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GLOW IN THE ART October 16, 2010 - Art Gallery of Nova Scotia

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<strong>GLOW</strong> <strong>IN</strong> <strong>THE</strong> <strong>ART</strong><br />

<strong>October</strong> <strong>16</strong>, <strong>2010</strong><br />

6 p.m. – midnight<br />

galleries open late<br />

art in public spaces<br />

a free event<br />

www.nocturnehalifax.ca


e open<br />

see the possibilities mtlpr.ca


On behalf <strong>of</strong> Halifax Regional Council, it gives me great<br />

pleasure to extend a warm welcome to all involved with<br />

Nocturne: <strong>Art</strong> at Night <strong>2010</strong>, taking place in Halifax<br />

Regional Municipality on <strong>October</strong> <strong>16</strong>.<br />

Nocturne: <strong>Art</strong> at Night is truly a celebration <strong>of</strong> achievements<br />

with something for people <strong>of</strong> all ages, interests and<br />

art experience to enjoy. The third annual nighttime arts<br />

festival will showcase the exciting and incredible art scene<br />

here in our region. I encourage you to experience as<br />

many <strong>of</strong> these diverse talents as possible over the course<br />

<strong>of</strong> the evening.<br />

<strong>Art</strong> is an important part <strong>of</strong> our culture here in Halifax<br />

Regional Municipality, and I would like to take this opportunity<br />

to acknowledge, with gratitude, the artists for their<br />

incredible work and commend the festival organizers, volunteers<br />

and sponsors for their commitment and dedication<br />

to our arts community. Your effort in making our region a<br />

dynamic and exciting place to live is greatly appreciated.<br />

Enjoy the spirit <strong>of</strong> Nocturne: <strong>Art</strong> at Night <strong>2010</strong>, I know you<br />

will be delighted with our strong and vibrant art scene.<br />

Have a wonderful evening!<br />

Respectfully, I remain<br />

Peter Kelly<br />

Mayor<br />

Message froM the MiNister<br />

As the <strong>2010</strong> co-chairs, we wish to welcome<br />

you to the third annual Nocturne: <strong>Art</strong> at Night<br />

– an event which promises to once again<br />

magically transform the city for one night<br />

with art and artists.<br />

Nocturne launched in 2008 as the<br />

initiative <strong>of</strong> a small group <strong>of</strong> passionate<br />

volunteers who believed that if they worked<br />

hard to present art in a new and unique<br />

way, the people <strong>of</strong> Halifax would be there<br />

to support the vision. And were they right.<br />

In three short years, Nocturne has become<br />

a highlight <strong>of</strong> Atlantic Canada’s cultural<br />

landscape, showcasing the commitment <strong>of</strong><br />

volunteers and the diversity and strength<br />

<strong>of</strong> our arts community.<br />

So, it is with sincere gratitude and appreciation<br />

that we thank each and every board<br />

and committee member, past and present,<br />

who has made this event what it is.<br />

Thanks must also be extended to all <strong>of</strong> our<br />

sponsors, partners, advertisers and government<br />

supporters who have believed in our<br />

event and have collectively <strong>of</strong>fered funds<br />

and efforts to help enable its potential.<br />

<strong>Art</strong> and the urban pulse <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>’s capital city,<br />

Halifax, will combine on <strong>October</strong> <strong>16</strong> to turn night into a<br />

blazing creative spectacle during Nocturne: <strong>Art</strong> at Night.<br />

<strong>Art</strong>s and culture contribute to vibrant communities,<br />

making life better for <strong>Nova</strong> <strong>Scotia</strong>n families and placing<br />

<strong>Nova</strong> <strong>Scotia</strong> on the international stage. Nocturne: <strong>Art</strong> at<br />

Night has become an annual opportunity for <strong>Nova</strong> <strong>Scotia</strong>ns<br />

to appreciate the groundbreaking work <strong>of</strong> some <strong>of</strong> our<br />

most fascinating artists.<br />

I want to congratulate the organizers, volunteers and<br />

participating artists on bringing this unique experience to<br />

the streets <strong>of</strong> Halifax once again. The provincial government<br />

is proud to support Nocturne: <strong>Art</strong> at Night as part <strong>of</strong> its<br />

ongoing collaboration with the arts and culture community.<br />

Sincerely,<br />

Percy Paris<br />

Minister<br />

Tourism, Culture and Heritage<br />

Message froM the NocturNe co-chairs<br />

Dozens <strong>of</strong> volunteers and over 200 artists<br />

have put tremendous effort into presenting<br />

an unparalleled spectacle to you this year.<br />

Thanks to the artists creating and installing<br />

amazing projects and the galleries once<br />

again opening their doors, over one hundred<br />

experiences will be featured throughout the<br />

city as you explore the five zones depicted<br />

in this program guide.<br />

Being on the Nocturne Board <strong>of</strong> Directors<br />

for three years and now co-chairing together<br />

has been an incredible experience for us<br />

– for really understanding what it takes to<br />

make this event happen, for the privilege <strong>of</strong><br />

working with such an unbelievable team <strong>of</strong><br />

(all) volunteers and for being amazed, time<br />

and again, at the talent and energy we are<br />

surrounded by in this city. Indeed, it has<br />

been a rare and precious opportunity to be<br />

a part <strong>of</strong> Nocturne <strong>2010</strong>.<br />

Thank you to all for making Nocturne a<br />

spectacular spectacle once again – and may<br />

everyone glow in the art on <strong>October</strong> <strong>16</strong>, <strong>2010</strong>.<br />

Alyson Queen & Rose Zack<br />

Nocturne Co-Chairs<br />

2 NOCTURNE: art at night<br />

NOCTURNE: art at night 3


PROUD SPONSOR OF NOCTURNE: <strong>ART</strong> AT NIGHT<br />

Exhibition<br />

after dark<br />

ist<br />

taBle <strong>of</strong> coNteNts<br />

P 07 Plan your Adventure<br />

P 09 Ferry Performance Schedule<br />

P 11 Zone 1 – Map and Listings<br />

P 23 Zone 2 – Map and Listings<br />

P 28 How to Get Around<br />

WelcoMe to NocturNe<br />

Nocturne: <strong>Art</strong> at Night is a fall festival that<br />

brings art and energy to the streets <strong>of</strong><br />

Halifax. This completely free, third annual<br />

event showcases and celebrates the visual<br />

arts scene in Halifax. Nocturne, designed<br />

and planned by volunteers, is an opportunity<br />

for everyone to experience the art <strong>of</strong><br />

Halifax in a whole new light. The Nocturne<br />

Program Guide provides details about<br />

exhibitions in galleries and public spaces<br />

throughout the city. For more information,<br />

visit nocturnehalifax.ca<br />

<strong>2010</strong> NocturNe Board<br />

<strong>of</strong> directors:<br />

alyson Queen – Co-Chair (Sponsorship<br />

and Communications)<br />

rose Zack – Co-Chair (Programming<br />

and Operations)<br />

laura carmichael – Past Chair<br />

rob hill – Treasurer<br />

andrew sowerby – Corporate Secretary<br />

lee Brooks – Operations Director<br />

Marlo MacKay – Communications Director<br />

Jenny Johnson – Programming Director<br />

Michelle doucette – <strong>Art</strong> Director<br />

Jamie Maclellan – HRM Public <strong>Art</strong> Facilitator<br />

P 29 Zones 1-5 – Map<br />

P 31 Zone 3 – Map and Listings<br />

P 37 Zone 4 – Map and Listings<br />

P 45 Zone 5 – Map and Listings<br />

P 49 Mobile Projects Listings<br />

NocturNe coMMittee<br />

MeMBers (AS OF AuGuST <strong>2010</strong>):<br />

Programming/operations:<br />

Jessica Berry, Andrea Black,<br />

Amélie Brindamour, Diana Cardoso,<br />

Yingbo Guo, Kim Farmer, Keltie MacNeill,<br />

Zoe Nudell, Pearl Schachter,<br />

Bianca Semenivk, Lauralee Sim,<br />

April Slaunwhite, Rebecca Winn<br />

communications/design:<br />

Jason Ballantyne, Daekyu Cha,<br />

Anna Duckworth, Holly Flemming,<br />

Liz Hardy, George Inglis, Ryan Jones,<br />

Cailin MacDonald, Ryan McNutt,<br />

Harry Olson, Lisa Kehler Sims, Peipei Zeng<br />

sponsorship:<br />

Peter Moorhouse, Julie Ottewell<br />

special thanks to:<br />

Alderney Landing, Sharon Archibald,<br />

The Staff at the <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>,<br />

Amy Batchelor, Alison Bleeker, Tracy Boyer,<br />

Joe Burke, Erica Butler, Tiffany Chase,<br />

Allison Covert, Krista Dempsey,<br />

Abby Dickinson, Eryn Foster, The Friends<br />

<strong>of</strong> the Public Gardens Committee,<br />

Jane Hopgood, Rob Landry, Danielle LeBlanc,<br />

Alissa Lysack, Andrew MacDonald,<br />

Krista MacDonald, Katie MacKay,<br />

Heather MacLeod, Joanne MacRae,<br />

Pat Martin, Marcel McKeough, NSCAD<br />

university, the Nocturne Independent<br />

Projects Selection Committee,<br />

Lorelei Phillips, Tammy Prichard,<br />

Judi Richardson, Dawn Sloane,<br />

Sera Thompson, Peggy Tibbo-Cameron,<br />

Andrew Whittemore, Andrea Young and<br />

many, many more.<br />

NOCTURNE: art at night 5


FIVE temporary exhibitions on<br />

Four floors with<br />

ThrEE performers and<br />

Two open studios all in<br />

The <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong> proudly supports Nocturne.<br />

