strong>Center</strong> Annual Fund, you not<br />
only bring the richness of the arts to the community, you<br />
also receive special member benefits and exclusive access<br />
to our diverse programs, artists and events.<br />
Please make a gift to The <strong>Music</strong> <strong>Center</strong> Annual Fund today.<br />
For more information and a complete list of benefits,<br />
please call (213) 972-4349 or visit us online at<br />
musiccenter.org/afmembership.<br />
To make your gift securely online, go to<br />
musiccenter.org/support.<br />
Photo by Eric Politzer<br />
Justin Lewis, Spotlight 2012 Finalist. Photo by Alex Pitt.<br />
Celebrating its 25th year, Spotlight is one of the<br />
nation’s premier arts education and scholarship<br />
programs for teens, providing arts training by<br />
professional artists and awarding more than<br />
$100,000 in scholarships each year.<br />
This free program requires strong support from<br />
people like you who understand the importance<br />
of encouraging our youth’s talent and creativity<br />
while promoting their future success—both<br />
academically and professionally.<br />
Reaching more than 2,300 students during<br />
auditions, workshops and master classes through<br />
the course of the school year, Spotlight culminates<br />
with a performance on May 4, 2013, at the Dorothy<br />
Chandler Pavilion. Sixteen finalists perform and<br />
are honored for their achievements, and, most<br />
significantly, receive scholarships to continue<br />
advancing their careers.<br />
Make an investment in Spotlight and help The<br />
<strong>Music</strong> <strong>Center</strong> provide invaluable experiences<br />
to students across Southern California. To learn<br />
more about the program, as well as sponsorship<br />
opportunities and benefits, please contact Laura<br />
Recchi at (213) 972-3315 or lrecchi@musiccenter.org.<br />
PERFORMANCES MAGAZINE 13
MUSIC CENTER SUPPORTERS<br />
The <strong>Music</strong> <strong>Center</strong> would like to thank donors who have contributed<br />
$1,000 or more from October 1, 2010, to February 1, 2012.<br />
INDIVIDUALS<br />
Robert Abernethy<br />
Gay and Harry Abrams<br />
Christine Adams and James Asperger<br />
Marisela C. and James R. Adams III<br />
David Adishian*<br />
George Affolter*<br />
Mary Agran<br />
Ann Albert<br />
Dean Ambrose<br />
Margot and Mark Armbruster<br />
Ronald Arnault<br />
Beverly and Frank Arnstein<br />
Shirley Ashkenas<br />
Ricki and Zane Averbach<br />
Barry Baker<br />
Bridget Baker and Robert Cerny<br />
Karen and Bruce Ballenger<br />
Jackie and Howard Banchik<br />
Rise and Alan Barbakow<br />
Tonia and James Barber<br />
Robin and Peter Barker<br />
Eloise C. Goodhew Barnett*<br />
Avery and Andrew Barth<br />
Suzy and Robert Barth<br />
Susan Baumgarten<br />
Lucie and Gordon Bava<br />
Shelley and Richard Bayer<br />
Maralee Beck and Andrew Safir<br />
Pamela and Dennis Beck*<br />
Amy and Joey Behrstock<br />
Paul Beigelman<br />
Maria and William Bell Jr.<br />
David Bender<br />
Lanie Bernhard<br />
Marlene and Brian Billington<br />
Adele and Gordon Binder*<br />