www.artgallery<strong>of</strong>novascotia.ca<br />

1723 Hollis Street<br />

Halifax, <strong>Nova</strong> <strong>Scotia</strong><br />

PlaN Your adVeNture<br />

Nocturne Program guide:<br />

This guide makes it fun and easy for you to<br />

experience Nocturne. Correspond the five<br />

colour-coded zones with numbered gallery,<br />

temporary exhibition, anchor and independent<br />

project listings with the maps in the<br />

program. Look for the numbers along your<br />

route. Each space and project will have an<br />

<strong>of</strong>ficial Nocturne sign with a corresponding<br />

number.<br />

• galleries: Visit commercial, artist-run,<br />

public, private and university galleries<br />

that are open late to welcome you with<br />

special Nocturne programming and<br />

exhibitions.<br />

• independent Projects: Contemporary<br />

artists and curators working in a variety<br />

<strong>of</strong> creative disciplines were selected by<br />

a jury to install independent projects for<br />

one night only, in public spaces throughout<br />

the city.<br />

• commercial spotlights & temporary<br />

exhibitions: Businesses and organizations<br />

have coordinated their own nocturnal<br />

event for this one-night occasion.<br />

• anchor Projects: Several prominent<br />

venues are natural anchors to the<br />

overall event. These anchor projects<br />

are curated or thematically organized<br />

collections <strong>of</strong> artists, performers and<br />

projects and represent a larger environmental<br />

consideration <strong>of</strong> spaces through<br />

a variety <strong>of</strong> artistic means.<br />

Nocturne headquarters:<br />

Pick up a Program Guide, get project<br />

information, <strong>of</strong>fer feedback, donate to the<br />

organization or meet the Nocturne team at<br />

The Hub, Nocturne’s <strong>of</strong>ficial headquarters,<br />

located at <strong>16</strong>73 Barrington St., Halifax.<br />

Noctours:<br />

departs from grand Parade – starting<br />

on the hour (6, 7, 8, 9, 10 & 11 p.m.)<br />

Volunteer tour guides will be leading free<br />

tours at regular intervals throughout the<br />

evening. Join our guides as they weave<br />

their way through a variety <strong>of</strong> galleries and<br />

independent projects in the downtown<br />

area, sharing insights, exploring themes<br />

and creating opportunities for discussion.<br />

Noctours by Bike:<br />

grand Parade – starting on the hour<br />

(7, 8, 9 & 10 p.m.) bike & helmet required<br />

The Halifax Cycling Coalition will lead free<br />

bike tours at regular intervals throughout<br />

the evening. Participants will be provided<br />

with a free bicycle light. Discover galleries,<br />

independent projects and explore some<br />

special bike-themed extras, all on two<br />

wheels. Each tour will begin with a safety<br />

briefing. Tours will last for an hour and<br />

won’t be strenuous. Tour numbers may be<br />

limited for safety reasons, so arrive early.<br />

Volunteer thank You<br />

The key to the success <strong>of</strong> Nocturne rests<br />

in the volunteers who drive this event and<br />

make it possible. Not only are the volunteers<br />

out and about the night <strong>of</strong> the event<br />

– leading tours, handing out programs,<br />

taking pictures and holding down the<br />

fort – they are also very active before the<br />

event takes place. Nocturne is an entirely<br />

volunteer-driven event, so this amazing<br />

evening wouldn’t take place without their<br />

dedication. We are truly indebted to all <strong>of</strong><br />

those who have donated their time and<br />

energy to make Nocturne <strong>2010</strong> happen<br />

– thank you.<br />

interested in volunteering?<br />

Get involved in next year’s Nocturne as<br />

a member <strong>of</strong> the Nocturne: <strong>Art</strong> at Night<br />

Society.<br />

To volunteer, visit nocturnehalifax.ca or<br />

contact volunteer4nocturne@gmail.com<br />

NOCTURNE: art at night 7


ferrY PerforMaNce schedule<br />

(departing halifax)<br />

Dusty Keleher 6:15-7:12 p.m.<br />

Mufaro Chakabuda 7:15-8:12 p.m.<br />

Halifax uke Gang 8:15-9:12 p.m.<br />

Andrew MacKelvie Trio 9:15-10:12 p.m.<br />

Smokin’ Contra Band 10:15-11:42 p.m.<br />

dusty Keleher<br />

Dusty Keleher is a songwriter and folksinger.<br />

He writes and performs songs with an<br />

Irish traditional feel and peppers his sets<br />

with <strong>of</strong>f-the-beaten-track Irish folk ballads.<br />

Keleher performs with fiddler and singer,<br />

Amy Lounder, and bouzouki and banjo<br />

player, Jeff Harper. Together, they provide an<br />

entertaining show <strong>of</strong> songs, stories and sets<br />

<strong>of</strong> tunes for dancing. Mark Currie sometimes<br />

joins them on bodhrán.<br />

Mufaro chakabuda<br />

Mufaro Chakabuda, originally from<br />

Zimbabwe, is the past artistic director<br />

for the Maritime Centre for African Dance.<br />

Dancing since the age <strong>of</strong> four, she has<br />

performed at international and national<br />

events, including a performance at<br />

President Obama’s inaugural ball.<br />

halifax uke gang<br />

The Halifax uke Gang is a group with a<br />

passion for all things ukulele. HuG boasts<br />

30-40 members at their get-togethers and<br />

they welcome new members <strong>of</strong> all ages<br />

and all levels. They plan to take over the<br />

world four strings at a time.<br />

andrew MacKelvie trio<br />

Raised outside <strong>of</strong> Pictou, Andrew MacKelvie<br />

is a small-town saxophonist with big ideas.<br />

MacKelvie’s eclectic style ranges from playing<br />

lead alto in a Latin band to co-leading a<br />

free jazz trio. As the creative music workshop<br />

coordinator for the <strong>2010</strong> Atlantic Jazz<br />

Festival, MacKelvie left behind formal structure<br />

and experimented with spontaneous<br />

combustion for a stimulating performance.<br />

smokin’ contra Band<br />

Take half a cup <strong>of</strong> old-time music, a dollop<br />

<strong>of</strong> dusty back-road blues, a sprinkle <strong>of</strong> East<br />

Coast kitchen party choirs, a pinch <strong>of</strong> rural<br />

roots with working-class urban grit and two<br />

heaping tablespoons <strong>of</strong> resonating vocal<br />

veracity. Sit back and listen. At their contra<br />

dances and bluegrass shows, Smokin’<br />

Contra Band’s rollicking dances have<br />

inspired the hip, the holy and the hardened<br />

to hit the dance floor.<br />

for more information about public transportation during Nocturne, see page 28.<br />

NOCTURNE: art at night 9


galleries and<br />

temporary exhibits<br />

independent<br />

Projects<br />

ZoNe 1 MaP<br />

North Waterfront/Downtown Halifax<br />

NOCTURNE: art at night 11


ZoNe 1 (North Waterfront /Downtown Halifax) (North Waterfront/Downtown Halifax) ZoNe 1<br />

anna leonowens gallery<br />

NSCAD university, 1891 Granville St.<br />

university gallery<br />

Named after NSCAD’s Victorian founder – the feisty heroine <strong>of</strong> The King and I<br />

– the Anna Leonowens <strong>Gallery</strong> is the public exhibition space and resource<br />

centre on campus. Three public galleries are devoted to the exhibition <strong>of</strong><br />

contemporary studio and media art, craft and design, and curatorial projects<br />

generated exclusively within the university community. Weekly exhibitions<br />

primarily feature student work, with occasional shows by faculty members,<br />

visiting artists, curators and two-week graduate thesis projects.<br />

argyle fine art<br />

1869 upper Water St.<br />

Commercial gallery<br />

Argyle Fine <strong>Art</strong> is a downtown gallery that features a variety <strong>of</strong> artistic<br />

mediums in a range <strong>of</strong> prices by emerging and established artists.<br />

Known for its progressive, innovative ideas throughout the year, the gallery<br />

encourages art appreciation and support <strong>of</strong> the artistic community through<br />

exhibitions and art sales.<br />

art gallery <strong>of</strong> <strong>Nova</strong> scotia<br />

1723 Hollis St.<br />

Public gallery<br />

The <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong> (AGNS) is the largest art museum in Atlantic<br />

Canada. The AGNS houses the province’s art collection <strong>of</strong> over 15,000 works<br />

in its permanent collection. During Nocturne, take in the diverse exhibitions<br />

and artists’ projects by joining a guided tour. Or pick up a Family Guide to<br />

create your own self-directed adventure and take part in hands-on art activities<br />

in the studios.<br />

on view during Nocturne are:<br />

• Stephen Kelly’s Open Tuning (WaveUp), an installation tracing the parallel<br />

worlds <strong>of</strong> sound waves and ocean waves.<br />

• The Sobey <strong>Art</strong> Award: <strong>2010</strong> Atlantic Long List exhibition.<br />

• A Show <strong>of</strong> Hands, featuring <strong>Nova</strong> <strong>Scotia</strong> folk art plus permanent collection<br />

exhibitions, Arboretum and A View from the Atlantic.<br />

• A large-scale relief print <strong>of</strong> a brain created by J.L. Ilsley High School<br />

students and artist Melissa Marr.<br />

• <strong>Gallery</strong>, a performance by Louise Hoyt, Sherry Lee Hunter and Sheilagh Hunt.<br />

Photo: Stephen Kelly’s WaveUp,<br />

2008, dimensions variable.<br />

Photo credit: Guy L’Heureux.<br />

attica<br />

1566 Barrington St.<br />

Commercial spotlight<br />

Dream Machines<br />

Attica will feature paintings, sculptures and functional pieces by artist<br />

Christopher Joyce. Christopher works in a variety <strong>of</strong> media, and brings to each<br />

a passion <strong>of</strong> exploration and a mastery <strong>of</strong> technique. During Nocturne, he<br />

will display a new series <strong>of</strong> paintings <strong>of</strong> automobiles on steel. The images <strong>of</strong><br />

cars from the 1950s provide a sense <strong>of</strong> nostalgia for a time when cars gave<br />

the owner status, freedom and identity. The post-war era <strong>of</strong> the 1950s also<br />

signified a style revolution. Christopher captures the hope embodied in this<br />

time by using the car as a metaphor in these steel paintings.<br />

Big sky studio<br />

<strong>16</strong>78 Barrington St.<br />

Photography studio<br />

Big Sky Studio is a gallery that showcases the fine art photography <strong>of</strong><br />

Steve Richard and the fashion and landscape photography <strong>of</strong> Brent McCombs.<br />

gallery Page and strange<br />

1869 Granville St.<br />

Commercial gallery<br />

Elevated Perspective<br />

<strong>Gallery</strong> Page and Strange is a contemporary gallery located in Granville<br />

Square. In close proximity to NSCAD university and other fine art shops and<br />

restaurants, the gallery is situated within the heart <strong>of</strong> the cultural district <strong>of</strong><br />

the city. Known affectionately as “the two Victorias”, Ms. Page and<br />

Ms. Strange opened for business in 2005. The gallery boasts works by<br />

nationally and internationally acclaimed artists, including major Canadian<br />

sculptors never before represented on the East Coast. During Nocturne,<br />

the gallery is presenting an exhibition called Elevated Perspective.<br />

Khyber institute <strong>of</strong> contemporary arts<br />

1588 Barrington St.<br />

Non-pr<strong>of</strong>it artist-run centre<br />

Your face, like a lone nocturnal garden in Worlds where Suns spin round!<br />

The Khyber ICA is pleased to host an exhibition by Oliveira during Nocturne.<br />

This exhibition is a body <strong>of</strong> work that comes together as a simulated garden.<br />

Oliveira’s recent work examines the human preoccupation <strong>of</strong> replacing nature<br />

with fabricated versions; in reproducing nature, we attempt to possess<br />

and feel closer to the pleasures it <strong>of</strong>fers us without dealing with any <strong>of</strong> its<br />

discomforts.<br />

Opening reception at 6 p.m.<br />

12 NOCTURNE: art at night<br />

NOCTURNE: art at night 13


ZoNe 1 (North Waterfront /Downtown Halifax) (North Waterfront/Downtown Halifax) ZoNe 1<br />

Maritime Museum <strong>of</strong> the atlantic<br />

<strong>16</strong>75 Lower Water St.<br />

Museum<br />

On December 6, 1917, the ships Mont-Blanc and Imo collided in Halifax<br />

Harbour, forever changing the city. The story <strong>of</strong> the explosion comes alive<br />

with costumed interpreters and the museum’s award-winning exhibit, Halifax<br />

Wrecked: The Halifax Explosion, which takes viewers through the timeline <strong>of</strong><br />

this historic event. Docked at the museum’s wharf, see the CSS Acadia. It is<br />

the museum’s largest artifact and the only ship to have survived the explosion<br />

that is still afloat today. The Halifax Explosion exhibit and the main floor <strong>of</strong> the<br />

museum will be open to Nocturne visitors.<br />

the <strong>Nova</strong> scotia art Bank<br />

Johnson Building, <strong>16</strong>83 Barrington St.<br />

Temporary exhibit space<br />

<strong>Art</strong> Bank at Nocturne<br />

Works purchased this year for the <strong>Nova</strong> <strong>Scotia</strong> <strong>Art</strong> Bank will be installed for<br />

a special showing during Nocturne in the former home <strong>of</strong> the Mary E. Black<br />

<strong>Gallery</strong>. Enjoy a sample <strong>of</strong> contemporary work by <strong>Nova</strong> <strong>Scotia</strong>n artists. The<br />

<strong>Nova</strong> <strong>Scotia</strong> <strong>Art</strong> Bank encourages the development <strong>of</strong> artistic excellence and<br />

stimulates an awareness <strong>of</strong> and interest in visual arts and craft among <strong>Nova</strong><br />

<strong>Scotia</strong>ns and their visitors. This is accomplished through the acquisition, loan,<br />

maintenance and display <strong>of</strong> works <strong>of</strong> art by pr<strong>of</strong>essional <strong>Nova</strong> <strong>Scotia</strong>n artists.<br />

Works are added to the collection annually through the purchase program as<br />

recommended by peer jury.<br />

<strong>Nova</strong>scotian crystal<br />

5080 George St.<br />

Commercial gallery<br />

Magicians and Alchemists on the Waterfront<br />

<strong>Nova</strong><strong>Scotia</strong>n Crystal is dedicated to preserving the old ways <strong>of</strong> making crystal,<br />

attracting the attention <strong>of</strong> several Old World craftspeople with the same<br />

ideals. Along with preserving comes sharing; our Canadian craftspeople<br />

and apprentices are learning the skills needed to become future master<br />

craftspeople. Our trained craftspeople are introducing a new audience <strong>of</strong><br />

collectors to the value and beauty <strong>of</strong> traditionally mouth-blown, hand-cut<br />

crystal. During Nocturne, crystal will be created for visitors to see. Tour the<br />

glassworks, sample from crystal glasses and shop from the splendid array<br />

<strong>of</strong> finished pieces.<br />

seeds gallery<br />

NSCAD university, 1892 Hollis St.<br />

Commercial gallery<br />

Located in downtown Halifax, Seeds <strong>Gallery</strong> is a unique shop showcasing a<br />

diverse range <strong>of</strong> original artwork by students and alumni <strong>of</strong> the <strong>Nova</strong> <strong>Scotia</strong><br />

College <strong>of</strong> <strong>Art</strong> and Design university.<br />

uag collective<br />

Aperture Studios, The Roy Building,<br />

<strong>16</strong>57 Barrington St., Suite 125,<br />

Non-pr<strong>of</strong>it<br />

uAG Collective is a non-pr<strong>of</strong>it gallery show that accepts artwork by artists<br />

<strong>of</strong> every medium at any level.<br />

3D Stereoscopic Sound: Rethink the Music Video<br />

Andrew Hicks<br />

The Academy Building, NSCAD university Campus,<br />

<strong>16</strong>49 Brunswick St.<br />

Explore animated visualizations in an immersive three-dimensional stereoscopic<br />

environment. Three diverse musical artists from HRM will engage in a time-based<br />

and sculpturally immersive exploration <strong>of</strong> sounds.<br />

Alone Now, With All <strong>of</strong> My Friends<br />

Melanie Colosimo<br />

1559 Barrington St.<br />

Alone Now, With All <strong>of</strong> My Friends is a four-channel, looped-video projection that<br />

creates an intermediary tale <strong>of</strong> a man who has given up hope for his future.<br />

Each channel is a scene from an elderly man’s home, evoking nostalgia,<br />

longing and hopelessness. Suffering from a recent loss and unable to face<br />

the possibility <strong>of</strong> pain from future disappointments, the man has taken all <strong>of</strong><br />

the things that are familiar and comforting and has moved into his bedroom<br />

closet. Surrounded by his records and books – his “friends” – he remains<br />

there, deaf and blind to anything that is not the tale <strong>of</strong> his own unhappiness.<br />

Battle SNAP<br />

CHR!S SM!TH<br />

Aperture Studios, The Roy Building, <strong>16</strong>57 Barrington St., Suite 125<br />

Battle SNAP is a one-night photo competition where local photographers<br />

go head-to-head for a taste <strong>of</strong> friendly competition. See the very best in local<br />

photography and vote for your favourite. Anyone can enter, anyone can win.<br />

You help decide. For rules and registration and to enter your photos, visit<br />

www.battlesnap.com<br />

14 NOCTURNE: art at night<br />

NOCTURNE: art at night 15


ZoNe 1 (North Waterfront /Downtown Halifax) (North Waterfront/Downtown Halifax) ZoNe 1<br />

Circus Spectacular<br />

Circus <strong>Art</strong>s<br />

St Matthew’s Church gymnasium, 1479 Barrington St.<br />

Halifax Circus presents a collective demonstration <strong>of</strong> the best and most-skilled<br />

circus work in Atlantic Canada. Watch unicyclists leap and pirouette, see the<br />

illuminated dancing diabolos, the twirling devil sticks and tightrope artists.<br />

Check out the aerialists, rolling globes, stilt walkers and the fire show. Circus<br />

<strong>Art</strong>s’ highly trained instructors, performers and senior students will be on<br />

hand to answer questions and demonstrate just how accessible and fun these<br />

amazing activities are.<br />

CITY MAIL<br />

Alison Creba, in collaboration with William Vandermeulen<br />

1559 Barrington St.<br />

CITY MAIL is an inner-city mail delivery service that is rooted in a belief in the<br />

reflective powers <strong>of</strong> letter-writing, the subsequent ability to foster an urbandesign<br />

consciousness and the impact such patterning has in the social realm.<br />

The installation <strong>of</strong> a post <strong>of</strong>fice downtown is a comment on the structure <strong>of</strong><br />

Halifax’s weakened urban core: a demonstration <strong>of</strong> the kinds <strong>of</strong> services and<br />

operations that promote nostalgic notions <strong>of</strong> communication and community<br />

hubs. For Nocturne, the post <strong>of</strong>fice will be in full operation, actively sorting and<br />

processing the city’s mail. The invisible and mysterious action <strong>of</strong> delivering<br />

mail illuminates the way relationships exist in our urban spaces.<br />

FACE IT<br />

Neato Entertainment, Michael-Andreas Kuttner, Graham MacDougall<br />

The Rotary Stage, Bishop’s Landing<br />

FACE IT is an exploration <strong>of</strong> our concept <strong>of</strong> privacy in the age <strong>of</strong> voluntary<br />

exhibitionism. FACE IT takes a page from the growing debate regarding the<br />

public’s love <strong>of</strong> sharing personal information on Facebook and the subsequent<br />

monetization <strong>of</strong> that information by the Facebook corporation. The exhibit<br />

will display a group <strong>of</strong> users’ faces in a set <strong>of</strong> strategically placed computer<br />

monitors, sharing the information they consider “public” about themselves.<br />

The monitors will point toward the “Face <strong>of</strong> Facebook”, an elevated talking<br />

head reading out the relevant parts <strong>of</strong> the Facebook privacy policy. The<br />

question becomes: What price is the party worth?<br />

Free Parking<br />

Jesse Walker<br />

Parking spaces on Grafton St., Granville St. & Lower Water St.<br />

FREE PARK<strong>IN</strong>G engages capitalized urban space through creative uses <strong>of</strong><br />

municipal metered parking. Continuing a dialogue about the acceptable<br />

occupancy <strong>of</strong> the public domain that is typically in service <strong>of</strong> the automobile,<br />

the artist explores interactive sculptural installations that seek to provoke<br />

reflection about our use <strong>of</strong> space and its occupation by capitalizing forces.<br />

<strong>Gallery</strong><br />

Sheilagh Hunt, Sherry Lee Hunter & Louise (Hoyt) Mussett<br />

Zwicker <strong>Gallery</strong>, <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>, 1723 Hollis St.<br />

Running every hour on the half hour (running time approx. 13 minutes)<br />

Witty, playful, inventive, imaginative, irreverent – all <strong>of</strong> these apply to <strong>Gallery</strong> –<br />

a pas-de-trois romp through a metaphorical art gallery. <strong>Gallery</strong> will be performed<br />

by Louise (Hoyt) Mussett, Sheilagh Hunt and Sherry Lee Hunter, three inventive<br />

dancers and imaginative exponents <strong>of</strong> the expressive gesture. First produced<br />

in 1984 for Live <strong>Art</strong>’s Independence Series, <strong>Gallery</strong> (<strong>2010</strong>) is back with the<br />

original cast, sharper wit and insights. Presented in June <strong>2010</strong> as part <strong>of</strong><br />

Kinetic Studio’s season finale at Neptune Studio Theatre, the choreography,<br />

with its staccato gestures and mincing steps, had audiences in stitches while<br />

simultaneously dazzling with a stylized repertoire <strong>of</strong> expressive movement.<br />

Halifax Explosion Interpretative Fusion<br />

Charles P Allen High School, directed by Anna Whalen & Nathan Beeler<br />

St. Paul’s Church, 1749 Argyle St.<br />

Through a fusion <strong>of</strong> sound (wind ensemble, audio recordings and free verse),<br />

images (archival photos, images <strong>of</strong> Halifax and artistic interpretations),<br />

creative lighting and movement, this group <strong>of</strong> high school students will present<br />

the events <strong>of</strong> the Halifax Explosion in three parts: before, during and after.<br />

The central piece will be performed at St. Paul’s Church. There will be two<br />

satellite pieces, each consisting <strong>of</strong> a Morse code light performance and two<br />

wind instrument performers. The viewer will see the Morse code conveying the<br />

telegraph message <strong>of</strong> December 6, 1917 broadcast between the two points,<br />

while the performance is occurring in Halifax’s oldest surviving structure.<br />

Harbour Dance/Dance de l’havre<br />

François Gaudet & Robert Finley<br />

Maritime Center, 1505 Barrington St.<br />

A projection will bring together a rapid sequencing <strong>of</strong> photographic stills and<br />

light drawings by François Gaudet with text recited by Robert Finley, and is<br />

intended to weigh our sense <strong>of</strong> belonging to this harbour city and to consider<br />

from what it is derived.<br />

Le vidéo sera composé d’une séquence rapide de photos et de « dessins de<br />

lumière » par François Gaudet, accompagnée d’un texte récité de Robert Finley.<br />

Cette rencontre textuelle et visuelle pour mieux saisir notre relation à cette<br />

ville portière et pour considérer les origines multiples de notre attachement<br />

pour elle.<br />

Hopscotch Urban Dance Variety<br />

Concrete Roots and The Woods, featuring Eastern Bloc,<br />

FLASH & ILLusionz Crew<br />

Grand Parade<br />

Concrete Roots and The Woods, featuring Eastern Bloc, FLASH and ILLusionz<br />

Crew, will perform several styles <strong>of</strong> urban dance, including hip hop, b-boying,<br />

popping, waving and jerking. This will be one <strong>of</strong> the first public performances<br />

for The Woods, <strong>Nova</strong> <strong>Scotia</strong>’s first pr<strong>of</strong>essional hip hop dance company.<br />

Eastern Bloc, FLASH and ILLusionz Crew are youth crews facilitated and<br />

supported by Concrete Roots and operate under Concrete Roots as an<br />

umbrella organization. They are some <strong>of</strong> Halifax’s best pr<strong>of</strong>essional and<br />

amateur urban dancers.<br />

<strong>16</strong> NOCTURNE: art at night<br />

NOCTURNE: art at night 17


ZoNe 1 (North Waterfront /Downtown Halifax) (North Waterfront/Downtown Halifax) ZoNe 1<br />

Huffing and Puffing<br />

David Tallis<br />

St. Matthew’s Church, 1479 Barrington St.<br />

A video performance caught in a loop <strong>of</strong> celebration, Huffing and Puffing<br />

shows artist David Tallis blowing up balloons until they burst in his face.<br />

Experience the site and sounds <strong>of</strong> this short work.<br />

i am not<br />

Juan Ortiz-Apuy<br />

JWD Books, <strong>16</strong>84 Barrington St.<br />

Glowing in the depths <strong>of</strong> this curious bookstore, a neon sculpture will be<br />

inserted into the Borgesian/Kafkaesque character <strong>of</strong> JWD Books. Just as the<br />

books in JWD seem to resist classification and commodification, this work,<br />

which is viewable from the window, seeks for ways to counter the discursive<br />

construction <strong>of</strong> history and identity.<br />

LumiNemeton<br />

David C Cameron<br />

<strong>16</strong>68 Barrington St.<br />

LumiNemeton evokes the awesome living essence, solace and healing grace<br />

<strong>of</strong> sacred nemetons, or groves, <strong>of</strong> the artist’s Druidic ancestors. Vertical<br />

elements <strong>of</strong> amber-lit-from-within trees, manipulated, augmented grain,<br />

knots, voids, live-edges and life-traces <strong>of</strong> forest denizens from worms to<br />

woodpeckers tell individual sylvan tales <strong>of</strong> seasonal growth, wind, rain, sun,<br />

moon and lightning. Set in a circle, the elements create the potential <strong>of</strong> sacred<br />

space for ritual, ceremony and an invitation to reconnect to The Great World Tree<br />

– illumination, enlightenment and its responsibilities.<br />

Mobile Home<br />

Ella Kay Tetrault, Carey Anne Jernigan & community support<br />

Turret Room, Khyber ICA, 1588 Barrington St.<br />

An oversized baby mobile will be suspended in the turret room <strong>of</strong> the Khyber<br />

Institute <strong>of</strong> Contemporary <strong>Art</strong>s. It spins slowly, accompanied by a quiet melody.<br />

Hanging from its supports are models <strong>of</strong> affordable homes in Halifax’s<br />

North End. They are delicately framed, clad in paper and lit from within. The<br />

installation is a reflection <strong>of</strong> the combined tenderness, joy and despair that<br />

we feel as our city changes, as new homes are built and others are displaced.<br />

Night Twitters<br />

The Letterpress Gang<br />

Dawson Printshop, 1895 Granville St.<br />

Visitors to the Dawson Printshop at NSCAD university will get a tour <strong>of</strong> the<br />

facilities and will get to take home a limited-edition letter-pressed print created<br />

as part <strong>of</strong> the printshop’s interactive public poster project titled Night Twitters.<br />

In preparation for this project, the Dawson Printshop invited the public to tweet<br />

short stories about nighttime Halifax. The top 10 stories (juried by members <strong>of</strong><br />

The Letterpress Gang) were selected and fashioned into hand-made, letterpressed<br />

posters that will be given away throughout the evening. A poster <strong>of</strong> all<br />

<strong>of</strong> the twitter-told stories will be printed as a Nocturne keep-sake.<br />

Nocturne (1946) for Nocturne (<strong>2010</strong>)<br />

Bruce Barber<br />

1876 Hollis St.<br />

Nocturne (1946), a film noir directed by Edwin Marin and produced by<br />

Joan Harrison, relates the story <strong>of</strong> Keith Vincent. Vincent, a Hollywood film<br />

composer (like Chopin, a writer <strong>of</strong> nocturnes), is found dead, supposedly <strong>of</strong> a<br />

suicide. The police detective working on the case suspects that Vincent has<br />

been murdered. He begins his search for the killer by focusing his attention<br />

on “Dolores”, a name that appears in one <strong>of</strong> the composer’s songs. This<br />

screening <strong>of</strong> Nocturne (1946) for Nocturne <strong>2010</strong> will take place in a micro<br />

cinema with the audio available for audience members to hear on the street.<br />

No Rest for the Weary<br />

Kathryn McCormack<br />

1537 Barrington St.<br />

No Rest for the Weary is an absurd look at the barriers we place upon ourselves<br />

in our daily lives. Armed with only a mop and bucket, can the artist overcome<br />

her self-imposed obstacles and clean up after herself? Watch as she spends<br />

the evening in the throes <strong>of</strong> emotion, literally mopping up her own tears. This<br />

piece is a collaboration between artist Kathryn McCormack, costume designer<br />

Leesa Hamilton and engineers Ryan Trudel and John Bachynski.<br />

Prime Life Time<br />

Laura Dawe, with help from Alex van Helvoort<br />

Khyber ICA, 1588 Barrington St.<br />

At Prime Life Time, you get a generic set, a generic script, props and<br />

costumes. You subvert the script any way you like and your performance<br />

is recorded. Your TV show will be played to Barrington St. via TVs and<br />

loudspeakers.<br />

18 NOCTURNE: art at night<br />

NOCTURNE: art at night 19


ZoNe 1 (North Waterfront /Downtown Halifax) (North Waterfront/Downtown Halifax) ZoNe 1<br />