Helen and Peter Bing*<br />
Jamie Bishton and Christian Kraus<br />
Charles Black, Jr.<br />
Carolyn and Martin Bloom<br />
Margaret Bloomfield*<br />
The Blue Ribbon<br />
Rosanna Hirshon Bogart<br />
David C. Bohnett*<br />
Jean Bonini<br />
Stacey and Jeryl Bowers<br />
Selina and Brian Boxer Wachler<br />
Geri Brawerman*<br />
Deborah and Gabriel Brener<br />
Claire and Brad Brian<br />
Anne Brilliant<br />
Robin and Elliott Broidy<br />
Linda Brown<br />
Louise and John Bryson<br />
Joan and Allan Burns<br />
Andrea and Henry Burroughs<br />
Debbie and Jim Burrows<br />
14 PERFORMANCES MAGAZINE<br />
Adrienne and Robert Butler<br />
Judy Carroll<br />
Leslie Castanuela Barnes<br />
Karla and Richard Chernick<br />
Christine and Gabriel Chiu<br />
Larry Chrysler<br />
Michelle and Steven Clark<br />
Helen and Steven Clarke<br />
Lynne Coakley-Steele and Pierre Steele<br />
Jane and Lawrence Cohen<br />
Laurie and Mark Cohen*<br />
Ann and Philip Colburn<br />
David M. Conlon<br />
David Conney<br />
Ana and Robert Cook<br />
Barry Cooper<br />
Theodore Cordes<br />
Nancy Cotton<br />
Leah Coulter<br />
Felice and Richard Cutler*<br />
Sharon Darnov<br />
Suzanne and Robert Davidow<br />
Nadine and Harold Davidson<br />
Nancy and Donald de Brier<br />
Mr. and Mrs. R. Thomas Decker<br />
Tama and Paul Deitch<br />
Leslie and Bert Deixler<br />
Patricia Devin<br />
Gina DiBona<br />
William Dickey<br />
Jennifer and Royce Diener<br />
Milena Dostanich<br />
Lois Douglass◊<br />
Robin and Michael Dreyer<br />
Carla and Gerald Du Manoir<br />
Maxine Dunitz<br />
Margaret and Jerrold Eberhardt<br />
Louise and Bradford Edgerton*<br />
MegAnn and Craig Ellis<br />
Kimberly and John Emerson<br />
Lois and Robert Erburu<br />
Helen Funai Erickson*<br />
Liane Weintraub<br />
Steven Feig<br />
Joy and Jerome Fein<br />
Joan and William Feldman<br />
Maude and Richard Ferry*<br />
Helgard and Irwin S. Field<br />
Lawrence N. Field<br />
Bobbi and Henry Fields<br />
Marianna and David Fisher<br />
Judy and Arnold Fishman<br />
Polly Fleming<br />
Nanette and Burton Forester<br />
Claudia and Mark Foster<br />
Floran and Richard Fowkes<br />
James Franke<br />
Martin Freedman<br />
Joan A. Friedman, Ph.D. and<br />
Robert N. Braun, M.D.<br />
Susan Friedman<br />
Diane Futterman<br />
Donna and Jay Gallagher<br />
Nancy and Eric Garen<br />
Susan and Franklin Garfield<br />
Frederick and Leslie Gaylord<br />
Ann and Gordon Getty*<br />
Genevieve and Lewis Geyser<br />
Leslie and Clifford Gilbert-Lurie<br />
Elaine and David Gill<br />
Kiki and David Gindler<br />
Doris Gold<br />
Ruth and Charles I. Gold*<br />
Nicholas Goldsborough<br />
Elaine and Bram Goldsmith<br />
Roslyn and Abner Goldstine<br />
Louis Goren<br />
Brindell Gottlieb<br />
Lenore and Bernard Greenberg<br />
Roberta and Robert Greenfield<br />
Tricia and Richard Grey<br />
Nancy Griffin and Steven Ehrlich<br />
Marcy and Edgar Gross<br />
Margaret and Donald Gumpertz◊<br />
Renee and Paul Haas<br />
Cynthia and William Hagelstein<br />
Mary Beth and Russ Hagey<br />
Joyce and Fred Hameetman*<br />
Roberta and Bruce Hammer<br />