The Same Boat Horn<br />

Kyle Jackson<br />

Salter Boardwalk, Halifax Waterfront<br />

The slow emergency <strong>of</strong> global warming and sea-level rise affect all coastal<br />

communities; we are all in the same boat. The Same Boat Horn is a large,<br />

interactive sculpture that is a continuation <strong>of</strong> Kyle Jackson’s smaller Lovehorns.<br />

This piece enables the public to call out a warning/rescue message over the<br />

sea and connect to other coastal dwellers around the world. using muscle<br />

power to blow the horn, one creates a voice that sends out a message like<br />

raising a white flag. As the survivors on Gericault’s Raft <strong>of</strong> the Medusa,<br />

we can call out for salvation into the dark night.<br />

See Reverse for Care<br />

Emma FitzGerald<br />

1729 Barrington St.<br />

See Reverse for Care is part <strong>of</strong> an ongoing series <strong>of</strong> work that brings to light<br />

the environmental and social issues surrounding the denim industry in the<br />

artist’s birth country <strong>of</strong> Lesotho. Donated denim is combined with traditional<br />

patterns to make a wall sculpture. These patterns traditionally relate to<br />

landscape, which is being damaged through the dumping <strong>of</strong> chemical dyes into<br />

the waterways. The use <strong>of</strong> mirrors relates to their use in initiation ceremonies;<br />

however, these mirrors are magnifying and make viewers appear upside-down.<br />

Designed to be interactive, the piece represents the hope that people will<br />

more closely examine their consumer choices.<br />

Shattered Vision<br />

Rebecca Hannon & NSCAD Foundation students<br />

Museum Wharves, Maritime Museum <strong>of</strong> the Atlantic,<br />

<strong>16</strong>75 Lower Water St.<br />

Emotions ran wild and dreams were shattered after Halifax’s devastating<br />

explosion <strong>of</strong> 1917. Twenty NSCAD students will create a Technicolor response<br />

to the tragedy that will be projected onto the CSS Acadia, the last remaining<br />

ship in Halifax’s Harbour to have survived the explosion. The CSS Acadia will<br />

be docked <strong>of</strong>f the boardwalk behind the Maritime Museum <strong>of</strong> the Atlantic.<br />

Trianglephone<br />

Mike Ritchie & Matt Fudge<br />

Courtyard outside Argyle Fine <strong>Art</strong> <strong>Gallery</strong>, 1869 upper Water St.<br />

The trianglephone is an explorative instrument made <strong>of</strong> recycled materials and<br />

found objects. The instrument was designed by audio engineers and musicians<br />

Mike Ritchie and Matt Fudge, who act as two <strong>of</strong> the three sound creators. All <strong>of</strong><br />

the sound-producing elements are linked so that each player changes what the<br />

other plays. Pickups on the instrument are fed into a computer – that acts as<br />

the third manipulator <strong>of</strong> sound – creating a trio <strong>of</strong> humans and machine playing<br />

one instrument.<br />

Vessels<br />

Adam Kelly, Stephen Kelly, S<strong>of</strong>ian Audry & Samuel St-Aubin<br />

Queens Wharves, behind BioScience Enterprise Center,<br />

1721 Lower Water St.<br />

Vessels will be an outdoor installation consisting <strong>of</strong> two groups <strong>of</strong> autonomous<br />

nocturnal water vehicles. Each group will live in a different bed <strong>of</strong> water. During<br />

the day, the vehicles will remain inactive as they gather and store energy<br />

from the sun. At night, they will become active and will collect, store and<br />

interpret data from various environmental conditions such as water quality<br />

and temperature. From simple programmed correlations between sensors and<br />

actuators, a complex and unpredictable behaviour will emerge that will signify<br />

unseen characteristics <strong>of</strong> the environment and thus potentially provide new<br />

insights into the surroundings.<br />

Waterfall<br />

Kim Morgan, David Clark, Rachelle Viader Knowles & David Ogborn<br />

Halifax Ferry Terminal, upper Water St.<br />

Waterfall is interactive public art camouflaged as a vending machine.<br />

A passerby might be surprised to see that what looks like a vending machine<br />

is actually an invitation to “vend” video clips depicting everyday uses <strong>of</strong> water.<br />

The piece has been inserted into our consumerist landscape as a reminder<br />

<strong>of</strong> our limited water resources. Waterfall was commissioned by the Canadian<br />

Wildlife Foundation and created for the <strong>2010</strong> Winter Olympics.<br />

What Could Public Space Also Be?<br />

Better City LAB (Peter Wünsch, Rachel Derrah,<br />

Harry Olson, Matthew Nevilles & Will Vachon)<br />

Parking lot across from Province House, George St.,<br />

near the corner <strong>of</strong> Granville St.<br />

What could the city also become? What could public space also be? A selection<br />

<strong>of</strong> words and images will be projected in, on and around a public space to<br />

transform the urban setting and spark conversation. The power <strong>of</strong> projection<br />

will allow the viewer to experience alternative possibilities for the space and for<br />

our city. Handmade chairs, blankets and cider onsite will s<strong>of</strong>ten and animate<br />

the urban environment to create a setting that encourages human interaction.<br />

Hosted by the volunteers, conversation games about public space possibilities<br />

will be played by those who have a seat.<br />

Youth on the Radar<br />

Young Arists, <strong>Art</strong>ist Mentors, Ryan Veltmeyer, HeartWood Centre<br />

for Community Youth Development and other sponsors<br />

Raised Performance Media, <strong>16</strong>84 Barrington St., Suite 300<br />

What happens when you combine enthusiastic young people with established<br />

local artists? Stop by the art showcase to find out. See art by youth in a variety<br />

<strong>of</strong> media, created under the guidance <strong>of</strong> local artists such as Luke Watters<br />

(hip hop dance), Miro Davis and Renee Forestall (mixed media), Jenn Grant and<br />

Ann Denny (singing/song-writing), J-BRu and Hermit <strong>of</strong> the Woods (rapping),<br />

Sean MacGillivray (rocking), Matthew McNamara (digital media) and many<br />

others. Whether it is YouTube videos, original songs, dance moves or community<br />

sculpture, Youth on the Radar has art to inspire everyone’s imagination.<br />

20 NOCTURNE: art at night<br />

NOCTURNE: art at night 21


BECOME<br />

A P<strong>ART</strong> OF<br />

<strong>THE</strong> <strong>ART</strong><br />

Experience live painting with<br />

SHARON HODGSON over<br />

cocktails or dinner.<br />

1725 Market Street, located<br />

in the Prince George Hotel<br />

Proud to support Nocturne.<br />

www.giohalifax.com<br />

galleries and<br />

temporary exhibits<br />

independent<br />

Projects<br />

ZoNe 2 MaP<br />

South Waterfront<br />

NOCTURNE: art at night 23


ZoNe 2 (South Waterfront) (South Waterfront) ZoNe 2<br />

seaport anchor Project<br />

Marginal Rd,<br />

Halifax Seaport<br />

Fire and light, wood and clay, collaborative and<br />

interactive works, installations and more will take<br />

over the streets <strong>of</strong> Halifax’s famous seaport.<br />

NOC-TURN<br />

<strong>Nova</strong> <strong>Scotia</strong> Centre For Craft and Design<br />

(NSCCD), 1096 Marginal Rd.<br />

Wood turners Stephen Zwerling and David Wilkins<br />

will share the recreation <strong>of</strong> a tree – the source <strong>of</strong><br />

their raw material. They will demonstrate the use<br />

<strong>of</strong> heat, carving, twisting and other techniques to<br />

decorate and reanimate their sculptural foliage.<br />

YOUR TURN<br />

NSCCD Studios, 1096 Marginal Rd.<br />

Participants will be chosen randomly to work in the<br />

ceramic studio to decorate six-inch cylinders that<br />

will be assembled into six-feet high totems for future<br />

display at the NSCCD. Demonstrators will throw<br />

basic forms and <strong>of</strong>fer guidance on surface design<br />

techniques to alter, carve and embellish the cylinders.<br />

TURN OF EVENTS<br />

NSCCD, 1096 Marginal Rd.<br />

A video will be projected on the exterior <strong>of</strong> 1096<br />

Marginal Rd. highlighting the live creation <strong>of</strong><br />

ceramics and wood turning projects. Here, craft<br />

is not about a final product, but about the dance<br />

<strong>of</strong> materials and techniques.<br />

Community Light Interactive<br />

NSCAD university Port Campus,<br />

1107 Marginal Rd.<br />

This light graffiti exhibit will engage members <strong>of</strong> the<br />

public. Working with a photographer, participants<br />

will use light in various forms (flashlights, sparklers,<br />

etc.) to create a light drawing in the air. The light<br />

drawings will be viewable almost immediately as<br />

part <strong>of</strong> an outdoor video projection.<br />

Community Presents<br />

Pier 21, Canada’s Immigration Museum,<br />

1055 Marginal Rd.<br />

Join artists in interactive art-making by taking<br />

part in a collaborative collage. Pier 21 will also<br />

feature three Community Presents exhibitions in<br />

the Ralph and Rose Chiodo Harbourside <strong>Gallery</strong> in<br />

partnerships with Leave Out ViolencE (LOVE), the<br />

<strong>Nova</strong> <strong>Scotia</strong> Cuba Association and the Vietnamese<br />

Association <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>.<br />

Installation<br />

NSCAD university Port Campus,<br />

1107 Marginal Rd.<br />

Sculpture students, led by NSCAD instructor Kim<br />

Morgan, will exhibit works that address what can<br />

happen when sculpture intersects with landscape or<br />

is integrated with the surrounding environment.<br />

Letterpress Project<br />

NSCAD Port Loggia <strong>Gallery</strong>,<br />

1107 Marginal Rd.<br />

Amos Kennedy Jr. will occupy the Port Loggia<br />

<strong>Gallery</strong> with dozens <strong>of</strong> hand-pulled letterpress<br />

prints from his personal collection. His work<br />

stirs emotions and encourages people to think<br />

in previously unexplored ways. Amos Kennedy is<br />

a letterpress printer, papermaker and builder <strong>of</strong><br />

artists’ books based in Alabama.<br />

Traditional Waves<br />

Visual <strong>Art</strong>s <strong>Nova</strong> <strong>Scotia</strong> (VANS),<br />

Corridor <strong>Gallery</strong>, 1113 Marginal Rd.<br />

Traditional Waves will explore the morphing and<br />

weaving <strong>of</strong> geography and economics in <strong>Nova</strong><br />

<strong>Scotia</strong>. VANS will also highlight their role in a<br />

multimedia project that is generated by audience<br />

interaction, the cultural rhythms <strong>of</strong> the port<br />

and metaphors <strong>of</strong> the historical and modern<br />

architecture at the Halifax Seaport.<br />

Ultramarine Blue<br />

Mary E. Black Vessel <strong>Gallery</strong>,<br />

1061 Marginal Rd.<br />

Participants will be invited to leave a handprint<br />

or mark in dry ultramarine pigment on paper.<br />

While knitting an ultramarine blue mohair blanket,<br />

artist Alexandra Emberley will assist and answer<br />

questions. Following Nocturne, the works on paper<br />

will be installed in the Vessel <strong>Gallery</strong> for a two-week<br />

exhibition, along with the knitted blanket.<br />

1313 hollis<br />

1313 Hollis St.<br />

Non-pr<strong>of</strong>it music/art space<br />

A Great Hellabalution!<br />

The union<strong>of</strong>painters returns to Nocturne with a show <strong>of</strong> paintings from<br />

Meat Cove and the top <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>. Home to creative music, 1313 Hollis<br />

will host A Great Hellabalution!, a display <strong>of</strong> landscape and figure paintings on<br />

discarded mail bags along with plein air oil sketches <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>’s most<br />

spectacular coastal region. The event will feature live jazz and the return <strong>of</strong><br />

free five-minute portraits.<br />

architextiles lab<br />

1061 Marginal Rd., Suite 1000,<br />

university<br />

Electronic Textiles for Architectural Applications<br />

The Architextiles Lab is a collaboration <strong>of</strong> artists, engineers and architects<br />

from NSCAD and Dalhousie universities. Their AIF/ACOA-funded project,<br />

Electronic Textiles for Architectural Applications, will feature glowing window<br />

coverings, massage enclosures, stage sets and dance costumes. All have<br />

a responsive element that the user can manipulate.<br />

art 1274 hollis<br />

1274 Hollis St.<br />

<strong>Art</strong>ist-run co-op<br />

<strong>Art</strong> 1274 Hollis is an artist-run co-op consisting <strong>of</strong> 21 local artists that carries<br />

original paintings, sculptures, jewellery and pottery. The artists promise new<br />

artwork for Nocturne. Drop by, meet and chat with the artists, share in light<br />

refreshments and explore the gallery. While there, fill in a ballot for a chance<br />

to win a gift certificate from the gallery.<br />

Mary e. Black gallery<br />

1061 Marginal Rd., Suite 140<br />

Public gallery<br />

ArchiTextile<br />

@lab<br />

Metamorphosis<br />

The <strong>Nova</strong> <strong>Scotia</strong> Centre for Craft and Design hosts Metamorphosis, traditional<br />

and innovative works by members <strong>of</strong> the Metal <strong>Art</strong>s Guild <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong> in<br />

their annual juried exhibition and competition. The exhibit includes jewellery,<br />

sculpture, <strong>Nova</strong> <strong>Scotia</strong>n stones, enamelling and blade making.<br />