Elisabeth Katte Harris◊<br />
Jennifer Harris and Joe Sliskovich<br />
Thea, Seaf and Clabe Hartley<br />
Mary Harward<br />
Betty and Fred Hayman<br />
Dennis Haysbert<br />
William F. Heffernan Jr.<br />
Mary Ann and John Heidt<br />
Drs. Vikki and Sidney Helperin<br />
Joan Herman and Richard Rasiej<br />
Ann and Stephen Hinchliffe Jr.<br />
Liz Levitt Hirsch*<br />
Gloria and Glen Holden<br />
Katinka and Eugene Holt<br />
Katie and Philip Holthouse<br />
Ruby Hori<br />
Teena Hostavich and Doug Martinet<br />
Joan and John F. Hotchkis<br />
Anne Howell<br />
Mary Ann Hunt-Jacobsen<br />
Jaycie Ingersoll<br />
Tatiana and Todd James<br />
Linda and Jerome Janger<br />
Susan and Michael Jeffries<br />
Jane Jelenko and Bill Norris<br />
Randi and Richard Jones*<br />
Sydney and Peter Julien<br />
Julie and Richard Kagan<br />
Cheryl and David Karton<br />
Gerald Katell<br />
Leslie and Jack Kavanaugh<br />
Cari and Marty Kavinoky<br />
Morton Kay<br />
Suzanne and Richard Kayne<br />
Anita and Fred Kemmerling<br />
Lisa Kessler<br />
Carol and Patrick Kinsella<br />
Gai Klass and Michael Stern<br />
Jo Ann and Raymond Klauer<br />
Lisa and Victor Kohn<br />
Susanne and Franklin Konigsberg<br />
Carolbeth and Ambassador Lester Korn<br />
Rosalie Kornblau<br />
Judith Krantz<br />
Rini and Arthur Kraus<br />
Suzanne and Michael Kraus<br />
Joyce and Kent Kresa<br />
Rosalyn Laudati and James Pick<br />
Mattie McFadden-Lawson<br />
and Michael Lawson<br />
Jo Ellen and Stephen Lee<br />
CC Pulitzer-Lemann<br />
and Monte Lemann II<br />
Betty and Maury Leonard<br />
Ellen and Harry Levitt<br />
Janell and Randall Lewis<br />
Raquel and Bert Lewitt<br />
John Liebes<br />
Anita Lorber<br />
Cathy and Mark Louchheim<br />
Marlene and Sandy Louchheim<br />
Bryan Lourd<br />
Barbara Luzzatto<br />
Nigel Lythgoe<br />
Dr. Thomas and Marie Maclennan<br />
Padma and Rao Makineni<br />
Carla Malden<br />
Gary Malouf<br />
Ginny Mancini<br />
Carol and Douglas Mancino<br />
Connie and Martinn Mandles<br />
Claude Girault Mann<br />
and Alfred Mann<br />
Claudia and Michael Margolis<br />
Pauline Marks<br />
Ilene and J. Howard Marshall III<br />
Martin Massman*<br />
Pauline and Roger Mayer<br />
Nancy and Patrick McCabe<br />
Barbara and Buzz McCoy*<br />
Irene Mecchi<br />
Linda and Sheldon Mehr<br />
Beth and Leslie Michelson<br />
Barbara and Fred Miller<br />
Cindy Miscikowski<br />
Haydee and Carlos Mollura<br />
Cynthia Molnar<br />
Bob and Val Montgomery<br />
Nicole and Michael Montgomery<br />
Kathy and Michael Moray<br />
Diane Morton<br />
Sandra Moss<br />
Merle and Peter Mullin<br />
Ann and Greg Myer<br />
Abby and Alan Myerson<br />
Olivia and Anthony Neece<br />
Janis Nelson<br />
Steven Neu<br />
Betty and George Nicholaw<br />
Valeria Rico-Nikolov<br />
and Nicholas Nikolov<br />
Gladys Niver<br />
Nan Norwood<br />
Darcie Denkert Notkin<br />
and Shelby Notkin<br />
Robert Olsen◊<br />
Ronald Olson<br />
Annette and Peter O’Malley<br />
Alan Oppenheimer<br />
Marti and H. Tony Oppenheimer<br />
Nancy Rahnasto and Alfred Osborne<br />
Rose and Michael Pagano<br />
Ellen Pansky<br />
Phyllis Parvin*<br />
Kurt Peterson<br />
Nina and Leo Pircher<br />
Karen Kay Platt and Lawrence B. Platt<br />
Anne and Arnold Porath<br />
Marni and Bennett Pozil<br />
Phyllis and Henry Present<br />
Cecille and Michael Pulitzer<br />
David Pullman<br />
Michael Raedeke<br />
Max Ramberg<br />
Lee and Lawrence Ramer<br />
Simon Ramo<br />
Lauren and Jon Rashap<br />
Dudley Rauch<br />
Timothy Regler<br />
Vicki Reynolds and Murray Pepper<br />
Ricki and Marvin Ring<br />
Sharon and Nelson Rising<br />
Jill and Dennis Roach<br />
Fredric Roberts<br />
Allison and Richard Roeder*<br />
Penelope Roeder<br />
Lois Rosen and Family*<br />
Jaclyn Rosenberg<br />
Nancy and Brad Rosenberg<br />
Nancy and Arthur Rosenbloom<br />
Felicia Rosenfeld and David Linde<br />
Esther and Richard Rosenfield<br />
Jerry Rosenstock<br />
Alison and Larry Rosenthal<br />
Helene Rosenzweig, M.D.<br />
Gayle and Edward Roski<br />
Georgina and Alan Rothenberg<br />
Susan and Marvin Rothenberg<br />
Carol and Steve Rountree<br />
Kerstin and George Royce<br />
Suzanne and Paul Rubenstein<br />
Peggy and Harvey Saferstein<br />
Thomas Safran<br />
Desiree and Joel Samuels<br />
Carla and Fred Sands<br />
Maxine Savitz<br />
Fred Schiffman<br />
Sherie and Alan Schneider<br />
Toni and John Schulman<br />
Alan Schwartz<br />
Janet and Michael Schwartz<br />
Lois Schwartz<br />
Larraine and Clive Segil<br />
Dominique Shelton<br />
Jeneane Shield<br />
Anita Silverstein<br />
Grazyna and William Simon<br />
Ruth and David Simon<br />
Eleanor and L. Lawrence Sloan<br />
Joni and W. Clark Smith<br />
Lucerne Snipes<br />
Ellen and Harry Sondheim<br />
Catharine and Jeffrey Soros<br />
Phillip Sotel<br />
Lisa Specht and Ron Rogers<br />
Christine and Don Steele<br />
Marilyn and Eugene Stein<br />
Carol Stein Sterling and James Sterling<br />
Amanda and Nicholas Stonnington<br />
Julia Strickland and Timothy Wahl<br />
I.H. Sutnick<br />
Victoria Swackenberg<br />
Allan and Roslyn Holt Swartz<br />
Virginia and David Sydorick<br />
Bradley Tabach-Bank<br />
Louise Taper<br />
Cynthia Telles<br />
Suzanne and Michael Tennenbaum<br />
Sally and James Thomas<br />
Reva and William Tooley<br />
Marilyn Trattner<br />
Sue Tsao*<br />
Elinor and Rubin Turner<br />
Catherine and Leonard Unger<br />
Addie and Mark Van Gessel<br />
Joanne and Johannes Van Tilburg<br />
Pat Walter<br />
Hope Landis Warner<br />
Hope Warschaw<br />
Gail and Paul Watson<br />
Ron Watson<br />
Dody Waugh<br />
Julie Waxman and Seth Freeman<br />
Dorothy and Robert Webb<br />
Rachel Weber<br />
Robert M. Weekley<br />
Thomas Weinberger and Leslie Vermut<br />
Betty Weiner<br />
Leslie Weisberg and James Hyman<br />
Doris Weitz and Alexander Williams III<br />
Janis and William Wetsman*<br />
Misty Widelitz*<br />
Barbara and Edmund Wilkinson Jr.<br />
Alyce and Warren Williamson<br />
Patty and Richard Wilson<br />
Alison and Joseph Winter<br />
January and Edward Woods<br />
Pamela and Leo Wyler<br />
Rosalind Wyman<br />
Susan and Kenneth Yamada<br />
Courtney and David Zifkin<br />
Craig and Jennifer Zobelein*<br />
FOUNDATIONS AND GOVERNMENT<br />