24 NOCTURNE: art at night<br />

NOCTURNE: art at night 25


ZoNe 2 (South Waterfront) (South Waterfront) ZoNe 2<br />

studio 21 fine art<br />

1223 Lower Water St.<br />

Commercial gallery<br />

Studio 21 Fine <strong>Art</strong> <strong>Gallery</strong> exhibits original, contemporary art and has<br />

been providing artwork to both private and corporate collectors locally and<br />

internationally for 27 years. During Nocturne, the gallery will feature an<br />

installation by Susan Feindel. The exhibit will display artwork influenced<br />

by the artist’s research aboard the oceanographic vessel CCGS Hudson.<br />

Feindel’s work explores the beauty, fragility and vast mysteries <strong>of</strong> our ocean<br />

environments. Also on display will be recent work by three Canadian artists:<br />

David Sorensen (paintings), Doug Bentham (sculptures) and Carl Zimmerman<br />

(photo-based images).<br />

ViewPoint gallery <strong>of</strong><br />

contemporary Photography<br />

1272 Barrington St.<br />

<strong>Art</strong>ist-run co-op<br />

Song and Dance<br />

ViewPoint <strong>Gallery</strong> is a co-operative space with a mandate to promote the<br />

artwork <strong>of</strong> photographers in <strong>Nova</strong> <strong>Scotia</strong>. Owned and operated by the artists<br />

who show on its walls, the gallery displays work by all <strong>of</strong> its members and<br />

showcases individual members through month-long exhibitions accompanied<br />

by artist talks, presentations and other events. In addition to the solo shows,<br />

there are several group and guest exhibitions shown throughout the year.<br />

During Nocturne, an exhibition called Song and Dance will be featured.<br />

Apprivoiser la foudre<br />

Amélie Proulx & Douglas Bamford<br />

<strong>Nova</strong> <strong>Scotia</strong> Power Corporate Office,<br />

corner <strong>of</strong> Lower Water St. & Marginal Rd.<br />

Apprivoiser la foudre is a site-specific installation that suggests an ephemeral<br />

merging <strong>of</strong> architecture, history and natural phenomena. The glass structure,<br />

which is currently being transformed from a generating facility to a modern <strong>of</strong>fice<br />

buliding, will be used to contain an “electrical storm”. The architecture <strong>of</strong> this<br />

historical building and its transformation conveys its strong connection with the<br />

natural world. While an electrical storm usually requires that one looks for a<br />

shelter due to the potential danger <strong>of</strong> such natural phenomenon, the installation<br />

presents the storm in such a way that underplays the element <strong>of</strong> danger, and<br />

rather invites contemplation and awe for this powerful natural phenomenon.<br />

Carbon Copy: The Charles Morris Building<br />

Sarah Haydon Roy & Charley Young<br />

Approx. 1273 Hollis St.<br />

10 yea<br />

VIE<br />

W <strong>IN</strong>T<br />

GAL<br />

LERY<br />

The Charles Morris Building, one <strong>of</strong> the oldest buildings in Halifax, is a<br />

structure full <strong>of</strong> history, controversy and hope. Due to the efforts <strong>of</strong> the<br />

Heritage Trust <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>, the Ecology Action Centre and many others, this<br />

building has been saved from demolition and is currently positioned on stilts<br />

waiting for a permanent home. using sheer white fabric, a frottaged print will<br />

show the building as it stands in this particular moment in its history, full <strong>of</strong><br />

imperfections, love, age and time. Interior finishes such as fireplace mantles,<br />

railings, doors and doorways will act as methodical landmarks and create a<br />

carbon copy floor plan to the housing print.<br />

P<br />

CONTEMPORARY PHOTOGRAPHY<br />

Through the Darkness<br />

Christine Waugh<br />

Tall Ships Quay, Halifax Waterfront<br />

Through the Darkness is a sculptural installation on the HalifaxWaterfront.<br />

<strong>Art</strong>ist Christine Waugh invites you to experience the continuation <strong>of</strong> her Journey<br />

series and walk amongst towering porcelain sculptures. Move through and<br />

participate in the exhibit or view from the sidelines.<br />

26 NOCTURNE: art at night<br />

NOCTURNE: art at night 27


28<br />

hoW to get arouNd<br />

fred (6 p.m.-midnight)<br />

The Downtown Halifax Business<br />

Commission is providing the FRED (Free<br />

Rides Everywhere Downtown) service, just<br />

for Nocturne, throughout parts <strong>of</strong> zones 1,<br />

2 and 3. An onboard Nocturne volunteer<br />

will hand out programs and answer questions.<br />

FRED will run three times an hour.<br />

Starting from Pier 21 and leaving at<br />

:10, :30 and :50 between 6 p.m.-midnight,<br />

FRED runs along Lower Water St. to Ferry<br />

Boat Ln., along the Halifax Waterfront and<br />

past Historic Properties to Barrington St.<br />

It then heads southbound on Barrington St.,<br />

turns right onto Spring Garden Rd. to<br />

Brunswick St., up Sackville St. and to the<br />

top <strong>of</strong> the Halifax Citadel. FRED turns right<br />

onto Sackville St., left onto Summer St.,<br />

left onto Spring Garden Rd. and then right<br />

onto Barrington St. It follows Barrington St.<br />

until Cornwallis Park and turns left passing<br />

the Superstore, the VIA Rail Station and<br />

the Westin <strong>Nova</strong> <strong>Scotia</strong>n Hotel before<br />

proceeding back to Pier 21.<br />

fred Bus stops:<br />

• Cruise Ship Pavilion/Pier 21<br />

(stops at :10, :30 & :50)<br />

• Halifax Waterfront<br />

• Alexander Keith’s Brewery<br />

• Maritime Museum <strong>of</strong> the Atlantic<br />

• Ferry Boat Lane<br />

(stops at :15, :35 & :55)<br />

• Barrington Street<br />

• Halifax Citadel National Historic Site<br />

(stops at :28, :48 & :08)<br />

• Spring Garden Road<br />

• VIA Rail<br />

• Pier 21<br />

By ferry<br />

The Halifax Ferry departs at fifteen minutes<br />

past the hour and fifteen minutes to the hour,<br />

with the last ferry departing at 11:45 p.m.<br />

The Dartmouth Ferry departs on the hour<br />

and half hour, with the last ferry departing<br />

at 11:30 p.m.<br />

NOCTURNE: art at night<br />

By Bus<br />

Metro Transit <strong>of</strong>fers several bus routes<br />

that will take you to Nocturne sites. Plot<br />

a Nocturne route using Go Time or visit<br />

www.halifax.ca/metrotransit/ Show your<br />

Nocturne Program Guide or Nocturne<br />

button to get a free transit ticket (one per<br />

person, based on availability) at Nocturne<br />

headquarters or at the ferry terminals.<br />

Examples <strong>of</strong> Metro Transit routes and key<br />

streets travelled to help plan your night:<br />

# 1 spring garden<br />

Travels along Barrington St., turns right<br />

onto Spring Garden Rd., goes north along<br />

Oxford St. and intersects with Quinpool Rd.<br />

# 6 Quinpool<br />

Departs from Water St. Terminal,<br />

travels along Quinpool Rd.<br />

# 7 robie<br />

Travels along Robie St., South St.,<br />

Barrington St., Gottingen St. & <strong>Nova</strong>lea Dr.<br />

# 8 Waterfront<br />

From <strong>Scotia</strong> Square, travels along Hollis St.,<br />

then travels Terminal Rd. to the Halifax<br />

Seaport, returning to <strong>Scotia</strong> Square via<br />

upper Water & Barrington Sts.<br />

# 10 dalhousie<br />

Travels along Barrington St.,<br />

Spring Garden Rd., South Park St., Inglis St.<br />

& the Dalhousie Transit Terminal.<br />

# 18 universities<br />

Travels along Windsor St., Robie St.,<br />

Spring Garden Rd., South Park St.,<br />

Inglis St., Robie St. & the Bedford Hwy.<br />

# 80 sackville<br />

Travels along Barrington St.,<br />

Spring Garden Rd., Robie St., Young St.,<br />

Bayers Rd. & the Bedford Hwy.<br />

Please refer to Go Time for schedule and<br />

route information.<br />

for information about live performances<br />

on the ferry during Nocturne, see page 9.


Proud inaugural supporters <strong>of</strong><br />

Nocturne: <strong>Art</strong> at Night<br />

BISHOP ST<br />

HOLLIS ST<br />

SALTER ST<br />

BRUNSWICK ST<br />

MARKET ST<br />

GRAFTON ST<br />

ARGYLE ST<br />

BARR<strong>IN</strong>GTON ST BARR<strong>IN</strong>GTON ST<br />

GRANVILLE STREET<br />

Read all the Big Day Downtown<br />

stories visit downtownhalifax.ca<br />

Get inspired. Go to town.<br />

SACKVILLE ST<br />

PR<strong>IN</strong>CE ST<br />

PR<strong>IN</strong>CE ST<br />

BEDFORD ROW<br />

LOWER WATER ST<br />

GEORGE ST<br />

GEORGE ST<br />

DUKE ST<br />

HOLLIS ST<br />

UPPER WATER ST<br />

galleries and<br />

temporary exhibits<br />

independent<br />

Projects<br />

ZoNe 3 MaP<br />

Spring Garden Area/Universities<br />

NOCTURNE: art at night 31


ZoNe 3 (Spring Garden Area/Universities) (Spring Garden Area/Universities) ZoNe 3<br />

A Year in the Making<br />

the Public gardens anchor Project<br />

Spring Garden Rd. & Sackville St.<br />

Curator Scott Saunders has assembled a team <strong>of</strong><br />

local artists in various stages <strong>of</strong> their careers to<br />

create site-specific works that dialogue with the<br />

historic Public Gardens. This collective will tap into<br />

the energies that lie dormant in the Gardens by<br />

night, creating an interactive experience for the<br />

local population that will recontextualize and enrich<br />

their pre-existing relationships with this universally<br />

treasured site and produce an exhilarating visual<br />

art spectacle.<br />

highlights include:<br />

Mitchell Wiebe<br />

Wiebe’s alter ego “Dweebo”, in collaboration<br />

with filmmaker Heather Harkins, will lead<br />

his art rock band Soaking Up Jagged (Adam<br />

O, Beau Labute, Dave Ewenson and Craig<br />

Leonard), as they perform at 7:30 and<br />

10 p.m. near the Gardens Bandstand.<br />

scott saunders<br />

Saunders will use the Victorian-era front<br />

gates at the corner <strong>of</strong> South Park and Spring<br />

Garden Rd. as a gigantic projection screen<br />

featuring native <strong>Nova</strong> <strong>Scotia</strong>n insects in<br />

extreme close-up.<br />

annie MacMillan<br />

MacMillan created a five-minute animation<br />

comprised <strong>of</strong> 7,500 still frames that will be<br />

installed in the perimeter fence and viewed<br />

by walking around the Gardens’ space.<br />

craig leonard<br />

using the Public Gardens’ lampposts,<br />

Leonard returns the site to its pre-electrical<br />

beginnings.<br />

Michael fernandes<br />

Fernandes has created a work involving seven<br />

audio stations: ducks, squirrels, seagulls,<br />

pigeons, cats, bees and ants in locations<br />

around the Gardens.<br />

Photo courtesy <strong>of</strong> the Public Archives <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong>, Notman Studio, 1897<br />

eleanor King<br />

King will recreate Freshwater Brook, a brook<br />

that used to run through the city by using<br />

radio transmission in localized pockets within<br />

the Gardens’ space.<br />

Valerie salez & Jessie Mitchell<br />

They will create a live, performance-based<br />

installation that integrates sound with<br />

sculpture. The overall look and feel will be<br />

eclectic, psychedelic and fantastical.<br />

Wes Johnston<br />

Engaging the spirit <strong>of</strong> the Grand Exhibition<br />

and modes <strong>of</strong> presentation associated with<br />

federally ordained natural splendor, Wes<br />

Johnston presents a pavilion that observes<br />

the procurement <strong>of</strong> the Great Canadian<br />

Wilderness through an architecture <strong>of</strong> the<br />

near past – future perfect.<br />

adam Kelly, stephen Kelly,<br />

samuel st. aubin, s<strong>of</strong>ian audry<br />

This collective will use the Gardens Pond<br />

as they create a number <strong>of</strong> nocturnal,<br />

autonomous water vehicles. The behaviour<br />

<strong>of</strong> these boat-like constructions will be<br />

emergent and motivated by their immediate<br />

environment.<br />

atlantic filmmakers cooperative<br />

CBC Radio Room, <strong>16</strong>01 South Park St.<br />

<strong>Art</strong>ist-run co-op<br />

FILM-E-OKE COME PLAY A ROLE<br />

When Nocturne visitors arrive at the FILM-E-OKE set, they will be presented<br />

with a selection <strong>of</strong> script excerpts from famous Hollywood films, an assortment<br />

<strong>of</strong> costumes, props and a stock <strong>of</strong> fellow performers. Participants will choose<br />

the script they would like to perform, are given a short time to dress and<br />

rehearse and then are thrust by the FILM-E-OKE director onto the virtual image<br />

and sound stage, while the cameras start rolling. FILM-E-OKE performances<br />

are rear-projected onto large screens placed in the windows <strong>of</strong> the CBC Radio<br />

Room for passersby to watch – attracting viewers and new participants alike.<br />

dalhousie art gallery<br />

6101 university Ave.<br />

university gallery<br />

RBC Canadian Painting Competition<br />

During Nocturne, the gallery is presenting the <strong>2010</strong> RBC Canadian Painting<br />

Competition. The exhibition features paintings in a range <strong>of</strong> styles by the<br />

15 semifinalists selected from across Canada. The RBC Canadian Painting<br />

Competition was established in 1999 with assistance from the Canadian <strong>Art</strong><br />

Foundation to support artists in the early stages <strong>of</strong> their careers. Drop by to<br />

see the exhibition, which is on view for a limited time.<br />

halifax Provincial court<br />

5250 Spring Garden Rd.<br />

Temporary exhibition space<br />

artsexpress presents: Youth on the Radar<br />

<strong>Art</strong>sExpress is showing Youth on the Radar, innovative artwork created by<br />

Spryfield youth under the guidance <strong>of</strong> local artists. Youth on the Radar will<br />

be shown in both the Corridor <strong>Gallery</strong> <strong>of</strong> the <strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Nova</strong> <strong>Scotia</strong> and<br />

the upstairs foyer <strong>of</strong> the Provincial Courthouse on Spring Garden Rd. The<br />

courthouse is opening its doors for a public art viewing for the very first time<br />

this fall.<br />

a hidden gallery<br />

1469 Birmingham St.<br />

Commercial gallery<br />

The Symmetry <strong>of</strong> Chaos and Photographic Odyssey<br />

A Hidden <strong>Gallery</strong> represents a unique presentation <strong>of</strong> art covering all mediums,<br />

while emphasizing wall decor. Its priority is to feature <strong>Nova</strong> <strong>Scotia</strong>n artists at<br />

various stages in their career.<br />

32 NOCTURNE: art at night<br />

NOCTURNE: art at night 33


ZoNe 3 (Spring Garden Area/Universities) (Spring Garden Area/Universities) ZoNe 3<br />

love, Me Boutique<br />

1539 Birmingham St.<br />

Commercial gallery<br />

Miles <strong>of</strong> Bliss<br />

Love, Me Boutique is an inviting space artfully curated with Canadian handmade<br />

goods for wearing, living and giving. During Nocturne, view Miles <strong>of</strong> Bliss by<br />

Anna Stowe, an exhibition depicting the jumps, bumps, mud, rocks and dust<br />

<strong>of</strong> early motorcycle trials and scrambles. Also, participate in the portrait photo<br />

station – bring you and yours and make a photographic memory.<br />

Visit www.lovemeboutique.ca in <strong>October</strong> for more information.<br />

Museum <strong>of</strong> Natural history<br />

1747 Summer St.<br />

Museum<br />

Join staff for flashlight tours <strong>of</strong> the museum and learn about<br />

nocturnal animals. Meet the museum’s collection <strong>of</strong> living animals and learn<br />

about their nocturnal habits. The Museum <strong>of</strong> Natural History is dedicated<br />

to collecting, researching and documenting <strong>Nova</strong> <strong>Scotia</strong>’s natural history.<br />

Their vision is to interpret the natural world to its visitors and inspire them to<br />

perceive the part it plays in their everyday lives.<br />

saint Mary’s university art gallery<br />

5865 Gorsebrook Ave.<br />

university gallery<br />

The Triumph <strong>of</strong> Mischief<br />

Cree artist Kent Monkman <strong>of</strong>fers a queer perspective on the history <strong>of</strong> the<br />

First Nations’ encounter with European cultures. The artist proposes an<br />

anthropological investigation <strong>of</strong> the European male in a silent film projection<br />

within a postmodern teepee and performs in the glamourous drag persona <strong>of</strong><br />

Miss Chief Share Eagle Testickle. An accomplished painter, Monkman also<br />

recreates romantic ninteenth-century Beaux-<strong>Art</strong>s landscapes <strong>of</strong> North America,<br />

reimaging the presence <strong>of</strong> “cowboys and Indians” within this wilderness idyll.<br />

Zwicker’s gallery<br />

5415 Doyle St.<br />

Commercial gallery<br />

Established in 1886, Zwicker’s <strong>Gallery</strong> is Canada’s oldest commercial art<br />

gallery. The gallery carries historical and contemporary paintings in oil and<br />

watercolour, as well as sculptures and graphics, including works by Inuit and<br />

Aboriginal artists. During Nocturne, the featured artist will be Linda Dobbs, a<br />

painter and photographer. Linda will sign copies <strong>of</strong> her new book, The Gardens<br />

<strong>of</strong> the Vatican.<br />

IRiSs Lab #8: mined machine dreams redux<br />

IRiSs Laboratories in collaboration with Motion Ensemble<br />

Museum <strong>of</strong> Natural History – Auditorium, 1747 Summer St.<br />

IRiSs Lab #8 presents an experiential cinematic experience, using the science<br />

and mystery <strong>of</strong> stroboscopic light theory and the Sufi-inspired Dream Machine<br />

design patterns <strong>of</strong> artist Brion Gysin. The kaleidoscopic cyclone will manipulate<br />

projected images through the use <strong>of</strong> prisms, mirrors, lenses and live sonic<br />

interpolations from the audience and the architectural space around them.<br />

Images <strong>of</strong> psychiatric experiments and counterculture recreational activities <strong>of</strong><br />

the 1960s will float, flutter and flicker as the research technicians monitor their<br />

audience member test subjects.<br />

Warning: Stroboscopic effects may induce epileptic seizures in approximately 1/14,000 subjects.<br />

Subjects may also experience some benefits.<br />

Kardio-Karaoke!!!<br />

Eryn Foster<br />

The Cardio Room, YMCA South Park, 1565 South Park St.<br />

Eryn Foster and guest host Laurie the Guy invite you to work out while singing<br />

your heart out as part <strong>of</strong> Kardio-Karaoke!!! Participants <strong>of</strong> all singing and<br />

athletic abilities are invited to exercise their lungs and legs while riding on a<br />

treadmill, elliptical trainer or stationary bicycle. Participants can sing their own<br />

solo karaoke tunes, form a band or invite the audience to join in as a back-up<br />

choir. Bring your most outrageous sweats, water and a list <strong>of</strong> your favourite<br />

karaoke tunes. No experience necessary. Basic cardio equipment and safety<br />

orientation will be provided. Participants must be 18 years or older.<br />

The Library Pavilion<br />

Dalhousie School <strong>of</strong> Architecture<br />

Site <strong>of</strong> the new Halifax Central Library, corner <strong>of</strong> Spring Garden Rd.<br />

& Queen St.<br />

This experimental architecture pavilion will allow people to experience public<br />

space in a new way as they enjoy exhibits, displays and refreshments. See<br />

the pavilion, hang out with friends, enjoy the lights and educate yourself about<br />

the ongoing design process for the new Central Library. As both public space<br />

and public educator, the pavilion aims to help people become part <strong>of</strong> the<br />

democratic process <strong>of</strong> civic engagement by facilitating conversations about<br />

the new Central Library.<br />

Ordinarium Drive-Thru<br />

Ordinary Collective (Lis Van Berkel, Leigh Ann Vardy & Joanne Kerrigan)<br />

Parking Lot, corner <strong>of</strong> Birmingham St. & Clyde St.<br />

The Ordinarium Drive-Thru is a place like no other. The public will enter an<br />

environment rich with atmosphere – sound, light, set dressing, props and<br />

costume. Pedestrians will be guided one-by-one to the window <strong>of</strong> the “drivethru”<br />

for an enigmatic exchange. The experience will demand a little <strong>of</strong> the<br />

participant and will give them pause for thought. Revel in the absurdity <strong>of</strong><br />

creating complex, alienating and confusing ways to make our lives easier<br />

and faster.<br />

34 NOCTURNE: art at night<br />

NOCTURNE: art at night 35


ZoNe 3 (Spring Garden Area/Universities)<br />

Parked<br />

Kiersten Holden & Zak Miller<br />

Parking lot, Spring Garden Road Memorial Public Library,<br />

<strong>of</strong>f Brunswick St.<br />

Parked is a harkening back to teenage rural shindigs, a hybridization <strong>of</strong> rural<br />

and urban leisure activities. A creative <strong>of</strong>fshoot <strong>of</strong> contemporary car culture,<br />

Parked will explore ideas <strong>of</strong> spontaneous gatherings, sound as container and<br />

differing daily paces and lifestyles. Rural parties, unexpected social spaces<br />

and interactivity inspire this sound-based installation. Vehicles ordinarily used<br />

as propelling devices are used to create a social gathering space in which to<br />

appreciate fellow folks out in the night amidst unique movements <strong>of</strong> sound.<br />

Paths No. 2: Reticulating a Warren<br />

Jessica Melindy, Paulina Szczesny & James Morshead<br />

Victoria Park, Spring Garden Rd. & South Park St.<br />

Within the infrastructure <strong>of</strong> the city, three artists have come together to<br />

create a three-dimensional fabric sculpture in Victoria Park. using unravelled<br />

knitwear and recycled fabric as a medium, the piece speaks <strong>of</strong> journey,<br />

connections and relationships through the unravelling and reformation <strong>of</strong> objects.<br />

The intention is to alter people’s paths throughout the city to create a more<br />

intimate experience by reticulating a piece that resembles a warren, creating a<br />

dialogue about the use <strong>of</strong> space and the isolation and loss <strong>of</strong> intimacy in the<br />

city environment.<br />

Spinnekop<br />

Nicole LeBlanc & Melissa Schwegmann<br />

Exhibition Room, Dalhousie Architecture Building,<br />

5410 Spring Garden Rd.<br />

Spinnekop, or spider, is a kinetic sculpture designed to abstractly simulate<br />

an organism. The project was inspired by a common interest in biomimicry and<br />

kinetic architecture. Spinnekop evokes a living energy through fluid, rhythmical<br />

movement and subtle illumination. Starting as a collapsed form, numerous<br />

members unfurl as they twist and extend into a series <strong>of</strong> seemingly tangled<br />

legs. As the legs expand, a diaphanous membrane shifts to create a s<strong>of</strong>t,<br />

flowing envelope, like a spider trapped in its own webbing.<br />

The Way We Were: <strong>Nova</strong> <strong>Scotia</strong> in Film, 1917-1957<br />

Lauren Oostveen, <strong>Nova</strong> <strong>Scotia</strong> Archives and Records Management,<br />

60<strong>16</strong> university Ave.<br />

The <strong>Nova</strong> <strong>Scotia</strong> Archives will be screening films made in the province from<br />

1917 to 1957, including films by <strong>Nova</strong> <strong>Scotia</strong>ns WR MacAskill, John B Porter,<br />

Allen Fraser, Dr. Alexander Leighton and more. Select film stills will be<br />

displayed, showing humourous title cards, vacation footage from abroad and<br />

other unique images captured by <strong>Nova</strong> <strong>Scotia</strong>n filmmakers. An additional<br />

display will feature newly digitized nitrate negatives from the turn <strong>of</strong> the century.<br />

galleries and<br />

temporary exhibits<br />

independent<br />

Projects<br />

ZoNe 4 MaP<br />

North End/Hydrostone<br />

36 NOCTURNE: art at night<br />

NOCTURNE: art at night 37


ZoNe 4 (North End/Hydrostone) (North End/Hydrostone) ZoNe 4<br />

2540<br />

2540 Agricola St., Studio 2<br />

Commercial gallery<br />

I like what you’ve done<br />

2540 is an open-concept, collaborative workspace for the creative<br />

pr<strong>of</strong>essionals at 2540 Agricola St. Studio 2 at 2540 is quickly becoming part<br />

<strong>of</strong> the cultural fabric <strong>of</strong> Halifax.<br />

art&jules<br />

2089 Gottingen St.<br />

Commercial gallery<br />

art&jules is proud to represent more than 50 artists from <strong>Nova</strong> <strong>Scotia</strong> and<br />

beyond. During Nocturne, the regularly scheduled group exhibition will be on<br />

display, as well as a special opening ceremony at 4:30 p.m. and a closing<br />

ceremony after-party from 12:30–2 a.m. To commemorate the event, eight<br />

unforgettable masterpieces will be unveiled at the top <strong>of</strong> each hour, starting<br />

at 6 p.m. and ending at 2 a.m. Remember, some <strong>of</strong> nature’s most unique<br />

creatures are nocturnal!<br />

artists’ Quarter<br />

2594 Agricola St.<br />

Commercial gallery<br />

Diversity<br />

<strong>Art</strong>ists’ Quarter is an idea conceived and developed to support the artistic<br />

community as a contribution to society. Its vision is to become a place for social<br />

and cultural creativity and interaction among artists and beyond, as well as<br />

being an example <strong>of</strong> a rational and functional concept that accommodates the<br />

artist quarter with a central art gallery, 10 artists’ studios and a meeting room.<br />