The Ahmanson Foundation<br />
The Albert Parvin Foundation<br />
Alice and Julius Kantor<br />
Charitable Trust<br />
Alphonse Burnand & Charles Partridge<br />
Scholarship Trust<br />
Ann and Gordon Getty Foundation<br />
The Annenberg Foundation<br />
The Bartman Foundation*<br />
The California Endowment<br />
Capezio Ballet Makers<br />
Dance Foundation Inc.<br />
The Capital Group Companies<br />
Charitable Foundation<br />
Carsey Family Foundation*<br />
City of LA Department of<br />
Cultural Affairs<br />
The Claire and Theodore Morse<br />
Foundation<br />
Corday Family Foundation<br />
Danvera Foundation<br />
Dorothy B. Chandler New Program Fund<br />
Edward D. & Anna Mitchell<br />
Family Foundation<br />
The Eli and Edythe Broad Foundation<br />
Friars Charitable Foundation<br />
Gerald Oppenheimer Family Foundation<br />
Gladys Turk Foundation<br />
Glorya Kaufman Dance Foundation*<br />
The Green Foundation<br />
I. N. and Susanna H.<br />
Van Nuys Foundation<br />
J. Paul Getty Trust<br />
James A. Doolittle Foundation<br />
The James Irvine Foundation<br />
The John Randolph Haynes<br />
and Dora Haynes Foundation<br />
Julia Stearns Dockweiler<br />
Charitable Foundation<br />
The Kenneth T.<br />
and Eileen L. Norris Foundation<br />
Lee Graff Foundation<br />
Los Angeles County Arts Commission<br />
The Louis and Harold Price Foundation<br />
Lowitz Foundation<br />
The Lucille Ellis Simon Foundation<br />
Marcia Israel Foundation, Inc.<br />
Maria V. Altmann Foundation*<br />
Max H. Gluck Foundation<br />
The Morrison & Foerster Foundation<br />
Moss Foundation*<br />
NAMM Foundation<br />
National Endowment for the Arts<br />
New England Foundation for the Arts<br />
Pacific Foundation Inc.<br />
Prewoznik Foundation<br />
The Ralph M. Parsons Foundation<br />
The Rosalinde &<br />
Arthur Gilbert Foundation<br />
The Schlum Charitable Trust<br />
The Schow Foundation<br />
The Sidley Austin Foundation<br />
The Skirball Foundation<br />
Snyder Family Foundation<br />
Marc and Eva Stern Foundation<br />
Stratton-Petit Foundation<br />
Strauss Foundation<br />
Wallis Foundation<br />
Walter Lantz Foundation<br />
Weingart Foundation<br />
CORPORATIONS<br />
Aetna, Inc.<br />
Bank of America<br />
The Boeing Company<br />
Casey & Sayre Inc.<br />
Chevron Corporation<br />
Chubb & Son, Inc.<br />
Chubb Custom Market, Inc.<br />
City National Bank<br />
The Coca-Cola Company<br />
CVS Caremark<br />
Edison International<br />
Employees Community Fund<br />
of Boeing California<br />
Enterprise Rent-A-Car Foundation<br />
Entravision Communications<br />
Corporation<br />
Hammel, Green<br />
and Abrahamson, Inc.<br />
Hathaway Dinwiddie Construction Co.<br />
Houlihan Lokey Howard & Zukin<br />
Hub International/Kagan-Kozberg<br />
Hudson Group<br />
J.P. Morgan Chase<br />
KPMG LLP<br />
Macy’s<br />
Manatt Phelps & Phillips, LLP<br />
McMaster-Carr Supply Company<br />
Munger, Tolles & Olson LLP<br />
Northrop Grumman<br />
Occidental Petroleum Corporation<br />
Payden & Rygel<br />
Playboy Enterprises<br />
Probity International Corp.<br />
Reed Smith LLP<br />
Rodriguez, Horii, Choi<br />
& Cafferata LLP<br />
Sanford C. Bernstein & Co., LLC<br />
See’s Candy Shops, Inc.<br />
SNR Denton<br />
Sony Pictures Entertainment<br />
Sotheby’s International Realty<br />
Target<br />
Transamerica<br />
U.S. Bank<br />
Union Bank<br />
The Walt Disney Company<br />
Wells Fargo<br />
Whittier Trust Company of California<br />
* Board of Ambassadors<br />
◊ Deceased<br />
PERFORMANCES MAGAZINE 15
THE MUSIC CENTER STAFF<br />
EXECUTIVE STAFF<br />
PRESIDENT AND CHIEF EXECUTIVE OFFICER<br />
Stephen D. Rountree<br />
EXECUTIVE VICE PRESIDENT<br />
AND CHIEF OPERATING OFFICER<br />
Howard Sherman<br />
CHIEF FINANCIAL OFFICER<br />
William Meyerchak<br />
SENIOR VICE PRESIDENT, ADVANCEMENT<br />
Elizabeth Kennedy<br />
VICE PRESIDENT, EDUCATION<br />
Mark Slavkin<br />
VICE PRESIDENT, PROGRAMMING<br />
Thor Steingraber<br />
VICE PRESIDENT, GUEST RELATIONS<br />
Carolyn Van Brunt<br />
THE MUSIC CENTER<br />
ENGAGEMENT STAFF<br />
DIRECTOR, PROGRAMMING<br />
Renae Williams Niles<br />
PROGRAM MANAGER<br />
Rebecca Baillie<br />
COORDINATOR, ANNUAL PROGRAMS<br />
Debbie Afar<br />
COORDINATOR, MARKETING<br />
& COMMUNICATIONS<br />
Katharine Ballas<br />
BOX OFFICE TREASURER<br />
Jim Bell<br />
FIRST ASSISTANT, BOX OFFICE TREASURER<br />
Tom Bucher<br />
2012-2013<br />
MUSIC CENTER<br />
BOARD OF<br />
DIRECTORS<br />
OFFICERS<br />
CHAIR<br />
Kent Kresa<br />
PRESIDENT AND<br />
CHIEF EXECUTIVE OFFICER<br />
Stephen D. Rountree<br />
VICE CHAIRS<br />
Michael A. Lawson<br />
Michael J. Pagano<br />
Lisa Specht<br />
TREASURER<br />
Thomas R. Weinberger<br />
PROGRAMMING<br />
COMMITTEE<br />
16 PERFORMANCES MAGAZINE<br />
MAJOR GIFTS OFFICER<br />
Cheryl Brown<br />
DIRECTOR OF INSTITUTIONAL GIVING<br />
Ellen Cheney<br />
DIRECTOR OF PRODUCTION<br />
Chris Christel<br />
COORDINATOR, DONOR EVENTS<br />
& STEWARDSHIP<br />
Amanda Hallman<br />
SENIOR MAJOR GIFTS OFFICER<br />
Jeanie Kim<br />
DIRECTOR, SCHEDULING & EVENTS<br />
Steve Lanzarotta<br />
ASSISTANT MANAGER, MEMBERSHIP<br />
& ANNUAL PROGRAMS<br />
Veronica Meza<br />
DIRECTOR, MEMBERSHIP<br />
& ANNUAL PROGRAMS<br />
Todd Prepsky<br />
AUDIENCE SERVICES MANAGER<br />
Kimberly Price<br />
MANAGER, MEMBERSHIP<br />
& ANNUAL PROGRAMS<br />
Laura Recchi<br />
MAJOR GIFTS OFFICER<br />
Michael Ryan<br />
DEVELOPMENT WRITER<br />
Eveleen Samayoa<br />
ASSISTANT VICE PRESIDENT,<br />
DEVELOPMENT<br />
Jennifer Samsel<br />
MANAGER, DONOR EVENTS<br />
& STEWARDSHIP<br />
Rachel Scandling<br />
SECRETARY<br />
Karen Kay Platt<br />
MEMBERS<br />
Robert J. Abernethy<br />
Wallis Annenberg<br />
Colleen Bell<br />
David C. Bohnett<br />
Louise Henry Bryson<br />
Fung Der<br />
Craig A. Ellis<br />
Leslie K. Gilbert-Lurie<br />
David Gindler<br />
Brindell Gottlieb<br />
William C. Hagelstein<br />
Dennis Haysbert<br />
Stephen F. Hinchliffe, Jr.<br />
Amb. Glen A. Holden<br />
Jane Jelenko<br />
Carolbeth Korn<br />
Karen Kay Platt CHAIR<br />
Colleen Bell<br />
Elizabeth Khuri Chandler<br />
William C. Hagelstein<br />
ASSOCIATE VICE PRESIDENT,<br />
DEVELOPMENT<br />
Judy Rapp Smith<br />
MANAGING DIRECTOR, EDUCATION<br />