Bloomfield centre<br />

2786 Agricola St.<br />

Collaborative community space<br />

Playing at the Bloomfield Centre<br />

The Bloomfield Centre is slated to be the next arts, culture and community<br />

hub for HRM. Come play at the Bloomfield Centre during Nocturne, where there<br />

will be art/play events in the playground, tennis courts, gym and community<br />

garden. Nocturne events at the centre will be interactive – from riding a bicycle<br />

that lights up the trees, to ball games in the gym and performance art in the<br />

playground.<br />

the coast<br />

5567 Cunard St.<br />

Temporary exhibition space<br />

Every week, dozens – sometimes hundreds – <strong>of</strong> photos are taken by local<br />

photographers for The Coast, Halifax’s alt-weekly newspaper, but only one is<br />

chosen for the cover. There isn’t anything wrong with the rejects; sometimes<br />

fantastic photos simply don’t make great covers. The Coast invited their<br />

photographers to pick through their personal archives to find their favourite<br />

works and pull out the ones that didn’t make the cut. See their choices as<br />

The Coast’s windows are transformed into giant light boxes for the evening.<br />

eyelevel gallery and centre for art tapes<br />

2063 Gottingen St.<br />

<strong>Art</strong>ist-run centre<br />

Input/Output (I/O)<br />

Eyelevel <strong>Gallery</strong> is a not-for-pr<strong>of</strong>it, charitable organization dedicated to the<br />

presentation, development and promotion <strong>of</strong> contemporary art. Through<br />

exhibitions, performances, special projects and workshops, the gallery has<br />

provided a forum for the discussion <strong>of</strong> contemporary visual art for 35 years.<br />

The Centre for <strong>Art</strong> Tapes is a not-for-pr<strong>of</strong>it, artist-run, charitable organization<br />

that supports artists who work with electronic media including video, audio<br />

and new media. It provides services to both members and the general public,<br />

including production facilities, ongoing exhibitions and screenings.<br />

fred. beauty food art<br />

2606 Agricola St.<br />

Commercial gallery<br />

FRED. beauty food art, at the center <strong>of</strong> Nocturne’s Zone 4, will be featuring<br />

a visual and performance art-based program throughout the evening. The<br />

work <strong>of</strong> local artist Eve Hartling will be on display at the FRED. art gallery<br />

during Nocturne. Join the FRED. Facebook page for updates on specific<br />

performances.<br />

hydrostone gallery<br />

5519 Young St.<br />

Commercial gallery<br />

The Hydrostone <strong>Gallery</strong> is a commercial art venue, representing mid-career<br />

and emerging artists through solo and group exhibitions, occurring on a sixweek<br />

basis.<br />

Photo credit: Lukas Steinman,<br />

Futures, 2009.<br />

38 NOCTURNE: art at night<br />

NOCTURNE: art at night 39


ZoNe 4 (North End/Hydrostone) (North End/Hydrostone) ZoNe 4<br />

the ikebana shop<br />

6417 Quinpool Rd.<br />

Commercial gallery<br />

Ikebana for Nocturne<br />

The Ikebana Shop is dedicated to the promotion <strong>of</strong> ikebana, the art <strong>of</strong><br />

Japanese flower arrangement. Visitors can see displays and get a better<br />

understanding <strong>of</strong> the Japanese aesthetic. The Ikebana Shop provides custom<br />

arrangement services, lessons and supplies.<br />

May street studio<br />

5765 May St.<br />

Commercial gallery<br />

Contained Space/Space Contained<br />

Negative space is the fertile and illuminating space between things, much more<br />

than just the absence <strong>of</strong> something. It is, in a sense, the silence that falls<br />

between the sounds. This is similar to the Japanese concept <strong>of</strong> Ma – the natural<br />

pause or interval between two or more phenomena.<br />

Four artists will work with the principles <strong>of</strong> Ma and positive/negative space to<br />

create an exhibit in sculpture, ceramics and photography in a way that challenges<br />

our normal perceptions <strong>of</strong> the world. Two <strong>of</strong> the artists will create traditional<br />

Japanese ikebana flower arrangements interpreting the concept <strong>of</strong> Ma.<br />

MsVu art gallery<br />

<strong>16</strong>6 Bedford Hwy.<br />

university gallery<br />

Lighthouse<br />

The MSVu <strong>Art</strong> <strong>Gallery</strong> functions as a resource to Mount Saint Vincent university,<br />

communities served by the university, artists and art publics everywhere.<br />

The gallery reflects the university’s education mission by emphasizing the<br />

representation <strong>of</strong> women as cultural subjects and producers. Through its focus<br />

on contemporary art and pr<strong>of</strong>essional mentoring, the gallery has been a catalyst<br />

to many careers in the arts and highlights the achievements <strong>of</strong> contemporary<br />

<strong>Nova</strong> <strong>Scotia</strong>n and Canadian artists, <strong>of</strong>ten in the early stages <strong>of</strong> their careers.<br />

Its exhibitions explore various forms <strong>of</strong> cultural production and themes relevant<br />

to academic programs <strong>of</strong>fered by the university.<br />

the Paragon theatre gallery<br />

2037 Gottingen St.<br />

Commercial gallery<br />

The Paragon Theatre is focused on the arts, showcasing one artist each<br />

month in the gallery. With an average <strong>of</strong> 1,500 visitors in the building each<br />

week, the featured artist gets considerable exposure. The artist’s work is later<br />

tied into live performances during music acts throughout the weekend.<br />

secord gallery<br />

6301 Quinpool Rd.<br />

Commercial gallery<br />

In Material<br />

Secord <strong>Gallery</strong> primarily represents well-known <strong>Nova</strong> <strong>Scotia</strong>n artists. Since<br />

1993 it has presented exhibitions in a broad variety <strong>of</strong> media, including<br />

paintings, original prints, ceramics and sculpture. For Nocturne, the gallery<br />

will be hosting a solo exhibition <strong>of</strong> sculptural works by Brad Hall, entitled<br />

In Material. Primarily a metal sculptor, Brad also employs stone and other<br />

materials. For this exhibition, he will include some collaborative works with<br />

artists who work in other disciplines. Visitors can also expect a selection <strong>of</strong><br />

works by other gallery artists, including a preview <strong>of</strong> works from upcoming<br />

exhibitions.<br />

turnstile Pottery co-operative<br />

2733 Agricola St.<br />

<strong>Art</strong>ist-run co-op<br />

Turnstile is a for-pr<strong>of</strong>it co-operative, providing 24-hour access to a<br />

fully equipped pottery studio, as well as a gallery and storefront to display and<br />

sell members’ work. It is available to artists through a monthly membership<br />

and to the general public through a variety <strong>of</strong> community classes and events.<br />

Working as a co-operative, members provide each other with ongoing support<br />

by engaging in critiques, maintaining the studio and operating the business.<br />

Veith street gallery<br />

3115 Veith St.<br />

Non-pr<strong>of</strong>it community arts centre<br />

Creative Spirit East<br />

Veith Street <strong>Gallery</strong> Studio Association is a non-pr<strong>of</strong>it community arts centre<br />

located in the North End. It provides a venue for members <strong>of</strong> Creative Spirit<br />

East, who are artists with disabilities or related challenges, to showcase their<br />

artwork. The gallery’s educational programming includes arts-related seminars<br />

and workshops, an artist-in-residence program, an arts outreach program<br />

for youth and many other opportunities for artists to develop their potential.<br />

The gallery believes that the practice and enjoyment <strong>of</strong> art should be available<br />

to everyone and that the lives <strong>of</strong> individuals are enriched through the artistic<br />

process.<br />

wonder’neath<br />

2819 Isleville St.<br />

<strong>Art</strong>ist co-op<br />

wonder’neath <strong>Art</strong>s Collective is a shared space for art, teaching and creativity<br />

in the north end <strong>of</strong> Halifax.<br />

40 NOCTURNE: art at night<br />

NOCTURNE: art at night 41


ZoNe 4 (North End/Hydrostone) (North End/Hydrostone) ZoNe 4<br />

Campsite<br />

Annik Gaudet<br />

Backyard <strong>of</strong> the Bus Stop Theatre, 2268 Maitland St.<br />

Walking on the quiet street <strong>of</strong> Maitland (one street down from Gottingen) to<br />

the backyard <strong>of</strong> the Bus Stop Theatre, spectators will find a secret camping<br />

site. Based on recent hitchhiking experiences, Campsite explores the idea <strong>of</strong><br />

squatting in a populated, urban environment. using video projection, sound<br />

and a glowing tent, this installation will <strong>of</strong>fer an unconventional insight into<br />

this clandestine activity. An aura <strong>of</strong> secrecy, resourcefulness and daringness<br />

will inhabit the space.<br />

Cultural Infrastucture<br />

Chris Foster<br />

Lobby <strong>of</strong> the Bus Stop Theatre, 2203 Gottingen St.<br />

Chris Foster presents Cultural Infrastructure, an exhibition <strong>of</strong> prints and<br />

sculptures in the lobby <strong>of</strong> the Bus Stop Theatre. Five thousand litho-<strong>of</strong>fset<br />

prints have been produced and are available free for those who attend. The<br />

prints reference iconic cultural institutions in Halifax and elaborate on them<br />

with whimsical architectural allegories. Complimenting the prints are two<br />

sculptures that reference local residential and industrial sites, conjoining<br />

elements to create new Frankenstein buildings. The work employs a dark<br />

sense <strong>of</strong> humour and imagination to discuss the personality <strong>of</strong> Halifax’s<br />

cultural institutions.<br />

The Falls<br />

Heather Wilkinson & Melissa Marr<br />

Common Room, wonder’neath <strong>Art</strong>s Collective, 2819 Isleville St.<br />

There is nothing gentle about a waterfall. Waterfalls cut through rock…<br />

Peer through the glass into a drawn landscape. Both an installation and a<br />

performance, The Falls is a delirious scene inhabited by flopping fish, stoic<br />

performers and a kinetic felted waterfall. Conceived by artists Heather<br />

Wilkinson and Melissa Marr, and executed with a crew <strong>of</strong> volunteers and<br />

performers, The Falls is a collaboration that explores the interplay between the<br />

static landscape and an irrepressible desire for movement.<br />

Lights from Underground<br />

Zoë Nudell with Michael Anderson<br />

Parking Garage, Maitland St. between Cornwallis St. & Portland Pl.<br />

Light has the power to magnetize and transform; the intrigue <strong>of</strong> a dark space<br />

illuminated, but still hidden, beckons irresistibly. A series <strong>of</strong> ephemeral light<br />

sculptures glow like minerals in a cave from the darkness <strong>of</strong> the covered parking<br />

lot. The lot is an urban secret in the way <strong>of</strong> back alleys and shortcuts that<br />

explore alternative routes and approach the site via devious passageways.<br />

Once among the sculptures, let the glowing marks evoke stories, maps or<br />

memories to heighten the sense <strong>of</strong> being suspended in the transition between<br />

worlds.<br />

Memories <strong>of</strong> Creighton<br />

Zac Barkhouse & Courtney Kelsey with Troy Howell<br />

2098 & 2100 Creighton St.<br />

2098 and 2100 Creighton St. will be lit up with light-box photographs, video<br />

projections onto windows and a live performance. Each individual piece will<br />

be tied to a short film where actor Troy Howell plays an individual recounting<br />

his time in the neighbourhood. This lively monologue will be projected onto<br />

a theatre screen in the backyard and contrasted with the subdued live<br />

performance <strong>of</strong> Howell from a window overlooking the street.<br />

Night Scenes<br />

Michael Lewis, Dave Marsh & The True Love Rules<br />

Hydrostone Park, Young St.<br />

In the park adjacent to the Hydrostone Market, Michael Lewis will paint a<br />

continuous canvas banner that will grow longer as the evening progresses.<br />

The banner will be parallel to the street, viewable to pedestrians and transit<br />

passengers. Public interaction will be encouraged. Accompanying this project<br />

will be music by local legends Dave Marsh & The True Love Rules, encouraging<br />

and affecting the imagery.<br />

Outside In<br />

Natalie Boterman, Matthew Carswell & the residents <strong>of</strong> Creighton Manor<br />

2086 Creighton St.<br />

Outside In is a site-specific installation/performance in the Creighton Manor <strong>of</strong><br />