Michael Solomon<br />
MANAGER, MARKETING<br />
& COMMUNICATIONS<br />
Melissa Tan<br />
PRODUCTION MANAGER<br />
Pat Thomas<br />
ASSOCIATE VICE PRESIDENT,<br />
CONTROLLER<br />
Lisa Whitney<br />
CONSULTANTS TO<br />
<strong>DANCE</strong> PRESENTATIONS<br />
GRAPHIC DESIGN<br />
Studio Fuse<br />
Board of Supervisors<br />
Through the Board of Supervisors, the County of Los Angeles plays an invaluable role<br />
in the successful operation of The <strong>Music</strong> <strong>Center</strong>. We applaud the five Supervisors<br />
(pictured below) and William T Fujioka, CEO, Los Angeles County (not pictured).<br />
FIRST DISTRICT<br />
Gloria Molina<br />
Amb. Lester B. Korn<br />
Michael A. Lawson<br />
Nigel Lythgoe<br />
Ginny Mancini<br />
Martin Massman<br />
Patrick S. McCabe<br />
Bowen “Buzz” H. McCoy<br />
Mattie McFadden-Lawson<br />
Elizabeth Michelson<br />
Neal S. Millard<br />
Cindy Miscikowski<br />
Shelby Notkin<br />
Kurt C. Peterson<br />
Bennett C. Pozil<br />
Max Ramberg<br />
Joseph Rice<br />
Richard K. Roeder<br />
Thomas L. Safran<br />
Carla Herd Sands<br />
Dennis Haysbert<br />
Jane Jelenko<br />
Joyce Kresa<br />
Nigel Lythgoe<br />
PUBLICITY<br />
Davidson &<br />
Choy Publicity<br />
SECOND DISTRICT<br />
Mark<br />
Ridley-Thomas<br />
THIRD DISTRICT,<br />
CHAIRMAN<br />
Zev Yaroslavsky<br />
John A. Schulman<br />
Joni J. Smith<br />
Marc I. Stern<br />
Julia A. Stewart<br />
Cynthia A. Telles<br />
Franklin E. Ulf<br />
Walter F. Ulloa<br />
Bert Valdman<br />
Timothy S. Wahl<br />
Susan M. Wegleitner<br />
Alyce Williamson<br />
Rosalind W. Wyman<br />
GENERAL COUNSEL<br />
Stephen G. Contopulos<br />
DIRECTORS EMERITI<br />
Peter K. Barker<br />
Eli Broad<br />
Ronald W. Burkle<br />
Mattie McFadden-Lawson<br />
Shelby Notkin<br />
Joni J. Smith<br />
Alyce Williamson<br />
WALT DISNEY CONCERT<br />
HALL HOUSE STAFF<br />
AUDIO/VIDEO<br />
Kevin Wapner<br />
FLYMAN<br />
Andrew Arnold<br />
MASTER CARPENTER<br />
Ron Galbraith<br />
The stage crew, wardrobe crew and box office<br />
staff are represented by the International Alliance<br />
of Theatrical Stage Employees, Moving Picture<br />
Technicians, Artists and Allied Crafts of the United<br />
States of America and Canada, AFL-CIO, CKC,<br />
Local Numbers 33, 768, and 857, respectively.<br />
The House Managers employed by The <strong>Music</strong> <strong>Center</strong><br />
are represented by the Association of Theatrical<br />
Press Agents and Managers.<br />
FOURTH DISTRICT<br />
Don Knabe<br />
MASTER OF<br />
PROPERTIES<br />
John Phillips<br />
MASTER ELECTRICIAN<br />
Terry Klein<br />
MASTER WARDROBE<br />
Lee Smilek<br />
Lloyd E. Cotsen<br />
John B. Emerson*<br />
Lois Erburu<br />
Richard M. Ferry<br />
Bernard A. Greenberg<br />
Joanne D. Hale<br />
Stuart M. Ketchum<br />
Robert F. Maguire, III<br />
Edward J. McAniff<br />
Walter M. Mirisch<br />
Lawrence J. Ramer<br />
Fredric M. Roberts<br />
Claire L. Rothman<br />
James A. Thomas<br />
Andrea L. Van de Kamp*<br />
Paul M. Watson<br />
* Chairman Emeritus<br />
FIFTH DISTRICT<br />
Michael D.<br />
Antonovich<br />
Rosalind W. Wyman