North End Halifax. Originally a single family mansion, the Manor has existed as<br />

a rooming house, a corner store and is now occupied by members <strong>of</strong> the arts<br />

community. Simple lighting techniques and inexpensive materials provide its<br />

dwellers with the opportunity to actively and knowingly share their private lives<br />

in an anonymous manner. Screens placed over the 26 street-facing windows<br />

<strong>of</strong> the Creighton Manor display to the outside world the silhouetted forms <strong>of</strong><br />

objects and people that are placed or moving inside.<br />

Window Ballet<br />

Directed by Lisa Lipton, with collaboration by Joel Apple, Anna Danova,<br />

Bonita Hatcher, Mike Kean, Lisa Lipton, Veronique MacKenzie, Grant Pardy,<br />

Victoria Parker, Patti Robinson, Stacy Smart, Liz Solo, Solomon Vromans & more<br />

2650 Northwood Terr.<br />

Window Ballet is a collaborative performance-based project in which numerous<br />

artists and musicians will be combining their talents to create one theatrical<br />

narrative contained by a North End house. Window Ballet attempts to explore<br />

notions <strong>of</strong> voyeurism as well as the spectacle through rupturing traditional<br />

perceptions <strong>of</strong> the idea <strong>of</strong> home, from that which provides privacy, comfort,<br />

security or quiet content, to that which might cause disillusionment or lack <strong>of</strong><br />

sanctum. – as i see, as i look, as i gaze…<br />

42 NOCTURNE: art at night<br />

NOCTURNE: art at night 43


galleries and<br />

temporary exhibits<br />

independent<br />

Projects<br />

ZoNe 5 MaP<br />

Downtown Dartmouth<br />

NOCTURNE: art at night 45


ZoNe 5 (Downtown Dartmouth) (Downtown Dartmouth) ZoNe 5<br />

Redemption <strong>of</strong> the Dark Side<br />

alderney landing anchor Project<br />

Curated by Gary Markle,<br />

produced by Kim Farmer<br />

Alderney Landing, Ferry Terminal<br />

Circus Comes to Town: Redemption <strong>of</strong><br />

the Dark Side<br />

On the site <strong>of</strong> the present-day Alderney Landing<br />

there was once a circus ground. On certain nights in<br />

<strong>October</strong>, the ghosts <strong>of</strong> the carnival return – midway<br />

music and smells, the sound <strong>of</strong> hawkers, the glow<br />

<strong>of</strong> sideshow tents and strings <strong>of</strong> bare bulbs blaze<br />

overhead. The crowd is confronted by performers<br />

and clowns, the mood is dark, a bit dangerous. The<br />

performers are looking for something, something<br />

stolen from them long ago – the essence <strong>of</strong> their<br />

circus. Join them on this adventure <strong>of</strong> redemption<br />

as the dark side seeks its light.<br />

Performers include:<br />

• Aerialists from Atlantic Cirque: Caitlan Anthony,<br />

Madelaine Higgins & Sarah Kirby<br />

• Monique Ryan & members <strong>of</strong> Serpentine Circus<br />

in the alderney theatre:<br />

Dartmouth Experimental Music Group with<br />

performers Robert Bean, Chris Myhr, Ayako<br />

Myhr, Barbara Sutherland, Scott Bertram &<br />

John Abram<br />

The Dartmouth Experimental Music Group will<br />

perform Steve Reich’s Pendulum Music and<br />

Clapping Music, John White’s Drinking and Hooting<br />

Machine and new pieces by Chris Myhr and John<br />

Abram. Performances will take place at intervals<br />

throughout the evening. The pieces present sounds<br />

not ordinarily considered musical in a setting that<br />

allows them to be heard and understood as music.<br />

An alchemical transmutation <strong>of</strong> darkness into light,<br />

earth-bound into weightless and everyday sounds<br />

into music.<br />

Music performance by:<br />

IT KILLS<br />

outdoor events:<br />

Illumination <strong>of</strong> the haunted sculpture<br />

in the Events Plaza<br />

The Bluenose Ghosts Haunted House:<br />

Fear the Darkness<br />

in the compass rose, dartmouth ferry<br />

terminal: Homage<br />

The Homage set is a sculptural installation<br />

designed by architect Peter Blackie for 2b theatre<br />

company’s original production Homage. The<br />

installation functions both as a set and as a<br />

custom-designed theatre-in-the-round. Homage<br />

tells the true story <strong>of</strong> the careless destruction<br />

<strong>of</strong> a large-scale piece <strong>of</strong> public artwork inspired<br />

by Stonehenge and built out <strong>of</strong> wood. Standing<br />

14 feet high and occupying a 40-sq. ft. footprint,<br />

Blackie’s design has both an enormous scale and<br />

an incredible restraint. The basic shapes, a circle<br />

within a square, reflect an ancient and fundamental<br />

architectural theme, with the circle representing<br />

perfection and divinity and the square representing<br />

that which is created by humans. After 2b’s first<br />

mounting <strong>of</strong> the production, the original installation<br />

was destroyed and the materials sold <strong>of</strong>f.<br />

Briana corr scott studio<br />

224 Portland St.<br />

<strong>Art</strong>ist studio<br />

Stop by during Nocturne to see Briana painting live and to view completed<br />

architectural paintings, still lifes and portraits in oil and watercolour. A working<br />

studio year-round, the space is open to the public for open studio days and<br />

seasonal events like Nocturne.<br />

craig gallery at alderney landing<br />

2 Ochterloney St.<br />

Non-pr<strong>of</strong>it gallery<br />

Hope<br />

The Craig <strong>Gallery</strong> at Alderney Landing presents Hope – the 12 th annual<br />

Mosaic for Mental Health <strong>Art</strong> Exhibition and Sale, from <strong>October</strong> 14-24, with<br />

all proceeds supporting the Halifax Dartmouth branch <strong>of</strong> the Canadian Mental<br />

Health Association. The exhibition will consist <strong>of</strong> hundreds six-inch by six-inch<br />

tiles, each an individual work <strong>of</strong> art responding to the theme <strong>of</strong> hope. The<br />

completed tiles are created and donated by artists who care about mental<br />

health and mental illness. Tiles are priced at $25 unframed, $55 framed. The<br />

Craig <strong>Gallery</strong> strives to develop awareness and support <strong>of</strong> visual arts in our<br />

community.<br />

evergreen house, dartmouth heritage Museum<br />

26 Newcastle St.<br />

Non-pr<strong>of</strong>it museum<br />

Evergreen House – a beautifully interpreted 1867 Victorian estate<br />

was once home to Helen Creighton, Canada’s “first lady <strong>of</strong> folklore”.<br />

It is currently the headquarters <strong>of</strong> the Dartmouth Heritage Museum.<br />

Pedway Picture gallery<br />

(Veith street gallery studio association)<br />

Alderney Landing on the Dartmouth Waterfront<br />

Non-pr<strong>of</strong>it gallery<br />

The Pedway Picture <strong>Gallery</strong> is located on the pedway <strong>of</strong> Alderney Gate in<br />

Dartmouth. The gallery showcases over 50 works <strong>of</strong> art by a variety <strong>of</strong> Creative<br />

Spirit East artists. The Pedway Picture <strong>Gallery</strong> is administered by Veith Street<br />

<strong>Gallery</strong> Studio Association and Creative Spirit East with the support <strong>of</strong> Alderney<br />

Gate, Dartmouth Library and the united Way.<br />

46 NOCTURNE: art at night<br />

NOCTURNE: art at night 47


ZoNe 5 (Downtown Dartmouth) MoBile ProJects<br />

Deserving Treats<br />

Natasha MacLellan<br />

Two If By Sea Café, 66 Ochterloney St.<br />

Theresa – who considers herself hip, interesting and deserving – hasn’t been<br />

having the best week, so she stops at her favourite café before work to indulge<br />

in a sweet treat. As she sips the frothy, sugary concoction, her day begins<br />

to brighten. Then, the audience gets to experience 25 unfiltered minutes in<br />

Theresa’s head, and the week is painfully unravelled, one irritating person<br />

at a time. Deserving Treats premiered at the Atlantic Fringe Festival in 2003<br />

and was the first <strong>of</strong> six world premieres produced by Forerunner Playwrights<br />

Theatre. Enjoy a performance over c<strong>of</strong>fee and one <strong>of</strong> HRM’s best croissants.<br />

Mobile <strong>ART</strong> Wall<br />

Adam Reiss<br />

Events Plaza, Alderney Landing<br />

Who owns the visual space in HRM? During Nocturne, the general public<br />

will own 200 sq. ft. <strong>of</strong> visual space. The Mobile <strong>ART</strong> Wall installation invites<br />

you to express yourself using paint. Colour it, advertise on it or just tag it.<br />

The Mobile <strong>ART</strong> Wall is an all-ages, all-abilities and accessible event. The<br />

entire evening will be digitally photographed and compiled to produce a video<br />

timeline <strong>of</strong> the project that will be posted on the Mobile <strong>ART</strong> Wall YouTube<br />

channel.<br />

Vindice’s Folly<br />

Vile Passéist Theatre: Dan Bray, Colleen MacIsaac, Ensemble<br />

Travelling throughout the Circus at Alderney Landing<br />

British tragedy and Italian comedy come together in Vile Passéist Theatre’s<br />

carnivalesque reimagining <strong>of</strong> Thomas Middleton’s stark drama, The Revenger’s<br />

Tragedy. The dark secrets <strong>of</strong> the circus grounds provide a backdrop for the<br />

characters <strong>of</strong> commedia dell’arte to engage in their ridiculous and deadly<br />

games. Led by scull-toting Vindice, this cast <strong>of</strong> characters will perform<br />

alongside the carnival throngs.<br />

“an exercise in giving myself and the stories we share”<br />

or “how I made you pancakes for your treasures”<br />

Noah Derek Logan in collaboration with everyone<br />

Gone are the days <strong>of</strong> sharing stories with loved ones over dinner; stuck in the<br />

9-5 routine, our face-to-face interactions are being replaced with interactions<br />

via e-mail and social networking. During Nocturne, Noah Derek Logan will inhabit<br />

a mobile pancake vehicle (MPV), as he travels around Halifax handing out freshlymade<br />

pancakes in exchange for artifacts and stories for the MPV archive.<br />

LightCycle<br />

Rory MacDonald<br />

Cycling through the waterfront and downtown Halifax<br />

LightCycle is a single-float parade using a converted Raleigh Free Spirit bicycle<br />

as a staging for a mobile light spectacle. As much an intervention into the<br />

downtown and waterfront, this project will engage with the mobile audiences<br />

<strong>of</strong> Nocturne through light, movement and memory.<br />

The Miscellaneous Marching Band Interactive<br />

Parade Tour<br />

Zachary Gough<br />

Marching through downtown, beginning at Grand Parade<br />

This is your opportunity to contribute to Nocturne. The Miscellaneous Marching<br />

Band, directed by Zachary Gough, will lead an interactive tour <strong>of</strong> some <strong>of</strong> the<br />

events downtown. Stop by for juggling and other entertainment between 6-8 p.m.<br />

We’ll leave Parade Square at 8 p.m. Bring an instrument, noisemaker or hula<br />

hoop and tag along.<br />

Morphos<br />

Sam Kinsley<br />

Moving north through the city, departing from NSCAD Port Campus,<br />

Marginal Rd.<br />

Morphos is a group <strong>of</strong> roaming, living sculptures. Each “morpho” is made up<br />

<strong>of</strong> two to three performers encased in a skin-like sheath. This skin inhibits<br />

the performers’ movement, encouraging them to find unique ways <strong>of</strong> travelling<br />

throughout space and the city. They will be found in transit or experiencing<br />

art on the night <strong>of</strong> Nocturne, interacting with both their environment and the<br />

public. Morphos begins at 6:30 p.m.<br />

48 NOCTURNE: art at night<br />

NOCTURNE: art at night 49


MoBile ProJects<br />

50<br />

Elmiet<br />

ursula A. Johnson presented by Prismatic<br />

Zones 1, 3 & 4, Culminating at Grand Parade at 9 p.m.<br />

Mi’kmaq artist and NSCAD university alumni, ursula A. Johnson, presented<br />

by Prismatic, will be performing Elmiet. Her conceptual works combine images<br />

and elements from a multitude <strong>of</strong> sources that explore and challenge ideas <strong>of</strong><br />

ancestry, identity and culture. Johnson will parade throughout Halifax wearing<br />

a handcrafted headpiece as she distributes invitations for an event that she<br />

will be hosting downtown, where a selected participant may be eligible for a<br />

“cash” prize.<br />

NOCTURNE: art at night<br />

charlotte hansen<br />

REALTOR<br />

www.charlottehansen.com<br />

tel. 902.449.6777<br />

Peninsula Community Council<br />

is staying up late for Nocturne<br />

Councillors Dawn Sloane, Jerry Blumenthal, Sue Uteck and Jennifer Watts<br />

HRM’s Call Centre 490-4000 or www.halifax.ca<br />

®<br />

proud sponsor <strong>of</strong><br />

NOCTURNE: art at night <strong>2010</strong>


Experience Halifax in a whole new light.<br />

Proud to support Nocturne: <strong>Art</strong> at Night<br />

bellaliant.net<br />

Kathryn Cooper MacDonald<br />

Striving for...<br />

Clean Air, Clean Land,<br />

Clean Water and Clean Energy!<br />

Sustainable Environment Management Office<br />

www.halifax.ca/environment/SEMO.html

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